Manual (english)
Contents
1. Smart M10 2 Smart M16 2 sinus Inhaltsverzeichnis 1 SOCIOL MNS CONS riera 3 1 1 FOR SAFE AND EFFICIENT OPERATION uuuuuuuessessssssnnnnnnnnnnnnnnnnnnnnnnnnneennnnnnnnnnnnnnnnnn 3 2 Mono INDIGNA Ile et ee ee 5 3 Stereo MPU Channels en deste E aa E E Ea 8 4 Master Section edad ia 10 S Technieal als seele a E n E EE E REE R 12 6 System block dla Mission ia naa 13 2 14 sinus 1 Safety instructions e All modifications to the device will void the warranty e Repairs are to carry out by skilled personnel only e Use only fuses of the same type and original parts as spare parts e Protect the unit from rain and humidity to avoid fire and electric shocks e Make sure to unplug the power supply before opening the housing e To avoid electric shocks you should not remove the cover 1 1 FOR SAFE AND EFFICIENT OPERATION Be careful with heat and extreme temperature Avoid exposing it to direct rays of the sun or near a heating appliance Not put it in a temperature bellow 32 F 0 C or exceeding 104 F 40 C To avoid placing on un stable location Select a level and stable location to avoid vibration Do not use chemicals or volatile liquids for cleaning Use a clean dry cloth to wipe off the dust or a wet soft cloth for stubborn dirt If out of work contact sales agency immediately Any troubles arose remove the power plug soon and contact with an engineer for repairing do not open the cabin2. R is increased counterclockwise for L 8 MUTE This button deactivates the respective channel 9 Peak This LED lights when the signal is clipping 8 14 10 SOLO When the latching SOLO switch is pressed the pre fade pre mute signal is fed to the headphones control room output and meters where it replaces the mix The SOLO LED on the master sections illuminates to warn that a SOLO is active This is a useful way of listening to any required input signal without interrupting the main mix 11 Input channel fader It adjusts the level of the channel 9 14 sinus 4 Master Section 1 und 2 MIX OUTPUTS amp INSERTS The Mix L and R outputs are balanced XLR outputs The MIX Inserts are unbalanced sockets EW ER 3 PLAYBACK IN y The two phone sockets are unbalanced L and R line level T inputs used for connecting a recording device o 12 4 REC OUT 24 These are two outputs to connect a recording device a 5 und 6 PHANTOM POWER Ex T 25 Man professional condenser mics need phantom power m 2 T which is a method of sending a powering voltage down un cso fra A 27 the same wires as the mic signal Press the switch 5 to 2 18 38 A a enable the 48V power to all of the MIC inputs The LED am O MHE 6 lights when the power is active CID i EE He e me eo us la Note Take care when using unbalanced mics which may 7 pa m be damaged by the phantom power voltage Bala
3. switch is pressed the meters switch to show the selected Solo signal on both meters in mono The SOLO LED also lights 18 Master Fader The master faders set the final of the mix outputs These should normally be set to the 0 mark if the input gain settings have been correctly set 11 14 5 Technical data THD A ee all outputs Crosstalk lt 90dB 20Hz to 10HZ lt 80dB 10kHz to Channel mute 20kHz Fader Cut Off lt 90dB 20Hz to 10HZ lt 80dB 10kHz to 20kHz oi lt 90dB 20Hz to 10HZ lt 80dB 10kHz to Routing isolation ie Input amp output levels Microphone max input level 12dBu anni channel max line input 38dBu Stereo max input level 21dBu Headphones output into 2000 150mW All other audio output 21dBu in 10kQ EQ HF 12kHz 15dB MF 240Hz to 60kHz 15dB LF 60Hz 15dB 12 14 6 System block diagram 13 14 sinus Importeur B amp K Braun GmbH Industriestra e 2 D 76307 Karlsbad www bkbraun com info bkbraun com Y RoHS O E 14 14
4. e them sparingly HF Turn to the right to boost high treble frequencies above 12kHz Cymbals vocals electronic instruments by up to 15dB Turn to the left to out by up to 15dB Set the control in middle position when not required MID There are two controls which work together to form a swept MID EQ The lower control provides 15dB of boost and cut just like the HF EQ control but the frequency at which this occurs can be set by the upper control over a range of 140Hz to 3kHz This allows some truly creative improvement of the signal in live situations because this mid band covers the range of most vocals Set the control in middle position when not required LF Turn to the right to boost low bass frequencies below 60Hz by up to 15dB Turn to the left to cut low frequencies by up to 15dB Set the control in middle position when not required 6 AUX Sends These are used to set up separate mixes for monitor mixes effects or recording The combination of each AUX Send is mixed to the respective AUX output 7 PAN This control sets the volume distribution to the R and L channels If the controller is set to the middle position both sides get the same signal component By turning clockwise the signal component of R is increased counterclockwise for L 8 Mute This button deactivates the respective channel 9 Peak This LED lights when the signal is clipping 6 14 10 SOLO When the latching SOLO switch is pr
