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Benjamin Sabatier

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2. ditions Janninck coll l art en crit Paris 2014 AGEIRA Jacinto Hard Work Edition Galerie J r me de Noirmont Paris DEVEZE Laurent BRUNEL Raphael A BIENTOT J ESPERE Co dition ERBA et Le Pav Dans La Mare Besan con CANET Marie SENALDI Marco FRAGILE Edition de la ville d Issoire fr JUY S bastien SAM Edition Galerie J r me de Noirmont Paris 2013 GAUTHIER L a Peinture en Kit Edition Noirmont Prospect Paris GROUP PUBLICATIONS 2012 De leurs temps 4 Coproduction ADIAF amp Mus e des beaux arts de Nantes SilvanaEditoriale fr DELPRAT Etienne Syteme DIY Faire soi m me l heure du 2 0 ed Alternatives Paris fr MARTIN Nicolas Le Grand Magasin Surr aliste ed Palette Paris fr Vente pour la restauration de la peinture murale de Keith Haring de l H pital Necker Enfants Malades ed Sotheby s fr Artists Angels pour Madagascar ed Christie s fr Temps trangers Mains d Oeuvre Universit de Paris IV fr Raw Materials Vom Baumarkt ins Luseum Museum f r Konkrete Kunst Ingolstadt Kerber Art de 57eme Salon de Montrouge Edition Ville de Montrouge fr Blank Generation Edition Ville de Montrouge fr Figures du Sommeil Galerie Municipale Jean Collet Edition Ville de Vitry sur Seine fr Paint B A L ed Artcurial Paris fr 2011 2010 ARTISTES amp ENTREPRISES Co dition ERBA ART amp FLUX fr Maison en Kit Claude Vergnot Kriege collection anarchitecture Editions Alternati
3. during the Cultural Revolution and the deaths of thousands of intellectuals en sued It would seem like the perfect hypocrisy soaked territory for Kiefer who first visited China in 1993 But his representations of Mao in the form of kitschy statues were off What s more Kiefer awkwardly placed Mao in fields of flowers from the Auvergne region in the south of France which the artist visited this past year In the huge canvas Laft tausend Blu men bl hen 2012 Mao hovers above a field of poppies his hand waving in a gesture that mimics Kiefer s own stance in his numerous photographs of himself in a Nazi salute In another work of the same title also made in 2012 Mao juts off to the right of a black canvas punctu ArtReview D ated by bright red explosions resembling bullet wounds a complex figure re duced to a kitschy oligarch Two sculptures de picted bicycles rusted and weighted down by the artist s signature lead books But the bi cycle once a national symbol has all but disappeared from Chi nese streets buried not by information or history but by luxury cars and superhigh ways China has come a long way since the Cultural Revolution And while China s re cent politics still leave much room for devel opment Kieler trauma kitsch misses the mark unless his goal was to generate even more Maos for the art market Barbara Pollack Benjamin Sabatier G
4. APHY Born in 10 01 1977 in Le Mans Website www ibk fr 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 200 2002 2001 2014 2015 SOLO SHOWS Storage Galerie Jousse Entreprise Paris fr Mode d emploi Le mur Saint Martin Paris fr Reinforced Concrete Bodson Gallery Brussels cat be Art Brussels Solo Show Bodson Gallery Bruxelles be Conforaman La gaterie Espace de cr ation contemporaine La Roche sur Yon fr Hard Work performance CADS Creative Arts Development Space Sheffield uk Hard Work Galerie J r me de Noirmont Paris fr cat A bient t j esp re Le pav dans la marre centre d art contemporain Besancon fr cat Do It Yourself Bodson Emelinckx Gallery Bruxelles be Post Scriptum Mus e en Herbe Paris fr Platform performance Centre Pompidou Paris fr Manifeste Point Eph m re Paris fr Chantier Galerie J r me de Noirmont Paris fr Super Partycles MAK Depot of Contemporary Art Vienne at Fragile Centre Culturel Nicolas Pomel Issoire fr cat 2 Pack Age Galerie J r me de Noirmont Paris fr Stand IBK BHV Rivoli Paris fr S AN Galerie J r me de Noirmont Paris fr cat VPC Axa art Paris Fr Peinture en Kit Noirmont Prospect Paris fr cat 55h de travail performance cur L Gauthier Palais de Tokyo Paris fr Agent de r surrection Abbaye Saint Vincent Le Mans fr GROUP SHOWS Group Show Galerie Cathe
