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Mackie ProFX8v2 8-Channel FX Mixer with USB Manual

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2. Owner s Manual O SIDUM enuey ProFX8v2 e ProFXI2v2 e 2 ProFX22v2 e ProFX30v2 Appendix C Table of Effects Presets We fWe e ase stis ce Bright Room This room has a bright tone with lots of scattered Useful on vocals that require a brighter reverb to reflections to simulate harder more reflective surfaces cut through the mix or for giving acoustic instruments a livelier vibe Warm Lounge This preset features a medium sized room sound with Useful for vocals on songs that require a larger just enough enhancement of the lower mids to produce a more wet sound or for giving dimension to warm tone bright horns without adding harshness Small Stage This preset simulates the sound of a small concert stage Useful for vocals or guitars in fast me with a medium reverb time and reverberant space high energy songs that call for a live sounding reverberation Warm Theater This reverb has a warm bodied tone and medium long Perfect for vocals drums acoustic and electric reverb time to simulate the live acoustics of a theater guitars keyboards and more space Warm Hall This reverb simulates the sound of a spacious yet cozy Perfect for adding natural concert hall ambience heavily draped and carpeted concert hall with an to close mic ed orchestral instrume
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4. BAL 8 UNBAL INSERT U i U 7 20dB B 30d BAL LINE IN 7 UNBAL INSERT U 7 20dB B 30d BAL LINE IN UNBAL INSERT U i J 20dB B 30d BAL LINE IN 5 UNBAL INSERT BAL LINEIN 4 UNBAL INSERT BAL LINE IN3 UNBAL INSERT BAL LINE IN 2 UNBAL INSERT BAL LINEIN 1 UNBAL INSERT U EQ U EQ U EQ C A Hi C A Hi C A Hl 12kHz 12kHz SE 12kHz 15 15 15 415 15 15 U U U 15 15 M5 15 5 15 ZS 15k 15k 5 1 5k 7 FREQ 8k y FREQ FREQ 100 8k 15 N 100 100 U U U LOW LOW LOW 80Hz 80Hz 80Hz 15 15 15 15 15 15 86 5r 1 5r 5r 1 5r 1 5r 5r 1 5 5 1 U U U m U U U U U 7 3 4 7 3 4 3 4 m 3 4 3 4 m 3 4 3 4 JE 3 4 10 10 10 10 10 10 10 10 2 2 8 2 8 2 8 2 8 2 8 2 8 EN LR LR LR LR LR LR LR LR 30 3 J 30 8 30 8 3 8 30 8 30 8 30 8 E PFL p PFL PFL PFL PFL vui PFL PFL PFL 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 40 SOLO 50 50 50 50 50
5. ProFX8v2 e ProFXI2v2 e 2 ProFX22v2 e ProFX30v2 Important Safety Instructions 1 Read these instructions 20 NOTE This equipment has been tested and found to comply with the limits 2 Keep these instructions for a Class B digital device pursuant part 15 of the FCC Rules These limits 3 Heed all warnings are designed to provide reasonable protection against harmful interference 4 Follow all instructions in a residential installation This equipment generates uses and can radiate 5 Do not use this apparatus near water radio frequency energy and if not installed and used in accordance with 6 Clean only with a dry cloth the instructions may cause harmtul interference to radio communications 7 Do not block any ventilation openings Install in accordance with the However there is no guarantee that interference will not occur in a particular manufacturer s instructions installation 8 Do not install near any heat sources such as radiators heat registers stoves f this equipment does cause harmful interference b rad 0 or television or other apparatus including amplifiers that produce heat reception which can be determined by turning the equipment off and on the alized GM the user is encouraged to try to correct the interference by one or more of the following measures A polarized plug has two blades with one wider than the other A grounding Reor type plug has tw
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9. 2 amp gt 38 Power LED This LED will illuminate green when the mixer 15 turned on as a reminder of how on it really is If it is not on then it is off and the mixer becomes a rather nice weight for keeping your morning newspaper from blowing away in the wind If it does not turn on make sure the power cord is correctly inserted at both ends the local AC mains supply is active and the power switch is on 39 Stereo Graphic EQ This 7 band graphic equalizer adjusts the main mix output It affects the line level outputs but not the headphones tape outputs or the USB output This EQ may be used for a monitor mix instead of the main mix if the main mix mon switch is engaged It may also be quickly bypassed using the EQ in bypass switch Each slider allows you to adjust the level of its frequency band with up to 15 dB of boost or cut and no change in level at the center 0 dB position The frequency bands are 125 Hz 250 Hz 500 Hz kHz 2 kHz 4 KHz and 8 kHz The EQ section comes before the main mix fader and meters As with the channel EQ just take it easy There is a large amount of adjustment and if you are not careful you can upset the delicate balance of nature Although it may not seem cool to actually turn down controls with EQ it is often the best option Turn down the offending frequency range rather than boosting the desired range You may use it to reduce the level of some frequency b
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14. Owner s Manual 15 ProFX8v2 e ProFXI2v2 e 2 ProFX22v2 e ProFX30v2 Additional Inputs and Outputs UNBALANCED C PROF XO PROFESSIONAL EFFECTS MIXER ST RETURN ProFX8v2 ProFX12v2 FX SEND MAIN OUT PHONES 28 Mon Send Stage monitors allow the talented musicians in the band to hear themselves clearly on stage This can be a good thing The monitor mix may be carefully adjusted in level using the aux mon controls These tap a portion of each channel s signal to provide a 1 4 TRS output here to feed external stage monitors These could either be passive stage monitors powered by an external amplifier or powered stage monitors with their own built in amplifier The monitor signal is the sum mix of all the channels whose aux mon control is set to more than minimum If they want more me and less Brian you may turn up their channel s aux mon control and turn down Brian s The overall output level may be adjusted with the aux master mon knob and mon 1 may have its EQ tweaked with the graphic EQ if the main mix mon 1 switch is engaged Alternatively you could add an external graphic EQ between this output and your powered monitors This will allow you to adjust the EQ and minimize the chance of feedback from nearby microphones The monitor output is not affected by the main mix fader or the channel faders This allows you to set up the monitor mix and level just right and not have it
15. 50 50 50 60 60 60 60 60 60 60 60 co co co co co co co yenuew s Owner s Manual 35 ProFX8v2 e ProFXI2v2 e 2 ProFX22v2 e ProFX30v2 Track Sheet Comp amp Stereo Channels VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE e 6 e AL AL AL AL LINE IN 19 te LINE IN 20 Ted LINE IN 21 Ae LINE IN 22 UNDAE LINE IN 23 LINE IN 25 tee LINE IN 27 UNBAL LINE IN 29 rere ID 0 e e e 4 OFF MAX OFF MAX OFF MAX OFF MAX COMP COMP COMP COMP LINE IN 24 LINE IN 26 LINE IN 28 LINE IN 30 U C 2 C 2 C 50 U 50 5 5 20dB 30dB 5 GAIN GAIN GAIN GAIN LOW CUT LOW CUT LOW CUT 5 CUT LOW CUT 100Hz 100Hz 100Hz 100Hz 100Hz U EQ U EQ U EQ HI HI HI 12kHz 12kHz 12kHz 15 15 15 15 pr 15 1 5k 15 1 5k FREQ FREQ FREQ 100 100 U Ws a 3 ul a gt gt l 1 Lili di bam ne ll di j li lel WP ProFX8v2 ProFX12v2 e ProFX16v2 ProFX22v2 ProFX30v2 Track Sheet Master Section MON SEND MON SEND BAL UNBA
16. 53 m 56 2066 TAPE LEVEL ProFX8v2 ProFX12v2 53 USB Thru ProFX8v2 ProFX12v2 In addition to a mix of the other channels the USB output to the computer may contain any input from the computer if this switch is down This switch only affects the output to the computer not the headphones or main mix e If disengaged out the USB output to the computer will just be the main mix This is a good position for overdubbing as any playback from the computer may be played through the main speakers and headphones while playing along with a guitar and recording only the guitar via USB This is also good for live recording as a safeguard against feedback Here the USB level knob should also be down e f pressed in the USB output to the computer will be the main mix including any audio coming in from the computer This is a good position to record live performances where playback of audio from the computer is also part of the performance 54 USB Out Switch ProFX16v2 ProFX22v2 ProFX30v2 This switch allows flexibility on the recordable signals The default switch configuration disengaged allows the main L R mix to be recorded for convenient stereo mixes of the show Engaging the switch routes subgroups 1 2 over the USB connection to your favorite DAW software for an alternate 2 track recording 55 2 Track Return Tape USB Switch ProFX16v2 ProFX22v2 ProFX30v2 This determines if the
17. 16 Mid EQ 17 Low EQ 18 Aux Mon 12 fill speakers and more 19 Aux FX 20 Pan Bal 21 OL LED 13 Additional stereo channels 22 Mute Switch 23 Assign Switches 13 e Extra stereo aux return for external effects i stereo playback devices 24 PFL Solo Switch 25 Channel Fader 14 High headroom line level inputs 26 Compressor 14 e Individual channel mutes and overload indication Zr SB WI u Ur 15 2 pete for connecting outboard processing e 28 Mon Send 29 FX Send 16 2 irn 30 FX Footswilh 16 e Directly connect guitar bass and other instruments 31 Stereo Aux Return L R 16 via Hi Z input 32 Main Out L R 33 CR Out L R 17 uds S iii and 48V phantom power on all mic channels 34 Sub Out 1 4 35 Phones 17 e Stereo RCA tape I O with input level control 36 Tape Inputs Outputs 17 Headphone output with separate level control 37 48V Phantom Power Switch 18 e Control room headphone outs with level control 38 Power LED 39 Stereo Graphic EQ 18 vire ALR que i balanced unbalanced 4 inch main outputs 40 Main Mix Mon PONI Ies PUER 18 41 EQ In Bypass Switch 42 Main Meters
18. 18 e Break switch mutes all channels for music playback 43 Rude Solo LE D 19 between sets 44 Aux Masters 45 Stereo Aux Returns 20 No Hassle USB Recording Playback 46 Internal FX 47 Preset Selector 20 uu E ME 48 Preset Display 49 Sig OL LED 20 orina interface with simple 50 Int FX Mute Switch and LED 20 o Choose to record subgroups 1 2 5 Mute and OL LED 21 or main L R mix 52 USB Input Level 53 USB Thru 22 o Separate USB input level control to mains 54 USB Out Switch 22 o USB Toutable to full featured channel strip k itd e Great for live recording and perfect for home studios 55 2 Track Return USB Switch 22 Stream playback music for live or studio applications 56 2 Track Return Level 57 Tape Level 22 e Includes user friendly Tracktion recording software 58 Break Switch and LED 22 Rugged Roadworthy Design 59 CR Phones 60 Sub Assigns Switches 23 2 61 Sub 1 4 Faders 62 Main 23 Legendary Built Like A Tank design Appendix A Service Information 24 ete 4 Robust internal multi voltage power supply ppendix
