LXP NATIVE REVERB BUNDLE
Contents
1. Navigation Buttons Navigation Buttons Click on a Navigation Button to bring up a different set of parameter knobs Most of the Navigation Buttons themselves will vary depending on what algorithm is selected but there is always a Soft Row button available Click the Soft Row button to bring up the Soft Row Assignment Buttons described on page 23 LXP Native Reverb Bundle InDepth 19 Control Buttons Control Buttons These buttons let you manage presets compare changes you ve made to the Control Buttons original settings and reload the current preset Store LXP NATIVE HALL This button allows you to create and manage your own presets See page PRESET 28 for more information Multiband Click for more B Compare p Compare The Compare button temporarily restores the plug in to the selected preset It gives you a chance to see what was changed While in compare mode the plug in is not editable Click Compare again to restore your edits Reload Reload Press this button to return the parameters to their original preset values Predelay Reverb Time Rolloff Diffusion RT Hicut Input Reverb Modulation Reflection 1 Reflection 2 Master 20 In Depth LXP Native Reverb Bundle LXP Native Reverb Bundle In Depth a 21 The Soft Row LXP NATIVE HALL PRESET Multiband Click for more Store Compare Reload Soft Row __ Parameter Name Predelay Reverb Time Rolloff Diffusion RT HiCut2. Click to delete LXP Native Reverb Bundle Presets m 29 User Preset Stored Location Pro Tips On the Mac User Presets are stored in Maximizing your machine These plug in reverbs are written to be efficient and most computers will run more Home Library Application_Support LexiconPro Native copies than you may need But if you find yourself needing to squeeze a little bit User_Presets AlgorithmName more out of your CPU you can take the following simple steps Home is the name of the account you re logged in under AlgorithmName is the Turn off the active displays The central window can represent your reverb name of the plug in i e LXPHall LXPChamber etc in real time in several ways This display consumes some of your computer s processing power If you click until you reach the Display Off screen your computer will have more time for audio On Windows 7 and Windows Vista User Presets are stored in m Close the plug in editor Unless you re actively controlling your mix in real time you don t need the editor after you ve made the appropriate settings Users username appdata usertype Lexicon_LXP_Native The knobs faders and displays require processing power You can always User_Presets AlgorithmName reopen the editor if you need to edit On Windows XP it s Reverb Tail Behavior Each host treats plug ins a little bit differently You ll notice this especially when Documents_and_Settings username Applicatio
3. in order to help you make informed decisions about which algorithm to use in any scenario LXP Native Reverb Bundle The Algorithms 35 LXP Chamber The echo chamber was the original high end reverberator It was a small to medium sized space with highly reflective and irregularly shaped walls Inside this space would be a microphone or two and a speaker or two The input signal was sent to the speakers and picked up by the microphones With careful design and setup a highly satisfying reverb could be generated There are still a number of first rate echo chambers in operation around the world The principal characteristics of the chamber algorithm include a rapid high density and avoidance of noticeable wall slaps This complex miniature space effect resembles an echo chamber at its smaller settings and at its larger ones a small performance space with a more rapid build up of reflection density than a hall The randomized reverberant tails make the LXP Chamber algorithm an indispensable tool in your soundcrafting toolbox LXP Native Reverb Bundle The Algorithms a 3 LXP Hall The highly acclaimed Lexicon Hall reverb algorithm has regularly been used by live sound and recording engineers because of their exceptional ability to reproduce the musical ambience of a large wide panoramically wonderful space A hall is the principal venue for classical ensembles but has proven to be useful for all tyoes of music A hall i
4. configurations indicated in its name For example if its name appears as L Rfl Delay or L L Rfl Delay the signal comes in from the left and goes out the left If the name appears as L R Rfl Delay the signal comes in from the left and goes out the right Rfl Gain Controls the gain of a reflection The sign of the gain coefficient may be optionally inverted Note that this parameter can have different routing configurations indicated in its name For example if its name appears as L Rfl Gain or L L Rfl Gain the signal comes in from the left and goes out the left If the name appears as L R Rfl Gain the signal comes in from the left and goes out the right Rfl Time Mast This parameter is used to scale all reflection times at once LXP Native Reverb Bundle The Parameters m 49 Reverb Level This parameter controls the level of reverb tail going to the output channels Reverb Time Reverb Time is the mid frequency reverb time in the frequency above Bass XOV and below RT Hi Cut As such it is one of the primary controls affecting the length of the reverb tail It may be considered to model the reflectivity of the walls in the reverberant space The parameter most closely associated with Reverb Time is Size A large room size with a small Reverb Time can easily have the same decay time as a small room with a large Reverb Time Even though the two solutions may result in the same reverb time the