5. Benjamin Sabatier joussesudaeAue 6 rue Saint Claude 75003 Paris www jousse entreprise corn art jousse entreprise com 33 1 55 82 10 18 BIO Born in 1977 in Le Mans France Lives and works in Paris Benjamin Sabatier comes from a family of artists His parents former students of Claude Viallat at the Ecole des Beaux Arts were active figures of the Le Mans contemporary art scene They brought numerous artists to participate in the pro jects around the world famous signature sport of the town The 24 hours of Le Mans among whom Fred Forest Marie Jo Lafontaine Francois Boisrond Herv DiRosa and Keith Haring just to name a few At a very young age Benjamin Sabatier is already showing an astonishing artistic maturity and takes part in the realisation of collaborative works with the American Keith Haring As a secondary school pupil he receives the Alph Art award at the International Comics Festival of Angoul me For the fun of the story his first art teacher at the age of seven was the legendary Gina Pane the French priestess of the Body Art movement This shows the artistic dynamics that was ongoing in young Sabatier s world In 2002 Sabatier shows for the first time his work in a French public art institute at the Palais de Tokyo in Paris His performance installation 55 heures de travail 35 hours of labour consists in sharpening pencils seven hours a day during a five day period found much appreciation and acclaim
6. Gallery Brussels 2013 View of the exhibition Reinforced Concrete Bodson Gallery Brussels 2013 View of the exhibition Reinforced Concrete Bodson Gallery Brussels 2015 Art Brussels 2013 Bodson Gallery Brussels View of Art Brussels 2015 Bodson Gallery booth View of Art Brussels 2015 Bodson Gallery booth View of Art Brussels 2015 Bodson Gallery booth View of Art Brussels 2015 Bodson Gallery booth Hard Work Galerie J r me de Noirmont Paris View of the exhibition Hard Work Galerie J r me de Noirmont Paris May July 2012 View of the exhibition Hard Work Galerie J r me de Noirmont Paris May July 2012 View of the exhibition Hard Work Galerie J r me de Noirmont Paris May July 2012 View of the exhibition Hard Work Galerie J r me de Noirmont Paris May July 2012 View of the exhibition Hard Work Galerie J r me de Noirmont Paris May July 2012 View of the exhibition Hard Work Galerie J r me de Noirmont Paris May July 2012 View of the exhibition Hard Work Galerie J r me de Noirmont Paris May July 2012
7. N Olivia Quand l art s emballe Le Parisien fr 1O mai GRENIER Alexandre Un vrai boulot Pariscope n 1919 fr mars POINDRON Flore S AV Paris art com fr f vrier mars RAMADE B n dicte Esprit d entreprise L Oeil n 552 fr novembre LEBRUN Caroline Peinture en Kit Paris art com fr juin juillet GAUTHIER L a Peinture en kit Mouvernent n 22 fr mai juin LE FOLL Nathalie Un art version Ikea L Oeil n 546 fr avril COUTURIER Elisabeth Mosa que de punaises Paris Match n 2814 fr 24 30 avril PRESS Art in America October 2012 iita US EFFE rare m ud Mir rer mr gm 1 All FOLE M d Pie mi dn hpa Geer rhy Cep ngan aa adu gel or teg AA eg ri Die ostii prs quiin vrare Testa Be eme Eh mil Lana ka A Sri veld west 3 Dr De Kar To TI DUNT D SM Af ai ai DUT Maas Chr as au a gaies mate w h COGN imb De as gu ivi Pcr vala on ord em an Diis Thur bine qti rim CHA HC indian Candai Png ir e dai Uiha Ehe prado men Ter ten D EN H pe prn ege Dr Ing pecus o bro rain omm ng t gt er Mem ap CRC vet Ch wt nt gn wrud en E kai for M ratius Van Hars large poni on s wooden D PLC artt ma eb wird LP Oke Got tai umma D Du arr d Coney a pow od bool pics am apte und A iecore ge Hu Ue Hit CHE H Wes cl ma
