Aaton audio Cantar PostChain (27)
Contents
1. Note BWF2XML by Spherico is said to be a very good way to import BWF files into FCP Titre de l EDL SEEN Format CMX 3600 Fe Tri Master audio fusianne r tnnlilits de bandes _ Piste video cible tw Lt Omettre les transitions j Coupes de bande A Pre lecture des coupes _ Coupes g n riques Remarques FDL M Noms de fichiers sd 2 Miveaux video e Commentaire Master 4 Niveaux audio Filtres Transitions Noms des effets Noms standard arieglais Master Heure initiale OIXDO DQOCDOO Crop Frame Association audio A 1 aucun Foti fot COEDLS FDL 4 A OS Aira ra Sri 3 eh Gran T o Vw WE E SEP Final Cut EDL export menu Cantar PostChain 27 2009 June 09 p 11 visi AG v7 2 p 12 Generate an EDL AVDB MacOS 8 x Cr er une EDI Avant la cr ation de l Edl v rifier dans le montage que des pistes 2 ne soient pas mont es seules et d cal es car le TimeCode et le Nom du fichier ne sont port s Filetag compliant EDL Reminder To get a filetag compliant EDL the TapelD column which carries the Cantar filetag first six digits of the file name must be batch duplicated with Apple D and put into the SoundRoll column of the audio bin before editing starts l Open the Avid EDL Manager and select SoundRoll instead2. 3 Drag the wav files no txt idf or idw files onto the AlonXfer icon The conversion of a two channel 16 bit file on a Mac G4 machine is performed in one tenth of its real time duration 4 Since the processed files are stored in RAM make sure you have more physical RAM than the largest file to be converted Virtual memory doesn t help Twenty files at o time is a good first try 5 Once the conversion has completed import the resulting OMF files into the project where they are immediately parsed under AIFF and stored in the project s audio bin Lebel Eb ba ima ay m aai erp Erman Ai Caen irer teens igi ure 4 cuan Meicksdas Xa Pic 2 3 To batch modify the dates copy the bin ShootDate column into an AatonDate column in which wrong date entries can be corrected place this column before the AuxIC column where the Film TC is stored then use Apple E to sort the files by ascending date and time T TE Dg p UFICGLE MANY LCTTDULIESE NU EE IEA IE E Miike lke H NS LE VM L T LL i Lj E 1 bi GIA EIRE FIRE EN D SE Cable rideo D Oidsiith 1 ais adhe ir URIDHTER A UE DTI A RE driik Cole iF ihik GGki iti i l RSIRBEDO eee LP T ERAJ OO Do rind Cama i hii a 8 l LLET de HE UE Sree St i Cer Ty co TO LE hl IARI ee ee ee VUA il ET Ce Custer fry ia E IEE Al DETEN TO PIPE DEDE LEICRIPEMM FiFi OLD e
3. GIG e the BWF P polyphonic system interleaves the original independent BVVF M files into one big file which often hits the 2GB or AGB barrier of the Microsoft FAT32 disc format This dreadful system is still in use because of the Fostex readers and some vintage Avid MCs which need it to link the iso files of a take s group before internally converting them back tes eee ie etienne independent AIFF a pun monophonic files Current e ico Eta riens a yn Avid MCs v3 5 introduced Tone el March 2009 finally i cen T import monophonic files n latices E mene ELE fi f Majax s PDF Sound Report displays the filetag start TC duration track names scene amp take IDs and comments for each event The BWFEM to BWF P conversion can be done within Cantar during backup but to save time at wrap up it is better to ask the sound editor to install the free Majax application on his editing machine desktop and make the conversion by himself wg s WA ors Va rt 4 Lu PAST Be Sd mj La rani gr CES Me LU PN Dani c TREES OPA AI SIL Pe Fe ie EL Cantar PostChain 27 2009 June 09 p 3 p 4 Flow Charts Cantar The Aaton unique Filetag e g 511254 nu incremented on each take ensures natural tile sorting on any computer desktop and provides error free relinks between the mix down sent to the editor and the 24 bit native iso tiles u
4. column into the AuxIC column of the audio bin and duplicate the image FilmIC column into the AuxIC column of the image bin then perform a Group Sync 2 If the Avid displays TC not matching verity that sound and film dates are identical not only showing the same date but in the same format e g 2004 09 24 not O9 24 OA If not batch modity the incorrect dates as explained below 3 To batch modify the dates copy the ShootDate column of the bin into an AatonDate column in which wrong date entries can be corrected place this column before the Aux TC column where FilmTC is stored then use Apple E to sort the files by ascending date and time es D LE I lg res rep rer B Fox 1 TERRAN Ej Fes are rer Bj resserre are Audie Document Samm 0 tj St ole on 5 22 0 l 41 2 1003 5723 O Mame Treks Ds TL zd Er RE saa diti Ai z at d daar 2 0 1 2 3217 du It ni Zz To Bd 23 l z d BH irita Ai z NO Zanrarell S uri Cart 1 De 1 2H Dl 37 3I Dat 10 19 Zn5E FBEISDEX HAN 200 0 OSS 13 17 LESELE O 2C0E CAS55422 FHBE178EX WAW 200 0 ir S440 ZE Al 2 dDDEmS 17 1240500 DE 103320627 FBBITTERX WAY 200 07 adhi 2 i di 2 i rp 35 Di 13r d i B i r T FRR WAY 2004 n idi id i i ccr ETES 25 0200 1 3 E 0 DIO 1diD ddz FRETISPR WAY 2004 ri 3 Cantar PostChain 27 2009 June OO p 9 Avid MC 2 7 NN p 10 v AGRApor and Sync BWF P 5
5. Metchazecth 7 Extendedis In rara Trada autr Cetact ES Pht rae inspsum conan n aes chase ber Roba Jn cess of nui pie cesses f or the conform perat FO ign contains nee Flags the function ren be performs dat terran vit hth e mera C We Medis untere Cei p re Trara gt Extand Cape nee Color Clips that successful riria ini Green FT Coke dips that Faded minkingin Red ipart x he ignore Tiaecocies Re conform screen p 14 Relink by OMF Pyramix Instructions for Virtual Studio v4 3 1 Mount the folders in which the monophonic 24 bit Cantar original audio files are stored Warning be sure your audio tiles are directly accessible to the host computer leaving them 24 Mone Extend Tracks x Select Tracks Press Ctrl Far multiple selection eal on an external Firewire Extend Tracks to connected disc induces Auto detect conformation abortion Keep Original Tracks Pa Import the Avid OME Only Selected Clips or EDL go to Project cancel select Import select OMF and activate the The menu Tracks Extend options as shown on the Tracks extends the clips over the screenshots original tracks Instructions for prior Virtual Studio software Below is the EDL conform screen shot for those who don t have Virtual Studio v4 3 and later software EN EDL irat Dior x Genera poor Pafs Winding Option 5 wort EDI Gels d lies Corret EDL exits kert EDL Edhi am
