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1. A XTZ 99 26 P High End Monitor speaker 2008 XTZ AB www xtz se Contents About XTZ Technical presentation Preparations Practice of sound Installation and placement tips Mounting Area of usage Sound adjustment Technical specifications Service amp Support Page 2 Page Contents Philosophy XTZ Goal Contact Congratulations of your purchase the XTZ 99 26 P When combined with surround audio video electronics you will experience sound of motion pictures or music records much deeply and naturally Now when you watch your favourite movie or listen to your reference music CDs you will hear and feel the sound surrounding you in the same way as originally intended by mastering engineers IN LEN Read the manual before using the product and use all possibilities carefully Our reference and starting point is to recreate a natural sound taking into account that acoustics always is a matter of taste Our main goal is to provide the best value for money Our concept Cut down the numbers of middlemen Put more money on product quality and less on advertising Manufacture cost effective in large volume Provide perfect technical solutions Website www xtz se E mail info xtz se Page 3 Cabinet design Tweeter driver Woofer midrange driver The pyramid shape is not only an aesthetically neat shape but also has some advantages in terms of acoustics since nonparall
2. The moulded metal basket of high flow type that is acoustically transparent and high precision since the basket is shaped exactly due to moulding This makes sure that the basket is very stable and efficiently reduces resonances The basket is absolutely none magnetically which contributes to a higher efficiency of the driver A strong magnet combined with the light cone yields a high efficiency and a good transient response Heavy copper rings mounted above and below the T shaped pole piece reduces non linear and modulation distortion and increases the overload margin The copper plating of the top and bottom plates along with a solid copper phase plug improves the heat conduction and thus contributes to the high Page 4 Crossover Binding post Unpackning Accessories power durability Gold plated terminals reduce contact resistance and serves as anti corrosion Large windows in the basket both above and below the spider reduces sound reflection air flow noise and cavity resonances For the 99 26 P we have chosen to have an external cross over box Having the cross over outside the box has some benefits 1 Less affection of microphonic in the cross over Binding post on filter box 2 Making the assembly easier and Output having the opportunity to drive the speaker fully active The components being used in the cross over are only of high quality to get as small affection as possible on th
3. does not compensate damages Always enclose a copy of the receipt and a description of the defect
4. ofthe boundary frequency Level adjustment in the treble range Terminal Biwiring By using the supplied bass plugs in the bass reflex This setting also depends on the size and gates you can alter the lower boundary frequency shape ofthe room and also on your own on the XTZ 99 26 P taste so please has patience when trying out your preferred setting Also the treble level may be adjusted which allows you to perfectly alter the sonic to fit the room equipment and your own taste Closed gate With the bass plug mounted in the bass reflex gate the cabinet is closed and the loudspeaker operates asa closed construction which yields a more tight bass reproduction Bass reflex With no plug present in the gate you have a higher bass level and the loudspeaker is capable of handling lower frequencies In the treble range the level is adjustable in four different modes using the supplied loop connector Level adjustment in the treble range Mode 1 odB In this mode the sound is neutral with a flat frequency response Mode 2 3dB In this mode the treble level is increase by 4dB Mode 3 2dB In this mode the treble level is decreased by 2dB Mode 4 4dB In this mode the treble level is decreased by 4dB Connect cables from the output of the cross over box to the connections on the speaker It is important that this is done in a correct way If this is done wrong the drivers can be destroyed The tweeter
5. output on the cross over box should be connected to the tweeter on the speaker TWEETER The woofer output from the cross over box should be connected to the woofer on the speaker WOOFER Note A driver that has been destroyed due to an incorrect connection of the cross over is not covered by warranty Be careful when you connect the cross over Page 9 Construction type Dimensions Weight Magnetically shielded Impedance Binding post Efficiency Power Tweeter driver Woofer midrange driver Connections and settings 2 way Bass reflex cabinet that may be set as a closed box The treble level is adjustable in four different levels 234 X 375 x 350 mm W x H x D with front cover 9 kg pes No 4 8 ohm Gold plated bi wiring Banana plug Pole screw 88dB 300 W Short term IEC 268 5 100 W Long term IEC 268 5 Ribbon tweeter SACD DVD Audio ready Sandwich ribbon cone in aluminium neodymium magnets chassis made in ceramic carbon steel 6 5 SEAS Excel Magnesium driver moulded high flow driver basket powerful magnet 1900 gram Shielded e Gold plated biwiring e Bass reflex settable to closed box e The treble level is adjustable in 4 different modes Page 10 Do It Yourself service If something is broken Where to send the product for a warranty repair Support We apply do it yourself service on all XTZ products If you by yourself are a
6. ble to find out what part of the loudspeaker is defective you are fully allowed to unmount that part which would normally be a driver a filter or the amplifier and send it back to us for exchange However if you are not certain about how to do it please contact us before taking the loudspeaker apart We can also help you finding the fault You can of course always choose to return the whole loudspeaker therefore you should save the original package If you cause additional defects by yourself when unmounting the defective part the warranty still applies if it is obvious that the part had a manufacturing defect In other cases however the warranty does not apply if you cause other defects on the loudspeaker For service we refer to your retailer For questions regarding service contact us by email support xtz se Web page www xtz se Please contact our free of charge support if you need installation advice or if any problem occurs during the installation Contact us by e mail support xtz se and include your phone number if you wish verbal help and we will call you back Page 11 To aid service XTZ products are constructed and produced using common technology so that basically most people are able to unscrew the loudspeaker using common tools ALWAYS pack the product part very carefully Unfortunately damages during transportation are very common If the package is weak the transporting company
