The Blüthner Digital Model One
Contents
1. R36 Dark BLUTHNER_ 100_CLA N37 Reuk Crisp TF R38 ReuK Clear x a i R39 ReuK Warm iy bo 2 R40 ReuK Dark 5 mmm RisPedUp R41 ReuL Crisp BupassTi RI_Ory R42 Reul Clear ea 232 215 R43 Warm pas 0 0 544 Dark RisTrig BupassSI RI Wet R45 ReuM Crisp D a 127 BupassChorus 10 SEa R46 ReuM Clear LEK PIN NTC bite Lie 10 0 R47 ReuM Warm BypassTuning D PreDelau Digital Model One t LENTEN LA amp Dan Eq Temperament 0 ms R49 ReuN Crisp RSO ReuN Clear RSI ReuN Worm RS2 ReuN Dark RS3 Crisp RS4 ReuP Clear RSS ReuP Warm ReuP Dark RS ReuQ Crisp 658 Reu0 Clear RSS Reu0 Warm R60 Reu0 Dark R6I ReuR Crisp R62 ReuR Clear R63 ReuR Warm R64 ReuR Dark RES ReuS Crisp ReuS Clear ReuS Warm R68 ReuS Dark R69 ReuT Crisp 70 ReuT Clear R71 ReuT Warm KPL SECTION CONTROL KNOBS oe 0 63 Purge 0 00 257 81 MB m e RisPedUp EJ i BupassT RI 232 2ms Bupasski 0 0 da RisPedDn class 1959 A RisTrig Ri_Wet 232 2ms ROI ESO Crisp A aug BupossChorus 10 0 Crisp 7 BupassTuning PreDelau ms BLUTHNER 100 CLRSSICRL WV A RevDry RevWet amp PreDelav We ve included some basic level controls for the Reverb Impulse section RevDry2. rurge Libraries Engine CT KONTAKT DEF User Instruments User Multis BLUTHNER_100_CLASSICAL_V Bluthner Model One 4 st 1 do B3 Purge 257 81 MB RisPedUp 1 BupassT 232 215 BupassRI 0 0 aa To 2 22122257 le l into RisPedDn 1959 gt RisTrig Bunc RI Wet 232 2ms PEOI EGO TO 2 IL KENN BupossChorus 10 0 SOTSusA Crisp Bypass Tuning D Digital Model One by Emest Cholakis amp Dan Dea i Bluthner 100 Classical u nki PreDelay Bluthner 100 Custom u nki Bluthner 100 Jazz U nki Eq Temperoment ms Bluthner__100_Pionos_ u nki Bluthner_100_Pop_u nki Bluthner_100_R amp B_Uu nki Bluthner 100 Vocal v nki NB Ziz REPRE As with the other buttons press the Kevboard Button again to displav kevboard MasterKontrol It O Browser NA Outputs Keyboord View 257 81 E Lood Sove Options i 721 Jardu 84724 KONTAKT DEF Ol 16 17 32 User Multis x BLUTHNER 100 CLASSIGC L U Bluthner Model Une les 51 O 63 Purge 1 Libraries Engine Ruto User Instruments 0 00 n 25 7 81 MB m A e a MNT RisPedUp 12 BupossTi RI Dru 232 2 5 jupossR 00 gt RisPedOn Motels 1959 v RisTrig EL Wet 232 2ms EOI ESO crs 1 6k ms BupossChorus 10 0 GE
3. Bluthner_100_Pianos_u nki Bluthner_100_Pop_vy nki Bluthner_100_R B_u nki Bluthner_100_vVocal_u nki Bluthner 45 Classical U nki Bluthner 45 Custom u Im Im 2 ho Em la Bluthner_45_Joazz_u nki Master Tempo Multi l PAV Browser 8 Lood Soue NN Dutputs 96 Options Keuboord Purge LAGE f Metronom e Top e N 9 MasterKontrol 0 257 81 Master Tune 440 00 120 00 A iE Reference Tone Na Om 541 us errege 01 15 17 32 m 0 00 KONTAKT DEF BLUTHNERL 100 CLASSICAL Y st 1 0 53 GIN Y Purge 257 81 MB RIsPedUp mi TR 232 2ms BunossR 232 2ms 2 2 Digital Model One by Ernest Cholakis Dan Dean RisTrig 1 6k ms Eq Temperament 49 64 O RI_Druy 0 0 Ri_Wet 10 0 PreDelay ms The first button on the left side of the bottom row in this section is called the Load Save Button If you press this button a drop down menu provides you with loading and saving options KONTAKT Jud igno WEB Nag Ga Ruto w User Multis Librories Engine User Instruments Bluthner Model One 777227 77124 Instruments Bluthner 100 Clossicol u nki Bluthner_100_Custom_u nki Bluthner 100 Jazz n
4. 1 gt LP A EGI 172 RisPedUp Dar TI AT instr menis Mutis v ino 232 2ms 3upassR L00 RisPedDn TOlcloss 1959 5n BEN Buposss Ri_Wet Nome D 232 2ms ajfi Crispy LA AEE BupassChorus gt 10 0 Bluthner 100 Classical u nki Bypass Tuning PreDelay Bluthner 100 Custom u nki ES Digital Model One by Ernest Cholakis amp Dan Eq Temperament l 0 ms Bluthner_100_ Jazz_u nki Bluthner_100_ Pionos u nki Bluthner100_Pop_uy nki Bluthner_100_R amp 6_u DK Eluthner 100 Vocal u nki Outputs Delete Channel Show Inserts Edit Effect Reset Out Map Make Default 51 2 surr 5 1 Bluthner_4 gt 5_Classical_u nki Bluthner_45_Custom_u nki Bluthner_45_Jozz_U nki Bluthner_45_Pionos_u nki Bluthner__45_Pop_u nki Bluthner_45_R amp B_u nki mon m n Tg mm were my Bluthner_4S_ Vocals 00 200 48 Bluthrer_55_ Classical_u niki pre Config FEEEEGSGEEEEEEEEEE Bluthner 55 Custem u nki Bluthner 255 Jazz u nki Bluthner 55 Pianos u nki Bluthner 25S Pop u nki Bluthner 55 REB U nki Bluthner_S5_Vocal_u nki EEEE The third button the top row is called the Kevboard Button which displavs invisifies the kevboard at the bottom of the BDMO Kontakt2 window Browser tikk Outputs e K ONTAKT E Lood Sove Options Keyboord MasterKontrol 0 B View v 257 81
5. 2 1 35 2 2 1 TEL 06 6392 0200 T438 0802 9 7 TEL 0538 37 5880 Blithner China Bx i 595 5995 1848 510620 1 86 20 3882 2355 8 86 20 38822119 EMail bluthner 163 com SERRE Bluthner Russia 115054 52 8 7300080 7300080 E mail info bluethner ru Bluthner Digital Model One Concert Grand Piano Powered bv the KONTAKT PLAVER 2 Thank you for purchasing the Bluthner Digital Model One Concert Grand Piano powered Native Instruments KONTAKT2 PLAVER This manual is designed to get vou up and running quicklv and guide vou through the installation process as well as show vou around the features available to vou in the program POWERED BV KONTAKT SOFTWARE TECHNOLOGY Bluthner Digital Model One Concert Grand Piano Features The Bluthner Digital Model One is a completely new direction in sampled instruments with a collection of powerful new features designs and new technologies Recorded at Skvwalker Sound a division of Lucasfilm Limited The Bl thner Digital Model One was sampled in the scoring stage at Skywalker Sound in San Raf
6. ms Notice that vour selected has been loaded EA 4 D BLUTHNER 100 CUSTOM V 51 1 0 6 PAV SES 2 257 81 ma PA 7 ReuDru 0 0 us 232 2ms 22227 Crispy 2 BupassChorus Crisp gt N X A D PreDelay O ms ReuWet 10 0 Digital Model One by Ernest Cholakis 4 Dan Dean Eq Temperament Also notice that the Timbral Impulse Graphic Display has changed showing the frequency response characteristics of the new loaded Timbral Impulse TIMBRAL IMPULSE GRAPHIC DISPLAY The Timbral Impulse Graphic Display shows the frequency spectrum in 8 bands at the bottom of the display Frequency is displayed in Hertz hz Bars above the zero axis are positive below the zero axis negative db One quick glance at the Timbral Impulse Frequency Display and you can see the frequency curve of your selected Timbral Impulse Every time you select a new Timbral Impulse its charac teristics are shown on the TI Graphic Display 50 86 86 125 125 250 250 500 500 1k 1k 2k 2k 4k 4k 8k Timbral Impulse Information Classical Group 1 Classical 2 Classical 3 Classical 4 Classical 5 Classical 6 Classical 7 Classical 8 Classical 9 Classical 10 Classical 11 Classical 12 Classical 13 Classical 14 Classical 15 Classical 16 Classical 17 Classical 18 Classical 19 Classical
7. Bluthner Digital Model One Concert Grand Piano bv Ernest Cholakis and Dan Dean Semperoper Hall Dresden Germanv OPERATION MANUAL The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments Software Synthesis GmbH The software described by this document is subject to a License Agreement and may not be copied to other media No part of this publication may be copied reproduced or otherwise transmitted or recorded for any purpose without prior written permission by Native Instruments Software Synthesis GmbH All product and company names are trademarks of their respective owners And also if vou re reading this it means you bought the software rather than stole it It s because of people like you that we can continue to create great tools and update them So thank you very much Users Guide written by Native Instruments GmbH Native Instruments Software Synthesis GmbH 2006 Bluthner Digital Model One Operation Guide written by Dan Dean Dan Dean Productions Inc 2007 Numerical Sound 2007 Julius Bluthner Pianofortefabrik GmbH 2007 ProAudioVault 2007 rights reserved KONTAKT is a trademark of Native Instruments Software Synthesis ProAudioVault http www proaudiovault com Dan Dean Productions Inc P O Box 1486 Mercer Island WA 98040 info dandeanpro com http www dandeanpro com Numerical Sound P O
