Home

Pro-2000 MkII Manual

image

Contents

1. 5 modes used 129 gt 0 ve 129 gt 0 ve 1 2 3 4 5 modes used 129 gt 0 ve 129 gt 0 ve 1 1 1 Ptn Warten Vaten Van A 01000 Pa an ur us 2Bh 2Ch 2Dh 2Eh 2Fh 30h 31h 32h 33h 34h 35h 36h 37h 38h 39h 3Ah 3Bh 3Ch 3Dh 3Eh 3Fh 40h 41h 42h 43h 44h 45h 46h 47h 48h 49h 4Ah 4Bh 4Ch 4Dh 4Eh AFh 50h 51h 52h 53h 54h 55h 56h 57h 58h 59h 5Ah 5Bh 5Ch 5Dh Ax2 max val scale Ax2 reset val Ax2 Ifo cont Ax2 Ifo max val Ax2 Ifo assign Ax3 Receive chan Ax3 Cont Ax3 min val fine tune Ax3 max val scale Ax3 reset val Ax3 lfo cont Ax3 Ifo max val Ax3 Ifo assign Ax4 Receive chan Ax4 Cont Ax4 min val fine tune Ax4 max val scale Ax4 reset val Ax4 Ifo cont Ax4 Ifo max val Ax4 Ifo assign Ax5 Receive chan Ax5 Cont Ax5 min val fine tune Ax5 max val scale Ax5 reset val Ax5 Ifo cont Ax5 Ifo max val Ax5 Ifo assign Ax 6 Receive chan Ax6 Cont Ax min val fine tune Ax max val scale Ax reset val Ax Ifo cont Ax Ifo max val Ax 6 Ifo assign Ax1 6 pb range Lfol speed Lfol waveshape Lfol sync Lfo2 speed Lfo2 waveshape Lfo2 sync arp clk div arp clk polarity cont start Poly Chan Active Poly Note Assign A portamento type B portamento type 0 gt 64 gt 127 0 gt 64 gt 127 252 0 119 0 127 0 1 0 15 239
2. arpeggio clock this output provides a 5 volt clock pulse related to the incoming MIDI clock The ratio of MIDI clocks to arpeggio pulses can be adjusted see CLOCK PULSE DIVIDE A 5 volt level will be output on the first MIDI clock after a MIDI start or continue if selected is received and thereafter dependent upon the CLOCK PULSE DIVIDE ratio You may for example connect this to an input marked Ext Clock In on an analogue drum machine or sequencer It could also be used to gate trigger envelopes or Sample and Hold circuits in time with MIDI clock SYNC 24 DIN 24 sync used on SOME ROLAND equipment this output provides clock and stop start signals See later in the manual for pinout information Cable Connections MIDI leads may not be suitable for connecting to the SYNC 24 socket as they require different pins connected Use a 5 pin DIN to 5 pin DIN audio lead available from Kenton or a HI FI shop Connect this output to the SYNC 24 input on a TR606 808 MC202 or TB303 to synchronize these instruments sequencers to MIDI clock EDITING THE Pro 2000 mkil The Pro 2000 mkll is very easy to use lt uses a standard system of editing It has a clear and informative 2x16 LCD with backlight INCREMENT DECREMENT SELECT and ENTER buttons To select the parameter you wish to edit the parameter LED the red light emitting diode must be lit If it is not press the SELECT button You can now scroll through the parame
3. Pro 2000 wn MULTI CHANNEL MIDI TO GV CONVERTER Operating manual INTRODUCTION The Kenton Electronics Pro 2000 mkll multi channel MIDI to CV converter has been designed to give you maximum flexibility whilst maintaining ease of use The converter has 10 completely independent sections called channels A B C amp D plus Aux s 1 to 6 Each can be assigned its own MIDI channel and controlled independently from the others The Pro 2000 mkil has two independent MIDI programmable LFOs that can modulate both the CV outputs and the auxiliaries Each of the CV channels A amp B has a portamento function There are also many other features designed to make the Pro 2000 mkll as flexible as possible to allow as much control as possible over your analogue synthesizers Please take some time out to read all through this manual which will hopefully explain everything you need to know The Pro 2000 mkil has a thorough MIDI system exclusive specification for those who wish to perform data dumps or real time editing from their computer sequencer or generic patch editor See the SysEx section at the back of the manual The Pro 2000 mkll auxiliary outputs have the following additional functionality the first two of which allow the Pro 2000 mkll to control a further 3 CV Gate synths if required making a total of 5 V Oct from Notes Gate from Notes Trig Pulse for synths requiring a trig as well as a gate i e ARP2600 The Pro 2000
4. 09h OAh OBh och ODh OEh OFh 10h 11h 12h 13h 14h 15h 16h 17h 18h 19h 1Ah 1Bh 1Ch 1Dh 1Eh 1Fh 20h 21h 22h 23h 24h 25h 26h 27h 28h 29h 2Ah Function A Receive chan A note priority A trig retrig A transpose A pitchbend range A portamento speed A portamento cont A Ifo depth controller A lfo max val A lfo assign A gate select A fine tune val Ascale val A v o hzv 1 2v select B Receive chan B note priority B trig retrig B transpose B pitchbend range B portamento speed B portamento cont B Ifo depth controller B Ifo max val B Ifo assign B gate select B fine tune val B scale val B v o hzv 1 2v select C Receive chan C Transmit chan D Receive chan D kadi wasp select Ax Receive chan Axl Cont Ax min val fine tune Ax1 max val scale Ax reset val Ax Ifo cont Ax Ifo max val Axl Ifo assign Ax2 Receive chan Ax2 Cont Ax2 min val fine tune Range 0 15 0 2 0 1 232 gt 0 gt 24 0 24 0 255 252 0 119 252 0 119 0 127 0 1 0 7 129 gt 0 gt 127 129 gt 0 gt 127 0 2 0 15 0 2 0 1 232 gt 0 gt 24 0 24 0 255 252 0 119 252 0 119 0 127 0 1 0 7 129 gt 0 gt 127 129 gt 0 gt 127 0 2 0 15 0 15 0 15 0 1 0 15 239 gt 0 gt 119 0 gt 64 gt 127 0 gt 64 gt 127 0 gt 64 gt 127 252 0 119 0 127 0 1 0 15 239 gt 0 gt 119 0 gt 64 gt 127 Notes see end 1 2 hu