5. opening the appropriate file on the CD Mac LXP Reverb mpkg Windows setup exe Once the Installer is open follow the on screen instructions to install the software iLok License You must download a license to your iLok USB smart key before running any program that might use these plug ins If a valid iLok license is not present the initial plug in validation scan will fail and you may not be able to run the plug ins without digging into your system For more information go to www iLok com Important Your LXP Native Reverb Bundle will not work without an authorized iLok USB smart key inserted in your computer s USB port LXP Native Reverb Bundle Installation 7 First Look When you load a Lexicon plug in the overall appearance may look something like the window below You will notice that the Lexicon plug in is embedded within a larger window provided by the DAW Appearance will differ from host to host Lexicon Symphony PF View v Show Channel Strip v Show Insert v Bypass Compa cd gt m exicon LXP NATIVE HALL CATEGORY PRESET IN Display OF Click for realtime display Store Compare Reload Predelay Reverb Time Rolloff Diffusion RT HiCut Input Reverb Modulation Reflection 1 Reflection 2 Master LXPHall LXP Native Reverb Bundle First Look m 9 LXP Features Below is a visual map that displays the LXP Native s main screen feature set In the example below we have instantiated the LX
6. ringiness Spin controls the rate of randomization In most cases values between 1 2 Hz are appropriate Wander controls the amount by which various delay values may be modulated Typically these values should be smaller for plates and chambers or for very small rooms But it s always best to listen with the material you re using 52 The Parameters LXP Native Reverb Bundle Tap Slope This parameter affects the relative gain of impulses coming from the reverb It will affect the timbre or the overall sense of spaciousness It can also be used to create inverse and gated effects In this case Reverb Time should be at 0 Spread should be fairly high Shape should be fairly high Size should be fairly high Tap Slope should be in the range of 5 to 10 aa IMpulses Overall decay trend Tap Slope 0 Positive Tap Slope Negative Tap Slope Wander This parameter along with Spin is used to control the reverb randomizer It controls the maximum size of randomizer steps and is expressed in a time value LXP Native Reverb Bundle The Parameters m 53 www lexiconpro com exicon by HARMAN Harman Music Group 8760 South Sandy Parkway Sandy Utah 84070 U S A Phone 801 568 7660 Fax 801 568 7662 Questions or comments Visit us at www lexiconpro com 2010 Harman International Inc All rights reserved Lexicon is a registered trademark of Harman International Inc All other trademarks are property of their
7. LXP NATIVE REVERB BUNDLE OWNER S MANUAL ate The LXP Native Reverb Bundle brings an inspiring quality to your mixes These reverbs are not trying to imitate the real thing they are the real thing All four plug ins are based on uniquely complex algorithms and each comes with an array of presets to suit your needs You can tailor each plug in to your preference or let Lexicon s trained ear professionals do the work for you Place just one instance of the LXP Native Reverbs into your mix and you will soon appreciate what distinguishes Lexicon from all others lexicon m XP NATIVE PLATE exicon XP NATIVE HALL n al CATEGORY Medium Plates PRESET Blue Plate 1 CATEGORY 7 Large Halls PRESET Large Neutral Hall S preseT Hard Tile edium Chai o Se 2 f mN our pulse Click for Of o Store a A l unien 24 Reload T m 100 0 anoo ns OFF 52100 NS OFF a a Jacy continues Congratulations and thank you for purchasing the LXP Native Reverb Plug in Bundle an artful blend of four illustrious Lexicon reverb plug ins With a history of great reverbs the LXP Native Reverb Bundle includes the finest collection of professional factory presets available Designed to bring the highest level of sonic quality and function to all of your audio applications the LXP Native Reverb Bundle will change the way you color your mix forever Quick Start m Choose one of the four
