Wiley Photoshop CS2 Bible, Professional Edition
Contents
1. 2 22 nennen 125 A few helpful Color Range hints 129 Creating an Independent Mask Channel 129 Saving a selection outline toamaskchannel 129 Converting amasktoaselection 204 132 Viewing mask and image cr 132 Building a Mask from an Image lll 133 Chapter 5 Working with LayerS lt lt lt 141 Layers Layers Everywhere 002 eee eee ene 142 Sending a Selection to a Layer 143 Other ways to make a layer 2222 leen 144 Duplicating layer epu pa k eee ee ek OS Sa eS S 146 Layer Basics e e eR RSS RI da en ee b Se RS 147 Switching between layers lesen 147 Understanding transparency oosa 0 149 Modifying the background layer anaa aaa 151 Reordering layers 26s capis oh WP vu edu ba S 154 Displaying layer edges 2 22 Comer 155 Blending layers a s reui mae 9 eR Be ee oe Yd 156 Fusing several layers 2 2222 len 158 Deleting layers 0 4x 8 2 40 2008 E05 Se MASS 159 Saving a flattened version of an image 159 Selecting the Contents of Layers o o 0000000 0 160 Moving Linking and Aligning Layers o ooo 161 Linking and unlinking 2 es 282220 8 9o RR YR 161 Organizing layers in groups 00000 000s 163 Creating and Using Smart Objects o 12. 505 Applying Levels one channel at a time 511 Customizing the Auto functions 0 4 513 Eyedropping neutral colors o 517 XIX XX Contents The Curves Command 43 440 0 Da wid SU e RI ESSE 517 Mastering the brightness curve 2200 518 Eyedropping graph points o o e 522 Gradientmaps 4429 Sod ee X a a Ged es 523 Creating and editing continuous curves 526 Working with arbitrary maps llle 528 Channel by channel brightness graphing 531 The Shadow Highlight Command o 533 Chapter 13 File Management and Automation 537 Using the Bridge uuu 48000 paradas ee Bee aa 537 A typical Bridge session o nn 539 Opening images from the Bridge 540 Your Bridge view options 02 000 eee 542 Rotating images ee 544 Adding an image to favorites llle 545 Managing the cache e e e 550 B tchrenaming oase a 2 4 ann 2 3 wu a Bew een ae 552 Using the File Info command sls 553 Creating Custom Actions 2 2 2 2 2 2 m m nn 557 How actions work 2 2 CC none 557 Editing n Action 2694 apa e e wer a ee 560 Playing actions and operations 2 2 non 563 Saving and loading sets eee eee 565 Batch Processing sda ebd SUO SR
3. 66 Creating anew Smart Object o 166 Editing Smart Objects is ss as ora aw ae oae e e ea a aoi aoi ia 167 Contents Exporting and replacing Smart Objects 169 Locking layers aeo urasi Coon 170 Applying Transformations 00000 ee ee eee 171 Transforming the entire image 171 Transforming layers and selected pixels 172 Warping Layers os e 249 ow a S EDS Hehe ER ES 176 Numerical transformations 178 Intelligent alignment with Smart Guides 178 Masking and Layers s iuo eR ke eae ee Oe RS be RE eS 179 Preserving transparency eee ee ee eee 179 Creating layer specific masks o o 182 Pasting inside a selection outline 185 Masking groups of layers o 185 Working with Layer Comps 2 2 2 2 Cm onen 187 Chapter 6 Blend Modes and Knockouts 191 It s Allin the Blend oia o ok 24 as 2 PEE e 192 Opacity and Fill or 393x434 wee Y PO g REDUCES exe que AUR 193 Blend Modes 5 224 2 Ss Be Reda p ERU a ie 196 The hierarchy of blend modes o 213 Sandwiching a filtered image 2204 215 Advanced Blending Options noaea 216 Blending interior layer effects 219 Masking and unmasking effects 222 Dumping whole color chamelS 226 Ma
