I Vintage Style Active Ribbon Microphone
Contents
1. ANA powered by standard 48V phantom power that iso lates the ribbon and gain make up transformer from the outside world A stunning realism with the feeling of being there The typical large and mellow ribbon sound quality with a very smooth top end and an extended low end A fast and life like transient reproduction An ultra high SPL capability 160 dB SPL 1 THD 1000HZz and a very high sensitivity for a ribbon microphone similar to many condenser microphones A Figure 8 directional pattern for wide sweet spots both in the front and in the back of the microphone Zero spots towards the sides A 50mm long ribbon made of 2 microns thick alu minium foil An internal shock mount for the ribbon and magnet assembly Aremovable microphone cable and a nice aluminium flight case Manufactured of the finest materials for a great performance and long term reliability The R1 Active can be used with any standard mixer or preamp with a balanced input that can supply 48V phantom power USE OF THE R1 ACTIVE The R1 Active needs standard 48V phantom power to operate The Figure 8 pattern of the R1 Active gives you the ability to separate sound sources by plac ing the unwanted ones in the side zero pick up directions Placing the unwanted ones RI towards the sides of the R1 Active E will remove most of the direct sound from the sound source The R1 Active will still pick up that so2. PROJECT INTRODUCTION low cost one ACTIVE Vintage Style Active Ribbon Microphone Congratulations on choosing the Golden Age Project R1 Active microphone The R1 Active is a unique microphone since it is one of the very few high quality vintage style ribbon microphone with active electronics on the market and especially since it probably is the first The R1 Active offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today after almost 70 years On top of that the active circuitry raises the output level considerably to be similar to that of many condenser microphones This has the good effect that one does not need special high gain microphone preamps when using the R1 Active on quiet sound sources It also makes the R1 Active able to drive long microphone cables without any problems and insures that the sound is consist ent with different preamps One of the factors that usually changes the sound of passive ribbon microphones is the input impedance of the following microphone preamp The active output circuitry in the R1 Active buffers the ribbon and the gain make up transformer from the outside world and the result is that the R1 Active will consistently give you maximum performance in any situation The R1 Active is very well suited for the recording of most sound sources like vocals acoustic instru
3. WWW GOLDENAGEPROJECT COM ANA before unplugging the R1 Active from the mixer or preamp 7 When the R1 Active is not in use always keep it in its aluminium case 8 Do always store the R1 Active in a vertical position If it is stored horizontally the 50 mm long ribbon can sag by time which will gradually degrade the per formance of the R1 Active 9 Avoid exposing the R1 Active to direct sunlight or extremes in humidity for extended periods of time l 10 Do never try to service the R1 Active yourself since this will void the warranty WARRANTY Due to the extremely delicate nature of ribbon micro phones which can so easily be damaged by improper handling and use the ribbon assembly is not covered under warranty Please check your R1 Active carefully immediately when you receive it and make sure that there are no problems with the microphone After that first initial inspection the standard one year warranty only apply to defects in materials and workmanship in parts l other than the ribbon assembly If the ribbon assembly is damaged during use contact your dealer or us for a quote for replacement of the ribbon assembly service goldenagemusic se SPECIFICATIONS Type Large ribbon geometry pure aluminium 2 um thick 50 x 5 mm size with active electronics Polar pattern Figure 8 Frequency response 30 Hz 18 kHz 3 dB Sensitivity 42 dB 0 dB 1V Pa 1 kHz Equivalent Noise Level A weight
4. ed per IEC 268 4 lt 18 dB typical g Maximum SPL lt 1 THD 1 kHz 160 dB Output impedance 200 ohm balanced Recommended load impedance gt 1000 Ohms Current consumption 4 mA PZS gt gt gt Sa ae Dimensions 69x185 mm Weight 1 450 g Please note Specifications can be changed at any time without notice SS SSS Many thanks for purchasing the Golden Age Project R1 Active ACTIVE We wish you much joy and many wonderful recordings with it
5. ments strings horns orchestras and choral groups and many live sound applications In spite of its low cost the R1 Active meets the most stringent demands To get maximum benefit and trouble free use out of the R1 Active please read this manual carefully UNPACKING INSPECTION STORAGE AND TRANSPORT The R1 Active was carefully tested and packed at the factory The aluminium case has been designed to protect the microphone when you store ship or move it Please always use it when you need to transport the R1 Active for service or for any other reason IMPORTANT NOTICE The ribbon assembly in the R1 Active as in any ribbon microphones is very sensitive and fragile and can be easily damaged if handled the wrong way That is why it is important that you immediately after you have received the R1 Active verifies that it is working properly and that it has not been damaged during shipping The warranty of the ribbon assembly in the R1 Active does not extend beyond this initial inspection since it can be damaged so easily if it isn t handled properly In the rare case that the R1 Active is not working prop erly when receiving it please contact your dealer FEATURES The unmatched natural and musical sound of a clas sical ribbon microphone combined with the consistent sound quality offered by the addition of active elec tronics A FET Bipolar discrete low noise current amplifier WWW GOLDENAGEPROJECT COM
6. moves it a small current is gener ated in the ribbon since it is suspended in a magnetic field The good part of this design is that it results in one of the warmest and most natural sound available from any type of microphone The bad part of it is that it also make ribbon microphones the most sensitive and fragile ones It is therefore very important that the R1 Active as any other ribbon microphone is treated with very special care if it is not to be seriously dam aged In order to ensure a long life for your R1 Active please always follow these guidelines 1 Do never subject the R1 Active to hard knocks such as dropping it or not packing it properly when you move or transport it since this can destroy the ribbon assembly 2 Do never blow into the R1 Active and protect it from any strong blast of air movement as this can tear and destroy the fragile ribbon 3 Do never move around fast with the R1 Active in your hand please remember that any excessive air movement can damage the ribbon 4 Do always use a pop filter when there is a risk of excessive air movements reaching the ribbon from the sound source One example is close up vocals The pop filter will also protect the R1 Active from mouth spray 5 Do always protect the R1 Active from dirt and moisture 6 Switch the phantom power on after the R1 Active has been connected to the mixer or preamp and switch the phantom power of and wait at least ten seconds
7. urce from the reverberant field in the recording room though PROJECT Due to the small width of the ribbon the horizontal pick up pattern is very wide It is much wider com pared to a large capsule condenser microphone The vertical pick up pattern is narrow at the higher frequencies though due to the length of the ribbon This is due to the fact the wavelength at higher fre quencies is much shorter than the length of the ribbon If you want maximum top end response from the R1 Active it is important that the R1 Active is mounted so that it is parallel to the sound source If it is verti cally angled against the sound source then there will inevitably be a loss of top end This can sometimes be a good thing so this effect can be used creatively The narrow vertical pick up pattern will lower the effect of high frequency sound reflections Be aware of the proximity effect an increase in bass response when the R1 Active is close to the sound source This can be a good or a bad thing You can adjust the bass response by changing the distance from the microphone to the sound source for an opti mum result in different situations You can also use a high pass filter in your preamp or mixer PRECAUTIONS The transducer part of the R1 Active consists of a very thin and ultra light corrugated aluminium ribbon clamped under light tension and mounted between the poles of a strong magnet When the sound waves hits the ribbon and
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