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Blackmagic Design HyperDeck Studio Pro

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1. design Windows August 2014 ckmagic L nrn AN a TARU gt O c ad N KK U NI o Q SN OV O vN C U TEN O HyperDec Installat Welcome We hope you share our dream for the television industry to become a truly creative industry by allowing anyone to have access to the highest quality video Our range of HyperDeck disk recorders have made it easier and more affordable than ever to record and play back full 10 Bit uncompressed video and now Ultra HD 4K HyperDeck records directly to removable 2 5 Solid State Disks SSDs that are getting bigger faster and more affordable every day It s incredible that you can now record and play the most amazing quality video onto something so small thousands of times without any degradation in quality SSDs can also be mounted on any computer for immediate editing and fast transfer of your media With no moving parts SSDs are unbelievably robust and can handle harsh conditions that would destroy conventional hard drives and videotapes You can bypass unwanted camera compression and record directly from HDMI or SDI cameras straight to SSD and even connect to any HDMI or SDI monitor for instant playback With HyperDeck Studio Pro you can connect analog sources and also record and play back Ultra HD 4K with 6G SDI If you need longer recording times for each SSD then HyperDeck also records and plays back Apple ProRes and Avid DNxHD fi
2. Status Indicators Using the Display Menu on HyperDeck Studio Models Selecting Timecode Source SDI Start Stop Recording Timecode Run Recording Shuttling with HyperDeck Shuttle Jog and Shuttle with HyperDeck Studio Models Ref Input RS 422 Control What is RS 422 Control Using an External RS 422 Controller Daisy chaining for Crash Recording Supported RS 422 Commands RS 422 Developer Information Installing the HyperDeck Shuttle Mounting Plate 16 17 17 18 17 20 20 20 21 21 21 22 23 27 28 Contents HyperDeck Disk Recorders 29 Using Your Favorite Editing Software Capturing video via Thunderbolt Capturing from SSD Simultaneous Capture and Recording Avid Media Composer 7 Setting up Capturing live via Thunderbolt Apple Final Cut Pro 7 Capturing live via Thunderbolt Adobe Premiere Pro CC Capturing live via Thunderbolt Adobe Photoshop CC How to grab video frames 29 29 29 30 30 31 32 32 33 34 34 34 35 43 94 97 72 73 74 L Blackmagiccesion Using Blackmagic Media Express Using Blackmagic UltraScope Using Blackmagic Disk Speed Test Developer Information Blackmagic HyperDeck Ethernet Protocol Protocol Commands Protocol Details Help Warnings Warranty 57 O7 59 Getting Started HyperDeck Studio Pro Introducing HyperDeck There are three models of HyperDeck disk recorders which all have internal 3 Gb s SATA ports for use with standard
3. HyperDeck Studio Pro features 6G SDI technology which is easily fast enough to handle Ultra HD 4K playback to the latest 4K monitors Previously you would have required 4 separate cables to get Ultra HD resolution over SDI but now with the amazing data rate 6G SDI offers you can get Ultra HD 4K video over a single cable Setting Up Ultra HD 4K Recording HyperDeck Studio Pro records Ultra HD 4K straight to the Apple ProRes codec ProRes is the most user friendly codec because it is QuickTime based so your Ultra HD 4K footage can be imported to any QuickTime compatible software See the previous page for a description of each available ProRes codec Step 1 Connect your Ultra HD 4K source to SDI or HDMI inputs The SDI inputs will automatically detect if you are connecting via single link 6G SDI dual link 3G SDI or quad link HD SDI Step 2 Press the DISP button on the front of HyperDeck Studio Pro Use the jog shuttle wheel to select Record Press the SET button and use the jog shuttle wheel to select Codec Press the SET button and use the jog shuttle wheel to select ProRes HO Press the SET button Step 2 Press the INPUT button once while the stop button is illuminated to preview the video source on the LCD before recording Step 3 Press the record button to start recording your Ultra HD 4K source Setting Up Ultra HD 4K Playback You can set the output through which HyperDeck Studio Pro will playback Ultra HD 4K with the Display m
4. component configuration audio input embedded XLR RCA configuration file format File format slot select video format Video format slot select slot id slot ID Command Description Goes to specified timecode Moves forward or back a duration in timecode Lists all supported commands in an XML format Queries the current state of all notifications Enables transport notifications Disables transport notifications Enables slot notifications Disables slot notifications Enables remote notifications Disables remote notifications Enables configuration notifications Disables configuration notifications Provides information about the connected device Provides information about the current active slot Provides information about a specified slot Provides information for each available clip Provides information for the state of the transport Queries the current configuration Configures video input Configures audio input Configures current file format Reloads timeline with all clips of the specified video format Switches to the specified slot ed Developer Information Command Combinations You can combine the parameters into a single command for example play speed 200 loop true single clip true Or for configuration configuration video input SDI audio input XLR Or to switch to the second disk but only play NTSC clips slot select slot id 2 video forma
5. 01 42 56 12 Playing Video The controls of HyperDeck work just like a CD player so playing back clips is simple and instantaneous Ifyou play back a video clip that has an associated MCC file the closed caption data will be played out with the video via the SDI output of your HyperDeck Playing Video with HyperDeck Shuttle Step 1 Step 2 Step 3 Step 4 Press the Stop button once to stop recording Press Stop again to switch HyperDeck Shuttle to playback mode Press Play and you ll see your video on any displays connected to the SDI and HDMI outputs When a clip is playing pressing Play again will loop it continuously To skip to the next clip press the next clip button on the shuttle controls Press previous clip once to go to the start of the current clip or press twice to skip back to the start of the previous clip Playing Video with HyperDeck Studio models Step 1 Step 2 Step 3 Step 4 Press the Stop button once to stop recording Press the play button once for instant playback and you ll see your video on any displays connected to the SDI and HDMI outputs When a clip is playing pressing Play again will loop it continuously To skip to the next clip press the next clip button on the shuttle controls Press previous clip once to go to the start of the current clip or press twice to skip back to the start of the previous clip If the play button flashes this means the disk is not fast enough
6. Desc None Take Angle Click the popup info icon on a thumbnail to view its info bubble Express Browsing Media In the Media List you can view your clips in Thumbnail view or Timecode List view by clicking on the desired view button at the top right of the Media List Thumbnail view Thumbnails are the most intuitive way to display your clips To get information for a clip hover your mouse over the clip s thumbnail and then click on the popup info icon which will appear at the bottom right of the thumbnail Click the info bubble to hide it List view You can view your clips in Timecode List view by clicking on the Timecode List button at the top right of the Media List Use the horizontal scroll bar at the bottom of the Media List to view all the columns of information for your clips including in and out points video format audio channels field dominance and logging information Creating and using bins To create a bin for your clips right click an empty spot in the Media List and select Create Bin Type in a name for the new bin You can move clips from the Scratch or from one bin to another by dragging the clip icons to the desired bin If you want a clip to appear in more than one bin import the same clip again by right clicking on the bin and choosing Import Clip By default logged clips appear in the Scratch If you want to log clips and have them appear in a new bin right click the new bin and choose
7. manual Traditional luminance waveform monitors only supported composite analog standard definition video However UltraScope s luminance view works in high definition as well as standard definition so you have a consistent and easy way to adjust luma levels even when monitoring high definition digital video formats For Windows users the composite view is exciting because it s a fully digitally encoded composite waveform view and similar to a traditional waveform monitor This provides a much easier way to align to test signals such as color bars because you can use the composite waveform exactly the same way as it has always been used Composite view also works in high definition so you have a consistent and traditional way to adjust video even when working in high definition When BOTH view is selected on a Windows PC the composite and luminance waveforms display side by side in a twin view This is incredibly useful when adjusting video levels or color correcting It s impossible for a vectorscope to show which objects in the video have color because a vectorscope just shows what colors are in the whole image and not which objects have color When color correcting you often need to look for specific parts of the image remove the color and produce a neutral state This is because the composite waveform is the same as the luminance signal but with chroma added Choosing this twin view makes it easy to identify similar items in the luminanc
8. or exFAT formats Make sure you back up anything important from your SSD as you will lose everything on it when it is formatted Step 1 Connect the SSD to your computer with an external dock or cable adapter and dismiss any message offering to use your SSD for Time Machine backups Step 2 Go to Applications Utilities and launch Disk Utility Step 3 Click on the disk icon of your SSD and then click the Erase tab Step 4 Set the Format to Mac OS Extended Journaled or exFAT Step 5 Type a Name for the new volume and then click Erase Your SSD will quickly be formatted and made ready for use with HyperDeck Preparing SSDs on a Windows computer The Format dialog box can format a drive in the exFAT format on a Windows PC Make sure you back up anything important from your SSD as you will lose everything on it when it is formatted Step 1 Connect the SSD to your computer Step 2 Open the Start Menu or Start Screen and choose Computer Right click on your SSD Step 3 From the contextual menu choose Format Step 4 Set the file system to exFAT and the allocation unit size to 128 kilobytes Step 5 Type a volume label select Quick Format and click Start Step 6 Your SSD will quickly be formatted and made ready for use with HyperDeck IB Using HyperDeck Rlac kmagic design B Install HyperDeck Utility HyperDeck Installer 3 7 1 HyperDeck Manual Licenses Uninstall Blackmagic HyperDeck HyperDeck Ut
9. which means when you press the record button on an HD SDI __ Playback media timecode track to output camera HyperDeck will start recording without also having to press the record button on your HyperDeck Trigger recording Never isk recorder _ When SDI start stop is detectec disk recorde When timecode runs Josel up start stop eeciding for S ee Save Step 1 You will need a camera that can trigger the record function of HyperDeck via HD SDI Cameras Us the CT enbe ster E Recording which support trigger recording via HD SDI may include menu options such as Trigger REC HD SDI Remote I F or SDI Remote Start Stop Trigger Step 2 In HyperDeck Utility set Trigger recording to When SDI start stop is detected Step 3 If using HyperDeck Studio models press the REM button after setting SDI start stop recording in HyperDeck Utility The REM button must be illuminated on the unit to allow trigger recording To set this on HyperDeck Studio models using the Display menu None ES Record Trigger Record Trigger SDI Start Stop Step 1 Press the DISP button to bring up the main menu Timecode Run Step 2 Scroll to the Record menu and press SET Step 3 Scroll to the Record Trigger menu and press SET Step 4 Select SDI Start Stop and press SET to confirm your selection Press DISP to exit Record Trigger Step 5 Press the REM button The REM button must be illuminated on the unit to allow trigger r
10. Start menu or Start Screen Click on the Help menu and select About Blackmagic HyperDeck Utility to reveal the version number How to Get the Latest Software Updates After checking the version of HyperDeck Utility software installed on your computer please visit the Blackmagic Support Center at www blackmagicdesign com support to check for the latest updates While it is usually a good idea to run the latest updates it is a wise practice to avoid updating any software if you are in the middle of an important project LE Warnings 100 240V 1 7A 50 60Hz Fuse TSAL Caution label on rear panel Warnetikett auf der RUckseite Avertissement sur le panneau arri re Caution Risk of Electric Shock On HyperDeck Studio Pro s rear panel you will see a yellow warning label marked Caution Risk of Electric Shock This is intended to warn users that there may be the presence of uninsulated dangerous voltage within HyperDeck Studio Pro s enclosure which may be of sufficient magnitude to constitute a risk of electric shock to the user Blackmagic Design advises you not to open the HyperDeck Studio Pro unit but rather contact your nearest Blackmagic Design service center should assistance be required Achtung Stromschlaggefahr Auf der HyperDeck Studio Pro R ckseite befindet sich ein gelbes Warnetikett mit der Aufschrift Caution Risk of Electric Shock Dieses warnt den Benutzer vor einer m glichen nicht isolierten gef h
11. USS Write Status Read Write Connection Ty External SMART Status Not Supported pe U USR Serial Number 000000001045 Partition Map Scheme CUID Partition Table Use Disk Utility on Mac OS X to erase your SSD in the Mac OS Extended Journaled or exFAT format Format Hyper N lata Capacity 223 GB Y File system Allocation unit size 128 kilobytes Y Restore device defaults Volume label Hyper Format options V Quick Format Create an MS DOS startup disk Use the Format dialog box feature in Windows to format your SSD in the exFAT format Preparing SSDs for HyperDeck SSDs used by HyperDeck must be formatted as either HFS or exFAT These disk formats allow long clips to be recorded in single files HFS is also known as Mac OS Extended It is the recommended format for HyperDeck as it supports journaling In the event of a hardware or software malfunction data on a journaled SSD is more quickly recovered and less likely to be corrupted in the first place HFS is natively supported by Mac OS X ExFAT is supported natively by Mac OS X and Windows without needing to purchase any additional software However exFAT does not support journaling which means data is more prone to corruption and less likely to be recovered in the event of a hardware or software malfunction Preparing SSDs on a Mac OS X computer The Disk Utility application included with Mac OS X can format a drive in the HFS
