STYLE COMPILER MANUAL
Contents
1. AUDYA advanced music station STYLE COMPILER MANUAL KETRON Audya Style Structure Audya Style Structure The Audya Style structure is compounding by 4 x Main Arranger A B C D 4 Fill ins 4 Breaks 3 Intro and 3 Ending B Howto program a Midi file suitable for Audya Style A Midi file suitable for Audya Style must be programmed as single Midi file 0 format with related Marker for the following section please refer to the file KetronStyleSetUp mid 4 Arranger A B C D The standard length of an arranger is typically 8 bars but also 2 4 16 24 and 32 bars are accepted accordingly with different musical needs Important if Audio Drums are used into the Style on Midi part must have the same length of the Audio Drum file See chapter Audio Style Modeling For example if the Audio Drum has a length of 8 bars and a Time signature of 4 4 also the Midi must be 8 measures and Time Sign 4 4 4 Fill Ins A B C D 1 Bar Each Fill on is related to its Arranger A B C and D 4 Breaks A B C D 1 Bar Each i Break is related to its Arr A B C and D Intro 1 Very short Intro only with drum and or percussion End 1 Short Ending with a Corona stop The End 1 composing must be done straight on C Major without chord changing or melody lines Most of Live Guitar database are already programmed with an END 1 template See chapter Audio Style Modeling Intro 2 Typically a couple of bars programmed straight on2. 1 Start The Start Program change for Live Chord is the Progr Change Number 125 2 This must be inserted after the Chord tonality Program Change Here on example 1 First Tick 1 1 0 KCHORDS 2 Second Tick 1 1 1 1 C Major 3 Third Tick 1 1 2 125 Start 3 Stop The Stop Program Change is Number 126 and will be used to stop the top the Live Guitar performance on Intro 3 and End 3 4 KETRON AUDYA STYLE COMPILER Audya Style Structure 4 Long Chord It is possible also to insert Live Guitar Long Chord Program Changes with 127 Long Chord Slow or Program Change Number 128 for Long Chord Fast 5 Here on example 7 1 0 Progr Change 15 D Minor 7 1 1 Progr Change 127 D Minor Fast Long Chord or 7 1 1 Progr Change 128 D Minor Slow Long Chord 7 1 2 Progr Change 125 START B How to compile on Audya Style from the Midi file Once programmed your own Midi file for the Style will be necessary to compile it by using the Audya Style Compiler 2009 Install the Audya Style Compiler exe program and run it ES Audya style 2009 v 9 7 Utility amp Setting About Import SOS style Audya compiler version 3 7 Ready to use Compile midi Files W preserve setup Source from amp udya style Exit Audya Style Compiler 2009 tool Main View Create a Folder having the same name of the Style and copy there your Midi file On Utility and Setting menu select your device Press Compile Midi files and selec
3. ANK NONE NONE e re j iw PRESET ENDI Arp amp Lick Live Guitar nsi PAT EI cam PIANO iran mn if ol tesi E en Pa E l 33 p EJ 2 Em 40 strato s aa LI heian ne O pm az m Faces tow Le H z a LU sir 24 Z U os Pane TLE St ca twr e di as Cram a n DES NALE 35 Uni 1 m Eb 50506000 Figure 1 F1 the Drum controlling on tab F1 is very sophisticated with the possibility to address 4 different ambients Audio Drum Figure 1 Drum Bank Figure 2 User Audio Drums Figure 3 Drum1 Figure 4 Audio Drum Internal Audio Drum library with more than 324 complete Audio files Could be increased Drum Bank Midi Drum database with 255 Styles Could be increased User Audio Drums Custom Wave Loops of the user This new powerful feature provided with the 3 0A permits to replace the internal Audio Drums of Audya with Drum Wave loops created from the user and located into a new HD folder named User Audio Drums e The Loops must be Wave 44 1 kHz 16 bit and must have a name with symbol followed from the exact BPM number e g House2 127 wav e The loops are automatically synchronized with the MIDI of the Style e Itis possible to associate a different Wave for each Style section such as ABCD Fill In Break Intro and Ending See the enclosed documentation for User Audio Drums for furthe