19. 5 8 B E E B E s 1 8 8 8 8 8 8 8 v MAIN METERS 0dB 0dBu 5 8 8 8 8 8 8 125 250 500 1K 2K 4K 8K o mm i 45 10 MAIN MIX MON BYPASS READY P EFFECTS ENGINE FX PRESETS 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL 07 PLATE REVERB CATHEDRAL CHORUS 10 CHORUS REV 11 DOUBLER 12 ECHO 13 DELAY 1 FAST 14 DELAY 2 MED 15 DELAY 3 SLOW 16 PAN DELAY 14 1 358 0 INPUT LEVEL BREAK MUTES ALL CHANNELS 0 TAPE LEVEL oo 315 FX TO MON 3 8 8 20 20 20 8 zi zi x 8 cad o i 8 0 0 8 o 8 50 50 5 50 50 50 50 50 50 50 50 60 60 60 60 60 60 60 14 6 370 ProFX8v2 ProFX12v2 e ProFX16v2 ProFX22v2 e ProFX30v2 ProFX16v2 Dimensions PROF XG 16 CHA
20. also pre main fader Therefore levels may be mixed up or down in the DAW later depending on the needs of the recording versus the live show The end result is that fade ins and or fade outs made during the show do not affect recorded levels 4 Main L R XLR Outputs The male XLR connectors provide a balanced line level signal that represents the end of the mixer chain where the fully mixed stereo signal enters the real world Connect these to the left and right inputs of your main power amplifiers powered speakers or serial effects processor like a graphic equalizer or compressor limiter They are wired as follows according to standards specified by the AES Audio Engineering Society XLR Balanced Wiring Pin 1 Shield ground Pin 2 Positive or hot Pin 3 Negative or cold The main L R XLR outputs are located on and on the front panel of the ProFX16v2 ProFX22v2 and ProFX930v2 The XLR outputs are 6 dB hotter than the TRS outputs the rear panel of the ProFX8v2 and ProFX12v2 ProFXv2 Front Panel Features Connections and Channel Strip The vertical channel strips look very similar and have only a few differences between them Each channel works independently and Just controls the signals plugged into the inputs directly above them MIC em MIC PRE 5 Mic Inputs ProFXv2 mixers use 8 pin female XLR connectors on all microphone inp
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22. 2 track return gets its signal from the RCA tape inputs switch disengaged or USB switch engaged 56 2 Track Return Level ProFX16v2 ProFX22v2 ProFX30v2 This knob controls the overall level to the mains of the tape RCA or USB depending on the position of the 2 track return tape USB switch This knob s level ranges from off through unity center detent position on up to 15 dB of extra gain fully clockwise 57 Tape Level ProFX8v2 ProFX12v2 This knob controls the input level of signals entering the tape inputs It is conveniently located close to the break switch so all channels may be quickly muted while bringing up the background music while the band is taking a break 58 Break Switch and LED This important take a break switch quickly mutes all the microphones and line level inputs when the band is between sets This will prevent protestors or rogue karaoke singers from storming the stage at the interval The monitor send and FX send are not affected If there is no sound coming out of the system be sure to check this switch first The adjacent break LED will come on as areminder that the channels are muted It is possible to play the stereo RCA tape inputs in the main stereo mix or play audio coming in from the computer via the USB inputs For example a soothing CD may be played while the band is off stage The adjacent break LED ProFX16v2 ProFX22v2 and ProFX30v2 will illuminate as a reminder
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24. A single repeat echo not as fast as the Doubler Also known as Slap Back Echo use it to make a This effect provides a single relatively rapid delay vocal or guitar stand out in the mix without extra of the original signal with the added warmth that volume vintage tape based echo units provided DLY 1 Fast These three presets delay with delay times These work best with full up beat music like rock DLY 2 Med of fast medium and slow where the delay needs to cut through the mix DLY 3 Slow Pan Delay This fast delay bounces signal back n forth from Left to This works best in a stereo mix Right and back again Overall decay time is shorter than DLY 1 3 ProFX8v2 ProFX12v2 e 16 2 ProFX22v2 e ProFX30v2 ProFXv2 Series Limited Warranty Please keep your sales receipt in a safe place This Limited Product Warranty Product Warranty is provided by LOUD Technologies Inc LOUD and is applicable to products purchased in the United States or Canada through a LOUD authorized reseller or dealer The Product Warranty will not extend to anyone other than the original purchaser of the product hereinafter Customer you or your For products purchased outside the U S or Canada please visit www 720trees com warranty to find contact information for your local distributor and information on any warranty coverage provided by the distributor in your local market LOUD w
25. LOW CUT LOW CUT gt LINE R 100Hz 100Hz USB 26 Compressor ProFX16v2 ProFX22v2 ProFX30v2 Each of the last four mono channels of the ProFXv2 mixer has an in line compressor circuit with a variable threshold This is very useful for compression of vocals and snare drums for example so you might consider connecting your vocal and drum mics to these channels rather than one of the other channels When the incoming signal exceeds the threshold level set by this knob the signal level is automatically compressed This reduces the dynamic range and reduces the chance of distortion due to overloading the input signals Dynamic range is the difference in level between the quietest and loudest parts of a song A compressor squeezes the dynamic range resulting in an overall steadier more constant volume level for the signal It helps sources such as vocals sit properly in the mix it is very useful for live sound The compression ratio is fixed at around 6 1 with a soft knee response The threshold can be adjusted clockwise from off no compression to 0 dBu max m OUTPUT SIGNAL STRENGTH dBu TERN HAAN 10 5 0 5 10 15 20 INPUT SIGNAL STRENGTH dBu As an example suppose the threshold is set to maximum An incoming signal reaches the threshold of 0 dBu As it increases beyond the threshold it becomes compressed at
26. PFL Solo Switch ProFX16v2 ProFX22v2 ProFX30v2 When a channel s solo switch is engaged any existing selection is replaced by the solo signal appearing at the control room outputs phones and at the left meter The audible solo levels are then controlled by the CR phones knob The solo levels appearing on the meters are not controlled by the CR phones knob you would not want that anyway What you do want to see is the actual channel level on the meters regardless of how loud the control room and phones output levels might be PFL means Pre Fader Listen post EQ With the PFL Solo switch engaged solo will not be affected by a channel s mute switch position Remember PFL taps the channel signal before the fader If you have a channel s fader set way below U unity gain solo will not know that and will send a unity gain signal to the CR outs phones output and meter display which may raise some eyebrows VERY IMPORTANT 25 Channel Fader This is the last control in a channel s signal path and it adjusts the level of each channel onto the main mix The U mark indicates unity gain meaning no increase or decrease of signal level All the way up provides an additional 10 dB should you need to boost a section of a song If you find that the overall level is too quiet or too loud with the level near unity check that the gain control is set correctly LINE IN 26 LINE IN 28 LINE IN 30 0 6 SOURCE
27. Positive or hot SLEEVE SLEEVE TIP LN I P TIP The channel 1 line level input on the ProFX8v2 and ProFX12v2 may also accept instrument level signals if the hi z switch is engaged This allows you to connect guitars directly into channel 1 without the need for a DI box 8 Stereo Line Inputs The stereo line inputs are designed for 1 4 TRS balanced or 1 4 TS unbalanced signals They may accept any line level instrument effects device CD player etc Level control is available 20 dB to 20 dB If you are connecting a mono source use the left mono input and the mono signals will appear on both sides of the main mix The first two stereo channels of each ProFXv2 Series mixer are hybrid channels each with a mic input XLR jack and low cut switch Here the gain control only affects the mic input Hybrid Channels e ProFX8v2 Channels 3 4 and 5 6 e ProFX12v2 Channels 5 6 and 7 8 e ProFX16v2 Channels 9 10 and 11 12 e ProFX22v2 Channels 15 16 and 17 18 e ProFX30v2 Channels 23 24 and 25 26 9 Insert These unbalanced 1 4 jacks are for connecting serial effects processors such as compressors equalizers de essers or filters The insert point is after the gain control and low cut filter but before the channel s EQ and level The channel signal can go out of the insert jack to an external device be processed and come back in on the same insert jack To do this require
28. RAMIDITE NE PAS RETIRER LE COUVERCLE ON B SERIALNUMBER REVISION MIC MIC MIC MIC VITA MIC PRE VITA MIC PRE VITA MIC PRE GV MIC PRE UNBALANCED PROF XE 8 CHANNEL PROFESSIONAL EFFECTS MIXER MONO i e T i UNBAL MON SEND FOOTSWITCH L L MONO LINE IN UNBAL BAL BAL LINEIN5 UNBAL LINEIN7 UNBAL e i e e sea UNBAL RINE INS ST RETURN FX SEND MAIN OUT PHONES r STEREO GRAPHIC 15 15 10 10 5 5 o f f fl 5 5 10 10 15 15 125 2 500 1K 4K 50 m PHANTOM POWER POWER MAIN METERS OdB OdBu mm o mm MAN MX MON1 BYPASS 15 10 READYU EFFECTS ENGINE USB u INPUT LEVEL USB THRU BREAK MUTES ALL CHANNELS FX PRESETS 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE 04 WARM THEATER 05 WARM HALL 06 CONCERT HALL 07 PLATE REVERB 08 CATHEDRAL 09 CHORUS 10 CHORUS REV 11 DOUBLER 12 ECHO 13 DELAY 1 FAST 14 DELAY 2 MED 15 DELAY 3 SLOW PAN DELAY O PRESETS OL oo 20 5 FX TO MON TAPE L
29. We ve designed a lot of boost and cut into each equalizer circuit because we know that everyone will occasionally need that But if you max the EQ on every channel you ll get mix mush Equalize subtly and use the left sides of the knobs cut as well as the right boost If you find yourself repeatedly using a lot of boost or cut consider altering the sound source such as placing a mic differently trying a different kind of mic a different vocalist changing the strings or gargling VERY IMPORTANT 13 Hi EQ The hi EQ provides up to 15 dB of boost or cut above in 12 kHz and it is also flat no boost or cut at the detent Use it to add sizzle to cymbals an overall sense X of transparency or an edge to keyboards vocals guitar and bacon frying Turn it down a little to reduce sibilance or to mask tape hiss 14 Mid EQ 15 Freq ProFX16v2 ProFX22v2 ProFX30v2 The mono channels employ a semi parametric mid sweep EQ The gain up to 15 dB of boost or cut is set via the mid EQ and then aimed at a specific frequency from 100 Hz to 8 kHz via the freq control 16 Mid EQ Short for midrange this knob provides up to 15 dB of boost or cut centered at 2 5 kHz also flat at the center detent Midrange EQ is often thought of as the most dynamic becau
