01V96VCM Brochure
Contents
1. 14dB into 6000hms Less than 0 01 1kHz 24dB into 6000hms Actual source For use with Sampling frequency 96kHz sr terminal Output level imit Max before clip Frequency response CH INPUT to STEREO OUT 0 5 1 5dB 20Hz 20kHz 44dB into 6000hms STEREO OUT L R 150ohm 6000hm 40B 24dB XLR 3 32 type Balanced Sampling frequency 48kHz OMNI OUT 1 to 4 150ohms 10kohm Lines 4dB 24dB TRS phone jack Balanced L ee a MONITOR OUT L R 150ohms 10kohm Lines 40B 24dB TRS phone jack Balanced Sampling frequency 96kHz i Dynamic range 110dB typ DA Converter STEREO OUT CH INSERT OUT 1 to 12 6000hms 10kohm Lines i 4dB 24dB TRS phone jack Unbalanced maximum level to noise level 106dB typ AD DA to STEREO OUT fs 48kHz OTR OUTIL R 10Kohms 600ohm Lines 10dBV 10dBV RCA pin jack Unbalanced 106dB typ AD DA to STEREO OUT fs 96kHz f T TE T ia ae Hum amp noise level 128dB Equivalent Input Noise PHONES 100ohms a m b ST phone jack Unbalanced 20Hz 20kHz 86dB residual output noise STEREO OUT 40ohm Lines 12mW 75mW Rs 1500hms STEREO OUT off l i i Input GAIN Max 86dB 90dB S N STEREO OUT Input PAD 0dB STEREO fader at nominal level and all CH INPUT faders at minimum level DIGITAL II ITAL INPUT CHARACTERISTICS Input PAD 0dB 64dB 68dB S N STEREO OUT EEE Input sensitivity 60dB STEREO2. In this example the 01V96VCM provides a Sais l ee mixing solution for a multi purpose hall suitable for small scale Editing windows with enhanced controllability re conventions saat and other similar gatherings C112VA C112VA This hall features a pair of hardwired FOH C112VA speakers multiple ceiling speakers used for background music and public announcements and MSR100 speakers that can be setup whenever needed for monitoring during concerts And even in Wired Mics situations where all of these speakers must be used together the 5 A Video selector sl a 01V96VCM with its main Stereo Out complemented by four Ceiling mounted projector E ir additional OMNI OUT channels can cope with ease MSR100 MSR100 LL DVD player With the 01V96VCM you also benefit from the flexibility and Wireless AIN convenience only delivered by digital consoles for example CD player the Scene Recall function allows settings for a wide range of Wireless Mic Receiver different applications to be instantly loaded while User Defined w w l pot Keys provide one touch shortcuts to oft used functions What s 7 __ P 3500S j Fader Window ieia EREHE n FREE more as the acclaimed REV X reverb from the SPX2000 effect n igi SO i l SS ee processor and the Channel Strip package of VCM compressor and equalizer effects are pre installed audio quality rivaling even ac Patch Editor Window tha
3. Panel YAMAHA sof The new 01V96VCM display is a high resolution 320 x 240 dot LCD panel that provides easy S S8eenugaaee G5 oy R tSS s visual access to all of the consoles functions and parameters Many r n r3 4 parameters are displayed graphically so you can see what s happening at a glance EQ curves and compression parameters are especially readable in this format Display Access DISPLAY ACCESS The DISPLAY ACCESS keys determine which type of data will be shown on the LCD panel T dtitva a total of 12 selectable categories This DYNAMICS Lan viw approach minimizes the need to scroll through on screen lists when you need access to a particular type of data Data Entry Large cursor INC DEC and enter keys are complemented by a data entry dial that lets you spin in desired values quickly and easily The data entry dial also doubles as a shuttle scrub dial for recorder or DAW control Expandable Data Libraries Setting up EQ compression and other parameters for a mix from scratch can be a daunting task so Yamaha has provided an extensive selection of presets in a range of libraries that can simply be selected and used unmodified or edited to suit specific requirements Libraries are provided for effects compression gating EQ I O patching and channel setups Of course your own setups can be added to the libraries for instant recall whenever they are need