4. ANK m NOME F Live Guitar NONE Operation Piano BAMK m NONE 3 9 gt Bl o amp 4 In order to assign the Live Guitar to End1 or End 2 activate check on Preset End1 If Preset End is not enabled the End 1 will play the internal track programmed if exists When PRESET END 1 2 is enabled your have two options to choose 1 Live Guitar set to NONE on this case the Live Guitar will play automatically the template corresponding to the Live Guitar used on the current Arranger A B C or D If on the current Arranger there s not provided a Live Guitar then the style will play the conventional Midi track is present 2 Live Guitar set to a template different than the Live Guitar assigned to the current Arranger ABCD on this case the new Live Guitar set for Ending will perform its pre programmed specific template for Ending 1 or 2 no matter which Live Guitar is already assigned to Arrangers 3 Most of Live Guitar are provided with templates specifically programmed for END1 and END2 KETRON e AUDYA 15 Audya Style Structure Ei Section modify Ending 1 Sections Volumes Program Change Pan Pot Mode Drum Mixer amp Remap Lowers Effect Current section Arranger 4 Arranger B Arranger C Arranger D Break A Break B Break C Break D Intro 1 Intro 2 Intro 3 Ending 3 GLOBAL CHANGE Operation gt a amp l Bank Drum1 Groove Drum
5. C Major and Minor without chord changing or melody lines End 2 Typically 2 or 3 bars plus and stop as Corona To be programmed straight on C Major and Minor without chord changing or melody lines Most of Live Guitar database are already programmed with END 2 templates See chapter Audio Style Modeling Intro 3 End 3 To be programmed on C Major and Minor with free harmonizations according to the music style Markers Each Midi section must be well identified with some specific Markers properly assigned Here the names to be written for to each Marker according with the Major Minor or Seventh arrangement programmed MAJOR Se Saas ARRA MAJ FILA MAJ ARRB MAJ X FILB_MAJ ARRO MAJ j FILC MAJ PCARRD MAJ FILD MAJ BRKDMAJ MINOR i ARRA MIN FILA MIN JARRB MIN FILB MIN po E J ILD_MIN BRKDMN l SEVENTH EE ee eee JARRA SEV_ FILA SEV __________ ARRBSEV_ FILB_SEV BRKB SEV INT2 SEV END2 SEV __________ ARRC SEV_ JFILC SEV Ey ARRD_SEV FLD sev m sv J ARRC MIN ILC MIN BRKC MIN INT3_MIN ND3_MIN 2 KETRON e AUDYA STYLE COMPILER Audya Style Structure The first measure of the Midi file file must have a single Marker on the first tick step 1 and must be named as Audya Style 1 0 The user will start to program his style events only from the second measure of the file The sequence s order for the Midi parts programmed an
6. Guitars on parts and Intro Ending see the chapter Live Guitar on Intro 3 End 3 The GLOBAL CHANGE doesn t affect the Audio Drums as this is set automatically on all sections B Saving the Style Edited with Audio Style Modeling Select the initial Section Page and press STYLE SAVE or press the Disk icon on Operation area left bottom of screen view Use SEND TO AUDYA to send the style to Audya via USB The style will be copied into Audya Folder called USER STYLES you can choose sub folder destination as Ballad Pop etc LIVE GUITARS on INTRO 3 ENDING 3 Section modify Intro 3 EI a Sections Volumes Program Change Pan Pot Mode Drum Mixer amp Remap Lowers Effect Arranger 4 Bank P Change Mame Arranger B Brunt b E Fosa pl Arranger C GroovelDrumz 4 2 B f Arranger D Bass 0 37 Break Chord 0 4 Break E Chord 10 199 Break C Chord3 id 25 Break D Chord4 10 20 Chords 0 0 Intra 1 M M f Intro STYLE MODELING i Audio Drum NONE Guitar 1 BANK NONE Ending 1 Drum BANK NONE Guitar 2 BANK MOME Ending 2 PIECE Groove BANK NONE m ArpeLick MOME GLOBAL CHANGE Bass BANK NONE Live Gutar NONE m Operation Piano BANK H NONE gt ml F x See also the chapter KCHORDS TRACK PROGRA