8. Lexicon plug ins Each plug in contains a different algorithm Chamber LXPChamber Hall LXPHall Plate LXPPlate Room LXPRoom m n the plug in s window select a category Select a preset It can be as simple or as in depth as you d like The 220 included presets work well for most situations but you can easily adjust any parameter and save any preset See page 26 for more information on loading presets and page 27 for more about saving presets Contents Installation 7 The Parameters 45 Install the Plug in Bundle 7 BassRT 46 iLok License 7 Bass XOV Bass Crossover 46 First Look 9 Diffusion 46 LXP Features 10 Early Level 46 In Depth 13 Echo Parameters 47 Realtime Display 13 Mix Wet Dry Mix 48 Parameter Knobs 16 Predelay 48 Navigation Buttons 18 Reflection Parameters 49 Control Buttons 20 Reverb Level 50 The Soft Row 22 Reverb Time 50 Presets 25 Rolloff 50 Loading a Category or Preset 26 RT Hi Cut 50 Saving a Preset 27 Shape and Spread 51 Manage User Presets 28 Size Reverb Size 52 User Preset Stored Location 30 Spin D2 Pro Tips 31 Tap Slope 53 Maximizing your machine 31 Wander 53 Reverb Tail Behavior 31 The Algorithms 35 LXP Chamber 37 LXP Hall 37 LXP Plate 41 LXP Room 43 LXP Native Reverb Bundle Contents m 5 Installation Install the Plug in Bundle Insert the CD into your CD ROM drive The Installer should start automatically If the Installer doesn t start automatically you can start it manually by
9. P Hall algorithm Control Buttons Algorithm Name lexicon LXP NATIVE HALL Category ___ Preset CATEGORY PRESET Selector Selector goe Display Off Click for realtime display Level Realtime Compare Meters Display Reload Parameter Knobs Soft Row Predelay Reverb Time Diffusion RT Hicut Input Reverb Modulation Reflection 1 Reflection 2 Master Navigation Buttons 10 First Look LXP Native Reverb Bundle Realtime Display Three unique visualizations provide additional information regarding the reverb tail frequency content or impulse response to help shape your individual sound This is explained in greater detail on pages 13 15 Parameter Knobs Adjust parameters here Each knob controls a single parameter The parameter name appears below the knob Navigation Buttons Each button brings up a different edit page with parameters related to the button name Control Buttons These let you manage presets compare changes you ve made to the original settings and reload the original settings This is explained in greater detail on page 20 Soft Row This row is only visible when the Soft Row Navigation Button is pressed The Soft Row buttons allow you to customize which parameters are shown in the Soft Row set of parameters See pages 22 23 for more information Level Meters Displays the input and output levels of any signal going through the LXP plug ins LXP Native Reverb Bundle First Look m 11 Ca
10. Soft Row Assignment Input Reverb Modulation Reflection 1 Reflection 2 Master Buttons Soft Row Navigation Button 22 8 In Depth LXP Native Reverb Bundle What we call the Soft Row The Soft Row is a set of parameters that come default specific to a particular preset They were assigned as being the most useful parameters for a particular preset For most people the Soft Row parameters are all that s needed Customizing the Soft Row The Soft Row assignments are part of the preset You can change the Soft Row assignments and store the preset as a User preset To do this click the Soft Row Navigation button then click the Soft Row Assignment Button for the parameter you d like to change A list will appear choose the new parameter you want to appear in the Soft Row You can even assign the same parameter more than once When you re done store it as a User Preset as described in the next section and you ll always be able to recall the preset with your customized Soft Row LXP Native Reverb Bundle In Depth m 23 Presets Each plug in comes with a large complement of Factory Presets These presets are grouped into categories Medium Halls Large Halls etc that make it easier to find the sound you need Category and Preset window LXP NATIVE HALL O gt mi a O a e PRESET Cc _ i Frequency Click for snare z Store M o M 000 Compare Reload Predelay Reve
11. arge Deep Hall EM7 Large Hall Large Vocal Hall 1 Large Vocal Hall 2 Large Vocal Hall 3 Large Vocal Hall 4 Big Fat and Rich Big Fat and Rich 2 Big Fat and Rich 3 Laurel Hall Fran s Snap Hall Jeff hits his Targets Reflection 1 Reflection 2 26 m Presets LXP Native Reverb Bundle 2 8259 SEC O7SOHZ S088H2Z 3 REVERS TIN OLLOFF Predelay T Reverb Time T Diffusion RT Hicut LXP Native Reverb Bundle Presets m 27 Manage User Presets After clicking the Store Button you ll see a screen that looks like the one shown below The User Library window contains the list of User Presets that have already been created for this algorithm Presets appear in alphabetical order The Preset window contains the name of the preset that was loaded before you began editing You can easily click in this field and change the name to anything you like Once you have the appropriate name click the Store button and the preset will be saved Manage User Presets User Library Click to edit name Preset Click Store to save 28 m Presets LXP Native Reverb Bundle Exiting the Store window If you decide not to save your preset then clicking the Cancel button will return you to the editor If you select one of the existing presets in the library you can replace or delete that preset as shown below lexicon Manage User Presets Click on a preset User Library Preset Click to replace es Ce elete Cance