5. THERE ARE TWO INDEPENDENT LFOs 1 amp 2 where x is the LFO number LFO x SPEED 0 to 127 default 80 sets the speed of the LFO LFO x WAVESHAPE 1 to 9 as below default triangle 1 sets the wave shape for the LFO 1 Triangle PES 2 Sawtooth up L 3 Sawtooth down NN 4 Square ge 5 PulseWidth 10 IL 6 PulseWidtn 20 L 7 1 PulseWidth 30 L 8 PulseWidth 40 L 9 Sample Hold af random depth LFO x MIDI SYNC off 1 to 96 default off allows the LFO waveform to be synchronised to MIDI clock with a variable divide ratio If MIDI sync is selected and is in operation the 2000 will automatically recalcul ate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks depending on the setting of sync divide See below for divide ratios If set to 1 there will be 1 cycle of the LFO for every 1 MIDI clock i e 24 cycles per quarter note If set to 24 there will be 1 cycle of the LFO for every 24 MIDI clocks i e 1 cycle of the LFO per quarter note Note MIDI sends 24 clocks per quarter note Below is a table of values you can set the divide ratio to to obtain LFO cycles of various musical lengths Note type Divide ratio Semibreve 96 Minim 48 Crotchets 24 Crotchet triplets 16 Quavers 12 Quaver triplets 8 Semiquavers 6 Semiquaver triplets 4 Demisemiquavers 3 Demisemiquaver triplets 2 SYNC and CLOCK SETTINGS SYNC Clock Divide 1 2 amp 1 to 24 defau
6. Volt in etc of your synth GATE A amp B 0 to 5volts or 15 volts the gate voltage output that provides the note on off information for synths This is used for most synths such as Roland ARP Oberheim Moog etc Connect this output to the input marked Gate in TRIG in etc of your synth 3 This socket has several modes which are selectable in software you may have to adjust this to receive optimum performance from your synth as some synths require S Trig S Trig is used to control Moogs Korgs etc The tip of the jack is the trigger signal if your synth has the CINCH JONES connector with two flat pins the narrower pin is the trigger signal and the wider one is ground AUXILIARIES 1 to 6 12 6 to 12 6 volts a voltage output for connecting to an auxiliary input on a synth such as filter control or VCA volume Connect this output to the input marked VCF in VCF fcM Filter etc on your synth to control the filter cut off or the input marked VCA Volume loudness etc to control volume You could also connect this to inputs such as portamento pulse width high pass filter cut off etc Cable Connections All minijack outputs on the Pro 2000 mkll need standard 3 5mm mono minijack plug The connection at the synth end of course depends on what synth you are using Kenton are able to sell you cables for connecting to just about any synth just visit our website THE ARP CLOCK amp SYNC 24 OUTPUTS CLOCK PULSE
7. controller number 5 portamento time If this parameter is in view on the display its new value will not be displayed when varied using controller 5 However If varied via SYSEX the new value will be displayed CV x PORTAMENTO CONTROLLER Auto ON OFF 0 119 default 65 sets the controller responsible for enabling disabling the portamento control If on or off are selected these force on or off If Auto is selected then portamento is obtained only when you play in a legato manner i e playing the new note before releasing the old one thus you can turn portamento on or off depending on how you play the notes CV x LFO DEPTH CONTROL pb vel aft controllers 0 119 default 1 mod wheel assigns which MIDI controller will control the LFO depth of modulation of the CV output CV xLFO DEPTH AMOUNT for controller maximum 0 127 default 65 allows you to set the maximum LFO depth for the CV out CV x LFO ASSIGN Use LFO number 1 to 2 default A 1 B 2 lets you assign which of the two inbuilt LFOs will modulate the CV outputs CV x Gate Select default 5v pull up you can select the following type outputs for the Gate output S trig no pull up This would probably be used for Moogs amp Korgs S trig 5v pull up S trig 15v pull up This would probably be used on the Yamaha CS range of synths instead of the Gate output Gate V Trig 5v pull up Gate V Trig 15v pull up These are the standard gates and should be us
8. gt 0 gt 119 0 gt 64 gt 127 0 gt 64 gt 127 0 gt 64 gt 127 252 0 119 0 127 0 1 0 15 239 gt 0 gt 119 0 gt 64 gt 127 0 gt 64 gt 127 0 gt 64 gt 127 252 0 119 0 127 0 1 0 15 239 gt 0 gt 119 0 gt 64 gt 127 0 gt 64 gt 127 0 gt 64 gt 127 252 0 119 0 127 0 1 0 15 239 gt 0 gt 119 0 gt 64 gt 127 0 gt 64 gt 127 0 gt 64 gt 127 252 0 119 0 127 0 1 0 24 O 127 0 8 0 96 0 127 0 8 0 96 0 23 0 1 0 1 0 4 0 10h 20h 0 1 De Ptn Warten Vaten Wam Ptn Warten Vaten Wma SANNA AAAA A 010100 A 010010 A 01000 CON 7 8 9 10 11 O mono 1 2chans 4 5chans 12 O rate 1 time O rate 1 time NOTES 1 Data 0 15 corresponds to MIDI channels 1 16 2 232 24 semitones 0 no transpose 24 24 semitones 25 to 231 are invalid 3 252 auto pmt 253 pmt off 254 pmt on 255 prg chng amp 0 119 4 252 ignore 253 pitchbend 254 velocity 255 aftertouch amp 0 119 5 0 64 64 0 127 63 6 249 gate 250 v oct 251 trig a b 252 ignore 253 p bend 254 vel 255 aft amp 0 119 7 O triangle 1 saw up 2 saw down 3 10 pulse etc as display 8 1 96 corresponds to sync divide 1 to 96 and 0 off 9 0 23 corresponds to arpeggio divide 1 to 24 10 O positive 1 negative 11 0 continue
9. mkll has intelligent MIDI sync This means that if MIDI sync is selected and is in operation the 2000 will automatically recalculate the LFO speed in order to fit a whole LFO waveform between MIDI clocks or multiples of clocks depending on the setting of sync divide A full 128 note range is now implemented on all outputs giving CV out Auto portamento feature added to enable playing style to dictate when portamento is to be used The non volatile memory has been increased from 7 to 24 so even more setups can be stored Jan 2008 update Polyphonic Capability added Fixed time portamento added for Channels A B in addition to existing fixed rate Sustain now available for Aux outputs when in Volt Octave mode Oct 2013 update there are now some presets for popular synths as well as presets for poly mode See page 13 for details THE Pro 2000 mkll CHANNELS CHANNELS A amp B These are for controlling analogue synths such as the SCI PRO 1 Roland SH 101 MS 20 CS 5 or indeed almost any other synths with CV and Gate or Hz V and Trig inputs Note the CV output for controlling the pitch uses one of two selectable scaling methods the Volts per octave V oct pitch scaling system which is the most common system used in analogue synths as used by Roland SCI Oberheim and Moog synths The other system is called Hertz per volt and is used by synths such as Korg amp Yamaha MS20 MS10 CS5 The Pro 2000 has been designed to handle