7. MMING on INTRO 3 END 3 If you have used some Program Change related to LIVE GUITARS on Intro 3 and Ending 3 after compiled the Midi file you ll see on the above picture the word KCHORDS Intro 3 check box on is required Audya Style Compiler recognizes Chord changing progression on the Midi file and await for the Live Guitar template assignment None as it is possible to perform the Live Guitar sequence with different type of Guitar Select your Live Guitar and play it directly from the pop up menu as showed If the Live guitar is not assigned the style will play the programmed Midi track if present 14 KETRON AUDYA LIVE GUITARS on ENDING 1 ENDING 2 LIVE GUITARS on ENDING 1 ENDING 2 EE Section modify Ending 1 Ed i Sections Volumes Program Change Pan Pat Mode Drum Mixer amp Remap Lawers Effect Arranger 4 Bank P Change Mame Arranger B Drum 0 0 f Arranger C G Drumz roove Drum 4 an f Arranger D M Bass T 37 td Break 4 Chord 0 4 Break B Chord in B 99 Break c Chords 0 29 Break D Chord4 id B i6 E Chords Intro 1 ES Intro 2 STYLE MODELING Intro 3 Audio Drum NONE Guitar 1 BANK NONE f Ending 1 Drum BANK MONE Guitar 2 BANK MONE Z Ending 2 m NOME i n Ending 3 Groove BANE Arp amp Lick NONE T GLOBAL CHANGE Bass B
8. ame AcousticFop pat Arranger D Break 4 Break B Break C Break D Intro 1 Intra 2 TimeSignature Tempe Min Intro 3 Measures Fill 4 gt 40 Ending 1 Measures Ending 2 aj Bi al Bi l 76 Ending 3 Tempo Balance Tempo Max Style save GLOBAL CHANGE El 250 Operation amp Zi Here you can modify the Style Tempo and the Tempo Range value min and max On the next view you can locate the Operation gt PLAY button which will let you hear the Style parts selected Style Play Styles Filter part zn n m Iw Chord 2 LES w Chord 3 w Chord 4 Iw Chord 5 Log clear if Live Guitar Table Live guitar only fe Maj aie comes Mj Jed co ge ES even D C cs Play Exit 6 KETRON e AUDYA Volumes Program Change VOLUMES Ei Section modify Arranger A Sections Volumes Program Change Pan Fot Mode Drum Mixer amp Remap Lowers Effect Current section Arranger Arranger B Drum Nn 127 Bi DE 100 n 100 l a0 100 Arranger C Groove aal Arranger D Bass a Break 4 Break B Break C Break D chordi Chord Chorda Into Chord4 Ee Intro 2 Bie Intro 3 Ending 1 Lives LeftiM 4 gt 0 Ending 2 Live G Right 4 gt 0 Ending 3 iod Live Chord 4 n O GLOBAL CHANGE Live Var 4 l O Operation Default al sal l EI gt amp z Chords Ee E E Here you can set the Volumes for a single section o
9. can replace a certain percussive instrument of your own style Key selects the note number related for new percussion instrument Instrument destination select your new percussive instrument to add on KETRON e AUDYA 9 Lower and Effects LOWER AND EFFECTS ES Section modify Arranger A Current section Arranger Arranger B Arranger C Arranger D Break A Break B Break C Break D Intro 1 Intro 2 Intro 3 Ending 1 Ending 2 Ending 3 GLOBAL CHANGE Operation gt B 2l Sections valumes Program Change Pan Pat Mode Drum Mixer amp Remap Lowers Effect Audio Lower 1 58 o PanPot 4 To Reverb 4 nn Distortion Transpose Enk PChange Mame He xz p z pe o sz pomo H lea o ni volume Chorus Delay Lower 2 Volume KE ES 2 71 Chorus LI l O Li Distortion 4 Transpose Enk PChange H dba B s fos ___ a PanPot 4 a Reverb 4 64 Delay On this menu you can assign to the style up to 4 simultaneous effects Select these chains of effects template Reverb Chorus Echo and Distortion These are available as DSP Assignment chain with related send EZ Section modify Aranean A Current section fe Arranger A Arranger B f Arranger C f Arranger D Tvpe Reverb Chorus OFF oFF Effect reverber Echo Distortion OFF OFF Emme t Break A DSP assig