12. empty SSD ready so you don t miss the next take Press the Stop button to finish recording Recording Video with HyperDeck Studio Models Step 1 Step 2 Step 3 Step 4 Insert your formatted SSD into either SSD slot The slot light will illuminate green as HyperDeck reads the disk When the slot light goes off HyperDeck Studio is ready to record Press the INPUT button once while the stop button is illuminated to preview the video source on the LCD before recording If you don t see the video you want press INPUT again to switch inputs Press the record button to start recording to the SSD instantly A looping red light on the SSD slot indicates the SSD is recording During recording you can press and hold the record button to switch recording from one SSD to the other instantly Press the Stop button to finish your recording If the record button flashes this means the disk is not fast enough and recording cannot keep up We recommend you change to a compressed recording format such as ProRes or DNxHD or use a faster recommended SSD for uncompressed or Ultra HD 4K recording Getting Started Ce u CTP z o VIDEO The play button lights up green when HyperDeck Shuttle is in playback mode WJ LC L S S SSD slots on HyperDeck Studio models have rotating LEDs to show the unit is in playback mode gt pas e
13. monitor the connected client and terminate the connection if the client is inactive for at least a specified period of time To configure the watchdog watchdog period period in seconds To avoid disconnection the client must send a command to the server at least every period seconds Note that if the period is set to 0 or less than 0 connection monitoring will be disabled Getting Help The fastest way to obtain help is to go to the Blackmagic Design online support pages and check the latest support material available for your HyperDeck Blackmagic Design Online Support Pages The latest manual software and support notes can be found at the Blackmagic Support Center at www blackmagicdesign com support Contacting Blackmagic Design Support If you can t find the help you need in our support material please use the Send request button on the support page for your HyperDeck model to email a support request Alternatively call your nearest Blackmagic Design support office at www blackmagicdesign com company Checking the Software Version Currently Installed To check which version of HyperDeck Utility software is installed on your computer open the About Blackmagic HyperDeck Utility window On Mac OS X open Blackmagic HyperDeck Utility from the Applications folder Select About Blackmagic HyperDeck Utility from the application menu to reveal the version number On Windows open Blackmagic HyperDeck Utility from your
14. of your HyperDeck Studio Pro no matter which video input you use Simply connect a Thunderbolt cable from your HyperDeck Studio Pro to a Thunderbolt enabled computer and away you go Installation Requirements HyperDeck Studio Pro connects to both Mac OS X and Windows computers with Thunderbolt technology The Blackmagic UltraScope software interface requires a computer display with a minimum resolution of 1280 x 800 pixels to view two scopes simultaneously Blackmagic Design recommends viewing all 6 scopes simultaneously by using a computer display resolution of 1920 x 1200 or 1920 x 1080 pixels Please see the support pages at www blackmagicdesign com for a comprehensive list of the latest minimum system requirements for Blackmagic UltraScope for Mac OS X and Windows 1 Parade Display 2 Waveform Display 3 Vectorscope Display Blackmagic UltraScope HD 1080i 59 94 4 Histogram Display 6 Audio Metering Display 7 Picture Display 5 Error Logging SE Using Blackmagic UltraScope Full Screen view 2 Up view Understanding Blackmagic UltraScope Views Blackmagic UltraScope has two different views available depending on your workflow needs and screen resolution You have the choice of viewing six displays in Full Screen view or for more compact viewing choose any 2 displays in 2 up view The display view can be selected from the View menu Choose Full Screen to enter Full Screen view If this opti
15. up while checking the SSD and then switch off If the SSD has not been formatted correctly or fails to work the SSD indicator will illuminate solid red until the SSD is removed Check if the SSD is formatted correctly and also check that it works with a computer Video Indicator The VIDEO indicator lights up when a video signal is detected by HyperDeck Shuttle Battery Indicator The four green battery indicators display the internal battery charge level When all the LEDs go off there s approximately 4 minutes of battery power left So you should plug in your external power source or switch to another charged HyperDeck Shuttle HyperDeck Studio Models SSD Slot When you first power on HyperDeck or any time you insert an SSD the SSD slot will light up while checking the SSD and then switch off If the SSD has not been formatted correctly or fails to work the SSD slot will illuminate solid red until the SSD is removed Check if the SSD is formatted correctly and also check that it works with a computer LCD HyperDeck Studio models feature an LCD that not only shows your video but also displays status information such as video format and frame rate record playback and jog modes the active SSD slot as well as timecode and audio levels Wa Using HyperDeck Record Trigger ProRes ProRes LT ProRes Proxy You can use the DISP menu on HyperDeck Studio models to select between recording in uncompressed ProRes or
16. when the 5 GB option is selected Disk Speed Test limits each write operation to a maximum of 8 seconds and each read operation to a maximum of 8 seconds so you do not have to wait long to obtain results Disk Speed Test Help Click Disk Speed Test Help to launch the PDF manual for Disk Speed Test About Disk Speed Test About Disk Speed Test displays which version of the Disk Soeed Test you are running START Click this button once to start the disk speed test Click again to stop the test Will it Work This panel shows which video formats can be supported by your disk storage Disk Speed Test Blackmagicdes a Will it Work How Fast 10 Bit YUV 4 2 2 10 Bit RGB 4 4 4 12 Bit RGB 4 4 4 10 Bit YUV 4 2 2 PAL PAL NTSC NTSC HD 720 720p50 HD 1080 720p59 94 1080p23 98 10 Bit RGB 4 4 4 1080p24 PAL 1080p29 97 NTSC 1080p30 HD 720 1080i50 1D 106 1080i59 94 1080p50 12 Bit RGB 4 4 4 1080p59 94 PAI 2K 1556 23 98 SC 2K 1556 24 2K 1556 25 2K Settings Click this button to access the settings before running a disk speed test How Fast This panel shows results in frames per second fps _ ezl Using Blackmagic Disk Speed Test Disk Speed Test Will it Work 341 2 D Disk Speed Test interface during a test Start Once you have chosen the desired settings click the Start button to commence the disk speed test Disk Speed Test will write a temporary file to
17. 024 1080625 108002997 1080630 1080150 108015994 1080i60 HyperDeck Studio Pro adds supports for 4k formats AK 23976 4Kp24 4Kp25 4Kp2997 AKp30 Video format support may vary between models and software releases File Formats The HyperDeck Studio and HyperDeck Studio Pro currently support the following file formats QuickTimeUncompressed QuickTimeProResHO QuickTimeProRes QuickTimeProResLT QuickTimeProResProxy QuickTimeDNxHD220 DNxHD220 Supported file formats may vary between models and software releases Na Developer Information Querying and updating configuration information The configuration command may be used to query the current configuration of the deck configuration The server returns the configuration of the deck 211 configuration audio input embedded XLR RCA H4 video input SDI HDMI component file format File format ci One or more configuration parameters may be specified to change the configuration of the deck To change the current video input configuration video input SDI HDMI component lv Valid video inputs may vary between models To configure the current audio input configuration audio input embedded XLR RCA Valid audio inputs may vary between models To configure the current file format configuration file format File format Note that changes to the file format may require the deck to reset which will cause the cl
18. 15 16 Project name video format Clip Bins Mark In Clip Grab Still Favorites Transport Audio channel Audio Meters Remote and frame rate Mark Out Information Frame Selection Controls enable disable indicator eB Using Blackmagic Media 800 Media Express The video format of the selected clip does not match the aS LEF WY P aN project settings q Would you like to save this project and start a new one based on the video format of the selected clip Save Don t Save New N Open a0 Open Recent K Save 5 Save As ids Media Files Final Cut Pro XML Grab Still Frame Capture Now There are three ways to import clips into Media Express You can use the transport controls to play stop jump to the next or previous clip and loop playback of your clips Express Playing back Video and Audio Files Importing clips You can play back your video and audio files after importing media into Media Express in any of the following ways s Double click an empty area of the Media List Right click an empty area of the Media List and select Import Clip from the contextual menu Go to the File menu select Import and then Media Files Select the video and audio clip s you wish to import from the Open Video Clip dialog box The clips will appear in the Scratch area of the Media List If you have created your own bins in the Media List you can drag the clips into the desired bin If you want to
19. 2 5 SSDs HyperDeck Shuttle HyperDeck Shuttle is compact affordable and battery powered so it s perfect as a field recorder HyperDeck Shuttle bypasses your camera s compression and records from SDI and HDMI directly into the highest quality uncompressed video If compressed video better suits your workflow or if you need to fit more video on a SSD the latest model records and plays back Apple ProRes and Avid DNxHD formats The HyperDeck Shuttle Mounting Plate can be purchased if you want to secure your HyperDeck Shuttle to a camera rig with your choice of rail mounts cold shoe mounts articulated arms and more You can also use the plate to power your HyperDeck Shuttle from an external battery by attaching a V Mount or Anton Bauer style battery plate HyperDeck Studio HyperDeck Studio is a rack mount broadcast deck style recorder that features dual SSD slots so it can automatically continue recording onto another SSD when one is full Only 1 RU high and less than 4 inches deep HyperDeck Studio is perfect for when space is tight such as in broadcast vans and fly away rack cases HyperDeck Studio features uncompressed quality recording and playback RS 422 deck control genlock jog and shuttle controls and an integrated LCD It can record and play back in Apple ProRes and Avid DNxHD formats if compressed video better suits your workflow or if you need to fit more video on a SSD Both the HyperDeck Studio and the HyperDeck Studio Pro suppor
20. 422 Protocol Cassette Out Set if no SSD is present Protocol Based on Sony 9 pin protocol Local Set if Remote is disabled local control Interface 38 4 kBits s Direction Clear if playback is forwarding set if playback is reversing Still Set if playback is paused or if in inout preview mode Auto Mode Set if in Auto Mode ru S G s 1 parity bit Select EE Full EE Set if in input preview mode 2 Lamp Still Fwd Rev Set according to playback speed and direction Ses paniy Near EOT Set if total space left on available SSDs is less than 3 minutes EOT Set if total space left on available SSDs is less than 30 seconds Others OV Geer ee T0 Always 1 Cue requests are always instantaneous 24 Using HyperDeck The contents of the box includes Socket Head Screws M3 x 10mm HyperDeck Shuttle Mounting Plate You will need x1 Hex Allen Key 2 5mm not included Wp Step 1 Installing the HyperDeck Shuttle Mounting Plate HyperDeck Shuttle Mounting Plate is an optional accessory that lets you secure your HyperDeck Shuttle to a camera rig with your choice of rail mounts cold shoe mounts articulated arms and more You can also use the plate to power your HyperDeck Shuttle from an external battery by attaching a V Mount or Anton Bauer style battery plate HyperDeck Shuttle Mounting Plate is available for purchase from Blackmagic Design resellers For easy installation please f
21. C 2010 1080p 23 In Out Duration Pi 00 00 00 00 00 00 00 00 00 00 00 00 Name Untitled 01 v Description Untitled 01 ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 Reel 001 Scene Take Angle O Capture of 3 4 5 6 7 8 9 10 11 14 13 14 15 16 Project name video format Clip Bins Mark In Grab Still Logging Capture Transport Audio channel Audio Meters Remote and frame rate Mark Out Frame Information options Controls enable disable indicator EH Using Blackmagic Media Express Capturing video is easy All you need to do is connect HyperDeck Studio Pro via a Thunderbolt cable set the Media Express preferences and press the Capture button Connect your video source to an input on HyperDeck Studio Pro Check that HyperDeck Studio Pro is set to the input you have connected your source to e g SDI HDMI or analog Open Media Express and set its preferences to the project video format and capture file format The project video format must be set correctly otherwise you will not see your video in the preview pane Click the red Log and Capture tab and enter a description for your video into the Description field of the logging information area Click the button next to the Description to add it to the automatic Name field Click the button next to any of the other fields that you wish to add to the Name field You can increment the value in each of these fields by clicking on the corresponding clapper board i
22. D Intel 520 Series 480GB SSD Kingston 120GB SSDNow V 200 Kingston 240GB SSDNow V 200 Kingston HyperX 240GB OCZ 240GB Deneva 2 firmware 2 22 OCZ 240GB Vertex 3 OCZ 480GB Vertex 3 OWC Mercury Extreme Pro 6G SSD PNY 240GB Prevail SSD firmware 5 0 2 Sandisk Extreme 480GB Please check the tech notes on the Blackmagic Design website for the latest information If you find an SSD that isn t fast enough for uncompressed HD video or Ultra HD 4K try a faster SSD or use HyperDeck Utility to switch to a compressed recording format such as ProRes or DNxHD These recording formats have a much lower data rate and are easier for the SSD to handle Using HyperDeck 60e C300 CTF DDAC128MAC Media m x w EO ke er e nt veny info Burn Mourk He Enat Newlmage Resire image Log E LA tit R amp 500 11 CE SAMSUNG H irst Abd tease Partition LAID Restore B Mac Lion erate all data on disk or volume F 1128 04 CB C300 CTF D Select the disk or volume in the list on the left L 1 Hyper Specify a format and name you want to preven t the recowery of the disk s erased data click Security Options Format Mac OS Extended Journaled Name uatities 5 500 11 GB SAMSUNG H Mac Lion 1128 04 GB C300 CTF D Format Mac OS Extended Journaled Hyper i E yp Untitled EA Disk Description C200 CTF DOAC128MAC Media Total Capacity 128 04 CR 128035676160 Bytes Connection Bus