10. 0 0000hhhh where hhhh high 4 bits of data 11 O0F7h end of exclusive The Pro 2000 mkil responds by changing the specified data and updating the display if necessary See below for parameter addresses Examples given after parameter list ddd 100 memory dump 7 OOObbbbb where bbbbb block requested valid are O 24 see below 8 Onnnnnnn where nnnnnnn number of bytes in dump 9 O000uuvu where UUUU low 4 bits of data 10 0000hhhh where hhhh high 4 bits of data Bytes 9 amp 10 are repeated the number of times specified in 8 11 OF7h end of exclusive The Pro 2000 mxkil will send the above data when requested by the sysex dump request listed above When memory dump data are sent to the 2000 the following will happen If the dump specifies block O current setup the data will be immed iately utilised and the display will be updated If the dump specifies any other block a stored memory location the dump will be sent to the specified memory location and also to the edit buffer current setup the data will be immediately utilised and the display will be updated You may change the block number of a memory dump without causing any problem For example data that came from memory 6 could be returned to the current setup by merely changing the 06 in byte 7 to a 00 Parameter data are stored in the following addresses Address 00h 01h 02h 03h 04h 05h 06h 07h 08h
11. 5 with Aux 6 Auxes not being polyphonically controlled will continue to be independent Remember to set the Auxes to CVs or Gates POLY NOTE ASSIGN Regular Cyclic Memory Cyclic Reset default Regular Cyclic This parameter sets how incoming MIDI notes are assigned to voices This setting only has any effect if polyphonic mode is active Options are Regular Cyclic Mode default Memory Cyclic Reset Mode Regular Cyclic Mode Incoming MIDI notes are assigned the next free voice Even if it is the same note played repeatedly If for instance you have channels A B Aux12 34 set to poly each time you play a note it will step through and assign channels A then B then Aux12 then Aux34 then back to A again as you play If you hold a note new notes will be assigned to the next voice in that order that is free If all voices are already assigned to held notes the next note will use the lowest voice held Memory Cyclic This mode is similar to the regular cyclic mode described above However a new note will be assigned to the same voice as before if that voice is not currently playing and has not been re assigned For example if you play notes C D D C then they will be played by channels A B B A rather than A B Aux12 Ax34 as they would in Regular Cyclic Mode If all voices are already assigned to held notes the next note will use the lowest voice held Reset Mode As you play the lowest free voice channel A being the lowest is a
12. 6 default 4 sets the MIDI receive channel for the expansion port either DCB or WASP KADI ChD EXPANSION PORT status tells you which port if any is fitted amp allows you to change between KADI amp WASP modes A standard unit will read NO PORT FITTED however if a DCB port is present it will say DCB PORT FITTED or if the KADI WASP port is present it will say KADI selected or WASP selected you can change between the two modes using the inc amp dec buttons Using the KADI port with your modified TR606 808 Connect the special 15 way cable supplied to the TR606 or TR808 and to the Pro 2000 mkll KADI port The TR606 808 can now be played from your master keyboard sequencer The sounds will play with or without Accent A velocity level of over 85 will cause the sound to be accented subject to the level of Accent selected on the TR606 808 KADI kits for other drum machines are now available including CR8000 and CR78 contact us for details and voice mapping Below is the MIDI drum map for the TR 606 Below is the MIDI drum map for the TR 808 NOTE MIDI NOTE TR 606 SOUND NOTE MIDI NOTE TR 808 SOUND 36 BASS DRUM 36 BASS DRUM C 1 37 SNARE DRUM CH 37 SNARE DRUM D1 38 LOW TOM D1 38 LOW TOM CONGA D 1 39 HIGH TOM D 1 39 MID TOM CONGA El 40 CYMBAL El 40 HI TOM CONGA F1 41 OPEN HIHAT F1 41 RIMSHOT CLAVES Gl 42 CLOSED HIHAT F 1 42 CLAP MARACAS Gl 43 COWBELL G 1 44 CLOSED HIHAT Al 45 OPEN HIHAT A 1 46 CYMBAL AUXILIARY OUTPUT
13. 60Hz 85v 130v See note below 6 Watts 280mm x 132mm x 42mm 2 5Kg CONNECTIONS Power Socket 3 pin IEC MIDI In 5 pin 180 degree DIN type 4 push buttons MIDI Out Thru 5 pin 180 degree DIN type Sync24 5 pin 180 degree DIN type Clock Pulse 3 5mm mono minijack 6 Auxiliaries 3 5mm mono minijack 2 Control Voltage outputs 3 5mm mono minijack 2 Gate outputs 3 5mm mono minijack Expansion port optional 15 pin High Density D or 8 pin Mini Din LCD 2x16 backlit 5 LED indicators Operating Manual Power cable DCB port with cable either 14 pin IEEE or 20 pin bump polarised KADI WASP port with cable either KADI or WASP cable Pair of ears for rack mounting Note The Kenton Electronics Pro 2000 mkll MIDI CV converter has a built in mains transformer factory set to 230 volts AC 50Hz unless otherwise marked There is an internal switch to select 115 volts AC if required Ensure that this adjustment is made by competent service personnel only Warranty The Pro 2000 mkll comes with a 12 month from purchase date back to base warranty i e customer must arrange and pay for carriage to and from Kenton Electronics KENTONI www kentonuk com Kenton Electronics Limited Brookfarm House Station Road South Wimbledon London SW19 2LP UK Tel 44 0 20 8544 9200 Fax 44 0 20 8544 9300 version 5240 e o e 215 October 2013 20