10. cept for note informations 4 The Midi file must be saved with 0 zero Format with all relative Markers on each sections Resolution at 48 TPQ 9 Please pay attention on Midi tracks do not record twice note or data on style part this will be recognized as on error 6 All events and Markers of a single track shouldn t drop on other following sections or Markers T Do not record Control Changes or Pitch Bend events on the same tick note on Off 8 Do not leave twice events with different data on the same note tick isk no Domum LM no mean 0 opnommen l a T3311 0 apo Here a view for the KetronStyleSetUp mid for the program Cubase SX R KETRON e AUDYA STYLE COMPILER 3 Audya Style Structure B How to program the Live Guitar on the Midi file Intro 3 End 3 sections User can create on Intro 3 MAJ MIN and on Ending 3 MAJ MIN free harmony sequences using the LIVE GUITARS Here the procedure to write Live Guitar informations on the Style See also the Chapter Audio Style Modeling and Live Guitar on Intro Ending Kchords on the first tick of the Channel 12 must be programmed a metaevent by typing the word KCHORDS Caps case Program Changes After the txt metaevent KCHORDS must be written the Live Guitar Program Change on Program Change is related to a single Live Guitar Chord tonality as on the following table Et 7th Chords from 25 to 36 if exists
11. d for their respective Markers is free for instance ARRA _ MAJ INT3 MIN FILLC MAJ etc but all Sections and Markers must be written on following the other to avoid empty measures Style Parts and Midi Channel These are the parts and Midi Channels to be used for on Style section DRUMI JChi0 ppumSeti DRUM2 choo o o JGrooe DrumSet2 BASS A Ch5 jBass J CHORDi ch El Piano Ac Piano NENNEN ICHORD3 Ch 8 gSring Pad Orchestral CHORDS onia forenes 1 All the Arranger parts must be programmed basically on C Major and C Minor or Seventh if requested Audya will convert automatically to all inversions and will recognized the chord changes by internal algorithms 2 On the Midi file the following events and controls are accepted Note On Off Bend Modulation Sustain Expression PanPot Reverb Chorus Wha Wha on CC 84 value 127 Off CC 84 value 0 continuous Controllers on CC 85 Value from 0 to 127 Portamento on Off on CC 65 value 127 Off CC 85 value 0 Portamento Time CC 5 continuous value from 0 to 127 Tempo Track BPM 3 The Audya Style Compiler 2009 tool will provide a detailed check for all data contents of the file on order to get the best music result Furthermore the Style can be fully edited for sounds levels effects also on the keyboard itself into the Style View menu ex
12. dio Chord Trigger chord 2 Chord 3 Iw Chord 4 Chord S Mute Drum Groove Bas Live Guitar Live Bas Variation Lower 1 chord 1 Chord 2 Chord 3 chord 4 Chord 5 Lower 2 Bi Default Chord Close Mode chord i iw Chord 2 i Chord 3 iw Chord 4 Chord S Crash Drum Set Kev Dynamic Riff Mode O RIFF MODE 64 EE 64 40 64 107 l 100 H 64 fe Cl On this menu you can modify different Modes for Chords Bass and Drums on single or global mode Chord Trigger If enabled to On the Chord programmed will be retriggered on time you ll play a different chords 8 KETRON e AUDYA Drum Mixer amp Remap If enabled to OFF the Chord programmed will not be retriggered Chord Close Parallel If enabled to On the Chord programmed will play on Close mode with a correct transposition to the nearest notes If enabled to Off the Chord will play on Parallel mode doing a parallel transposition Bass Mode when set to Trigger On the Bass note is retriggered anytime a new chord is struck When set to Alternate on the Bass will adapt the alternate bass on a smoother musical way thus avoiding the repetition of the fundamental Bass note when changing chords Fond C1 or CO when set to CO permits the Bass to play the fundamental note if programmed on CO into the Midi file If set to C1 the Bass will ignore the CO even if programmed and will transp