12. d into the reverb Shape controls just how the signal is injected during this window Together the two parameters create an envelope for the early portion of the reverb as shown in this illustration Early Reverb Reverb Tail gt AP Shape 32 Shape Anything Shape 64 Spread 20 Spread 0 Spread 75 LXP Native Reverb Bundle The Parameters 51 Size Reverb Size Size corresponds roughly to the length of the longest wall of a rectangular room A room has a geometry that causes sound to bounce around When the room size is small the walls of this soace are closer together and the resultant reflection density increases When the room size is large that density decreases The most natural reverbs use room sizes that vary from about 24 meters to 45 meters or so but there are many useful reverbs that are outside of this range There is a relationship between this parameter and the Reverb Time parameter Please see the Reverb Time parameter for clarification Spin This parameter along with Wander controls randomization effects within the reverb Randomization is used to control the spectral purity of the reverb It can also at some settings create a more noticeable modulation effect Artificial reverbs sometimes create audible artifacts with some types of signals For example a voiceover in a very small room might sound a little metallic Randomization works to minimize these effects and remove the sense of
13. ltiband lt Click for more BOOHz 200Hz 14 m In Depth LXP Native Reverb Bundle Frequency This display shows the reverb as a more traditional RTA image with lower frequencies on the left iak i Creag onertcy n Click for were Impulse This display shows the signal as a single impulse response the image moves to the left as it ages imports Click for OF LXP Native Reverb Bundle In Depth m 15 Parameter Knobs Parameter Knobs Each of these knobs controls a parameter You can adjust their values via click and drag mousewheel or double clicking the number above the knob and typing LXP NATIVE HALL PRESET You can change the set of Parameter Knobs displayed by clicking the Navigation a buttons described in the next section You can create a custom set of Parameter Knobs by clicking the Soft Row Navigation Button as described on page 19 Multiband Click for more Store _ 1000 Compare Reload Parameter Knobs Predelay Reverb Time Rolloff Diffusion RT HiCut Input Reverb Modulation Reflection 1 Reflection 2 Master 16 m In Depth LXP Native Reverb Bundle LXP Native Reverb Bundle In Depth 17 Navigation Buttons _ _ 0000 LXP NATIVE HALL PRESET Multiband Click for more Store Compare Reload Predelay Reverb Time Rolloff Diffusion RT HiCut 18 In Depth Input Reverb Modulation Reflection 1 Reflection 2 Master LXP Native Reverb Bundle
14. meter controls bass reverb time It is closely associated with the Bass Crossover and Reverb Time parameters BassRT is a multiple of Reverb Time that applies to signal below the frequency described by Bass Crossover If BassRT is less than 1 0 then the low frequency part of the reverb tail will be shorter than the midrange part If BassRT is greater than 1 0 then the low frequency part of the tail is longer Bass XOV Bass Crossover The Bass XOV parameter is closely tied to the BassRT parameter It represents the frequency below which BassRT has an effect Diffusion Input diffusion is the first part of processing for any signal entering a reverb or delay It can be described as a smearing or softening of the signal and is typically used to lessen the impact of strong transients Early Level This parameter acts as a master control for any early signals going to the output channels Early signals include echoes and reflections 46 m The Parameters LXP Native Reverb Bundle Echo Parameters Eko Delay Controls the delay time of an echo that comes from the indicated input L or R and goes to the same output It may also recirculate back into the same input Eko FBack Controls the feedback of an echo that comes from the indicated input L or R and goes back into the same input The sign of the gain coefficient may be optionally inverted Eko Time Mast Controls all echo voices in the algorithm Each echo delay has its nominal
15. n_Data you stop loop or relocate You may notice that the tail stops immediately on one Lexicon_LXP_Native User_Presets AlgorithmName platform and continues to ring on another You may also notice that the behavior changes when the plug in is inserted on an audio track an instrument track or an aux track Lexicon strives to ensure consistent algorithm behavior across multiple platforms but some DAWs produce different results than others 30 m Presets LXP Native Reverb Bundle LXP Native Reverb Bundle Pro Tips 31 exicon The Heritage Lexicon occupies a unique position as a leading innovator in both professional and consumer audio industries Since the release of the first digital delay Lexicon has stood at the forefront of digital audio with a reputation as a manufacturer of exceptional professional audio and home theater products and an inventor of new technologies Years of research development and learning allow us to continue expanding the boundaries of the listening experience Our professional products are prominent in the creation of worldwide music television and film productions These products have won numerous awards including an Emmy and numerous TEC awards including a TEC Hall of Fame award for the Lexicon Delta T 101 the world s first digital delay Lexicon processors have been embraced as the standard a processing since the introduction of the 480L Digital Effects Processor which has re