14. EMS YOU MAY ENCOUNTER WHEN USING MIDI CLOCK When using the MIDI clock in conjunction with the Pro 2000 mkil please note the following The Kenton add on cannot sync the arpeggio if it is not actually receiving the MIDI clock This is not as silly as it sounds there are a few points to watch for Some MIDI mergers amp patch bays actually remove MIDI clock information from the MIDI data stream or you may have to enable it for the port you are using Users of CUBASE note that the default for MIDI clock is for it NOT to be sent you will have to go into MIDI Synchronization page and select MIDI Clock to transmit Users of UNITOR EXPORT on an Atari note that the MIDI clock will only come out of port A that is the Atari s own MIDI port unless you can re assign it SYSTEM SETTINGS SYSEX DEVICE NUMBER 1 to 16 default 1 sets a device number for the unit in case you have more than one pro 2000 and want to control each independantly POLY CHAN ACTIVE None A B Aux12 AUux34 Aux56 default None This setting lets you decide which synth channels are assigned for use in poly mode Options are None All Mono default A B only 2 voice A B Aux12 3 voice A B Aux12 34 4 voice A B Aux12 34 56 5 voice Polyphonic mode is active when this parameter is set to anything other than None All Mono If you are using more than just channels A B then the Aux outputs must be used in pairs Aux 1 with Aux 2 Aux 3 with Aux 4 Aux
15. P can be done either by us or by you call us for details and pricing WASP Note the Wasp responds to three octaves of notes only on a DX7 or other 61 note keyboard this corresponds to bottom C to C three octaves above The Wasp does not respond to pitchbend or indeed any other controls except sustain pedal which will hold the current note this is a design limitation of the Wasp itself KADI The KADI Kenton Auxiliary Digital Interface is a digital port This can be used to play the TR606 or TR808 drum sounds over MIDI although a small modification will have to be made to the drum machine It is also there for any other possible future expansion DCB DCB digital communications bus is an early digital interface which Roland fitted on their Juno 60 amp some Jupiter 8 synths This is a polyphonic interface which sends note amp program change information however Juno synths only respond to notes whereas Jupiter 8s also respond to program changes Note special cables are needed to use the Wasp DCB amp KADI ports These are available direct from Kenton SYNC 24 amp Clock Pulse The Pro 2000 mkll has a Roland SYNC 24 clock output Instruments having a SYNC 24 input such as the TB 303 TR 808 TR 606 MC 202 can be connected to the Pro 2000 mkll If the Pro 2000 mkll is receiving MIDI clock these instruments will play their internal patterns in time to MIDI clock The Pro 2000 mkll also has a clock pulse arp
16. S THE FOLLOWING PARAMETERS ARE THE SAME FOR EACH AUXILIARY 1 TO 6 where x is the auxiliary number AUX x AUX OUTPUT x Receive channel lto16 default 1 to 6 set to 1 to 6 respectively assigns the auxialiary to which ever MIDI channel you wish to set it to i e to get the auxiliary to respond the synth on CV channel A set it to the same receive channel as that synth AUX x CONTROLLER pb vel aft controllers 1 119 V Oct form Notes Gate from Notes Trig pulse A B default 16 general purpose controller sets the MIDI controller source to control the analogue auxiliary output level to control VCF VCA etc see below for details of the new modes V Oct Gate amp Trig A B AUX x OUTPUT LEVEL For cntrl Min 64 to 64 default 0 sets the auxiliary output level for when the MIDI Controller Source is at its minimum AUX x OUTPUT LEVEL For cntrl Max 64 to 64 default 64 sets the auxiliary output level for when the MIDI Controller Source is at its maximum AUX x OUTPUT LEVEL Reset Level 64 to 64 default 0 sets the level that the auxiliary will reset to when a MIDI reset command is received AUX x LFO DEPTH CONTROLLER pb vel aft controllers 1 119 default 17 sets the MIDI controller source to control the LFO depth that will modulate the auxiliary output AUX x LFO DEPTH AMOUNT For cntrl Max 0 127 default 63 sets the depth of the LFO at the controller maximum AUX x LFO ASSIGN Use LFO n
17. checking MIDI clock DEC Short press CHANnel NOTEX and VELOCity as above note information INC Short press CHANnel CONTroller and VALUE displays controller information Long press CONTROLLER IDENTity displays the name of the rec d controller ENTER Short press CHANnel PROG and BANK displays program change as rec d Although pitchbend and after touch are not strictly controllers they will be identified and treated as if they are controllers for the purposes of the analyser mode Pro 2000 mkil SYSEX INFORMATION The first five bytes of sysex for the Pro 2000 mkll are always the same for all data types 1 OFOh Sysex command 2 00h Company ident first byte 3 20h Company ident second byte 4 13h Company ident third byte 5 02h Product code pro 2000 6 Oddd0000 where ddd is data type if ddd 100 memory dump 40h if ddd 010 data change 20h if ddd 001 dump request 10h ddd 001 dump request 7 0O00bbbbb where bbbbb block requested valid are O 24 8 OF7h end of exclusive The Pro 2000 mxkil responds with a memory dump of the block requested n b block 0 is the current setup blocks 1 24 are the stored memory locations Example of dump request for memory 7 FO 00 20 13 02 10 07 F7 ddd 010 data change 7 00000000 where UUUU low 4 bits of parameter address 8 0000hhhh where hhhh high 4 bits of parameter address 9 0000uuuu where UUUU low 4 bits of data 1