30. a ratio of 6 1 This means that even if the input further increases by 6 dB the actual output only increases by 1 dB This compresses the output signal so there is more protection to your system from distortion ProFX8v2 ProFX12v2 e 16 2 ProFX22v2 ProFX30v2 and overload due to poor microphone technique say it ain t so and general pops bangs and heavy metal screaming The soft knee means that the compression slowly ramps up to 6 1 from the threshold It does not jump abruptly to 6 1 as this would be hard knee compression and harder on the ears too The graph on the previous page shows the input signal level going into the compressor versus the output level coming out of it It is the typical graph to view when compressors are discussed and is just the kind of thing our engineers like to discuss during the company Christmas party If the compressor is off then the input output For example an input signal level of 5 dBu results in an output level of 5 dBu The diagonal line from lower left to upper right represents x y that is input output At the maximum compression the threshold is set at 0 dBu and the input to output relationship is represented by the lower curve If the input is 5 dBu that is below the threshold the output is dBu As the input reaches 0 dBu the output is a bit less than 0 dBu If the input is 5 dBu the output is about 2 dBu If the input reaches 10 dBu then
31. also set up as stage monitors and connect fo the mixer s monitor output via a graphic EQ The aux mon controls of each channel allow you to create a stage monitor mix as desired Headphones are used for monitoring and a footswitch allows you to mute unmute the internal effects as desired A laptop connects to the USB port on the rear panel of the mixer and allows the 2 channel main mix of the performance to be recorded to a DAW Two channels of audio can also play from your computer lo the main mix Typical Live Sound System Owner s Manual a Eur e 7 299 2 2 6 e 6 6 7 16 CHANNEL PROFESSIONAL EFFECTS MIXER POWER l 1 This diagram shows a bass and effects processor attached to the channel 5 line level input microphones attached to channels 6 7 and 8 a guitar amplifier modeler connected to the line level inputs of channel 9 10 a keyboard connected to channel 13 14 and an electronic drum kit attached to channel 15 16 MR8mk3 powered reference monitors are connected to the left and right control room outputs for careful and accurate monitoring of the performance Headphones connected to mon send 1 via a headphone amp are available for the talent to utilize when tracking ProFX8v2 e ProFXI2v2 e ProFXl6v2 ProFX22v2 e ProFX30v2 A desktop computer connects to t
32. change when a channel fader or the main mix fader is adjusted This is known as pre fader There is one mon send jack on each ProF X8v2 and ProFX12v2 two mon send jacks on each ProFX16v2 and ProFX22v2 and three mon send jacks on each ProFX80v2 29 FX Send This 1 4 TRS line level output may be used to feed an external effects processor FX such as a nice sound effect or delay unit The output from this jack is an exact copy of what goes into the internal FX processor being the careful mix of all channels whose aux FX control is turned to more than minimum The processed output of the internal FX does not come out of this output but is added internally to the main mix or monitor mix The overall output level may be adjusted with the aux master FX knob This knob also affects the level going into the internal FX The output is post fader so any changes to the channel faders will also affect the level going to the external processor The processed output from the effects processor is usually returned to the aux stereo returns or a spare channel and you may carefully mix the original unprocessed channel dry and the processed channel wet Altering the original channel fader increases both the wet and dry signals and keeps them at the same delicate ratio For example the reverb remains at the same level relative to the original 30 FX Footswitch ProFX8v2 ProFX12v2 ProFX16v2 ProFX22v2 This 1
33. channel gain set correctly Is the channel level up enough Is the channel OL led on Is the channel pan set in the middle Try the same source signal in another channel set up exactly like the suspect channel Is phantom power required for your microphone Bad Output Is the main level turned up Are the EQs set to reasonable levels Are any aux returns maxed out Unplug anything from the other line level outputs such as monitor out just in case one of the external pieces has a problem Make sure that you are not overdriving the amplifiers Check the loudspeaker average load impedance is not less than the minimum the amplifier can handle Check the speaker wiring Appendix A Service Information If you think your mixer has a problem please check out the following troubleshooting tips and do your best to confirm the problem Visit the Support section of our Website www 720trees com where you will find lots of useful information such as FAQs documentation and any updated PC drivers etc You may find the answer to the problem without having to send your mixer away Noise e Turn the channel gains down one by one If the sound disappears it s either that channel or whatever is plugged into it so unplug whatever that is If the noise disappears it s from your whatever Power e The power LED should come on if the mixer is connected to a suitable live AC mains outlet and the power switch is on Check to mak
34. keyboards drum machines or CD players plugged into the line level inputs 5 Connect cords from the main outs to your powered speakers or amplifier 6 Pluginthe mixer s power cord to a live AC outlet and turn on the mixer 7 Ifyou have powered speakers turn them on Otherwise hook up your passive speakers to your amp with speaker cables and turn it on Adjust your powered speaker or amplifier level controls to however the manufacturer recommends 8 Plugsomething into an input This could be an instrument you singing or speaking or a line level source such as a keyboard or CD player 9 Engagethe channel s PFL Solo switch ProFX16v2 ProFX22v2 ProFX30v2 to view the input level via the main meters 10 Be sure that the volume of the input is the same as it would be during normal use or you may have to readjust the gain in the middle of a set You can listen with headphones if you carefully turn up the channel fader and headphones level a little 11 The mono channel gain affects the mic and the line inputs The stereo channel gain adjusts the stereo line inputs Adjust as desired and make sure that the OL LED does not come on during the loudest passages 3 There are hybrid channels that have both mono 5 mic and stereo line inputs these channels 5 the gain control affects only the mic gain 12 To get sound out of the speakers and into a waiting world engage a channel s L R assign switch ProF
35. the output is 3 dBu Notice the shapely curve of the soft knee between the diagonal slope of x y and the compressor slope of 6 1 the compression ratio The other green curves represent in between positions of the compressor knob with higher thresholds before compression begins Qutboard compressors often have controls such as compression ratio threshold soft knee hard knee attack time and release time These last two affect how quickly the compressor kicks in when the input exceeds the threshold and how quickly it is released after it drops below the threshold In this compressor these parameters are specially chosen to give you the best overall performance Adjust the threshold carefully so your dynamic range is still lovely without distortion or overload during the performance Run through a few practice screams and high notes and adjust the compression as required My High School math teacher Mr Marvin thought that graphs might come in handy for me one day Finally O LINE IN 26 LINE IN 28 LINE IN 30 0 20 20 20 20 T D i S Un 27 USB Switch lt ProFX16v2 ProFX22v2 ProFX30v2 5 The USB switch on the last stereo channel provides C stereo playback of iTunes or a DAW via the USB CU connection Like any other input this signal may also be EQ d sent to an aux bus or mixed in with the other signals and assigned to subgroups or main outs This switch overrides the TRS inputs
36. 0 these TRS outputs are at 0 dBu The male XLR connectors provide a balanced line level signal that represents the end of the mixer chain where your fully mixed stereo signal enters the real world Connect these to the left and right inputs of your main power amplifiers powered speakers or serial effects processor like a graphic equalizer or compressor limiter The XLR outputs are 6 dB hotter than the TRS outputs The XLR output jacks on the ProFX8v2 and ProFX12v2 are located on the rear panel CR OUT SUB OUT AUX RETURN ProFX16v2 ProFX22v2 ProFX30v2 33 CR Out L R ProFX16v2 ProFX22v2 ProFX30v2 These 1 4 jacks are usually patched to the inputs of a control room amplifier or a headphone distribution amplifier 34 Sub Out 1 4 ProFX16v2 ProFX22v2 ProFX30v2 These four 1 4 jacks are usually patched to the inputs of a multitrack deck or to secondary amplifiers in a complex installation 35 Phones This 1 4 TRS connector supplies the output to stereo headphones It is the same signal that 1s routed to the control room outputs O The phones volume is controlled with e the phones knob right above the mon fader ProFX8v2 ProFX12v2 e the cr phones knob right above the main mix fader ProFX16v2 ProFX22v2 ProFX30v2 SIDUM Whenever a Solo switch is engaged you will only hear the soloed channel s in the headphones This gives you the opportunity to audition the channels be
37. 05 WARMHALL 09 CHORUS 13 DELAY 1 FAST SET 02 WARM LOUNGE 06 CONCERT HALL10 CHORUS REV 14 DELAY 2 MED L 03 SMALLSTAGE 07 PLATEREVERB 11 DOUBLER 15 DELAY 3 SLOW 04 WARM THEATER 08 CATHEDRAL 12 16 PAN DELAY AUX AUX MASTER RETURN INTERNAL FX To MON MON MON 1 SS 5 0715 16 PRESETS SIG OL MON MON 5 T os is Eh 15 INT FX MUTE To To EX MAN LR LR 85 co M10 OO rfO MAIN wm SUB 1 2 USB e BREAK So Max 2 TRACK SOURCE USB OUT oo 20 LEVEL MUTES ALL CH CR PHONES 8888 8 8 85585 8 8 18 7 475 Weight 13 0 Ib 16 0 407 Owner s Manual O SIDUM nue 25 1 639 8 f FE 8 9 a 4
38. 4 TRS connector is where to connect your favorite footswitch This allows you to easily mute or un mute the internal effects at will Any one button on off footswitch will work If the internal FX have already been muted with the internal FX mute switch then the footswitch has no effect The ProFX80v2 has an additional mon send jack in place of an FX footswitch Jack 31 Stereo Aux Return L R The stereo aux returns are designed for 1 4 TRS balanced or 1 4 TS unbalanced signals from 20 dB to 20 dB They allow the stereo processed output from external effects processors or other devices to be added to the main mix Level adjustment of the incoming signals is made with the aux return controls You may also use these inputs to add any stereo line level signals to your main mix so it could be another line level source not just an effects processor If you are connecting a mono source use the left mono stereo return input and the mono signals will appear on both sides of the main mix ProFX8v2 ProFX12v2 e ProFX16v2 e ProFX22v2 ProFX30v2 32 Main Out L R The 1 4 TRS output connectors provide balanced or unbalanced line level signals Connect these to the next device in the signal chain like an external processor compressor limiter or directly to the inputs of the main amplifier These are the same signal that appears at the XLR main outputs but 6 dB lower than the XLR outputs When the meters read