23. DNxHD HyperDeck Studio Pro includes four ProRes codecs Using the Display Menu on HyperDeck Studio Models On HyperDeck Studio models you can use the Display menu to change your video and audio inputs and outputs as well as any settings changes you would make in the HyperDeck Utility such as trigger recording timecode source and your chosen recording codec Step 1 Step 2 Step 3 Step 4 Step 5 Press the DISP button to bring up the main menu Use the jog shuttle wheel on the front of HyperDeck to highlight different options Press the SET button to confirm a selection To return to a previous menu scroll to the return arrow and press SET Press the DISP button to exit Selecting Timecode Source When recording from HD SDI video sources that provide embedded SMPTE RP 188 metadata you can record the embedded timecode from the video source instead of using timecode generated by your HyperDeck To set this on HyperDeck Studio models using the Display menu Step 1 Step 2 Step 3 Step 4 Press the DISP button to bring up the main menu Scroll to the Timecode menu and press SET Press SET to enter the Timecode Source menu and select Input Press SET to confirm your selection It might be necessary to turn on the RP 188 setting in your camera before HyperDeck will be able to record the timecode E Using HyperDeck BR SD Start Stop Recording Set recording format to HyperDeck supports start stop recording
24. E Blue Only Set to COLOR or B W depending on the needs of your facility Black amp white is popular for use in color correction studios so clients don t get confused when seeing multiple color displays and not understanding which color display is the correct color calibrated display You may wish to select B W so there is only a single calibrated color display in the room The black amp white display can also provide a useful visual reference Blue Only is used with color bar test signals for setting hue on playback decks When adjusting hue make sure all the blue bars are a constant brightness to attain the correct hue level Blue Only can also be used for evaluating noise levels in cameras and telecines Blue has the least amount of signal level in a color video signal and so is more susceptible to noise The BLUE setting can provide a good way to check on noise levels in a video signal The Picture Display will also decode RP 188 HD and VITC SD timecode information from an SDI video input signal and display it on the right side of the display If the timecode information is incorrect check your deck to ensure it is outputting the correct timecode signal encoded as VITC or RP188 It is worth noting that some standard definition broadcast decks let you re stripe the timecode track independently of the VITC which was encoded as part of the image This meant the VITC could not be changed without copying the video down another ge
25. Res resolution menu choose which compressed or uncompressed codec you wish to use for your captured clips For maximum quality uncompressed video choose 1 1 for 8 bit video capture or 1 1 10b for 10 Bit video capture Select the disk storage for your captured video and audio Use the Single Dual Drive Mode button to determine if video and audio will be stored together on a single drive or video on one drive and audio on another drive Select the target drive s for your captured media from the Target Drives menu s Click the Tape Name button at the bottom of the window to open the Select Tape dialog box Select the desired tape or add a new one and then click OK Ensure your video and audio source is ready or playing and then click the Capture button or press the F4 key The Capture button will flash red while recording Click the Capture button again or press the Escape button on your keyboard to end the capture If you can t see an image in your video capture window Step 1 Step 2 Step 3 Quit Media Composer Launch Blackmagic UltraScope Note the output video standard that is displayed on the left side of Ultrascope s Picture Display Quit UltraScope Launch Media Composer and set the project preferences to match the standard reported by UltraScope Final Cut Pro Licensed To Apple Final Cut Pro 7 Format NTSC Rate all rates B Use Blackmagic NTSC 10 bit Use this setting when editin
26. Response text Parameter Value Parameter Value A Successful response codes A simple acknowledgement of a command is indicated with a response code of 200 200 okt Other successful responses carry parameters and are indicated with response codes in the range of 201 to 299 Failure response codes Failure responses to commands are indicated with response codes in the range of 100 to 199 100 syntax error 101 unsupported parameter 102 invalid value 103 unsupported 104 disk full 105 no disk 106 disk error 107 timeline empty 109 out of range 110 no input 4h Developer Information 111 remote control disabled 120 connection rejected 150 invalid state Asynchronous response codes The server may return asynchronous messages at any time These responses are indicated with response codes in the range of 500 to 599 5xx Response Text Parameter Value Parameter Value 4 Connection response On connection an asynchronous message will be delivered 500 connection info protocol version Version model Model Name E Connection rejection Only one client may connect to the server at a time If other clients attempt to connect concurrently they will receive an error and be disconnected 120 connection rejectedH Timecode syntax Timecodes are expressed as non drop frame timecode in the format HH MM SS FF Handling of deck remote state The remote command may be used
27. SE BLACKMAGIC DESIGN S RESPONSIBILITY TO REPAIR OR REPLACE DEFECTIVE PRODUCTS IS THE WHOLE AND EXCLUSIVE REMEDY PROVIDED TO THE CUSTOMER FOR ANY INDIRECT SPECIAL INCIDENTAL OR CONSEQUENTIAL DAMAGES IRRESPECTIVE OF WHETHER BLACKMAGIC DESIGN OR THE VENDOR HAS ADVANCE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES BLACKMAGIC DESIGN IS NOT LIABLE FOR ANY ILLEGAL USE OF EQUIPMENT BY CUSTOMER BLACKMAGIC IS NOT LIABLE FOR ANY DAMAGES RESULTING FROM USE OF THIS PRODUCT USER OPERATES THIS PRODUCT AT OWN RISK Copyright 2013 Blackmagic Design All rights reserved Blackmagic Design DeckLink HDLink Workgroup Videohub Multibridge Pro Multibridge Extreme Intensity and Leading the creative video revolution are registered trademarks in the US and other countries All other company and product names may be trade marks of their respective companies with which they are associated
28. Select As Log Bin Using Blackmagic Media Express Clip 1 Clips marked as favorites are easily identified by the yellow star in their icon Log and Capture In Out Duration gt 00 00 00 00 00 00 00 00 14 00 00 00 00 Name Q k capture 1 1 daybreak 01 0 Description Quick capture 1 Reel 001 Scene daybreak 01 Take 01 Angle 01 C Capture In the Log and Capture tab click the star icon next to the Name field if you want to log the clip as a favorite Click the Favorites button at the top of the Media List to only show your favorite clips Type in the Search field to find clips Creating and using favorites In the Log and Capture tab click the star icon next to the Name field if you want to log a clip as a favorite In the Playback tab clicking the star icon will make the clip a favorite if it is selected in the Media List Click the star icon again to deselect it as a favorite Clips marked as favorites will show a yellow star in their icon in Timecode List view and Thumbnail view Once you have marked clips as favorites click on the gray Favorites star button at the top of the Media list and it will turn yellow All clips in your Media List will be hidden except for those marked as favorites This is similar to creating a playlist and makes it easy to only play back your favorite clips and even master them to tape Deleting clips and bins To delete clips select the unwanted clips and pre
29. Treated as N 1 Disabled Same as ShuttleRev1 Disabled Disabled Disabled 224 Using HyperDeck Supported RS 422 Commands 0x21 0x38 ProgSpeedPlayPlus Acknowledge 0x21 0x39 ProgSpeedPlayMinus Acknowledge 0x20 0x40 Preview Acknowledge 0x20 0x41 Review Acknowledge 0x20 0x43 OutpointPreview Acknowledge 0x22 Ox5C DMCSetFwd Acknowledge 0x20 0x63 SelectEEOn Acknowledge 4 Preset Select Control 0x40 0x10 InEntry Acknowledge 0x22 0x23 ShuttleRev2 Acknowledge 0x21 0x39 ProgSpeedPlayMinus Acknowledge 0x40 0x11 OutEntry Acknowledge 0x44 0x14 InDataPreset Acknowledge 0x44 0x15 OutDataPreset Acknowledge 0x40 0x18 InFwd Acknowledge 0x40 0x19 InRev Acknowledge 0x40 Ox1A OutFwd Acknowledge 0x40 0x1B OutRev Acknowledge 0x40 0x21 OutReset Acknowledge 0x40 0x22 AlnReset Acknowledge No Remote Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Disabled Notes Status bits are set Status bits are set Treated as N 1 Same as ShuttleRev1 2 Using HyperDeck Supported RS 422 Commands 0x40 0x23 AOutReset Acknowledge Disabled 0x44 0x31 PrerollPreset Acknowledge Disabled 0x40 0x40 AutoModeOff Acknowledge Disabler ignored Status bit remembered ignored Status bit 0x40 0x41 AutoModeOn Acknowledge Disa
30. and playback cannot keep up We recommend you change to a compressed recording format such as ProRes or DNxHD or use a faster recommended SSD for uncompressed or Ultra HD 4K recording Congratulations Your HyperDeck is now up and running Please continue to the next sections of this manual for more information on what you can do with your HyperDeck W Using HyperDeck Intel 335 Series 240GB SSD Sandisk Extreme 480GB SSD Kingston HyperX 240GB SSD 9 About SSDs Choosing a Fast SSD When working with high data rate video it s important to carefully check the SSD you would like to use This is because some SSDs can have up to 50 lower write speed than the manufacturer s claimed speed so even though the disk specifications claim an SSD is fast enough to handle video in reality the disk is not fast enough for real time video recording Hidden data compression mostly affects recording and often these disks can still be used for real time playback In our testing we have found larger newer models of SSD and larger capacity SSDs are generally faster SSDs recommended for use with HyperDeck for uncompressed 10 Bit HD and ProRes Ultra HD 4K video recording include Crucial 512GB M4 firmware 009 only Digistor 128GB SSD Professional Video Extreme Digistor 240GB SSD Professional Video Series Digistor 480GB SSD Professional Video Series Intel 335 Series 240GB SSD Intel 520 Series 240GB SS
31. and then reconnected HyperDeck Studio Step 1 Step 2 Step 3 Power on the unit by connecting an IEC power cord with a C13 connector HyperDeck Studio s built in international AC power supply supports 110 240V 50 60 Hz Connect SDI video sources such as cameras routers switcher outputs or decks to the SDI inputs If your source is from HDMI connect a Type A HDMI cable to the HDMI input Press the INPUT button once while the stop button is illuminated to preview the video source on the LCD If you don t see the video you want press INPUT again to switch inputs HyperDeck Studio Pro Step 1 Step 2 Step 3 Step 4 Power on the unit by connecting an IEC power cord with a C13 connector HyperDeck Studio Pro s built in international AC power supply supports 110 240V 50 60 Hz Connect SDI HDMI or component sources to their respective inputs If you are recording Ultra HD 4K over SDI the SDI inputs will automatically detect whether you are connecting via single link 6G SDI to Input A dual link 3G SDI or quad link HD SDI If connecting analog audio sources you can use the XLR inputs for professional balanced analog audio or the stereo RCA connectors for unbalanced analog audio from consumer equipment Connect analog timecode to the XLR timecode input Press the INPUT button once while the stop button is illuminated to preview the video source on the LCD If you don t see the video you want press INPUT again to swit
32. apturing DPX files use 8 z digit numbers in the frame count DPX capture preferences 3 Using Blackmagic Media Express DPX Capture If you want to capture a DPX image sequence rather than a movie file open the Media Express preferences and set the Capture File Format to DPX 10 Bit RGB You will need a fast disk array to cope with the uncompressed 10 Bit RGB format Step 1 Connect your video source to an input on HyperDeck Studio Pro Step 2 Check that HyperDeck Studio Pro is set to the input you have connected your source to e g SDI HDMI or analog Step 3 Open Media Express and create a DPX project by setting the capture file format to DPX Step 4 Enter your description and logging information Step 5 Click the Capture button to start recording To end capture click the Capture button again to automatically keep the clip Alternatively press esc if you want to be prompted to delete or save the clip The captured clips will be added to the Media List When the capture has been completed a single thumbnail will appear in the Media List representing the entire frame sequence The sequence of DPX frames will be stored in its own folder in your disk storage Audio will be stored in a wav file in the same folder By default DPX captures are assumed to be from YUV sources If you need to capture from an RGB source disable the Capture to DPX from a YUV source option in the preferences menu otherwise your DPX fi
33. bled remembered 6 Sense Request POS ODA TimeCodeGememe OOO OO 0x60 0x10 InDataSense InData 0x60 0x11 OutDataSense OutData 0360 E R AinData 0x60 0x13 AOutDataSense AOutData 0x61 0x20 StatusSense StatusData 0x60 Ox3E RecordinhibitSense RecordinhibitStatus Enabled 24 Using HyperDeck Supported RS 422 Commands Command Reply No Remote Notes Current Time and l 00 00 00 00 7 Sense Reply 0x78 0x78 0x78 0x74 0x74 0x74 0x78 0x74 0x74 0x74 0x74 0x74 0x74 Timer1Data LTCUserBitsTimeData VITCUserBitsTimeData VITCTimeData UserBitsVITCTimeData GenTCData GenTCUBData GenUBData InData OutData AlnData AOutData CorrectedLTCTimeData StatusData SpeedData PrerollTimeData TimerModeData RecordinhibitStatus Current Time and 00 00 00 00 00 00 00 00 Current Time and 00 00 00 00 Current Time and 00 00 00 00 00 00 00 00 Please see Status Bits sheet Limited to 9 bytes of status silently truncated Returns 0 TimeCode 22 Using HyperDeck RS 422 Developer Information Bit 7 Bit 6 Bit 5 Bit 4 Bit 3 Bit 2 Bit 1 Bit O U U Cassette out U U U Local Standby U Stop 0 Rewind Forward Record Play Servo Lock U Shuttle Var Direction Still 1 Jog Auto Mode U U U Aout Set Ain Set Out Set In Set Select EE Full EE U U U U U U U RR U U U U U U U Near EOT EOT U U U U Variables HyperDeck Serial RS
34. ch inputs Getting Started HDMI IN HDMI OUT SDI IN SDI OUT HyperDeck Shuttle HDMI and SDI outputs LOOP OUT OUT 1 OUT 2 MON OUT pea Gui Yeas ETHERNET SD HD 3GHD SDI HyperDeck Studio SDI and HDMI outputs SDI outputs include a Loop Out and a Monitor output B Y OUT Y OUT OUTA OUT C OUT D MON OUT OUT A OUT B OUT C OUT D MON OUT HyperDeck Studio Pro HDMI analog component and SDI outputs plus Monitor Out Connecting Video Outputs HyperDeck features outputs for monitoring or connecting to additional recording units All outputs are active SO you can record and monitor simultaneously HyperDeck Shuttle Connect either an SDI or HDMI cable to their respective outputs You may need a DIN 1 0 2 3 to BNC adapter cable for outputting SDI Both outputs are active so you can view your recording on both an SDI monitor and an HDMI monitor simultaneously HyperDeck Studio Connect an SDI cable to the Loop Out port if you want to connect to another HyperDeck for redundant recording or to the Monitor output if you want to connect an SDI monitor You can also connect additional SDI equipment to the SDI outputs such as additional recorders or monitors HyperDeck Studio Pro Connect SDI HDMI or component analog cables to their respective outputs If you want to output Ultra HD AK over 6G SDI use Output A HDMI also supports Ultra HD 4K For SD HD SDI m