16. oom The LXP Room algorithm is closely related to the Hall algorithm but the room is tailored for smaller spaces and shorter reverb times In this algorithm the Size parameter gains importance It will indirectly change the overall reverberation time more importantly it controls the granularity of the reverb With large sizes individual reflections may become more evident With smaller sizes the effect will be smoother LXP Room is most effective for two types of studio applications Post production Small rooms dialog replacement foley exteriors Music and broadcast Voice over booths drum rooms various dark and bright small rooms simple effects LXP Native Reverb Bundle The Algorithms a 43 The Parameters The four reverb plug ins contain over 220 presets covering just about every possible need But you can refine and customize any preset by adjusting its parameters Parameters are the building blocks within each preset that determine how it sounds and behaves Each algorithm contains a set of parameters and a variety of those parameters are combined to create a preset The following pages explain the algorithm parameters you can edit in the LXP Native Reverb Plug ins Note that sometimes parameter names are abbreviated when they appear on screen and they may have prefixes indicating what channel they control i e Level may appear as RightInLvl LXP Native Reverb Bundle The Parameters 45 BassRT This para
17. rb Time Rolloff Diffusion RT Hicut Input Reverb Modulation Reflection 1 Reflection 2 Master LXP Native Reverb Bundle Presets m 25 Loading a Category or Preset Saving a Preset The preset Category is chosen from the drop down menu in the upper left part of If you ve made some edits you d like to save as a preset press the Store button the edit window When you select a category the Preset menu is updated to show Many DAWSs only allow saving and loading presets created within that DAW availability of the new presets After you have selected a category click on the Lexicon has provided a solution by providing portable User Presets When you preset selector to choose a preset from the drop down menu store presets with the Lexicon Store button shown below your presets are available to all DAWs on your machine With only a little effort you can also share them with other machines even when going between Mac and PC Click here to select a category Click here to select a preset Click the Store button to save a preset CATEGORY 7 Large Halls PRESET 7 Large Neutral Hall Small Spaces Large Hall CATEGORY 7 User Presets PRESET Large Neutral Hall IN OUT Display Off Click for realtime display Huge Halls User Presets 4 08 NS 2 8259 SEC 7 rA PREDELAY REV Predelay Reverb Time T Rolloff Diffusion op Small Halls CRE oridi Large Neutral Hall Medium Halls Large Early Hall gt E CELE Large Pop Hall L
18. respective owners All features and specifications are subject to change Printed in the U S A P N 18 0739 A
19. s comparatively large with wall to wall distances that are typically several tens of meters Smaller halls may be used for smaller ensembles The characteristic sound of a hall includes very low initial reflection density with little reflection energy before 60 100 milliseconds Density buildup is more gradual because of the larger distances between reflecting surfaces Reverberation time is somewhat longer as well Finally in most halls lower frequencies reverberate longer than higher frequencies This algorithm shares these basic characteristics but is smoother with a more even decay With its lower initial density the LXP Hall may be a better choice when the reverberation needs to be unobtrusive LXP Native Reverb Bundle The Algorithms 39 LXP Plate A Plate reverb is a large thin sheet of metal suspended upright under tension on springs Transducers attached to the plate transmit a signal that makes the plate vibrate causing sounds to appear to be occurring in a large open space The LXP Plate algorithm mimics the sound of plate reverberators with high initial diffusion and a relatively bright colored sound For this reason they are good choices for percussion They are designed to be heard as part of the music mellowing and thickening the initial sound itself The Plate sound is what many people associate with the word reverb and it is useful for all popular music LXP Native Reverb Bundle The Algorithms m 41 LXP R
