yamaha
Contents
1. 00 00 00 02 00 00 02 01 00 00 03 01 00 00 04 01 00 00 05 01 00 00 06 01 1 4 MASTER TUNE DEVICE NUMBER VOLUME TRANSPOSE MUTE LOCK LOCAL CONTROL 100 100 cents p 1st bit Eer 7 4 2nd bit 3 0 gt bit 3 0 0 15 16 all 0 127 24 24 semitones 0 off 1 on 0 off TOTAL 107 SIZE Cannot be used as a start address Chart 1 3 MIDI Parameter Change table MULTI PART Address Size Data Parameter Description Tn value H H H 02 On 00 01 02 0 01 02 0 02 02 0 03 02 04 02 0 05 02 0 06 02 0 07 02 0 08 02 0 09 02 02 02 On 02 OD 02 02 02 On 10 add PART MODE BANK SELECT MSB PROGRAM NUMBER RECEIVE CHANNEL RECEIVE NOTE MESSAGE MONO POLY MODE VOLUME PAN NOTE SHIFT NOTE LIMIT LOW NOTE LIMIT HIGH PART TUNE PITCH BEND RANGE VELOCITY SENSE EG ATTACK RATE EG RELEASE RATE LFO SPEED 0 normal Go for Part 10 1 126 sound F 10 only 127 drum 1 128 00 0 15 16 OFF 0 OFF 01 1 0 MONO 01 1 POLY 0 127 64 0 164 40 11163 64 127 R63 24 24 semitones C 2 2 100 100 cents 151 bit 3 0 bit 7 4 2nd bit 3 0 bit 3 0 24 424 semitones 0 15 7 7 7 7 7 7 MIDI Data Format2. 4 6 The Controls of the 5 8 FrontPanel 8 E Panel EE 10 E Side Panel de art cade 10 The MU5 What It Is and What Can 11 UD dee EE 14 Power 14 Using a Power Adaptor 14 e Using Batteries 15 When to Replace the Batteries 15 Audio 5 16 e Using Headphones 16 e Using an External Sound System 16 Setting Up the in Your Music System 17 m Connecting With a 17 b vo Res dp ita 18 e IBM and Clones 19 NEC PC 9800 Series 20 Connecting to Other Devices 20 m Data Flow Block Diagram 21 Connecting Cables 22 Playing the Demo 23 Using the MU5 The Play Mode 24 Playing the 24 Changing the Octave Setting 25 m Selecting a Part and Changing the Voice
3. ST WU f geen vn gt w mmm x x s ss x eg Z rg e 9 zg o Jesey sepes osueg SATIOW S N AdO TIN ee ee ee eee 2 Xoo To ueas g Sung Tes 5uog buos SATSNTIKA u qs s 8 ebueyo et 021 00 add For details of products please contact your nearest Yamaha or the authorized distributor listed below Pour plus de d tails sur les produits veuillez vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante AMERICA Yamaha Canada Music Ltd 135 Milner Avenue Scarborough Ontario MIS Canada Tel 416 298 1311 U S A Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 U S A Tel 714 522 9011 MIDDLE amp SOUTH AMERICA Yamaha De Mexico S A De C V Departamento de ventas Javier Rojo Gomez No 1149 Col Del Moral Deleg Iztapalapa 09300 Mexico D F Tel 686 00 33 BRASIL Yamaha Musical Do Brasil LTDA Ave Reboucas 2636 S o Paulo Brasil Tel 55 11 853 1377 Yamaha Panama S A E
4. OH This determines whether not the Part Mute status of the MUS is reset when receiving a GM Mode On message Generally this message is automatically transmitted to the MUS as part of General MIDI song data When Mute Lock 1 off this resets the Mute status of the Parts on the MUS If you want to keep the current Mute settings and disable this reset set Mute Lock to On For more information on the Mute function see page 29 Velocity PART PGM VOICE NAME V V V Y Li A H 2125 Not available Velocity setting 1 127 This determines the note on velocity of the built in keyboard notes that you play from the MUS s keyboard will be at this fixed velocity and sound at the same level This velocity is also transmitted to connected devices via the MIDI or TO HOST terminals However this does not affect the incoming velocity of notes played from a connected sequencer or external keyboard W Keep in mind that when playing the MU5 s keyboard the actual sound level of a Part also depends on the Volume setting in the Part Edit mode If the Volume setting is at or near the minimum the Part may be very low in level no matter what the Velocity setting made here Utility Mode Local Control PART VOICE NAME V V V an Local NS Not available Local Control setting Off On Use the VALUE VALUE buttons to change this setting on This determines whether or not the inte
5. damper pedal is held or a note is held down on the keyboard the sound continues 3 2 5 2 Reset Controllers Controllers are set to the following values Controller Heset Value Pitch bend O normal Modulation 0 OFF Expression 127 Max Hold 1 0 OFF Not set Internal data doesn t change The following values are not reset Program change Bank select MSB LGB Volume Pan Pitch bend sensitivity Fine tuning Coarse tuning and Local control add D 3 2 5 3 All Notes Off Note off is executed However if Hold 1 is on the sound will not stop until a Hold 1 off message is received 3 2 5 4 Omni Off Omni Off 15 executed Rest is the same as in All Notes Off above 3 2 5 5 Omni On Since the MUS has no such function Omni On is not executed Rest is the same as in All Notes Off above 3 2 5 6 Mono Same as in All Sounds Off above If the third byte is 0 16 Mono value the allocated channels are set to Mode 4 m 1 See the MIDI Implementation Chart on page add 24 3 2 5 7 Poly Same as in Sounds Off above If the third byte is 0 16 Mono value the allocated channels are set to Mode 3 See the MIDI Implementation Chart on page add 24 3 2 6 RPN Registered Parameter Number The RPN MSB and RPN LSB must be sent first for the specific control parameter followed by the data entry values The MUS receives and responds to the follo
6. 4 Jazz 4 Brush 4 Analog 5 Brush 5 Jazz 4 Jazz 5 Analog 6 Jazz 6 Brush Tom 6 Hand Cym Open L Jazz 6 Hand Cym Closed L Hand Cym Open H Hand Cym Closed Voice List add ww 3 T j yon Sanda kt eps Dese Electronic Kit n Conga L Timbale H Timbale L Maracas Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute I mim G amp gt gt G 4 lt 5 At 4 c A Shaker Es ppp qo pu Same as Standard Kit add Q Voice List LI Ki CS Ki mE Ki Analog Coal CT add MIDI Data Format 1 General 1 1 Application This following MIDI information applies to the MUS 1 2 Applicable Standards MIDI 1 0 Standard 2 MIDI Reception Transmission Diagrams 2 1 Transmit Condition HOST IN NOTE ON BANK SELECT MSB BANK SELECT LSB MAIN VOLUME PANPOT PITCH BEND SENSITIVITY FINE TUNING COARSE TUNING PROGRAM CHANGE Parameter change System Parameter change Multi Part System informaton sel Host Select n channel 99 6 lt Sel gt MIDI z MIDI 9n 8n 00 Bn 20 Bn 07 Bn 0 Bn 64 00 65 0
7. MASTER VOLUME Multi Part parameters VOICE BANK PC VALUE RX CHANNEL MONO POLY MODE DETUNE NOTE SHIFT VOLUME VELOCITY SENSE PANPOT Format is changed NOTE LIMIT LOW NOTE LIMIT HIGH LFO SPEED LFO DEPTH LFO DELAY Format is changed EG ATTACK RATE MIDI Data Format PITCH BEND RANGE MOD LFO PITCH DEPTH CHANNEL AFTER TOUCH PITCH CONTROL SYSTEM INFORMATION For the following parameters which are unavailable on the MUS the MUS sends fixed data System parameters EXCLUSIVE RECEIVE SWITCH PROGRAM CHANGE RECEIVE SWITCH CONTROL CHANGE VOLUME EXPRESSION SOUND MODULE MODE Multi Part parameters REVERB SEND DEPTH Multi Common parameters All Drum Setup parameters Voice Memory Program Change Table 5 Active Sensing Status FE a Transmission Not sent b Reception If after receiving an active sensing FE message and no data 15 recelved within 300 msec All Sound Off All Note Off and Reset All Controller functions will be executed and will return to the condition as if no FE message had been received MIDI Parameter Charts Chart 1 1 Parameter Parameter change Stat Address 00 00 00 00 00 7F All parameters reset 02 00 00 Multi Part 10 02 01 00 Multi Part 1 02 09 00 Multi Part 9 02 0A 00 Multi Part 11 02 OF 00 Multi Part 16 03 00 00 System Information add 4 Chart 1 2 IDI Parameter Change table E
8. Or if you are using the TO HOST terminal with a computer make sure that the terminal 1s prop erly connected to the computer and that the HOST SELECT switch is properly set for your particular computer See page 17 The maximum polyphony of the MUS may be exceeded The MUS can play no more than 28 notes at once When using a sequencer or computer an unusual flanging sound occurs and or not all notes seem to sound Check that Local Control 15 set to off See page 35 Also check the settings on your sequencer or computer such as MIDI Echo or Echo Back e This is nomal when routing the MUS to a Even though Local control function 15 set to off the MUS continues to sound when playing the built in sequencer or computer and the sequencer s MIDI Echo or Echo Back is set to keyboad Troubleshooting Error Messages Error Messages Errors may occur from time to time and when they do the MUS will display message to indicate the type of problem so that you can rectify it and return to normal operation PART Too much MIDI data is being received by Des MUS at one time Reduce the amount of data ewe Ludi Ere EufrFull being sent to the MUS PART PGM VOICE error has been detected the MIDI AP received by the MUS Check all relevant Err l idibata settings then try receiving the data again y The bat
9. emm mg ee a uni wasi lt lt ni Nie a um cmm lt lt 5 e aa sss OO T gt P66 T TNL L 94ed UOTSISA 450 0 LZT T A HUG Lot Tx U P 9T 91 2 ae se KA 0 A LZT l A HUG XX Let 0 geg emm eem ae gg y Q 1 Q Q of emm mo emm emm emm em G m s mmm Zem weg 1 obueuo Tozquoo S OM 19317 NO ASsqunn SION lt s bess nq pebueuo gt VHVWVA add Implementation Chart ae ee ee kA oe ov ee ONOW dO INWO ONOW NO INWO JO TTY 220 punos TTY gSW SSTI w s s G GERA s s emm s s s s gg de _ emm demm s 1 s s s s y POW 2 Se SARA emm s W s n t G _ s s AIOd AAO ATOd LZT 0 9 NO INNO
10. 26 Using the MU5 with a Computer or Sequencer 28 Using the MU5 with a MIDI Data Storage Device 28 Muti g ard Solong PAS os ues 29 Sena pp KA 30 Table of Contents Reference E EE MuR e 32 EE 32 e Master Tune 32 TranspOSQ 33 Ve MUI OD Z Liga mas ucun bod eoi ats 33 s eech svedese 34 Local Control 35 DUMP TEE s Initialize All REP URS 38 Edit MOGE vate ler ode dre t eer 39 39 40 e MIDI Channel 40 Ee EE bn is 41 BEER TUNE u 41 e Pitch Bend Range 42 ADDGhdIX aa 43 rein Le elt Le WEE 43 Enor Messages ge E Paw Pv wg ava 45 SPCCHICAUONS 46 T a 47 VO GE EIS ub musuka e Bech 2 MIDI Data Format add 8 MIDI Implementation Chart add 24 How to Use This Manual You are probably eager to try out your new MUS Tone Generator right away and hear what it can do rather th