6. T Can FICE note the table below s written from memory by Job Ter Burg tremendously helps see through the Avid version numbering logic E Avid Xpress 2 x JAdSymhoyix y O nn Avid Xpress 6 x Avid Symphony 5 x Avid Xpress Pro 4 x Avid Media Composer 7 x Avid Media Composer 8 x Avid Media Composer 9 x Avid Media Composer 10 x Avid Media Composer 11 x Avid Media Composer 12 x Avid Media Composer Adrenaline 1 x Avid Media Composer Adrenaline 2x4 Avid Symphony Nitris Lx Avid Xpress Pro HD 5 x JAvidSymphonyNitris 3x Avid Media Composer 3x 3 5 Cantar PostChain 27 2009 June O9 p 7 ul YN AGhport and Sync BWF P VAN v7 2 AVDB MacOS 8 x p 8 r l Fichiers BWF Polyphonic 16 bit 2 Convertir en OMF avec AtonXler 2 http soft aaton com sweantar 20 fichiers par 20 fichiers Pic 1 3 Cr er un nouveau Bin dans Avid Pic 2 4 Importer les fichiers OMF cr s Pic 2 Em 5 Dupliquer colonne NetFileName Apple D dans colonne Sound Roll Pic 3 6 Dupliquer colonne ProdName sur colonne Name pour r cuperer les descripteurs Scene Take de Cantar Convert BWF to OMF files Avid Film Composer vZ can t directly import BWF files they must be converted to OMF files Available on www soft aaton com swcantar the AtonXfer 2 application ensures this conversion The Avid v7 must be a Film Compos
7. 7 DNA MacOS10 5 5 Attention les fichiers BVVF P sont tronqu s et la num ration des images 24fps ne fonctionne pas dans les versions ant rieures MC Adrenaline 2 7 et XPressPro 5 7 Soyez jour de vos upgrades en v3 xx Veillez ce que le projet soit bien en 24fps temps r el et que l Edit Play Rate soit 24 le choix HD 35mm 4 3 ou 2Perf ou 16mm n a pas d importance si les pull and cut lists sont ensuite g n r es par l Aaton Edilite partir des EDL video Edilite permet de m langer tous les formats dans Fils Rate iuue Video Rate 100 lt lt o 3 O Shadows jab Instructions The Project must be 24fps realtime pict 1 and the Edit Play Rate must be 24 The format choice HD 35mm 4 3 or 2Perf even 16mm is irrelevant if the pull and cut lists are meant to be generated later by the Aaton Edilite software from the video EDLs Edilite allows mixing all of the formats in the same Project and handles Motion Effects M2s and reverse keycode better than any other software In the Import Settings option unclick all of the conversions leaving the sample bitdepth in its 16 bit to 24 un m me projet et respecte les Motion Effects mieux qu aucun software connu Dans Import Audio ne pas oublier de passer le sample bit depth 24 bit car il est 16 bit par d faut ne pas le faire causera deux malheurs un le PC perdra beaucoup de temps mal tro
8. advantage to leave the continuous Record Run Video TCs untouched p 9 Linking cameras and recorders Method 4 is at its best when batch digitizing videotapes under Avid s Optimize for Speed and Apple s FCP AUX TC capture amp link modes see below Audio TC Capture amp Link extracting Audio TC from videotapes If you want to edit with two audio tracks Cantar s mix down or camera s on board mic i e audio on Al A2 and TC on A3 digitize the videotape with V AT A2 A3 mode see D p If you want to edit using the T1 T8 Cantar s tracks leave the Avid MC ready to later import these tracks digitize the tape in V A3 mode do NOT digitize Al A2 see A p eAvid MC During tape ingestion the MC extracts the Audio TC recorded an an audio track and links it as Aux TC to the tape s continuous Video TC Unfortunately Media Composer Avid MCs don t detect Audio IC jumps you must first mark them then digitize the standard way with a VTR preroll on each clip In order to avoid this operation and time con suming prerolls select Optimize for Speed and quickly toggle the MC s PAUSE On Off button at the tail of each take to Capture amp Link the Audio TC of the next take Tools Toolset Wi Enable Digital Video Out Group Clip Mode ft M f Read Audio Timecode eApple FCP Install the FCP AUXTC app it reads the LIC on one of the audio channels finds IC breaks and splits the m
9. as tour r Lire Tapes eel Pisa Urea Bt bo lip Plana Bir en ono Hans ported Choc oe Plas Ta irate res Lin Tape Ped Meare Patch Tepe Mare o F REEL piyay iki Eip Pasar C Machesg Meche Maire Ping EDL Edi Plumber 7 pitch Fe Plane ee ee FO By Teet n r Polder Har Fr ri E Bre Tae iti 0 prenne For son C By Taeecpde in ira roches Poles Track Cor e A byera Fis Eriaren Dnporttrde areas k Patch brat chasractens Extend Edis ioraa beck Conthange ji s En Sat Prinz Shardard ETE akon Centar IT C7 Freire prev4 3 version Cantar PostChain 27 2009 June 09 p 14 Titan 3 1 3 Mac OSX htto www synchroarts com Flash Conform does generate sample accurate sounds provided the FixSync process is performed right after the EDL driven Flash Contorm operations FixSync ensures a sample accurate resync of the audio samples by using the two track 16bit OMF export out of the Avid The ProTools adds 8 bits to make a 24bit files from a 16bit file Flash Conform should contain a cantar tsc file carrying the Cantar rule in the Scan Control folder delivered with Titan 3 If you don t find it Aatechs at aaton support aaton com will send it to you The Cantar rule appears in the File Selection Settings menu it makes Titan look at the first 6 digits ot the SoundRoll in the Edl and at the first 6 digits of the file names FileTags then at the number preceeding the wav suffix which identities the track For
10. camera start carries a TC which is the camera starttime minus the duration of the pre record If the video camera is working in rec run it systematically creates a time overlap with the TC of the preceding take eactly ending at the next cameras start time p 15 Relink by EDL Titan 3 Bp em Pash orforre Meer BOL ores Frese Waitz of tm E ER Dm skin aan Frame Bat La tn j amphi Bu Fall ailean Ham AC SI ETE Fed af Fla MO L Hid ime rai Eu Tok Qum Su Cr m T ppi Bract aot a SL E anm hr ilie Lt Li 1 T Li Li I a EDL HD inter rs dca Deskton BOSI SFLEDL D Mimi re rs eis El pasir Fines Lee wu lb Bai Wagon ees SLE Lee Se EM ee a ee LP ee QT as dC CO Cee ol Ca TS eS Cl OED OE eS Tl DON Me m ee fi Bll jasbi Foi bee bar 8 VF 1 Se uted i i See tip Se LE hee ast Hamm Er Des Acum E Tre Carter file Pubes Dira r ipl om im space rae er Carter Vies Lies ee Prat dels gi ee a moe ge e vou I end Les zug ju urs hg ls p Daemon ce Lis l erm m a Diae om pmo ums Tm ll Dg ged le om ml mr ra PIPER S es On the Protools side While importing Cantar files and moving the audio files from the input bin to the timeline switch to spot mode a menu opens select go to original time stamps That is the way to get the original TC stored in the BWF files Mame the session L Where im Movies HH a HE Desktop LFB Documents ef E Library rn amp Music l i Pictures b E Publ