18. ed to run most synths including Roland Arp SCI CV x Fine Tune 127 to 127 default 0 Fine tunes the mono synth CV x Scale 127 to 127 default 0 This is used to tune in the octave scaling of your analogue synth Will only need adjusting if your synth sounds out of tune as you play further up the keyboard see Tuning in Your Analogue Synth Check whether CV select has been set correctly see below CV x CV HZ Select Volt Oct or Hz V or 1 2V Oct default Volt Oct scaling This is used to select the scaling system Most synths will use Volt Octave scaling although most Korg and Yamaha synths will require the Hz V selection note that the Korg Monopoly is Volt Octave For the very few synths that employ 1 2V Octave scaling one tenth of a volt per semitone the 1 2V Octave mode should be selected 6 DIGITAL OUTPUT PARAMETERS ChC DATA FILTER MIDI Receive Channel 1 to 16 default 3 sets the MIDI receive channel for the MIDI channel filter Only MIDI data on this channel will be retransmitted to the Pro 2000 mkIl MIDI out It can be retransmitted on a different channel if necessary see below ChC DATA FILTER MIDI Transmit Channel 1 to 16 default 1 sets the channel that the MIDI data from the MIDI channel filter is retransmitted on This might be used to change the transmit channel of early DX7s for instance that can only transmit on MIDI channel 1 ChD EXPANSION PORT MIDI Receive Channel 1 to 1
19. eggio output This can be used to synchronize drum machines analogue sequencers and arpeggios to MIDI clock FRONT PANEL Each channel A and B has LED indicators to indicate when that channel s Gate is on There are three more LED status indicators One is marked DATA This illuminates when the Pro 2000 mkll is receiving MIDI data The other two are marked PARAMETER and VALUE These indicate which mode the Pro 2000 mkll is in and are toggled by the SELECT button Four buttons SELECT ENTER and INC and DEC These are for editing the Pro 2000 mkll 2 INC and DEC scroll through parameters or values depending on which mode the unit is in SELECT 1 toggles between Parameter and Value for editing 2 If you hold in the SEL button for a couple of seconds it will take you directly to the STORE or LOAD page If something has been edited it will take you straight to STORE otherwise it take you to LOAD It just takes you to the page you still need to select the correct memory location and press Enter to perform the operation ENTER this button has 3 functions 1 It displays the memory number from which the setup has been loaded and whether or not it has been edited 2 When in system settings mode LOAD from or STORE to this button will save the settings which you have entered 3 If you hold the button in for about 6 seconds it will perform a global all notes off and display a message to that effect on the display NB
20. ent The AUX3 controller range should be set to 0 minimum and 50 maximum Reset value should be 0 To turn the ACCENT on off the MIDI controller must be set to 65 for on and O for off MIDI Controller Numbers for reference Controller Number Control Function Decimal Hex 0 00H Bank switch MSB 1 01H Modulation wheel lever 2 02H Breath controller 3 03H Undefined 4 04H Foot controller 5 05H Portamento time 6 06H Data entry MSB 7 07H Main volume 8 08H Balance 9 09H Undefined 10 OAH Pan 1 OBH Expression controller 12 15 OC OFH Undefined 16 19 10 13H General purpose controllers 1 4 20 31 14 1FH Undefined 32 63 20 3FH LSB for values 0 31 64 40H Damper pedal sustain 65 41H Portamento 66 42H Sostenuto 67 43H Soft pedal 68 44H Undefined 69 45H Hold 2 70 79 46 4FH Undefined 80 83 50 53H General purpose controllers 5 8 84 90 54 5AH Undefined 91 5BH External effects depth 92 SCH Tremolo depth 93 5DH Chorus depth 94 SEH Celeste detune depth 95 5FH Phaser depth 96 60H Data increment 97 61H Data decrement 98 62H Non registered parameter number LSB 99 63H Non registered parameter number MSB 100 64H Registered parameter number LSB 101 65H Registered parameter number MSB 102 119 66 77H Undefined 120 127 78 7FH Reserved for channel mode messages Power Dimensions Weight Inputs Outputs Accessories Optional Accessories SPECIFICATIONS 230v AC 50Hz 170v 260v or 115v AC 50
21. ignored 1 continue start 12 O Regular Cyclic 10h Memory Cyclic 20h Reset Mode All sysex addresses and data are range checked and out of range values will either be ignored or adjusted to give a valid response Example SysEx string to change channel A to Hz V scaling FO 00 20 13 02 20 OD 00 01 00 F7 Example SysEx string to change channel D to MIDI channel 16 FO 00 20 13 02 20 OE 01 OF 00 F7 PIN OUTS FOR DCB WASP Pro 2000 mkll CABLES Juno 60 and some Jupiter 8s connector 14 way IEEE plug viewed from terminals 07 05 5 0 3 e2 el 14 13 012011 10 9 03 PIN 1 Busy PIN 2 Data PIN 3 Clock PIN 4 Ground No other pins connected Insulate the screen at this end Other Jupiter 8s connectors 20 pin bump polarised socket viewed from terminals 020 6 8 010 012014 16 18 20 01 03 05 07 09 011013 0150170 19 PIN7Z Clock PIN9 Data PIN 10 Ground PIN 11 Busy As this header is an IDC type you will need to put a 6 inch length of 16 way IDC ribbon cable in the header then join the cables Wasp connector Wasp end of cable 7 pin DIN plug viewed from terminals Keyboard Data least significant bit Keyboard Data Next significant bit Keyboard Data Next significant bit 0 1 2 Keyboard Data Next significant bit 3 4 Keyboard Data Next significant bit Keyboard Data Most significant bit 5 Note on trigger NOOR WD Pro 2000 m