11. Address Size Data Parameter Description e value H ap CT 02 11 LFO DEPTH 02 12 DELAY 02 13 LFO 02 14 CHANNEL AFTER TOUCH CONTROL 02 0n 15 CHANNEL AFTER TOUCH LFO PITCH DEPTH 0 15 TOTAL 16 SIZE Note n block number 0 Part 1 1 Part 9 n 9 Part 10 n 0 Part 11 n A Part 16 n F Cannot be used as a start address Chart 1 4 MIDI Parameter Change table SYSTEM INFORMATION Address Size Pa Parameter Description Default value H H H 03 00 00 03 00 01 03 00 02 03 00 03 03 00 04 03 00 05 03 00 06 03 00 07 03 00 08 03 00 09 03 00 OA 03 00 0B 03 00 0 03 00 00 03 00 03 00 0F 10 STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING STRING ASCII ASCII 0 ASCII 1 ASCII 8 ASCII 5 ASCII ASCII ASCII V ASCII E ASCII R ASCII ASCII ASCII ASCII 0 ASCII 0 ASCII Note 03 00 00 address can only be used as Start address Implementation Chart E NE 3odueg xueg es ees os ee ee oe oem demm oe G s um ee ee ee weem ewe gei s s Q ewe ewe ee x s emm tg m eg s oe s
12. Electric Bass finger FngrBass Electric Bass pick PickBass E E E al nes ER Synth Bass 2 SynBass2 Violin E al Sina p VoiceOoh Orch Hit Trombone El El E Instrument LCD Group Tango Accordion TangoAcd Trumpet Trombone Acoustic Guitar nylon NylonGtr Tuba Mute Trp Fr Horn E3 Muted Trumpet Brass Section Electric Guitar muted Mute Gtr Overdriven Guitar Ovrdrive Dist Gtr BrasSect Synth Brass 1 Synth Brass 2 SynBras1 Distortion Guitar e e w oss He Guitar Harmonics SynBras2 Voice List LGD Group Group Reed Synth Effects SoundTik 97 rann s Piccolo Jee Recorder Recorder FX 8 sci fi E gt Shamisen Bagpipe Bagpipe Fiddle 13 Percussive TnklBell SteelDrm Woodblock WoodBlok TaikoDrm fun owe sech Whistle Synth Lead Lead 1 square SquareLd Lead 2 sawtooth Lead 3 calliope Lead 4 chiff Lead 5 charang Lead 6 voice Voice Ld Lead 7 fifths Fifth Ld Lead 8 bass lead Bass amp Ld Pad 1 new age NewAgePd Pad 2 warm Warm PolySyPd Pad 4 cho
13. If your software is not compatible you can still use the MUS by installing a MIDI interface internal card or external to the computer Set the HOST SELECT switch to 2 HOST SELECT MIDI PC 2 PC 1 Mac 2 Connect the MUS to the host computer as shown in the illustration above Use a standard computer cable 8 pin Mini DIN to 9 pin D SUB see page 22 3 Turn host computer then the MUS 4 Start up your music software and set up the appropriate options on the software for operation with the MUS Refer to the owner s manual of your particular music software for more information ww PC 9800 Series The NEC PC 9800 Series computers are widely used in Japan For use with these computers set the HOST SELECT switch on the MUS to PC 1 Operation is the same as for ge the 2 setting explained above The only MIDI PC 2 1 difference between and 2 is the communication baud rate See page 46 B Connecting to Other MIDI Devices The MUS is equipped with MIDI IN and OUT terminals allowing you to use it in any MIDI system Example uses for the built in MIDI interface include e Connecting to a MIDI keyboard for playing the sounds of the MU5 from that keyboard Connecting to a MIDI tone generator for playing the sounds of that tone generator from the MUS Connecting to a computer equipped with a MIDI interface either internal or external e Connecting to a hardware
14. MIDI MODE ON MIDI MASTER TUNING Parameter change System Parameter change Multi Part All Parameters Reset Dump request System Dump request Multi Part Dump request System Information add 3 Channel Messages 3 1 Transmission add 3 1 1 Note ON OFF Note Range E 2 Velocity 0 127 3 1 2 Control change The following parameters can be transmitted Control Parameter Bank select MSB Bank select LSB Data Entry MSB Data Entry LSB Main volume Pan RPN LSB RPN MSB 3 1 2 1 Bank Select Control Parameter Range 0 Bank select MSB 0 GM melody Voice 127 GM rhythm Voice 32 Bank select LSB 0 Fixed The bank select MSB switches between melody Voices and rhythm Voices bank select LSB is fixed at 0 3 1 2 2 Data Entry Control Parameter Range 6 Data entry MSB 0 127 38 Data entry LSB 0 127 This is used in conjunction with RPN parameter see sections 3 1 2 5 and 3 1 4 3 1 2 3 Volume Control Parameter Range 7 volume 0 127 3 1 2 4 Control Parameter Range 10 Pan 0 127 value of corresponds to left channel and a value of 127 to right 3 1 2 5 RPN LSB MSB Control Parameter Range 100 RPN LSB 0 127 101 RPN MSB 0 127 to section 3 1 4 MIDI Data Format 3 1 3 Channel Mode Messages Channel Mode Messages are not transmitted 3 1 4 RPN Registered Parameter Number The RPN MS
15. Part Edit are the two edit related modes of the MUS Play Mode This is the normal mode of the MUS the one in which you normally play and select the internal Voices either from the built in keyboard or a connected MIDI device select Parts and use the Mute and Solo functions Utility Mode The Utility mode lets you set functions related to the overall operation of the MUS such as Master Tune Transpose and Velocity settings Included also are utility operations such as sending bulk data to a data storage device and initializing of the MUS settings Part Edit Mode The Part Edit mode allows you to change certain settings for each individual Part such as the Volume Pan and individual tuning settings for each Part The internal Voices can be sounded during editing allowing you to hear the effects of your edits Setting Up Your MU5 B Power Supply Your MUS will run either from an optional AC adaptor or batteries Follow the instructions below according to the power source you intend to use Before making any connections make sure that all equipment to be connected 15 turned off Using a Power Adaptor Connect one end of the power adaptor Yamaha PA 3 PA 4 or PA 40 to the DC IN jack on the rear panel and the other end to a suitable electrical outlet AC adaptor wes Do not attempt to use an AC adaptor other than the PA 3 PA 4 or PA 40 The use of an incompat ible adaptor may result in irreparable
16. The Utility mode lets you set functions related to overall operation of the 5 such as Master Tune Transpose Velocity settings Included also utility operations such as sending bulk data to a data storage device and initializing of the MUS settings Master Tune PART VOICE NAME V V V lt sa e ELLI iin Not available Tuning value 100 cents 0 This determines the overall fine tuning of the MUS S Voices It also affects the pitch of the individual drum percussion sounds of the drum kits Master Tune 1 especially useful for adjusting the pitch of the MUS when playing with other instruments The actual pitch of each Voice depends also on the other pitch related parameters Transpose Note Shift and Part Tune B At around 440 Hz 1 Hz is approximately equal to 4 cents Utility Mode Transpose PART VOICE NAME V Not available value 24 semitones This determines the overall key transposition of MU5 s Voices over a total range of four octaves in semitone steps A Transpose setting of 0 results in normal pitch Unlike Master Tune it has no effect on the individual drum percussion sounds of the drum kits Mute Lock PART PGM VOICE V V Orr Not available Mute Lock setting Off On Use the VALUE VALUE buttons to change this setting
17. damage to the MU5 and even pose a serious shock hazard Be sure to disconnect the power adaptor from the outlet when the MUS is not in use Setting Up Your MU5 e Using Batteries To use the MUS on battery power insert six 1 5V AA size SUM 3 R 6 or equivalent manganese or alkaline batteries in the battery compartment Make sure to follow the polarity indications on the bottom case and as shown below Securely replace the battery compartment cover when done installing the batteries e When to Replace the Batteries When the battery power runs too low to operate the MUS the following display will appear PART VOICE NAME V V V When this happens replace all batteries with a complete set of six new batteries of the same type E n order to avoid losing any important memory settings when battery power becomes low turn off the MUS then immediately connect a power adaptor to supply continuous power and replace all batteries B NEVER mix old and new batteries or different types of batteries Also to prevent possible dam age due to battery leakage remove the batteries from the instrument if it is not to be used for an extended period of time Audio Connections In order to hear your MUS you ll have to make certain audio connections You can listen to the MUS by using a set of stereo headphones or by connect ing it to an amplifier speaker system e Using Headphones Connect a
18. distribu s par Yamaha Canada Music LTD Wichtiger Hinweis f r Benutzung in der Bundesrepublik Deutschland Bescheinigung des Importeurs Hiermit wird bescheinigt da3 der die das Tone Generator Typ MUS Ger t typ Bezeichnung in bereinstimmung mit den Bestimmungen der VERFUGUNG 1046 84 Amtsblattverf gung funk entst rt ist Der Deutschen Bundespost wurde das Inverkehrbringen dieses Ger tes angezeigt und die Berechtigung zur Uberpr fung der Serie auf Einhaltung der Bestimmungen eingeraumt Yamaha Europa GmbH Name des Importeurs This applies only to products distributed by Yamaha Europa GmbH Dies bezicht sich nur auf die von der Yamaha Europa GmbH Vertriebenen Produkte Ceci ne s applique qu aux produits distribu s par Yamaha Europa GmbH EStO se aplica solamente a productos distoribuidos por Yamaha Europa GmbH Dit produkt is gefabriceerd in overeenstemming met de Entsorgung leerer radiostoringsvoorschriften van de Richtlijn van de Raad Batterien 82 499 nur innerhalb Deutschlands Leisten Sie einen Beitrag zum Umweltschutz Verbrauchte Batterien oder Akkumulatoren Este produto est de acordo com o radio de interferencia d rfen nicht in den Hausm ll frequente requiridos do Conselho Directivo 82 499 EEC Sie k nnen bei einer Sammelstelle f r Altbatterien Dette apparat overholder det gaeldende EF direktiv bzw Sondermull abgegeben verdr rende radiostgj werden Informi