7. e signal TWEETER We have chosen a 12 dB crossover that has a fast transient response and a minimum of phase shifting e DESIGNED IN SWEDEN amp Binding post on speaker Carefully unpack the speaker and pay attention so you don t break anything If possible save the carton box for future transportations If there should be damage on the loudspeaker please contact your retailer Bass reflex plug User manual Rubber feet Loops for level adjustment Page 5 In which room do you achieve the best sound Reflections Amplification of bass frequencies Furniture Room dimension Placement of the subwoofer This chapter contains common information on loudspeaker placement and installation This is general rules so there are exceptions of some rules No matter how good the equipment is in the wrong listening environment it will inevitably sound bad There are some basic rules concerning a proper loudspeaker installation Carpets curtains and soft furniture absorb mid range and high frequency sound and this is preferable Big empty area on the contrary reflects it and produces hard reflections that may lead to blurry dialogue Apart from colouring the sound also the perspective of the sound will deteriorate Reflections in the room can roughly be compared to the reflections that yield ghost pictures on a TV screen A loudspeaker that is placed near a wall ceiling or floor will amplify lower frequencie
8. el walls muffles internal resonances of the cabinet The cabinet is made in 25mm MDF board which has good sonic qualities The cabinet is further strengthened with bars which in total yields a very stable construction We have chosen a ribbon tweeter which provides superior transient response and a very flat frequency response The ribbon cone is super light and only 18 microns thin It is a sandwich construction of rosin aluminium rosin that has been hardened at 320 degrees Celsius The magnet system is a 2 row high efficient neodymium magnets in a moulded chassis of ceramic carbon steel Fishbone shaped contactors in aluminium yields a low connection resistance and good heat derivation The driver has a high power durability and handles frequencies up to 40000 Hz which makes it DVD Audio and SACD ready After evaluating a large number of drivers from different manufacturers we selected one from Seas a company that has a solid reputation in the area of high quality speaker drivers You find Seas drivers in many well known High End speakers For woofer midrange we decided on a 6 5 magnesium driver from the Seas Excel series that have extreme performance We claim that finding a better 6 5 driver on the market is a very difficult task The surface treated magnesium cone is extremely light but still extremely stiff and effectively reduces resonances The rubber surround makes sure that no edge resonances are present
9. lways connect using the correct phase from the pole on the amplifier to the pole on the loudspeaker and corresponding for minus At high load during extensive time periods there is always the risk of overloading the driver and amplifier It takes about 50 to 100 hour of initial playing time for the driver to sound optimal During this time the speaker may be used as normally Connect cables from the output ofthe cross over box to the connections on the speaker It is important that this is done in a correct way If this is done wrong the drivers can be destroyed The tweeter output on the cross over box should be connected to the tweeter on the speaker The woofer output from the cross over box should be connected to the woofer on the speaker Page 8 If you by accident connect the other way there is no risk of damage However the sound will not be correct especially in the lower frequencies All loudspeakers have a limited patience for high power so be careful not to play extremely loud and not to increase treble or bass settings to much By increasing the bass or treble from o to max you will increase the power by about 16 times Note A driver that has been destroyed due to an incorrect connection of the cross over is not covered by warranty Be careful when you connect the cross over Check what is input and output on the cross over before connecting Room Tuning Mechanical adjustment
10. s in a sometimes not desirable way since it may lead to an indistinct sound recreation This amplification becomes even more obvious if the loudspeaker is placed near a corner Thus for a sound as clear as possible the loudspeaker should be placed at least 30 cm about 12 inch away from the wall Some constructions are made to be placed closed to a wall Be aware that furniture may vibrate and thus create bad sound at loud bass Quadratic rooms or rooms where the length is exactly twice as long as the width should be avoided since they may create unwanted resonance The placement of the subwoofer in the room dramatically affects the overall frequency response and sound level of the system At low frequencies the effect of the room is strong Even a slight change in the subwoofer s location can make a significant difference in the frequency balance Patience and methodical experimentation is needed to find an optimal placement The placement affects the phase difference between the main loudspeakers and the subwoofer One basic rule is to place the subwoofer together with or near the front system especially important if the front loudspeaker also propagate bass frequencies as this will minimize the risk of phase eliminations in the room Page 6 Cables Front speakers Why use 2 Subwoofer Finally Try to keep them as short as possible By its electrical parameters a long conductor will have a bigger influence on
11. the sound than a short one It may also work as an antenna and thus receive various signals that may become a constant noise in an active subwoofer Make sure that all connections are clean and not oxidized All connections should be mechanically stable both power signal and loudspeaker cables Signal cables should be separated from other cables To get the best result the front speakers should be placed symmetrical in front of the listener The distance between the front speakers should be around 80 of the distance to the listener In other words the recommended angle between the front speakers should be 45 There are more then one benefits of having 2 subwoofers instead of one The sound pressure level will be higher Less dips and standing waves in the room and a better frequency response in the room and on sweet spot The need of power is less to reach the same SPL as with one subwoofer Please remember that good sound is a matter of taste so you have to experiment to obtain your favourite one We wish you best of luck Page 7 0 8x Mounting alternatives Connect using the correct phase Overload The initial playing time Connecting Cross over Normally the XTZ 99 26 P is placed standing by a wall The wall behind and the wall beside the loudspeaker have influence on both the bass level and the bass characteristics so please be patient and try different distances to the rear and side walls A

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