22. is always set by the Poly Note Assign parameter Individual channel note assignments are overridden You may also need to set the Gate Voltage and or gate polarity of any auxes used in poly mode STORE TO MEMORY Memory 1 to 24 default 1 having changed all the parameters to suit your setup you can use this option to save these settings to one of 24 memories for use within different configurations LOAD FROM MEMORY Memory 1 to 24 default 1 allows you to load from one of the 24 memories into the unit With both of the above two parameters you need to select Value edit and use the INC amp DEC buttons to select the memory you want to load from or store to When you have loaded from or stored to a memory location the Pro 2000 mkll will treat that as the current location and load from it on power up If you hold in the SEL button for a couple of seconas it will take you straight to the STORE or LOAD page depending on whether anything has been edited PRESETS in memory locations 15 to 24 As supplied or after a full reset presets 1 to 14 are all loaded with the default setup for use with an SH 101 This setup is suitable for a lot of other standard CV Gate synths too The following presets for other synths are loaded into the locations shown See above for how to load setups Presets 19 to 24 only set up Channel A It is recommended that you copy any preset you want to use to another unused location and then edit that d
23. kil KADI Wasp Connector Pro 2000 mkll end of cable 15 way high density D plug viewed from terminals 5 4 es e el 01009 Os 7 056 015014 013012011 Wasp wiring 1 Kybd Data least significant bit 0 5 Kybd Data Next significant bit 4 2 Kybd Data Next significant bit 1 6 Kybd Data Most significant bit 5 3 Kybd Data Next significant bit 2 7 NC No Connection 4 Kybd Data Next significant bit 3 8 Note On Trigger screen all remaining wires insulate screen Pro 2000 mkil DIN sync port connections 5 pin 180 degree DIN connector Pin 1 Stop 0 volts Start 5 volts or continue if selected Pin 3 5 volt pulses 24 clocks pulses per quarter note the same as MIDI Pin 2 Ground zero volts Pins 4 amp 5 are not used CONNECTING YOUR MODIFIED TB303 5 SOCKET RETRO TO THE Pro 2000 mkll Pro 2000 mkil to TB303 CV CHANNEL A gt CV IN GATE CHANNEL A gt GATE IN AUX gt FILTER AUX2 gt SLIDE AUX3 gt ACCENT Set the AUX sources to which ever MIDI controller you wish to control the Filter Accent or Slide and link them all to CV channel A or which ever you are using Using Slide The AUX2 controller range should be set to 0 minimum and 50 maximum Reset value should be 0 To turn the SLIDE on off the MIDI controller must be set to 65 for on and O for off When the slide is on all following notes will glide into each other It is best to play legato style for good results Using Acc
24. llows the selected auxiliary output to give a voltage output in response to notes on any MIDI channel you select the off and on levels can be changed by using the Min amp Max and Reset level controls Min sets the voltage when the gate is off and Max sets the level when the gate is on For example if you set min to zero and Max to 25 you will have a 5v gate signal or if you set Min to 25 and Max to zero you will have an S trig with 5v pullup Trig Pulse A B mainly used for ARP 2600 amp early Odysseys this allows the selected auxiliary to give a trigger pulse for synths requiring this extra signal in addition to the normal gate signal To use this mode select Trig Pulse A B on any Aux and set the MIDI receive channel of that aux to be the same as the MIDI receive channel of the Synth Channel A or B you want it to work with set min and max to be the off an on output voltages you want to use see below for an example of connecting to an ARP 2600 NOTE the Trig Pulse A B mode only works in conjunction with Channels A B Example of using Trig Pulse A B mode of the Pro 2000 mkll with an ARP 2600 synth from CHANNEL A for CV amp Gate and Aux 1 for Trigger The following example applies to the Trig Pulse A B mode only it DOES NOT apply to the V Oct from notes or Gate from notes modes 1 Connect CV CHANNEL A of Pro 2000 mkll to all 3 KBD CV inputs of the ARP 2600 You may need to use the MULTIPLE 4 way socket connection t
25. lt 2 sets the ratio of MIDI clocks to output pulses from the clock pulse output Note that cpqn clocks per quarter note and that the MIDI clock rate is always 24 cpgn If set to 4 48 cpan there will be 2 pulses from the clock pulse output for every 1 MIDI clock If set to 1 there will be 1 pulse from the clock pulse output for every 1 MIDI clock 24 cpan If set to 24 there will be 1 pulse from the clock pulse output for every 24 MIDI clocks 1 cpan Below is a table of values you can set the divide ratio to to obtain a clock pulse at various musical time intervals Note type Divide ratio CPQN Crotchets 24 Crotchet triplets 16 Quavers 12 Quaver triplets 8 Semiquavers 6 Semiquaver triplets 4 Demisemiquavers 3 Demisemiquaver triplets 2 N OanaBKR UN SYNC CLOCK Polarity ve ve clock pulse default ve sets the type of clock pulse sent from the clock pulse output Most synths sequencers amp drum machines require this to be set to ve but there may be a few that require it to be set to Inverted including the KORG MONOPOLY SYNC MIDI CLOCK Continue is ignored start default Continue start If set to ignored MIDI continue messages are ignored unless immediately preceded by a song position pointer zero message in which case they are automatically treated as a start If set to Continue start MIDI continue messages are always treated as if they were MIDI start messages PROBL