13. e Bass Chord Chord Chords Chord4 Chords P Change Mame STYLE MODELING Audio Drum I NONE Drum Bank gt NoME Groove BANK NONE ow BassBANK wow Piano BANK gt NoME SETTING AUDIO STYLE MODELING on AUDYA With the Release 3 0A the Audio Style Modeling of Audya is raised up to its final and complete structure The 4 new BANK for sections Drum Piano Guitar and Guitar 2 together with the enhancement of previous existing Libraries for Bank Bass and Arp amp Lick makes the Audio Style Modeling a very powerful and easy system to compose new Styles It s enough to start from an existing Style and without programming a note to scroll the Modeling Libraries while listening in real time the final result and to replace the various parts of the Style using the huge templates available Let s take a look to some practical examples for the Audio style Modeling BM Select a Style to be edited and access the Style View The parts underlined in Red are the ones interested to the Bank functioning By pressing twice the tabs F1 F2 F3 etc it is possible to select the BANK Libraries The scroll for various templates is achieved by the l Alpha dial The new Bank Libraries once selected and assigned to the Style parts are replacing the original MIDI parts written for such Style 1 6 KETRON e AUDYA STYLE COMPILER Guitar 1 BANK H NONE Guitar 2 B
14. e huge Bank Library and you can assign it to each style part Style Bank Channel Chord name Audio Drum Audio Output Drum 1 Drum Bank 10 Drum 1 Groove Bank 11 Groove Bass Bank 5 Bass Piano Bank 6 Chord 1 Guitar 1 Bank 7 Chord 2 Guitar 2 Bank 8 Chord 3 Arp amp Lick 11 Chord 4 Live Guitar 12 Chord 5 E Section modify Arranger A RIS SO Sections Volumes Program Change Pan Pot Mode Drum Mixer amp Remap Lowers Effect Audio 7 Arranger A Bank P Change Mame Arranger B e Drurni O hil i lui Arranger C J Groove Drume 4 38 f Arranger D Break A Chord n 4 l odes Break C Chords io 25 COUNTRY FX im Chords i B 9 Oy I tr f Intra 1 f Intro STYLE MODELING f Intra 3 Audio Drum 8 BEAT1 90 Guitar 1 BANK BEAT O1 Ending 1 DrumBANK 208 RBBE495 1 v Guitaregamefie foro o l FIERI m a Groove BAME HOUSE 4 Arp amp Lick r NONE 16GUIT_01 GLOBAL CHANGE Bass BANK BBEAT 1 ine sua I E ono Operation Piano BAMK 150 P BEAT O2 iara gt Hz 3 16GUIT_06 16GUIT_O li 16GUIT_08 b KETRON e AUDYA 13 LIVE GUITARS on INTRO 3 ENDING 3 You can use the GLOBAL CHANGE control to quickly insert a template on all parts of the Style on this case the Style Bank related to Groove Bass Piano Guitars Arp amp Lick will be not assigned to Intros and Endings Special controls are provided for Live
15. ermits to create your own style with few steps ona quick and easy manner The core of this powerfully feature is the new huge Bank Library supplied with the 3 0A OS Update Part of the Style may be affected replaced by a Bank template There Audio Style Modeling can be controlled from the Audya Style Compiler 2009 or from the internal Style View menu of the keyboard Ed Audya style 2009 v 9 7 Import 5D5 style Name assign Compile midi Files Please assign name to new style 22 car max preserve setup whitout extension PAT or MID MyNewStyle Audya style modify Continue to select master folder Source From Audva style Exit Exil 12 KETRON e AUDYA Audio