39. 6v2 e ProFX22v2 e ProFX30v2 Stereo Graphic EQ Main Meters and more POWER PROF XO PHANTOM EGET PROFESSIONAL EFFECTS 37 r STEREO GRAPHIC EQ MAIN METERS OdB OdBu 250 500 1K 2K 4K EOIN amp MAIN MIX 1 BYPASS r 37 48V Phantom Power Switch Most modern professional condenser mics require 48V phantom power which lets the mixer send low current DC voltage to the mic s electronics through the same wires that carry audio Semi pro condenser mics often have batteries to accomplish the same thing Phantom owes its name to an ability to be unseen by dynamic mics Shure SM57 SM68 for instance which don t need external power and aren t affected by it anyway Press this switch in if your microphone requires phantom power Always check the position of this switch before connecting microphones The accompanying LED will illuminate red to indicate that phantom power is active This 1s a global switch that affects all mic channels XLR Jacks at once Never plug single ended unbalanced microphones or ribbon mics into the mic input jacks if phantom power is on Do not plug instrument outputs into the mic XLR input Jacks with phantom power on unless you know for certain it is safe to do so Be sure the main mix fader is turned down when connecting microphones to the mic inputs when phantom power is turned on to prevent pops from getting through to the speakers
40. C Table of Effects Presets Limited Warranty 39 Available on ProFX16v2 ProFX22v2 ProFX30v2 2 Available on ProFX8v2 ProFX12v2 ProFX16v2 22 2 ProFX30v2 5 Available on ProFX8v2 ProFX12v2 Available on ProFX8v2 ProFX12v2 ProFX16v2 ProFX22v2 Part No SW1074 Rev A 04 15 2015 LOUD Technologies Inc All Rights Reserved us Follow us Watch our dang videos Owner s Manual O SIDUM yenueyy ProFX8v2 e ProFXI2v2 e 2 ProFX22v2 e ProFX30v2 Introduction Our ProFXv2 Series mixers provide a comprehensive live sound solution with models from 4 to 30 channels covering a huge range of applications Delivering unmatched sound quality ProFXv2 features all new Vita preamps which are virtually noiseless and designed specifically for the highly dynamic world of live sound ProFXv2 also includes the immensely powerful new ReadyFX effect engine harnessing floating point DSP to deliver 16 rich effects that elevate any performance The ProFXv2 no compromise live sound toolkit includes a room shaping GEQ flexible I O and a built in USB interface for hassle free recording playback With a rugged steel chassis and unmatched sonic performance ProFXv2 is truly the life of your live mix How to Use This Manual After this introduction a getting started guide will help you get things set u
41. Channels gt 85 dBu Low 15 dB 80 Hz LL Mid 15 dB Q 100 Hz 8 kHz c Frequency Response High 15 dB 12 kHz A Mic input to any output gain at unity 0 dB 1 dB Low Cut Filter 18 dB octave 100 Hz 20 Hz to 30 Stereo Channels 20 Hz to 40 kHz Low 15 dB 80 Hz CN Mid 15 dB 2 5 kHz gt High 15 dB 12 kHz NO Distortion THD N gt 22 Hz to 80 kHz bandwidth f j Micinto Main Out 4 dBu output oa Maximum Voltage Gain EQ Hat 0 0199 Mic Input Channel to O Insert Output 50 dB Tape Output 60 dB A USB Output 50 dB Attenuation and Crosstalk 60 dB CN Adjacent Inputs 1 kHz 00 dBu 1 4 Main Output 70 dB XLR Main Output 76 dB gt Inputs to Outputs 1 kHz 80 dBu Monten Send 76 4 CN Fader 0ff 1 kHz 75 dBu 81 dB gt Mute Switch Break Switch Mute 1 kHz 90 dBu LL 100dBu Mono Line Input Channel to Insert Output 30 dB Tape Output 40 dB n USB Output 30 dB Common Mode Rejection Ratio CMRR 40 dB Mic in to Main out max gain 1 kHz 70 dB XLR Main Output 56 dB Monitor Send 56 dB CN 61 dB gt FX Send 70 dB Maximum Levels Stereo Line Input Channel to A All inputs 22 dBu Tape Output 30 dB USB Output 30 dB O Main Out XLR 28 dBu XLR Main Output 46 dB All other outputs 22 dBu Monitor Send 46 dB 51 dB FX Send 60 dB 55 dB Impedances Input to Mic in 3 8 KQ XLR Main Output 36 dB 3 3 USB Input to Channel Inse
42. EVEL oo 4 FX MAS 3 1 B Pert 888 PROF X122 12 CHANNEL e PROFESSIONAL EFFECTS MIXER CAUTION A m m way Fokus mq SO BALANCED 5 BALANCED Y RISQUE RESET NE PAS RETIRER LE COUVERCLE 3 6 AI amp D USB U o a D MIC MIC MIC MIC MIC MIC VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE ev MIC PRE UNBALANCED 12 CHANNEL PROFESSIONAL EFFECTS MIXER PROF XQ MONO MONO MONO MONO BAL L L L L L BAL L UNBAL UNBAL UNBAL Bal BAL uU T BAU LINE HIZ IN 1 LINEIN 2 LINE IN 3 LINE IN 4 LINEIN 5 UNBAL LINEIN7 UNBAL LINEIN9 UNBAL LINE IN 11 UNBAL UNBAL MON SEND unsal FOOTSWITCH e i d l UNBAL INSERT LINE IN 8 UNE IN 10 ST RETURN FX SEND MAIN OUT PHONES STEREO GRAPHICEQ POWER 5 8 E 8 8 8 8 10 8 cN 8 8 8 B 8 5 E 8 8 E E 8 o e POWER
43. L BAL UNBAL FX SEND BALANCED e BAL UNBAL e UNBAL UNBAL D BALANCED BAL UNBAL MAIN OUT UNBALANCED PHONES 1 3 BAL UNBAL UNBAL AUX RETURN CR OUT SUB OUT P RO F OoX0D PHANTOM POWER 30 CHANNEL 9 PROFESSIONAL EFFECTS MIXER r STEREO GRAPHIC EQ MAIN METERS 15 15 OdB OdBu B BN BN jH H 15 10 8 B B BN BN BN B 3 10 10 0 2 15 15 4 7 125 250 500 Ik 2k 8k i MAIN MIX EQIN 20 MON1 BYPASS 30 L R READY P EFFECTS ENGINE 01 BRIGHT ROOM OSWARMHALL 09 CHORUS 13 DELAY 1 FAST sey 02 WARM LOUNGE O6CONCERT HALL 10 CHORUS REV 14 DELAY 2 MED RUDE O7PLATE REVERB 11 DOUBLER 15 DELAY 3 SLOW SOLO 03 SMALL STAGE 04 WARM THEATER 08 CATHEDRAL AUX MASTER db MON 1 OO 15 USB Dp p p gt beme o c 8 8 MAIN SUB 1 2 OUT 2 TRACK SOURCE 8 8 Ws 1 A USB 12 AUX RETURN 0 e 15 LEVEL 8 a 8 88 l 16 PAN DELAY INTERNAL FX PRESETS SIG OL MUTES CH CR PHONES MAIN UJ I dB 3 S o N p ee 8
44. NNEL PROFESSIONAL EFFECTS MIXER A CAUTION A RISK OF ELECTRIC SHOCK DO NOT OPEN AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR SERIAL NUMBER REVISION 3 8 97 f BALANCED BALANCED UNBALANCED _ s TAPE TAPE IN OUT 9 BAL UNBAL _ MIC MIC MIC MIC MIC MIC MIC MIC MIC VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE L R 5 MAIN OUT MONO MONO 5 BAL 22 BAL MONO f BAI LINEINS UNBAL LINEIN 9 UNBAL LINEIN 11 UNBAL LINEIN 13 UNBAL LINE IN 15 UNBAL UNBAL UNBAL UNBAL UNBAL e e e e LINE IN 10 LINE IN 12 LINE IN 14 LINE IN 16 AUX RETURN CR OUT SUB OUT 16 CHANNEL PROFESSIONAL EFFECTS MIXER PROFJXWGO gt 2048 aos 2088 GAIN GAIN source C STEREO GRAPHIC EQ MAIN LOWCUT UNE METERS 100Hz USB 15 15 OdB 0dBu 10 10 oL 5 5 15 10 o H fo f H 14 154 o 5 5 3 10 10 9 2 15 15 4 7 125 250 500 MAIN MIX MON1 BYPASS 30 L R READYR lt EFFECTS ENGINE NN 01 BRIGHTROOM
45. ProFX8v2 ProFX12v2 e ProFX16v2 ProFX22v2 ProFX30v2 19 Aux FX These knobs tap a portion of each channel s signal to set up a nice FX mix feeding the internal FX processor and to feed external processors via the FX send The controls are off when fully turned down deliver unity gain at the center detent and can provide up to 15 dB of gain turned fully up The mute channel fader and other channel controls affect the FX output but pan does not The aux FX is post fader The FX signal reaching the internal FX processor and the FX send output jack is the sum mix of all the channels whose aux FX control is set to more than minimum The overall output level may be adjusted with the aux master FX knob FX are added to the main mix by increasing the level of the internal FX to main L R knob Internal FX may also be added to the monitor mix by increasing the level of the internal FX to mon knobs 20 Pan Bal This control allows you to adjust how much of the channel signal is sent to the left versus the right outputs With the knob panned hard left the signal feeds the main left sub 1 or sub 9 busses depending on the setting of the assign switches With the knob panned hard right the signal feeds the main right sub 2 or sub 4 busses again dependent on the setting of the assign switches Subgroups are on the ProFX16v2 ProFX22v2 and ProFX30v2 The pan control employs a design called Constant Loudness I
46. X16v2 ProFX22v2 ProFX90v2 turn up that channel s fader to the U unity gain position and slowly bring up the main fader to a comfortable listening level 13 Repeat steps 8 to 12 for the other channels ProFX8v2 ProFX12v2 e 16 2 ProFX22v2 ProFX30v2 O Hookup Diagrams SIDUM FOOTSWITCH UNBAL UNBAL EH yel ALA SEM ERO wea enuey 16 CHANNEL PROFESSIONAL EFFECTS MIXER e MAC wa C y L This diagram shows q mic d up drum kit utilizing the first five channels of the mixer Microphones are connected to the next five channels for lead and background vocals A bass and guitar are attached to the next two channels line level inputs each via a mono effects processor An iPod docking station is attached to the stereo tape inputs SRM450v3 powered speakers are connected to the left and right main output Two of these speakers are
47. Z N o S S j T dg 2 VEN Z Z A Tzu uo re M i 3 K D 4 a Bi Bi O o S J Z lt E o Z N 4 S S S Z EL 758 D gt eR G OCO j 4 E N gt ii E 3 r 4t 2 4t ii So 4 z z z z 7 2 S 7 S 9 2 S 7 S T 8 B Z Sy SZ PAWA S a ER Z Fey Di 0 B z z 1 F B 5 gj os gt 15 16 z z z z H 100000 0 On 12109 4 2 N AUX RETURN cROUT SUB OUT g 8 5 PROFXEE c PROFESSIONAL EFFECTS MIXER STEREO GRAPHIC EQ STEREO GRAPHIC EQ 500660
48. ands where feedback occurs 40 Main Mix Mon 1 Switch This switch allows you to choose if the stereo graphic EQ is used for the stereo left and right main mix or if it is used for monitors For example there may be times when the graphic EQ may be used wisely in the monitor mix to reduce feedback in the monitors from nearby microphones This only affects the monitor output 41 EQ In Bypass Switch This switch allows you to quickly engage or disen gage the stereo graphic EQ This may be used for quick checks of your EQ settings or to shorten the signal path if you do not need to use the EQ 42 Main Meters These peak meters are made up of two columns of twelve LEDs with three colors to indicate different ranges of signal level traffic light style They range from 80 at the bottom to 0 in the middle to 20 CLIP at the top ProFX8v2 ProFX12v2 e 16 2 ProFX22v2 ProFX30v2 When a channel is soloed ProFX16v2 ProFX22v2 ProFX80v2 the right meter shows no reading and the left meter shows the level of that channel s signal level pre fader The left meter s 0 dB LED is labeled level set to show where the level should be when adjusting a channel s gain in the solo mode When 0 dBu 0 775 V is at the main left and right TRS outputs it shows as 0 dB on the meters You can get a good mix with peaks flashing anywhere between 20 and 10 dB on the meters Most amplifiers clip at about 10