8. Questioning the notion and the process of labour Benjamin Sabatier satires the corporate world as well as that of the arts Whether it is by performance painting sculpture installation or video he selects the medium which illustrates at best the sense that he wants to transmit The paradoxical and theoretical impact of Keith Haring on Sabatier s work topped with the influence of the Support Sur face group results in the creation of a unique and explosive cocktail of artwork The artist likes to mention that his work beats around the bush meaning that he rather prefers to stay on the edge in order to question better the core STATEMENT Benjamin Sabatier has opted for a do it yourself approach to his work a better way in his opinion of recreating reality An artist of action Sabatier insists upon the importance of matter as well as the role of the spectator The result captivating installations and performances which constantly invite in terpre tation from the public True to the be it yourself slogan which the artist advocates as part of his artis tic enter prise IBK International Benjamin s Kit Benjamin Sabatier encourages spectators to take part in the creative process behind a work of art Throughout his work the artist therefore creates imitable and interactive processes question ing the economic social and artistic ideas which are inextricably linked to the context in which he gets involved BIOGR
9. alerie J r me de Noirmont Paris Ten years ago the French artist Benjamin Sabatier then 25 held i E ai Anselm Kiefer La t tausend Blumen bliihen Let a thousand flowers bloom 2012 oil acrylic shellac and charcoal on photographic paper on canvas 11014 x 2247 x 3 White Cube a performance at the Palais de Tokyo titled 35 heures de travail 35 hours of work re ferring to the recently passed French legisla tion of reducing the work day during which he sharpened pencils seven hours a day for five straight days A decade later this surprisingly poetic exhibition brought together 20 installa tions and sculptures in keeping with the artist s ongoing re flections on labor and mass consumption Hard Work Sabatier s fifth solo show at the gallery presented objects made from a limited vocabulary of humble raw Benjamin Sabatier Base V 2012 concrete polystyrene metal paint pot acrylic resin and painted wood 4375 x 279 x 29 Galerie J r me de Noirmont ARTnews SEPTEMBER 2012 123 Art Review September 2012 E materials concrete brick or metal cubes clamps struts beer cans and barrels and suggested a take on con temporary Constructivism These works have a strange and rugged beauty For the series Rack 2009 10 the 35 year old Sabatier crushed bags of concrete which he suspended on metal poles or racks or folded over beams Sur pris
10. an e n est pas seulement une g ograhie cur J F Chougnet Collection Soci t G n rale Paris Un phenomene de Bibliothegue Immanence Paris Paper Jam 2 cur C Seidel E Ouroumov Piano Nobile Gen ve ch Steel and Freedom cur Lara Pan Otto Zoo Galleria Milan it pures Le 7 5 Paris fr Artgen ve Bodson Emelinckx Gallery Gen ve ch Cibles Mus e de la Chasse et de la Nature Paris cat Papers Tigers Collection Cabinet du Livre d Artiste Universit Rennes 2 Rennes fr YIA Art Fair Galerie J r me de Noirmont Paris ZOA Zone d Occupation Artistique La Loge Paris Temps Etrangers Mains d Oeuvre Saint Ouen fr cat 21x29 7 Galerie De Roussan Paris Paper Jam 2 Cabaret Voltaire Zurich ch marke 6 gallery of Bauhaus Universitat Weimar de Le Commis sariat chez Treize Paris fr Ygrec Paris fr Messy Shop Bangkok th Raw Materials Vom Baumarkt ins Museum Museum f r Konkrete Kunst Ingolstadt de cat Papiers en t te Cabinet du Livre d Artiste Universit Rennes 2 fr Blank generation cur R Conte J Lageira Salon de Montrouge Montrouge fr cat Subject Matters Collection Goldschmidt Bruxelles be Art Brussels Bodson Emelinckx Gallery Bruxelles be En Ligne Espace EOF Paris Figures du sommeil Galerie municipale Jean Collet Vitry sur Seine fr cat Artefiera Galerie J r me de Noirmont Bologne it One Piece at a Time Mosta Heirt Sabatier Varini Verjux P