4. Contents Preface eg PLC ea ee Sala ke aaa vii Chapter 1 Painting and Brushes lt lt lt 1 The Paint Tools BROMA 3 Whe Edit TOOlS 4 2 zoe se an na AAN sss 5 Basic Techniques E59 9 leen 7 Painting a straight line 2 22 llle 7 Painting a perpendicular line lll len 8 Painting with the Smudge tool lle 9 Mopping up with the Sponge tool 04 12 Undoing your damage mA 95 14 Brush Size and Shape et 14 Selecting a brush shape o 15 Modifying brush shapes 2 0000 eee eens 17 Defining a custom brush 0 2 0000 eee eee 22 Brush Dynamics QM ee es 23 Brush dynamic basics 1 moon 24 Shape dynamics a POD ooo 24 Additional brush dynamics 00 05000 ee 30 Noise Wet Edges andthe rest o 0 000200 0 32 Opacity and Strength Flow and Exposure les 33 Brush Modes A ER 36 The 25 paint tool modes llle 36 The three dodge and burn modes 2 2 CC Cm 43 Chapter 2 Cloning Healing and Patterns 45 The Gentle Art of Retouching o rerea 45 Cloning an Healing 20 0 dice 9 x Ro a ee RR Re d 47 The Clone Stamp tool 2 2 CC m nn 47 The Healing Brush udi wx aan ee Ba an 53 The P telitool 4 Ses Gres eS e ee v
5. ES Ge andy 59 Retouching Photographs 0 0 00 eee ee ee eee 61 Restoring an old photograph 00 020005 63 Eliminating distracting background elements 66 Applying Repeating Patterns 70 Retouching with a pattern eee eee 71 Pattern painting options s e eb ipda tose 000 00 ee eee 74 Creating patterns and textures 0 0002 eae 75 Using the Pattern Maker socs seres moon 81 Building your own seamless pattern 2 2 CC Cm 85 XVI Contents Chapter 3 Undo and History lt lt lt lt oooooo 91 The History Palette ie wc Due E Rm me RAI RUE a cube Fem 92 Painting Away the Past see 96 The History brush lt sites zes km edu her ap BGs es 96 The Art History brush su 3 RS E X OS 96 Source state limitations onen 100 Retouching with the History Brush o 100 Sharpening and smoothing 2204 101 Painting with the snapshots ens 103 Creative History Effects 106 Chapter 4 Masks and Extractions Ls 113 Working in Quick Mask Mode llle 115 How Quick Mask Mode works s 115 Changing the red coating lt sga tona Ener 118 Gradations as masks o e me 119 Generating Masks Automatically o llle 125 Using the Color Range command 2
6. ees bas 566 Using Photomerge to Create a Panorama 570 Correcting Camera Raw Images ln 574 Making color adjustmentS o 576 Sharpening and smoothing o lll 578 Correcting for the camera lens 0 o 579 Tweaking the profile gt 22 2 04 000 a 580 Opening and saving Camera Raw images 582 Saving your Camera Raw settings len 583 Applying your saved Camera Raw settings 584 Chapter 14 Preparing Web Graphics 587 Photoshop and ImageReady 0 00000 ee eee eee 587 Web Graphics Dos and Don ts 2 2222 2 2 22mm 588 Work large then shrink 222 2 22 0808 8 Rm s 589 World wide color shifts llle 591 More Web graphics guidelines ll 598 Saving JPEG Im g s 239 a a vac dedu des 601 Adjustingthequality oo onen 602 Other JPEG options e e 603 Contents Preparing and Saving GIF Images nme 603 The three routes to a GIF file o 604 Using the Indexed Color command 607 Specifying the palette 607 Colors transparency and dithering 610 Making Side by Side Comparisons sls 612 JPEG optimization settings 22er 615 GIF optimization settings leen 617 PNG optimization setti
7. king knockouts a noo xx RR AD a A 226 Dropping Out and Forcing Through o 229 Color range slider bars ooe o caco seeto di e aaa a aa 231 FUZZINESS 4 24443 909 vob mo boe RR e Ae 908 5 234 Chapter 7 Shapes and Styles lt lt lt o 239 Drawing Shapes cso cenaa ee ee 240 The pros and cons of shapes 0 000000 240 The shape tools 424002 24 44 sa eA u a BEGG eee E Rs 241 The shape drawing process 2 2 CC mn 243 Combining and editing shapes les 246 Editing the stuff inside the shape 248 The Bold and Beautiful Layer Styles 252 The basic varieties of layer effects 253 Inside the LayerStyledialogbox 261 Modifying and Saving Effects Con 272 Disabling Effects eoo ase a a 273 Duplicating effects inmoral a la 273 Scattering effects to the four winds 274 Effects and blending options 274 Saving effects as styles 275 XVII XVI i 7 Contents Chapter 8 Corrective Filtering lt lt lt 279 A First Look at Filters u ar a a aa 280 Corrective filters s ece ati a es 280 Destructive filters unicas a E A a A 280 Effects Titers aaa a a ee 282 Fading a filter 2 24 2422 0400 RAED EG siehe 283 Heightening Focus and Contrast 2 000002 eee 286 Using