49. arrants to Customer that the product will be free from defects in materials and workmanship under normal use during the Warranty Period If the product fails to conform to the warranty then LOUD or its authorized service representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at www 720trees com support or by calling LOUD technical support at 1 800 898 3211 toll free in the U S and Canada during normal business hours Pacific Time excluding weekends or LOUD holidays Please retain the original dated sales receipt as evidence of the date of purchase You will need it to obtain any warranty service For full terms and conditions as well as the specific duration of the Warranty for this product please visit WWNW 720trees com warranty The Product Warranty together with your invoice or receipt and the terms and conditions located at WWW 720trees com warranty constitutes the entire agreement and supersedes any and all prior agreements between LOUD and Customer related to the subject matter hereof No amendment modification or waiver of any of the provisions of this Product Warranty will be valid unless set forth in a written instrument signed by the party to be bound thereby Need help with your mixer Visit www 720trees com and click Support to find FAQs manuals addendums and other useful information Ema
50. ave batteries to accomplish the same thing Phantom owes its name to an ability be unseen by dynamic mics Shure 5 57 5 58 for instance which don t need external power and aren t affected by it anyway The ProFX mixer s phantom power is globally controlled by the phantom power switch meaning that phantom power for all mic inputs is turned on and off together Never plug single ended unbalanced microphones or ribbon microphones into the mic input jacks if phantom power is on Do not plug instrument outputs into the mic input jacks with phantom power on unless you know for certain it is safe to do so VERY IMPORTANT 6 Line Hi Z Switch ProFX8v2 ProFX12v2 To connect a guitar directly to the mixer without using a DI Box press this switch in first then connect the output from the guitar to channel 1 s 1 4 TRS input The input impedance is optimized for direct connection and high frequency fidelity is assured In the out position channel 1 s 1 4 TRS input becomes a line input just like the other mono line inputs To use guitars or other instruments on other channels you will need to use an external DI box first Without the DI box or if this switch is not pressed in guitars may sound dull and muddy 7 Line Inputs Hi Z Input Channel 1 Only ProFX8v2 ProFX12v2 In addition to accepting balanced mic or line level signals using XLR connector ProFXv2 Series mixers m
51. ay also accept 1 4 line level signals driven by balanced or unbalanced sources These 1 4 jacks share circuitry but not phantom power with the mic preamps To connect balanced lines to these inputs use a 1 4 Tip Ring Sleeve TRS plug TRS stands for Tip Ring Sleeve the three connection points available on a stereo 1 4 or balanced phone jack or plug LOW CUT 100Hz LOW li Mono Channels Channels 1 2 on ProFX8v2 Channels 1 4 on ProFX12v2 Channels 1 8 on ProFX16v2 Channels 1 14 on ProFX22v2 Channels 1 22 on ProFX380v2 O S JOUAA MONO MONO L BAL BAL LINEIN27 UNBAL LINEIN29 UNBAL enuey Channels 3 8 on ProFX8v2 Channels 5 12 on ProFX12v2 Channels 9 16 on ProFX16v2 Channels 15 22 on ProFX22v2 Channels 23 30 on ProFX30v2 Owner s Manual 191 ProFX8v2 e ProFXI2v2 e ProFXl6v2 e ProFX22v2 e ProFX30v2 TRS jacks and plugs are used for balanced signals and stereo headphones and are wired as follows according to standards specified by the AES Audio Engineering Society 1 4 TRS Balanced Mono Wiring Sleeve Shield ground Tip Positive or hot Ring Negative or cold RING SLEEVE SLEEVE RING To connect an unbalanced line to this input use a 1 4 mono TS phone plug or instrument cable They are wired as follows according to standards specified by the AES Audio Engineering Society 1 4 TS Unbalanced Mono Wiring Sleeve Shield ground Tip
52. dBu and some recorders aren t so forgiving either For best real world results try to keep your peaks between 0 and 6 Remember audio meters are just tools to help assure you that your levels are in the ballpark You don t have to stare at them unless you want to 43 Rude Solo LED ProFX16v2 ProFX22v2 ProFX30v2 This large LED flashes red when one or more solo switches are engaged This acts as a reminder that what you hear in the control room and headphones is the soloed channel s If you forget that you are in solo mode you can easily be tricked into thinking that something is wrong with your mixer Hence the rude solo light Please forgive its rudeness it is only trying to help and wants to be your friend O SIDUM enuey Owner s Manual ProFX8v2 e ProFXI2v2 e ProFXl6v2 e ProFX22v2 e ProFX30v2 Aux Masters Aux Returns and Internal FX 44 Aux Masters These provide overall control over the aux mon and aux FX levels just before they are delivered to the aux mon and aux FX outputs as well as internal FX in the case of the FX master Auxiliary is usually the control you turn up when the lead singer glares at you points at his stage monitor and sticks his thumb up in the air It would follow that if the singer stuck his thumb down you d turn the knob down but that never happens The aux master mon 1 knob on the ProFX16v2 ProFX22v2 and ProFX30v2 is the mon fader on the ProFX8v2 and Pr
53. e sure that the power cord is securely plugged in ProFX8v2 e ProFX12v2 ProFX16v2 e ProFX22v2 ProFX30v2 Repair For warranty service refer to the warranty information on page 39 Non warranty service is available at a factory authorized service center To locate your nearest service center visit www 720trees com click Support and select Locate a Service Center Service for ProFXv2 Series mixers living outside the United States can be obtained through local dealers or distributors If you do not have access to our website you can call our Tech Support department at 1 800 898 3211 Monday Friday during normal business hours Pacific Time to explain the problem Tech Support will tell you where the nearest factory authorized service center 1s located in your area O SIDUM enuey Owner s Manual 25 gt Appendix B Technical Inf gt Appendix b lechnical Information ego e O Specifications O Noise Characteristics Equalization ul Equivalent Input Noise EIN ProFX8v2 ProFX12v2 an 150 Q Source Impedance 20 Hz to 20 kHz Low 15 dB 80 Hz e Mic in to Insert Send out max gain 125 dBu Mid 15 dB 2 5 kHz 128 High 15 dB 12 kHz N f Low Cut Filter 18 dB octave 100 Hz Residual Output Noise gt All outputs master levels off all channel levels off 95 dBu CN All outputs master levels unity one channel level unity ProFX16v2 ProFX22v2 ProFX30v2 CN 80 dBu Mono
54. ed the Class A Class B whichever is applicable limits for radio noise emissions from digital apparatus as set out in the radio interference regulations of the Canadian Department of Communications ATTENTION Le pr sent appareil num rique n met pas de bruits 22 radio lectriques d passant las limites applicables aux appareils num riques de class A de class B selon le cas prescrites dans le r glement sur le brouillage radio lectrique dict par les ministere des communications du Canada Exposure 10 extremely high noise levels may cause permanent hearing loss Individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a period of time The U S Government s Occupational Safety and Health Administration OSHA has specitied the permissible noise level exposures shown in the following chart According to OSHA any exposure in excess of these permissible limits could result in some hearing loss To ensure against potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels use hearing protectors while the equipment is in operation Ear plugs or protectors in the ear canals or over the ears must be worn when operating the equipment in order to prevent permanent hearing loss if exposure is in excess of the limits set forth he
55. f you have a channel panned hard left or right and then pan to the center the signal is attenuated about 3 dB to maintain the same apparent loudness Otherwise it would make the sound appear much louder when panned center 21 OL LED This LED indicates the channel s signal level after the gain and EQ controls but just before the channel s level So even if the level is turned down you can see if the channel is being overloaded The OL overload LED will come on when the channel s input signal is too high This should be avoided as distortion will occur If the OL LED comes on regularly check that the gain control is set correctly for your input device and that the channel EQ is not set with too much boost The OL LED will also illuminate when a channel s mute switch is engaged ProFX16v2 ProFX22v2 and ProFX30v2 22 Mute Switch Mute switches do just what they sound like they do They turn off the signal by routing it into oblivion Engaging a channel s mute switch almost provides the same results as turning the fader all the way down a pre aux send is not affected by the channel fader but itis by the mute switch Any channel assignments ProFX16v2 ProFX22v2 and 0 2 to main mix subgroup 1 2 or subgroup 8 4 will be interrupted and all of the aux sends will be silenced both pre and post fader The channel insert will continue to provide a signal when a channel is muted The OL LED will illu
56. fore they are added to the main mix Solo signals reaching the headphones are not affected by the channel level or main level therefore turn down the phones level first as soloed channels may be loud enuey The phones output follows standard conventions Tip Left channel Ring Right channel Sleeve Common ground WARNING The headphone amp is loud and can cause permanent hearing damage Even intermediate levels may be painfully loud with some headphones BE CAREFUL Always turn the phones level control all the way down before connecting headphones or pressing a solo switch or doing anything new that may affect the headphone volume Then turn it up slowly as you listen carefully 2 gt 36 Tape Inputs Outputs The stereo unbalanced RCA inputs allow you to play a CD player player or other line level source The tape in jacks accept an unbalanced signal using standard hi fi hookup cables The stereo unbalanced RCA outputs allow you to record the main stereo mix onto a hard disk recorder or automatic CD burner for example This lets you make a recording for posterity archive legal purposes whenever the band gets back together again The tape output is the stereo main mix and it is not affected by the main mix fader The output could also be used as an extra set of main outputs for feeding another Zone SLEEVE SLEEVE TIP Owner s Manual ProFX8v2 e ProFXI2v2 e ProFXl