8. Eq Temperament 2 TOS r b 1949 r b 1873 TO r b 1972 r b 1985 r b 2002 T1O r b 1970 r b 1968 12 r b 2002 T13 r b 1957 114 r b 1372 TIS r b 1988 r b 1970 T1 r b 1979 118 r b 1968 T19 r b 1979 20 r b 1968 T21 r b 1969 22 r b 1996 T23 r b 1996 124 r b 1977 25 r b 1980 126 r b 1976 T27 r b 1974 128 r b 1973 ms Timbral Impulse Information R B Group Timbral Impulse Recording Year Recording Location 1 R amp B 2005 USA 2 R amp B 1969 USA 3 R amp B 1969 USA 4 R amp B 1972 New Orleans USA 5 R amp B 1949 New Orleans USA 6 R amp B 1973 USA 7 R amp B 1972 USA 8 R amp B 1985 London 9 R amp B 2002 New Orleans USA 10 R amp B 1970 USA 11 R amp B 1968 USA 12 R amp B 2002 New Orleans USA 13 R amp B 1957 USA 14 R amp B 1972 USA 15 R amp B 1988 USA 16 R amp B 1970 USA 17 R amp B 1979 New Orleans USA 18 R amp B 1968 USA 19 R amp B 1979 New Orleans USA 20 R amp B 1968 USA 21 R amp B 1969 USA 22 R amp B 1996 Canada 23 R amp B 1996 Canada 24 R amp B 1977 USA 25 R amp B 1980 USA 26 R amp B 1976 New Orleans USA 27 R amp B 1974 USA 28 R amp B 1973 USA VOCAL TIMBRAL IMPULSE GROUP 24 Impulses EAO BLUTHNER 100 VOCRL UV 40 Q Tune st 1 63 Purge 4 0 00 1 E makni mi L e RisPedUp M Bus 9 RI_Dry 232 2ns Eom ____ 00 RisPedDn 7 1 10415 A RIsTrig O RI Wet GOO Gere
9. 1333 E Lood Soue e Options cp BLU M 257 81 MB 20 1993 21 1982 KONTAKT DEF T22 pop 1978 01 16 17 32 33 48 49 64 E T23 pop 2003 100 12 pop 1975 je EE Em 25 1988 n 25 pop 1372 i 127 pop 1973 T28 pop 1877 23 pop 2000 Ml T20 pop 2004 _____ AER 0 0 131 1970 RisTrig BupassS RI Wet D T32 pop 2006 D B 232 2 5 T33 pop 1959 Bu 10 0 T34 1988 de BupassTuninc PreDelau Digital Model One V Einesi r is Dan Dean Eq Temperament O ms T36 pop 1972 T37 pop 1370 38 1873 T39 1370 T40 1378 41 1375 T42 2003 T43 pop 1968 T44 pop 1968 45 pop 1370 T46 pop 1371 47 pop 1999 T48 1982 T49 pop 1990 TSO pop 1972 TSI 1975 TS2 pop 1375 TS3 1377 T54 1858 TSS pop 1373 pop 1968 T57 pop 1996 58 pop 1998 RisPedUp Timbral Impulse Information Pop Group 1 Pop Rock 2 Pop Rock 3 Pop Rock 4 Pop Rock 5 Pop Rock 6 Pop Rock 7 Pop Rock 8 Pop Rock 9 Pop Rock 10 Pop Rock 11 Pop Rock 12 Pop Rock 13 Pop Rock 14 Pop Rock 15 Pop Rock 16 Pop Rock 17 Pop Rock 18 Pop Rock 19 Pop Rock 20 Pop Rock 21 Pop Rock 22 Pop Rock 23 Pop Rock 24 Pop Rock 25 Pop Rock 26 Pop Rock 27 Pop Rock 28 Pop Rock 29 Pop Rock 30 Pop Rock 31 Pop Rock 32 Pop Rock 33 Pop Rock 34 Pop Rock 35 Pop Rock 36
10. 1978 T40 1993 T41 jozz 2001 T42 1965 T43 1996 T44 1965 T45 jazz 1980 T46 1375 T47 1999 T48 1997 143 1997 TSO jazz 1962 TC1 i454 TOCCA RisTrig 1 6k ms sterKontrol i 0 257 81 MB BupassTuninc Eq Temperament X 1 pux 0 0 RI Wet 10 0 PreDelau DH 17 32 33 48 49 64 aux e B 7 Tune RisTrig 1 6k ms is amp Dan Dean 0 00 Eq Temperoment 113 m RI Dru 0 0 dB 10 0 PreDelau O ms 1 Jazz 2 Jazz 3 Jazz 4 Jazz 5 Jazz 6 Jazz 7 Jazz 8 Jazz 9 Jazz 10 Jazz 11 Jazz 12 Jazz 13 Jazz 14 Jazz 15 Jazz 16 Jazz 17 Jazz 18 Jazz 19 Jazz 20 Jazz 21 Jazz 22 Jazz 23 Jazz 24 Jazz 25 Jazz 26 Jazz 27 Jazz 28 Jazz 29 Jazz 30 Jazz 31 Jazz 32 Jazz 33 Jazz 34 Jazz 35 Jazz 36 Jazz 37 Jazz 38 Jazz 39 Jazz 40 Jazz 41 Jazz 42 Jazz 43 Jazz 44 Jazz 45 Jazz 46 Jazz 4 jazz 48 Jazz 49 Jazz 50 Jazz 51 Jazz 52 Jazz Timbral Impulse Information Jazz Group Timbral Impulse Recording Vear 1993 1999 1996 1997 1982 2002 1968 1997 1982 1979 1994 2004 1996 1996 1996 2004 2006 1996 1959 1971 1996 1996 1994 1991 2001 1992 2001 1996 1955 1991 1993 1957 2004 2004 2004 1959 1991 2001 1978 1993 2001 1965 1996 1965 1980 1975 1999 1997 1997 1962 1964 1992 Piano Make Austrian na na na na na n
11. User Multis all samples BLUTHNER 100 NG 5 LUNG 0 00 relood all samples Bluthner Model One st 93 Purge 1 x 257 81 MB M m E VEL PCY 03477 d DEC D RisPedUp FI RI Dry Instruments Multis Info 232 2 5 PupossR 0 0 RisPedDn ITO loss 1959 gt 9 D 2 Ris TrIQ 100555 232 2 5 Crispy a BupossChorus 10 0 ag BU Bluthner_100_Classicol_u nki 501 SusA M Bupass Tuning D PreDelau Bluthner 100_Custom y nki ON Digital Model One by Emest Cholakis amp Dan Dean Eq Temperoment E 0 ms Bluthner 100 Jazz Bluthner 100 Pianos u nki Bluthner 100 Pop u nki Bluthner_100_R amp B_u nki Bluthner_100_Yocal_v nki Bluthner_45_ Clossical u nki Bluthner 45 Custom u nki The last button in this section is called the View Button and when pressed allows vou to select the BDMO Kontakt2 Plaver displav size normal bigger and large 8 Lood Sove Options c5 Purge WView M 257 81 e KONTAKT Browser tikk Outputs Keyboard Librories Engine Ruto KONTAKT DEF bigger size 17 32 33 48 User Instruments User Multis large size DI BLUTHNE IOO CL SSIG L VU Bluthner Model One 51 1 0 63 Purge Tz 0 00 A 1 257 81 MB maa d If I f l
12. Austrain Piano German Piano USA Piano A 7 foot Japan Companv German Piano B Japan Companv Japan Companv D Japan Companv Austrian Piano Japan Companv C Japan Companv D German Piano USA Piano Japan Companv German Piano C Japan Companv Japan Companv C Japan Companv D German Piano Italian Piano Austrian Piano A Historic Piano 1813 Japan Piano A German Piano B Japan Piano A 7 foot German Piano A USA Piano C Historic Piano 1850 Sweden Piano A German Piano E Upright Historic German Piano A 1906 Australian Piano A German Piano D Recording Source Digital Piano Sampled Piano Sampled Piano Sampled Piano Digital Piano Sampled Piano Sampled Piano Digital Piano Sampled Piano Digital Piano Private Recording Private Recording Private Recording Sampled Piano Sampled Piano Digital Piano Digital Piano Sampled Piano Sampled Piano Sampled Piano Private Recording Digital Piano Sampled Piano Digital Piano Digital Piano Digital Piano Sampled Piano Digital Piano Digital Piano Recording Private Recording Digital Piano Recording Digital Piano Digital Piano Digital Piano Sampled Piano Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Sampled Piano Recording Recording Recording TIMBRAL IMPULSE GROUP 59 Impulses EZ ssterKontrol 0 a a B Browser tikk Outputs pa TIS
13. 232 2ms Bupasski A RisPedD TOT class 1959 2 RisTrig 5 4 r 232 2m EDT EEE 9 16k ms 4 Crisp 7 BupassTuning Dru 0 0 10 0 PreDelay TIMBRAL IMPULSE SELECT 1 ee aif TIMBRAL IMPULSE SELECT Each collection of Timbral Impulses is grouped by Type A Timbral Impulse always begins with the letter T followed by the TI number TI type and the year that the Timbral Impulse source material was created Upon startup you will see that the following TI is loaded by default if any of the Classical Group instruments are selected class 1959 This tells you that the impulse is Timbral number 01 from the Classical Group and was cre ated from source material dating back to 1959 There are 7 Timbral Impulse Groups Classical class Custom Jazz Pianos Pop R B Vocal USING TIMBRAL IMPULSES Timbral Impulse technology is new to the sampling world At the click of a button you can completely transform the already beautiful sound of the Bluthner Digital Model One into any number of other pianos Classical pianos from the world s most prized recordings Rhythm and Blues pianos taken from performances and recordings Pop Pianos from Rock recordings concerts and private recordings Timbral Impulses from other manufacturer s pianos from around the world Jazz Pianos from award winning recordings and concerts and priv
14. Multi KONTAKT_DEF 17 32 User Instruments User Multis Bluthner Model One Mt 4 pA Instruments Multis Info Hame z MariableSustainf edal ss RegularSustainf edal Double click on this selection and the Variable Sustain Pedal instruments will open At this point scroll and make vour selection of the instrument and either double click the instrument or click drag it into the empty pane on the right next to the Browser window e KONTAKT LIT 6 Outputs Keyboord e MosterKontrol bd bia ad dd 8 Lood Saue Options WView Y Libraries Engine Auto KONTAKT DEF User Instruments w User Multis Bluthner Model One Blittiner Instruments Multis 19 bia Bluthner 100 Classicol u nki Bluthner_100_Custom_y Bluthner_100_Jaz2_u Bluthner 100 Pianos u nki Bluthner_100_Pop_u nki Bluthner_100_R amp B_u nki Bluthner_100_Vocal_u nki Bluthner_4S_Clossical_u nki Bluthner_4S_ Custom nki ZERE RE EEE If you do not a Variable Sustain Pedal use the Regular Sustain Pedal presets by selecting the Regular Sustain Pedal folder and double clicking on it e KONTAKT IET tH Dutputs W Keyboord MosterKontrol E Lood Save Options c Purge gt View M Librories Engine Ruto KONTAKT DEF User Instruments User M