4. REV X HALL is 2 a i i Cu and Gary Moore vare reverb unit the f Super High Fidelity 24 bit 96 kHz Performance Takes Digital Sound To the Next Level Digital audio technology has come a long way since the early days of 16 bits at 44 1 kHz a format that many considered to be the reason for harsh cold sound The entire industry is now settling on 24 bit 96 kHz digital operation for significantly superior sonic quality The 01V96VCM does give you a choice you can work at 44 1 kHz 48 kHz 88 2 kHz or 96 kHz depending on the needs of each individual project But when you want the truly transparent incredibly mamis sound of 24 bits at 96 kHz the 01V96VCM is ready to deliver It even includes a comprehensive range of superb 96 kHz compatible stereo effects with 32 bit internal processing C stations can handle 96 kHz audio ay in ah Beton ba wt two track to make 1 48 kH audio or up to fennel of ct 96 aua audio in s double Anne nity With the latest se aie at handles 06 k f Mixing Versatility 24 Analog amp Digital Channel Inputs Expandable to 40 Right out of the box the 01V96VCM gives you 16 analog channel inputs 12 with high performance microphone head amplifiers and eight digital channel inputs via a built in ADAT optical interface Without going any further you re ready to handle a comprehensive mix of analog and digital inputs All the 01V96VCM input
5. can handle up to 40 inputs and can be cascaded if more are required And now in addition to the many improvements that were implemented in the 01V96 Version 2 the 01V96VCM comes with a selection of Yamaha s unsurpassed VCM effects built in Of course the entire console effects included features 24 bit 96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications The Team and the Technology Behind the Sound elopeg The division known at Yamaha as K s Lab K for Kunimoto was established in 1987 to develop new modeling technology that would become the next phase in synthesizer evolution after the FM and PCM tone generators that were the mainstay of the synthesizer world at the time Research and development has continued relentlessly ever since and in 2001 the K s Lab team began aiming it s formidable technological capabilities at physical modeling for effects and that s when Mr Kunimoto s goal began to take on primary importance K s Lab The Birth of VCM It took more than two years of concentrated work but by 2003 K s Lab had refined and re purposed physical modeling to the point where it was ready for practical implementation in the form of Virtual Circuit Modeling VCM is the cornerstone of Yamaha s Add On Effects and achieves it s stunning sonic and musical performance by actually modeling the individual character
6. connectors are top mounted for easy access in any application The first 12 analog channels feature high performance head amplifiers for microphone or line input that deliver a pristine signal to the console s precision 24 bit 96 kHz A D converters The 48 volt phantom power for condenser microphones is switchable in 4 channel groups while trim controls and pad switches facilitate optimum level matching with the source and channel inserts make it easy to insert external analog processing gear into the pre A D signal path Inputs 13 through 16 accept balanced unbalanced line level signals singly each input has an independent trim control or in pairs for stereo input When you need more Yamaha offers a range of Mini YGDAI expansion cards that can simply be plugged into the 01V96VCM expansion slot to provide additional I O in a variety of formats ADAT AES EBU TDIF CobraNet EtherSound MADI or analog 20 bus Configuration The 01V96VCM offers a main stereo program bus eight individual mixing buses two solo buses and eight auxiliary buses a total of 20 in all This gives you plenty of signal routing options to adapt to just about any mixing requirements Surround Panning Surround is becoming an important part of modern sound production The 01V96VCM features 6 1 5 1 and 3 1 surround panning modes so you can create surround mixes without having to sacrifice features or performance in other areas SURROUND MODE SURROUND C