57. he USB port to record the 2 channel main mix to the DAW as well as play back two channels from the DAW Typical Recording System 61 ProFX8v2 ProFX12v2 e ProFX16v2 ProFX22v2 ProFX30v2 ProFXv2 Rear Panel Features PROF X 22 12 CHAN PROFESSIONAL EFFECTS MIXER Connections 1 Power Connection This is a standard 8 prong IEC power connector Connect the detachable linecord included in the box with your mixer to the power receptacle and plug the other end of the linecord into an AC outlet ProFXv2 Series mixers have a universal power supply that accepts any AC voltage ranging from 100 VAC to 240 VAC No need for voltage select switches It will work virtually anywhere in the world That s why we call it a Planet Earth power supply It is less susceptible to voltage sags or spikes compared to conventional power supplies and provides greater electromagnetic isolation and better protection against AC line noise 2 Power Switch Disconnecting the plug s ground pin is dangerous Don t do it VERY IMPORTANT Press the top of this rocker switch inwards to turn on the mixer The front panel power LED will glow with happiness or at least it will if you have the mixer plugged into a suitable live AC mains supply Press the bottom of this switch to put the mixer into standby mode It will not function but some circuits are still live To remove AC power either turn off the AC mains
58. hout this virtual pad there is more chance of channel clipping N32 For hybrid channels mic input and stereo line input the gain control just affects the microphone input OdB GAIN Hybrid Channels e ProFX8v2 Channels 3 4 and 5 6 e ProFX12v2 Channels 5 6 and 7 8 e ProFX16v2 Channels 9 10 and 11 12 e ProFX22v2 Channels 15 16 and 17 18 e ProFX930v2 Channels 23 24 and 25 26 U For stereo channels no mic input O the gain control affects the line level inputs with 20 dB of gain and 20 dB 2 of attenuation _ GAIN Stereo Channels M e ProFX8v2 Channels 7 8 lt e ProFX12v2 Channels 9 10 and 11 12 e ProFX16v2 Channels 13 14 and 15 16 E e ProFX22v2 Channels 19 20 and 21 22 C e ProFX30v2 Channels 27 28 and 29 30 QU 11 Level Set LED ProFX8v2 ProFX12v2 These LEDs are used with the gain control to set the channel preamplifier gain just right for each source If one or more channels are distorting check the level set LEDs If they are on continuously turn down the gain ProFX8v2 ProFX12v2 12 Low Cut Switch All mono channels have a low cut switch often referred to as a high pass filter that cuts bass frequencies below 100 Hz at a rate of 18 dB per octave We recommend that you use low cut on every microphone application except kick drum bass guitar or bassy synth patches These aside there isn t much down there that you want to hear and f
59. il us at techmail loudtechinc com Telephone 1 800 898 3211 to speak with one of our splendid technical support chaps Monday through Friday normal business hours Pacific Time Owner s Manual O 4 SIDUM enuey uci 16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 321 Fax 425 487 4337 www 720trees com
60. iltering it out makes the low stuff you do want much more crisp and tasty Not only that but low cut can help reduce the possibility of feedback in live situations and it helps to conserve amplifier power is that it actually adds flexibility during live performances With the addition of low cut you can safely use low equalization on vocals Many times bass shelving EQ can really benefit voices Trouble is adding low EQ also boosts stage rumble mic handling clunks and breath pops from way down low Applying low cut removes all those problems so you can add low EQ without blowing the woofers Owner s Manual i Another way to consider low cut s function ProFX8v2 e ProFXI2v2 e ProFXl6v2 e ProFX22v2 e ProFX30v2 D Channel Equalization EQ All ProFXv2 mono channels except for the ProFX4v2 which is covered in its own owner s manual have 3 band EQ with shelving hi peaking mid with adjustable mid frequency ProFX16v2 ProFX22v2 ProFX830v2 and shelving low The stereo channels have a peaking mid EQ control in addition to the shelving hi and shelving low EQ controls Shelving means that the circuitry boosts or cuts all frequencies past the specified frequency For example the low EQ boosts bass frequencies below 80 Hz and continuing down to the lowest note you never heard Peaking means that certain frequencies form a hill around the center frequency With too much EQ you can really upset things
61. jack ProFX8v2 e ProFX12v2 e 16 2 ProFX22v2 ProFX30v2 U like Unity gain ProFXv2 Series mixers have a U symbol on almost every level control It stands for unity gain meaning no change in signal level The labels on the controls are measured in decibels dB so you ll know what you re doing level wise if you choose to change a control s settings 10 Gain If you haven t already please read the Getting Started section on page 4 Setting the gain correctly will ensure that the preamplifier s gain is not too high where distortion could occur and not too low where the quieter exquisitely delicate passages might be lost in background noise The gain knobs adjust the input sensitivity of the mic and line inputs This allows signals from the outside world to be adjusted to run through each channel at optimal internal operating levels lt 5 For mono channels mic input with a mono line input the gain knob adjusts the input sensitivity of the mic and line inputs 20dB 30dB GAIN If the signal originates through the mic XLR jack there will be 0 dB of gain with the knob fully down ramping to 50 dB of gain fully up Through the 1 4 mono line inputs there is 20 dB of attenuation fully down and 80 dB of gain fully up with unity gain U at 12 00 This 20 dB of attenuation can be very handy when you are inserting a hot signal or when you want to add EQ gain or both Wit
62. m 9 VEND SZ NISNIT VEND NI INT ONOW AYASNI LYASNI 183SNI J83SNI 1835NI 1335NI e e e e e WENN LNI3NQ 4 9 WANNA 5 zi Nr3Nn e WANN e e e e 6 WENN oLNian 7 8 1 WANN gNIINT WENN WANN 9NI3NII WENN SNI3NH WANN NIaNN WENN WINN 2 WANA LNI3NTI Bud SIN VLA asn 3 8 97 NOISIA3H SSSWDNOVIGS NO 3NNVH2 0 exo xaiogoud ProFX30v2 D lt Owner s Manual X4 U23 S 00J ane sseqAg Xd fe dsiq UO O1 Xd 1989 4 A eo rt ainw xd di TT Tno u s oe puas Xd lt aX pues JOJUOJN Jepe 4 UIE 0 Xd pueg 7 UJOJJ O N uoneuns p o ufnouu jues si 0 peufiisse jou ueuM yous ssed ubisse ssed g Ea Od9 EU O09J9 S pueq
63. minate when a channel s mute switch is engaged ProFX16v2 ProFX22v2 and ProFX30v2 23 Assign Switches ProFX16v2 ProFX22v2 ProFX30v2 Alongside each channel fader are three buttons referred to as channel assignment switches Used in conjunction with the channel s pan knob they are used to determine the destination of the channel s signal With the pan knob at the center detent the left and right sides receive equal signal levels main mix L R sub 1 2 and sub 3 4 To feed only one side or the other turn the pan knob accordingly If you are doing a mixdown to a 2 track for example simply engage the main mix switch on each channel that you want to hear and they will be sent to the main mix bus If you want to create a group of certain channels engage either the 1 2 or 8 4 switches instead of the main mix and they will be sent to the appropriate subgroup faders From there the groups may be sent back to the main mix using the group assign switches above the group faders allowing you to use the group faders as a master control for those channels O SIDUM enuey Owner s Manual E ProFX8v2 e ProFXI2v2 e ProFXl6v2 ProFX22v2 e ProFX30v2 If you are creating new tracks or bouncing existing ones you will also use the 1 2 and 3 4 switches but not the main mix switch Here you do not want the groups sent back into the main mix bus but sent out via the sub out jacks to your multitrack inputs 24
64. n 639 mm Depth 16 0 in 407 mm Weight 18 0 Ib 8 2 kg Y ProFX30v2 Height 3 8 in 97 mm Width 33 6 in 853 mm Depth 16 6 in 422 mm Weight 25 0 lb 11 4 kg Options ProFX8v2 Bag P N 0020636 Cover P N 0020638 ProFX12v2 Bag P N 0020637 Cover P N 0020639 Rack Ear Kit P N 2045757 00 ProFX16v2 Bag P N 2036809 10 Cover P N 2036809 12 Rack Ear Kit P N 2036168 00 ProFX22v2 Bag P N 2036809 11 Cover P N 2036809 13 ProFX30v2 Cover P N 2036809 30 LOUD Technologies Inc is always striving to improve our products by incorporating new and improved materials components and manufacturing methods Therefore we reserve the right to change these specifications at any time without notice The Running is a registered trademark of LOUD Technologies Inc All other brand names mentioned are trademarks or registered trademarks of their respective holders and are hereby acknowl edged Please check our website for any updates to this manual www 20trees com 2015 LOUD Technologies Inc All Rights Reserved Owner s Manual ProFX8v2 e ProFXI2v2 e ProFXl6v2 ProFX22v2 e ProFX30v2 ProFX8v2 and ProFX12v2 Dimensions PROF 8 CHANNEL PROFESSIONAL EFFECTS MIXER POWER MAIN MAIN RISK OF ELECTRIC SHOCK DU ts tes tunt RIGHT LEF ATTENTION NE PAS OUVRIR 00 ELECTRIQUE NEPAS EXPOSE ELA BALANCED BALANCED RISQUE DE CHOC ELECTRIQUE LUE QU L
65. ning the knob and it will be stored into the FX memory after about one second When the mixer is turned on the FX section will load up the last used preset ProFX16v2 ProFX22v2 ProFX30v2 49 SIG OL LED This bi colored LED illuminates green when the signal level going into the effects processor is within a good operating range sig It illuminates red if the effects processor is overloaded with too strong of a signal ol Turn down the FX send master level and check the channel sends if these light red regularly The signals going into the processor are affected by the channel gain EQ and channel faders as well as the channel FX sends and the FX send master TEIN This LED only illuminates green sig on the ProFX16v2 ProFX22v2 and ProFX30v2 50 Int FX Mute Switch and LED When engaged the internal effects processor is muted and its output will not appear on the main mix or monitor mix The adjacent mute LED will illuminate as a reminder that the effects are muted When power is first applied this LED will illuminate and the FX will be muted for about 10 seconds while the little FX gerbils inside settle down If this switch is not engaged then the internal effects are set free and may be added as required to the main mix and or monitor mix If this switch is not engaged then the internal effects may be muted or un muted with a footswitch ProFX8v2 ProFX12v2 ProFX16v2 and ProFX22v2 ProFX8v2 Pr
66. nts especially warm tone Concert Hall This hall reverb is characterized its large spacious Adds life to acoustic instruments and vocals from sound long pre delay and vibrant tone solos to full on symphonies and choirs Plate Reverb This preset emulates vintage mechanical reverberation Perfect for thickening percussive instruments such that was generated with a metal plate Its sound is as a snare drum or tight vocal arrangements characterized by lots of early reflections and no pre delay Cathedral This reverb emulates the extremely long tails dense Gives amazing depth to choirs wind instruments diffusion and long and reflections that would organs and soft acoustic guitars be found in a very large stone walled house of worship Chorus This preset provides a soft ethereal sweeping effect Perfect for enhancement of electric and acoustic that is useful for thickening and for making a guitar and bass or to add a dramatic effect to particular sound pop out of the mix vocals particularly group harmonies and choirs Chorus Reverb This preset perfectly combines the chorus effect above This effect thickens the sound with chorus while with a large roomy reverb aoa warmth and spaciousness thanks to the smooth reverb Doubler This effect simulates the sound of a vocal or instrument Provides a vibe that is similar to chorus without being recorded twice double tracked on a multi track the subtle swirl recorder Echo