35. clip name stop goto clip id clip ID goto clip start end goto timeline start end Command Description Provides help text with all commands and parameters Queries the state of HyperDeck s remote control mode Enables remote control disables remote control Turns remote override on Turns remote override off Disconnects HyperDeck server Determines HyperDeck server is responding Switches to HyperDeck preview mode Switches to HyperDeck output mode Starts playback all remaining clips on the timeline then stop Starts playback at a specified speed in percentage between 1600 and 1600 Starts playback in looping fashion Starts playback the remaining of the current clip then stop Starts recording Starts recording a clip using a specified clip name Stops playback or recording Goes to start of specific clip Goes to start or end of current clip Goes to start of first clip or end of last clip JJ Developer Information Command goto timecode timecode goto timecode duration in timecode commands notify notify transport true notify transport false notify slot true notify slot false notify remote true notify remote false notify configuration true notify configuration false device info slot info slot info slot id slot ID clips get transport info configuration configuration video input SDI HDMI
36. con Alternatively you can type directly into any field to customize its name and number The text in the automatic Name field will be applied to the clip s which are about to be captured Click the star icon next to the Name field if you want to log the clip as a favorite Click the icon next to the Name field if you wish a clip name confirmation prompt to appear before every capture This will provide you with the chance to change the clip name Set the desired number of audio channels to be captured Log ond Capture Capture In Out Duration bi 00 00 00 00 00 00 00 00 14 00 00 00 00 Step 1 Name Quick Capture 1 00 Description Quick Step 2 Reel 001 ti Angle 0 Step 3 ay Capture Enter a description for your video E Z Step 4 Step 5 N 4 5 6 7 B 9 10 11 12 13 14 15 16 Set the desired number of audio channels to be captured Log and Capture In Out Duration Step 6 bi 00 00 00 00 00 00 00 00 14 00 00 00 00 Step 7 Capturing to Disk Click the Capture button to commence recording Click the Capture button to start recording To end capture click the Capture button again to automatically keep the clip Alternatively press esc if you want to be prompted to delete or save the clip The captured clips will be added to the Media List A Preferences Project Video Format HD 1080p 23 98 Capture File Format DPX 10 Bit RGR Use absolute frame numbering when capturing DPX When c
37. cope can monitor two channels of audio The audio scope presents audio in an X Y view so you can see audio balance issues out of phase conditions and whether an audio track is mono or stereo Mono audio should appear as a single vertical in phase line If the line is horizontal then your audio is out of phase and could cancel out i e loss of audio when received by downstream equipment Audio phase is one of the most common audio faults in large facilities where cables can be incorrectly connected When monitoring stereo signals the line of the right hand audio scope fans out to represent the difference between the left and right audio channels The more stereo sound contained in the audio track the more circular the line will appear If the audio contains minimal stereo content then the scope will appear more concentrated around the vertical axis While sooken dialog tends to appear as a vertical line music with plenty of stereo content will puff out This is because mono audio is L R and will display on the vertical axis whereas stereo content is L R and will display on the horizontal axis to show the stereo difference SE Using Blackmagic UltraScope HD 10801 59 94 Picture Display 01 15 16 22 Picture Display The Picture Display is a handy confidence monitor so you can see the video that is being received by Blackmagic UltraScope The Picture Display has three settings COLOR B W black amp white and BLU
38. detected Use Anamorphic SD 16 9 M Continue playback when in the background S second pre roll for cueing O Z frame timecode offset 0 frame timecode offset Media Express Preferences Capturing Video and Audio Files Blackmagic Media Express 3 software is included with every HyperDeck Studio Pro to perform video and audio capture to files Blackmagic Media Express 3 is a great tool when you don t need the complexity of NLE software but simply want to capture video from HyperDeck Studio Pro s Thunderbolt port Selecting HyperDeck Studio Pro If you have more than one Blackmagic Design capture product installed or connected to your computer go to the Device menu in Media Express and select HyperDeck Studio Pro In the example pictured on this page an Intensity Extreme and a HyperDeck Studio Pro are both connected to the same computer Selecting your HyperDeck Studio Pro will allow you to choose suitable video settings for your project Setting Up a Project Before capturing any clips in Media Express you will need to select the settings for your project Step 1 Go to Media Express gt Preferences Any settings which are grayed out are only used with other Blackmagic Design capture products and are not required by HyperDeck Studio Pro Step 2 Set the project video format i e HD1080p and also set the frame rate Step 3 Select from a range of professional compressed and uncompressed capture file formats or even a DPX image sequ
39. e and composite waveforms and if more blur or chroma is observed in the composite area the item has color If some part of the video image is neutral gray then it should look the same on both waveforms because no chroma will be present With the twin view you can look around the waveform and see the levels of color or chroma of various objects As you color correct the composite waveform will display more or less chroma in the video signal Now you can see if specific objects in the video image are color or black and white You can make technical and creative decisions using the Waveform Display When the Waveform display is zoomed in you can toggle between COMP and B W and view the same region of an image in the zoomed display SIS Using Blackmagic UltraScope Vectorscope Display Vectorscope Display The Vectorscope Display uses a vector view to show the colors in a video signal You can see color bar video levels by using the color boxes in the graticule All you need to do is select 75 or 100 color bars depending on the standard of color bar test signals used in your facility Some people think you can use a vectorscope to check for illegal levels However this is not correct and the Parade Display should be used and set to RGB for checking for illegal colors The reason you cannot use a vectorscope to check for illegal levels is that both chroma and luminance values are required For example colors near the white or black po
40. eck Utility also installs a HyperDeck Studio deck preset to help with RS 422 deck control Setting up Step 1 Launch Media Composer and the Select Project dialog box will appear Step 2 Choose your preferred User Profile if you have previously created one Step 3 Select the folder in which you want to create the project Private Shared or External Step 4 Click the New Project button Step 5 Step 6 Type a project name and set the project options including Format and Color Space Click OK Once the project has been created the frame rate and raster cannot be changed The color space setting can be changed later in the Format tab of the project Double click the project name in the Select Project dialog box The Media Composer interface will appear along with the project window for your new project You have completed setting up your project SB Using Your Favorite Editing Software Step 2 Set up the Capture Tool to capture video by clicking the Toggle Source button Capturing live via Thunderbolt To capture video live via Thunderbolt from HyperDeck Studio Pro Step 1 Step 2 Step 3 Step 4 Step 5 Step 6 Step 7 Step 8 Choose Tools gt Capture to open the Capture Tool Set the Video and Audio input menus to Blackmagic Select the video source track V and the audio source tracks A1 A2 you wish to capture Use the Bin menu to select a Target Bin from the list of open bins From the
41. ecording SDI Start Stop You can use the DISP menu on HyperDeck Studio models to select the different options for trigger recording PA Using HyperDeck 200 typerDeck Sodio Pro Timecode Run Recording HyperDeck also supports timecode run recording which is similar to start stop recording but is only used if __ Playback media timecode track to output your HD SDI camera does not support trigger recording via HD SDI Trigger recording Never When SDI start stop is detectec To set up timecode run recording When timecode runs Step 1 oo Go into your camera s timecode settings and change them from free run timecode to record run timecode Use the HyperDeck Utility to enable Timecode Run recording Step 2 In HyperDeck Utility set Trigger recording to When SDI timecode runs Step 3 If using HyperDeck Studio press the REM button after setting Timecode Run Recording in HyperDeck Utility The REM button must be illuminated on the unit to allow trigger recording To set this on HyperDeck Studio models using the Display menu ES ont Step 1 Press the DISP button to bring up the main menu ces aie Step 2 Scroll to the Record menu and press SET DE Step 3 Scroll to the Record Trigger menu and press SET a Step 4 Select Timecode Run and press SET to confirm your selection Press DISP to exit Step 5 Press the REM button The REM button must be illuminated on the unit to allow trigger recordin
42. ence in the Capture File Format drop down menu Video will be captured in the chosen format and saved to a QuickTime movie Step 4 Set the storage location for your captured video and audio Step 5 Choose whether to stop capture or playback if dropped frames are detected Usually video applications stop playing video if you send them to the background If you want Media Express to keep playing video even if you open another application in the foreground enable the checkbox to Continue playback when in the background The final options for pre roll and frame timecode offset are not used by HyperDeck Studio Pro when capturing video via a Thunderbolt connection They relate to tape decks with RS 422 deck control 3 Using Blackmagic Media Express Media List Timecode List Thumbnail and Favorites view Search Field VTR deck timecode Video Preview 00 00 07 07 1060p 23 ProRes 2c ZOIC 2006 Craftsma ZOIC 2008 Sea Work ZOIC 2006 Sprite 10 ZOIC 2008 TV 1080p ZOIC 2010 1080p 23 12 Clips K us c L L ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 ZOIC 2010 1080p23 ZOIC 2010 1080p 23 4 K E i ZOIC 2010 1080p 23 ZOIC 2011 1080p23F ZOIC 2010 1080p23 1080p 23 ProRes 261 ZOIC 2011 1080p23F ZOIC 2008 Sprite 104 14 Clips v ma Log and Capture Lo PERS Lite LAY if Mi ie fe te FAN 3 7 L L ZOIC 2008 Sea Work ZOIC 2008 TV 1080p ZOIC 2010 1080p23 ZOIC 2010 1080p23 ZOIC 2010 1080p23 ZOI
43. enu on the LCD Step 1 Press the DISP button on the front of HyperDeck Studio Pro Step 2 Press the SET button to enter the Video menu Step 3 Use the jog shuttle wheel to select 4K SDI Out Press SET to enter the menu and scroll between Single 6G SDI Dual 3G SDI or Quad HD SDI Press SET to confirm your selection Step 4 Press the DISP button to exit back to your video feed IE Using HyperDeck ProRes Accessing Your Clips To access your clips simply connect the SSD to your computer using an SSD dock You can either drag the files from the SSD directly to a local hard drive or you can work directly from the SSD You can also connect the SSD to your computer with a 2 5 eSATA to USB cable adapter however this won t be fast enough to handle working directly from the SSD and is really only recommended as a portable solution for getting your video files off the SSD and onto a laptop Mac OS X QuickTime is built into Mac OS X Apple ProRes and uncompressed QuickTime movies recorded by HyperDeck can be opened in almost any video software on Mac OS X DNxHD MXF files recorded by HyperDeck can be opened with Avid Media Composer and DaVinci Resolve for Mac MCC closed caption data files recorded by HyperDeck can be opened with MacCaption software for Mac OS X from http www cpcweb com Windows Apple ProRes and uncompressed QuickTime movies recorded by HyperDeck require QuickTime to be installed on your PC Almost any vide
44. er this warranty you the Customer must notify Blackmagic Design of the defect before the expiration of the warranty period and make suitable arrangements for the performance of service The Customer shall be responsible for packaging and shipping the defective product to a designated service center nominated by Blackmagic Design with shipping charges pre paid Customer shall be responsible for paying all shipping charges insurance duties taxes and any other charges for products returned to us for any reason This warranty shall not apply to any defect failure or damage caused by improper use or improper or inadequate maintenance and care Blackmagic Design shall not be obligated to furnish service under this warranty a to repair damage resulting from attempts by personnel other than Blackmagic Design representatives to install repair or service the product b to repair damage resulting from improper use or connection to incompatible equipment c to repair any damage or malfunction caused by the use of non Blackmagic Design parts or supplies or d to service a product that has been modified or integrated with other products when the effect of such a modification or integration increases the time or difficulty of servicing the product THIS WARRANTY IS GIVEN BY BLACKMAGIC DESIGN IN LIEU OF ANY OTHER WARRANTIES EXPRESS OR IMPLIED BLACKMAGIC DESIGN AND ITS VENDORS DISCLAIM ANY IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPO
45. fied If no parameters are specified the server returns the current state of all notifications 209 notify transport true false slot true false L remote true false configuration true false A Retrieving device information The device info command returns information about the connected deck device device info The server will respond with 204 device info protocol version Version model Model Name unique id unique alphanumeric identifier ya Retrieving slot information The slot info command returns information about a slot Without parameters the command returns information for the currently selected slot slot info If a slot id is specified that slot will be queried slot info slot id Slot ID The server will respond with slot specific information 202 slot info slot id Slot ID status empty mounting error mounted volume name Volume name JA Developer Information recording time recording time available in seconds video format disk s default video format A Asynchronous slot information change notification is disabled by default and may be configured with the notify command When enabled changes in slot state will generate a 502 slot info asynchronous message with the same parameters as the 202 slot info message Retrieving clip information The disk list command returns the information for each playable cl