11. eR TEDGUZSXI z Lil m UM rial A ABD 1301 0140 1E Da ZB Fim TC Sama TE PP ad ez MAN Sri 4 aB D ijdiddid 1203 1208 Pat iW aria zn PT VIT EE dde d d ix 0535 1 E Bh iipairi dT w b AM Ve ee AS ABD 15312 43 17 TIED B 1i eM BH ii d i gon n IDUL LIT SMS IE Ditpalits iit pore E i3 6 HZ 45 ERO t i33 E E 7 i 0455 1 amp Sarde Times Pde am dA be a A ABD 15312 43 17 TED B VA m ZT HH Berita al 45D 1353154517 1EDSSIE ee TEL m dI m AA au Ca wail bs Fe Monophonic import e workaround For Avid MCs older than v3 5 there is a way to regroup the monophonic iso files and th b C AMD see Job s tutorial http NY LE g Downloads AU n l Create AA M BVVF M files 3 Select the in points D 2 and sync the tracks tet with the Autosync function Unfortunately this workaround is not perfect since it is tedious to tind and resync each individual monophonic track of the group with the Matchtrame function e genuine Successor of the famous v3 1 the Avid MC Symphony v3 5 see note brings an import functionality pic 3 capable of automatically creating links between the monophonic iso tracks of a group polyphonic files no longer VE eens have a raison d tre pas s prapat suspe in per Import Settings Cuneed bmage COI ARE Ged Lag Amin Poly multitrack recording will begin to disappear from the audio world the day Fostex post sync machines can handle monophonic tiles
12. multi channel files the track will default to 1 if no track number is found The Cantar rule also accept the MS linked pair identifier which replaces the standard track identifier Compared to the basic SoundRoll xmltape tsc rule a big advantage of the Filetag cantar tsc rule is that you will never have to Remove events with duplicate TC since by definition there is none within a given take You are thus certain that wild sounds notel and precord note duplicate TCs induced by rec run master video cameras will NEVER jeopardize the Titan autoconform The Cantar rule is the best choice if the editing is done with the mixdown audio tiles imported trom Cantar they carry a tiletags and synced by the common IC of the audio and the images It the editing is done with the audio coming from the camera video tapes the cantar filetags are not imported in the Avid database in this case the SoundRoll rule is to be used notel When recording wildtracks with a recorder which no longer receives any ext TC from the video camera the TC applied to the wild files is the recorder s internal TC This TC once in a while can well be the same as the rec run TC generated by the camera on that same day since these takes are w marked by Cantar they could be treated by Titan in such a way they don t trigger an overlap warning note2 f Cantar works in slave mode to an ext IC generated by a video camera the sound recorded before the
13. the sacro sanct first six character filetag This being said it is no good to superticially modify the descriptor on the PC finder screen It is recommended to use Majax next page to correct the descriptor at the file s metadata level for it to be later displayed in the filename descriptor p 2 Cantar File Sorting and a Monophonic Suffix wav n flags an independent track n flags each track of an M S stereo pair M on odd tracks S on even tracks M S pairs are automatically L R decoded during playback and before going to the mix down M S goes to the left M S to the right or a Polyphonic Suffix PX wav Polyphonic files interleaved tracks are stored in AAX fold ers carrying the same date as the original AAD monophon ic folders their suffixes are of two types Pn as in ATI254P8 wav This suffix identifies a BVVF P file made by interleaving 8 monophonic files into a single file Polyphonic files are used as a provisional carrier for vintage Avid NLEs which suffer trom a bug preventing them from properly importing multitrack files if they are in the BVVF M monophonic form PX as in ATI25APX wav This suffix identifies a BVVF P file made by interleaving the Xa Xb mixdown tracks It is used for telecine rushes for image editing and for playback on consumer machines Note the monophonic mixdown performed by Majax on top of the Cantar native mix is stored in tiles 9 amp 10 Short file name
14. 3 can interleave the iso files of a take into a polyphonic file and in the process create a brother folder to store these files e g 20090624 AAX Long file names ATI1254 123A TAR t1222 l wav is made of three elements i first a unique Fileta ATI254 or ATS25 The Aaton Indaw digital audio recorder pioneered the tile tag principle in 1997 This system automatically creates an operatorindependent Neverlwice the Same Filetag which links all the tiles attached to a given take Placed at the beginning of each filename the filetag is auto incremented to ensure a perfect chronological sort of all the takes in a project It also ensures the automatic and natural gathering and alphabetical sorting of the names of all the files for a given take such as mixdown sample rate conversion 24 bit to 16 bit reduction M S to L R translation Mono to Poly etc stored on different disks VVhatever the paths they all automatically join the original tracks on the central hard drive then a Descriptor 123A 14R_tl2 Operator entered thus error prone the descriptor is NOT used to sort the files It is created using the data extracted trom the bext or iXML chunks of each BWF file It appears between signs e g Sequence 123A Scene 4R Take type t Take 12 appears as 22123A 1MR t12 The 722 signs make for a well delimited notepad for the as sistant editor to edit the descriptor helping him not to touch
15. Cantar s unique Filetags ensure a smooth workflow from the recorder Chain to the final mix 9 Q gQ 2 NS Q c 9 analog inputs to 9 permanently active rotary faders Bluetooth VLLL EUH ELLE E inputs direct to T7 18 mic line in AES in routed to iso tracks T 1 16 Direct inputs orXaXb j to T7 T8 T7 T8 tracks AAT J Nescis Serm FS Iso tracks EXP HR Ss eel ES E LE Pr Poth M on two linear 5 x n Heg S AE PM UM on six circular modulometers modulometers 17 7 files l to 8 Aaton audio Cantar PostChain 27 t Sorting audio NLE Import amp Sync Cantar tile sorting p 2 Poly Mono import V Majax Sound Report p 3 Avid ADVB v7 2 p 8 Flow charts Avid Veridionv1O 5 12 p 9 Cantar alone p 4 Avid ADN v2 6 5 6 p 10 Cantar amp Majax p 4 FinalCut v5 1 2 p 11 Linking cam recorders EDL generation RecRunIC one Avid ADVB v7 2 p 12 Free Run TC p 5 All Avid NLEs p 13 AutoSlate TC p 5 Relink Conform Editing methods Direct OMF to Pyramix p 14 All tracks vs mixdown p 6 Titan to ProTools p 15 Rushes vs cam tracks 0 6 XMLPro LoCo p 16 Aaton France 33 4 7642 9550 cantar support aaton com The Cantar Pathtree Cantar s audio is recorded in one or more monophonic iso tiles carrying a unique file name which are stored in a working day folder under the project s main folder These working day folders are named for the recording date e g 20090624 AAD Cantar and Majax see p
