effects processors
Contents
1. H A Harman International Company Lexicon occupies a unique position as a leading innovator in both the professional and cons mer audio industries Since the release of our first digital audio product in 1971 Lexicon has stood at the forefront of digital audio with an enviable reputation as a manufacturer of exceptional professional audio and home theater products and an inventor of exciting new technologies Years of research development and experience allow us to continue expanding the boundaries of the listening experience Our professional audio products are prominent in the creation of worldwide music television and film productions These products have won numerous awards including an impressive collection of TEC Awards and an Emmy Lexicon processors have been embraced as the standard in professional signal processing since the introduction of the 480L Digital Effects Processor which has retained tremendous popularity for the past 17 years lt has since been replaced as the standard in professional signal processing by the 960L Multi channel Digital Effects System which has itself garnered an impressive following of producers artists and engineers Built to professional standards ouraward winning music and cinema products are present in fine home theaters all over the world With the release of our first digital processor in 1988 Lexicon earned a reputation as a premiere manufacturer of home theater products Since then o2. 7 i PitchLorrect iz k a T oa A PI 4 9 VoxFix EZ L6 wir a dA o de e World class Lexicon reverb e 2 DSP engines including Lexicon s proprietary LexiChip e 24 bit A D D A and internal processing e 300 presets 50 User programs e Studio standard reverbs and effects including Reverb and six voices of Delay or Reverb four voices of Pitch Shift and Vocal Fix for replacing out of tune melody lines e A single Adjust knob that automatically attaches to all applicable parameters in factory tailored presets e PCMCIA card slot for program storage Optional cards for algorithms programs and User presets Pro and Go Modes Go mode allows access to as many as 10 handpicked parameters forsany particular preset Pro Mode allows full access to an Edit matrix of as many as 100 parameters e Dynamic Spatialization 3D effects processing compatible with surround sound systems e Up to 20 seconds of delay e Balanced analog inputs and outputs XLR and 1 4 e SIPDIF and AES EBU digital inputs and outputs e Tap Tempo for instant setting of delay and modulation times e Full MIDI control Co oa PI MERA TT d Sel i LE iz a ta i P6 4 8 2 Bis Halls World class Lexicon reverb Dual proprietary LexiChip DSP engines 24 bit A D D A and internal processing 450 presets 100 User programs Lexicon s Greatest Hits reverb algorithms including Chamber Concert Hall Random Ambience Random Hall Rich Plate and Split Chamber
3. THD Dynamic Range MIDI Interface Footswitch Footpedal Power Requirements Remote Power In Dimensions Weight Operating Temperature Maximum Humidity lt 0 05 20Hz 20kHz D A gt 101dB typical 20Hz 20kHz unweighted A D gt 105dB typical 20Hz 20kHz unweighted A A gt 101dB typical 20Hz 20kHz unweighted 5 pin DIN connectors for MIDI IN and MIDI OUT THRU 1 4 T R S connector for bypass and tap 90 250 volts AC 50 60Hz 12 5 watts 3 pin IEC connector 19 W x 1 75 H 10 x 4 D 483 x 45 x 102 mm rack mount standard 3 lbs 1 4 kg 32 to 104 F 0 to 40 C 95 without condensation 60dB 0 01 20Hz 20kHz D A gt 95dB typical 20Hz 20kHz unweighted A D gt 90dB typical 20Hz 20kHz unweighted A A gt 95dB typical 20Hz 20kHz unweighted 7 pin DIN connector for MIDI IN and powered bidirectional remote 5 pin DIN connectors for MIDI THRU and OUT 1 4 T R S connector for bypass and tap 1 4 T R S connector 10kQ 100kQ impedance 100 240 volts AC 50 60Hz 25 watts 3 pin IEC connector 2 5 mm 9 volts AC not included 19 W x 1 75 H 1U x 9 D 483 x 45 x 289 mm rack mount standard 6 125 lbs 2 8 kg 32 to 104 F 0 to 40 C 95 without condensation PCM 37 PGM 97 roa at Sets Tai IR sa al o gialli on EE mm _ Analog Audio Input Input Level Input Impedance Analog Audio Output Output Level O
4. Effects System With extensive customization options the 960L Multi channel Digital Effects System has garnered enthusiasm from an impressive following of artists producers and engineers System hardware can be customized with a second LARC2 remote control assorted l O configuration cards or a second reverb DSP card which doubles available processing power In addition optional _ software packages expand functionality to include automation additional delay and 96kHz reverb algorithms and the LOGIC7 UpMix algorithm 19 H A Harman Intemational Company Printed in U S A 2002 Lexicon Inc 3 Oak Park Bedford MA 01730 1441 U S A Tel 781 280 0300 Fax 781 280 0490 www lexicon com Part 072 13666 Rev 2