15. SUSTAIN PULL DOWN MENU Du BLUTHNER_100_CLASSICAL_V 0 63 Purge 257 81 RisPedUp Ka 232 2ms JupassRi 0 0 RisPedDn ETO goze 1959 gt A BupossSi RI Wet 232 2ms RODReUR Crispy BupassChorus 10 0 PreDelay Digital Model One 20 i Eq Temperament 0 ms 502 5558 Crisp 503 SusA Clear 504 SusB Clear SOS SusA Euen 506 SusB Even SO SusA Full THE 55 COLUMN BLUTHNER_100_CLASSICAL_V v 0 63 257 81 232 2ms RisPedDn TO closs 1959 RIsTrig BupossSi 232 2ms 221770577 1 6 5 Crisp gt Digital Model One by Ernest Cholakis Dan Dean Eq Temperament 5 When these buttons are illuminated or orange their effect is BYPASSED RI Dru 0 0 dB RI 10 0 PreDelay ms The Bypass TI or Timbral Impulse button enables disables the Timbral Impulse features of the Bluthner Digital Model One The Bypass RI or Reverb Impulse button enables disables the Reverb features of the Bluthner Digital Model One The Bypass SI or Sustain Impulse button enables disables the Sustain Impulse features of the Bluthner Digital Model One CHORUS EFFECT BLUTHNER 100 CLASSICAL VY 51 1 vil O 53 Purge 1 v 257 81 RisPedUp BupassTi RI Dry 232 2 5 BupassR 0 0 dB RisPedDn TOlcloss 1959 D RisTrig BupossS RI Wet 232 215 PROPRJA Crispy S
16. 20 Classical 21 Classical 22 Classical 23 Classical 24 Classical 25 Classical 26 Classical 27 Classical 28 Classical 29 Classical 30 Classical 31 Classical 32 Classical 33 Classical 34 Classical 35 Classical 36 Classical 37 Classical 38 Classical 39 Classical 40 Classical 41 Classical 42 Classical 43 Classical 44 Classical 45 Classical 46 Classical 47 Classical 48 Classical 49 Classical 50 Classical Timbral Impulse Recording Year 1959 2004 2001 2000 1989 2004 1996 1995 1962 1967 1996 1975 1990 1973 2003 1990 1982 2001 2001 2005 1972 1982 1990 1995 1983 1995 1989 1962 1973 1990 1932 1935 1965 1975 1974 2002 2003 2004 2002 2004 1992 1995 2000 1996 2004 1972 1992 1977 1983 1981 Piano Make na Bluthner Model 1 na na na Bluthner Model 1 Austrian Piano A na na na na na Japan Piano A na Japan Piano B na na USA Piano A Italian Piano A Bluthner Model 1 na na Japan Piano A na USA Piano A na na na na French Historic Piano A 1842 na na na na na Bluthner Model 1 Italian Piano A Bluthner Model 1 na na na na German Piano A German Piano A Bluthner Model 1 na German Piano A na German Piano A Japan Piano A Recording Source Recording Skywalker Recording Recording Recording Skywalker Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Skyw
17. Bluthner_45_Pop_u nki Bluthner_45_R amp E_Uu nki Bluthner_45_Vocals_u nki Bluthner_SS_ Clossical_ u nki Bluthner 55 Custom U nki Bluthner_SS_Jo22_u nki Bluthner_SS_Pianos_u nki Pitch Mod Bluthner 55 Pop u nki Bluthner_SS_R amp 6_u nki Bluthner 55 Vocal u nki ls hu m 2 Bluthner_65_Clossical_y nki 88 Browser 8 Lood Sove Options 4 Dutputs Keuboord 9 MosterKontrol D Purge View e 257 81 KONTAKT DEF ea f SLU THNER_LOO_CLASSICAL_YV 51 1 1 Digital Model by Ernest Cholakis amp Dan Dean 0 63 Purge IF 257 81 MB RisPedUp r EI 232 2 5 232 2ms OTKEL Crisp 7 1 5k ms RisPedDn Eq Temperament Let s start at the top of the BDMO window and locate the Browser Button GO KONTAKT PLA T E R Engine Ruto w User Multis Libraries User Instruments Bluthner Model One 7 fee BALLI PP EF Instruments Harre Bluthner DO Classical urki Bluthner_100_Custom_u nki Bluthner 100 Jazz u nki Browser p m Outputs Options os MosterKontrol O DO View 257 81 MB Keyboard Purge GEA 0 0 10 0 PreUeloy ms pm KONTAKT DEF gri 17 32 BLUTHNER_100 CLASSICALLV st 1 2 D Digital Model
18. L Li c11 CN cia cw cis
19. To change the just intonation kev sim plv trigger the desired note To switch back into equal temperament simple play the G 0 note has When Octave set to 04 this note is a red rectangle around it the lowest note of the piano midi pitch is 21 BLUTHNER_100_CLASSICAL_YV v 63 Purge A 1 v RIsPedUp Bypass TI RI Dru 232 2ms 55 _ 00 RisPedDn RisTrig 555 e RI Wet 232 2m5 1 er 1 6 5 BupossChorus GA 10 0 N S501 SusA Crisp FR PreDelau N Digital Model One by Emest Cholakis amp Dan Dean e ms i When you change to the 12 just intonation keys equal temperament the tuning information box outlined in red in the screen shot above informs you of the key the BDMO is in VARIABLE TUNING TWO The second approach requires that vou program a knob or slider on the kevboard to send midi CC 16 data When the slider value is moved slightly CC 16 value has to be greater is greater than 10 the notes from middle C C4 up to C5 are muted The keyboard player then selects the note they wants the tuning key to be in then slides the knob slider back to the zero position less than 10 The muted octave becomes active but the tuning has changed When the CC16 value is greater than 9 and you select C5 the keyboard switches back into Equal temperament 4 a E Im
20. Bl thner Grand 9ft The Bl thner Pianos supplied for the analysis were from Kasimoff Bl thner Piano Co 337 North Larchmont Boulevard Los Angeles CA 90004 Timbral Impulses 6 to 13 in all the Custom Impulse that adjust the overall sound of the BDMO to transform the character to other models of Bl thner pianos picture of these pianos is on the following page Historic Bluthner Pianos courtesv of Kasimoff Bluthner Piano Los Angeles t gt NA fi 7 1863 Bliithner played by Serge Kasimoff 1908 Bluthner with original parts 52 inches in height JAZZ TIMBRAL IMPULSE GROUP 52 566 232 2 5 RisPedDn 232 2 5 B Digital Model One by Ernest Cholakis 4 Dan Dean Browser 8 Lood Saue NN Outputs 9 Options Sp Til 1994 12 2004 B 113 1996 Matti KONTAKT DEF BLUTHNER 100 TA gt ba sp RisPedUp 232 2 5 RisPedDn 232 2 5 Digital Model One 114 jazz 1336 TIS jozz 1996 2004 T17 jazz 2005 TI8 jazz 1385 119 jozz 1959 8 120 1971 21 1385 22 jozz 123 1994 124 1991 125 2001 125 1382 127 jazz 2001 128 1996 129 1955 T30 1991 T31 1993 132 1957 2004 34 2004 135 2004 136 1959 T37 1991 T38 2001 T39
21. Box 1275 Station K Toronto ONTARIO CANADA 3E5 info numericalsound com http www numericalsound com Native Insruments Germany Native Instruments GmbH Schlesische Strafe 28 D 10997 Berlin Germanv www native instruments de Native Instruments USA Native Instrument USA Inc 5631A Hollywood Blvd Los Angeles CA 90028 www native instruments com Julius Bliithner Pianofortefabrik GmbH Julius Bluthner Pianofortefabrik GmbH Dechwitzer 5 12 04463 Grofposna bei Leipzig 49 0 34297 7513 49 0 34297 75150 info bluethner de Bluthner im Alten Rathaus Markt 1 04109 Leipzig 49 0341 960 32 45 49 0341 960 32 46 fax shop bluethner de www bluethner de leipzig Blithner USA 5660 West Grand River Avenue Lansing MI 48906 info bluthnerpiano com 1 800 954 3200 1 517 886 1574 fax Bluthner United Kingdom Bluthner Piano Centre Ltd 1 Davies Street Berkeley Square Mayfair London W1K 44 0 20 7753 0533 44 0 20 7753 0535 fax info bluthner co uk www bluthner co uk Bliithner Benelux Patrijsweg 114 2289 EZ Rijswijk Nederland 31 0 70 390 64 98 31 0 70 415 09 25 info bluethner nl Blithner Poland 48 501 154 809 48 71 788 98 61 bluethner bluethner pl http www bluethner pl Bluthner Japan ZA 3 JL A 154 8721 1 32 2 i68 3D IF TEL 03 5351 1581 a IL A 532 0004
22. Le n PAN EF instruments gt Muts info PreDeloy Bluthner 10D Classical U nki Crisp BupassTuning Digital Model One by Emest Cholakis amp Dan Eq Temperament e O ms Bluthner_100_Custom_u nki Bluthner_100_Joz2_u nki Bluthner_i00_Pianos_unki Bluthner__100_Fop__u nki Bluthner__100_R amp B_ u nki Bluthner_100_Vocal_u nki Bluthner_45_Clossical_ u nki Bluthner_45_Custom_u nki Bluthner_4S_Joz2_unki Bluthner_45_Pionos_u nki Bluthner_45_Pop_u nki Bluthner_ 45_R amp E_u nki Bluthner_45_Vocals_u nki Bluthner_SS_Classical_u nki Bluthner_S5_Custom_u nki Bluthner_S5_ Jozz_ u nki Bluthner SS Pianos u nki Bluthner 55 Pop u nki Bluthner 5S REB A nki Pitch Mod Blut rer 55 Vocallu nki Bluthner_6S_ ClossicalLu nki AMAMI Next up is the MasterKontrol Button Press this button and metronome with tap pad determining tempo metronome volume and metronone on off switch master tune knob with Hertz displav and reference tone with note dis plav on off switch and volume control will pop up Press the MasterKontrol Button again and the section will become invisible KONTAKT Aud bal MEA ted GO Auto User Multis Librories User Instruments Engine Bluthner Model One Instruments Multis Info Bluthner_100_Clossical_y nki Bluthner IO0 Custom U nki Bluthner O0 Jazz