20. tained tremendous popularity for the past 22 years It has since been replaced as the standard in professional signal processing by the 9 channel Digital Effe ys the PCM96 series Reverb E Processors which have garnered an impressive to other audio companies such Growing demand for proprietary Lexicon technologies has led to its appearance in numerous applications with dramatic results Our processing is relied upon to enhance the sound of prestigious live halls and venues Our critically acclaimed LOGIC7 technologies have been successfully incorporated in several Knowingly or unknowingly world renowned automobiles you experience Lexicon products including select models from BMW and Mercedes LOGIC7 technologies have also been lice and technologies on a daily basis Chances are that Lexicon processing was involved in the television program you watch at home the film n and AKG ou see at the cinema or the song T ou listen to on the radio From the initial tracks to your listening room or automobile Lexicon is part of the process that brings these recordings amp to life Our commitment to the audio professional and content delivery ensures an unbroken chain between the artist and the audience Now hear this The Algorithms You ve just received a package with four plug ins each one controlling a different algorithm The following pages describe each algorithm in some detail
21. tegory Selector Presets for the algorithm are grouped into categories to make them easier to find For example the Hall algorithm is broken into Small Halls Medium Halls and so on Clicking in this area will show the list of categories Selecting a category will load the presets for that category in the Preset Selector Preset Selector Displays the list of presets within the selected category Selecting a preset from the list will cause the preset to be loaded into the plug in 12 m First Look LXP Native Reverb Bundle In Depth Realtime Display The Realtime Display window allows you to visualize the reverberation in three ways While your ears will always be the primary tool in choosing and adjusting presets the displays provide a direct way to see what s going on Click anywhere in the Realtime Display window to change the view _ 0000 Predelay LXP NATIVE HALL PRESET Multiband Click for more Store Compare Reload Reverb Time Diffusion RT Hicut Input Reverb Modulation Reflection 1 Reflection 2 Master LXP Native Reverb Bundle Realtime Display InDepth 13 Display Off This mode shows only the algorithm name It is the default view for the plug in and requires the least amount of CPU cycles Crplay Of Chek for resaltrne olsalay Multiband This display shows the reverb in five frequency bands with the lowest frequency in the rear The image moves from right to left as it ages Mu
22. time adjusted by this percentage Eko Fbck Mast Controls all echo voices in the algorithm Each echo feedback has its nominal gain adjusted by this percentage LXP Native Reverb Bundle The Parameters 47 Mix Wet Dry Mix Mix is the proportion of wet processed signal to dry unprocessed signal This must be used with care If the plug in is used as an insert on a single track then it is probably appropriate to use the mix control directly in the plug in However reverbs are often used on Aux tracks and may be sourced over internal busses in the DAW In this case it may be better to control the level on the Aux track rather than wet dry mix Not all DAWs feature delay compensation so it s important not to have a dry signal in more than one path cancellation being a possible outcome The mix parameter is sticky Like other parameters it is saved and restored by the DAW But after the plug in is loaded the mix value will not change even if you load another preset in the same plug in This makes it easier to preview presets Predelay This is used to add a small amount of delay to a signal before it enters the reverberator This is used to create a little separation between the wet and dry signals in turn creating greater clarity in the mix 48 The Parameters LXP Native Reverb Bundle Reflection Parameters Rfl Dly Controls the delay time of a reflection Note that this parameter can have different routing
23. y will sound quite different from one another The value that is actually displayed is an approximate reverb time based on both of those values The actual time is also highly dependent on other parameters as well as the audio material Rolloff This parameter lets you set the cutoff frequency of the output filter RT Hi Cut This parameter also known as Hi Cut or RTHC is a low pass filter in the recirculating part of the reverb It represents a frequency above which the tail dies away more quickly In some ways it represents the opposite end of the scale from BassRT and may be considered an analog of air absorption 50 The Parameters LXP Native Reverb Bundle Shape and Spread The Shape parameter is closely tied to the Spread parameter Shape controls how energy is injected into the reverberator A low value means that sound enters the reverb at the beginning of the spread window A high value means that most sound moves into the reverb at the end of the spread window A value somewhere in the middle means that sound enters the reverb evenly across the spread window Tip Shape will not have this effect if spread is at its minimum value But even then it can make a difference In this case it affects reverb timbre and density Higher values of shape may be both darker and denser although the effect is subtle The Spread parameter is closely tied to the Shape parameter Spread is a window of time during which a signal is injecte
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