5. Stereo Parallel Cascade Mono Split and Dual Mono A Compression The MPX 200 features a built in digital compressor that works in front of and in addition to its outstanding effects The compressor can be used to prevent volume from exceeding a certain level or to subtly reduce volume changes to make quieter passages in program material seem louder lts function depends on the setting of its four parameters Attack Ratio Compressor button to power compression on a in any program ap Tempo Tap Tempo spas the process of matching the delay times and modulation rates of tempo based presets with those of the music Whenever a tempo based preset is loaded the Tap button LED flashes To set tempo from the front panel press the Tap button twice in time with the music To change tempo just press the Tap button twice again in the new rhythm Tempo can also be set using audio input a must for live performances a dual footswitch or an external MIDI device that uses Continuous Controller or Program Change messages MIDI Control Full MIDI control is offered via a powerful editing tool called Learn Mode that allows patching of five front panel controls Continuous Controllers SYSEX commands or Program Change messages can be used to manipulate the Adjust Effects Lvl Bal and Mix knobs as well as the Bypass and Tap buttons Program Change messages can be used to load programs input Trim exicon 1
6. pl F T Dual Channel Processor A ES aS A cr is loaded the Tap button LEI 10 n a a o z i sic RE ui World class Lexicon reverb Plate Gate Hall With two separate DSP processors the MPX Multiple Processor FX stands in a class all its own The proprietary LexiChip delivers legendary Lexicon reverb and ambience algorithms and a second DSP processor delivers additional effect algorithms The result is uncompromising stereo 2 DSP engines including Lexicon s Reverb and Ambience effects that are available at all times whether running alone or with Pitch Chorus EQ Modulation or Delay effects Many multi effect processors do not meet this basic requirement But the MPX exceeds this expectation with enough processing power left over to Chamber and Ambience proprietary LexiChip 24 bit A D and 24 bit D A conversion run even more effects 200 presets 50 User programs Up to six simultaneous effects Easy Operation Multiple delay modulation and pitch effects Front panel displays and indicators provide instant feedback about active and available features The Tempo LED flashes to indicate the current tempo in programs that use tempo controlled delay times and modulation rates The Tap button allows quick tempo changes The A B LED lights to Chorus Rotary Parametric EQ Sweep Filter indicate that the A B button is available to morph between effect or parameter variations The numer
7. who want to further customize programs but lack the time to wade through the myriad of available controls In this mode as many as 10 of the most logical parameters in a given effect are easily accessible for customization For the sound designer another mode allows access to the full Editing matrix available in both units as well as a user assignable Soft Row in which to store favorite parameters It also provides access to the extensive modulation capabilities of the PCM 81 and the dynamic reverb aspects of the PCM 91 Dynamic Patching The PCM 81 and PCM 91 raise Dynamic Patching to a new level providing unprecedented control over the effects Dynamic Patching gives these processors a truly unique set of capabilities from modulating sounds to producing unusual and ethereal spaces to altering the attack and decay characteristics of the sounds The Dynamic Patching matrix maps data from 143 possible control sources to any effect parameter These sources include 126 different MIDI controllers as well as external sources such as footswitches and footpedals Internal controllers include Tempo both internal Tap and external MIDI clock LFOs Sine Cosine Square Triangle Pulse and Sawtooth Time Switches Latch AR Generator and Left and Right Envelope Followers Up to 10 patches can be created per effect In the Dynamic Patching matrix eight pivot points can be established to create complex and interesting modulati
