USER`S MANUAL - Brunetti Tube Amplification
Contents
1. w m S 1 J 4 AS s d oe E 29 O 4 Fy 3 2 E RAW E Ch2 Ch3 PLEXIMODE LOOP aie WO 5 EU 1998 gt gt S B JD m O 9 io 2271 5 3 3 E E Ch2 Da Ch3 PLEXI MODE LOOP O POWER 277 199 REVERSE Vi J STORE LED amp 7 4 st lt 54 OF PLEXI MODE LOOP POWER AMP 100W 0 10 10 o E34 gt gt S E REVEI gt E yw 72 O 3 5 S se Ch2 Ch3 PLEXI MODE LOOP R7 RAW o POWER AMP Q 977 0 io 9r gt Sm Sm S E Se 6 gt gt A gt 5 9 1o 10 5 3 6 s E Ch 2 E iw 2 Ch3 PLEXI MODE LOOP O O POWER 20W 100W REVERSE E p STORE LED a 7 lt e 1 REVERSE STORE LED 0 4 E E p lt O 7 x 4 OX OS P gt x PLEXIMODE LOOP POWER AMP e zh mL un 91 PLEXI MODE LOOP e POWER AMP 5 4 gt gt 5 0 02. STORE LE P 3 0 The SW plug of the head is the same to which the 7 pin footpedal supplied or the possible midi controller are connected The logic of the 059 automatically recognises if one or the other control device has been connected Using the supplied footpedal it is possible to change the channels and activate the various functions individually while with a midi footsw presets can be created with the definitions desired and then various sound presets can be organised N B If during normal use of the 059 footpedal the manual switches on the front panel are also used misalignement may be created between the indication of the panel and those of the footpedal In this case the system can be re aligned by pushing the footsw of the selected channel CH1 or 2 or CH3 on the footpedal Automatically the front panel will show the same functions configuration of the footpedal CAUTION THE FOOTPEDAL SUPPLIED WITH THE 059 IS NOT A MIDI CONTROLLER IT CAN BE USED TO CHANGE THE FUNCTIONS ILLUSTRATED BUT PRESETS AND COMBINATIONS CANNOT BE CREATED MIDI The 059 can handle the various functions via MIDI using a standard MIDI controller The Midi Thru plug is not provided for so the 059 must always be connected to the last position receiving the Midi command for example from the Thru Out plug of another device 059 receives in OMNI that is to say it recognises programme changes arriving from all
3. Settin PLEXI TONE nod CH1 CH2 CH3 20W 100W MODE REVERSE 1 X X 2 X X X Active on 3 X X CH2 e CH3 20 different sounds 4 X X X 5 X X Via midi it is possible to handle 6 X X X in an easy and flexible 7 X X X manner control of the 7 8 X X X X functions and up to 20 different combinations can 9 be saved This wide choice 10 X X X combined with the preset 1i X X X of a possible external effect 12 X X X X will provide you with a wide X X range of sounds 13 14 X X X 15 X X X 16 X X X X 17 X X 18 X X X 19 X X X 20 X X X X REAR PANEL LOOP EFFECTS This section due to the effects on the rear panel contains SEND RETURN and PRE OUT The SEND is the output used to transmit the signal to the Input of the effect It has been studied for pedal effects stomp efx and rack unit effects rack efx RETURN is the input that reaches the final amplifier The processed signal from the output of the effect normally enters at this point and is destined to be mixed with the original sound of the amplifier through the control It is also possible to enter into the Return with an external Preamp taking advantage of the final part of the amplifier of the head see example RETURN In any case we recommend the use of high quality and short protective cables for all of these connections of the loop section Furthermore we must point out that in general any kind of effect used will tend to mod
4. 91 4 12 160 4x12 MONO 160 FULL 6 09 gt i ib e eee eee Lis 2 PLEXIMODE LOOP enm CO 0 OOCL fad UWE ST xe mer a I7 4x12 MONO 160 Midi 7 pin cable 9 e e In POWER AMP 16QSpeaker Out e e In POWER AMP 160 Speaker Out e zel 4x12 MONO 160 Brunetti TRI AMP 064 tion POWER OUT SLAVE OUT EM IMPEDANCE SPEAKERS EMULATED pe LINE 16 gt 5 PRE OUT 12V 0 2A The Tri amplification system is made up of three different sound sources The original sound of the amplifier DRY is in the middle while the two channels L amp R are located on the sides with the sound effect only WET This configuration increases the space of the sound front in particular using modulation effects such as reverbers delay chorus in direct listening or from the PA with microphones on all three speakers In this configuration the mix between the original sound and the effect is regulated by the general VOLUME of the head and by the volumes of the two channels of the power stereo amplifier DRY Volume IN gt Volume Out EFX 2x12 4x12 MONO MONO 160 LEFT CHANNEL DRY SOUND 1 KO Qus OUTR