7. fader at nominal level and one CH INPUT fader at nominal level Data length Level Comectr Maximum voltage gain 74dB CH INPUT CH1 12 to STEREO OUT OMNI BUS OUT OTR IN DIGITAL IEC 60958 24bit 0 5Vpp 75ohms RCA pin jack 40dB CH INPUT CH13 16 to STEREO OUT T l i 74dB CH INPUT CH1 12 to OMNI AUX OUT via pre input fader ADAT IN ADAT 24bit l OPTICAL 74dB CH INPUT CH1 12 to MONITOR OUT via STEREO BUS Crosstalk 1kHz 80dB adjacent input channels CH1 12 Input GAIN min 80dB adjacent input channels CH13 16 DIGITAL OUTPUT CHARACTERISTICS 80dB input to output Connector Total Harmonic Distortion is measured with a 6dB octave filter 80kHz IEC 60958 Hum amp Noise are measured with a 6dB octave filter 12 7kHz equivalent to a 20kHz filter with infinite dB octave attenuation t 2TR OUT DIGITAL Pancumariiss 24bit 0 5Vpp 750hms RCA pin jack Power requirements Japan AC100V 50 60Hz 90W PORTOM POAT eo _ Ye North America AC120V 60Hz 90W Other Areas AC220 240V 50 60Hz 90W CONTROL I O CHARACTERISTICS Dimensions W x H x D 436 x 150 x 548 mm 17 3 16 x 5 9 46 x 21 1 4 TOHOSTUSB ttt HOST USB OO OBN 3 3V B type USB connector type USB connector MIDI IN MIDI DIN Connector 5P OUT MIDI DIN Connector 5P LI BRARI ES THRU MIDI _ DIN Connector 5P Number of facto
8. H EDIT INPUT CH1 16 SURROUND SURROUND BUS SETUP f Advanced Input Functioning Channel Strips With Precision 100 mm Motor Faders The 16 channel strips on the 01V96VCM panel provide access to the most essential operations for the corresponding channels Depending on the currently selected layer the channel strips will control channels 1 through 16 channels 17 through 32 or the eight AUX sends and eight buses the Master Layer Also the channel faders will function according to the settings in the FADER MODE section In addition to a 100 millimeter motor fader each channel strip includes a channel ON OFF key a SOLO key and Ie Ml a SEL key that assigns the channel as the console s selected channel Detailed panning and EQ control for the currently selected channel is available via the SELECTED CHANNEL controls The master STEREO fader is also a 100 mm motor type with its own ON and SEL keys Selected Channel Controls The SELECTED CHANNEL controls include the hands on panning and EQ controls for the currently selected channel with analog style buttons and knobs for direct easy access to the parameters Need to adjust the high mid frequency a little Just tap the HIGH MID key and turn the FREQUENCY knob until you get the sound you want Fast Flexible Digital Patching All available inputs outputs effects and channel inserts can be assigned to any of the console s channels or outputs via the 01V96
9. SPECIFICATIONS GENERAL SPECIFICATIONS ANALOG INPUT CHARACTERISTICS YAMAHA Internal processing 32bit Accumulator 58bit For use with Input level Number of scene memories 99 ue itivi i Max before cli Sampling frequency Internal 44 1kHz 48kHz 88 2kHz 96kHz sisih 2 aaa OUUONM ANIRAI External Normal rate 44 1kHz 10 48kHz 6 CH INPUT 46dB 3kohms Mics amp 60B 1608 AGB AAD 3 31 type Balanced Double rate 88 2kHz 10 96kHz 6 tol joe TORN B TRS phone jack Balanced 20 26dB SES h 40B 24dB Signal delay Less than 1 6ms CH INPUT to STEREO OUT Te Sampling frequency 48kHz CH INPUT 26cB 36cB 26dB 6dB omenat Less than 0 8ms CH INPUT to STEREO OUT 10kohms 600ohm Lines phone jack Balance 13 to 16 4dB 6 amp dBV 4dB 240B i D C N iC CONSOLE Sampling frequency 96kHz Ri Fader resolution 100mm motorized x17 CH INSERT IN 1 to 12 10kohms 600ohm Lines 6dB 4dB 24dB TRS phone jack Unbalanced Total harmonic distortion CH INPUT to STEREO OUT 2TR IN L R 10kohms 600chm Lines 100B 10dB 10dB RCA pin jack Unbalanced Input GAIN Min Less than 0 05 20Hz to 20kHz 14dB into 600ohms T Less than 0 01 1kHz 24dB into 600ohms eer eae l ANALOG OUTPUT CHARACTERISTICS Less than 0 05 20Hz to 40kHz