46. g Record Trigger Now whenever your HyperDeck detects the timecode running via HD SDI it will start recording Recording will stop whenever the timecode stops None SDI Start Stop Timecode Hun Be careful if your HyperDeck is connected to the SDI output of a video router as any change to the video source might cause HyperDeck to start recording unexpectedly due to a change in timecode being detected via HD SDI Use the DISP menu on HyperDeck Studio models to set Timecode Run recording 2 Using HyperDeck Ji lel OE The fast forward button on the front of HyperDeck Studio models lights up when fast forwarding through clips REF IN Q Cal ODOOO OO Le BBIHD TSBHRSDI dl L HBMI d ETHERNET Reference input on HyperDeck Studio Shuttling with HyperDeck Shuttle During playback press and hold the Previous Clip or Next Clip button to rewind or fast forward at 2x speed Press the Previous Clip or Next Clip button again and the speed will increase to 4x and then 8x Once you ve found the section you want to review press Play and playback will resume at normal speed Jog and Shuttle with HyperDeck Studio Models During playback press the reverse or fast forward button to play through the clip at 2x speed Press the reverse or fast forward button again and the speed will increase to 4x and then 8x Once you ve found the section you want to review press play
47. g with NTSC in 10 Bit Sequence Preset Blackmagic NTSC 10 bit Capture Preset Blackmagic NTSC 10 bit Device Control Preset Blackmagic NTSC 29 97 ayback Output Video Blackmagic NTSC 10 Bit 720 x 486 Playback Output Audio DeckLink Audio Edit to Tape PTV Output Video Same as Playback Edit to Tape PTV Output Audio Same as Playback Primary Scratch Disk RAID B ox Select a Blackmagic Easy Setup 72 Using Your Favorite Editing Software Apple Final Cut Pro 7 When you install the HyperDeck Software Blackmagic Easy Setups are automatically installed to Final Cut Pro 7 Setting up Step 1 Launch Final Cut Pro 7 and the Easy Setup window will appear Step 2 Click on the popup menu and select the desired Blackmagic Easy Setup For each video format NTSC PAL and HDTV you will find a range of Blackmagic compressed and uncompressed file formats you can choose Step 3 Click on the popup menu named Primary Scratch Disk and select your disk array from the popup menu Step 4 Click OK and the Final Cut Pro interface will appear Capturing live via Thunderbolt To capture video live via Thunderbolt from HyperDeck Studio Pro Step 1 Select a Blackmagic Easy Setup Final Cut Pro will sometimes warn that device control has been set to non controllable device This is as expected Click OK and then create a project with these settings Step 2 Choose File gt Log amp Capture Command 8 Step 3 Pre
48. ia Thunderbolt while recording to a SSD This might be useful if you are recording a live event and are unsure if you have enough space on your SSDs to record the whole event Alternatively you may want to record in two different codecs such as ProRes and DNxHD simultaneously Step 1 Connect HyperDeck Studio Pro via a Thunderbolt cable to your computer Step 2 Launch your video capture software such as Media Express Adobe Premiere Pro Apple Final Cut Pro 7 or AVID Media Composer Step 3 Make sure your software is configured to capture the same format as your source e g 1080i 50 720 60 Step 4 Press the INPUT button on HyperDeck Studio Pro to select the input from which you want to record to SSD and capture to your computer Step 5 Press Record on HyperDeck Studio Pro and click the capture button in your video software You are now recording the same video input to both the SSD and to your computer Mele Composer Media Composer Step 5 Type a project name and set the project options E Using Your Favorite Editing Software Avid Media Composer 7 Avid Media Composer captures standard and high definition video live from HyperDeck Studio Pro via a Thunderbolt cable When you install the HyperDeck Software Blackmagic plug ins are automatically installed to Media Composer You can use the INPUT button on HyperDeck Studio Pro to select your video and audio connections including SDI HDMI and analog HyperD
49. ideo frames Step 1 From Photoshop select File gt Import gt Blackmagic Image Capture Step 2 Select the Video Input Format and the Image Bit Depth and then click Capture Image Once you have set the options in the Import window each subsequent import will not display the window so you can grab frames much faster However if you would like to change your import format hold the Option key when selecting import 8600 Blackmagic Image Import Image Import Settings Video Input Format YUV 4 2 2 HD 1080i 59 94 Image Bit Depth Photoshop RGB 16 Bits Channel Cancel Import Image Image Capture SR Using Blackmagic Media Express Device Mark View Y HyperDeck Studio Pro Oo lt l ae Intensity Extreme Select your HyperDeck Studio Pro from the Device menu Project Video Format Capture File Format When capturing DPX files use Capture audio and video to Capture still frames to Set deck to When capturing use When mastering use a Preferences HD 10801 50 QuickTime Uncompressed 10 bit YUV Use dropped frame timecode Capture to DPX from a YUV source Use absolute frame numbering when capturing DPX digit numbers in the frame count Volumes Media Browse For all video and audio media file captures Volumes Media Browse For all still frame captures only M Stop capture if dropped frames are detected Stop playback if dropped frames are
50. ient connection to be closed In such case response code 213 will be returned instead of 200 before the client connection is closed 213 deck rebooting Asynchronous configuration information change notification is disabled by default and may be configured with the notify command When enabled changes in configuration will generate a 511 configuration asynchronous message with the same parameters as the 211 configuration message Selecting active slot and video format The slot select command instructs the deck to switch to a specified slot or and to select a specified output video format AB Developer Information To switch to a specified slot slot select slot id slot ID To select the output video format slot select video format video format Either or all slot select parameters may be specified Note that selecting video format will result in a rescan of the disk to reconstruct the timeline with all clips of the specified video format Clearing the current timeline The clips clear command instructs the deck to empty the current timeline clips clear The server responds with 200 okt Adding a clip to the current timeline The clips add command instructs the deck to add a clip to the current timeline clips add name clip namen L The server responds with 200 okt or in case of error 1xx error description Configuring the watchdog The watchdog command instructs the deck to
51. ightness or audio threshold levels as well as loss of video signal change of video format or audio silence After setting the parameters which define when an error should be logged you can choose to start or stop error logging save the log to a file or clear the log These functions can be selected from the buttons in the Error Logging Display or from the Error Logging pulldown menu Errors are recorded against timecode and time of day to make them easy to find If the timecode is not present errors can be found by reviewing the time of day at which they were recorded As computer clocks can drift it is a good idea to inspect the Date amp Time settings on your computer and set the clock to synchronize with an Internet time server to ensure accurate time of day logging In the Full Screen view Histogram Display and Error Logging Display share the same area of the UltraScope interface Select the LOGGING button below the Histogram Display to switch to the Error Logging Display Select the HISTOGRAM button below the Error Logging Display to switch back to the Histogram Display After quitting and reopening the UltraScope application the last viewed display will be made visible again i e either Histogram or Error Logging In 2 up view Histogram Display and Error Logging Display can be viewed simultaneously and so there are no LOGGING or HISTOGRAM buttons When viewing the Error Logging Display for the first time the display will initiall
52. ility Blackmagic HyperDeck Utility is used to change settings and update the internal software in your HyperDeck In addition to installing HyperDeck Utility uncompressed 10 bit codecs are installed for Mac and Windows The HyperDeck Installer software also installs Blackmagic System Preferences which allow your favorite video editing software to perform live capture from HyperDeck Studio Pro via Thunderbolt Blackmagic system preferences provide a central location so you don t need to configure the same software settings in each video application that you use On Mac OS X open the System Preferences and click the Blackmagic Design icon When using HyperDeck Studio Pro settings are grayed out and the main use of the Blackmagic system preferences is to tell you which version of Desktop Video software is installed for video capture via a Thunderbolt port When other Blackmagic video capture hardware is connected to your computer additional settings may be available How to Update Your HyperDeck Software on Mac OS X Step 1 Download and unzip the HyperDeck Utility software Step 2 Open the resulting disk image and launch the HyperDeck Installer Follow the onscreen instructions Step 3 After installing the latest Blackmagic HyperDeck Utility connect a USB cable from HyperDeck to your computer Step 4 Launch Blackmagic HyperDeck Utility and follow any onscreen prompt to update the internal software in your HyperDeck If no prompt appear
53. imecode Run You can now use your external RS 422 controller to set multiple HyperDeck Studios to remotely crash record the same video signal For crash recording set trigger recording to When SDI timecode runs in the DISP menu SS Using HyperDeck Supported RS 422 Commands Command Reply 0 System Control Device lyoeRequest PAL OxFTE0 24P OxF2E0 1 Slave Response 0x20 0x00 Stop Acknowledge 0x20 0x01 Play Acknowledge 0x20 0x02 Record Acknowledge 0x20 0x10 FastFwd Acknowledge 0x21 0x11 JogFwd1 Acknowledge 0x22 0x11 JogFwd2 Acknowledge 0x21 0x12 VarFwd1 Acknowledge 0x22 0x12 VarFwd2 Acknowledge 0x21 0x13 ShuttleFwd1 Acknowledge 0x22 0x13 ShuttleFwd2 Acknowledge 0x20 0x20 Rewind Acknowledge 0x21 0x21 JogRev1 Acknowledge 0x22 0x21 JogRev2 Acknowledge 0x21 0x22 VarRev1 Acknowledge 0x22 0x22 VarRev2 Acknowledge 0x21 0x23 ShuttleRev1 Acknowledge 0x22 0x23 ShuttleRev2 Acknowledge 0x20 0x30 Preroll Acknowledge 0x24 0x31 CueData Acknowledge 0x20 0x34 SyncPlay Acknowledge NTSC OxFOEO No Remote Notes Enabled Disabled Disabled Disabled Disabled Disabled Treated as N 1 Same as JogFwal Disabled Uses ShuttleFwd1 Treated as N 1 Same as VarFwd1 Disabled Disabled Disabled Treated as N 1 Disabled Same as ShuttleFwd1 Disabled Disabled Treated as N 1 Same as JogRev1 Disabled Uses ShuttleRev1 Disabled Treated as N 1 Disabled Same as VarRev1 Disabled
54. import media directly to a bin right click within the desired bin and select Import Clip from the contextual menu If the files being imported do not match the frame rate and size of existing clips in the Media List you will be prompted to create a new project and to save the current project Media Express also supports the import of multichannel audio only files recorded at 48kHz in the uncompressed WAVE wav and AIFF aif formats Another way to import media is to use an XML file which has been exported from Final Cut Pro Go to the File menu select Import and then Final Cut Pro XML Open the desired XML and all the bins and media from the Final Cut Pro project will appear in the Media List Playing back single and multiple clips To play back a clip double click the clip in the Media List Alternatively select the clip in the Media List and press the space bar on your keyboard or the play button in the transport controls To play back multiple clips select the clips in the Media List and then press the space bar on your keyboard or the play button in the transport controls Using Blackmagic Media In the Media List choose to view your clips in Timecode List view or Thumbnail view Click the Favorites button to only show your favorite clips Type in the Search field to find your favorite clips Rall journey_1_2012 04 24_1723_C0000 in Out Dur 17 23 59 00 17 36 40 00 00 12 41 01 Info 1080p 24 ProRes 422 HO 1920x1080
55. ing for Crash Recording You can simultaneously record the same SDI video signal to multiple HyperDeck Studios Press the REM button on each HyperDeck Studio to enable remote deck control Each HyperDeck Studio can be set to record in a compressed or uncompressed video format using HyperDeck Utility B a Fs Step 1 Connect a video signal to the SDI video input of the first HyperDeck Studio in the chain a Step 2 If you are working entirely in high definition connect a single channel RS 422 controller to the first HyperDeck Studio in the chain RP188 timecode will be sent over SDI to every other HyperDeck in the chain If working with standard definition video you will need a multiple channel RS 422 controller connected to each HyperDeck Studio in your chain via RS 422 Press the REM button on HyperDeck Studio models to enable RS 422 deck control Step 3 Connect an SDI cable from the SDI Loop output on the first HyperDeck Studio to the second HyperDeck Studio s SDI input Repeat this for however many HyperDeck Studios you want to daisy chain together Step 4 On the first HyperDeck Studio press the DISP button Scroll down to Record and press SET In the ES RER record menu scroll to Record Trigger and press SET Scroll to Timecode Run and press SET Record None Step 5 Press the DISP button to exit the record menu All connected HyperDeck Studios will record the Trigger SDI Start Stop i same video signal simultaneously e T
56. ints in video cannot be as saturated as the much stronger colors which can be used in the mid grays Because Vectorscope Display only shows colors and not luminance values it cannot be used to check for illegal colors Vectorscope Display is the best tool for checking color levels from older analog videotape where you need to adjust chroma levels Just play back the color bar segment of the videotape and then adjust the chroma and hue settings to set the colors of the video within the square boxes in the graticule Vectorscope Display is also perfect for color grading as you can easily see if your video is correctly white balanced or if there is a color tint If your video has a color tint the Vectorscope display will drift off center and you might see two center dots Normally the blanking in the video signal will create a dot in the center of the vector scope and this is because the blanking in the video is black video without any color Blanking provides a useful reference point to help recognize areas of black video without any color information If your video has a color tint you should see the blacks move off color and off center The degree of shift represents the amount of color tint in your video and you can see the shift in both the white and black details of your video This makes Vectorscope Display valuable for removing color tint and regaining correct white balance Vectorscope Display lets you push colors in your video to the