19. heard the sophisticated capabilities of the MUS try playing with some of them yourself in the Play mode When you turn on the power of the MUS or press the button the Play mode is automatically called up In this mode you can select any of the 16 Parts for playing and select which Voice is played in each Part Playing the Keyboard The built in two octave keyboard allows you to play the Voices directly from the MUS itself without having to use an external keyboard Since what you play on the keyboard is also transmit ted via MIDI or the TO HOST terminals you can also play an external tone generator or enter notes to a sequencer OSTLECTO 42000 EH GEET Keyboard range Eto E C notes are indicated on panel As you play the keyboard notice the bars that appear in the display at the current Part These serve as a kind of level meter like those found on a mixing console or tape recorder Indicating the level or velocity of the Votce at the correspond Ine Part PART VOICE V V ane Indicates the level or velocity of the Part currently being played O 123456 7 8 910 111213141516 Using the MU5 The Play Mode The velocity of the keyboard is fixed in other words each note you play sounds at a predetermined volume You can change this velocity setting from the Velocity parameter the Utility mode See
20. real time 01111111 7F ID of target device 00000100 04 Sub ID 1 Device control message 00000001 01 Sub ID 2 Master volume 05555555 55 Volume LSB 01111111 TT MSB 11110111 F7 of exclusive or 11110000 Exclusive status 01111111 7 Universal real time Device number Not used 00000100 04 Sub ID 1 Device control message 00000001 01 Sub ID 2 Master volume Osssssss 55 Volume LSB 01111111 TT Volume MSB 11110111 F7 End of exclusive Following reception of the above parameters the Volume MSB affects the Master Volume of the System Parameters add D 4 3 Universal Non Real Time Message 4 3 1 General MIDI Mode On add D 11110000 FO 01111110 7E 01111111 7F 00001001 09 00000001 01 11110111 F7 Or 11110000 FO 01111110 7E Oxxxnnnn XN 00001001 09 00000001 01 11110111 F7 Following reception of the Master Tuning Exclusive status Universal non real time ID of target device Sub ID 1 General MIDI Message Sub ID 2 General MIDI On End of exclusive Exclusive status Universal non real time Device Number xxx Not used Sub ID 1 General MIDI message Sub ID 2 General MIDI on End of exclusive above parameters all MUS parameters will be initialized However when Mute Lock of the System parameters is set to on Receive Note Message of the Multi Part parameters is not initialized Since o
21. semitones T This determines the key transposition Note Shift setting for each Part Keep in mind that the actual key transposition of the Part also depends on the global Transpose setting in the Utility menu see page 33 Part Tune Part Tune setting Shows Part Tune setting for each Selected Part Part 100 cents 0 This determines the fine tuning setting for each Part It also affects the pitch of the Individual drum percussion sounds of the drum kits Keep in mind that the actual pitch setting of the Part also depends on the global Master Tune setting in the Utility menu see page 32 Pitch Range Bend Range setting Shows Bend Range setting for Selected Part each Part 24 424 semitones This determines the maximum range over which the of the Part can be changed by Pitch Bend messages Most MIDI keyboards feature a Pitch Bend wheel which allows you to bend the pitch up or down as you play Pitch Bend data can also be recorded to a sequencer along with normal note data and then played back using the MUS The default setting 02 allows you to continuously change the pitch by a whole tone up or down Positive values raise the pitch when you move the Pitch Bend wheel up while negative values lower the pitch when you move the wheel up Appendix Troubleshooting Even though the MUS 1 exceptionally easy to use it may occasionally not function as you
22. sequencer such as the Yamaha 20 Connecting to a MIDI data storage device such as the Yamaha MDF2 MIDI Data Filer 3343 JJ C 5 11 4314311241111 2323 MDF2 Setting Up the MU5 in Your Music System 1 Setthe HOST SELECT switch to MIDI 2 Connect the MUS to the appropriate MIDI device as shown in the illustrations above Use a standard MIDI cable see page 22 Turn on the connected device then the MUS 4 you are using a computer start up your music software and set up the appropriate options on the software for opera tion with the MUS B Data Flow Block Diagram e When HOST SELECT switch is set to MIDI MIDI OUT MIDI IN TO HOST TONE GENERATOR e When HOST SELECT switch is set to Mac PC 1 or PC 2 MIDIOUT MIDI IN TO HOST When Local Control is set to Off the keyboard of the MU5 cannot be used to play the internal AWM Voices See page 35 MIDI Computer Connecting Cables e MIDI Standard MIDI cable Maximum length 15 meters E Lk D DIN 5 PiN h oO 4 3 20 02 DIN 5 CT 5 e Macintosh Apple Macintosh Peripheral cable M0197 Maximum length 2 meters MINI DIN 1 O 2 HSK j B PIN 2o F n n n VjoVI HSK 0 MIN 8 Q M M Q 6 Tx e PC 1 8 pin MINI DIN to D SUB 25 pin cable If your PC 1 type computer has a 9 pin serial port use the PC 2 type cab
23. 0 06 Bn 64 01 65 00 06 mm 26 11 Bn 64 02 65 00 06 mm Cn 520 43 1n 44 00 00 00 SFO 43 1n 44 02 00 00 43 1n 44 02 SOF 09 FO 43 1n 44 03 00 00 2 2 Receive Condition MIDI FE lt Rxnm gt 8n lt Rxnm gt 9n off Bn 00 Bn 20 Bn 01 Bn 06 SBn 26 07 0A Bn 508 Bn 40 Bn 54 Bn 64 00 65 00 06 mm Bn 64 01 65 00 06 mm 26 11 Bn 64 02 65 00 06 mm Bn 64 7F 65 7F Bn 78 00 Bn 79 00 Bn 7B 00 Bn 7C 00 7D 00 Dn En 572 7F or 04 01 SEO 7E 7 xv 09 01 F7 SEO 43 1n 27 30 00 00 0 43 1 44 02 00 00 02 0F 09 00 00 0F 00 00 00 SEO 43 3n 44 02 00 00 02 00 00 02 0F 09 00 00 00 n MIDI channel Rxnm Receive note message MIDI Data Format ACTIVE SENSING NOTE OFF NOTE ON BANK SELECT MSB BANK SELECT LSB MODULATION DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION HOLD 1 PORTAMENTO CONTROL PITCH BEND SENSITIVITY FINE TUNING COARSE TUNING RPN RESET ALL SOUND OFF RESET ALL CONTROLLERS ALL NOTE OFF OMNI OFF OMNI ON PROGRAM CHANGE CHANNEL PRESSURE PITCH BENDER MIDI MASTER VOLUME GENERAL
24. 0 2577 International Marketing Division Nakazawa cho 10 1 Hamamatsu Japan 430 Tel 053 460 2311 HEAD OFFICE Yamaha Corporation Electronic Musical Instrument Division Nakazawa cho 10 1 Hamamatsu Japan 430 SYO4 Tel 053 460 2445 YAMAHA YAMAHA M D G EMI Division Yamaha Corporation 1994 1 567010 408PTCP25 2 01A0 Printed in Japan YAMAHA Yamaha Corporation of America 6600 Orangethorpe Avenue P O Box 6600 Buena Park CA 90622 6600 12 2 96
25. B and RPN LSB must be sent first for the desired parameter setting followed by the data entry values RPN Data Entry MSB LSB MSB LSB 00 00 Pitch bend sensitivity mm 00 18 0 24 semitones Not used Range is two octaves selectable in one semitone steps When power is turned on this is set to two 23 semitones Master fine tuning mm Il 00 00 40 00 7F 7F 8192x100 8192 0 8192 100 8192 cents Master coarse tuning mm 28 40 58 24 0 24 semitones Not used 3 2 Reception 3 2 1 Note ON OFF Receive note range C 2 Velocity range 127 Note On velocity only When Receive Note Message is set to OFF reception is disabled When drum part data is received the MUS sometimes does not respond to Note Off messages depending on the transmitted instrument 3 2 2 Control Change The following control change parameters are applicable to the MUS Control Parameter Bank select MSB Bank select LSB Modulation Data entry MSB Data entry LSB Main volume Pan Expression Hold 1 Portamento control LSB MSB add D add D 3 2 2 1 Bank Select Control Parameter Range 0 Bank select MSB 0 Melody Voice of GM 1 126 No sound 127 Rhythm Voice of GM 32 Bank select LSB 0 Fixed Processing of bank select messages is paused until a program change message is received The bank select MSB switches between a m
26. E RECEIVE SWITCH PROGRAM CHANGE RECEIVE SWITCH CONTROL CHANGE VOLUME EXPRESSION SOUND MODULE MODE MIDI Data Format Multi Part parameters REVERB SEND DEPTH e Multi Common parameters Drum Setup parameters Voice Memory Program Change Table 4 6 Dump request The MUS responds to dump requests for the following types of data e MUS Native data 1 System data 2 Multi Part data 3 System Information e TG100 Native data 1 System data 2 Multi Part data 3 Multi Common Parameter 4 Drum Setup Parameter 5 Voice Memory 6 Program Change Table 7 System Information The MUS cannot transmit a dump request Dump requests to the MUS should follow format given below 11110000 FO Exclusive status 01000011 43 YAMAHA ID 0011nnnn 3n Device number 00101011 44 MU5 Model ID Start address 151 byte aaaaaaa Start address 2nd byte aaaaaaa Start address byte 05555555 5555555 Byte count bit 20 bit 14 05555555 sssssss Byte count bit 13 bit 7 05555555 5555555 Byte count bit 6 bit 0 Occccccc ccccccc Checksum 11110111 F7 End of exclusive When the receive address of the dump request corresponds to the start address and the received dump request byte count is correct the data is transmitted Refer to the tables at the end of this section for more information about the start address and byte count The MUS canno