10. SS Lha a ome oe oe FN FA FA FN FN FN oe FN FN 16 MADI ee Optocore O ee O O CB CO Maximum 5 Nodes 0 8 0 16 oman Maximum 5 Nodes elelelellellellelelelelelel soe by double channel mode Waves Y96K _ 8 in 8 out Effects and ADAT I O HHA Fea fFa faa a aa GB o o Q l l 6 6 6 6 0 0 8 6 o 8 AES EBU The Waves Y96K DSP expansion card adds renowned Waves signal o o o o o o o o o o o o ooo o processors to compatible Yamaha digital consoles and workstations OENES Sampling Rate Converter GO G G E e AES EBU for input The Y96K processor package includes the Renaissance Compressor and EQ TrueVerb reverb L1 Ultramaximizer SuperTap delay and DeEsser These processors are all available in addition to the console s on board effects a E S E AES EBU Can handle 24 bit 96 kHz 1 Selectable from STEREO BUS AUX DIRECT OUT INSERT OUT CASCADE OUT STEREO BUS1 8 AUX1 8 SOLO 3 E AES 3id by double channel mode See the user s manual for further information R 565565 E E E S BE eena E oe e Details depend on each interface card TASCAM Can handle 24 bit 96 kHz O O S A ESSE AO A A O A a aA eA e e by double channel mode ASEO fa ARR fff i nC lf O S G a aG aG es ES ES ES ISS ea ere ADAT Can handle 24 bit 96 kHz by double channel mode Anal Can handle 24 bit 96 kHz E B B B B MACE by double channel mode al E Analog In AA Can handle 24 bit 96 kHz ae Analog In
11. VCM s remarkably versatile easy to use digital patching system For example any of the effect processors can be assigned to an auxiliary bus for send type operation or inserted directly into any input channel as required A direct out function also allows the signal from any of the input channels to be routed directly to any digital or analog output The eight auxiliary buses can also be patched to anywhere in the system Centralized control means you ll never have to run around to physically re patch cables whenever you need to reconfigure the system while patch setups you might want to use again can be stored in the 01V96VCM patch library for instant recall at any time INPUT PATCH Advanced Solo Functions When the Fader Solo Release function is active touching any fader releases the current solo ed channel s In addition the Pre fader with Pan Mode allows you to monitor the post pan pre fader signal j Effects amp Advanced User Interface Internal Effects Fully Support 96 kHz Processing You could use external digital effect processors with the 01V96VCM but what s the point when it already features built in top performance 24 bit 96 kHz effect processors Also you run the risk of lower audio quality if you have to convert down to a lower sampling rate for effect processing which is exactly what s going to happen if you use hardware or software processors that don t offer 24 bit 96 kHz performance anywhere in
12. by double channel mode j i 2 Analog In
13. ed User Defined Keys These 8 keys can be assigned to control any functions you choose You could for example use them to recall input patch setups to arm MTR tracks for recording or to handle locator functions And when the REMOTE layer is selected the USER DEFINED KEYS are automatically assigned to Pro Tools control m A m m 7 K a R functions by default The Instant Group Assignment function enables you to also use these keys to quickly set up fader groups and mute groups Enhanced Integrated DAW Control The 01V96VCM has been designed to seamlessly novar iced Protocol integrate with leading digital audio workstations DAVY control to create a complete production and mixing environment Extensive support is provided for Digidesign s Pro Tools system as well as Steinberg s Nuendo 4 and Cubase 4 for full control of mixing and processing parameters by using the 01V96VCM selected channel section as well as transport track arming control and access to editing functions directly from the 01V96VCM control surface There s also a General DAW mode that provides compatibility with other workstations ia lt CUBASE ko En a ari ait Yes POWER le 7 i z gt MADE IN JAPAN Wade I O Facilities Rear Panel The rear panel is home to balanced analog stereo and monitor outputs as well as four balanced omni outputs The optical IN and OUT connectors f