67. o blades and a third grounding prong The wide blade or the inia third prong are provided for your safety If the provided plug does not fit into Increase the Separation between the equipment and the receiver your outlet consult an electrician for replacement of the obsolete outlet Connect the equipment Info outlet on a circuit different from 10 Protect the power cord from being walked on or pinched particularly at plugs that fo which the receiver is connected 11 12 15 16 Unplug this apparatus during lightning storms or when convenience receptacles and the point where they exit from the apparatus Only use attachments accessories specified by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over PORTABLE CART WARNING unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped This apparatus shall not be exposed to dripping or splashing and no object filled with liquids such as vases or beer glas
68. oFX12v2 45 Stereo Aux Returns These controls set the overall level of line signals received from the stereo aux return L R jacks Signals passing through these controls go directly to the main mix and monitor mix where they are com bined with signals from the channels 46 Internal FX These knobs route the effects output to the mon and mains independently Use the mon controls to provide effects to monitors Slowly add effects to the monitors by turning the mon knobs clockwise Use the aux master to monitor the amount sent The FX output to the mains will be heard directly from the PA 47 Preset Selector Rotate this endless control to select one of the 16 preset effects When the rotation stops that preset will be loaded and become operational The current preset number is shown in the display The different presets are shown in the table below and on the mixer s silkscreen near the stereo graphic EQ Further details of each preset are explained in Appendix on page 98 Only one preset may be selected at a time Bright Room Warm Lounge 9 Small Stage Warm Theater Warm Hall Concert Hall Plate Reverb Cathedral 9 Chorus 0 48 Preset Display This display shows the number of the currently selected effects preset as shown in the list of presets above Rotate the preset selector knob right or left to change a preset A new preset will be loaded approximately 1 4 of a second after you stop tur
69. oFX12v2 e 16 2 ProFX22v2 ProFX30v2 51 Mute and OL LED for stereo returns ProFX8v2 and ProFX12v2 Press this switch in to mute the signals coming into the stereo return inputs O The adjacent LED will light if the signal coming into the stereo return inputs is too high and this may cause distortion due to overloading SIDUM The OL LED comes before the stereo return fader so the fader has no effect in your efforts to turn off the OL LED enuey Check external processors and other devices and turn down their levels until the OL LED does not come on READY EFFECTS ENGINE FX PRESETS 01 BRIGHT ROOM 02 WARM LOUNGE 03 SMALL STAGE 04 WARM THEATER 5 W CHORUS 10 CHORUS REV 11 DOUBLER 12 ECHO PRESETS 13 DELAY 1 FAST MUTE 14 DELAY 2 M 15 DELAY 3 S 09 50 16 PAN DELA um FX MASTER FX TO MON ku E ProFX8v2 ProFX12v2 Owner s Manual 21 ProFX8v2 e ProFXI2v2 e ProFXl6v2 e ProFX22v2 e ProFX30v2 21 Main amp Subs Mix USB Out 2 Track Return and more 52 USB Input Level ProFX8v2 ProFX12v2 This control adjusts the signal level of the two channels coming in from the computer via the USB port relative to the mix of the other channels Adjust it carefully to achieve the desired mix with the other channels The USB input from audio software could be individual instrument tracks a mix of tracks or processed tracks y KQ INPUT LEVEL
70. oFX22v2 ProFX30v2 One popular use of the subs is to use them as master faders for a group of channels on their way to the main mix fader Let us say you have a drum kit hogging up seven channels and you are going to want to control their group volume more conveniently You do not want to try that with seven hands or seven fingers so just unassign these channels from the main mix and reas sign them to subs 1 2 engage the assign to main mix left on sub 1 and assign to main mix right on sub 2 Now you may ride the entire drum mix with two faders subs 1 and 2 If you engage just one assign to main mix button per group left or right the signal sent to the main mix fader will be the same level as the sub outs If you want the subgroup to appear in the center of the main mix engage both the assign to main mix left and right but tons The signal will be sent to both sides and reduced in level by 3 dB like a pan pot so the overall level is the same whether the group is assigned to main left main right or both 61 Sub 1 4 Faders ProFX16v2 ProFX22v2 ProFX30v2 As you might expect these faders control the levels of the signals sent to the sub out jacks All channels that are assigned to subs not muted and not turned fully down will appear at the sub outs The sub signal is off when its fader is fully down the U marking is unity gain and fully up provides 10 dB additional gain Remember that if you are treating two
71. p fast The hookup diagrams show some typical setups while the remaining sections provide details of the ProFXv2 Series mixers This icon marks information that is critically important or unique to ProFXv2 For your own good read and remember them VERY IMPORTANT This icon leads you to in depth explanations j 8 V of features and practical tips They usually have some valuable nuggets of information This icon draws attention to certain features and functions relating to the usage of ProFXv2 Things to Remember e Never listen to loud music for prolonged periods Please see the Safety Instructions on page 2 for information on hearing protection e Save the shipping box and packing materials You may need them someday Besides the cats will love playing in them and Jumping out at you unexpectedly Remember to pretend like you are surprised e Save your sales receipt in a safe place Getting Started The following steps will help you set up the ProFXv2 mixer quickly Turn down all knobs except the channel EQ and pan knobs and set all the faders fully down 2 Set all channel EQ knobs pan knobs and the graphic EQ sliders at their center detent 9 Set all buttons to the out position 4 Plug signal sources into the mixer such as e Microphones plugged into the mic inputs Engage phantom power if your mics need it Check the mic s user manual to be sure e ine level sources such as
72. re Sound Level dBA Slow Response Duration per day in ours Typical Example Duo in small club 4 2 Za ie Subway Train Very loud classical music o Matt screaming at Troy about deadlines Niu OIN NILO l Loudest parts at a rock concert Laite on liitett v suojakoskettimilla varustettuun pistorasiaan Apparatet m tilkoples jordet stikkontakt Apparaten skall anslutas till jordat uttag operating and maintaining servicing instructions in the literature accompanying the appliance L NS the product s enclosure that may be of significant ma WARNING To reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture Correct disposal of this product This symbol indicates that this product should not be disposed of with your household waste according to the WEEE directive 2012 19 EU and your national law This product should be handed over to an authorized collection site for recycling waste electrical and electronic equipment EEE Improper handling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE At the same time your cooperation in the correct disposal of this product will contribute to the effective usage of natural resources For more information about where you can d
73. rop off your waste equipment for recycling please contact your local city office waste authority or your household waste disposal service a ProFX8v2 e ProFX12v2 e ProFX16v2 e ProFX22v2 e ProFX30v2 Contents Features Important Safety Instructions 2 Unmatched Sound Quality ema 3 ounce cenia mie preamps doenca Introduction Getting Started 4 to add life to any input Hookup Diagrams 5 e All new ReadyFX effects engine with 16 great 1 Power Connection 2 Power Switch 7 sounding effects like reverbs delays and choruses e Single knob channel compression for smooth 3 USB Input Output 7 DH diis in i m 4 Main L R XLR Outputs 5 Mic Inputs 8 6 Line Hi Z Switdh 9 No Compromise Live Mixing Toolkit 7 Line Inputs Hi Z Input 098 060600000000 000 0 00 000 9 e Graphic EQ for tuning mains or monitors 8 Stereo Line Inputs 9 Insert 10 Built in USB interface to record the show 10 Gain 11 Level Set 1 11 1 AE tin exible subgroups for professional mix 12 Low Cut Swilh 11 U management 13 Hi EQ 14 Mid EQ 15 Freq 12 e Aux output s perfect for driving a monitor mix
74. rt Return 10 XLR Main Output 36 dB All other inputs BCU KO siqaq Palin dG Tape out 1kQ Mon Output 30 dB Phonesout 25 0 XLR Main Output 26 dB All other outputs 120 Q Unbalanced 240 Q Balanced 1 ProFX6v2 ProFX12v2 ProFX16v2 ProFX22v2 ProFX30v2 ProFX8v2 ProFX12v2 e ProFX16v2 ProFX22v2 ProFX30v2 Specifications continued Digital Effects Mono Input Stereo Output Number of Presets 16 Meters Main L R Mix Two columns of 12 segments each OL 20 dBu 15 10 6 3 0 0 dBu 2 4 7 10 20 30 Graphic EQ Frequency Centers 125 250 500 1k 2k 4k 8k Gain 15 dB Assignable to Main or Monitor bypassable USB Format USB 1 1 Stereo Input Stereo Output A D A 16 bit 44 1 kHz 48 kHz Phantom Power 48 VDC to all Mic channels simultaneously AC Power Requirements 20 watts ProFX8v2 ProFX12v2 40 watts ProFX16v2 45 watts ProFX22v2 50 watts ProFX30v2 100 240 VAC 50 60 Hz Power Consumption Universal AC Power Supply Power Connector 3 Pin IEC Physical Dimensions and Weight ProFX8v2 Height 3 6 in 9 mm Width 11 4 in 290 mm Depth 14 1 in 358 mm Weight 7 1 Ib 3 2 kg ProFX12v2 Height 3 6 in 91 mm Width 14 6 in 370 mm Depth 14 1 in 358 mm Weight 9 0 Ib 4 1 kg O ProFX16v2 5 Height 3 8 in 97 mm 0 Width 18 7 in 475 mm Depth 16 0 in 407 mm UY Weight 13 0 Ib 5 9 kg ProFX22v2 CU Height 3 8 in 97 mm D Width 25 1 i
75. s a standard insert cable that must be wired thusly Tip send output to effects device Ring return input from effects device Sleeve common ground SEND to processor ring sleeve TRS plug tip This plug connects to one of the RETURN from processor mixers Channel Insert jacks Insert jacks may be used as channel direct outputs post gain and pre EQ If you insert a TS mono 1 4 plug only partially to the first click into an insert jack the plug will not activate the jack switch and will not open the insert loop in the circuit thereby allowing the channel signal to continue on its merry way through the mixer This allows you to tap out the channel signal without interrupting normal operation If you push the 1 4 TS plug in to the second click you will open the jack switch and create a direct out which does interrupt the signal in that channel See illustration below Do not overload or short circuit the signal you are tapping from the mixer That will affect the internal signal MONO PLUG Direct out with no signal interruption to master Insert only to first click Vv MONO PLUG Channel Insert jack Direct out with signal interruption to master Insert all the way in to the second click STEREO 77 PLUG For use as an effects loop TIP SEND to effect RING RETURN from effect K Lis Channel Insert jack Channel Insert