8. 0Hz 25 watts 3 pin IEC connector 32 to 104 F 0 to 40 C 95 without condensation Analog Audio Input Input Level Input Impedance Analog Audio Output Output Level Output Impedance Digital Audio Input Format Sample Rate Digital Audio Output Format Sample Rate Conversion Internal Audio DSP Frequency Response Crosstalk XLR and 1 4 balanced T R S 20dBu to 8dBu 50kQ balanced 25kQ unbalanced XLR and 1 4 balanced T R S 26dBu balanced 20dBu unbalanced lt 6000 Coaxial RCA 24 bit S PDIF 44 1kHz and 48kHz Coaxial RCA 24 bit digital S PDIF always active 44 1kHz and 48kHz 24 bit A D 24 bit D A 24 bit 20Hz 20kHz 1dB 96dB 1kHz Analog Audio Input Input Level Input Impedance Analog Audio Output Output Level Output Impedance Digital Audio Input Format Sample Rate Digital Audio Output Format Sample Rate Conversion Internal Audio DSP Frequency Response XLR and 1 4 balanced T R S 2dBu to 20dBu balanced 14dBu to 8dBu unbalanced 100kQ balanced 50kQ unbalanced XLR and 1 4 balanced T R S 18dBu 600Q unbalanced Coaxial RCA 24 bit S PDIF 44 1kHz Coaxial RCA 24 bit S PDIF 44 1kHz 24 bit A D 24 bit D A 20 bit 32 bit 20Hz 20kHz 1dB THD Noise Dynamic Range MIDI Interface Footswitch Power Requirements Dimensions Weight Operating Temperature Maximum Humidity Crosstalk
9. 91 Reverb Lexicon s research into the physics of acoustics is embodied in the Random Hall algorithm Echograms of real halls have dispelled the myth of pre delay and early reflections In actual spaces there is no empty interval between the arrival of direct sound and the maximum reverb density filled by early reflections Instead ambience builds gradually with diffuse and complex reflections that do not color the timbre of sound like fixed delay taps Random Halls unique Shape Size and Spread parameters control the build up and decay of the ambient envelope Size determines how large the space will be Shape controls the contour of the ambient build Spread controls the duration of Shape setting the build up and sustain Precision filters provide spectral control of reverberation time and unique Spin and MES parameters add pu movement ensuring smo con reverb rabat h algorithm provides simulated plate reverberation as well as new vari this classic effect The Ambience algorithm provides effects of previously recorded ambience This allo new elements to A A seamlessly and sound effects dialog or music to be placed realisti AMi at different positions in the space Each of the PCM 91 algorithms include selected tools for ambience post processing and compression expansion as well as modulation and patching parameters common to each Ten Dual Reverb algorithms are built in to the PCM 91 These algorithms contain two indep
10. Keyword search for quick intelligent sorting of presets by alphabetical order or application Front panel Adjust knob automatically attaches to one or more parameters in each factory tailored preset PCMCIA card slot for program storage Pro and Go Modes Go mode allows access to as many as 10 handpicked parameters for any particular preset Pro Mode allows full access to an Edit matrix of as many as 100 parameters Balanced analog inputs and outputs XLR and 1 4 SIPDIF and AES EBU digital inputs and outputs Tap Tempo for instant setting of delay and modulation times Full MIDI control 13 14 For over 30 years Lexicon has been considered a pioneer in digital audio With more experience than any other manufacturer it s no surprise that the PCM 81 Digital Effects Processor and the PCM 91 Digital Reverberator represent the most advanced sy gs in their class Lexicon s unique dual DSP platform enables the PCM 91 to offer the highest quality reverb and allows the PCM 81 to combine reverb with powerful flexible effects Professional digital inputs and outputs AES EBU and S PDIF on both units coupled with the legendary Lexicon Sound makes the PCM 81 and PCM 91 an essential combination Easy Operation The PCM 81 and PCM 91 are as simple to operate as they are pleasurable to listen to Just load a preset and a useful parameter will become instantly available on the Adjust knob The next level was designed for professionals
11. ON program with the tempo of the music Rotary Programs that simulate a Leslie style cabinet Like the physical model the high horn and low drum frequencies are separated and spun in opposite directions Horn and drum speeds are independent designed with the acceleration and deceleration characteristics that simulate the inertia of the original mechanical elements Chorus Programs inherited from the award winning PCM Series that pan six independently randomized delay voices across the stereo field to create a rich airy effect that multiplies a single source into several Flange Programs that feature two 2 tap delays one per channel Mixing the two tap delays together creates characteristic flange effects such as swishing tunneling and fading Pitch Programs that shift monophonic sources within a range of one octave up to two octaves down Detune Programs with one pair of voices per channel one sharp and one flat These voices add a delayed or pitch shifted version of the source to thicken the sound creating a particularly effective simulation of double tracking Delay and Echo Programs that include mono 5 5 seconds stereo 2 7 seconds and 6 voice multi tap effects each of which can be used to create tape echo or digital delay effects Dual Programs Programs that combine two independent effects in four routing configurations Dual channel processing allows the MPX 110 to gt y h VIN Vet let