14. els 1 through 16 17 through 32 auxiliary sends 1 through 8 and buses 1 through 8 or user assignable configuration via the console s LAYER switches In the user assignable layer a new added feature in version 2 you can create a mixed fader configuration of input and output channels or you can use the faders as Fader Group Masters There s also a ST IN layer switch that switches between the stereo 1 2 or 3 4 inputs for the stereo layer controls Having all controls right in front of you at all times not only saves space it also means that all operations can be carried out without having to move away from the monitoring sweet spot f Scene amp Memory Scene Memory Complete console setups can be memorized and instantly recalled via the 01V96VCM SCENE MEMORY controls Memory is provided for up to 99 scenes In addition to recalling scenes from the panel controls you can recall them remotely via MIDI program change messages providing a handy degree of automation capability The current scene number 01 through 99 is shown on the LCD panel Additional scene memories can be managed via a computer running the supplied STUDIO MANAGER software With version 2 you can copy and paste channel or parameter settings from the current scene into other scenes This feature can be useful if you have already programmed several scenes but want to edit certain parameters in all scenes l Enhanced User Interface Large LCD
15. f music history 2TR I a level AUX1 8 playback decks for a wider range of variation out S arr 080 a eote above gt e You also have a choice of old and new tape types tape speed bias a Stereo Configuration i u n ro SOLO TRIM 2TR IN and EQ settings that can vary the focus of the sound distortion and HE SOLO L A rca O saturation characteristics SLOT 7 a Ht SOLOR TET MOMTOR oxen our ee oe PN NONTON ti a o LEVE e ADD ON EFFECTS can be only used with the PM5D DM2000 DM1000 02R96 01V96 The names of programs or menus incorporated in ADD ON EFFECTS are for moni E 7 mm P Jane nls ABs a en e To use ADD ON EFFECTS with the DM2000 Version 2 DM1000 Version 2 02R96 Version 2 or descriptive purposes only Reference to product names trademarks artists 2TR IN See Prones 01V96 Version 2 please note the following and songs is made for the sole purpose of identifying products and sounds aa 7 UR FEN a j studied for modeling and describing the sound nuances Yamaha attempted na 1 The DM2000 DM1000 02R96 or 01V96 must be Version 2 or higher JEEN Ai AR o A es 2 Your personal computer must have a USB port and internet connection capabilit ee eS a a aa ae 2 4 ow P33 J p p po g y constitute representations that they physically possess equal qualities and ASANA E 7 ae eae p Bai a 3 You must get web approval from Yamaha using the access key issued by the Yamaha approval server does not imply any coo
16. istics of the multitude of parts and components that contributed to the final sound of the original analog circuits Cutting edge Performance and Processing Capability You simply won t find another digital console that offers this level of performance flexibility in a package this compact and affordable The 01V96VCM will comfortably fit in the space and budget of the small studio while delivering sonic quality effects control and compatibility that are second to none Built in VCM Effects Previously available as add on effect packages for top line digital consoles Yamaha s highly regarded VCM Channel Strip processors and REV X reverb are now standard features on the 01V96VCM These extraordinary effects are based on innovative Virtual Circuit Modeling technology that actually models the original analog circuitry right down to the last resistor and capacitor VCM effects are capable of capturing subtleties that simple digital simulations cannot even approach going beyond simple simulation and delivering the truly musical performance that makes classic analog gear invaluable even in today s digital production environment The 01V96VCM includes the Channel Strip package with COMP276 COMP260 and EQ601 effects that bring vintage analog compression and EQ to life in the digital domain It also includes the same REV X algorithm that is behind the unmatched performance of Yamaha s stand alone SPX2000 signal processor delivering the mos