5. STEREO POWER AMP 2x12 MONO RIGHT CHANNEL 8 Brunetti STUDIO Tabe anpli fication s LOOP 66 eee E S o 77235 zc c B e 0006000 H DRY 100 OUTR OUTL 0 000000 10000000 Volume IN Midi Thru Midi In O Volume Out AONO Mixer Q0 MIDI OUT Midi cable 1 2 3 4 5 Midi Footswitch tion HEAD HEAD 6 48 664 5 IN Ss X p POWER IN E 5 STAND BY POWER eee 252755 dee 05755 SLAVE 3 Rc EA SLAVE AMENS 16 16 2 090 Volume IN one em 5 160 Midi Thru Midi In Q Volume Out 0 OUTE MIDI OUT E Cavo midi 1 2 3 4 5 Midi Footswitch LEFT CHANNEL RIGHT CHANNEL o 4x12 4x12 MONO MONO 0c Tabe tron SET TO Speaker 5 1x12 MONO SET TO Speaker 5 2x12 SPEAKER CONNECTIONS Speaker amp SET TO Speaker amp 160 1x12 1x12 1x12 1x12 Speake
6. 16 MIDI channels Upon request it is possible to modify programming of the processor if the need arises to limit and therefore to receive and recognise just one of the 16 Midi channels of the head This requirement generally arises when the same Midi controller has to control several Midi devices and has to achieve different kinds of combinations The FOOTSW MIDI IN plug is a 7 pole Din that transmits the MIDI signal and also the phantom 12Vdc power to feed the external MIDI controller If this is not required simply use a 5 pole Din cable STORING USING THE EXTERNAL MIDI CONTROLLER In order to save the settings to be used via Midi follow this procedure Select the preset on which you want to save using the midi footswitch eg 1 Select the preset desired from the multi effect eg 23 Select the channel desired from the head eg CH2 and any possible additional functions eg Loop 100W Plexi mode Once the desired condition has been set press the luminous button related to the channel selected CH1 or CH2 or CH3 for a few seconds until the red LED STORE starts to flash being the same led of the Tone Reverse function S 2 2 E ws REVERSE 2x TONE REVERSE STORELED STORE LED MIDI OUT MIDI IN MIDI THRU AB 1 2 3 4 5 3 00000 L3 EMULATED MIDI IN LINE PRE OUT Midi Footswitch 0Q 12V 02A
7. PR sz s gt 97 ey 9 10 CH2 SETTING yw gf PLEXIMODE LOOP POWER 20W 100W ui 834 REVERSE VE 5 Ry oft ce STORE LED 2 Ey md O gt gt 1o gt nw Ch 3 PLEXI LOOP POWER 20W 100W E84 8134 REVERSE Me M S S ME STORE LED 4 P e Ey s 8 2 Ch 3 PLEXIMODE LOOP TONE REVERSE STORE LED e POWER 100W EL34 6 M Pts E gt G TONE REVERSE STORE LED 0 d PLEXI MODE LOOP POWER AMP 20W O 100W EL84 E A Vo 27 2 a xe Me E 7 56 8 x Os POWER AMP 20W 184 5 A SS X 9 ey PLEXI LOOP POWER AMP 20W EL84 A Yo A 8 5 A gt gt REVERSE STORE LED 0 20W 100w H4 gt REVERSE M x e STORE LED A gt J PLEXI MODE LOOP POWER AMP 20W e SETTING 205 E RAW 2 Ch2 gt PLEXIMODE LOOP POWER
8. you can turn on the head using the following procedure 1 Lift the POWER A switch The red lamp B on the front panel and on the device will turn on 2 After at least 60 seconds you can lift the STD BY C switch This part of the network is protected by two fuses indicated by HT Fuse EL34 and HT Fuse EL84 located on the back of the device close to the network plug gt To turn the amp off first of all press down the switch STD BY C and then the switch POWER B It is not necessary to wait for any specific period of time between the two operations POWER PROTECTION AND WORDING 4_ 9 BY The back of the head includes 2EROCINQUENOVE D An electrical socket general protection fuse T2A The small drawer contains a spare fuse if the first one was to break CAUTION If this fuse burns it means that the device has some kind of problem normally rather serious We recommend you contact the dealer or your assistance center F A high tension general protection fuse HT of the tubes EL34 G A high tension protection fuse HT of the tubes EL84 CAUTION If the F fuse burns all the amps 34 and EL84 cannot work In this case we recommend you contact the dealer or your assistance center H This sticker contains the following information Line Voltage value of the power fuse serial number and production date This sticker contains the following information Value of th