27. INSTRUMENT WITH CARE Although the instrument has been constructed to withstand the rigors of normal use for optimum sturdiness and reliability avoid subjecting it to strong physical shocks such as dropping or hitting it Since the MUS is a precision made electronic device also avoid applying excessive force to the various controls When moving the instrument first unplug the power adaptor and all other cables to prevent damage to cords and jacks Always unplug cables by gripping the plug firmly not by pulling on the cable Precautions CLEAN WITH A SOFT DRY CLOTH Never use solvents such as benzine or thinner to clean the instru ment since these will damage the cabinet finish or dull the keys Wipe clean with a soft dry cloth If necessary use a soft clean slightly moistened cloth making sure to wipe the case off again with a dry cloth ELECTROMAGNETIC INTERFERENCE Avoid using the unit near televisions radios or other equipment generating electromagnetic fields Proximity to such equipment may cause the unit to malfunction and may generate interference noise the other appliance as well DO NOT OPEN THE CASE OR TRY REPAIRING THE INSTRUMENT YOURSELF The instrument contains no user serviceable parts Never open the case or tamper with the internal circuitry in any way since doing so may result in damage to the instrument Refer all servicing to qualified Yamaha service personnel MIDI CABLES When
28. Part The Volume is graphically represented by bars in the display B Keep in mind that when playing the MU5 s keyboard the actual sound level of a selected Part also depends on the Velocity setting in the Utility mode If the Velocity setting is at or near the minimum the Part may be very low in level no matter what the Volume setting made here Han Pan setting Graphically shows Pan position for Selected Part each Part L64 C 00 R 63 d This determines the stereo position of selected Part The Pan position 1s eraphically represented by bars in the display A double bar equal sign In the middle represents the center position C 00 while a bar at the top indicates right R 63 and a bar at the bottom indicates full left L 64 MIDI Channel PART PGM V MIDI Channel setting VOICE NAME Midi Ch Selected Part Shows MIDI Channel setting for each Part 1 16 Off Part 1 1 Part 2 2 Part 3 3 This determines the MIDI Receive Channel for each Part For example if a Part 15 set to channel 1 it responds only to MIDI data received over channel 1 For full multi timbral operation in which each Part is used to play a different Voice use the default setting The Off setting can also be selected by using the number key 0 Part Edit Mode Note Shift Note Shift setting Shows Note Shift for each Selected Part Part 24 24
29. TAMAHA AUTHORIZED PRODUCT MANUAL MUS TONE GENERATOR TONE GENERATOR MILS Owner s Manual INFORMATION 0 5 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT This product when installed as indicated in the instructions contained in this manual meets FCC requirements Modifications not expressly approved by Yamaha may void your authority granted by the FCC to use the product IMPORTANT When connecting this product to accessories and or another product use only high quality shielded cables Cable s supplied with this product MUST be used Follow all installation instructions Failure to follow instructions could void your FCC authorization to use this product in the USA NOTE This product has been tested and found to comply with the requirements listed in FCC Regulations Part 15 for Class B digital devices Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equipment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference harmful to the operation of other electronic devices Compliance with FCC regulations does not guarantee that interference will not occur in all installations If this product is found to be the source of interference which can be dete
30. an have to read through a lot of instructions before you can even get a sound out of it However to get the most out of your MUS we strongly suggest that you read the following sections in the order given 1 Precautions This gives you important information on how to care for your new MUS how to avoid damaging and how to ensure long term reliable operation 2 The MU5 What It Is and What It Can Do This briefly provides an overview of the functions and features of the MUS and offers some important hints on how you can use it effectively 3 Setting Up Your MU5 The Controls of the MU5 The first section shows you how to set up your MUS for basic operation and the second introduces you to the panel controls and connectors 4 Playing the Demo Song Using the MU5 The Play Mode These two sections get you started using the MUS The first guides you through the Demo Song while the second gives you the basic operation procedures you ll be using when you play the MUS 5 Setting Up the in Your Music System Using the MU5 with a Computer or Sequencer These sections provide all you need to know to effectively integrate the MUS into your present computer music system How to Use This Manual 6 Muting and Soloing Parts Editing Mute and Solo are useful song playback while editing tions prepare you for digging in deeper to the advanced functions of the MUS 7 Reference Once vou re familiar with eve
31. ce This product MAY contain a small non rechargeable battery which if applicable is soldered in place The average life span of this type of battery is approximately five years When replacement becomes neces sary contact a qualified service representa tive to perform the replacement This product may also use household type batteries Some of these may be recharge able Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged When installing batteries do not mix old batteries with new or with batteries of a different type Batteries MUST be installed correctly Mismatches or incorrect installa tion may result in overheating and battery case rupture Warning Do not attempt to disassemble or inciner ate any battery Keep all batteries away from children Dispose of used batteries promptly and as regulated by the laws in your area Note Check with any retailer of household type batteries in your area for battery disposal information Disposal Notice Should this product become damaged beyond repair or for some reason its useful life is considered to be at an end please observe all local state and federal regulations that relate to the disposal of products that contain lead batteries plastics etc If your dealer is unable to assist you please contact Yamaha directly NAME PLATE LOCATION The name plate is located on the bottom of t
32. connecting the instrument to other MIDI equipment be sure to use only high quality cables made especially for MIDI data transmission Also avoid using cables longer than 15 meters since long cables can result in data errors Yamaha is not responsible for damage caused by improper handling or operation The Controls of the 5 B Front Panel D VOICE BU arandFrno i rr Gi t B SCH ww S EE ER le e sessscacoscesvonseses JTILTY 9949 9 7 99900900469606 v osvesesasesoson PART EDIT EN J 62 9 7 Display the Play mode this shows Part number the selected program number and Voice for the Part It also shows the octave setting when set to a value other than normal and acts as a level meter showing the velocity values for each Part as they are played In the Edit modes this shows the relevant values and where applicable a graphic display of the set values D buttons For selecting the desired Part In some of the Edit functions these may not be available Hold down either button to rapidly advance through the values The Controls of the MUS 9 buttons For changing the value of the selected function or parameter In the Play mode these are used to change the program number at the selected Part In the Edit modes these are used to cha
33. dificio Interseco Calle Elvira Mendez no 10 Piso 3 Oficina 105 Ciudad de Panama Panama Tel 507 69 5311 OTHER LATIN AMERICAN COUNTRIES AND CARIBBEAN COUNTRIES Yamaha Music Latin America Corp 6101 Blue Lagoon Drive Miami Florida 32126 U S A EUROPE THE UNITED KINGDOM Yamaha Kemble Music U K Ltd Sherbourne Drive Tilbrook Milton Keynes MK7 8BL England Tel 0908 266700 IRELAND Danfay Limited 61D Sallynoggin Road Dun Laoghaire Co Dublin Tel 01 2859177 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefiihrten Niederlassung und bei Yamaha Vertragshandlern in den jeweiligen Bestimmungslandern erh ltlich Para detalles sobre productos contacte su tienda Yamaha m s cercana o el distribuidor autorizado que se lista debajo GERMANY SWITZERLAND Yamaha Europa GmbH SiemensstraBe 22 34 D 2084 of Germany Tel 04101 3030 AUSTRIA HUNGARY SLOVENIA ROMANIA BULGARIA Yamaha Music Austria Ges mbH Schleiergasse 20 A 1100 Wien Austria Tel 0222 60203900 THE NETHERLANDS Yamaha Music Benelux Verkoop Administratie Kanaalweg 18G 3526KL Utrecht The Netherlands Tel 030 828411 BELGIUM LUXEMBOURG Yamaha Music Benelux B V Brussels office Keiberg Imperiastraat 8 1930 Zaventem Belgium Tel 02 7258220 FRANCE Yamaha Musique France Division Instruments Electroniques et de Sc ne 70 77312 Mame la Val e Cedex 2 France Tel 01 64 61 4000 ITALY Yama