26. o the bottom left of the ARP to do this If the ARP keyboard is not attached you may be able to connect using just one lead into the KBD CV Output on the ARP it can be used as an input if the 2600 Keyboard is not connected 2 Ensure CvA CV HZ Select is set to Volt oct scaling 3 Connect GATE CHANNEL A of the Pro 2000 mkll to the GATE input of the 2600 located above the right speaker volume control 4 Set CvA Gate Select to Gate 15v pullup 5 Connect that AUX 1 to the TRIG input of the 2600 located next to the gate input see above 6 Set parameter Axl Main Cntrilr to Trig Pulse A B 7 Set AUX 1 to the same MIDI channel as Channel A 8 Ensure that Axl output level for cntl Min 0 9 Ensure that Axl output level for cntl Max 63 10 Store the settings long press on SEL will take you to store page 11 Everything should now be ready but note the following points The above can similarly apply to CHANNEL B and any of the AUXes 1 6 outputs if that Aux Main Controller is set to Trig Pulse A B The selected AUX output will only give a trigger signal in the Trig Pulse A B mode when it is set to the same MIDI channel as either CHANNEL A or CHANNEL B Ensure that any aux output which is no longer required as a trigger output is reset to another controller or ignore controllers as operation of gate A or B outputs on the same MIDI channel are affected when Trig Pulse A B is in operation LOW FREQUENCY OSCILLATORS
27. ssigned to the new note If all voices are already assigned to held notes the next note will use the lowest voice held More information about using Polyphonic Mode Note that if you assign any of the Auxes to be polyphonically controlled then you will have to configure them as either CV or Gate outputs It is recommended that you use the odd numbered Auxes for CV and the even numbered ones for Gate to preserve the pattern of CV followed by gate across the back panel however this is not essential In order for the Auxes to perform in a similar way to channels A and B you will also have to change the following parameters on the auxes which are acting as CVs the odd numbered ones Ax1 LFO Dpth Ctl set to 1 Mod Wheel Ax1 LFO Dpth Amt set to at Cntl Max 9 The same changes for auxes 3 amp 5 Ax3 amp Ax5 if they are also to be polyphonically controlled This is so that use of the mod wheel will be the same as for channels A and B Change the following parameters on the auxes acting as Gates the even numbered ones Ax2 LFO Dpth Ctl set to Ignore Cnirllers The same changes for auxes 4 amp 6 Ax4 amp Ax6 if they are also to be polyphonically controlled This is so that the gate outputs will not be modulated too When a channel or pair of Aux outputs is assigned as polyphonic it becomes a slave to Channel A and takes its MIDI channel from Channel A In Polyphonic Mode Note priority for any active polyphonic channels
28. ters using the INC and DEC buttons To edit a value press the SELECT button again The value LED will light up Now by pressing the INC and DEC buttons the value can be edited To speed up editing if you are holding the INC button and want to go faster press the DEC button too this will step about twice as fast similarly if you are holding the DEC button you can press INC to go faster When you have edited parameters to your own specification go to the STORE to Mem x menu option where by selecting which of seven locations you wish to use and pressing ENTER you can save your set up The most recently LOADed or STOREd setup will be loaded next time you power up You can get to the LOAD STORE location quickl y by holding the SEL button in for a couple of seconds PARAMETERS THE FOLLOWING PARAMETERS ARE THE SAME FOR BOTH OF THE CV CHANNELS A B where x is the channel CV x SYNTH CHANNEL x 1 to 16 defaults A 1 B 2 sets the MIDI receive channel for Pro 2000 mkll analogue channel CV x NOTE PRIORITY low high newest default newest sets the note priority If set to Lowest then the new note played takes precedence if it is lower than the preceding note If set to Highest then the new note played takes precedence if it is higher than the preceding note If set to Newest then the newest played note played takes precedence regardless CV x TRIGGER MODE Single Multiple default Multiple sets the whether
29. the envelope on your synth will be retriggered when a new overlapping note is played If set to Single then the Gate output will stay on or the trigger if selected will not re trigger when a new note is played if you are playing in a legato fashion with notes overlapping If set to Multiple then the Gate or S Trig output will re Gate each time a new note is played re triggering your synth s envelope generators regardless of your playing style CV x TRANSPOSE 24 to 24 semitones default 0 allows you to Transpose the incoming MIDI notes in semitone steps You can adjust this in real time allowing you to hear the changes you make to Transpose without having to re play a key CV x PITCHBEND 0 to 24 semitones default 2 sets the maximum range the pitchbend will bend the CV output CV x PORTAMENTO TYPE fixed rate or fixed time default fixed rate sets how the next parameter affects the portamento Fixed rate the time taken to glide between notes depends on the amount of notes in the glide range The glide time between semitones is constant Fixed time the time taken to glide between notes is the same no matter how far apart the notes are CV x PORTAMENTO RATE or TIME 0 to 127 default 98 sets the speed at which portamento glides between notes Note that 0 is fastest rate but does not mean portamento off use portamento controller below for that This value can also be varied in real time using MIDI