12. V2 Tava ANO Mala altel DIS gt Mo Ta Ta ee A 21V 21 VO IIIC wi Ps A dl wa A vi MD 2 A ta PE ee FPE YORU SIIC ILI o and Reverb algori ther algorithm withJa Flange Pitch or Chorus algorithm Dual programs are available in four routing configurations Dual Stereo Parallel Cascade Mono Split and Dual Mono Ag N LI wi Tap Tempo Tap Tempo simplifies the process of matching the delay times and modulation rates of tempo based presets with those of the music Whenever a tempo based preset is loaded the Tap button LED flashes To set tempo from the front panel press the Tap button twice in time with the music lt is not required to enter what could be the delay time in milliseconds To change tempo just press the Tap button vet in the new rhythm Tempo can also be set using audio input t for live performances a dual footswitch or an external MIDI de e cher uses Continuous Controller or Program Change l gt ontrol Y The MPX 110 offers full MIDI control thanks in tool called Learn Mode that allows patching of Standard Continuous Controllers SYSEX commands or Program Change messages can be used to manipulate the Adjust Effects Lvi Bal and Mix knobs as well as the Bypass and Tap buttons In addition Program Change messages can be used to load programs The MPX 110 also recognizes permanent non learnable MIDI patches that provide access to audio parameters that are not
13. age appears explaining its function without executing its action Program Library The MPX I offers an extensive program library that has been crafted to provide sounds suitable for performance production and sound design applications These programs exploit the unique characteristics of each effect and furnish useful examples of effect combinations that can be created with the MPX 1 A built in database function makes it simple to locate the desired program This database is user definable allowing reorganization as needed World Glass Effects Lexicon s renowned reverb algorithms serve as the foundation for the MPX I Plate Gate Hall Chamber and Ambience effects are true stereo with independent processing of the left and right inputs The MPX I features 56 Pitch Chorus EQ Modulation Delay and Reverb effects including high precision 32 bit Parametric EQ rotary speaker cabinet simulator high quality 2 voice pitch shifter delays and echoes dual mono and stereo Looper and Ducker multi voice stereo Autopanner Chorus Flangers Phase Wah and more Effect ordering and routing within each program is flexible Effects can be arranged in any order by dragging and dropping them on a visual map Similarly a routing map allows distribution of the six effect blocks across two parallel stereo paths which can be split and merged at multiple points The routing map can be rewired by changing graphic patch
14. available from the front panel In the studio controls can be automated and recorded into a E evice for complete preset automation part to a powerful editing five front panel controls L Legendary Lexicon reverb from proprietary LexiChip 24 bit internal processing and A D A conversion 240 presets and 64 User programs S PDIF I O may be set to wet or dry for use as a high quality stand alone converter Simultaneous analog and digital outputs Independent processing of each input Dual programs that combine two independent effects plus compression in four configurations Multiple delay modulation and pitch effects Built in digital compressor with four adjustable parameters available in all programs Tap Tempo Full MIDI control with software selectable MIDI Out Thru connector Intuitive front panel LEDs including headroom and gain reduction indicators Cue Program Mode Global Mix Tempo and Compressor Modes High impedance inputs for instruments Headphones output Push button or footswitch selection of dry or muted audio output Internal power supply Tali IA ene NA oo a TX Ja ola la Ie n i lt elo la MS A A a PAY y INI To y INA XK Tay le gt 4 LA MPX 200 combines ala be ct of a MPX 110 with additional features that provide an advanced level of operation These new features include a built in digital compressor intuitive front panel LEDs an expanded User bank that hous