57. ion in a controlled environment When shooting keep the video above the black clip and below the white clip so you can have more freedom later to adjust colors without whites and blacks appearing flat and lacking in detail When color correcting you might decide to clip your video and in which case Histogram Display will show the effect of clipping the video and how much it is being clipped You can even use gamma to create a similar look with less clipping while retaining more detail You cannot really use Histogram Display to check for illegal levels although you can use it to see illegal blacks and whites Histogram Display does not show colors and so the histogram might appear to show legal levels even though your video may contain illegal colors Again RGB Parade Display provides the best way to watch out for illegal levels as it shows them in both the color and luminance elements of the video signal The HIGH and LOW buttons simply control how bright the histogram appears on your computer display If you find the white area of the histogram is too bright in a dark studio choose LOW for a more comfortable brightness level 30 Using Blackmagic UltraScope From the Histogram Display select the Logging button to switch to the Error Logging Display Error Logging Display Error Logging records errors in video and audio and is indispensable when reviewing video and for unattended operation Errors may be logged for color br
58. ip on a given disk Without parameters the command returns information for the current active disk disk liste If a slot id is specified the disk in that slot will be queried disk list slot id Slot ID The server responds with the list of all playable clips on the disk in the format of Index name formats and duration in timecode 206 disk list slot id Slot ID clip index name file format video format Duration timecode clip index name file format video format Duration timecode iJ Note that the clip index starts from 1 Retrieving clip count The clips count command returns the number of clips on the current timeline clips count H The server responds with the number of clips 214 clips count v clip count Count Developer Intormation Retrieving timeline information The clips get command returns information for each available clip for a given range in timecode on the current timeline Without parameters the command returns information for all clips on timeline clips gett If parameters in timecode and out timecode are specified the command returns information for clips within the specified range If out is not specified it only returns the information of the clip containing in in point clips get in timecode out timecode The server responds with a list of clip IDs names and timecodes 205 clips info clip count Count Clip ID Name Star
59. lable commands and parameters help Or oe eE Developer Information The server will respond with a list of all supported commands 201 help Help Text L Help Text L a Switching to preview mode The preview command instructs the deck to switch between preview mode and output mode preview enable true false Playback will be stopped when the deck is switched to preview mode Capturing will be stopped when the deck is switched to output mode Controlling device playback The play command instructs the deck to start playing play The play command accepts a number of parameters which may be used together in most combinations By default the deck will play all remaining clips on the timeline then stop The single clip parameter may be used to override this behaviour play single clip true false 4 By default the deck will play at normal 100 speed An alternate speed may be specified in percentage between 1600 and 1600 play speed normal speed By default the deck will stop playing when it reaches to the end of the timeline The loop parameter may be used to override this behaviour play loop true false l By default the deck will start playing from the current position on the timeline The start parameter may be specified to override the start point for playback play start timecode 23 Developer Information If loop mode is set the playback loop will be betwee
60. les These 10 Bit quality codecs retain fantastic picture quality and increase the recording length of SSDs by more than 5 times This instruction manual contains all the information you need to start using your HyperDeck disk recorder For uncompressed recording you need to use an SSD that supports the required data speed and we are continually adding details on our website of new SSDs that we have tested Please check the support page at www blackmagicdesign com for the latest version of this manual and updates to the HyperDeck software Keeping your software up to date will always ensure you get all the latest features When downloading software please register with your information so we can keep you updated when new software is released We are constantly working on new features and improvements so we would love to hear from you it Grant Petty CEO Blackmagic Design Contents HyperDeck Disk Recorders 5 Getting Started Introducing HyperDeck Plugging in Video Sources Connecting Video Outputs Recording Video Playing Video 10 Using HyperDeck About SSDs Choosing a Fast SSD Preparing SSDs for HyperDeck HyperDeck Utility How to Update Your HyperDeck Software on Mac OS X How to Update Your HyperDeck Software on Windows Selecting Your Video Format in HyperDeck Utility About Ultra HD 4K Setting Up Ultra HD 4K Recording Setting Up Ultra HD 4K Playback Accessing Your Clips Mac OS X Windows sO CO NGOA L Blackmagicdesien
61. les will show weird pink and green colors If you want the DPX frame numbers to be based on the timecode of the captured video rather than just starting from zero enable the option to Use absolute frame numbering when capturing DPX If you aren t performing long DPX captures you may wish to reduce the number of zeroes in the frame numbers by changing the option When capturing DPX files use 2 8 digit numbers in the frame count 92 Using Blackmagic Media Express Media List Timecode List Thumbnail and Favorites view Search Field VTR deck timecode Video Preview Media Express 00 00 07 07 12 Clips ww LT E d ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 ZOIC 2010 1080p23 ZOIC 2010 1080p 23 N 4 Q j ZOIC 2010 1080p 23 ZOIC 2011 1080p23F ZOIC 2010 1080p 23 1080p 23 ProRes 261 ZOIC 2011 1080p23F ZOIC 2008 Sprite 104 bo dite F ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 ZOIC 2010 1080p23 ZOIC 2010 1080p23 ZOIC 2006 Craftsmai gt z x Playback Lo PES Lite i T ot hee edf 7 4 0 7 ra r itt ER N i x 7 aq ba J A 4 4 tA EF es 14 Clips v ZOIC 2008 Sea Work ZOIC 2008 TV 1080p ZOIC 2010 1080p23 ZOIC 2010 1080p23 ZOIC 2010 1080p23 ZOIC 2010 1080p 23 In Out Duration Pi 00 00 00 00 00 00 00 00 00 00 00 00 Name v Description ZOIC 2010 1080p 23 ZOIC 2010 1080p 23 Reel Scene Take Angle 3 4 5 6 7 8 9 10 11 14 13 14
62. limits without accidentally adding unwanted color tints to blacks and whites While color balance can be monitored on both the RGB Parade Display and Vectorscope Display color balance issues will often be easier to see in Vectorscope Display When color correcting footage of skin tone particularly faces you will want to keep your warm color saturation along a line at approximately 10 o clock on the vectorscope This is known as the fleshtone line and is based on the color of blood beneath the skin s surface The fleshtone line is therefore applicable to all skin pigmentations and is the best way to ensure the skin tones of your talent look natural SKI Using Blackmagic UltraScope Histogram Display Histogram Display Histogram Display is most familiar to graphic designers and camera operators Histogram Display shows the distribution of white to black information and lets you monitor how close the detail is to being clipped off in the whites or blacks of the video Histogram Display also lets you see the effects of gamma changes in the video Black video is shown on the left of the display and whites are shown on the right All video should usually be found between the 0 and 100 intervals of the Histogram Display Your video is being clipped if it moves below 0 or above 100 Video clipping can be really bad when you re on a shoot as detail in the blacks and whites must be preserved if you subsequently want to perform color correct
63. ll need to create a full resolution uncompressed sequence To do so click the discovery triangle next to Blackmagic Design select a preset to match the video standard and choose from uncompressed 8 bit YUV 10 bit YUV or 10 bit RGB If you don t have the storage space or disk speed for uncompressed video choose a JPEG sequence preset for a full resolution open standard codec When you have selected the desired sequence preset give the sequence a name and click OK 22 Using Your Favorite Editing Software Capture Adobe Photoshop CC Capture Locations Capturing live via Thunderbolt To capture video live via Thunderbolt from HyperDeck Studio Pro Step 1 Choose File gt Capture F5 Step 2 Press play on HyperDeck Studio Pro and then Click the red record button G A preview of the video you are capturing will appear To change the capture format click on the Settings tab and then the Edit button Ensure the Capture Format is set to Blackmagic Capture click on the Settings button and then change the Blackmagic Capture Settings as desired If you can t see an image in your video capture window Step 1 Quit Premiere Pro Step 2 Launch Blackmagic UltraScope Note the output video standard that is displayed on the left side of Ultrascope s Picture Display Quit UltraScope Step 3 Launch Premiere Pro and set the project preferences to match the standard reported by UltraScope Adobe Photoshop CC How to grab v
64. llegal colors and checking levels Press the RGB button to display the full height of each color channel as red green and blue Monitoring the levels of each red green and blue color channel makes it is easy to view color balance in the blacks mids and whites of the video signal Parade Display enables you to identify details common to the red green and blue channels It s often important to make sure you re not clipping the video levels Make sure the video is full level but not clipped You can turn on the GAMUT function and any illegal levels will be highlighted in bright red so they are easy to see Instructions for setting gamut limits can be found in the Error Logging Display section of this manual If you want to increase the video level then make sure it doesn t go above upper RGB limit or you will encounter illegal levels Some equipment won t let you generate illegal 100 RGB levels however other equipment will Blackmagic UltraScope lets you see illegal levels whenever they occur legal video can also happen in blacks as well as whites Some equipment produces black levels which can be lowered below the black point of 0 The levels will be shown as bright red if this falls below the lower gamut limit and the GAMUT warning mode is enabled If you observe illegal black levels just add some lift or gain to eliminate them but check the 100 graticule level to make sure the whole video signal has not lifted and generated illegal co
65. lliseconds ms for which these conditions must be sustained before being logged as errors Under the Video tab loss of video signal and change of video format can be logged as errors Under the Notes tab write a brief description of the new profile to help distinguish it from other profiles To modify a new or existing profile ensure it is selected and then change its parameters as desired Press Save to save these changes or choose Revert to leave the profile unchanged Choosing Save saves the changes to the profile but does not determine which profile is active To activate a profile select it from the profile list and then choose Set Active You can delete a profile by selecting it in the profile list and clicking the delete button wa Using Blackmagic UltraScope Audio Metering Display Audio Metering Display Audio Metering Display shows you the audio levels in the embedded audio of the HyperDeck Studio Pro s video signal 8 channels of embedded audio from your HyperDeck Studio Pro are de embedded and then displayed in either dBFS or VU format The VU button switches between dBFS and VU audio metering standards dBFS is essentially a meter of the overall digital audio signal and is common on modern digital equipment The VU meter shows average signal levels is easy to use and very common on older equipment VU is calibrated to the SMPTE recommendation of a 1 kHz tone test signal set to 20 dBFS The right hand audio s
66. lors in the whites To check levels simply press the YUV or YUV button The COLOR setting switches the RGB display to color rather than traditional black and white When the COLOR setting is used with the YUV or YUV display luma brightness remains white B Y difference between blue and luma appears blue and R Y difference between red and luma appears red The COLOR setting is not a professional setting and should usually be switched off especially when showing video to clients SHM Using Blackmagic UltraScope Waveform Display on Windows can show Luminance Composite or Both views Waveform Display on Mac OS X always shows Luminance view Wavetorm Display The Waveform Display is similar to traditional composite waveform monitors seen in many broadcast studios On Mac OS X the Waveform Display always shows the luminance view and the B W button is permanently selected On Windows select B W for the luminance only view COMP for the composite only view and BOTH for the twin luminance and composite view Select B W for the luminance view which provides a digitally encoded waveform similar to traditional luminance waveform monitors The luminance view is very useful when adjusting luma brightness levels in an image Turn on the GAMUT function and any illegal luma levels will be highlighted in bright red so they are easy to see Instructions for setting luma limits can be found in the Error Logging Display section of this
67. n the start position and the end of timeline for play forward the start position and the start of timeline for play backward By default the deck will continue playing until the end of the timeline The end parameter may be used to halt playback at the frame before the specified timecode play end timecode If loop mode is set the playback loop will be between the start of timeline and the end position for play forward the end of timeline and the end position for play backward Note that the end position must be beyond the current or start position on timeline for play forward before the current or start position on timeline for play backward The duration parameter may be used instead of the end parameter to halt playback after a duration specified in timecode format play duration timecode These three parameters are not compatible with the single clip parameter Stopping deck operation The stop command instructs the deck to stop the current playback or capture stop Changing timeline position The goto command instructs the deck to switch to playback mode and change its position within the timeline To go to the start of a specific clip goto clip id Clip ID To move forward back count clips from the current clip on the current timeline goto clip id count Note that if the resultant clip id goes beyond the first or last clip on timeline it will be clamp at the first