23. Variable Speed Oscillator so you could adjust the tape speed and rough sync the delay to a quar ter note or half note value for musical effect PreDelay adds depth and space to the reverb by giving it more delay before you hear it This has the psychoacoustic effect of simulating a larger acoustic space SUSTAIN IMPULSE SECTION IR OTSus R uif Bits 1B Length 371 5m Ch 2 The last button in this column is called the Sustain Impulse Select Button Like its neighbors to the north the Sustain Impulse Select Button gives you access to the last type of convolution used in the BDMO called The Sustain Impulse The Sustain Impulse is one of our proprietary features just for the BDMO BLUTHNER_100_CLASSICAL_V A Q MO 0 63 Purge __ 0 00 257 81 CIA mi BupassTI RI Dru 232 2 5 BupassRi 0 0 as RisPedDn TO class 1959 RisTrig BupassS RI Wet 232 2 5 1 22022 12 Crisp D 1 6k ms ypassChorus 10 0 PreDelay Digital Model One by Ernest Cholakis amp Dan Dean 0 ms Sustain Impulse is neither Timbral Reverb Impulse but one created specificallv to alter the Sustain charateristics of the Bluthner Digital Model One There are two basic core Sustain Impulse groups A tt B which have been engineered to enhance crispness claritv darkness evenness and smoothness Sustain Impulse alwavs begins with the letter 55 fol lowed the SI number and tvpe of SI enhancement
24. pnos 1993 T42 pnos 1993 T43 pnos T44 pnos 45 pnos T46 pnos 1850 T47 pnos T48 pnos T49 pnos 2000 TSO pnos 2001 RelTrig 1 6k ms is amp Dan Dean 49 64 0 runi Eq Temperament ET RI_Ory 0 0 as RI Wet 10 0 PreDelay ms Timbral Impulse Information Pianos Group 1 Pianos 2 Pianos 3 Pianos 4 Pianos 5 Pianos 6 Pianos 7 Pianos 8 Pianos 9 Pianos 10 Pianos 11 Pianos 12 Pianos 13 Pianos 14 Pianos 15 Pianos 16 Pianos 17 Pianos 18 Pianos 19 Pianos 20 Pianos 21 Pianos 22 Pianos 23 Pianos 24 Pianos 25 Pianos 26 Pianos 27 Pianos 28 Pianos 29 Pianos 30 Pianos 31 Pianos 32 Pianos 33 Pianos 34 Pianos 35 Pianos 36 Pianos 37 Pianos 38 Pianos 39 Pianos 40 Pianos 41 Pianos 42 Pianos 43 Pianos 44 Pianos 45 Pianos 46 Pianos 4 Pianos 48 Pianos 49 Pianos 50 Pianos 51 Pianos Timbral Impulse Recording Vear na na na na na na na na na na 1995 1999 na na na na na na na na 2004 na na na na na na na na 1993 2003 na na na na na na 1993 1993 na 1993 1993 na na na na na 2000 2001 1986 Piano Make Japan Companv C German Piano German Piano B Austrian Piano US Austrian Piano German Piano Japan Companv C German Piano F Japan Companv Japan Companv B Japan Piano USA Piano B Japan 7 foot Piano German Piano Japan Companv Japan Companv German Piano
25. the key would be the root of each chord so maj 7th chord would require a C just intonation tuning but if the next chord is min7 then the tuning has to be changed to F just intonation before the notes of this chord are played There is a now a solution to this variable tuning that keyboardist can use It is embedded the Bluthner Digital Model One The system enables a keyboardist to adjust the tuning in real time The floating just intonation system however is more real istically achievable if one uses a sequencer In the BDMO the tuning can be changed in two ways Both approaches can be recorded into a sequencer and also edited after the original performance There are two approaches both require the user to press the tuning button outlined in a red rectangle on the upper screen shot below The lower screen shot shows that the tuning is active because the same button colour has changed to a grey tint BLUTHNER 100_CLASSICAL_V st 0 63 Purge 0 00 n 1 gt 257 81 GO RisPedUp BupassTI RI 232 2ms BupassRi 0 0 RisPedDn PO zeze 1959 A RisTrig 5 9 RI Wet 232 2ms PROPRJA Crispy 1 6 ms TR 10 0 SusR Crispy BupassTuning D PreDelau Gi 7 Digital Model One by Ernest Cholakis 4 Dan Dean Eq Temperament 0 ms To activate the tuning feature press BypassTuning button when it turns grey the feature is activ
26. unattainable in the real physi cal world Electrons moving about inside various integrated cir cuits and audio components create a certain amount of hiss and operational noise This is simply one of the laws of Physics Even after hand selecting the highest quality cabling highest performance microphones and quietest microphone preamps to optimize both the sound quality and minimize the noise floor of the Digital Model One we still wanted to push the envelope further Using Ernest s process the Digital Model One s noise floor is even below what you might find in a near absolute zero centigrade environment It is really quiet without the chill i i E 4 j if l AE E Mel rh rli PF j d sah 24 754 f f Wii Vi f 7 11 IA A 5 F 7 NS VA 7 7 ju UEA 7 j d NN j P i 1 M 4 j Ein Zwei Dry Samples The samples that make up the Bluthner Digital Model One are close miked Other libraries tout the fact that their pianos are dry They are not Reverb ambience can mask a multitude of audio sins Use the Bl thner Digital Model One dry adding no reverb or ambience and you will immediately find its sound will engulf you Its warm smooth wide deep and lush stereo field gives you amazing definition its like being inside of the piano instead of 1
27. 10 0 1 6k ms 2 uou bit gt 71 2 27272 2 7 03 bet HupossTuning A PreDelau e Digital Model One T04 8 Dan Dean Temperament TOS vox hot vox bird TO vox but bought TOS vox boot T10 uod foot T11 beau ms T12 T13 vox LL 14 vox rr 15 yy TIG pi 17 vox mm T18 vox nn T19 120 uod ss 21 vox th 22 vox sh T23 kk T24 uod ff Timbral Impulse InformationVocal Group Timbral Impulse VocalResonance Timbral Impulse VocalResonance 1 Vocal ee Ge x Lo 7 ci bet 15 Vocal bat 16 Vocal pi 5 Vocal hot 17 Vocal mm 6 Vocal bird 18 Vocal EO 7 Vocal but 19 Vocal ng 8 Vocal bought 20 Vocal lt lt 9 Vocal boot 21 Vocal th 10 Vocal foot 22 Vocal sh 11 Vocal beau 23 Vocal kk 12 Vocal WW 24 Vocal ff IMPULSE SECTION Dikeu Crisp cif The next button down in the column is called the Reverb Impulse Select Button Crisp Like the Timbral Impulse Selector the RI Select Button gives access to the next of convolution probablv the one vou are most familiar with Reverb 9 BLUTHNER_100_CLASSICAL_V st 1 0 63 Purge M 257 81 MB RIsPedUp 21 e Bypass 1 RI Dru 232 2 5 _BupossRI 0 0 RisPedDn TOV class 1959 RisTrig EL Wet 232 2ms 22122705774 2 1 6 ms e 10 0 A PreD
28. 2 feet away from from it There are 12 velocity controlled stereo samples per note in both pedal up and pedal down modes this means that you have access to 24 stereo samples for each single key on the piano There are well over 2 000 samples in all exceeding 4 5 Gigabytes of audio data We captured the Bluthner Digital Model One dry for a number of reasons but mainly to optimize the sound files for use with our pro prietary convolution technology The Bl thner Digital Model One samples being as dry as they are will take reverb and other DSP better than other leading pianos because they are neutral contain ing no reverb or ambience Once a sample has reverb in it you can t remove it Any ambience or reverb you add to an already colored sound will combine with the existing reverb in the sample mak ing the result muddy and ill defined The Bl thner Digital Model One samples don t do this The following graphs are close miked comparisons of four pianos on the pitch D1 the blue traces are the Bluthner Digital Model One the red traces are from 3 leading competitors pianos You will notice from these graphs that there are many occurances where the red traces disappear and the blue traces remain What you are seeing is the actual result of room reflections interacting with the natural acoustics of the piano These room reflections create an uneven frequency response in the piano due to out of phase anomalies contained in wall reflections u
29. 4S_ Custom Ark Bluthner_45_Jozz_ U nki Bluthner 45 Pianos u nki Bluthner_4S_Pop_u nki Bluthner_45_R amp B_u nki Bluthner_45_Vooals_u nki 55 Classi al u nki Bluthner_S5_Custom_u nki Bluthner_S5_ Jozz_u nki Bluthner S5 Pianos u nki Bluthner_SS_Pop_u nki Bluthner_ SS_R amp B_u nki Bluthner_S5_Wosol__u nki Lia beet ho m ka ka ka ko La i Bluthner_65_ Classical_unki Browser Lood Saue Options uj Keyboard 5 Purge WView M KONT KT DEF Smoll size Mid size Big size Copture keyboard trom host Copture Mouse from Host Show mapping and keyswitches on keyboard Ruto refresh browser Font size 9 MaosterKontrol 0 257 81 MB 01 16 Bu RI_Ory 00 Ri_Wet 10 0 48 ms Purge Button calls up drop down menu which allows vou to use the purge functions included the BDMO Kontakt2 Plaver Purge analvzes which samples were not used in an arrangement and removes them from RAM This greatlv reduces RAM usage and allows more instruments to be loaded at one time Consult the Kontakt2 Player pdf manual for more on this feature e KONTAKT Bi Browser tikk Outputs Keuboord 9 MasterKontrol in O Ea lt SR Lood Sove Options GO Purge gt M 257 81 Librories Engine Auto KONTAKT DEF update sample pool 01 15 17 32 User instruments