15. cialized 6 voice stereo effect In these algorithms it is possible to combine the shimmer of a multi voice chorus with a lush reverb tail as in Wet Chorus Seven algorithms include Pitch Correct for correction of monophonic sources and Stereo Chamber for full stereo pitch shifting with Chamber reverb A powerful submixer is built into the Dual Chamber Dual Inverse and Dual Plate algorithms for flexible ordering and routing of two independent voices of pitch shifting with reverb A 4 voice Quad gt Hall algorithm provides four independent pitch shift voices with full stereo reverb and a WSO Chamber algorithm provides stereo time and pitch correction with Chamber reverb and variable speed pitch control in percent Two independent spatial processors accommodate the placement of effects virtually anywhere between or beyond the loudspeakers Effects can also be located dynamically creating different spaces that change with the music PCM 91 Presets The PCM 91 includes 450 presets which provide sounds for real world applications The most useful parameters of each sound are located in a user definable Soft Row allowing users to make quick and simple adjustments Navigation is further simplified with labeled banks and rows A unique KeyWord Search function in the PCM 91 enables users to locate a group of programs designed for a given application There are 50 keywords in total including four user definable groups of effects PGM
16. cords Options Button The MPX provides as much control as possible while keeping unused options hidden until needed The Options button lights when additional features are available For example delay parameters can be displayed in feet meters milliseconds or echoes per beat Rate parameters can be displayed in Hertz Hz or cycles per beat Feedback options allow effect blocks to be inserted in delay or echo feedback loops Patching System The ability to control dynamic effect parameters is essential to creating great sounding programs The MPX patch system provides over 150 controllers that can be assigned to any parameter including LFO 2 ADR 2 Envelope Follower 2 Arpeggiator Random Generator A B Glide Tempo and a Sample and Hold Generator Five patches are available per program In addition 10 global patches are available at all times MIDI Control Full MIDI control is available for individual and master Mix Bypass and Level controls Tap and A B controls and all effect parameters Tempo parameters can be synchronized to incoming MIDI clock or the MPX can transmit its own MIDI Clock based on Tap Tempo Internal control sources such as audio levels LFOs ADRs S H and pedals can be sent as Continuous Controllers A built in arpeggiator plays MIDI sound generators and produces synchronized audio effects 17 HEADROOM INPUT PCM 81 DIGITAL EFFECTS PRO ADJUST SELECT Lip ty Gif pe i
17. endent reverb blocks to create superb Dual and Cascade configured stereo reverbs each with all the control features of the single effects PCM 91 Custom Controllers Control in the PCM 91 has been increased with the addition of four Custom Controllers placed on the Soft Row These controllers consist of one or more parameters patched together each with individual scaling values Custom controllers effectively add four more Adjust knobs to each program 15 Audio Inputs 2 Input Level Input Impedance 30dBu to 4dBu 500kQ unbalanced 1 4 connectors for direct instrument input unit detects a mono input on the right input Audio Outputs 2 Output Level Output Impedance 8dBu typical 750 1 4 connectors for headphone output right used for mono output left used for stereo headphones Digital Audio Output Format Sample Rate Footswitch Analog Audio Input Input Level Input Impedance Analog Audio Output Output Level Output Impedance Digital Audio Input Format Sample Rate Digital Audio Output Format Sample Rate Conversion Internal Audio DSP Coaxial RCA 24 bit digital S PDIF always active 44 1kHz 1 4 T R S connector for bypass and tap 1 4 unbalanced 30dBu to 4dBu 500kQ unbalanced for direct instrument input unit detects a mono input on the right input 1 4 unbalanced 8dBu typical 75Q for headphone output right only used for mono out
18. er trademarks are the property of their respective manufacturers Chip lexicon zs L Legendary Lexicon reverb from proprietary LexiChip 24 bit internal processing and A D A conversion 240 presets and 16 User programs 44 1kHz S PDIF output may be set to wet or dry for use as a high quality stand alone converter Simultaneous analog and digital outputs Independent processing of each input Dual programs that combine two independent effects in four routing configurations Multiple delay modulation and pitch effects Tap Tempo Full MIDI control with software selectable MIDI Out Thru connector Two stage headroom indicators Global Mix and Tempo Modes High impedance inputs for instruments Headphones output Push button or footswitch selection of dry or muted audio output e e Input Mix Effects Lvl Bal Adjust odor The first tier in the award winning MPX Series the MPX 110 represents Lexicon s most affordable dual channel processor A true stereo processor the MPX 110 includes 24 bit analog to digital and digital to analog conversion and relies on the proprietary LexiChip engine to perform 24 bit internal processing lts 240 carefully crafted presets feature legendary Lexicon reverb as well as dual programs that combine two independent effects in four routing configurations Tempo can be set using audio input a dual footswitch the front panel Tap button or an external MIDI device A power