34. elody Voice and rhythm Voice The bank select LSB 15 fixed at 0 3 2 2 2 Modulation Control Parameter Range 1 Modulation 0 127 This affects the vibrato depth 3 2 2 3 Data Entry Control Parameter Range 6 Data entry MSB 0 127 38 Data entry LSB 0 127 This is used in conjunction with the RPN parameter see sections 3 2 2 9 and 3 2 6 3 2 2 4 Main Volume Control Parameter Range 7 Main volume 0 127 3 2 2 5 Pan Control Parameter Range 10 Pan 0 127 A value of O corresponds to the Ieft channel and a value of 127 to the right 3 2 2 6 Expression Control Parameter Range 11 Expression 0 127 3 2 2 7 Hold 1 Control Parameter Range 64 Hold 1 0 127 0 63 off 64 127 MIDI Data Format 3 2 2 8 Portamento Control Parameter Range 84 Portamento control 0 127 Portamento time is always set to 0 3 2 2 9 RPN LSB MSB Control Parameter Range 100 RPN LSB 0 127 101 MSB 0 127 Refer to section 3 2 7 3 2 3 Program change Refer to the Voice List on page add 2 3 2 4 Pitch Bend Pitch Bend resolution is 14 bit 8192 48191 3 2 5 Channel Mode Messages The MUS receives and responds to the following channel mode messages 2nd byte 3rdbye All sound off Heset all controllers All note off Omni off Omni on Mono Poly 3 2 5 1 All Sounds Off This mutes all sounds of the corresponding channel However when the sustain
35. eren Sie sich bei Ihrer Kommune AYTH ZYZKEYH ATIAITHZEIZ EYPOTIAIKHZ OIKONOMIKHE KOINOTHTAZ 82 499 E O K Cet appareil est conforme aux prescriptions de la directive communautaire 87 308 CEE Diese Ger te entsprechen der EG Richtlinie 82 499 EWG The serial number of this und oder 87 308 EWG product may be found on the bottom of the unit You should note this serial number in the space provided below and retain this manual as a Questo apparecchio conforme al D M 13 aprile 1989 permanent record of your Direttiva CEE 87 308 sulla soppressione dei purchase to aid identification radiodisturbi in the event of theft This product complies with the radio frequency interference requirements of the Council Directive 82 499 EEC and or 87 308 EEC Este producto est de acuerdo con los requisitos sobre Model No MU5 interferencias de radio frequencia fijados por el Consejo Directivo 87 308 CEE Serial No YAMAHA CORPORATION SPECIAL MESSAGE SECTION USA This product utilizes batteries or an external power supply adapter DO NOT connect this product to any power supply or adapter other than one described in the manual on the name plate or specifically recom mended by Yamaha This product should be used only with the components supplied or a cart rack or stand that is recommended by Yamaha If a cart etc is used please observe all safety marki
36. erface and makes it possible for various electronic musical instruments and other devices to communicate with each other For example by connecting a sequencer to MU5 s MIDI IN terminal you could play back a song on the sequencer using the Voices of the MUS So where does General MIDI fit in all of this One of the most important features of General MIDI is in the standardization of Voices This means that a song recorded in the General MIDI format can be played back on any Gen eral MIDI compatible tone generator and sound just as the composer intended For example if there 1 an alto sax solo in the song it will be played by an alto sax Voice on the General MIDI tone generator and not by a tuba or harpsi chord Since the MUS is fully compatible with General MIDI you can take advantage of the vast wealth of musical material recorded in that format What Do Here few ideas on how you can use the MUS The list below 15 not comprehensive but 18 meant to be a general guide to possibilities and provide a starting point springboard for your own creative ideas and explo rations Using With MIDI Keyboard Use the MUS as supplementary tone generator with your MIDI keyboard and play the Voices of both instruments in a layer together Or if your keyboard has the capability program a split so that the notes you play on the right side of the keyboard play only the Voices of the MUS Using Wit
37. expect it to If that happens check the possible problems and solutions below before assuming that the instrument 15 faulty Problem No power No sound Possible Cause and Solution f you are using an AC adaptor check that the adaptor 1s properly plugged into both the AC outlet and the MUS See page 14 f you are using batteries check that a fresh set of batteries are properly installed in the battery compartment See page 15 Check that the side panel volume control 15 set to an appropriate level See page 10 Check that other volume related parameters are set to appropriate levels See Velocity page 34 and Volume page 39 Check that the Parts being played are properly turned on See page 26 Check the Mute and Solo settings See page 29 If a Part 1s being muted or an empty Part is being soloed you may not get any sound Problem Possible Cause and Solution No sound when playing the keyboard the MUS Check that Local Control 15 set to on See page 35 Also check the points for No Sound above Check all MIDI connections making sure that No sound when playing the MUS from a computer sequencer or external keyboard Notes are cut off or the MIDI OUT of external device 1 nected to the MIDI IN of the MUS and that the MIDI IN of the external device is connected to the MIDI OUT of the MUS See page 20
38. g amp Restoring Data via MIDI illustrations above and execute the appropriate data transfer operation from the data recorder Refer to the owner s manual of that device for instruc tions The MUS automatically receives incoming bulk data Initialize All PART PGM VOICE NAME V V V tau os L gt 4 op Ze CN L H 3 1 1 als a dab a This operation allows you to restore the original factory settings of the MUS r initialize All will erase whatever settings you ve made the you have important settings you wish to keep store them to a MIDI data recorder with the Dump Out function See page 36 Simultaneously hold down the buttons and press ENTER When the operation 1 completed Finished message appears in the display and the MUS returns to the normal Play mode Part Edit Mode Part Edit Mode The Part Edit mode allows you to change certain settings for each Individual Part Keep In mind though that the settings you make may automatically change when playing songs on a connected sequencer For example the song data may include different Volume Pan and Note Shift settings for each Part Volume Volume setting Graphically shows Volume position for Selected Part each Part 0 127 100 This determines the Volume of the selected
39. h Other MIDI Controllers Even if you re not a keyboard player you can still play the MUS with other types of MIDI controllers For example you can use a MIDI percussion controller to play the drum and percussion sounds of the MUS m When Connected to a Computer Sequencer Home Studio Setup The MUS integrates easily into any existing setup If you have a MIDI keyboard computer and sequencing software the MUS with its high quality Voices and multi timbral capabilities can expand your home studio system Carry It With You If you have a laptop computer and sequencing software simply connect the MUS plug in some headphones and you ve got a complete music making system that s ready to go wherever you go Use it for composing arranging practicing or making playing demos for your band MU5 What Is and What Can Do Perform With It Bring it with you to a gig as long as there s a MIDI keyboard on stage you can use the high quality sounds of MUS in your performance Multimedia Since it s portable and compatible with General MIDI the MUS is a natural for multimedia applications Bring it with you to a presentation since the computer interface 1s built in to the MUS it hooks up instantly and easily to the computer s serial port or printer port without the need for any other equipment About the Modes of the MU5 The MUS has three operating modes Play Utility and Part Edit Utility and
40. ha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN Yamaha Hazen Electronica Musical S A Jorge Juan 30 28001 Madrid Spain Tcl 91 577 7270 PORTUGAL Valentim de Carvalho CI SA Estrada de Porto Salvo Pago de Arcos 2780 Ociras Portugal Tel 01 443 3398 4030 1823 GREECE Philippe Nakas S A Navarinou Street 13 P Code 10680 Athens Greece Tel 01 364 7111 SWEDEN Yamaha Scandinavia AB J A Wettergrens gata 1 Box 30053 400 43 G teborg Sweden Tel 031 496090 DENMARK KOREA YS Copenhagen Liaison Office Cosmos Corporation Finsensvej 86 DK 2000 Frederiksberg Denmark 131 31 Neung Dong Sungdong Ku Seoul Tel 31 87 30 88 Korea FINLAND Tel 02 466 0021 5 Fazer Music Inc MALAYSIA Aleksanterinkatu 11 SF 00100 Helsinki Finland Yamaha Music Malaysia Sdn Bhd Tel 0435 011 16 28 Jalan SS 2 72 Petaling Jaya Selangor Malaysia NORWAY Tel 3717 8977 Yamaha AS Ostemdalen 29 1345 ster s PHILIPPINES Tel 02 24 47 90 Yupangco Music Corporation 339 Gil J Puyat Avenue P O BOX 885 ICELAND Makati Metro Manila Philippines H P lsson 819 7551 85 121 Reykjavik Iceland Tel 01 19440 SINGAPORE Yamaha Music Asia Ltd EAST EUROPEAN COUNTRIES Bik 17A Toa Payoh 01 190 Lorong 7 Except HUNGARY Singapore 1231 Yamaha Europa GmbH Tel 354 0133 SiemensstraBe 22 34 D 2084 Rell
41. he product The model number serial number power requirements etc are located on this plate You should record the model number serial number and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase Model Serial No MUS Purchase Date THIS MANUAL Welcome to the MUS Congratulations and thank you for purchasing the Yamaha MUS Tone Generator The MU5 is an advanced tone generator providing exceptionally high quality Voices full General MIDI compatibility and flexible computer interfacing in a highly compact and portable package With the built in host computer interface and MIDI terminals the M U5 is ideal for any computer music system from connec tion to a simple laptop to integration in a complete MIDI studio It even features a two octave keyboard with adjustable ten octave range allowing you to play the internal Voices and enter notes to a connected sequencer And since it runs on batteries as well it s ready to make music wherever you take it m Trademarks Apple and Macintosh are trademarks of Apple Computer Inc BM PC and PC AT are registered trademarks of International Business Machines Corporation PC 9800 series are trademarks of NEC Corporation other trademarks are the property of their respective holders Table of Contents Welcome to 5 1 How to Use This Manual