11. avail l oeuvre colloque ESCAM Clermont Ferrand fr 11 12 avril Artists Angels pour Madagascar Christie s Paris fr 19 30 janvier cat Conf rence cole Sup rieur d Art de Clermont M tropole Clermont Ferrand fr 4 d cembre Performances D bat anim par M Perrier Festival ZOA La Loge Paris 4 octobre ART AND WORK Symposium Occursus plastiCities in conversation with Art Sheffield University of Sheffield uk 29 juin Paint B A L Artcurial Paris cat Contrat Social Journ e d tudes de l ISBA La Rodia Besancon 1 janvier Conf rence Ecole R gionale des Beaux Arts Besancon 12 novembre L ancement de www mart office com Centre d art contemporain Le pav dans la mare Besancon fr 24 sep tembre Rencontre avec l artiste cur Dan Methananda Salon de Montrouge fr 1 juin Seguenceur 1 Contemporain Artcurial Paris cat La valeur de l art intervention l IESA invit par S Pioda Paris fr avril Vers une nouvelle conomie pour l art colloque international Saline Royale d Arc et Senans fr 24 25 mars Cent Briques pour Madagascar Artcurial Paris fr cat Les Hi roglyphes de Keith Haring Mus e en Herbe Paris fr Benjamin Sabatier s program WebSYNradio workshop Droit de Cit s cur D Balay janvier 2012 2011 2008 2005 2005 2013 2012 2011 2010 2009 2008 2007 2005 2005 2002 CATALOGUES EE SABATIER Benjamin Do it yourself de A Z
12. cies Depicting stages in the flower s life cycle its emergence from the bud its full blown glory and its eventual withering demise these images could be read as a metaphor for human life itself Twombly the only son of artist Cy used thick painterly brushstrokes that lend the blooms a sense of strength At times the works verge on abstraction 124 SEPTEMBER 2012 ARTnews ArtReview Alessandro Twombly Untitled 2012 tempera on paper 39 x 27 BFAS Blondeau Fine Art Services vaguely hinting at the energetic style of his late father In fact some of them particularly those with explosions of strong reddened tones that deepen into purple could be read as dancers captured in mad pirouettes Others painted in feathery strokes of white accented with orange or a touch of magenta on a ground of chartreuse possess a weight less quality a bit like thistle fluff The paintings here were accompanied by several cast bronze sculptures coated with a thin veil of sand They too had an organic feel their gnarled shapes resem bling branches of coral climbing upward to heights of five to six feet or other sea creatures The bronze clearly visible through the whitened surfaces gave the ghostly forms a feeling of solidity Over all the visual dialogue between the paintings and the sculptures made for a soul satisfying show Mary Krienke Victor Burgin Galerie Thomas Schulte Berlin In this thought
13. d bu cn kes Tebe Ne h reide IH Pee bid esi mr We anxie uhi neca Aaa estt D se KA rmm qut iar prt APR Thih rere gn 3 vargm Cem TEET D bus d Ire mrt Imre DOT dodi cho aka It aa li iro vi gs mutui Biscuit wire Horns ives Goce mutan coin n MOM pb GF V unii Edut yet canta wb Hie c Le an na Wull arie Gti Teer Ge tare Wire Ter puer MT quali sar teure zi g ere ut ig itii nie imi tea Eerie Zinin meu nmm aed ether mam Perrig zs Fira Tuai lagian ata vam i Ds wrn ren ina acide ns e Feat Leg PR man Pair hun S cher contr ul mter hem rai corrige mah o1 inis riii aut lub dT orange Get Nu DE Au plc Tag iere Dayton bist ut Hmmm det Qu Juge irae QA ER cd ds Satur milen pe po sene ut ed Mun Puppe qiiam LENS OR AEN uh at propri n dios Chr nm Dee Kekal Bw ps Tw da Emm free P TITRE rt He a EXHIBITION REVIEWS haald Oe kina ute EM n D opi Tues Ime iium s ig ani dng come mA dul ana Uu d a Gin cooper ul mp aie Dt Wie iae ur Dg Ward e geuren dr tt Dam bry ejes dei heri Pot ig tr kat is Wan itg kul bm contrast tazas INE warm ets ant umunig nma wipe wg EM etre Qi m daad utri wi elef Tata dmn Mut Diet m thirde s jr terde ang ole atem nn ee e ninta m alie