76. se the frequencies that define any particular sound are almost always found in this range You can create many interesting and useful EQ changes by turning this knob down as well as up 1Oke 20k 17 Low EQ The low EQ provides upto 15 dB of boost or cut below 40 80 Hz The circuit is flat at E the center detent position This frequency represents the punch in bass drums bass oan I guitar fat synth patches and some really serious male singers who eat raw beef for breakfast 18 Aux Mon These knobs tap a portion of each channel s signal to set up a nice monitor mix feeding stage monitors independent of the main mix Adjust these controls on each channel until the band is happy with the stage monitor mix The controls are off when fully turned down deliver unity gain at the center detent and can provide up to 15 dB of gain turned fully up The pan mute and channel fader do not affect the monitor output but the other channel controls will The aux mon is pre fader The overall output level may be adjusted with the aux master mon controls and monitor 1 s EQ tweaked with the graphic EQ if the main mix mon 1 switch is engaged nternal FX may also be added to the monitor mix with the internal FX to mon knobs
77. ses shall be placed on the apparatus Do not overload wall outlets and extension cords as this can result in a tisk of fire or electric shock 17 This apparatus has been designed with Class l construction and must be 18 19 connected to a mains socket outlet with a protective earthing connection the third grounding prong This apparatus has been equipped with a rocker style AC mains power switch This switch is located on the rear panel and should remain readily accessible to the user The MAINS plug or an appliance coupler is used as the disconnect device so the disconnect device shall remain readily operable RISK OF ELECTRIC SHOCK DO NOT OPEN f CAUTION CAUTION REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER OR BACK NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the prescence of uninsulated dangerous voltage gnitude to constitute a risk of electric shock to persons The exclamation point within an equilateral triangle is intended to alert the user of the prescence of important 21 Consult the dealer or an experienced radio TV technician for help CAUTION Changes or modifications to this device not expressly approved by LOUD Technologies Inc could void the user s authority to operate the equipment under FCC rules This apparatus does not exce
78. sse OF gt 9 omm wee 2 eee y ued L 4 lt lt 1 0311S 110 JSA qns wo 1 15 pueq ubissy 1 d IH GW tac EE acne a e M es 4 uns z I aw 03 pueg ZL qns lo 10 UIelA i i i x ee ooi yoef yasul JO peajsul e TUN s he ddH JossaJduJoo 1d 2x e nuapi 422 22 42 2 2 05 2 ul O3 E NEM duio5 ZF ino KIA sjauueyD ouo CA Jana UIEN z d PIN des M Eager X pueg SSEOAC OZ aur N tw aPOS 0 2IW lt lt Y UINJaY JPL L Z K wns u ZHOOL 9 L L gyde x EEL z a INO m wol4 ol AZL 392001 08 EI A I Cj iy S guueu 6 lt lt hp 1 ee L lt lunhe upel you Me wns IH aj 7 yeaig pm 52 ee 4 0 2 TT n N esu J MOd uino edej gsn a n 2222 5 S2IWW IV O1 gt c c c lt ch gt gt gt aquis 8V eqo 5 Ot XdOJd C CCXdO4d C 9LXdO4d C CLXdO4d CABKAC d ProFX8v2 ProFX12v2 e ProFX16v2 ProFX22v2 ProFX30v2 O Track Sheet Mono Channels SIDUM MIC VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE VITA MIC PRE
79. subs as a stereo pair sub 1 and 2 for example make sure that both sub faders ride together to maintain the left right balance a MAIN C wre M SUB1 2 USB 2 TRACK SOURCE 20 BREAK M CR PHONES 8 8 8 8 258885 25885 ProFX16v2 ProFX22v2 ProFX30v2 62 Main Mix This stereo fader allows you to adjust the levels of the main mix signals sent to the XLR and 1 4 main line level outputs and the tape outputs This gives you the ultimate feeling of power and control over the sound levels sent to your audience Adjust this control carefully with your good eye on the meters to check against overloading and your good ear to the levels to make sure your audience if any is happy The main mix signals are off with the fader fully down the U marking is unity gain and fully up provides 10 dB of additional gain This additional gain will typically never be needed but once again it s nice to know that it s there The fader is stereo as it affects both the left and right of the main mix equally This is the ideal control to slowly bring down at the end of a song or quickly in the middle of a song if the need ever arises This control does not affect the mon send or FX send outputs Owner s Manual O SIDUM enuey ProFX8v2 e ProFXI2v2 e ProFXl6v2 e ProFX22v2 e ProFX30v2 Troubleshooting Bad Channel Is the channel EQ set up nicely Is the
80. supply or unplug the power cord from the mixer and the AC mains supply As a general guide you should turn on the mixer first before any external power amplifiers or powered speakers and turn it off last This will reduce the possibility of any turn on or turn off thumps in your speakers O SIDUM enuey 3 USB Input Output The built in USB interface allows for some powerful and flexible routing It is a 2x2 interface allowing you to record two streams from the mixer or to input stereo playback from a computer and route it to nearly any output or pair of outputs on the mixer ProFX16v2 ProFX22v2 and ProFX30v2 The ProFX8v2 and ProFX12v2 USB return only goes to main L R via the USB input level control VERY IMPORTANT The USB routing capabilities are as follows USB input TO the mixer playback 1 Stereo channel 15 16 on the ProFX16v2 21 22 on the ProFX22v2 and 29 30 on the ProFX80v2 features a USB button so one may route computer output such as iTunes down the last stereo channel of the board This stereo signal may then be EQ d sent to auxiliaries i e to feed monitors headphones or effects and is routable to mains and or subgroups via the fader routing features that are available on all other channels In short this signal may be sent to nearly any desired output or pair of outputs Additionally the gain knob at the top of this channel strip adjusts the USB inp
81. that the channels are muted ProFX8v2 ProFX12v2 e ProFX16v2 ProFX22v2 ProFX30v2 59 CR Phones As one might expect this knob controls the levels of both the stereo control room and the headphones Make sure that this knob is fully off counter clockwise before selecting or adding a new source Whatever the selection the control room outputs may also be used for other applications The sound quality is just as impeccable as the main outputs It may be used as an additional main mix output and this one will have its own level control However be aware that if a solo switch is engaged the mix will be interrupted When a channel s solo switch is engaged any existing selection is replaced by the solo signal appearing at the control room outputs phones and at the left meter The audible solo levels are then controlled by the control room knob The solo levels appearing on the meters are not controlled by the control room knob you would not want that anyway What you do want to see is the actual channel level on the meters regardless of how loud the control room and phones output levels might be Control room is available on the ProFX16v2 ProFX22v2 and ProFX30v2 Solo signals reaching the headphones and monitor outputs are not affected by the channel level or main level therefore turn down the phones level and monitor level first as soloed channels may be loud 60 Subs Assign Switches ProFX16v2 Pr
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83. ut level to the mixer to achieve an optimal signal level 2 The 2 Track Return section ProFX16v2 ProFX22v2 ProFX30v2 features a switch to select either a Tape source such as an iPod connected via RCA cables or the USB signal from a computer playing Windows Media Player files for example may be routed to the main bus This section also features an input level adjustment for fading house music up and down between bands at a house of worship or any other event where this may be necessary Owner s Manual ProFX8v2 e ProFXI2v2 e ProFXl6v2 ProFX22v2 e ProFX30v2 USB output FROM the mixer recording etc In the USB out section ProFX16v2 ProFX22v2 ProFX30v2 you may select either the main mix disengaged or subgroups 1 2 engaged from the conveniently titled USB out switch The USB tap points for the subgroups are pre fader and signals will show up on the DAW dependent upon how they are panned on the channels In other words if subgroups 1 and 2 are used to submix drums and those drums have a stereo image e g overheads and toms channels are panned accord ing to desire this stereo image is retained in the DAW inputs Any adjustments made to the subgroup drum levels during the show only pertain to the live show itself recording levels are not adjusted in the DAW unless they are adjusted on the channels Likewise it 1s possible to record the main mix to take home a copy of the live show These levels are
84. uts with pin 1 wired to the grounded earthed shield pin 2 wired to the high hot or positive polarity side of the audio signal and pin 9 wired to the low cold or negative polarity side of the signal LINE HI Z IN 1 INSERT ProFX8v2 ProFX12v2 accept balanced mics or line level inputs from almost any type of source The Vita mic preamps feature higher fidelity and headroom rivaling any standalone mic preamp on the market today These female XLR connectors We use phantom powered balanced inputs just like the big mega consoles for exactly the same reason This kind of circuit is excellent at rejecting hum and noise Professional ribbon dynamic and condenser mics all sound excellent through these inputs The mic line inputs will handle any kind of level you can toss at them without overloading Microphone level signals are passed through the mixer s splendid microphone preamplifiers to become line level signals They are wired as follows according to standards specified by the AES Audio Engineering Society XLR Balanced Wiring Pin 1 Shield ground Pin 2 Positive or hot Pin 3 Negative or cold ProFX8v2 e ProFX12v2 e 16 2 ProFX22v2 e ProFX30v2 Phantom Power Most modern professional condenser mics require 48V phantom power which lets the mixer send low current DC voltage to the mic s electronics through the same wires that carry audio Semi pro condenser mics often h

Mackie ProFX8v2 8-Channel FX Mixer with USB Manual

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