42. ingen F R of Germany 7 TAIWAN Kung Hsue She Trading Co Ltd AFRICA 322 Section 1 FuHsing S Road Taipei 106 Taiwan R O C Yamaha Corporation 02 709 1266 International Marketing Division Nakazawa cho 10 1 Hamamatsu Japan 430 THAILAND Tel 053 460 2311 Siam Music Yamaha Co Ltd 865 Phornprapha Building Rama I Road Patumwan Bangkok 10330 Thailand MIDDLE EAST Tel 2 215 3443 SE Division Export THE PEOPLE S REPUBLIC OF CHINA BP 70 77312 Mame la Val e Cedex 2 France AND OTHER ASIAN COUNTRIES Tel 01 64 61 4000 Yamaha Corporation et 5 International Marketing Division OTHER COUNTRIES Nakazawa cho 10 1 Hamamatsu Japan 430 Yamaha Corporation Tel 053 460 2311 International Marketing Division Nakazawa cho 10 1 Hamamatsu Japan 430 053 460 2311 AUSTRALIA Yamaha Music Australia Pty Ltd ASIA 17 33 Market Street South Melboume Vic 3205 Australia HONG KONG 3 600 Lee Music Co Ltd Tele 2092 4389 11 F Silvercord Tower 1 30 Canton Road NEW ZEALAND Tsimshatsui Kowloon Hong Kong Music Houses of N Z Ltd Tel 730 1098 146 148 Captain Springs Road Te Papapa Auckland New Zealand INDONESIA Tel 9 634 0099 PT Yamaha Music Indonesia Distributor PT Nusantik COUNTRIES AND TRUST Gedung Yamaha Music Center Jalan Jend Gatot TERRITORIES IN PACIFIC OCEAN Subroto 4 Jakarta 12930 Indonesia Yamaha Corporation Tel 21 52
43. ir ChoirPad 5 bowed BowedPad Pad 6 metallic MetalPad Pad 7 halo Halo Pad Saw Lead CaliopLd Chiff Ld CharanLd lt eech Melodic Tom MelodTom 119 Synth Drum Syn Drum 120 Reverse Cymbal RevCymbl 121 Sound Effects Guitar Fret Noise FretNoiz Seashore Telephone Ring Telphone Helicopter Helicptr Applause Applause Pad 8 sweep SweepPad 6 Drum ww SES se key on miwo mam s Sd m o o mm m wo mem Le masan op 1 T Sui sw EELER sien esoun Ga 1 E h a 4 EEN Cer cn 4 Hi Hat Open ______ Vibraslap Ride Gymbal 2 Same as Standard Kit add Reverse Gymbal SD Power H Brush Slap L Bass Drum M BD Analog L BD Analog H Analog Side Stick Analog Snare L Brush Slap Kee Analog H Brush Tap E 1 77 pe Jim Jazz 3 Analog 3 Brush Tom 3 Analog Open
44. le Maximum length 1 8 meters MINI DIN 8 PIN 1 O 5 C1S D SUB 20 F 4 RTS 3 40 3 RxD 25 PIN igo GND 8 8 Q O 2 TxD e PC 2 8 pin MINI DIN to D SUB 9 pin cable Maximum length 1 8 meters H MINI DIN B PIN 10 lt 58 15 20 7 57 3 0 2 8 0 AEN 5 GND 8 5 10 Playing the Demo Gong Playing the Demo Song Now that you ve set everything up properly try playing the built in Demo Song This showcases the high quality Voices and the AWM tone generation system of the MUS 1 Simultaneously hold down the SELECT buttons and press The button OSELECTO id Pem VOICE NAME gt Demono rd ENTER 2 Simultaneously hold down the SELECT buttons and press the ENTER button again to start the song PART PGM VOICE NAME V V SELECTO D enasons 3 The Demo Song starts playing immediately and repeats indefinitely until stopped in step 4 below Playback of the individual Parts of the song 1 shown graphically by the level meter bars in the display m During Demo Song panel controls except the button and the VOLUME control cannot be used 4 Tostop playback of the song press the button EXIT A To exit from the Demo Song function press the button again Using the 5 The Play Mode Now that you ve
45. lets you save or back up whatever changes you ve made in the settings of the Utility and Part Edit modes Then when you want to recall those settings you can transfer the appropriate data from the storage device The MDF2 also allows you to play compatible song data the MUS directly from the MDF2 itself without the need of a sequencer Make sure that the MUS is properly connected to the data storage device via MIDI Refer to page 20 for the connection example Use the Dump Out function page 36 to send data to the device Also refer to the owner s manual of your data storage device for specific operating instructions in receiving or sending data Using the MU5 with a Computer or Sequencer Using the MU5 with a MIDI Data Storage Device Muting and Soloing Parts Muting and Soloing Parts While a song is playing back on your computer or sequencer you can selec tively mute or solo any of the 16 Parts of the MUS Mute lets you silence one Part to hear how all of the other Parts sound without it Solo lets you isolate a single Part to hear how that Part sounds by itself Mute and Solo are effective tools that help you as you edit the Parts since they allow you to better hear how the changes you make affect specific Voices as well as the overall sound During playback press the button Each press cycles through the three functions Mute Solo and Normal opera tion PART VOICE NAME V V V Mu
46. ne of these messages takes about 50 msec to process allow a sufficient amount of time before transmitting the next message MIDI Data Format 4 4 5 Native Parameter Change 11110000 FO Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N Device number 00101011 44 MU5 Model ID Start address 1st byte aaaaaaa Start address 2nd byte Oaaaaaaa aaaaaaa Start address 3rd byte Oddddddd ddddddd Data Checksum 11110111 F7 End of exclusive The sending device must send a separate header address setting for each individual parameter For example System parameters and Multi Part parameters are not continuous and so they must be separated with each header added individually The following parameters must be separated into individual packets System Multi Part Reset All Parameters After adding the Start Address Data and Checksum the checksum s first 7 bit values will be 0 If the received data is outside the legal range ie higher or lower than the maximum and minimum set values at each address the MUS changes the value to the nearest maximum or minimum selling 4 4 1 System Data Parameter Change Refer to charts 1 1 and 1 2 on pages add 21 and add 22 4 4 2 Multi Part Data Parameter Change Refer to charts 1 1 and 1 3 on pages add 21 and add 22 4 4 3 System Information Upon reception of a Dump Request the MUS t
47. nge current function s value or turn a function on or off Hold down either button to rapidly advance through the values 4 button For using the Mute and Solo functions See page 29 5 button For leaving the modes and returning to the Play mode 6 OCT DOWN OCTAVE DOWN and OCT UP OCTAVE UP buttons For changing the octave transposition of the MUS s keyboard These also double as SELECT buttons allowing you to select the functions of the Edit modes 7 Keyboard This two octave keyboard is used to play the Voices of the MUS It can also be used to play notes on a connected external tone generator or enter notes to a connected sequencer or computer The white keys double as editing controls while the black keys also function as number keys Used with the SELECT buttons button For switching between positive and negative values during editing Used with the buttons 9 button For actually entering values during editing Used with the SELECT buttons m Rear Panel QUT MIDI IN HOST SELECT MIDI PC 2 TO HOST Q D 6 1 MIDI OUT and MIDI IN terminals For connection to other MIDI devices such as a MIDI keyboard tone generator sequencer or to a computer that has a MIDI interface See page 20 2 HOST SELECT switch For selecting the type of connected device See pages 17 20 3 HOST terminal For connection to a ho
48. ngs and instructions that accompany the accessory product SPECIFICATIONS SUBJECT TO CHANGE The information contained in this manual is believed to be correct at the time of printing However Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units This product either alone or in combination with an amplifier and headphones or speaker s may be capable of producing sound levels that could cause permanent hearing loss DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable you experience any hearing loss or ringing in the ears you should consult an audiologist IMPORTANT The louder the sound the shorter the time period before damage occurs NOTICE Service charges incurred due to lack of knowledge relating to how a function effect works when the unit is operating as designed are not covered by the manufac turers warranty and are therefone the owners responsibility Please study this manual carefully and consult your dealer before requesting service ENVIRONMENTAL ISSUES Yamaha strives to produce products that are both user safe and environmentally friendly We sincerely believe that our products and the production methods used to produce them meet these goals In keeping with both the letter and the spirit of the law we want you to be aware of the following PLEASE KEEP 92 BP Battery Noti
49. onnections audio 16 connections MIDI 20 D Demo Song 23 Dump 36 ERR Eee Sco edo 30 G General MIDI 11 H headphones 16 Initialize 38 Local Control 35 M Waster TUNG oes 22 A BRIDE 11 MIDI Channel 40 MIDI data storage device 20 36 MOJE xoxo 13 TEE 29 M te Lock elei aa yan deg ahh gati 33 N ek Ster pa 41 0 octave setting 25 on off setting 9 26 P Pall 40 Editmode 13 39 Part TING atte noite bbs 41 Parts muting 29 Parts selecting 26 Parts soloing 29 Play moue 13 24 power adaptor using 14 S buttons 9 30 EE 29 T lranspose 33 U Utility 13 32 V 34 Voices selecting 26 ma 39 Voice List amp MIDI Data Format Vo D o gh Voice List Pgm add 1 Celesta Vibraphone Vibes Xylophone Xylophon Tubular Bells TubulBel Dulcimer ReedOrgn Acordion Harmonica LCD Acoustic Grand Piano GrandPno Acoustic Bass Bright Acoustic Piano BritePno