19. es 64 programs and an internal power supply Easy Operation The front panel Adjust knob provides convenient control over all 240 presets while intuitive front panel LEDs provide at a glance viewing of program and system status The Adjust knob can be used to activate Cue Program Mode which allows one program to run while another program is prepared for loading The Effects LEDs indicate the effects that are included in the loaded program and for Dual programs the Routing LEDs indicate the routing configuration that is selected The Adjust knob also demystifies the process of editing programs When a parameter is selected with the Edit button all it takes is a simple turn of the Adjust knob to dial in the desired sound The front panel Edit LEDs indicate which parameter is selected The Adjust knob is patched to the most critical parameters for each preset Legendary Effects Plate Gate Hall Chamber and Room Legendary Lexicon programs that recreate the acoustics of reverberant spaces Ambience World class programs available for room sounds without reverberation Tremolo Programs that offer classic shapes such as square sawtooth triangle sine and rectified sine The Adjust knob changes the synchronization of the left and right sweeps to produce mono or stereo effects and the Tap button matches the tremolo rate of the program with the tempo of the music Rotary Programs that simulate a Leslie style c model
20. ful editing tool called Learn Mode allows patching of five front panel controls while permanent MIDI patches provide access to audio parameters not available from the front panel Easy Operation The front panel Program Variation Adjust and Effects Lvl Bal knobs provide convenient control over all 240 presets and 16 User programs The Program knob selects among Single Dual and User programs which are listed around the knob for faster selection The Variation knob selects one of 16 variations for the selected program The Adjust and Effects Lvl Bal knobs demystify the process of editing programs The Adjust knob is patched to the most critical parameters for each preset All it takes is a simple turn of the knob to dial in the desired sound For some presets the Adjust knob is patched to multiple parameters to provide simultaneous control of related effects In addition the Effects Lvl Bal knob controls the level of effects in Single programs or the balance of effects in Dual programs Legendary Effects Plate Gate Hall Chamber and Room Legendary Lexicon programs that recreate the acoustics of reverberant spaces Ambience World class programs available for room sounds without reverberation Tremolo Programs that offer classic shapes such as square sawtooth triangle sine and rectified sine The Adjust knob changes the synchronization of the left and right sweeps to produce mono Dyas Or stereo elect z and tne AD DUTT
21. ic display makes program and patch numbers highly visible The alphanumeric display shows parameter names and values preset numbers and algorithm routings Dedicated Mix and Patch Large graphic display buttons provide instant access to mix and level settings for single or multiple effects and to the MPX patch system The Patch button lights whenever a patched parameter is displayed Effects include Reverb Delay Flange Pitch and Tremolo S PDIF input and output Balanced analog inputs and outputs Six effect blocks are always accessible via dedicated back lit buttons on the front panel Each block is independent with its own bypass mix and level controls Effect buttons light to indicate active XLR and 1 4 inch TRS effects Selecting new effects for programs is simple with an arsenal of effects for each block 56 total just a button push away Push button access to a soft row that contains the most critical parameters for each program simplifies the process of fine tuning presets to match music or sound Tap Tempo for instant setting of delay and tracks Edit Mode provides an extensive pool of parameters for creating and restructuring presets Independent processing on each input modulation times may be set using footswitch Full MIDI control On Board Help Internal power supply A built in help feature provides guidance through all front panel controls Whenever a button is Optional MPX RI remote controller pressed and held a mess