16. ETI i AT af SO da dH ee s e Fao CLIP Red ms fai Cantar PostChain 27 2009 June 09 p 12 Avid Composers NT AGE eridian amp DNA OS 9 and OS X p 13 Generate an EDL Cr er une EDL Programmer EDL Manager avec selection de SoundRoll SoundTC amp Output24 Pic 5 Cr er des EDL pistes par 4 pistes Pic 7 amp 8 Filetag based EDLs To get a Filetag based EDLs the column which carries the Filetags first six digits of the tile name must be batch duplicated with Apple D and put into the SoundRoll column of the audio bin BEFORE editing starts It you forget there is a time consuming possibility to perform this operation after the fact see Important Note below l Open the Avid EDL Manager and select SoundRoll instead of Tape as the source and PalFilm2 Pic 5 2 For a film shot at 24fps select Output24 even if the film has been transfered under Pal Video 3 The EDL must be CMX 3600 and should contain four audio tracks max and no video Important Note by Job Ter Burg February 2006 It is still possible to do the contorm with Titan 3 even it the TapelD column has not been duplicated into the SoundRoll column before editing starts You can correct this error AFTER the editing although it is more complicated First duplicate with Apple D the audio bins containing the Masterclips The problem is that the
17. a to match the events in the EDL The following screen is then shown which lists all the events in the EDL By selecting an event the screen will also show details of the event and audio files that could be assigned to it If audio files exist with suitable metadata to match an event in the EDL this event will be labeled as Good and will automatically be included in the output of the conform For some events the software may only be able to find a partial match between the metadata in an audio file and an event ann ata 1 Berre irai i tal Bar sur in fase Cus Cri im Dani Cur w Lae 4 i I 1 ua Is iE al s Ces ET 14 44 Fi LEE E3 F8 mare JA BL 7 Lidl xu Casca EHI Lih 4 4 L4 Bu EE E EN Id zR eJ im 28 D EL Aldd ie HH jaded Lug 4 a i I amp B AU e ME i vri i ea LEE ELTE ol II ISLE LE rl oe i amp i Uecertain Wi EULA 1h abe EF fab ine 1638 23 17 nga ALAF Ades Pip m ra Ee MHA Epi i ER Tiji LP ey P This could occur if the timecode information is matched but the Reel Scene do not match These events are labeled as Uncertain The user is presented with a list of the audio files that partially match the event so that these can also be included in the contormed output it required There may also be events in the EDL for which no audio exists for example where audio has not yet been recorded These are labeled as Missing Cantar PostChain 27 2009 June 09 p 17
18. and stops it as soon as it freezes see Remote Rec by LIC in the Cantar user manual Method 2 Free or Rec Run Audio TC Send the Cantar time to the TC reference track of gen locked camera s Correct in principle this technique has the disadvantage of leaving a discontinuous Video IC on the videotape reference track not fo mention the many standards to take into account when it comes to genlock ing video cameras Method 3 Free Run Audio TC Cantar s AutoSlate detects the clapstick and attributes its own Audio IC to it During editing once the image showing the slate closure is aligned by the editor to the AutoSlate timecoded bang the Video TC of the take is linked to the Audio IC to be used during the final mix as if the camera was audio time coded or the clapstick was a very very frame accurate smart slate Method 4 7CXO Free Run Audio TC Method 4 has worked for years to sync films transferred to video with AatonCode burned into the VITC Vertical Interval TC lt is the best for multicamera shooting since it eliminates permanent links to the cameras including con sumer grade devices A GMT u permanently attached to the camera sends a Free Run Audio IC identical to Cantars to an audio track e g A3 This creates a solid link on the videotape itself between the Reference Video IC different in each camera and the TOD time of day TC running in all other equipment on the set This method has the great
19. and the EDL In order to narrow down the search the software then examines the file s metadata to find files which match the reel number stored in the EDL The current generation of location recorders encode reel information in various ways depending on the machine or the recordist s needs Some allow it to be stored as part of the filename Others embed this within the file or even encode it into the timecode User Bits recorded with the file s metadata on location Loco automatically scans the files and is able to extract this information intelligently without any manual configuration being necessary It automatic selection of an audio file for an event cannot be made the software guides the user through the process of selecting alternate files matching appropriate criteria p 17 Relink by EDL LoCo As an example this could occur if a file was incorrectly labeled on location In a matter of seconds all the audio files are spotted as events across multiple tracks on a timeline The resulting timeline can then be saved as either an AAF tile for loading directly into Protools or an AES3 1 ADL tile tor loading into other workstations To conform a session the user is first asked to select an EDL file and one or more folders containing the BVVAV files to be contormed The software will scan through nested folders to tind audio files to conform After pressing Conform the software will analyze the audio files to tind suitable medi
20. ans FCP allez dans Applications faites pomme i sur l icone FCP puis dans langues d selectionnez French Lancez FCP et importez la batch list cr e par Sebsky Pour simuler l autosync d Avid faites Ctrl Merge choisissez by TC Pour exporter des EDL conformez vous la capture d cran ci dessous NE PAS UTILISER FCP 24i s en PAL FCP limine le TC 25tps du telecine et le remplace par un TC 24fps cal au TC start de chaque prise puis increment en num ration 24 On perd ainsi toute corr lation avec le TC d origine il devient impossible de conformer les originaux FinalCutPro and BWF files Prior to v5 1 2 Oct 2006 FCP could not import the production timecode contained in the BWF files If IN are still working with v4 x or v5 1 use Sebskyto works for 24 25 29 97 DF 30 N W time environment only By checkin NI Crea Y Por e Batch F ME FP mm rake DIN Take PN it je com peterhaasFILMS News 3CB319EB reus am E4 4 4F14 A788 xum XT O8FC6BO5800C htm e i Note when importing Cantars files make sure the Reel Name field shows First 6 characters of File Name see pic below This way you get the filetags which will show in the EDLs generated by FCP for audio auto contorming see Titan 3 CantarFiletag rule p 14 This is true for Cantars files but the ReeHD aka TapeRef trom the BWF bext or TapelD from the iXML metadata could be used as wel