17. lly integrated production environment that puts all the processing power you re ever likely to need right at your fingertips AE 041 Surround Post Package can not be used with the 01V96VCM DIAEA The names of programs or menus incorporated in VCM and Add On Effects are for descriptive purpose only Reference to product names trademarks artists and songs is made for the sole purpose of identifying products and sounds studied for modeling and describing the sound nuances Yamaha attempted to create through use of its proprietary technology Such reference does not constitute representations that they physically possess equal qualities and does not imply any cooperation or endorsement by such manufacturers or artists The products trademarks are the property of their respective owners f Advanced Layer and Bus Operation Fader Mode The FADER MODE keys allow the 01V96VCM faders to be instantaneously switched between fader and auxiliary level control Since the faders feature fast precise motor drive mechanisms they immediately respond by moving to the appropriate settings for the selected mode Layer Switching for Fast Access to 32 channel Aux Bus Fader User assignable Configuration One of the advantages of digital control is that it allows extraordinary power and flexibility to be packed into minimum space The 01V96VCM has 17 physical 100 millimeter motor faders The first 16 can be instantly switched to handle input chann
18. onsole al Sanna Bro METER A pe g ovu 2 h 2 rt 3 Ouve METER o o EQ Deuy ITS in the usual way In addition a special GUI is available in the STUDIO MANAGER Version 2 editor to manage these effects INSERT 1 0 p MeeR F INSERT INSERT RR E o 1 12 i i i ON LEVEL o z HONT i i i i ADI 12 of GATE E o J o M Same as stereo master L gt A MASTER STRIP PACKAGE AE 021 VINTAGE STOMP PACKAGE AE 051 a 3 i _ ss Group 1 12 13 24 dg Gain Reduction METER METER Out Meter AUX 1 8 Gain Reduction Out Meter LFE HH A e evelopey g O A tape saturation lt open deck gt package that faithfully captures Vert In this package virtual Circuitry Pr pREposT ON AUX jiji a zu Rie eet D j ansi G EA 7 the tape saturation of analog circuitry O Mam N Modeling technology delivers 13 14 re a A INSERT INSERT INSERT Sto METER i i a S i T 4 BAND OUTPUT BUS 1 8 faithful models of the classic Lo DIRECT OUT EQ ia DELAY e Employs VCM technology to recreate both the analog circuitry and tape j OTR INL O 1 82 m E characteristics that shaped the sound of open reel tape recorders n much in demand stomp boxes i STIN 1 4 PAN p BUS to STEREO a 4 r INPUT AD 15 So METER e The Open Deck provides models of four machine types Swiss 70 Swiss 78 a from the 70 s that helped shape 15 oR g Swiss 85 and American 70 You can even combine different record and oe the sound o
19. or the 01V96VCM s built in ADAT interface are also located on the rear panel There are also digital 2 track inputs and outputs featuring coaxial connectors On board sample rate conversion allows CD players and other digital sources connected to the digital input to be monitored or routed to an input channel without having to be synchronized to the system clock A range of synchronization and control options are available via word clock inputs and outputs MIDI connectors and a USB TO HOST connector which can be used for computer control via the supplied Studio Monitor software The rear panel also has an expansion slot which will accept a wide range of Yamaha mini YGDAI expansion cards that can add up to 16 additional channels in a variety of formats Built in ADAT Optical Interface The 01V96VCM comes with an industry standard ADAT optical digital I O interface built right in no options necessary The ADAT Lightpipe optical I O is standard on a wide range of current digital sound gear so you can simply plug in via optical cables for 8 digital inputs and 8 digital outputs that will handle your digital signals without compromise Additional optical I O capacity can be added via the 01V96VCM expansion slot as necessary 01V96VCM Cascade Link 10 1 aa When you really need high capacity particularly for sound reinforcement applications the 01V96VCM offers 01V96VCM Cascade Link capability that allows two 01V96VCM