22. on paths Tempo Control The PCM 81 and PCM 91 offer Tap Tempo control of delay lines as well as several rhythmic variations on the tap Tempo can be dialed in in beats per minute MIDI clock can be generated from tap or received via MIDI from an external sequencer or drum machine Tempo can also control LFO speeds and time switches allowing modulations to be synchronized with music Independent rhythmic values can be set for each parameter within the same program The PCM 81 also offers more than 20 seconds of stereo delay mV lo The PCM 81 has everything that made the PCM 80 the top choice among studio effects processors In addition it offers more effects more algorithms and full AES EBU input and output Two digital signal processors Lexicon s proprietary LexiChip for reverb and a second DSP engine to handle other effects create versatile effect combinations without compromising sonic clarity The PCM 81 offers more than all other processors in its class with 24 bit internal processing a true stereo signal path balanced analog inputs and outputs AES EBU and S PDIF digital inputs and outputs the power to combine analog and digital outputs extensive modulation capabilities and 300 presets The PCM 81 and PCM 9I are both equipped with an industry standard PCMCIA card slot allowing users to store personal programs and setups on cards For the PCM 81 adding Lexicon Dual FX algorithm and specially designed preset cards fo
23. put left only used for stereo headphones Coaxial RCA 24 bit S PDIF 44 1kHz Coaxial RCA 24 bit digital S PDIF always active 44 1kHz 24 bit A D 24 bit D A 24 bit Frequency Response Wet Dry THD Noise Dynamic Range Conversion Crosstalk Internal Audio DSP Dimensions Weight Power Requirements Operating Temperature Maximum Humidity Frequency Response THD Noise Dynamic Range Crosstalk MIDI Interface Footswitch Dimensions Weight Power Requirements Operating Temperature Maximum Humidity CAT Pu AAA LH 20Hz 20kHz 1dB lt 0 05 20Hz 20kHz A D gt 100dB typical 20Hz 20kHz unweighted A A gt 950B typical 20Hz 20kHz unweighted 24 bits analog to digital 24 bits analog to analog 44 1kHz sample rate gt 45dB 24 bit 19 W x 1 75 H 1U x 4 D 483 x 45 x 102mm rack mount standard 2 125 lbs 959 kg 9 volts AC wall transformer provided in North America amp Europe 32 104 F 0 40 C 95 without condensation 20Hz 20kHz 1dB lt 0 05 20Hz 20kHz D A gt 1000B typical 20Hz 20kHz unweighted A D gt 100dB typical 20Hz 20kHz unweighted A A gt 950B typical 20Hz 20kHz unweighted 55dB 5 pin DIN connectors for MIDI IN and MIDI OUT THRU 1 4 T R S connector for bypass and tap 19 W x 1 75 H 1U x 5 5 D 483 x 45 x 140mm rack mount standard 3 15 Ibs 1 41 kg 100 120 and 220 240 volts AC 50 6
24. r the PCM 80 compatible with the PCM 81 increases its number of algorithms to more than 40 and presets to nearly 800 PGM 81 Sounds The PCM 8l boasts an enormous selection of sounds Each combines uncompromised stereo reverb with several voices of additional effects A full complement of Pitch Shifters provides unique special FX as well as doubling quadruple tracking Chorus and Pitch Correction within a range of three octaves up or down With 300 presets the PCM 81 allows instant access to Pitch Reverb Ambience Modulators up to 20 second stereo Delays and Dynamic Spatialization effects for 2 channel or surround applications Its presets were designed to accommodate a wide range of applications from effects designed for musical uses and recordings to effects designed specifically for pitch correction sound effects and video post production PCM 81 Algorithms The PCM 81 utilizes 4 voice 6 voice and Pitch algorithms to create effects The 4 voice algorithms Chamber Concert Hall Infinite Inverse and Plate Each combine a specific reverb type with a 4 voice stereo effect toolbox called the Reverb Shell which provides post processing for the reverb For example it is possible to produce a Ghost Flange by assigning a Modulated Delay to an Inverse Reverb to Detune it The 6 voice algorithms Chorus Reverb Glide Hall Multiband Reverb Res gt Plate and Res 2 gt Plate combine a specific reverb type with a spe
25. the high horn iha a ee frequencies are separated and spun in opposite directions Horn and drum speeds are Ne designed with the acceleration and deceleration characteristics that simulate the inertia of the original mechanical elements Chorus Programs inherited from the award winning PCM Series that pan six independently randomized delay voices across the stereo field to create a rich airy effect that multiplies a single source into several Flange Programs that feature two 2 tap delays one per channel Mixing the two tap delays together creates characteristic flange effects such as swishing tunneling and fading Pitch Programs that shift monophonic sources within a range of one octave up to two octaves down Detune Programs with one pair of voices per channel one sharp and one flat These voices add a delayed or pitch shifted version of the source to thicken the sound creating a particularly effective simulation of double tracking Delay and Echo Programs that include mono 5 5 seconds stereo 2 7 seconds and 6 voice multi tap effects each of which can be used to create tape echo or digital delay effects Dual Programs Programs that combine two independent effects in four routing configurations Dual channel processing allows the MPX 200 to combine Delay and Reverb algorithms or either algorithm with a Flange Pitch or Chorus algorithm Dual programs are available in four routing configurations Dual