21. aster clip into subclips it adds a FCP compliant AUX TC track to the exported clips while maintaining the original Video IC lt www videotoolshed com page products amp pID 26 gt This lets FinalCutPro pertorm Capture amp Link during batch digitize as opposed to the Avid MC there is no need to manually trigger the Audio TC capture Once Audio IC and Video IC are linked sync the audio and image files with Autosync see Avid MC p 8 and Apple FCP p 10 Install an Aaton GMT low power 150 hour autonomy ultra stable Tppm TC generator on each video camera Connect its LIC out to a line input NOT a Micinput of the camera do not activate the automatic audio gain Resync the GMT from the Cantar LTC out every four hours Cantar PostChain 27 2009 June 09 pu A Edit with all the iso tracks Taking advantage of the 24 bit performance of the latest generation Avid MCs some editors want to have access to all of the audio tracks while editing their images The Video TC Audio IC links are either imported before digitization of the images thanks to the ALE lists generated by Telecine Keylink or IndawPass or extracted during digitization of the images trom the TC carrying audio track of the videotape see Method 4 Important notice for image editors p 5 Once done an Autosync is performed see p 9 At the end of the editing session the editor makes an Audio EDL carrying the six character Filetags and th
22. column labeled SoundInto duplicate the TapelD into Soundlnfo and then duplicate SoundInto into the SoundRoll column The bottom line is that although all sound mixers using Cantar should inform the cutting room that it is really important to duplicate that TapelD column BEFORE EDITING STARTS it is still possible to conform the tracks months later if this has not been done Title SUD ABS PO 1S QE SO pon QUidOII3 14 189 44248 14 3Oid4H 238705 Di i8OII2IDO Qu El sai Run FROM CLIP E ur TT M DOS FEGITOPX AA 18 28 007504 10 28 27 003 pi 00 20 1B8 83 00 33 00 Pic 7 LIS oe a Se um i5 t k p Pee Pe Nc ee ee Fa 4 FROM CLIP HAE fey 2 T 2 FES hora BH c IM zig 24713 PRLS SSI ie ON SRE NS NT CRT On PROM Gu A Eu ZT 1 Pic 8 Cantar PostChain 27 2009 June 09 p 13 Using OMF 24 bit sound tiles can be imported into all Avid NLEs but only the DNA generation Media Composer with Adrena line or Xpress Pro with Mojo handles them in the 24 bit world Other Avid machines truncate them to 16 bit This is not a problem provided the original 24 bit tiles are auto conformed into the truncated ones as explained below Pyramix Virtual Studio v4 3 offers ReConform a feature that ProTools does not yet have for autoconforming original tiles to the edited tracks Even if you export a 16 bit OMF from an Avid vZ or trom a Meridian vll you can apply all of the sound editing
23. de la version 4 x attache tous les fichiers monophoniques d un meme groupe BWF M et les traite correctement Pic 3 In the multitrack audio world recording a group of monophonic files per take one file per track is the normal method Heavy polyphonic files resulting from interleaving the native iso tracks have too many limitations and should be avoided All major audio visual machines and applications e g IndawPass FinalCutPro Lightworks Nuendo Prolools and Pyramix work correctly with monophonic tiles with the exception of Fostex synchronizers and all Avid NLEs pre MC v3 5 Polyphonic import Avid MC editors prior to revision 3 5 March 2009 are unable to create automatic links between the monophonic iso tracks of a group Because of this it is recommended that polyphonic conversions of the iso tracks be imported Cantar can perform this conversion during the idle backup or backup call process The free Majax application p 3 installed on the Avid MC computer desktop lets the editor do it by himself Select files to Import 3 Son 30 404 30 4 04 30 404 30 404 30 404 50 4 04 Show Audio Documents EEE Pic J m hia r Trwohs mia Bisri rai Tar amt Tage LI Siti i EO i331 d Er AF M a I An ABD I53 08T DEXEDE TE Da ZB mem Lil s RON mri AS ABD 13091 0140 TE Da IZ B B d wA uii zd xi en D irgi Ce iEQOU 2208 Bus Clips Uri j ji sad e Bria ABO Ci PSST
24. defined PDF Sound Report generation e Any WAV file conversion to Cantars BWF w iXML format for Rec amp Play use Deir iey Fur Pec source nIe Perr lenge CANTAR SOUND REPORT Lgrow BI p 3 File treatments by Majax Track rank shuffling The Majax s Rotate function brings a solution to a long thought after editors demand the Avid MCs don t bring i e importing iso tracks and place them where they want Here is the most common application When first importing the T7T8 mixdown stereo pair the Avid puts these tracks in positions 1 amp 2 of the audio time line if during the course of editing the operator decides to listen to and import the native T1 T2 T8 tracks the MC overwrites the 1 amp 2 mixdown tracks he has been working with trom day one But thanks to Rotate the T7T8 native mixdown tracks being pushed to T1T2 now simply replace the 16 bit truncated stereo mixdown with the 24 bit mix down originals while the T1 T6 native iso tracks pushed to T3 18 gracetully fall into place Multi mono to Poly interleaving Two filing systems are used to record multitrack audio e the BVVF M multimonophonic system records each iso track into an independent tile and stores the links between the sister tiles in the iXML metadata space This is the system giving the highest freedom for playback It is used by all audio workstations IndawPass FinalCutPro Lightworks ProTools Pyramix Nuendo Sadie Avid MCs
25. e TC24 sur SoundTC Pic Import BWF P Polyphonic 16 bit and 24 bit audio files are imported directly AtonXfer not required 24 bit files are accepted but truncated to 16 bit Meridian compressed images are referenced under the names 1 1 to 35 1 the best being the 14 1 or 8 1 modes To get filetag compliant EDLs or OMF the TapelD column which carries the Cantar filetags first six digits of the file name must be batch duplicated with Apple D into the SoundRoll column of the audio bin before editing starts Pic 3 See important note p 13 Auto Sync It you get Video TC Audio IC links such as the ones brought by ALE transfer lists or by the Audio TC recorded on the videotape sound track p 5 Auto Sync can be performed The audio files stored on the media composer hard drive are instantly synced to their image counterparts The ALE transter tiles created on Aaton Keylink or Indaw carry the video audio sync points it they show V ATA2 start of line indexes you must batch replace them with V only Not making this correction will prevent you trom adding BWF audio later since Avid Media Composer con siders it has already digitized the sync audio ATA2 with the images Obviously in the absence of these links auto sync can t be performed but you can nevertheless sync your BWF files with manual slate syncing the good old fashioned way 1 Duplicate with Apple D the SndTC