50. page 34 Changing the Octave Setting Though the keyboard itself 1 two octaves you can actually play the MUS over a ten octave range To do this use the OCTAVE DOWN and OCTAVE UP buttons Press the button to lower the pitch by an octave and press the OCT UP button to raise it by an octave The current octave setting is shown in the display No indication appears when the octave setting 15 normal OSELECTO 2 A PART VOICE NAME i t 4 Current octave setting In this the pitch is one octave above normal Selecting a Part and Changing the Voice Now let s select a different Part and change its Voice 1 Use the buttons to select Part 2 If Part 1 is shown in the display simply press the button once PART VOICE lt 2 PART gt V V gt U Indicates selected A total of 16 Parts are available and each 18 shown in the display 2 Use the buttons to select program number 12 Vibes You can also use the number keys on the keyboard to select a Votce see boxed section on the next page r3 You can rapidly advance to the desired number by briefly holding down the appropriate VALUE button GDVALUEGD c ee 52 ni Vibes Indicates selected Voice Indicates selected program Voice number The MUS has total of 128 Voices pl
51. ransmits the relevant data but ignores all other incoming messages during transmission Refer to charts 1 1 and 1 4 on pages add 21 and add 23 add D add 4 4 4 Reset All Parameters 11110000 01000011 0001nnnn 00101011 00000000 00000000 01111111 00000000 00000001 11110111 FO Exclusive status 43 YAMAHA ID 1N Device number 44 MU5 Model ID 00 Start address 1st byte 00 Start address 2nd byte Start address 3 byie 00 Data 01 F7 End of exclusive This is used to reset all System parameters to their factory set initial values Since one of these messages takes about 120 msec to process allow a sufficient amount of time before transmitting the next message 4 5 TG100 Native Parameter Change The MUS receives and responds to the following TG100 parameter changes System parameters Multi MASTER TUNE TRANSPOSE DEVICE NUMBER MASTER VOLUME Part parameters VOICE BANK PC VALUE RX CHANNEL MONO POLY MODE DETUNE NOTE SHIFT VOLUME VELOCITY SENSE PANPOT Not received for Voice 8 NOTE LIMIT LOW NOTE LIMIT HIGH LFO SPEED LFO DEPTH LFO DELAY Negative values are ignored EG ATTACK RATE EG RELEASE RATE PITCH BEND RANGE MOD LFO PITCH DEPTH CHANNEL AFTER TOUCH PITCH CONTROL If only Master Tune is received the MUS does not confirm with checksum The MUS does not respond to the following parameters System parameters EXCLUSIV
52. rmined by turning the unit DFF and ON please try to eliminate the problem by using one of the following measures lt Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s n the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm ribbon lead change the lead in to co axial type cable If these corrective measures do not produce satisfactory results please contact the local retailer authorized to distribute this type of product If you can not locate the appropriate please contact Yamaha Corporation of America Electronic Service Division 6600 Orangethorpe Ave Buena Park CA 90620 This applies only to products distributed by Yamaha Corporation of America CANADA THIS DIGITAL APPARATUS DOES NOT EXCEED THE CLASS B LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS LE PRESENT APPAREIL NUMERIQUE N EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA CLASSE B PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA This applies only to products distributed by Yamaha Canada Music LTD Ceci ne s applique qu aux produits
53. rnal tone generator responds to the notes you play on MUS s keyboard Setting this to Off effectively disconnects the MUS keyboard from the internal tone generator However notes played on the keyboard are still transmitted via the TO HOST or MIDI OUT terminals m useful application of Local Control is when connected the MU5 to another tone genera tor and want to play only that tone generator and leave the MU5 Voices silent m A more common application would be when using the MU5 keyboard to input notes to a sequencer If the sequencer is also set up to play back data using the Voices of the MU5 when you play the MUS it will be sounding its own voices twice once from the keyboard and after a very brief delay again from the MIDI data coming from the sequencer This not only decreases the available polyphony of the MU5 by half but also creates an undesirable flanging sound To remedy the problem set Local Control to Off Dump Out Not available device number setting see boxed section on page 37 1 16 This function allows you to save the current parameter settings of the MUS to a MIDI sequencer computer or a MIDI data recorder such as the Yamaha MDF2 MIDI Data Filer Saving 8 Restoring Data via MIDI MUS MIDI OUT MIDI IN PPP yy RECORDER MIDI IN MIDI OUT Bulk Dump data can be sent and received using the MIDI IN and MIDI OUT connection
54. rything above lightly go over this comprehensive guide to all editing functions You won t need or want to read everything at once but it is there for you to refer to when you need information about a certain feature or function 8 Appendix Finally use the sections in the Appendix as necessary For example the Index will come in handy when you need to quickly find information on a specific topic Other sections such as the Voice List Troubleshooting and Error Messages provide additional useful information Precautions Your MUS will give you years of reliable service 1f you follow the simple precautions below LOCATION Keep the instrument away from locations where it 15 likely to be exposed to high temperatures such as direct sunlight or humid ity Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage USE THE CORRECT POWER ADAPTOR Use only the recommended PA 3 PA 4 or PA 40 Power Adaptor for supplying power to the instrument Use of another adaptor may cause serious damage to the instrument or the adaptor itself MAKE SURE POWER IS OFF WHEN MAKING OR REMOVING CONNECTIONS To prevent damage to the instrument and other connected equip ment always turn off the power prior to connecting or discon necting cables Also turn the power off when the instrument 15 not in use and disconnect the power adaptor during electric storms HANDLE THE
55. s e Saving amp Restoring Data via TO HOST TO HOST SERIAL PORT DATA RECORDER Bulk Dump data can be sent and received using the TO HOST connection Utility Mode Make sure that the MUS is properly connected to the device and that the HOST SELECT switch is properly set When using the MIDI teminals connect the MIDI OUT of the MUS to the MIDI IN of the data recorder See the Saving amp Restoring Data via MIDI illustration above Also set the HOST SELECT switch to MIDI When using the TO HOST terminal make sure that the HOST SELECT switch is set corresponding to the device to be used Refer to pages 17 21 for more on host computer connections 2 Simultaneously hold down the SELECT buttons and press ENTERS A Sending message appears in the display during the operation Once started the operation cannot be stopped When the operation is completed the MUS returns to normal Play mode Setting the Device Number The settings allow you to select the device number speci fied for the data dump if you are using more than one MUS set a different device number 1 16 for each unit before sending the data If you have only one MUS set this to ALL When using the number keys to enter a value for device number the value 0 corresponds to ALL To reload the data from the data recorder back to the MUS Make sure that the devices are properly connected see the Savin
56. set of stereo headphones with a stereo miniature plug to the LINE OUT PHONES jack Headphones eUsing an External Sound System Connect the LINE OUT PHONES jack on the MUS to the stereo inputs of an amplifier speaker system by using a Y cable stereo miniature plug to dual RCA pin plugs available from many audio and musical instrument dealers Setting Up the MUS in Your Music System Setting Up the MU5 in Your Music System As you learned in the section The MUS What It Is and What It Do on page 11 the MUS can be integrated into a variety of setups It would be impossible to cover all connection possibilities in a short manual as this however the section below will help in quickly setting up the MUS and using it in your system Connecting With a Computer The MUS features a built in host computer interface allowing you to directly connect it to your computer eliminating the need of installing a special MIDI interface to your computer The MUS can be used with the following computers Apple Macintosh IBM PC and the NEC PC 9800 Series If your computer has a MIDI interface you may want to connect the MUS to it rather than using the host computer interface on the MUS See the section Connecting to Other MIDI Devices on page 20 Depending on the computer or interface used set the HOST SELECT switch to the appropriate setting MIDI 1 NEC computers PC 2 and clones or MAC Macinto
57. sh For information on the types of cables that can be used for connection see the section MIDI Computer Connecting Cables on page 22 Macintosh Follow these instructions if you have an Apple Macintosh that is not equipped with an external MIDI interface Connect the TO HOST terminal on the MUS to the Modem or Printer port on the Macintosh 1 the HOST SELECT switch to MAC HOST SELECT MIDI 2 PC 1 2 Connect the MUS to the host computer as shown in the illustration above Use a standard Macintosh cable 8 pin Mini DIN on both ends see page 22 Turn on the host computer then the MUS Start up your music software and set up the appropriate options on the software for operation with the MUS e he options you may have to set include e MIDI Interface Type Standard MIDI Interface e MIDI Time Piece e Clock 1 MHz Other options and settings may have to be made as well Refer to the owner s manual of your particular music software for more information Setting Up the MUS in Your Music System IBM PC and Clones Follow these instructions if you have compat ible computer that is not equipped with an external MIDI inter face Connect the TO HOST terminal on the MUS to one of the computer s serial ports COM 1 or COM 2 ma m Your music software must be able to recognize the HOST Consult your Yamaha dealer for more details