Style Modeling Here how to control the Style Modeling from the Style Compiler program Create your on style from scratch 1 By Utility amp Setting select the Create empty structure feature Type firstly your style name and than create a master folder where to save it 2 Press Compile Midi files and select a Midi file e g MyNewStyle mid 3 Press Audya Style Modify and load the Pattern just compiled 4 Jump on step 5 Create a new style or edit starting from an existing style 1 Create a folder having the same name of the style and copy the Pattern into the folder 2 Press Audya Style Modify and load this Pattern 3 Jump on step 5 5 on Program Change menu you can select several Grooves and templates from th
16. formation Bm SAVING STYLE PROCEDURE After the editing you can save all your data on Style otherwise your work will be lost Select Section Page and press STYLE SAVE You can also press icon on the bottom left on the box Operation tool Use SEND TO AUDYA in order to send style to Audya by USB connection Style will be sent to USER STYLES folder You should choose your style sub folder family as you want Ballad Pop etc Edit Style Working with Audya Sequencer and Style Compiler After copied the Style to Audya may be necessary a phase of editing on the keyboard in order to achieve a good musical result If you want to modify later some Midi parts of your Style while keeping this mix obtained into the keyboard Sounds Levels Effects then you should follow these instructions Step 1 Before the compilation your style was a Midi file 0 format called for instance StyleTest mid and was placed on a certain folder called for instance MyStyle Step 2 Run the Audya Style Compiler 2009 and compile the Midi file preserve setup box must be enabled Now the Compiler has created 2 files StyleTest PAT and StyleTest bin The bin is a service file containing all the style parameters Step 3 Import on Audya the pattern StyleTest Pat and apply all your modifications as volume efx and so directly on the Audya layout KETRON e AUDYA 11 Audio Style Modeling Save the changes by pressing SAVE but
17. mme sie a fio a DO on rer EI yas LECT A CI EEEREN VOLUME CH NETS i a b T 0 t bi EB i DooooO0o000 Figue3 SLN 2d Auc aa 62 Jie gren eo x 50 seo de BO To entre s Ene rem sir 29 Perso DO on ae Qu Ju O QU Figure 4 All the Orchestral Libraries such as Bass Piano Guitar 1 2 and Arp amp Lick are playing with their original Program Change but it is possible to change the voice on each section when box is blue coloured by simply selecting the sound family on the right hand and the single GM Voices All variations applied to the Style with the insert of the Bank templates may be memorized and saved as usual into the correspondent User Style The access to a single template of the Bank Libraries may be reached also with the numerical key pad 0 9 Please see the STYLE BANK Lists All variations apported to the Style with the insert of the Bank templates may be memorized and saved as usual into the correspondent User Style The access to a single template of the Bank Libraries may be reached also with the numerical key pad O 9 Pls see the STYLE BANK Lists KETRON e AUDYA STYLE COMPILER 17 AUDYA advanced music station KETRON s r l Via Giuseppe Taliercio n 7 60131 Ancona Italy Tel 39 071 285771 Tel 39 071 2857748 www ketron it email ketron ketron it