26. e TC see Titan 3 p 14 or exports the editing job through an OMF list attached to the project s audio files note even if the Cantar tiles have been imported as 16 bit Pyramix v4 3 is able to ReConform the 24 bit originals to the 16 bit OMF exports p 16 B Edit with the mixdown tracks Some editors are more at ease with only one or two tracks e g boom and mono mix The Video TC Audio IC links are entered as above and an Autosync is performed as well p 9 At the end of the editing session the editor creates an Audio EDL carrying Filetags and TC p 13 or exports the editing job through an OMF list attached to the project s audio files This EDL is then used to Autocontorm the 24 bit multimonophonic iso tracks with Titan3 p 14 Pyramix OMF ReConform can be performed too p 16 C Edit with IndawPass synced rushes Picture and sound having been synced by Keylink or IndawPass the synced videotape rushes are delivered to the editing suite and the audio video links are stored in an Aaton ATN database which can remain at the transter facility The videotapes are digitized into the editing station under the classic V AT A2 method of the TV industry no ALE import no Autosync The editor then works with audio tracks carrying an Audio TC which is in fact the Video TC of the images At the end of editing the Audio EDU is not carrying the original audio IC but the edited Video IC Here comes the Aaton Edilit
27. e software and its Reverse EDL function which back converts the Video Audio EDL into an Audio Audio EDL by using the video audio links stored in the Aaton ATN database built while syncing the rushes This Audio Audio EDL can then be ingested by Titan3 to autocontorm the Cantar original audio tiles like in the A or B tlow charts above p 6 Which tracks to use for Editing While keeping the simplicity of a plain video import that many editors preter the sound editors have instant access to the original audio files in which they can find the sound handles the audio trom the No Good image sync takes and the wild tracks which previously were so time consuming to retrieve that they were never used D Edit with camera recorded audio The editor works with the audio channels Al amp A2 recorded on the camera itselt coming from either the Cantar mixdown or the camera s on board mic In this case the unique Filetags of the Cantar iso tracks are not coming with the tape The Audio TC recorded on channel A3 see Method 4 p 5 is the same as Cantar s it should be simple to relink the Cantar s iso tracks to the edited camera audio Unfortunately since the date is lost within non standard userbits the EDL files contain the same indistinguishable hours every day The only way until now was to relink them with the classic video Tape ID but subject to mis taken entries and unable to handle multicamera shoots it is no good co
28. effects made on the Avid including level tuning to the 24 bit originals If ReConform can t find a sound in the Cantar multitrack original files e g music or wild tracks coming from a non Cantar source it imports them under their 16 bit state from the OMF and mixes them to the 24 bit Cantar location audio ReContorm including Re link To New Media allows a complex edit imported trom a Video editing station referencing 16 bit stereo files to properly relink 24 bit multi channel original location recording files The ability to relink sessions transferred to Pyramix not only through EDL but also through OMF or AAF definitely solves sync issues that are common with CMX EDls All edits are seamlessly extended to whatever number of tracks that were originally recorded Conon phare H Feini Choe era kroa haaien after Arig resa Ignore File Exbeneion Mah any 5 first charecters Soar B Take Sepe abre i Using current Meds Tape arse CC king coment Meds Mares F5 na current Hed Pies lore E dre current Vies scene Toke FC Using Oip Manes To ary other eris f Meirhing Mes Tape Flares Ignore haa ters after finding Ir EC Mahching Fets Mares Tyrone File Estereion Marching Mis Here method 5 first harten OMabching Scene Bh Take P Be Timecode in mebching Folder Marea Search irc C By TineCods and proncting For cation Effe Scratch FC ETa in ere mea Fokjer he Search sub fakders Match Options Other Optlons
29. er working under MacOS 8 AVR compressed Images The audio files must be Cantar or Indaw generated two track 16 bit BWF P polyphonic stereo 1 The AtonXter icon should stay on the Macintosh desktop 2 For fast access the media carrying the BWF files must be copied onto the Mac hard drive s Um sien are Ga SP ee HIP pe pe oe meme H ert CITES ridir EF pe Gr IE pene TRITT prin t E i B Fic Auto Sync With video audio links supplied by ALE lists or the AudioTC recorded on the videotape sound track p 5 Auto Sync syncs the audio files to their image counterparts Ifthe ALE transfer lists show V A1A2 indexes you must batch replace them with V only Not making this correction will prevent you trom add ing BWF audio tiles since Avid Composer considers it has al ready digitized some synced audio Al A2 with the images Without video audio links Auto Sync can t work but you can nevertheless sync the audio files by manual slate syncing 1 Duplicate with Apple D the SndTC column into the AuxIC column of the audio bin and duplicate the image Film C column into the AuxIC column of the image bin then perform a Group Sync 2 It Avid displays TC not matching verity that audio and image dates are identical not only the same date but in the same format e g 2004 09 24 not O9 24 OA It not batch modity the incorrect dates as explained below
30. evel automation defined by the picture T ral editor across to audio post production uw en ME ccc RII o but this is also omitted from FCP s OMF NT wos GET ula export ai T oe ur To address these requirements XMLPro Elea the Bie Sa an URYRIES leverages FinalCut s excellent XML export capability and converts this rich export into Prolools sessions or AES 31 3 ADL files Both formats are compositions referencing the original audio media imported into 3 FCP XML File is imported into Final Cut Pro and clips appear as multichannel masterclip entries grouped together with timestamp and full metadata Final Cut Level information is also Suite yaile on Re translated from the XML into both formats The translation is quick efficient and reliable and yields a composition tile which can be emailed trom picture to sound in order to turn over edits sound department already has the same source media on hand This contrasts with an OMF turnover which requires all the audio to be iXML Test pts 4 After FCP Editorial the finished sequence is exported to XML and XMLPro converts this copied and embedded in the OMF and to a Pro Tools session with level automation This session still directly references the delivered to post where any changes original source BWF files recorded by the iXML recorder cannot be referenced back to earlier copied media Cantar PostChain 27 2009 June 09 p 16 LoCo Location Conformin