68. neration Consequently some standard definition decks had different timecode in the VITC to the normal LTC track on the SDI video output It is always worth checking master tapes if you think the displayed timecode is incorrect The Picture Display will also show timecode internally generated by your HyperDeck Studio Pro when Generate is selected in the Ancillary Data gt Timecode gt Mode Select menu Lastly the video standard is displayed on the left side of the Picture Display so you can verify the video standard being output by your HyperDeck Studio Pro This information is great for independently checking that the correct video standard is being output without having to use external monitoring equipment If the displayed video standard is not what you expected you should check the output settings on HyperDeck Studio Pro Sx Using Blackmagic Disk Speed Test Select target drive Save screenshot Stress 1 GB 2 GB 3 GE 4 GE 5 GE Help with Disk Speed Test About Disk Speed Test Exit Settings menu Using Blackmagic Design Disk Speed Test Blackmagic Disk Speed Test is a beautiful and fun to use application that measures the read and write performance of storage media in video frame sizes The use of video frame sizes provides accurate measurement of how the disk storage will perform with video related applications If you have ever wondered whether your hard drive is suitable for playback read of a particular
69. o software on Windows that supports QuickTime can open movies recorded by HyperDeck QuickTime for Windows can be downloaded free from htto www apple com quicktime download DNxHD MXF files recorded by HyperDeck can be opened with Avid Media Composer and DaVinci Resolve for Windows MCC closed caption data files recorded by HyperDeck can be opened with CaptionMaker software for Windows from http www cocweb com Key Using HyperDeck OQEUTDOODED Status indicators on HyperDeck Shuttle tell you whether your SSD is formatted correctly whether a video signal is detected and how much battery power is left FL en 01 42 56 12 gt mas ss08 01 42 56 12 The SSD slots on HyperDeck Studio models indicate if an SSD is formatted correctly and whether the unit is in recording or playback mode The LCD on HyperDeck Studio models shows your video as well as status information Status Indicators When recording or playing video with HyperDeck any information you need to know is displayed on the unit itself HyoerDeck Shuttle s backlit buttons and LEDs provide vital information such as when your disk is nearly full and the remaining battery life whereas HyperDeck Studio models display information on a LCD HyperDeck Shuttle SSD Indicator When you first switch on HyperDeck Shuttle or any time you insert an SSD the SSD indicator will light
70. ollow these simple steps Step 1 Peel back the rubber mat from all four corners of the base so you can just see the screws Remove all four screws Step 2 Remove the base Step 3 Attach your HyperDeck Shuttle Mounting Plate using the supplied socket head screws Wp 22 Using Your Favorite Editing Software Capturing video via Thunderbolt When connected to a computer with Thunderbolt technology HyperDeck Studio Pro can be used as a powerful capture solution for your editing workflow Thunderbolt offers a blazingly fast 10 Gb s connection which is enough bandwidth to handle the highest resolution video formats easily Capturing from SSD If you want to dub a video that you ve already recorded to SSD you can capture via Thunderbolt using the video software and codec of your choice Step 1 Connect HyperDeck Studio Pro via a Thunderbolt cable to your computer Step 2 Launch your video capture software such as Media Express Adobe Premiere Pro Apple Final Cut Pro 7or AVID Media Composer Step 3 Make sure your software is configured to capture the same format as your source e g 1080i 50 720 60 Step 4 Press Play on HyperDeck Studio Pro Video should appear on your computer screen within a few seconds Step 5 Click the capture button in your video software Simultaneous Capture and Recording You can also simultaneously capture v
71. on is unchecked 2 up view will be displayed You can quickly switch between Full Screen view and 2 up view by using the hot key CMD F on Mac OS X In 2 up view select the desired left and right scopes by opening the View menu or by right clicking anywhere in the UltraScope window Make your selections from the Left View and Right View menu options If you attempt to choose the same scopes for both the Left View andRight View the existing scopes will swap sides Screen Resolution Requirements for Display Views Full Screen view 1920 x 1200 pixels or 1920 x 1080 pixels If your monitor doesn t support these resolutions then Full Screen view will not be available 2 up view minimum resolution of 1280 x 800 pixels ay Using Blackmagic UltraScope HD 1080i 59 94 Zoom Function Parade Display Zoom Function Blackmagic UltraScope allows you to zoom in on various displays for a more detailed analysis This helpful function will also pan and zoom the graticules for each display in high resolution The zoom function is available in the Parade Waveform Vectorscope and Picture displays To zoom in simply click 4 on the bottom right of each respective display Now you will be able to view the display in finer detail Drag the mouse within the display area to pan around the zoomed display Clicking again will return the display back to its normal view Parade Display Parade Display is perfect for checking for i
72. onitoring connect to the Monitor output You can also send analog timecode via the XLR timecode output Congratulations You are now ready to start recording Getting Started The record button lights up red when HyperDeck Shuttle is recording video OUS 212 21010101010 SSD slots on HyperDeck Studio models have rotating LEDs to show the unit is recording video Tas Ts 01 42 56 12 Recording Video HyperDeck ships ready to record immediately without having to configure any settings All you need is a recommended SSD formatted in the HFS or exFAT format If HyperDeck records from a video source that contains closed caption data the QuickTime or MXF movie will be recorded as well as a separate MCC file containing the closed caption data Recording Video with HyperDeck Shuttle Step 1 Step 2 Step 3 Step 4 Insert your formatted SSD As HyperDeck Shuttle reads the disk the SSD light will illuminate When the light goes off HyperDeck Shuttle is ready to record HyperDeck Shuttle automatically detects whether SDI or HDMI is connected The Video status LED lights up when a valid video signal is detected Press the Record button and the SSD light will flash to indicate SSD activity If the Stop button starts flashing while recording there are only 3 minutes of recording time left on the SSD Make sure you have another
73. or last clip eg Developer Information To go to the start or end of the current clip goto clip start end To go to the start of the first clip or the end of the last clip goto timeline start end L To go to a specified timecode goto timecode timecode To move forward or back a specified duration in timecode goto timecode duration in timecode Note that only one parameter value pair is allowed for each goto command Enumerating supported commands and parameters The commands command returns the supported command s commands The command list is returned in a computer readable XML format 212 command s lt commands gt lt command name gt lt parameter name gt lt command gt c lt command name gt lt parameter name gt lt command gt c lt commands gt t H More XML tokens and parameters may be added in later releases Controlling asynchronous notifications The notify command may be used to enable or disable asynchronous notifications from the server To enable or disable transport notifications notify transport true false Lv To enable or disable slot notifications notify slot true false To enable or disable remote notifications notify remote true false Developer Intormation To enable or disable configuration notifications notify configuration true false Multiple parameters may be speci
74. p 3G 6G SDI IN HyperDeck Studio Pro USB port Selecting Your Video Format in HyperDeck Utility All current HyperDeck models let you select from a choice of uncompressed and compressed video formats The original HyperDeck Shuttle exclusively records uncompressed video HyperDeck can record 10 bit uncompressed QuickTime files on a fast SSD or to a compressed format if you have a slower SSD or want to fit longer high definition recordings on a single SSD This means if you have used the HyperDeck Utility software to change the recording format it is possible to have uncompressed QuickTime files as well as compressed files on the same disk Working with uncompressed video is exciting as there is simply no better quality However if compressed video better suits your workflow or if you need to fit more video on a SSD you can choose a high quality professional compressed video format which is also perfect for editing HyperDeck Studio Pro records Ultra HD 4K video using Apple ProRes codecs which are high quality compressed codecs designed for post production To choose a video format Step 1 Connect HyperDeck to your computer via USB Step 2 Launch HyperDeck Utility Your HyperDeck model will be named in the title bar of the utility Step 3 Set the recording format from the dropdown menu and save the setting All subsequent clips will be recorded in the chosen format Setting the recording format also sets the playback format Fo
75. r example if you want to play back an uncompressed 10 Bit QuickTime file set the recording format to Uncompressed 10 Bit QuickTime Setting Avid DNxHD as the recording format lets you play DNxHD QuickTime and MXF clips and by selecting Apple ProRes you can play clips using any of the ProRes codecs ProRes codecs include ProRes 422 HQ For the highest quality compression at the maximum ProRes data rate ProRes 422 For extremely high quality compression using a low ProRes data rate ProRes 422 LT For high quality compression at a lower ProRes data rate ProRes 422 Proxy For high quality offline compression at the lowest ProRes data rate ProRes clips will play back using the compression quality they were recorded in IES Using HyperDeck HD 1920x1080 Ultra HD 4K 3840x2160 Ultra HD 4K is 4 times the resolution of HD e Single 6G SDI 4K SDI Out Dual 3G SDI Quad HD SDI 4K SDI Out e Single 6G SDi Dual 3G SDI Quad HD SDI Choose between single link 6G SDI dual link 3G SDI or quad link HD SDI for Ultra HD 4K playback About Ultra HD 4K With four times as many pixels as full HD 1080p Ultra HD 4K is the new standard for high resolution video This means you get 3840 x 2160 pixel resolution allowing you the greatest creative control for pixel perfect compositing VFX work color grading as well as the ability to project onto large displays for digital signage and cinema projections
76. rlichen Spannung innerhalb des HyperDeck Studio Pro Gehauses die einen Elektroschock verursachen kann Blackmagic Design empfiehlt das Geh use des HyperDeck Studio Pro nicht selbst zu ffnen sondern bei Hilfebedarf das nachstgelegene Blackmagic Design Servicecenter zu kontaktieren Attention Risque de choc lectrique Sur le panneau arri re du HyperDeck Studio Pro vous verrai une tiquette d avertissement de couleur jaune sur laquelle est inscrit Attention Risque de choc lectrique Cette mise en garde est destin e a avertir les utilisateurs de la pr sence possible d une tension dangereuse non isol e l int rieur du bo tier du HyperDeck Studio Pro laquelle tension pouvant avoir une magnitude suffisante pour constituer un risque de choc lectrique l utilisateur Blackmagic Design vous d conseille donc d ouvrir l unit HyperDeck Studio Pro et vous recommande de contacter votre centre de service Blackmagic Design le plus proche en cas de n cessit H Warranty 12 Month Limited Warranty Blackmagic Design warrants that this product will be free from defects in materials and workmanship for a period of 12 months from the date of purchase If a product proves to be defective during this warranty period Blackmagic Design at its option either will repair the defective product without charge for parts and labor or will provide a replacement in exchange for the defective product In order to obtain service und
77. s the internal software is up to date and there is nothing further you need to do How to Update Your HyperDeck Software on Windows Step 1 Download and unzip the HyperDeck Utility software Step 2 You should see a HyperDeck Utility folder containing this manual and the HyperDeck Utility installer Double click the installer and follow the onscreen prompts to complete the installation Step 3 After installing the latest Blackmagic HyperDeck Utility connect a USB cable from HyperDeck to your computer Step 4 Launch Blackmagic HyperDeck Utility and follow any onscreen prompt to update the internal software in your HyperDeck If no prompt appears the internal software is up to date and there is nothing further you need to do E Using HyperDeck 600 HyperDeck Studio Pro Uncompressed 10 Bit QuickTime K Set recording format to v Apple ProRes 422 HQ QuickTime 1 Apple ProRes 422 QuickTime Apple ProRes 422 LT QuickTime ut Trigger recording Apple ProRes 422 Proxy QuickTime Avid DNxHD QuickTime Avid DNxHD MXF Ty wnen timecode runs Save Selecting your recording and playback format HyperDeck Studio Pro includes additional ProRes codecs 12V POWER HDMI IN HDMI OUT SDIIN SDI OUT gt HyperDeck Shuttle USB port LOOP OUT OUT 1 OUT 2 MON OUT REF IN C SD HD 3GHD SDI J l HDMI HyperDeck Studio USB port LLun Re ee ee Ne HDMI D s
78. settings for color and brightness eop Error Logging Profiles Active Profile EBU R103 Gamut Audio Video Notes Levels V Log Audio Errors EBU R103 Max level 12 dB Min duration 250 lc ms Silence Log Audio Errors Silence level 40 gt dB Min duration 300 ms Set Active Revert Save Close Audio error tolerance settings How to Customize Error Logging To customize error logging go to the Error Logging menu and choose Profiles to open the Error Logging Profiles window Saved profiles appear in the profile list at the left and the current active profile appears in bold above the list The standard EBU R103 profile cannot be deleted or modified and is grayed out You can add a profile by clicking the add button and typing a name for your profile The new profile will initially contain the same parameters as the EBU R103 profile but these can be changed as required Under the Gamut tab upper and lower limits can be adjusted as a percentage of IRE units for RGB Luma and Chroma Set the minimum time in milliseconds ms for which these conditions must be sustained before being logged as errors Set the percentage area of pixels in error to total pixels in a frame below which errors can be ignored The Area setting acts like sensitivity Under the Audio tab the maximum audio level can be set in decibels dBFS as can the audio level below which audio is regarded as silence Set the minimum time in mi
79. shows that a maximum of 60fps will be supported the disk storage performance is too marginal to be reliable How Fast After each Read or Write test the results will be displayed in the How Fast panel The How Fast results panel also enables you to see how many streams of video can be supported by your disk storage If the result for HD 1080 is 70 you can run up to 70 frames of HD 1080 video per second This storage speed is capable of supporting the following video formats 2 simultaneous streams of 1080150 video at 25 fps per stream 1 stream of 1080050 video at 50 fps per stream 1 stream of 1080059 94 video at 59 94 fps per stream J4 Developer Information Blackmagic HyperDeck Ethernet Protocol Version 1 3 The Blackmagic HyperDeck Ethernet Protocol is a text based protocol accessed by connecting to TCP port 9993 on a HyperDeck Studio or HyperDeck Studio Pro If you are a software developer you can use the protocol to construct devices that integrate with our products Here at Blackmagic Design our approach is to open up our protocols and we eagerly look forward to seeing what you come up with Protocol Commands Command help or remote remote enable true remote enable false remote override true remote override false quit ping preview enable true preview enable false play play speed normal speed play loop true play single clip true record record name