30. 725272 1 6 ms 10 0 Crisp 7 PreDelau 9 ee i 2 Ni Digital Model One by Ernest Cholakis Dan Dean Eq Temperament 0 ms We have included Release Control knobs for the pedal up samples pedal down samples and the release triggered damper pedal samples of the BDMO The RlsPedUp Release Pedal Up and RlsPedalDn Release Pedal Down samples default to 232 2 ms upon load up but can be varied from 51 9 ms to 1 2 kms or 1 2 seconds depending on your personal taste and the type of music being per formed The RlsTrig Release Trigger damper pedal sample release is set to the default of 1 6 kms or 1 6 seconds You can adjust this release time from 51 9 ms to 5 5 kms 5 5 seconds Dp BLUTHNER_100_CLASSICAL_V A Za 51 1 v 0 63 Purge A 1 257 81 D RisPedUp RI Dry 232 2 5 Buposskl 0 0 A RisPedDn TO dere 1959 2 RisTrig Bypasssi 232 2ms fRONRevn Crisp e 1 6k ms beree O RI Wet 10 0 PreDelau e No Digital Model One by Ernest Cholakis amp Dan Dean Eq Temperament 0 ms When to vary these settings if you are playing something very percussive requiring a short release try lowering the RlsPedUp values If you are playing something which is very legato try increasing the RlsPedUp and RlsPedDn settings REGULAR AND VARIABLE SUSTAIN PEDAL CONTROL One of our new features f
31. Browser tik Outputs Lood Sove Options 9 MasterKontrol 0 257 81 ZE KONTRKT DEF I 77 FS BLUTHNER_100_CLASSICAL_V TAM st U 63 Purge 257 81 MB om IM RisPedUp EE RI Dry 232 2ms da R 1 RisPedDn 019055 1959 Tri poss RI UJet 232 2ms Crisp um 10 0 ua PreDeloy Digital Model One by Ernest Cholakis 4 Dan Dean Eq Temperament 0 ms BDMO Kontakt2 Plaver Basic Navigation Browser NN Outputs Keyboord Te MasterKontrol 0 Lood Saue Options Purge B View v 57 81 MB KONTAKT DEF EEE 17 32 f BLUTHNER_100_CLASSICAL_Y 51 1 v 63 Purge Y PAV 81 1 257 81 RisPedUp m Sareri 232 2ms Bupasski RisPedDn ETO goze i959 gt RisTrig 232 2ms PROPRA Crisp 1 6 ms 7 Digital Model One by Ernest Cholakis Dan Dean Eq Temperament 0 0 dB 10 0 PreDelay ms Once you have loaded the Bluthner Digital Model One you ll see this basic player image showing the BDMO operational controls In the image below you will notice a column of three buttons These are the Impulse Select Controls The top pull down is called the Timbral Impulse Select the middle button is the Reverb Impulse Select and the bottom button is the Sustain Impulse Select Dp BLUTHNER_100_CLASSICAL_V 51 1 7 0 63 Purge PAV 1 257 81 1 D RisPedUp m 1
32. L BLUTHNER IOO CLASSICAL V 4 51 1 7 0 53 Instrument Options RI D 0 0 o a Instrument 8 Load Controller Infos BupossChorus 10 0 Bupass Tuning PreDelay Voice Stealing Fadeout Time 0 n Eq Temperament ms Voice Stealing Mode Key Switch default Key MIDI Transpose Key Range Velocity Range Click the Logo Button below the Gears Button and vou ll notice the scripting part of the BDMO closes Access to our various features such as Timbral Impulses Reverb Impulses and so on becomes invisible until vou re click the logo button again If you are loading a number of different instruments into your player this is handv feature which allows you access to a number of instruments simultaneously saving space the main display window KONTAKT E R Libraries 7 Auto User Instruments w User Multis Bluthner Model One Instruments Multis Info Home Bluthner_ 100_ Classical_u nki Bluthner_100_ Custom_u nki Bluthner 100 Jozz u nki Bluthner 100 Pianos u nki Bluthner 100 Pop u nki Bluthner_100_R amp E_u nki Bluthner_100_Vocal_u nki Bluthner_45_Clossical_u nki Bluthner_45_Custom_u nki Bluthner_45_Jozz_ U nki Bluthner 45 Planos U nki Bluthner_45_Pop_u nki na 5 222 200 0022 Keyboord Purge B Viw ER
33. One by Emest Cholakis amp Dan Dea 0 63 Purge 257 81 MB RisPedUp m 232 2 5 Bupassi RisPedDn 232 2ms RisTrig 1 6k ms Eq Temperament 0 0 Ri_Wet 10 0 PreDelay ms When vou press the Browser Button the 2 Plaver will invisifv the Browser which was previouslv seen on the left side of the plaver Press the Browser Button again and the Browser Window will reappear _ Browser ih Outputs Keuboard 94 MasterKontrol 0 E Load Sove v Options GO Purge B v 257 81 KONTAKT DEF BLUTHNER IOO CLASSIG L V N 0 63 Purge v 257 81 MB EN RisPedUp BupassTI RI Dru 232 2 5 BupassR 0 0 de RisPedDn ETO goze i959 2 RisTrig RI Wet 232 2ms 2 R4 3 BupassChorus e 10 0 D PreDelau Digital Model One by Ernest Cholakis 4 Dan Dean Eq Temperament 0 ms The next button to the right is the Outputs Button Click it and vou ll notice a mixer window pop open from which vou can set levels add inserts edit effects and configure the outputs of the BDMO Click the Outputs Button again the window will close e KONTAKT BR Browser Outputs MosterKontrol 0 P_L A Y E R B Lood Sove e upnons Purge View 0257 8 Libraries Engine Buto KONTAKT DEF User Instruments User Multis BLUTHNER 100 CLASSICAL Y Blut ner Model One 4 1 i Purge
34. PF Ofell ZZ 260 RisPedUp D Instruments i Multis gt 232 2ms RisPedDn 11 ESE RisTrig 2 232 2ms RORY D BupossChorus O Bluthner_ _100_ Clossical_ u nki Jupass Tuning PreDelay SRITNET 00070 0 qwd 3 Digital Model One by Emest Cholakis 8 Dan Eq Temperament 0 ms Bluthner 100 Jazz U nki Bluthner_100_Pianos_u nki Bluthner_ 100_Pop_u nki Bluthner 100 RSB v nki Bluthner_ 100_ Vocal_ u nki ZA Bluthner 45 Classical U The Gears Button opens the Instrument Options settings you tweak Voice Stealing MIDI options and Load options Controller Options and find information about the instrument KONTAKT PLAYER Librories Engine Auto User Instruments v User Multis Bluthner Model One Instruments 1 Multis Info Nome Bluthner_l00_Classical_y nki Bluthrer_100_Custom_u nki Bluthner_100_Jozz_u nki Bluthner_ 100_ Pianos u nki Bluthner_100_Pop_u nki Bluthner_100_R amp B_u nki Bluthner_100_Vocal_u nki Bluthner_45_Clossicol_y nki Bluthner_45_Custom_u nki Bluthner_45_Jozz_ U nki Bluthner__45_Pionos_ u nki Bluthner_45_Pop_u nki Bluthner_45_R amp B_u nki bung 27 ka la 88 Browser tW Outputs MasterKontrol 0 E Lood Sove Options Keyboord c Purge WView 257 81 KONTAKT DEF ML A
35. Pop Rock 3 Pop Rock 38 Pop Rock 39 Pop Rock 40 Pop Rock 41 Pop Rock 42 Pop Rock 43 Pop Rock 44 Pop Rock 45 Pop Rock 46 Pop Rock 47 Pop Rock 48 Pop Rock 49 Pop Rock 50 Pop Rock 51 Pop Rock 52 Pop Rock 53 Pop Rock 54 Pop Rock 55 Pop Rock 56 Pop Rock 57 Pop Rock Timbral Impulse Recording Vear 1997 1970 1996 1969 1975 1977 1973 1968 1968 1977 1970 1995 1976 1977 1969 2003 1976 1970 1999 1993 1982 1978 2003 1976 1988 1972 1973 1977 2000 2004 1970 2006 1959 1988 2002 1972 1970 1979 1970 1978 1975 2003 1968 1968 1970 1971 1999 1982 1990 1972 1975 1975 1977 1968 1973 1968 1996 Recording Location Canada UK Canada USA USA UK London London London USA UK Ireland USA USA London USA USA UK USA UK UK USA USA London Ireland USA London USA USA USA London USA USA Ireland London USA UK Sweden London USA London USA London London London London USA USA USA France UK London Switzerland London USA London Canada 58 Pop Rock 59 Pop Rock 1998 1972 USA USA R B RHYTHM amp BLUES TIMBRAL IMPULSE GROUP 28 Impulses BLUTHNER_100_ R amp B_YV B Tune st 1 Si ZK 0 53 Purge 0 00 gt 257 81 M o LI RI Dry 232 2 00 a RisPedDn RisTrig RI Wet o 9 10 0 O rus 1 2 5 2 r b 1969 BupassChoru r b 1969 CSS PreDelay A Model One 104 14b N72 8 Dan
36. RevWet and Gei Predelav These terms stand for Reverb Dry Reverb Wet and Pre Delay We preset these 0 0 levels at Odb for the dry signal and 10db for the wet signal as a basic point of departure for RI_Wet you to work from Essentially Reverb Dry and Reverb Wet controls are simply a quick 2 knob mixer allowing you to set your own source and reverb mix levels In order to use these controls 10 0 de you must select a Reverb Impulse from the drop down list and enable the Reverb Impulse PreDelau turned it on in the Bvpass Column TIP When the Bypass is orange the RI section is off O ms The RevDry Knob controls the level of the dry signal coming from the instrument without Reverb 0 0 ema RevWet Knob controls the level of the Reverb Impulse coming from convolution engine of Kontakt2 10 0 m The PreDelay Knob delays the send of the wet level to the convolution engine Prior to the digital MI era we used to do this by running the echo reverb send from the console to either a mono 2 track tape recorder and then patch its output from the playback head into the input of the chamber or plate Since these tape machines had separate heads for playback and record separated by a few inches there was a delay between the input and output signals Because the distance between the two heads was fixed so was the delay time If you were really lucky the studio might have a VSO