31. g has been used for auto conforming a film with up to 6000 Cantar recorded clips Go to lt www neutronicsolutions com loco php to get a demo version Aaton never tested this application please contact its creator Ultan Henry lt ultan darkmatterdigital com gt The text below is extracted trom the Neutronic Solutions leaflet Under Mac OS X and Windows XP LoCo reads all common EDLs formats it intelligently analyses BWAV metadata from location recorders and automatically links EDL events to BWAV source files e Project loads directly into Protools or other workstations using AAF or AES31 ePreserves alternate takes eAllows use of original 24 bit recordings in post production regardless of the sample rate or bitdepth used during picture editing Bg iani rm Sai hani PL Dr horti f TIR fore ur Auten Some Wotan Lire Dr Who Ver ub khera b CU emori Ace rig Ml toits liri Ditters tame Centon The EDL is used to indicate where audio is needed on a timeline to match the picture Instead of having to use logging sheets to manually locate the correct piece of audio Loco automatically searches through one or more folders assigned by the user tor BVVAV BVVF files containing suitable audio material The selection of suitable audio material is made by searching for files matching various criteria Most importantly the software looks a match between the timecode in the file
32. ic Pv New Folder l Add to Favorites r Session Parameters Audio File Type Sample Rate Bit Depth BWF WAV 48 kHz O 16 Bit I O Settings 9 24 Bit 9 Last Used HH Cantar PostChain 27 2009 June 09 p 15 p 16 Relink by EDL XML Pro XMLPro leverages FinalCut s XML export capability Aaton Additionally OMF files have an upper size limitation of never tested this application please contact its 2GB which can easily be hit on a long form project This creator Mark Gilbert lt mark gallery co uk gt The 2GB limit is an additional barrier which is bypassed when text below is extracted trom the the Gallery s leaflet using XMLPro found at lt www gallery co uk gt XMLPro is designed for FinalCutPro worktlows for large scale projects such as motion pictures In such workflows there is a strong requirement for turnover from picture to sound departments to utilize compositions which reference original source files FinalCut s own OMF export functionality uses an 1 BWF Field Recorder 2 XMLPro translates ren eee vai bd Delivers mono BWF iXML into FCP XML SMD COCO MeO Te ame Uoc NNI ROL ESCASOS files with iXML Metadata anad enhances BF media not refer back to the original sources and as such is not suitable for use in these types of workflow Additionally Kal T a oi i LIT Me j si SLATE 1 T001 Lwav SLATE E TOOL 2 way there is a strong demand to preserve l
33. l To import monophonic files select merge BWF tracks none To sync audio check merge clips To generate EDLs comply with the screen shot menu below m Siebert BAF Filis Sim LJ 20080211 AAD E E snimam F LE moa La 7 mpra A Bonlratins Wa lkiie 7 Convent 24 hir ra 16 hir Samia Rabe i Timacode standard PAL mJ Merge PAF tracks None H B Create FCP Barch List Reel Name First 6 characters of File Name 4 Batch List Header English EI BVVF2QT import menu sotik ani htto WM To ca an Avid like Autosync select the audio and aie CTRL and select the Merge function e by TC you get two options 1 if you merge racks you lose the track names this also might change ne of the merged clip dependent on the launch P 2 if you merge including video names they ied to the audio tracks You can link them within a timeline and everything is kept in order as long as you don t drag that linked stuff to the browser Do not use FCP at 24fps in the PAL world FCP strips out the original 25tps TC given by the telecine and inserts new 24fps TC which starts with the first image of each take Incremented from there with a 24 numeration it quickly loses its correlation to the originals Note FCP can extract Audio IC from the audio track of a videotape see p 5 and perform an autosync merge provid ed you install FCPAUXTC found on www videotoolshed com
34. mpared to Cantar s automatically recorded MMDD Audio Ref see below There is a difference of nature between Cantar s Audio Ref recorded into each and every audio tile and the Tape ID video cassette Roll Number not recorded on the tape only written on the box One or the other they must be keyed while digitizing the tape cassettes in the Avid 1 Cantar automatically records the workday MMDD four character date using the folder naming rules in the iXML TapeReft field Note that it is possible to replace the date with the shoot ing day rank e g day twenty five DO25 but this should be avoided as operator s error prone 2 Ask the camera assistant to write the MMDD Camera ID Cassette on the videotape box e g April 18th Camera B Cassette 2 OA 18 B 2 The digitizing Avid assistant will enter this six character identifier O418B2 into the TapelD column of the Avid 3 To relink Cantars files Titan 3 flash conform p 14 compares the leading four characters e g 0418 of the Audio EDI s Reel ID TapelD column and Cantar s TapeRef workday found in the iXML metadata Then Titan uses the startTC and end IC to finish its sorting job Cantar PostChain 27 2009 June O9 p p 7 Importing multitrack files into Avid MCs Depuis l introduction de l Avid Media Composer Symphony version 3 5 Mars 2009 l importation de fichiers BWF Poly n a plus de raison d tre Cette version qui sera bient t suivie
35. nquer les fichiers et deux la possibilit de faire un export OMF direct disparaitra Dans l option Import Settings d cochez toutes les conversions Keefer Files Di drin i Caute Deremate 537 771 i Lies rigina emn feet ae D m rp Psar he Wii a 2 D mon nima etree ore wae LH ess orn iny ho mire BECA HD mancha Hh oadlH Px WAV GE ML PEU bit convert status would have two consequences e the CPU would waste a lot of time to badly truncate each audio file it would become impossible to perform an embedded audio OMF export Warning with ADN versions lower than MC Adrenaline v2 7 XPressPro v5 7 the BWF P files are truncated the metadata is gone and the 24fps numeration doesn t work properly Install the latest v3 5 Cantar PostChain 27 2009 June 09 p 10 p l Import and Sync BWF P FinalCutPro v5 1 4 Avant v5 1 2 FinalCut ne peut importer les fichiers BWF M ou BVVF P vous devez passer par le convertisseur BWF4o QuickTime de Sebskytools www dharmafilm com Pour retrouver les filetags de Cantar dans les Edls de FCP v rifiez que BWF2QT indique bien First 6 characters of File Name Pour importer des fichiers monophoniques mettez merge BWF tracks none Pour conserver les m tadatas cochez create FCP Batch List Dans le menu local batch list header choisisssez English il y a un bug si vous choisissez French Avant d importer cette batch list d