20. peration or endorsement by such manufacturers or fea BURST NOSE ee ool 33 When applying for web approval use the CD ROM and approval code within each ADD ON EFFECTS package artists The products trademarks are the property of their respective owners gt BUSt BUS ecole sous oa lt une A ae sus INSERT OUT 894 5 omnis oa ee CASCADE SELECT PR HA SIERE A BUS Pre rae INSERT gt t S SOLO R BUS E Jaor 16 ii Q gt AUX1 BUS 2 a a D _sioT_ SLOT OUT gt gt AUX8 BUS ADAT 8 e e e OW ak e e ADAT OUT Available Mini YGDAI card specifications a verat 7 AUX1 8 4 STEREO BUS 4 2TRDIGITAL 2 TR OUT DIGITAL oo A INSERT 2 84 OAXIAL Guidance on the use of Mini YGDAI cards _http Awww yamahaproaudio com myguide index php SEND g a O AS tosu 2TR OUT Model Input Output Format Note Input Output Format Note nee g STEREO L L e o INSERT 4dBu ante va Ly MY 16 AE AES EBU DA Cards Analog Out SEND STEREO R R STEREO OUT ET bit 96 k When 96 kHz FX3 4 cannot be used Can handle 24 bit 96 kHz ADAT by double channel mode Analog Out Can handle 24 bit 96 kHz Third Part ar AuviTran TASCAM by double channel mode Cards ag J AVY 16 ES EtherSound Can handle 24 bit 96 kHz AVIOM Ne ee ce ee ae 150 mm 5 9 4 436 mm 17 3 46 430 mm 16 15 1g excluding screw heads CobraNet by double channel mode 16 0 Y1 A Net P f a f E Ia gt EtherSound atey2 A Net SSS Ss Ss eh
21. rred between the 01V96VCM and the audio interface via both the 8 channel optical ADAT interface allowing simultaneous 8 channel recording at 96 kHz and the 2 channel SPDIF interface LS se for maximum routing and mixing versatility VCM effects can be applied while Computer Cubase 4 recording or during mixdown Guitar ete aE a STUDIO MANAGER Version 2 Software Included i 4 Pij HE baia Up to 80 inputs Sound reinforcement applications generally a require much more input and output 5 oMNioUT 4 We r capacity than studio production If a single ae i l 01V96VCM won t do it try cascading two sg OMNI OUT s eet STOUT L 01V96VCM consoles you now have up to sr R Bd ai i a a aoe piiki TERIH and Signals resp st opus l nput EM 80 input channels plus plenty of output me cee tn freemen soo MSR400 channels and processing capacity to handle PAU ELS MAL Ae 1 house sound and monitoring The built in aier P _ dynamics and VCM effects can be a tremendous advantage in this type of MSR800W MSR400 MSR400 MSR400 MSR400 application too ee Xe ee Weare Meter Window Capable of providing solutions not only in the sound reinforcement and recording environments the 01V96VCM is 3 also widely used in fixed installations similar to that shown and has already gained an excellent reputation in the industry for this type of application
22. ry presets Number of user libraries WORD CLOCK IN TTL 750hms BNC Connector Effect library EFFECT 1 4 53 5 OUT TTL 75o0hms BNC Connector Compressor library 36 92 1 MIDI IN can use as TIME CODE IN MTC Gate library 4 124 T 7 e Specifications and appearance subject to change without notice EQ library 40 160 e All trademarks and registered trademarks are property of their respective owners k Windows is a trademark of Microsoft Corporation Channel library ll 127 Macintosh is a trademark of Apple Inc Nuendo is a trademark of Steinberg Media Technologies GmbH Input patch library i 1 32 Pro Tools and Digidesign are trademarks of Avid Technology Inc Output patch library 1 32 Adat is trademark of Alesis Corporation i Tascam TDIF are trademarks of Teac Corporation For details please contact amp YAMAHA YAMAHA CORPORATION P O BOX 1 Hamamatsu Japan www yamahaproaudio com Printed in Japan 4 PRINTED WITH SOY INK This document is printed on chlorine free ECF paper with soy ink 10020 Still Small and Professional Now with VCM Effects The 01V96VCM delivers the performance and reliability of Yamaha s acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required It may be small but it
23. t natural reverb and ambience available anywhere CHANNEL STRIP This compressor and EQ effects faithfully captures the unique saturation effect of analog circuitry Includes five models that employ VCM technology to recreate the sound and characteristics of classic compression and EQ units from the 70 s Fine tuned by leading engineers and featuring carefully selected parameters in a simple interface ube pam saturation rof the most in demand analog TE for studio use Equalizer 601 Ki pens yy e Equalizer nt real be Sele 0 s analog AH cuitry featuring het apria Cg R on both the Fagiiter interviews Steve Levine since t th any a ding fr r und so cy now you h re Club Th d a match f amous Quantec roor ssion options availabl raised ess TOF f pouritv i V available E EQs an Al eee gt Tine colour that many artists producers amp engineers wish to add to their tracks but without the sound of ete I REVERB x These reverb effects employ the latest REV X algorithms first introduced in Yamaha s SPX2000 Professional Multi Effect Processor The REV X programs feature the richest reverberation and smoothest decay available based on years of dedicated research and development e REV X Hall REV X Room and REV X Plate programs are provided with new parameters such as room size and decay envelopes that gt z pp u i J