9. GITHIDUsSER S MANUAL tion ZEROCINQUENOVE This manual contains a lot of information required to have in depth knowledge of the equipment Therefore we recommend that you read this manual carefully in order to use its potentials to the very best All of our products are made on an EB 1 artisan basis and therefore you may find some small acoustic and or structural differences This is the very best guarantee of a truly hand made product 054 amplification TABLE OF CONTENTS Pag INTRO 3 SPECIFICATIONS 3 TUBES LAYOUT 4 FRONT PANEL Stand by amp Power 5 Power Protection and wording 5 POWER AMP section 6 CH1 CH2 CH3 section 6 7 SWITCHING Manual 8 Footswitch 8 MIDI 9 The twenty combinations 9 REAR PANEL Effect loop 10 Emulation Slaving out 11 GENERAL INFORMATION Serial Parallel looping 12 Preamp tubes 13 Power tubes 13 059 USING EXAMPLES PRE OUT 14 RETURN 14 STANDARD 15 FULL 16 TRIAMP 17 STUDIO 18 STEREO 19 SPEAKERS CONNECTION 20 WELCOME IN THE 059 WORLD This new version born from an evolution of the famous 059 represents the point of arrival for every musician The basic characteristics are still the same and others have been added on making it even more versatile and unique The 20 combinations of sound the various settings and all of the functions available will allow you to find the sound that you are looking for al
10. J 4 x EL34SV JJ SWITCHING Manual Footsw INCLUDED Midi DIMENSIONS 720x250x230mm WEIGHT 19 kg EQUIPMENT Power supply cord Footswitch with cable Operation manual Cover ELECTRICAL CONNECTIONS The electrical safety and correct operation of the device is only guaranteed with a good earth system Make sure that the power supply is the same as the one indicated on the back of the device TUBES LAYOUT amplified tron NM DRIVER 5222 12 7 12 7 12 7 12 7 CAUTION The EL84 tubes can be replaced without any additional regulations as the 20W class A amplifier is in autobias However all of the new tubes must have the same grade matched We strongly advise against the use of EL84 not selected in a couple The EL34 tubes on the amplifier in class AB with 100W can be replaced without any additional regulations only if EL34 is used with the same matching otherwise the bias must be regulated FRONT PANEL STAND BY amp POWER Caution The head is fitted with an internal load which is automatically inserted when jacks speaker cabinet are NOT connected This device will allow you to play even if the speakers are not connected taking advantage of the auxiliary outlets see page 12 The front panel of the head includes two switches to turn on and turn off the device ON gt After having made all connections to the power supply
11. e protection fuse on the high voltage and the tubes EL34 630 SLOW BLOW Value of the protection fuse of the tubes EL84 F200mA FAST SISSSSSSSSSISSSSS 1 otk 9 0 ono POWER The final section POWER contains three controls PLEXI LOOP VOLUME of the 20W amplifier in class A POWER VOLUME of the 100W amplifier in class AB PRESENCE allowing for the sound of the amplifier to exceed 100W This control does not work on the 20W amplifier The independent volume controls for every finale offer the possibility of being able to have two levels of power and sound entirely different and separated This applies to solos phrasing or parts that need to be highlighted compared with normal accompaniments A practical example of this possibility lies in the use of the 20W amplifier for normal accompaniments while in order to create a solo with a clean sound but only with a higher level of volume simply select the clean channel with 100W by regulating the volume on the amp This allows you to create a volume boost by maintaining a perfectly clean and dynamic sound THE PREAMP SECTION The three completely separate channels offer the maximum flexibility in terms of regulation and use It is also possible to add different colours some of which can be set from the front panel while others can be recalled and preset from the footsw of this can provide you with 20 possibilities all of
12. eakages created by use without any power load Internal loading is connected automatically if some of the jacks are NOT connected with SPEAKER OUT 11 GENERAL INFORMATIONS SYNTHESIS EFFECTS The main characteristic of the synthesis effects see example is to physically modify the shape of the signal see DISTORTION example This family of effects is perfectly inserted into the chain of connections between the guitar and the amplifier input Input Output MODULATION EFFECTS The main characteristic of the modulation effects see example is to add and or superimpose other curves shapes with the inward signal This family UN of effects is perfectly inserted into the chain of loop effect