5. essed the pre fade pre mute signal is fed to the headphones control room output and meters where it replaces the mix The SOLO LED on the master sections illuminates to warn that a SOLO is active This is a useful way of listening to any required input signal without interrupting the main mix 11 Input channel fader It adjusts the level of the channel 7 14 sinus 3 Stereo Input Channels 1 Monitor Outputs These are balanced jack sockets 2 AUX OUT 1 amp 2 These are balanced jack sockets for AUX 1 amp 2 3 Stereoeingange These are balanced TRS jack sockets 4 GAIN The Gain controls the level of the channel signal 5 Equalizer HF Turn to the right to boost high treble frequencies above 12kHz Cymbals vocals electronic instruments by up to 15dB Turn to the left to out by up to 15dB Set the control in middle position when not required LF Turn to the right to boost low bass frequencies below 60Hz by up to 15dB Turn to the left to cut low frequencies by up to 15dB Set the control in middle position when not required 6 AUX Sends These are used to set up separate mixes for monitor mixes effects or recording The combination of each AUX Send is mixed to the respective AUX output 7 PAN This control sets the volume distribution to the R and L channels If the controller is set to the middle position both sides get the same signal component By turning clockwise the signal component of
6. et by yourself it might result a danger of electric shock Take care with the power cable Never pull the power cable to remove the plug from the receptacle be sure to hold the plug When not using the device for an extended period of time be sure to disconnect the plug from the receptacle Transport The console should be transported either free standing or in an appropriate case The console should be protected during transport with foam or similar shock absorbing materials So you can avoid damages 3 14 sinus Hearing To avoid hearing damage no sound system should be operated at high volume This also applies to monitoring systems that are in the vicinity of the ear headphones and In Ear Monitor Systems Important Damages caused by the disregard of this user manual are not subject to warranty The dealer will not accept liability for any resulting defects or problems Make sure the electrical connection is carried out by qualified personnel All electrical and mechanical connections have to be carried out according to the European safety standards 4 14 2 Mono Input Channel 1 MIC Input The MIC input accepts XLR type connectors and is designed to suit a wide range of balanced or unbalanced signals Professional dynamics condenser or ribbon mics are best because these will be low impedance You can use low cost high impedance mics but level of background noise will be higher If you turn the Phantom power on top
7. nced n 1 a dynamic mics can normally be used with phantom power i i i switched on contact your microphone manufacturer for 5 s guidance Mics should always be plugged in and all 43 n u m gt b Lf33 output faders set to the minimum before switching the AA NER ER phantom power on to avoid damage to external z 5 5 equipment mM E E 7 PHONES e Ju mm mes The Phones output is a socket which ideally for headphones of 2000 or greater 80 headphones are not recommended 8 AUX TAPE You can adjust the volume of AUX IN signal by this when connecting AUX IN 9 PHONES LEVEL This control sets the output level to the headphone The monitor output levels are not affected 10 14 AAAA AHBBBHB E de Jajja PON a E uy NA E 10 REPEAT This is used for adjusting frequency of echo repeat Since too much echo repeat may cause a howl Please adjust frequency properly 11 und 12 AUX1 AUX2 OUT This socket sends out the signal from AUX bus 13 EFF RETURN This is used for adjusting volume of echo sound when connecting sound to return jack 14 15 und 16 DELAY This is used for adjusting the time interval of echo repeat The middle position 5 may be most effective 17 Meters The three color peak reading meters normally show the level ofthe Mix R und L outputs giving you a constant warning of excessive peaks in the signal which might cause overloading When any SOLO
8. right hand side of the mixer the socket provides a suitable powering voltage for professional condenser mics 2 LINE Input Accepts 3 pole TRS jacks Use this input for sources other than mics such as keyboards guitars or decks The input is a balanced one Unplug anything in the MIC input if you want to use this socket 3 Insert The unbalanced pre EQ insert point is a break in the signal path allowing limiters compressors special EQ or other signal processing units to be added in the signal path The socket is bypassed When a jack is inserted the signal path is broken just before the EQ section 4 GAIN This control sets how much of the source signal is sent to the rest of the mixer Too high and the signal will distort as it overloads the channel Too low and the levels of any background hiss will be more noticeable and you may not be able to get enough signal level to the output of the mixer Note Equipment for domestic use operates at a lower level 10dBV and will therefore need a higher gain setting to give the same output level 5 14 5 Equalizer The EQ allows fine manipulation of the sound This is useful in live applications where the original signal is often far from ideal Slight boosting or cutting of particular voice frequencies can really make a difference There are three sections giving the sort of control usually only found on much larger mixers The EQ controls can have a dramatic effect so us
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