18. nment Reverb Chorus Echo Distortion C Break B Drum Rev Cho H xj D asi x O m Break c k ae Groove Rev Cho n n E 0 SE Bass Rev Cho H x lo 0 D E a ca Chord Rev Cho o h fT gt z 0 E ntra PATE Chord Rev cho O f asi a lo zm n dx Chord3 Rev Cho o fT E 0 EE 0 zz Ending 1 ee Chord4 Rev Cho o ir D fT z o g Ending 3 Chords Rev Cho 0 g h xj n n EP rr Lai le GLOBAL CHANGE L Guitar Rew Cho l g lo ai ai n imd In x Lower Rev cho n H xj n Ei n zm n zi zi Operation gt GB I Lower Rev Cho o BE o zl o az 0 SE zu 10 KETRON e AUDYA Audio AUDIO ES Section modify Arranger A at ere Sections volumes Program Change Pan Pot Mode Drum Mixer amp Remap Lowers Effect Audio Arranger A Audio property Arranger B BPM an f Arranger C Ki Hn ES D rranger Wane Break A BreakB Measures s gt l o 7 CO Break c Break D Audio property FILL only for Arrangert Intro 1 Intra BPM al 90 f Intro 3 Ending 1 volume al 127 f Ending 2 Ending 3 Measures EI gt 1 7 C GLOBAL CHANGE Operation gt al 2l This view will appear only if on Audio Drum is used on the Style You can modify just the Volume value of the Audio Drum for any single section or all the sections together See the chapter Audio Style Modeling for further in
19. ose it to the highest octave Mute If On all style parts will be muted Crash If set to On the AutoCrash will be played after the Fill on Drum Set here you can select your on drum set where crash sound comes from Dynamic Set the Dynamic value for the Crash RIFF MODE This is a special feature used on Variation D of the Arranger On detail the Riff is an Arrange programmed inside with a typical chord progression With this feature you can play freely your melody line or improvisation over a typical chord progression without pressing any chord DRUM MIXER amp REMAP ES Section modify Arranger A oa e Sections volumes Program Change Pan Pot Mode Drum Mixer amp Remap Lowers Effect Audio Arranger A Drum Mixer Drum Remap Arranger B Intrument dest m 7J gt 5 NE Arranger t KICK SHARE Arranger D on 4 e Na 4 on 4 e Na k Break A HI HAT Break B CYMBAL TOM TAME LATINI Intro 1 LATIMZ Intro z LATINS Intro 3 TABLA on 4 qm MN 4 tn 4 Break C Break D eno Wi tn on 4 4 e F 4 on 4 Ti J 4 un 4 e 4 Ending 1 ED KATEM TABEL GLOBAL CHANGE CLAPJFX ale F a tn 1 Ending 3 on 4 e NA 4 on 4 qm Na 4 Current DrumSET Default JAZZBRUSH Operation Defaulk gt B i Drum Mixer on this Menu it is possible to set volume reverb and pan pot for each percussive section Drum Remap here you
20. r details e Together with the 3 0A is supplied a Demo folder with 4 complete User Audio Drums styles Drum1 Drum Set type selection IMPORTANT e On internal Audio Drum and on User Audio Drums the template scroll may be done only at Style Stop condition e Internal Audio Drum and User Audio Drums are auto excluding same as Drum Bank and original MIDI Drum of the Style F2 with F2 similar to F1 are accessed 3 different Drum ambients Groove Bank Up to 240 Drum Percussion Library with Acoustic and Electric Loops Latin Dance Pop Folk etc Groove compatibility set up section for Drum Loops of old Style Libraries SD1 SD 5 Midjay Drum2 Drum Set type selection for the second Drum Set IMPORTANT e Groove section Groove Bank and Drum 2 are auto excluding but they can be added individually to Audio Drums or User Audio Drums or Drum Bank or Drumt F3 Bass Bank Bass Library 333 F6 Piano Bank Piano and Electric Piano Library 236 F7 Guitar Bank 1 Acoustic and Electric Guitar Library 253 F8 Guitar Bank 2 Acoustic and Electric Guitar Library 253 F9 Arp amp Lick Arpeggios and various Orchestral embellishments 254 F10 Live Guitar Audio Live Guitar Library with up to 150 Live Guitars Audya Style Structure M x 0 Greece i ES O 45 mani a lol aG TESTPATI IU ENERGIE 1 eme 0 intar u peer d s lame