8. lying Color Variations cle 22 e E RR 447 How hues work soore saand iaa a ee 448 Intensity and ranges bx aa E OE eE Ea E 450 When to use Variations 0 000 ee eee eee 453 Using the Match ColorCommand 22005 455 Hue Shifting and Colorizing 458 Adjusting the Hue and Saturation values 458 Editing independent color ranges ls 466 Colorizing images n ea apada ee RR OR RR E As 471 When Variations and Hue Saturation Fail 474 Mixing color channels s s a s aow amni vr a8 828 Ox ROR aes 476 Reducing red LEYES i zu eee boh he rennen 478 Final channelmixingtidbits 481 Using the Red eye tool 482 Using the Color Replacement tool 482 Adjustment Layers 4222 Fans ahaa bh RRR REOR OUR san Res 486 Creating an adjustment layer o 486 The advantages of layer based corrections 487 Chapter 12 Levels Curves and ShadowS 493 Why the Brightness Contrast Command Creates Guesswork 494 Automatic Levels Based Adjustments 495 Auto Levels un oque a dd o ab ae 495 Auto Contrast 5 au Bok ia e A da 497 Auto Colot is dod mos aaa EUROS Bw dedu a ao aes 499 The Histogram Pal tte 5 523 883 ke wu cd EHE OR eL 500 The Levels Command 22e 505 Input and output levels llle
9. ngs llle 618 TheOptimize menu 0 0000 eee ene 620 The Preview menu e sanie bobo SORE OEE AD wR A 622 Creating Animated GIF Images o 000002 eee 623 Slicing Images auc ok uso 4 a atre Eee ne 626 Creating slices 439 vo pax bee REG Ed yeux US 626 Editing slices 5 uo a xk dox ee 628 Setting slice options 628 Saving sliceS ee 631 Turning to ImageReady u Au sn as e RU ARE SIN EUR a 631 xxi
10. s s 4 22 22 2 aaa 249 yy e Xe x d 364 Creating concentric pond ripples 4 370 Creating parallel ripples and waves ss 373 Distorting an image along a curve 379 Changing to polar coordinates lll 381 Distorting with the Liquify command 385 Lighting n Image v gr dm ws anna De e Gah ws 397 Chapter 10 Custom Effects 0 0c ee eee eee ee ee 403 Homegrown Effects with the Custom filter 403 Custom filter dvice s se soie Re uc mx 405 Applying Custom Values 2 2 Co onen 407 Contents Symmetrical effects 24 0643 vod ee a PR ES 408 Sharpening 2s 408 Non l variations esa wien wre Re RR e NOE RUE Ug 412 Other custom effects o ee eee eee 415 Displacing Pixels inanImage eee ene 420 Displacementtheory seen 421 The Displace dialog box 42429 om RARE 425 Using Displacement Maps llle 429 Applying predefined dmaps 000 eee 429 Creating your own texturaldmaps 433 Customizing admaptoanimage 000 4 435 Designing custom transformations 437 Chapter 11 Correcting Hue and Saturation 443 Adjusting Colors i 20 00 ua GB dod Gs SR e d n qe a s 443 A few words about color effects and corrections 444 Using the adjustment dialog boxes 445 App
11. the Unsharp Mask filter 286 Sharpening grainy photographs 295 Using the High Pass filter 298 Bl rring n Image ci edt e he ee E Be a ee eee ee 300 Applying the Gaussian Blur filter 301 Directional bl rring s sae s eR 24 24 RRR eR a a 302 Using the Lens Blur filter 310 Softening a selection outline o 315 Noise Factors fiat e ero agre eroe ee d icy ee a BS 319 Adding NOISE 4 sco xw wa eae ae ewe a A 320 Removing noise with Despeckle 325 Averaging pixels with Median o 325 Sharpening a compressed image 2 aaa 327 Using the Average filter 332 Chapter 9 Pixelate Distort and Render 335 A Million Bizarre Effects ss oe ee e RR ER RR RU 335 A note about RAM eA 345 The Filter Gallery a etre su wa ee ERR Redes ee a 345 The Pixelate Filters e crau cc Ba eS SS oe oboe ea ee es 347 The Crystal Halo effect u c RR 24 A as 348 Creating amezzotint 2 00 00 0 eee ee eee 349 Edge Enhancement Filters 2 22 2 Como 353 Embossinganimage nenn 353 Tracing around edges llle 356 Creating a metallic coating o 358 Distortion Filters m rapae 4 2 a a A ed Ee a 360 Reflecting an image in a Spoon 361 Twirling spiral
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Wiley Photoshop CS2 Bible Professional Edition