30. these synths as well it is simply a case of switching between the two systems from the front panel See CV Hz Select later Some synths do not have CV Gate or Filter inputs such as the TB 303 We can fit or supply socket kits for most monosynths that do not have inputs See our website for details www kenton co uk CHANNEL C MIDI channel filter This is used to rechannelize or filter MIDI data Connect the synth to the Pro 2000 mkil MIDI out socket and set the MIDI filter receive channel to the MIDI channel data you want your old synth to respond to Only data received on that channel will be sent out of the Pro 2000 mkll MIDI out and any other channels will be filtered out These data can be sent out on a different channel if required see rechannellizing above An example of rechannelizing might be to change the transmit channel of early DX7s for instance that can only transmit on MIDI channel 1 to another MIDI channel say 2 An example of filtering might be on an early MIDI synth that can only receive in Omni mode receive on all MIDI channels at the same time the Jupiter 6 for instance CHANNEL D the Optional Expansion Port This channel is a digital output for controlling a range of other synthesizers which do not use CV and gate as their method of control It can be fitted with a DCB port or a KADI WASP port but not both at the same time If it is fitted with the KADI WASP port it can be programmed for either KADI or WAS
31. this turns off all notes on the Pro 2000 mkll it does not send any MIDI messages out of the MIDI out port 2x 16 backlit LCD and power switch BACK PANEL From left to right there is the IEC power socket power lead supplied MIDI In Out and Thru DIN type sockets Sync24 DIN socket Clock pulse 3 5mm minijack output Channel A and B CV and Gate 3 5mm minijack outputs The six auxiliary 3 5mm minijack outputs Above these is space for the optional expansion port which if fitted is either a WASP KADI port ora DCB port SETTING UP YOUR Pro 2000 mkil MIDI CONNECTIONS MIDI IN connect this to the MIDI Out of your MIDI synth or MIDI sequencer using standard MIDI cables MIDI OUT connect this to the MIDI In of your MIDI sequencer or old synthesizer This is only needed if you will be editing the Pro 2000 mkll using SYSEX or doing MIDI data dumps or if you are using the MIDI channel filter MIDI THRU this provides a copy of the information coming into the MIDI In socket so that you can daisy chain several MIDI devices It should be connected only to a MIDI In socket if needed ANALOGUE CONNECTIONS CV A amp B 3 volts to 8 volts the control voltage output to control the pitch of most synths such as Roland SCI and Moog Korg and Yamaha When using this make sure that the correct scaling is selected ie volt per octave or Hz v Connect this output to the input marked CV oscillator KBD IN VCO CV in VCO KEY
32. umber 1 to 2 default 1 3 1 4 6 2 lets you assign which of the two inbuilt LFOs will modulate the auxiliary NEW MODES FOR AUX CHANNELS 1 6 V Oct from Notes this allows the selected auxiliary output to give a CV voltage to control the CV input of a synth Set the MIDI receive channel of the selected auxiliary and use in conjunction with another Aux set to the same channel but configured as a gate see below The MIDI channel can be any channel you want for any aux it is independent of Channels A B You can modulate the output using an LFO but the range default is set to be appropriate for its use as an Aux out we suggest you set the LFO Depth Amount to 10 or so and probably set the controller for it to 1 Mod Wheel When using this mode the Min value becomes the Fine tune value the Max value becomes Scale and you should ensure the reset value is O When you want to tune the converter to your synth first play C note 36 usually the bottom note on a 61 note keyboard and use fine tune to get that right then play C a couple of octaves up and get that in tune using the scale adjustment Restrictions The Aux outputs cannot be set to Hz V mode there is no portamento sustain pedal or transpose facility note memory is for 2 notes only note priority is for most recent note in multiple trigger mode Pitchbend range is set globally for all any auxes in CV mode using the Ax1 6 Pitchbend Range parameter Gate from Notes this a
33. uplicate copy for tuning etc The polyphonic setups are included because there are quite a few settings to change when using the Aux channels as CVs amp Gates in fact you can use presets 15 to 17 to set up the Auxes as CVs amp Gates just load the preset then turn poly mode off Prog Synth Changes from default SH 101 setup 24 Roland SH 09 also Moog Prodigy mk1 with KE skts Gate 15V 23 Minimoog S trig coarse tune 5 semitones 22 Other Moog S trig coarse tune zero 21 Korg MS 20 S trig Hz V 20 Yamaha CS 10 S trig with 5V pullup Hz V 19 ARP2600 also Odyssey mk1 KE skts Gate 15V Aux1 set to TRIG 18 2 note poly A B None 17 3 note poly A B Aux12 None 16 4 note poly A B Aux12 34 None 15 5 note poly A B Aux12 34 56 None MIDI DIAGNOSTICS MODE The Pro 2000 mkII has a built in MIDI analyser function This feature allows you to see what types of MIDI messages are being transmitted by your master keyboard sequencer making the PRO 2000 a useful diagnostic tool which can help you when you have a problem with your MIDI set up To enter analyser mode you must power on the PRO 2000 whilst holding the SELECT button The display will then show CHANnel NOTE and VELOCity and will display the relevant data below the heading Using the INC DEC SELECT and ENTER buttons different types of MIDI messages received may be displayed as follows SELECT Short press CLock STATUS and SYSEX data received for

Download Pdf Manuals

image

Related Search

Related Contents

Trane High Wall-Indoor Installation and Maintenance Manual  ホーロー洗面化粧台 取扱説明書 もくじ  3M™ Súper 77 - Suplimarq CA  2 - ISCAP    User`s Manual - Agilent Technologies  Inventaire TY-POTES - sept 2004  取扱い説明書 - サロンPOSシステム  bizhub 501 / bizhub 421 / bizhub 361 / ineo 501  Toshiba TP55H95 55" Rear Projection Television - Main Power Supply & Complete Shutdown Guide  

Copyright © All rights reserved.
Failed to retrieve file