80. ss play on HyperDeck Studio Pro and then press the Now button in the Log and Capture window Final Cut Pro will show you a preview of the video you are capturing Step 4 Press esc to stop capturing If you can t see an image in your video capture window Step 1 Quit Final Cut Pro Step 2 Launch Blackmagic UltraScope Note the output video standard that is displayed on the left side of Ultrascope s Picture Display Quit UltraScope Step 3 Launch Final Cut Pro and set the project preferences to match the standard reported by UltraScope ER Using Your Favorite Editing Software Adobe Premiere Pro CC Adobe Premiere Pro CC When you install the HyperDeck Software Blackmagic plug ins are automatically installed to Adobe Premiere Pro CC Setting up a Blackmagic Design project Step 1 Step 2 Step 3 Step 4 Step 5 Step 6 Step 7 Launch Premiere Pro Create a New Project and click on the Scratch Disks tab Set the desired Location and Name for your project at the bottom of this window Set the locations for your captured video captured audio video previews and audio previews Set the Capture Format to Blackmagic Capture and click on the Settings button to reveal the Blackmagic Capture Settings for your project The Video Standard can be set to NTSC PAL HD720 or HD1080 The Video Format can be uncompressed or compressed Now click OK The New Sequence window will appear To preserve maximum video quality you
81. ss the forward delete button on your keyboard This will only delete the clips from the Media List and they will safely remain stored on your disk To delete bins right click within a bin and choose Delete Bin This action will delete the bin and any clips it contains This will only delete the clips from the Media List and they will safely remain stored on your disk Searching the Media List Clips can easily be found in a project by typing the name of your clips in the Search field at the top of the Media List When used in conjunction with the favorites feature the search will be confined to your favorite clips so you will see a shorter list of found clips Blackmagic UltraScope SE Using Blackmagic UltraScope What is Blackmagic UltraScope With HyperDeck Studio Pro you get the incredible features of Blackmagic UltraScope which you can even use with compatible Mac OS X and Windows notebook computers with Thunderbolt technology Blackmagic UltraScope software is installed by the HyperDeck Studio Pro Installer Previously broadcast quality television and post production scopes were incredibly expensive custom solutions that only let you see one scope at a time on a tiny screen Some scopes look ugly and don t really look good in front of your client With Blackmagic UltraScope you get 6 wonderful scopes that let you see all aspects of your video signals Blackmagic UltraScope is perfect for quality control checks of the output
82. t NTSC Using XML While you can use the Terminal to talk to HyperDeck if you are writing software you can use XML to confirm the existence of a specific command based on the firmware of the HyperDeck you are communicating with This helps your software user interface adjust to the capabilities of the specific HyperDeck model and software version Protocol Details Connection The HyperDeck Ethernet server listens on TCP port 9993 Basic syntax The HyperDeck protocol is a line oriented text protocol Lines from the the server will be separated by an ascii CR LF sequence Messages from the client may be separated by LF or CR LF New lines are represented in this document as a 1 symbol Command syntax Command parameters are usually optional A command with no parameters is terminated with a new line Command name If parameters are specified the command name is followed by a colon then pairs of parameter names and values Each parameter name is terminated with a colon character Command name Parameter Value Parameter Value 4 Developer Intormation Response syntax Simple responses from the server consist of a three digit response code and descriptive text terminated by a new line Response code Response text If a response carries parameters the response text is terminated with a colon and parameter name and value pairs follow on subsequent lines until a blank line is returned Response code
83. t the following ProRes codecs Prores 422 HO ProRes 422 ProRes 422 LT ProRes 422 Proxy HyperDeck Studio Pro HyperDeck Studio Pro does everything that HyperDeck Studio does with the addition of analog video and audio in and out timecode in and out Thunderbolt connectivity and Ultra HD 4K ProRes capture and playback via 6G SDI and HDMI 4K Getting Started HDMI OUT SDI IN SDI OUT HyperDeck Shuttle HDMI and SDI inputs REMOTE YIN sil INC HyperDeck Studio Pro HDMI analog component and SDI inputs Plugging in Video Sources HyperDeck Shuttle Step 1 Step 2 Power on the unit If HyperDeck Shuttle does not power on you may need to charge the battery Simply plug in the power adapter and turn HyperDeck Shuttle on The battery will continue to charge as long as the power adapter is connected You can also power it from an external camera battery as the connector supports an input range of 12V to 18V Connect your SDI source to the DIN 1 0 2 3 miniature connector You may need a BNC to DIN 1 0 2 3 adapter cable for this If your source is HDMI connect a Type A HDMI cable to the HDMI input If you connect both SDI and HDMI HyperDeck Shuttle will default to recording from whichever input was connected first We recommend having only SDI or HDMI connected to each input as HyperDeck Shuttle will switch inputs if one is disconnected
84. t timecode Duration timecode Clip ID Name Start timecode Duration timecode A Note that the clip list format has changed incompatibly in protocol version 1 1 i e Start timecode information field is inserted to each clip information line Retrieving transport information The transport info command returns the state of the transport transport info H The server responds with transport specific information 208 transport info status preview stopped play forward rewind Jog shuttle record 4 speed Play speed between 1600 and 1600 slot id Slot ID or none display timecode timecode timecode timecode Developer Intormation clip id Clip ID or none lt video format Video format loop true false L ya The timecode value is the timecode within the current timeline for playback or the clip for record The display timecode is the timecode displayed on the front of the deck The two timecodes will differ in some deck modes Asynchronous transport information change notification is disabled by default and may be configured with the notify command When enabled changes in transport state will generate a 508 transport info asynchronous message with the same parameters as the 208 transport info message Video Formats The following video formats are currently supported on HyperDeck Studio NTSC PAL NTSCp PALp 720050 72005994 720160 108023976 1080
85. the selected target drive When the file has finished writing or when 8 seconds has elapsed Disk Speed Test will stop writing and start reading back the temporary file from the drive Disk Speed Test will continue writing and reading the nominated sized stress file until you stop the test by clicking the Start button again Will it Work The Will it Work panel can help to identify video formats where the Read performance might be significantly different to the Write performance These differences might mean that you can capture a video format but not play it back in real time or else you can play back a video format but not capture it in real time The Will it Work panel shows common video formats and instantly displays a check mark or cross to show if the disk performance will be adequate for the desired video format We suggest you allow Disk Speed Test to perform several test cycles to help reveal any video formats for which the disk storage performance might be marginal If you observe a check mark and a cross switching between each other for a video format this would indicate that the disk storage cannot reliably support the video format The How Fast results panel shows the frame rates your drive can achieve in frames per second and should be read in conjunction with the Will it Work panel If the Will it Work panel shows a green check mark for 10800 59 94fps in 10 Bit YUV 4 2 2 but the How Fast panel
86. to enable or disable the remote control of the deck Any attempt to change the deck state over ethernet while remote access is disabled will generate an error 111 remote control disabled To enable or disable remote control remote enable true false 3 Developer Information The current remote control state may be overridden allowing remote access over ethernet irrespective of the current remote control state remote override true false The override state is only valid for the currently connected ethernet client and only while the connection remains open The remote command may be used to query the remote control state of the deck by specifying no parameters remote The deck will return the current remote control state 210 remote info enabled true false override true false A Asynchronous remote control information change notification is disabled by default and may be configured with the notify command When enabled changes in remote state will generate a 510 remote info asynchronous message with the same parameters as the 210 remote info message Closing connection The quit command instructs the server to cleanly shut down the connection quite Checking connection status The ping command has no function other than to determine if the server is responding ping Getting help The help or commands return human readable help text describing all avai
87. to resume normal playback You can also use the Jog Shuttle Wheel to shuttle to a particular section at variable soeeds The more you turn it forwards or backwards the faster your HyperDeck Studio will play through your video Once you ve found the section you want to review press play to resume normal playback If you want to slowly jog through your video frame by frame press the JOG button once to enable jog operation Turning the jog shuttle wheel in the desired direction will then jog through your video Pressing the JOG button again will return the wheel to shuttle operation Ref Input HyperDeck Studio and HyperDeck Studio Pro feature a Reference input which accepts blackburst and tri level sync signals from async generator Connect a reference source to this input if you want to synchronize HyperDeck with other video equipment such as a production switcher Using HyperDeck 5 4 3 2 1 9 B 7 6 Receive Receive Transmit Transmit Ground Pins 2 7 8 3 1 4 6 9 RS 422 remote pin connections O O O O O REMOTE O SZ SZ Se Ls 140 36 6G SDI IN Remote port on HyperDeck Studio Pro RS 422 Control What is RS 422 Control The RS 422 standard is commonly supported by NLE hardware and software and allows video players and recorders to be remotely controlled by an external RS 422 controller or capture device You can remotel
88. video format you can use Disk Speed Test to find out With its easy to understand layout it is now simple to understand what performance you can get out of your media drives with a single click of the Start button Disk Speed Test will even show you how many streams of video your storage is capable of handling Disk Speed Test is included free with your HyperDeck and can also be downloaded from our website free of charge Disk Speed Test takes the guess work out of configuring your storage system for optimal performance for any job you will be doing Disk Soeed Test settings are accessed by clicking on the Settings button just above the Start button On Mac OS X the same settings are also available from the Menu Bar at the top of your computer display Select Target Drive Click Select Target Drive to choose the storage volume you wish to test Ensure you have Read and Write permissions for the selected volume as Disk Speed Test will write a temporary file to it This file will be automatically deleted when you quit Disk Speed Test Save Screenshot After testing your disk storage click Save Screenshot to save a screenshot of the results to a chosen location Stress Lower stress settings may be chosen if you want to demonstrate the speed of disk storage quickly The 1 GB option would be a good choice on a trade show booth to rapidly show the read and write performance of a disk array even though the results might not be quite as accurate as
89. y control HyperDeck Studio models using your favorite NLE software and video capture hardware to remotely capture batch capture and play back video with your HyperDeck Studio All you need to do is connect an RS 422 cable from your capture device to HyperDeck Studio and press the REM button to enable remote deck control Using an External RS 422 Controller Both HyperDeck Studio models feature an industry standard Sony compatible RS 422 deck control port which has the correct pin connections for a direct connection to any remote controller with RS 422 You can use pre manufactured 9 pin cables as long as each end of the cable is wired pin for pin where the same pin numbers on each end of the cable are connected together If you would like to make custom cables please refer to the accompanying wiring diagram You can remotely control your HyperDeck Studio from an RS 422 controller instead of locally pushing buttons Step 1 Connect a video signal to an SDI or HDMI video input of your HyperDeck Studio Step 2 Connect an RS 422 cable from your external controller to your HyperDeck Studio Step 3 Press the REM button to enable remote deck control You can now remotely start and stop recording and playback of your HyperDeck Studio as well as performing other common jog and shuttle functions The full list of supported RS 422 commands is in the following section named Supported RS 422 Commands 222 Using HyperDeck Daisy chain
90. y be blank other than for some column headings Select the START button to commence logging In Full Screen view you can switch back to the Histogram Display and UltraScope will continue to perform error logging until you choose to stop it When error logging is being performed the STOP button replaces the START button When the STOP button has been selected you can choose to START again and any new errors will be appended to the existing log When error logging has been stopped you can choose to SAVE the log to a CSV file or alternatively CLEAR the log The SAVE and CLEAR buttons will not appear if no errors have been recorded The CSV file can be analyzed in many applications including spreadsheet and database software By default error logging is performed using the EBU R103 standard which is set down by the European Broadcasting Union This standard is popular worldwide and is commonly used as a template for making new error logging profiles Using Blackmagic UltraScope eop Error Logging Profiles Active Profile EBU R103 Gamut Audio Video Notes RGB V Log Camut Errors Upper limit 105 7 IRE Min duration 250 ms Lower limit 5 IRE Area Luma Log Camut Errors Upper limit 103 7 IRE Min duration 250 7 ms Lower limit 1 IRE Area dL Chroma VY Log Gamut Errors Upper limit 105 IRE Min duration 2 ms Lower limit 5 IRE Area 1 Set Active Revert Save Close Gamut error tolerance

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