58. st computer that does not have a MIDI interface See pages 17 20 4 DC IN jack For connection to the AC power adaptor POWER switch For turning on the power to the unit B Side Panel MIN VOLUME MAX LINE Our ea D VOLUME control For adjusting the overall level of the MUS 2 LINE OUT PHONES jack For connection to an amplifier speaker system or a set of stereo headphones The MU5 What It Is and What It Can Do The MU5 What It Is and What It Can Do B What It Is The MUS is a compact highly portable and easy to use tone generator It features full General MIDI Level 1 compatibility with 128 General MIDI Voices and 8 drum kits The MUS has 28 Voice polyphony and is 16 Part multi timbral In other words the MUS has 16 different Parts each with its own Voice so that up to 16 different Voices can be sounded simultaneously With the built in two octave keyboard you can play any of the Voices directly from the MUS itself Or you can play them from a connected MIDI keyboard In addition the MUS also has a TO HOST terminal for easy interfacing with a computer allowing you to play the Voices using your favorite music software This 1 where the advanced multi timbral capabilities come in letting you play up to 16 different Voices at the same time B About General MIDI General MIDI is a new addition to the worldwide MIDI standard MIDI as you know stands for Musical Instrument Digital Int
59. t send amounts of data greater than 513 bytes at a time If a dump request exceeding 513 bytes is received the MUS breaks up the data into packets of 512 bytes or less and pauses for 120 msec or more before transmitting each packet After adding the Start Address Byte Count and Checksum the checksum s first 7 bit values will be O add D The device making dump request must include the corresponding parameter header for each data type listed below For example if only one dump request header is used to request both System and Multi Part data the MUS will transmit only the System data System Multi Part Reset All Parameters System Information 4 6 1 System Data Parameter Change Refer to charts 1 1 and 1 2 on pages add 21 and add 22 4 6 2 Multi Part Data Parameter Change Refer to charts 1 1 and 1 3 on pages add 21 and add 22 4 6 3 System Information Parameter Change When a dump request is received data can be transmitted but not received Refer to charts 1 1 and 1 4 on pages add 21 and add 23 4 7 Yamaha TG100 Dump Request add 4 The MUS responds to portions of a dump request from the TG100 If the parameter ranges of both devices are the same the data transmitted and received remains in its original state If both devices have the same function yet their parameter ranges are different the MUS reformats the data before transmitting it System parameters MASTER TUNE TRANSPOSE DEVICE NUMBER
60. te ES ss sli The selected is muted while all other Parts sound o O O O O Q O O Q O O O 0 Q 1234567 8 91011121314151 PART VOICE V V V Solo s m ims iss cn o uar gp nl The selected Part is soloed while all other Parts are muted Q O O O O O O O OQ O OQ O O O O 1234567 8 910 11121314151 PART V V V Normal All Parts sound normall The editing features of the MUS provide various controls for changing the Parts and setting other important operating functions Among other things these let you set the Volume or pitch of each Part independently change the Velocity of the built in keyboard and save all of your edits to a connected computer sequencer or data storage device The MUS has two edit modes Utility and Part Edit The Utility mode func tions are related to the overall operation of the MUS while the Part Edit mode provides independent controls for each Part See the Reference section of this manual for information about the specific editing functions 1 Simultaneously hold down the buttons and press the white key on the keyboard corresponding to the function you wish to ES PART VOICE OSELECTO V lt P E 2 only Use buttons to select the Part you wish to edit Shows currently selected parameter PART amp gt Oo Shows selec
61. ted Part 3 Youcan change the value setting in two different ways e Use the vALUE VALUE buttons PART KE NAME CDVALUE GD CH Press hold down Shows current the appropriate parameter value button Editing Use the number keys on the keyboard While holding down the buttons press the number of the value you wish to set For example to set a value of 47 simultaneously hold down the SELECT buttons and press thenLz and finally press the button to actually enter the new value OSELECTO f While holding this down press S E wb p the following buttons in order B w B J PART VOICE V V V NM DF NOT NG Feet slurs W f you try to enter an illegal value a number outside the range of the parameter the MU5 enters the closest value to the one you ve typed in For example in the Volume parameter the range of the parameter is 1 127 and if you try to enter 356 the MUS automatically enters 127 4 Press the EXIT button to return to the Play mode or repeat the steps above to edit another function EXIT E This concludes our short tour of the basic setup and general operations H of the MUS Now that you ve learned how to operate your MUS look through the Reference section that follows for more detailed informa E W on the Utility and Part Edit modes Relerence Utility Mode
62. tery voltage 18 too low for proper operation Replace the old batteries with a Ci Du cri set of new ones See page 15 LA e LEE NC Specifications Tone Generation Method Advanced Wave Memory AWM Polyphony 28 note Dynamic allocation Multi timbral Capacity 16 Demo Gong not editable stored Display Custom LCD 54 5 mm 29 4 mm Controls PART PARTY VALUE VALUE MUTE EXIT DOWN keypad including number buttons UTILITY and PART EDIT buttons button and button POWER switch HOST SELECT switch VOLUME control Jacks and Terminals MIDI OUT and MIDI IN terminals TO HOST terminal 8 pin mini DIN DC IN jack OUTPUT PHONES jack Host Computer Interface and Data Baud Rate MIDI 31 250 bps bits per second Mac 31 250 bps PC 31 250 bps PC 2 38 400 bps Power Supply YAMAHA PA 3 PA 4 or PA 40 AC Adaptor sold separately Six AA size SUM 3 R 6 or equivalent batteries sold separately Dimensions W x D x H 188 x 104 x 33 mm 7 3 8 x 4 1 8 x 1 1 3 Weight 340g 12 07 w o batteries Specifications subject to change without notice Specifications Index Index B batteries replacing 15 batteries using 15 AUG Tate tere ee 46 Bend Range 42 C computer IBM 19 computer Macintosh 18 computer NEC 20 c
63. us 8 different drum kits An OFF setting a value of 137 or higher is also available for turning off the selected Part See page add 2 for a list of the available Voices Using the MU5 The Play Mode B Using the Number Keys to Select a Voice In the Play mode you can also use the number keys to select a Voice s program number To do this simultaneously hold down the buttons and press the number of the value you wish to set For example to set a value of 47 simultaneously hold down the buttons and press 4 then CZJ and finally press the button to actually enter the new value OSELECTO 2 Al Tw While holding this down press L the following buttons in order ENTER Using the MU5 with a Computer Sequencer By connecting the MUS to computer or sequencer you have powerful music system for playing back songs and even and creating your own songs using the Voices of the MUS Make sure that the MUS is properly connected to the computer or sequencer and that your music software is ready to run Refer to pages 17 21 for connection examples and instructions If you are using the TO HOST terminal or if both MIDI terminals are properly connected you should be able to play songs from your software and enter notes to the software from the MUS Using the MU5 with a MIDI Data Storage Device You can also use the MUS with a MIDI data storage device such as the Yamaha MDF2 MIDI Data Filer This
64. wing RPN Data Entry 00 00 Pitch bend sensitivity mm 00 18 0 24 semitones Not used Range is two octaves selectable in one semitone steps When power is turned on this is set to two semitones 00 01 Master fine tuning mm 11 00 00 40 00 7F 7F 8192x100 8192 0 8192 100 8192 cents 00 02 Master coarse tuning mm 28 40 58 24 0 24 semitones Not used 7F 7 RPN Not used RPN or NRPN are not set Internal data does not change The values set by using RPN are not reset even when program change messages are received If the parameter has a relative value the actual range of adjustment may occasionally be narrower than the specified range depending on the program number MIDI Data Format 4 System Exclusive 4 1 Parameter Change The MUS receives and responds to the following parameter change messages Universal Real Time Message Master Volume Universal Non Real Time Message General MIDI Mode On Yamaha GM Exclusive Message MIDI Master Tuning Parameter Changes Specific to MUS System Data parameter change Multi Part data parameter change Reset Parameters System Parameter Multi Parameter Parameter Reset Parameter Changes Specific to TG100 4 2 Universal Real Time Message 4 2 1 Master Volume 11110000 FO Exclusive status 01111111 7F Universal
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