21. r the Style PROGRAM CHANGE On the following menus you can modify the Program Changes and Pan Pot value for Drum1 Groove Drum2 Bass Chord1 Chord2 Chord3 Chord4 and Chord5 E Section mo dify Arranger CEE Sections volumes Program Change Pan Prot Mode Drum Mixer amp Remap Lowers Effect Audio Arranger Bank P Change Mame Arranger B nm e f Arranger C Groove Drume Arranger D Bass Break 4 Chord Break B Chord Break C Chorda Break D Chord4 Chords Intro 1 Intro 2 Intro 3 Ending 1 Ending 2 Ending 3 GLOBAL CHANGE Operation gt amp KETRON e AUDYA Pan Pot Mode PAN POT EE Section modify Arranger A Current section Arranger Arranger E Arranger cC Arranger D Break 4 Break B Break C Break D Intra 1 Intra 2 Intra 3 Ending 1 Ending 2 Ending 3 GLOBAL CHANGE Operation gt amp 2l MODE Sections valumes Program Change Pan Pot Made Drum Mixer amp Remap Lowers Effect Drum Groove Bass Chord Chord Chords Chord4 Chords Lit Mono 4 ES Section modify Arranger A Current section Arranger Arranger B Arranger Arranger D Break 4 Break B Break cC Break D Intro 1 Intro z Intro 3 Ending 1 Ending 2 Ending 3 GLOBAL CHANGE Operation gt amp 2l Sections volumes Program Change Pan Pot Mode prum Mixer amp Remap Lowers Effect Au
22. t the folder where your Midi is located The file will be compiled automatically You will find a couple of files into the folder on with extension pat which is the final Pattern to be loaded into Audya and the other with the extension bin which includes the Style parameters only see Edit Style Working with Audya Sequencer and Style Compiler for additional details 5 Now if you want to edit and modify your Style as you like for Sections Volumes Program Changes Pan Pot Modes Drum Mixer amp Remap Lowers Effect and Audio you can press Audya Style Modify and load you Pattern file already compiled 6 Remember that you can copy the new Pattern directly into Audya User Style folder and you can edit the above Parameters on the Audya itself and then you can save the modified Style into User Style pope KETRON e AUDYA STYLE COMPILER 5 Edit Sections EDIT SECTIONS On the top left corner of the following view you can select which section is to be modified Select a single section as the ARRANGER A check related box if you would to modify only Arranger A or select GLOBAL CHANGE if you want to modify a single parameter for all the Arranger parts Same procedure can be used on all other menu of Audya Style Compiler c Section modify Arranger A sections Volumes Program Change Pan Pot Mode Drum Mixer amp Remap Lowers Effect Current section Arranger B Arranger C version 5 3 Send To Audva Style n
23. ton By the way Audya saves the Style with the new parametrs into User Style folder but of course these parameters are different than the original ones Step 4 Send to PC the new StyleTest PAT pattern just modified and overwrite the previous original Pattern Step 5 Delete from the folder MyStyle on your PC the file StyleTest BIN which corresponds to the old original parameters of the Style Step 6 Open the Audya Style Compiler and press Audya Style Modify Select the new StyleTest PAT previously imported from Audya after modifications and press STYLE SAVE Audya Style Compiler has created now a new StyleTest BIN having the same parameters of the Style StyleTest PAT recently edited on Audya Step 7 Now using your sequencer you can apply any modification required to the Midi parts of your style StyleTest Mid At the end you can Save it as StyleTest MID Step 8 Recompile the Midi file StyleTest mid by pressing Compile Midi files Audya Style Compiler has now updated the Midi file with the notes changes and with the new parameters exactly as previously mixed into Audya Creating a Midi file from Pattern Here how extract a standard Midi file from on Audya Style pattern 1 Press Source from Audya Style 2 Select the Pattern and open it The Midi file will be automatically generated into the same folder when the Pattern is located AUDIO STYLE MODELING The Audio Style Modeling is a innovative feature of Audya that p
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