connections of your amplifier that is to say Input Output between the pre amplifier and the amplifier Power amp SERIAL LOOP In the serial loop all of the outward signals from the Preamp are transmitted and processed by the effect In this case setting of the effect should consider part of the original sound defined as DIRECT or DRY and part of the EFFECT or WET effect created from the original sound and mixed with the direct or dry within the effect OUT d EFFECT PARALLEL LOOP In the parallel loop a portion of the direct sound passes through the loop without leaving the Send and then mixes with the signal from the Return The quality of the effect is much less important compared wi
13. es not saturate the effect while the OUT volume of the effect must be consequently regulated in order to achieve a good balance between the volume and the amount of the effect LOOP mum PRE OUT SEND RETURN E FX 2 900 0 2 e5 55 Volume OUT OUT IN 10 PRE OUT Is the out of the pre amplified signal This out may be used to send an external amplifier with its relative cabinet or for a Triamp system see example SPEAKER OUT These two outs paralleled must be connected to one or more cabinets matching the impedance From these out cames the power signal of the head The SLAVE OUT section contains the following outs LINE A signal extracted from the power amplifier to be send to another amplifier or effect This out is unbalanced and not emulated Compared with the PREOUT this outlet confers sound to the sound characteristic of the power amp EMULATED A signal extracted at the same point of the LINE but apart from being softened it is also filtered therefore modelled according to the reaction of the speaker This is done to create a direct line with the mixer A balanced and floating transformer XLR SPEAKER OUT Com gt PRE OUT SEND 059 is fitted with a circuit called ALS Automatic Loading System that offers the following two advantages playing without a speaker cabinet using the outlets LINE and EMULATED protecting the final stages from br
14. his kind of defect In all of the fields mentioned above it is important to replace the faulty tube with a new one If the faulty tube is not new therefore if it has worked for approximately 1 year we recommend that all of the tubes are replaced This is done to optimise performance If however the tube is relatively new then simply replace it with an identical one Caution Make sure that only coupled tubes are assembled with the same selection characteristics that can generally be identified on the tube with the indications given by the manufacturer in our case MATCHING REFERENCE All of the final tubes fitted onto an amplifier must have this common characteristic If sets of tubes are used with a different matching reference the BIAS must be realigned on the amplifier 13 STD em 051 labe amplification A system Y f Bsystem 97 995 SLAVE our LOOP In normal use of the head the PREOUT IMPEDANCE Capi outlet may be used to connect another Power Amp with relative speaker The two systems A and B may be used at the same time The PREOUT level depends on the level position of the PRE controls on CH1 and the GAIN controls on CH2 and In order to find a balance between system A and B the controls should be subsequently adjusted Master and Vo
15. ify the original sound of the amplifier according to the quality The control can be regulated in order to achieve No effect gt position 0 PN mm Parallel loop gt intermediate positions for example at 60 This indicates 6096 of the Wet effect and 4096 of direct sound Dry Serial loop gt position 100 The SEND level and the PREOUT level depend on the level position of the PRE and GAIN controls of the three channels PEDAL EFFECT For maximum sound performance we recommended that only modulation effects are inserted into the loop such as chorus flanger delay reverb etc Set the control to the 10096 position serial loop the entire signal will move through the effects Generally the modulation pedal include a Level control that you should set according to how much effect you desire With the use of the pedal we recommend that you do not use volumes that are too high in order to avoid saturation of the pedal with the signal from the Send RACK EFFECT Using the rack effect we recommend that the direct Dry is excluded from the effect and mixing between the sound of the head and that of the effect Wet should be handled with the control according to your personal taste Loop in parallel The IN volume of the effect must be regulated with the real volume of the head used checking to make sure that in this condition the signal transmitted by SEND do