37. S AEE BupossChorus 10 0 S01 SusA Crispy BupassTuninc PreDelau Digital Model One by Ernest Cholakis 4 Dan Eq Temperament O ms mang BLUTHNER IOO CLASSIG AL OV tune st 1 vi A 0 63 Purge 0 00 8 1 v 257 81 RisPedUp RI Dru 232 2ms BupassR 0 0 as RisPedDn TOT class 1959 GO RisTrig BupassS RI Wet 232 2 5 ROI RS ERO ee BupossChorus 10 0 501 SusA Crisp v BupassTuninc PreDelau Digital Model One by Ernest Cholakis 4 Dan Deaf Eq Temperament gt 0 ms BLUTHNER IOO CLASSIGAL V st 1 8 0 53 Purge 257 81 RisPedUp BupossTI RI Dry 232 2ms BupassRi A 0 0 RisPedDn 1705655 1959 gt BupossSi RI Wet 232 2 5 RD ESO Erten 2 BupassChorus __ 10 0 S01 SusA Crisp BupassTuning PreDelau Digital Model One by Ernest Cholakis 4 Dan Temperament ms For thicker Chorus click the 55 Button enabling the Reverb Impulse Section Select of the Warm or Dark Reverbs RevB RevC RevD RevE Change both the RevDry and RevWet levels to 3db and add 2 ms to the PreDelav RELEASE CONTROLS OK BLUTHNER 100 CLASSICAL Y A m 51 1 v 0 53 Purge 1 gt 257 81 pg RIsPedUp mile Ko Bypass TI RI D 232 2 5 _ 0 0 dB RisPedDn TO goze 19599 RisTrig BupassSl RI Wet 232 2ms 22122
38. a Japan na na na Bluthner na na na Bluthner Japan na na na na na na na Austrian na na na na na na Bluthner Bluthner na na na na na na na na na na na na na na na na na na Recording Source Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Slywalker Recording Recording Recording Slywalker Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Skywalker Skywalker Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording PIANOS TIMBRAL IMPULSE GROUP 51 Impulses Browser tik Outputs Lood Saue v Options Pp TIO pnos T11 pnos 1995 12 pnos 1999 pnos KONTAKT DEF ee v BLUTHNER IOO PIRA Digital Model One RelPedUp 232 2 5 RelPedDn 232 2ms 14 pnos TIS pnos TIG pnos 17 pnos T18 pnos pnos 20 pnos 21 pnos 2004 T22 pnos 23 pnos 24 pnos 125 pnos 25 pnos 27 pnos 28 pnos T29 pnos pnos pnos 1993 T32 pnos 2003 T33 pnos T34 pnos T35 pnos T36 pnos T37 pnos 138 pnos 1993 T39 pnos 1993 T40 pnos 1813 T41
39. ael California Skywalker Sound is truly one of the world s finest studios with one of the quietest noise floors Located out in the wilderness Skywalker s scor ing stage is dead quiet There is no low frequency rumble from freeways or roads because there are no freeways or roads anywhere close by The acoustics are superla tive Skywalker s electronics are all optimized for maximum performance There are no hums buzzes or anything in the signal path to detract from the tonal purity of the Bluthner Digital Model One Everything at Skywalker Sound is carefully grounded and electrically dead quiet The samples that comprise the Digital Model One are as pris tine as you could achieve 2 ij Tey d gt ad T RN oet ni EU Iz x Hr Gun dei 11 ceu ilia 4 paa B 4 i be Ed moi H 1 2n n me d uran INN A vin bedi ZO ASM gng bi dd 2t 5 gu 4 ng 27 um KASI Ka re Lowest Noise Floor Ever Achieved in a Sampled Piano Ernest devised a proprietary noise reduction technology tailored specifically for the Bluthner Digital Model One It doesn t work on any other piano just the Digital Model One After many hours in the lab and countless hours consulting with colleagues in the fields of Physics and Digital Audio Ernest created a sys tem that reduces noise to levels
40. alker Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Recording Skywalker Recording Recording Recording Recording Recording Recording Skywalker Recording Recording Recording Recording Recording CUSTOM TIMBRAL IMPULSE GROUP 5 566 BLUTHNER_100_CUSTOM_YV B NG st 1 0 63 Purge 19 0 00 A 2 257 81 a Hum A RisPedUp BypossTi ReuDry 232 2ms BupossRi 0 0 A RIsPedDn _ A RisTrig Bupasssl 232205 10 custom 15 ms 02 custom custom Bunoss Tuning D olakis Dan Dea ReuWet 10 0 PreDelay Eq Temperament ms Digital 104 custom ng TOS custom 1863 7 52 up44 TOS up48 T10 B 62 T11 B 610 T12 610 113 9 Timbral Impulse Information Custom Group Timbral Impulse Resonance 1 Custom Even Full 2 Custom Even Full Slightly Softer 3 Custom Clear 4 Custom Clear 5 Custom Crisp 6 B 1863 1863 Bluthner 6ft 8in 7 B 52 1908 Bluthner Upright 52 Original Parts 8 B up44 1978 Bluthner Upright 44in 9 B up48 1980 Bl thner Upright 48in 10 B 62 2006 Bl thner Grand 6ft 2in 11 B 610 2006 Bl thner Grand 6ft 10in 12 B 610 2006 Bl thner Grand 6ft 10in 13 B 9 1989
41. ate sources vocal sounds transformed into timbral impulses which create vowel sounds and phonemes shaping the piano sound and finally custom impulses of a very complex nature created by Ernest Over 250 impulses to transform the Bluthner Digital Model One into 250 different pianos at your fingertips You can select whichever Group you prefer from the Browser by either click dragging the object into the main win dow as previously shown or by simply double clicking the instrument Libraries Engine Huto User Instruments User Multis E ko ko ko ko ko ko ko ho ko ho ko ko ko ko 7 bees ko 7 kua Bluthner 75 R amp B nki Bluthner 75 Vocal nki bluthner 55 Llassical nki Bluthner 35 Custom nki Bluthner 85 Jazz nki Bluthner 55 Pianos nki Bluthner 85 Pop nki Bluthner_95_ R amp B nki Bluthner 85 Vocal nki Bluthner 100 Classical nki Bluthner 55 Classical nki Bluthner 55 Custom nki bBlufhner 55 Jazz nki Bluthner 55 Pianos nki Bluthner 55 Pop nki Bluthner_955_R amp B nki Bluthner 55 Vocal nki Bluthner Classical nki Bluthner 65 Custom nki Bluthner_6S_ Jazz nki Bluthner_65_Pianos nki Bluthner 65 Pop nki Bluthner_65_R amp 6 nki Bluthner 65 Vocal nki bluthner IDU Custom nki Bluthner 100 Jazz nki luthner 100 Fianos nki Bluthner_100_Pop nki Bluthner 100 R B nki Bluthner 100 Vocal nki While we re at it let s
42. ated BLUTHNER 100 CLASSICAL Y B FT 0 63 Purge lt 0 00 257 81 2 RisPedUp em Bypass RI_Dry 232 2M5 Bypasski 0 0 dB RisPedDn TOT class 1858 7 D RisTrig Bypass RI Wet 232 2ms 21227 Crisp 1 6 ms BupossChorus i 10 0 Crisp v o PreDelay 0 ms N Digital Model One by Ernest Cholakis amp Dan Eq Temperament VARIABLE TUNING APPROACH ONE The first approach use the lowest midi notes below 0 in order to adjust to the tuning kev Even though these notes do not trigger a sound the BDMO converts to the just intonation kev to the note plaved in this range In this example we will use an Oxygen V2 keyboard First set the octave range to 4 now all the notes from the lowest to the upper G will trigger a change in tuning scale The only exception occurs when G 0 is played it converts the keyboard back into equal temperament The advantage of this is that you can quick ly switch to any just intonation key then switch back into equal temperament by triggering G 0 Because the sequencer can record these notes this is all programmable In a real time performance a keyboardist can have 2 keyboards one a small Oxygen 2 octave keyboard for adjusting the tuning and a regular sized one for playing In this range 1 to GO you can select the just into nation kev bv triggering and recording one of these notes
43. e 3 dimensional component that you hear in a real piano The graph below shows 5 different colored plots Each of these curves is a frequency plot of one of our custom designed Sustain Impulses showing both the complexity and variation in our 51 The Impulse Response basic rule of thumb is that the more complex the assortment of peaks and valleys there are in a given impulse the more realistic the result Notice that these Sustain Impulse plots from the Bluthner Digital Model One are all different yet very complex as far as numbers of peaks and valleys A o do EN 1 Ld ML EA A M d Lala SANT AA al LU TUE LEE E SV UAT UU ALL io bn Who lbi dr E 0 Dd NN O Ta mar EANN 20110110 HA 74 12 12 III Atutxari hur NN L GATZA 1 CV A l 01 Linear Kevboard Velocitv True piano dvnamics Proprietary Linear db Scaling accurately recreates the true dynamics of the Bluthner Model One Special calibration methods were employed to imbed the actual Bluthner Model One s dynamics directly into the playing characterisics of the Digital Model One Each individual sam ple has its own calibrated dynamic level derived from the act