24. t of live music clubs with vintage outboard gear costing tens Lgl igi of thousands of dollars can easily be achieved With this TE Effect Patch Window stunning range of choice functions packed into such a compact Audio w w body the 01V96VCM is just the ticket for fixed installations Ceiling Speakers Options BI ADD ON EFFECTS ee Er d2 S bea AA ow ai each ch ae G8 22 won Software packages are available for adding unique and valuable effect programs to the 01V96VCM internal effect programs With the 01V96VCM A zazzggaa be og Ss aro METER i igi j INPUT INPUT 1 32 agddaded bE BG az INSERT ER gt You can add optional ADD ON EFFECTS to the original collection of preset effects You can edit store and recall ADD ON EFFECTS on the c
25. units to be cascaded to create up to an CASCADE IN PATCH 80 channel mixing system at an unbelievably affordable price DIGITAL MIXING CORSOLE THI CLASS G H natin AP Penn MODEL EE COMPLIES WITH CAN ANN ub CES 002 CAUTION CET APPAREIL NUMERI ELA ER ARE OF ELECTRIC SHOCK N Swi EDHE i a aay BEST COMPCAME ALA us _ D NOT ER ARE TAMAHA CORPORATION KORME WMB DOd DU CANADA AVIS TWE DE CHOC ELECTROUE ME FAS CUVEE UPG LABEL DENCE COMPLIES WITH PART Auo E Ten WARNING io REDUCE THE Fish OF FEE 0A ELEC TROD SHOCK i 15 OF THE FEC AULES AFF OPERATIA Is SUBJECT TO THE i G TWO COND A APPARATUS TO RIAN OA NOTUEE titles 5 DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE AND THIS DEWICE MUST ACCEPT ANY INTERFERENCE RECEIVED HELUONG MTERFEAERCE THAT MAY CAUSE UNDESIRED OPERAATION Application Examples Music production sound reinforcement broadcast theater in nearly every application the 01V96VCM has the performance and versatility to work wonders STUDIO l ec Optical Cable Taira Although simple to set up a system like this can provide advanced recording ALLL Soda Baad oai Audio Moia a Keyboard and synthesizer ADAT 1 0 and production capability Cubase 4 running on a personal computer interfaces eerd i Os O to the 01V96VCM via a single USB cable for comprehensive transport and Firewire function control while audio is transfe
26. your signal chain That s why Yamaha included a comprehensive range of 96 kHz compatible stereo effects in the 01V96VCM You can use two effects simultaneously at 88 2 96 kHz and up to four effects at lower sampling frequencies FX1 LIB Top quality Compression Gating EQ and Delay All input channels on the 01V96VCM feature flexible independent compression and gating ducking processors for dynamics control All bands on the 4 band parametric channel equalizers are fully sweepable from 20 Hz to 20 kHz with bandwidth variable from 0 1 to 10 and a 18dB gain range for extraordinary equalization flexibility The channel delays also go well beyond the norm with a maximum delay of 452 milliseconds 96 kHz mode Even the stereo bus eight mix buses and eight aux buses have individual compression and EQ COMP EDIT ADD ON EFFECTS Capability Optional ADD ON EFFECTS can be added to the console s built in effects for expanded processing capabilities ADD ON EFFECTS packages that can be used with the 01V96VCM include the Master Strip Package with stunning simulations of classic analog tape decks and the Vintage Stomp package with faithful models of prized stomp boxes from the 70 s that helped shape the sound of music history You can edit these effects from the 01V96VCM as well as from your personal computer via the graphic STUDIO MANAGER Version 2 interface The combination of the 01V96VCM and ADD ON EFFECTS offers a tota
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