16. l operation During the lifespan of a tube this noise may increase dramatically by creating problem of various kinds The pre amplifier tubes do not necessarily need to be selected electrically this is normally performed by the manufacturer but it is important to make sure that they are of excellent quality POWER TUBES The power tubes are the last stage of amplification before the output transformer and the speakers and are subject to wear and tear On average a final tube that works in class A B may last between 800 and 1 000 working hours considering that their level of wear and tear is also connected with the volumes of sound On an amplifier of the same power working in class A the same tube may last between 600 and 800 hours In this working class the tube is subject to greater stress When the final tubes should be replaced It is possible to see when a tube is exhausted because it has a general loss in power and therefore in volume sound has less impact and low frequencies tend to lose power The main problems related to this kind of tube are a Short circuit within the tube that normally blows the high tension fuse HT one of the tubes does not light a fault that can be easily identified by a visual control on the internal filament of the tube itself the tube becomes incandescent in this case an increase in the background noise of the amplifier hum will be registered a visual control of the tubes will confirm t
17. l tubes of course The head is equipped with a modern and unique system in its kind the dual power amp to solve the problem of volume once and for all The first is a 20W in class A with two EL84s while the second is a 100W class AB with four EL34s The real news is represented by the fact that the choice of the amp to be used can be selected from the front panel or the footswich or via midi in real time while you play without moving on to stand by or turning off the 059 With 20W you can create low volume solid sounds even with small sized cabinets while with a 100W the pression is multiplied in a remarkable manner creating a structure and work classpower amp that are suitable for live use in large spaces An added possibility that does not exist in any other commercial amplifier 059 has three entirely independent channels which are all truly versatile Extremes of the three channels are superimposed perfectly providing true continuity of sound between clean and true overdrive CH ranges from a clean and very balanced sound through to a very compressed and clean sound that immediately reacts to the dynamics A large harmonious and well defined structure CH2 has an extremely manageable gain excellent for accompaniment rhythms remaining consistent and defined until reaching the pushed overdrive The feeling created by playing CH2 is the cleanliness and definition of a CH1 but with a progressive distortion a real crunchy t
18. licable national norms and regulations Info amp Support Brunetti Marco amp C S a s Via De Bonomini 25 27 41100 MODENA ITALIA 39 059 243404 Fax number 39 059 216464 e mail info brunetti it commercial info e mail support brunetti it technical info http www brunetti it tron CH1 SETTING 1 2 1 7 mar 9 Ch 1 PLEXI 1 POWER 20W 100W EL84 EL34 sl 5 lt Vo 2 5 Ne E Ch 1 e 46 PLEXI LOOP BRIGHT Ch 1 IN E 8 RO o p POWER AMP Q a 5 gt gt 5 10 PLEXI LOOP POWER 20W s ott e 5 gt gt 10 0 10 PLEXI LOOP e Q 20W O 100W EL34 gt E 2 gt 10 PLEXIMODE LOOP POWER AMP 20W el 10 100W Bx EL34 mm SS 3 gt 10 0 0 10 9 Me 1 S 10 BRIGHT 55 e 10 IN M Me 10 0 10 chi 46 6 v PLEXI LOOP POWER AMP 20W 184 1 5 F 10 o eee PLEXI LOOP POWER ze EL84 M NEP Yo Ga Ir PLEXI MODE LOOP POWER AMP O 20W E84