44. elou A x Digital Model One by Ernest Cholakis 4 Dan Dean Eq Temperament O ms The Reverb Impulse Select Button allows you to access Reverbs A through T 19 basic reverb cores with 4 variations Crisp Clear Warm and Dark of each The Reverbs at the top of the list are smaller spaces getting larger and more rever berant as you proceed down the list from top to bottom A Reverb Impulse always begins with the letter R followed by the RI number the name of the Reverb A through T and type of RI enhancement These Reverb Impulses were created specially for the Bluthner Digital Model One by Ernest and utilize very complex algorithms to create an extremely natural sounding reverb collection specifically engineered to maximize the tonal quali ties of the Bluthner Model One Grand Piano Select from an array of custom created Reverb Impulses ranging from the sound of an isolation booth to gobo ed studios small rooms medium rooms large studios recital halls large performance halls and concert halls Every one of them 15 very dense in complexity very natural and unique The Reverb Impulse set included with the BDMO is laid out the same in all the various instruments IMPULSE PULL DOWN MENU Browser NN Outputs mang 21 Warm erKontrol 0 pram R32 ReuH Dark Load Saue 7 Options Sp v 257 81 R33 Crisp R34 Reu J Clear J KONTAKT_DEF 5 ReuJ Warm d 48 43 54
45. f air around the Digital Model One Maybe a touch of very small room tone or a tad of ambience to your sound Recreate the sound of a small studio space or a sound stage or a recital hall or a lush concert hall or symphony hall Get just the reverb vou re looking for with our custom created Reverb Impulses Choose from Crisp Clear Warm and Dark variations of each of the Reverb Impulses to accurately tailor the reverb the way you want it And unlike most Reverb Impulses each Bl thner Digital Model One Reverb Impulse is instrument optimized calibrated to the sonic qualities of this beautiful piano Actual acoustic spaces captured from around the world custom created for BDMO Proprietary Sustain Impulses Realistic sounding piano sustain is a tremendously complex near 3 dimensional component It is an incredible challenge to achieve True sustain has very small amounts of pitch harmonic and pan movement depth of field dynamics and other factors that combine to create a psychoacoustic 3 dimensional field It 15 virtually impossible to capture true sustain using discrete samples only We recorded very accurate pedal down samples that were specially recorded to provide our unique True Sustain for this essential component of the Bluthner Digital Model One Additional recordings were made of the Digital Model One from which very complex Sustain Impulses were derived from our custom algorithms When combined with our pedal down samples these 51 provide th
46. itor s piano with linear dynamic range but insufficient dynamic range in the upper register Key The blue is note AO the red is A4 and bright green is A6 Bluthner Model One Piano at Skvwalker High Qualitv Sample Recordings To create the Bluthner Digital Model One we used the finest components available The beautiful Bluthner Model One SKYWALKER SOUND Grace Design microphone preamps and reference preamps MIT cables Hand selected and modifed microphones Pacific Microsonics HDCD A to D converters and much more Discrete Sustain Release Sample Technology The Digital Model One features another new technology Discrete Sustain Using discrete release samples not computer modeled release samples we recreate the air and space of the actual sustain characteristics of the Bluthner Model One Our sustain samples all have air and depth a spacious stereo field Each sustain sample is unique not modeled or generated You can actually almost feel the when you step on the sustain pedal and play a single note There are two reasons for this First Bluthner s patented Aliquot system provides a 4th sympathetic string on the top register of the piano Most pianos only have 3 strings in this upper region These additional resonating strings provide for the signature Bluthner sound which coupled with our Discrete Sustain and Sustain Impulse technologies accuratel
47. ki Bluthner 100 Pianos u nki Bluthner__100_ Pop_u nki Bluthner_100_R amp B_u nki Bluthner 100 Yocol v nki Bluthner 45 Classicol v nki Bluthner 45 Custom u nki EPREFEFSO Multis Info 9 MasterKontrol 2 View ar Lood Sove Keyboord c Purge tikk Dutputs Options 57 81 TAKT DEF save sque multi THNE IODO CL ASSICAL V FIN 0 63 257 81 MB reset multi BGA Purge 19 8 1 RisPedUp Ha usi 232 2 5 RisPedDn TOlcloss 1959 2322ms lROTReUH RisTrig 2 1 5 ms Temperoment Digital Model One by Ernest Cholakis amp Dan Dean RI_Dry 00 as RI Wet 10 0 PreDelau 0 ms r The next button to the right is called the Options Button and allows you access to settings of the interface audio engine Default levels CPU MIDI Handling Keyboard Velocity Solo Mode Browser behaviors MIDI Assignment and the Installation Base Path where your BDMO is installed on your computer Load options Search Options and DFD KONTAKT Librories Engine Auto C User Instruments x User Multis Bluthner Model One TIP GZ P067 740 las Bluthner_100_Classicol_unki 280 x 1000 Bluthner_ 100_Custom_y nki Bluthner_100_ Jazz AOK Bluthner_100_Pionos_u nki Bluthner_100_Fop_u nki Bluthner_100_R amp B_u nki Bluthner_100_Vocal_u nki Bluthner_4S_Classical_u nki Bluthner_
48. n orchestra jazz or vocal ensemble plays Unfortunately a piano cannot adjust for temperament smooth sounding chords as an ensemble easily can The historical advantage of ET has been that the misrepresentation pure harmony is evenly distributed among the 12 notes of an octave so that the level of the error is equal in all 12 keys This allows for modulation in any key with an equal amount of roughness relative to the pure sounding harmonies that ensembles can achieve The solution to this tuning problem is to use just intonation In this system one can set the tuning to the key of C just intonation then as long as one plays in the key of C the listener is able to hear the smooth sounding harmonies of ensemble playing from a piano The challenge for a keyboard player arises when an ensemble changes key because the tuning of each pitch also changes to refect the new key The practical problem for keyboard players is that they cannot change the tuning of their instrument unless software allows this feature Unfortunately most software is not real time friendly To add to the difficulties often ensembles will think ver tically and the tuning is in reality a floating just intonation system where each chord is referenced to itself and not refer enced to a particular key This system gives the maximum harmonic smoothness for each chord regardless of the key For a keyboard player to follow this the just intonation key has to be changed before every chord
49. nevenly combin ing with the piano s natural dry direct sound Recording the piano truly dry provides a much smoother frequency response without these holes in the frequency spectrum O G T O O ka a i Im pas Bluthner Harmonics Competitors Harmonics Bluthner Harmonics Bluthner Harmonics Competitors Harmonics Bluthner Harmonics Competitors Harmonics Cl aa y CC e li TT T KI XX PN Digital Model is Officiallv Licensed Product of Julius Bluthner Pianofortefabrik GmbH The Digital Model One is the first piano of its kind to be offi ciallv licensed bv the actual manufac turer Julius Bluthner Pianofortefabrik GmbH in Leipzig Germany We worked closelv together with the Bluthner familv to create a product that maintains their highest standards of excellence Dr Bluthner Ernest Cholakis Dan Dean Three of Convolution Timbral Reverb Sustain Timbral Impulse Tonal Modeling Proprietary Timbral Impulses created specially for the Bl thner Digital Model One Ernest Cholakis of Numerical Sound leaders in IR or impulse response tech nologies coupled with the power of Kontakt2 s convolution engine provide vou with new unprecedented sonic options