26. tic switching 3 pin IEC connector 2 5 mm 9 volts AC not included 19 W x 1 75 H 1U x 12 D 483 x 45 x 305 mm rack mount standard 6 4 Ibs 2 9 kg 32 to 104 F 0 to 40 C 95 without condensation A Bii iio LS The PCM 81 and PCM 91 are each equipped with an industry standard PCMCIA card slot allowing users to store personal programs and setups on RAM cards For the PCM 81 adding Lexicon s Dual FX algorithm and specially designed preset cards for the PCM 80 all of which are compatible with the PCM 81 increases its number of algorithms to more than 40 and its number of presets to nearly 800 All specifications subject to change without notice Home Theater The MC 12 Digital Controllers the LX Power Amplifiers and the 700t System Controller establish a new benchmark for home theater products Available in balanced and unbalanced versions the MC 12 is a reference quality 2 channel digital control center with built in digital audio processing 12 configurable inputs and 3 zones The LX Power Amplifiers available in 7 or 5 channel versions deliver the full impact of multi channel soundtracks with exceptional fidelity combining tremendous dynamic range stunning clarity and unique technologies Home Theale For more information on any of our products please contact us 3 Oak Park Bedford MA 01730 1441 U S A Tel 781 280 0300 Fax 781 280 0490 www lexicon com 960L Digital
27. ur products have continued to set new benchmarks for performance Combining power precision and flexibility with an elegant industrial design the two newest additions to this proud lineage of products are no exception The MC Series Digital Controllers and the LX Series Power Amplifiers represent the finest expression of music and film reproduction available Growing demand for proprietary Lexicon technologies has led to their appearance in numerous applications with dramatic results Our processing is relied upon to enhance the sound of prestigious live halls and venues Our critically acclaimed LOGIC7 technologies have been successfully incorporated in several world renowned automobiles including select models from BMW and Mercedes LOGIC7 technologies have also been licensed to other audio companies such as harman kardon and AKG Knowingly or unknowingly you experience Lexicon products and technologies on a daily basis Chances are that Lexicon processing was involved in the television program you watch at home the film you see at the cinema or the song you listen to on the radio From the initial tracks to your listening room or automobile Lexicon is part of the process that brings these recordings to life Our commitment to the audio professional and the home theater enthusiast ensures an unbroken chain between the artist and the audience Lexicon and LOGIC7 are the registered trademarks of Harman International Industries Inc All oth
28. utput Impedance Digital Audio Input Format Sample Rate Digital Audio Output Format Sample Rate Conversion Internal Audio DSP Frequency Response Crosstalk THD XLR and 1 4 balanced T R S 2dBu to 20dBu balanced 22dBu to OdBu unbalanced 100kQ balanced 50kQ unbalanced XLR and 1 4 T R S balanced 18dBm balanced 4dBm unbalanced 1250 balanced XLR AES EBU Coaxial RCA S PDIF AES EBU balanced S PDIF unbalanced 44 1kHz and 48kHz XLR AES EBU Coaxial RCA S PDIF AES EBU balanced S PDIF unbalanced 44 1kHz and 48kHz 24 bit A D 24 bit D A 24 bit PCM 81 20 bit PCM 91 10Hz 20kHz 5dB 55dB 10Hz to 20kHz lt 0 006 10Hz 20kHz DOD Dynamic Range MIDI Interface Footswitch Foot Controller Memory Card Connector Standards Card Format Power Requirements Remote Power In Dimensions Weight Operating Temperature Maximum Humidity CJOO CAA D A gt 98dB typical 10Hz 20kHz A D gt 105dB typical 10Hz 20kHz A A gt 96dB typical 10Hz 20kHz 5 pin DIN connectors for MIDI IN THRU and OUT 1 4 T R S connector for two independent momentary footswitches system detects normal open or normal closed on power up 1 4 T R S connector for foot pedal 1000 10kQ impedance PCMCIA type cards 68 pins PCMCIA 2 0 and JEIDA 4 0 Up to 1MB of SRAM attribute memory not required 100 240 volts AC 50 60Hz 35 watts Automa
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