19. lisation of the CH2 with that of the CH3 and vice versa increases the possibilities of sound available without the need for additional effects and with the convenience of being able to do so using the pedal When the RAW function is inserted it makes sound much more incisive and present but it is never fuzzy The medium and top range take on an important note CAUTION RAW function starts to work with the GAIN pot from 6 to maximum The PLEXI MODE function can be activated on these channels too CH2 is transformed into a very British Crunch with prominent medium low tons while CH3 increases and smoothes down on the medium high notes A revolution in sound On the two distorted channels we have drawn three imaginary areas for gain regulation and we guarantee that you will easily find the sound that you are looking for CH2 2 o 2 2 be defined the connecting ring between CH1 and Its rich and consistent sound is perfect for accompaniments as well as for solos Its strong point is the 1 progression of gain ranging from a reactive dirty clean STORED superimposing on the upper limit of CH1 until reaching a 0 good level of gain from which the then leaves CONTROLS GAIN Gain control MASTER Channel volume control BAN MID TREBLE Tone controls LIGHT RAW Presence control DISTORTION CLEAN STANDARD ROCK DIRTY CLEAN DRIVE CH3 CHG can be defined as Hi gain but it is also ext
20. lume on 059 and volume on the external Power Amp e In POWER AMP Speaker Out e ee 2 12 etu dies Lied roe NE ini E SC RETURN PRE OUT POWER ourm SLAVE OUT zi LOOP 8 9 9 If an external pre amp is to be used it is possible 3 to do so by connecting it to the return of the 059 With this connection by positioning the MIX control 100 and inserting the LOOP control on the front panel or on the footsw the pre amplifier of the head is excluded The Master control of the channel selected CH1 2 or 3 remains active therefore it is another volume before the power amp one of 20W or 100W I x In this configuration we recommend use of one of the three channels and use of the relative MASTER 2 12 Brunetti STANDARD Tabe anpli fication 4 8 0 0 7 v e Jot tte die 2752 55 Ul om E ps5 05 emm o 85 9 055 d 5 pin cable Q Volume IN 25 00 OUTL OUTR Midi Thru Midi In O Volume Out Midi 7 pin cable 22000 4 12 160 Midi Footswitch
21. one CH3 ranges from this extreme point of the CH2 channel and creates a real fluid and round distortion The PLEXI MODE and TONE REVERSE combinations will offer you several possibilities that will be extremely important in all of your sound choices guaranteeing solo in a completely unique way The Tone Reverse function that used to characterise the 059 is still the same therefore being able to use equalisation of the 2 channel instead of the CH3 channel and vice versa doubling the possibilities of sound Another modern function is the Plexi Mode that can be inserted in all three of the channels In reality this apparently simple function creates a complicated combination of operations by modifying the shape of each channel therefore allowing for a substantial variation of eg Channels 2 and 3 will be smooth and full bodied while CH1 will be much more compressed and larger This function can also be stored SPECIFICATIONS POWER AMPS 20 W class A 2 x EL84 or 100W class AB 4 x EL34 Separated Volume Presence 100W CHANNELS 3 Completely separated CH1 CH2 CH3 TONE REVERSE Reverse the EQ of CH2 with the EQ of CH3 PLEXI MODE Works on the three channels preamp changing their basic structure AUX OUTPUTS EMULATED XLR balanced LINE jack Slave with level regulation EFFECTS LOOP buffered usefull for rack and stomps MIX control Parallel Serial use True bypass function TUBES 6 x 12AX7 2 x EL84J
22. r amp 4x12 4x12 4x12 MONO MONO MONO IMPORTANT NOTES The manufacturer declines all responsibilities in terms of damages to people things and or animals caused by incorrect use of the appliance Compliance of the appliance is highlighted by the CE symbol shown on the back The manufacturer reserves the right to make any modifications to its product that it may consider necessary and useful without compromising the functional characteristics and safety of the product Do not use the appliance when bare footed Do not use the appliance with wet hands and or feet Do not leave the appliance exposed to atmospheric agents rain sun humidity etc Do not allow children or any unskilled individuals to use the appliance Avoid putting inflammable material close to the appliance Fill in the warranty form that you will find on the website WWW BRUNETTI IT otherwise the warranty will not be valid Repairs to the appliance may only be carried out in our premises during the warranty period and in any case only by authorised technicians in accordance with applicable national norms and directives Periodically check the cables supplied together with the appliance If they appear to be scratched Cut or burnt etc replace them immediately with similar cables In the event of a fault contact the shop that you bought the appliance from Make sure that the appliance is correctly earthed in accordance with app