36. of Tape as the source and PalFilm2 Pic 4 2 For a film shot at 24fps select Output24 even it the film has been transfered in PalVideo 3 The EDL must be a CMX 3600 and should contain four audio tracks only and no video Pic 5 to 8 que par la piste 1 Pr parer EDI Manager avec SoundRoll et PalFilm2 Pic 4 Cr er une EDL quatre pistes par quatre pistes Pic 5 8 peer eee e UL ee el a cre Ln as ad eB bb c a DO GE 4T ER Orio DE SO Bd D cd Gen FROM CLP ES I eS Wi pi 44 d nk dei 314 Sd eh a n uz J HE c SGD 00 00 0 02 FE HS D8 00 03 21 BE DO OO 00 Eat LA i amp Tha Codi tot OC ee dE Di 05 20 3 thoy ate eee E ee Iri Pim CLIP Fa disi EE Do 7 Ee DO 43 01 d1 1 30 03 QUEE L NT Ls 4 FF CIF MAE of se 1 lE Orr LEGET mx m dB xg m 01 ET CE OT 031333 3 PRO CLIP PA ATi Ca ar AS Dd 0 4 CO 0 4e eed Oe a 1 s RADH CLIP RARE ES 2171 Sl Wei z C 11 44 01 E EIE EEE 00 00 G6 Or X 3 O4 E POH CLIP MAH 22 FT 2 er AE a LUE E IE E E ILEHL E IN GR REDI aa E OH CLIP EG 22 aT 2 2 ART 6 Ce 35 CIC NS DIN IE Gg aa s FO CLIP EG Tr ET pe AT UM c e e D Ud GB Di roc B0 DO dE 31 Ori Cd e oo Pon pi man dip 6 T m Wbabp cs Ad Rm a MC HE DEC DEI a PC poe Be ai ad ee i i giai ig BOG CS TT Oo EN IDE a TT Nr a QOO Oo EU E RGO He 10 33 DO E QC ee De 8 PROLIF Ae F
37. s ATI254 l wav Fliminating the descriptor makes for a short file name under the DOS 8 3 format e g it can go to any PC and be handled by any EDL file system Cantar only generate and handle short file names Notes The L R stereo pairs created by Majax to replace M S tiles were originally flagged by a suffix e g 3 wav amp 4 wav the Xa Xb channels resulting trom the mixdown of Cantars iso tracks recorded on tracks 7 amp 8 were flagged by a suffix e g wav amp 8 wav Both and suffixes are no longer used they have been replaced by metadata stored in the iXML chunk Cantar PostChain 27 2009 June O9 p 2 The tree Majax application works with Cantar recorded tiles only The Mac version is Universal Binary and works with Motorola as well as Intel CPUs The PC version works with WindowsXP machines Majax is to be installed on on location laptops and on the editing machine desktops Main functions Majax performs all operations needed to manage multi track recordings e rack rank shuttling see below e Multi mono to Poly file interleaving see below e en track playback on the computer stereo audio board e 8 track to 2 track mixdown with level adjustments e M S to L R conversion e Auto extraction and gathering of w tagged wild tracks e Scene take and notes editing e Individual track renaming e Frame accurate ALE generation accurate in the slow second world too e User
38. sed for the final mix Prolools _ Titan 3 HDD DVD CF monophonic files 8 tracks 16 24 bit ST1254_1 wav ST1254_2 wav ST1254_5 wav ST1254_8 wav EDL sound roll ST1254 AtonXter bwt gt omt l Sebskytools Direct BVVF import Direct BVVF import CD DVD R DVD RAM ST1254 123a 14Rtl 2 PX wav Polyphonic 16 bit or 24 bit mixdown Cantar w Majax Prolools a monophonic or poly HDD DVD phonic tiles 16 24 bit ST1255 l wav ST1255 2 wav ST1255_5 wav ST1255_8 wav Titan 3 Export OMF EDL sound roll ST1255 HDD DVD i Aion fer bw Sebskytools bwtmov Direct BVVF import Direct BVVF import CD DVD HDD ST1255 123a 1 4Rtl 2 PX wav Polyphonic 16bit mixdown or all tracks Cantar PostChain 27 2009 June O9 p 4 Syncing Cantar and Cameras To sync pictures and sounds several methods are available to create a link point per take 1 Camera IC sent to Cantar 2 Cantar IC sent to cameras 3 Cantar TC applied to a clapstick by AutoSlate A Independant but identical TC running in all cameras video assist audio recorders and computers on the set Method 1 Rec Run Audio TC Send the Record Run TC of the video camera to the Cantar clock slaved in ext TC This method is limited to single camera shooting and since it would generate an annoying TC overlap at each camera start the recording must be triggered by the camera TC itself which starts the recording on the running TC
39. subclips of the edited sequence still do not have the new entry Template Name Cantar 01 Format CR 3600 T Sort Mode i Record Lnd T Master List Show Standards Master Start Event 1 Comments Standard PAL Video gt Clip Names Reel ID Type Sound Roll Patch Info Timecode Type D Audio EQ Info Convert to Numbers Switcher SMPTE T Audio Channels lt FPan Yolume Info Incl Source Table w saved EDL Effects Infa Record Start Time w Repair Notes eo Sequence Dupe List Preread w Locators Other 01 00 00 00 Type Multiple i B Ralls T Dupe reel name B REEL Opti mization Preread name PREREAD ww Optimize EDL Dissolves as Cuts Startin Event 1 i w Wipes as Cuts Start Timecode 01 00 00 00 Ime de Fete Edie Handle 00 00 00 00 w Audio Diss as Cuts w Dupe all Transactions Pulldawn Start Frame i seg uence T Show Pulldown Comment Tapename Truncation Y a Trunc End Save s Revert ne Fi in the SoundRoll column Therefore you have to open the bin of the edited sequence and tell Avid to display all reterenced clips in that bin Now when you open the bin with the masterclips the sublicps get updated and contain the needed information in the SoundRoll column For some reason it is not possible to directly duplicate the TapelD column into the SoundRoll column You must create a custom
40. te Case ipia dE IEA Et l KAZIT OFAI UE ee EEI GEWWEIDO nb nn i rt sl A CO Le FE 1 UE TIE APE VAS ded DID ME anb rid Gi zt Al i DO iddda2 pe d recen uite iia a drid Castle edit Za zt4 i itii Jit ir UE idikit H Arid Canter iy coe Togiiikd Al E Di la zzz 17 Ei eal LERI 48000 0 Arhr d Coster TAS TT 12217 Al pre 200 ee eee de UFIDETEY VAN 217 LIC brir aber ir palea GE Tift res Gd EXE ee ID ee Ue TETI dele er bros RE ESSE ale TEMES IDE Eee eee US SL Hg Call Dre doi D OP S EEE i fiat jadi Eire I JES iiA PPID dA Arli Cl Fj ia E IIET i l GRR ddr DJA UiO PRAA iA ti ee Dee en ui E IEIS wi 2 Ai O0 fei Ue LED 3 uf Tti G10 Arei Wy da HE IITISES Ab 2 EAEI POSS Ue ETF CIC Arhr d1 Coster iy a El AE FICS Cantar PostChain 27 2009 June O9 p 8 Avid v10 5 3 to six p 9 N yAG inpor and Sync BWF P Meridian MacOS 9 WinNT Importer des Fichiers BVVF P l Fichiers Poly 16 bit v1 amp 12 acceptent des fichiers Poly 24 bit et les tronquent en 16 bit 2 Cr er un nouveau Bin et importer les fichiers wav Pic 1 4 Dupliquer la colonne TapelD sur la colonne SoundRoll Pic 2 Vous pouvez aussi la mettre sur Name mais ce n est pas foujours une bonne id e essayez d abord la chaine com plete d autoconfo avec votre monteurson 5 Dupliquer la colonne Start sur colonne TC24 en convertis sant les TimeCode pour recuperer lesTimecodes d origine du Gon esce Dupliquer la colonn
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