50. never before attainable in the sampling world a degree of realism that simply can t be attained using current sampling technologies Timbral fingerprints of over 250 pianos were captured and analvzed from of the world s greatest recordings ing sessions and other sources from around the world A Herculean effort each of these tonal sig natures were then interpolated carefullv calibrated then encoded into the BDMO Choose Timbral Impulse Tonal Modeling from a wide range of different categories like Classical Pianos Jazz Pianos Custom Designs Jazz and Pop Pianos REB Pianos Pianos Timbral Modeled from the world s piano manufacturers or our Vocal Piano At the click of a mouse vou can transform the Digital Model One s sound into a stunning number of other pianosl The Classical Pianos of some of the world greatest virtuousos the Jazz Piano sounds of the giants of Jazz the Blues and R B piano sounds from New Orleans and popular funk and R B recordings the signature piano sounds of your favorite rock and Pop recordings historical pianos from over 100 years ago the sonic fin gerprints of the world s finest Japanese American and European pianos even custom created Vocal resonances are all just a click away You have access to the sounds of over 250 different pianos right at your fingertips Why settle for the sound of just one piano when you can have them all Custom Reverb Impulses Add just a tiny bit o
51. or the Bluthner Digital Model One is Variable Sustain Pedal Control Rather than a conventional on off footswitch Variable Sustain allows vou to control the amount of sustain bv using a special footswitch The lighter the foot pressure on the sustain the less pedal down sustain amount The more pressure on the the sustain pedal the greater the sustain sample level Using this Variable Sustain Controller vou ll find that the action of the pedal is much closer to the feel of an acoustic piano Vou can adjust the sustain amount and depth bv pedal pressure If vou have a Variable Sustain Pedal Controller we have created special presets that allow vou to take advantage of it In the Browser Window after clicking the instruments button you ll notice 2 folders The first contains instruments specially programmed for a Variable Sustain Pedal and a second folder for a Regular on off Sustain Pedal Browser Outputs Keyboord MosterKontrol 1 0 BI Lood Sove e Options c5 Purge EM View Libraries Engine Auto KONTRKT DEF IEEE User Instruments User Multis Bluthner Model One S A eea I m LE instruments Multis bio Nome VariableSustoinPedol RequlorSustainPedal If you have a Variable Sustain Pedal select the first folder Lood Soue Options e Purge E View e KONTAKT RR Browser iH Outputs Keyboard 9 MasterKontrol Y ER Gia Engine
52. ss 1962 AE bo MERE 110 class 1957 De O closs 1985 RIsPedUp ypassT RI_Ory 12 class 1375 uz 113 class 1990 00 RisPedDn class 1975 Si BupossSi RI Wet TIS closs 2003 D m 232 2 5 TIE class 1990 1 6k ms 8 10 0 T17 class 1982 ILI Bupa PreDelau Digital Model One y Dan Eq Temperament 0 ms T19 class 2001 20 closs 2005 21 closs 1372 22 closs 1982 23 closs 1990 24 closs 1995 T25 closs 1983 T26 closs 1995 27 class 1989 T28 class 1962 T29 closs 1973 T30 class 1990 class 1932 T32 class 1935 T33 class 1965 T34 class 1375 T35 class 19 74 T36 class 2002 37 class 2003 T38 closs 2004 IKA gt is If you drag the mouse pointer over specific TI in the pull down list its color will change from gray to highlighted orange This tells you that you have selected a particular TI and by releasing the mouse button it will load BLUTHNER 1I00 CLRSSICRL V 51 1 v U 63 Purge v A 1 M 257 81 RisPedUp par mm BupassTi RI Dry 232 25 BupassRi 0 0 da RisPedDn TG class Ti4 class 1973 gt v A RisTrig BupassSI RI Wet 232 2ms 222725272 SS AEE BupassChorus 10 0 59 S01 SusA Crisp BupassTuning PreDelau N Zo 2 Digital Model One by Ernest Cholakis 4 Dan Dean Eq Temperament
53. take a quick look at the instrument names to see what other information is con tained within them In the middle of the Browser you ll see the fol lowing instrument Bluthner 100 Classical This tells you that the Instrument is the Bluthner Digital Model One with dynamic scaling programmed to 100 using the Classical Group Timbral Impulses If you wanted to load the Instrument with 100 Dynamic Scaling but instead from the Jazz Group of Timbral Impulses instead you would load this one Bluthner 100 Jazz nki Getting back to the Timbral Impulse Select Button click hold the mouse button down with any instrument from the Classical Group and vou ll see the following drop down menu appear CLASSICAL TIMBRAL IMPULSE GROUP 50 Impulses SO 5 I BLUTHNER IOO CLASSICAL V 51 1 iv dp 0 63 Purge 257 81 RIsPedUp 232 2 5 POZEZ 00 L RI_Ory RisPedDn TOVeloss 1959 A RisTrig Ri_Wet 232 2ms Erpe LEk pe BupossChorus 10 0 Crisp gt 22 Bypass Tuning PreDelau Digital Model One by Emest Cholakis 4 Dan Dean ms Browser NN Outputs GAGA LESS sterKontrol 0 8 Load Saue Options SP 2 257 81 MB closs 2001 TO4 class 2000 KONTAKT DEF TOS class 1989 ere lt class 2004 eer 100 1 gt 1955 4 class 1995 mim MIS ek TOS cla
54. ual acoustics of the Bluthner Model One Other digital pianos don t give you true piano dynamics but provide a single layer of interpolated dynamics as a function of keyboard dynamic scaling These curves are inaccu rate and do not reflect what actually occurs in an acoustic instrument Again the true dynam ics of an instrument are like a fine tapestry of very complex hills and valleys and non linear variations in level Most current digital pianos use linear curves and logarithmic curves and all sorts of variations on these themes but none of them accurately reproduce the natural dynam ic characteristics of the acoustic piano The result of our Linear db Scaling is a superior feel ing natural sounding better playing digital instrument The Bluthner Digital Model One dynamics Note that the BDMO dynamic range mirrors an actual acoustic Piano with unique values for all 88 notes EO 7 APO i n pr pr E N ERU r R aT ET E z e ae E edi 2 A SS LU e be x m de La TU ash 72 md a aberri i E A Competitor s Piano with Linear dynamic range where each dynamic is the same Notice the absence of dynamic variation Key The blue is note AO the red is A4 and bright green is A6 Compet
55. ultis Bluthner Model One 77722 instruments Mutis info VariableSustainPedal RegularSustoinP edal This will open the Regular Sustain Pedal instruments As above make a selection from the list of instruments by either double clicking it or click dragging it to the empty pane to the right of the Browser Window Lood Soue Options Purge B View KONTAKT Hz bal gi PE d EE 7 SRI LES mi Librories Engine Auto KONTAKT DEF 01 16 17 32 33 48 49 54 BUR User instruments User Multis Bluthner Model One 2 527242 PREF Instruments Multis Info Bluthner 100 Classical nki Bluthner 100 Custom nki Bluthner 100 Jazz nki Bluthner OU Pianos nki Bluthner 100 Pop Bluthner DO R amp B nki Bluthner 100 Vocal nki Bluthner 45 Classical nki Bluthner 45 Custom nki Bluthner_4S_ Jozz nki Bluthner_45_Pianos nki Bluthner_4S_Pop nki Bluthner_45_R amp B nki Bluthner_4S_ Vocals nki Bluthner_SS_Classical nki ho m la m ho m Im ba m m m ho m ADJUSTING THE TUNING OF THE PIANO In Western music the dominant tuning svstem has been the 12 tone Equal Temperament ET svstem In this svstem all the notes within an octave are divided into 12 equal distances Unfortunately ET is a tuning system that does not correctly rep resent what really happens at a micro pitch level when a
56. y capture all of these various resonances Don Grusin at the Bluthner Model One at Skvwalker s Sound Stage capturing a performance with the Moog Piano Bar Using the Piano Bar we were able to accurately calibrate each and every single note played on the Model One by correlating each audio file to its MIDI counterpart Special Thanks Ernest and Dan would like to thank Dr Christian Bluthner Haessler and Julius Bluthner Pianofortefabrik GmbH James Reeder at Bluthner USA Don Grusin Garth Hjelte at Chicken Svstems Leslie Ann Jones 8 Dann Thompson at Skvwalker Sound Helga Kasimoff Linda Pritchard at Moog Music Mark Schecter Martin Jann 8 Dan Santucci at Native Instruments Berlin Nick Moore Scott Lytle Alex at Classical Grands Walt Wagner Kenny Werner and the beta test team DAM Dan amp Ernest outside Skvwalker Sound San Rafael CA Kontakt2 Player Basic Navigation The view below shows you what the Bluthner Digital Model One Kontakt2 Player looks like KONTAKT YE R Libraries Engine Ruto User Instruments User Multis Bluthner Model One 7 Yan 221727772 p instruments Bluthner 100 Classical zu nki Bluthner 100 Custom u nki Bluthner_100_ Jozz_u nki Bluthner_100_Pianos_u nki Bluthner__100_ Pop_u nki Bluthner_100_R8 B_u nki Bluthner_100_Yocal_u nki Bluthner_45_ Classical_ u nki Bluthner_45_Custom_u nki Bluthner_4S_ Jazz u nki Bluthner 42 Pianos Uu nki
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