23. remely suitable for use in several kinds of situations Its impact and its presence will surprise you This channel is in terms of sound much more aggressive than the CH2 and obviously has greater e gain Its harmonious wealth is such that you can also use this channel for accompaniments and rhythmic parts with specific iw grooves The definition combined with the huge capacity of punch makes the suitable for all situations that require thickness and the presence of a sound front CONTROLS GAIN Gain control MASTER Channel volume control BASS MID TREBLE Tone controls RAW Presence control HARD ROCK DISTORTION STANDARD FULL MODERN DISTORTION DISTORTION SWITCHING The channels and the various functions of the 059 can be handled in the following modes MANUAL FOOTPEDAL and MIDI MANUAL Apart from the lighted functions highlighted in the image below the manual system also allows for the selection of switches BRIGHT on CH1 the two RAW on CH2 and CH3 that are not possible to control with the foot pedal or Midi D 9 9 9 9 JA 054 5 999 996 eee 66 FOOTPEDAL With its supplied 7 function footpedal connected with the 7pin plug on the back of the head it is possible to control every single function illuminated on the front panel chi C2 Ch 3 PLEXIMODE LOOP SLAVE ge gt Bis Foorsw ow LINE PRE OUT 4 e 39r 9 s TONE REVERSE e o
24. th the serial loop as the direct will be maintained as the original from the internal passage to the loop In order to have the best sound you must kill the Direct signal of the effect 100 EFFECT 12 GENERAL INFORMATIONS PRE AMPLIFIER TUBES The pre amplifier tubes are not normally subject to wear and tear and may last more or less for the entire lifespan of the device Possible problems on this kind of tube are related to microphonic effect and noise Microphonic noise effect Defined as a secondary effect of the tube of producing external vibrations as well as electrical signals generating horrible frequencies whistles This phenomenon is even more evident on high earning levels such as distorted channels With the amplifier on and the load correctly connected if knocks are made to the glass of the pre amplifier tubes it is normal to hear reproduction of this sound through the speaker Microphonic noises are clear and different because it will be possible to hear whistles and interference and in some cases also distortion of sound even without hitting the tubes It is important to point out that the first tube of the chain is the one that more than any other will tend to reproduce percussion generated by ourselves Therefore it is the one that is subject the most to the microphonic part of the chain Noise An intrinsic characteristic of the tubes is the background noise that borns from the natura
25. which can be pre set and recalled using the Midi CH1 CH1 is a clean well balanced and natural Using the PRE control you can compress sound even more without saturating it 4 Ch 1 The eq controls are standard Treble Middle e Bass but very efficent It can be made even more brilliant using the BRIGHT function IN y p RC o 9 PRE Gain control MASTER Channel volume control BASS MID TREBLE Tone controls BRIGHT Brightness control If however you want to create a much more British sound you can do so using the PLEXI MODE function that can generate a real transformation to the characteristics of the pre amplifier Of the two volume controls PRE and MASTER only the PRE acts on the Send level so that when the level of the MASTER is changed the amount of the signal that reaches the effect is not changed in any way THE SECTION PREAMP 2 2 and are the natural development of the Crunch and Solo channels of the old 059 Much more dynamic and flexible they normally range according to personal requirements The level of silence more than halved compared with the previous model in commutations and in background sound has been looked after The general quality of the circuit in terms of design and components has been drastically improved The function note TONE REVERSE of the first 059 version has been maintained and has made this amp real flexible Being able to exchange equa
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