14. formances at Home cur J Susplugas Maison des arts Malakoff fr Nous ne vieillirons pas ensemble cur Label Hypothese Ofr Paris cat Fonction critique cur M Fadat Aperto Montpellier fr cat Toutes les couleurs sont autoris es condition gue cela n emp che pas le commerce Mus e d art contempo rain Szczecin pl Influence pop Galerie J r me de Noirmont Paris Artefiera Galerie J r me de Noirmont Bologne it Parcours mixtes Galerie Michel Journiac Universit de Paris 1 Paris 2008 cat 2007 2006 2005 2004 2005 2002 2014 2013 2012 2011 MIRfestival cur C Galanopoulou Athenes gr cat The Art Parade Deitch Projects New York us All colours permitted as long as they don t interfere with business cur Wodek Art Center BWA Katowice pl Gartenparty cur J Falkner MAK Vienne at Art Miami Miami Beach Convention Center us Archetype FIAC Galerie J r me de Noirmont Paris Salon International de la d coration et du design Maison amp Objets Parc d exposition Villepinte fr cat Artefiera Galerie J r me de Noirmont Bologne it L esperienza della transformazione Civica Galleria d Arte Moderna Gallarate it Artefiera Galerie J r me de Noirmont Bologne it XVeme Biennale de Paris cur A Gurita Paris cat The Art Gallery of Knoxville Knoxville Tennessee us Signes et Prodiges FIAC Galerie J r me de Noirmont Paris L Interface Art amp Eco
15. ge as much as the media In his oeuvre materials are always in the service of concept even when they re packing tape and thumbtacks Not a subtle show Hard Work literally announces itself in efficient English business language of the world on the gallery s street facing wall of the twenty odd works displayed the first you see is the show s title spelled out in an ingenious smattering of nails driven crookedly into the plaster Just beside it is Plaque 2 canettes two flattened beer cans peek out of a copper coloured concrete and polystyrene panel their metallic facades like coins winking from the bottom of a fountain the reward at the end of a long day Keep the canettes in mind variations on the crushed can theme form the backbone of the show having evidently occupied the artist s attention for years in Barrel 2010 a barrel of unhuggable diameter bolted to a pole that extends from the floor crumples into the ceiling both pieces are of the same rusted out met al as though together they d occupied that spot on the gallery s upper floor for years where they d been rained on repeatedly in Etai V 2012 a bucket of blue grey paint is crushed from above by another metal pole this one fastened to the ceiling in Barrel 2011 a rusting paint splattered barrel is contorted into a dynamic almost figurative shape by the clamp squeezing it at both ends it balances precariously on a plinth by one twisted corner But
16. giet ebay te op Er s ken aan Mobi Tania H gettin tir iert pg Ip whe he aant e dA cb fen ge Tete dia CH Co TRISTE re TT oh bw Beken Heu wq Hum murice ol bleu g et owner Oe uden 53 ufi a prie Eis Debe Tha at Lo U dece Iva ehr 11 Magnes Gf thee ee mm pr GA unze te terres tme au er es ut um grund ur fuos Ken aa rtatofti add acis Sparte WE ELLA d PAUL McCARTHY NELE NATIONALGALERIE die ii rm dt Alma nimm CH Ma anxii re Pug 4 Men sd er Pad er Dif pa KET 8 FUOD vati SL wa Nic echt Gonna ri Winch Re irinmiw od Pan EI WE lies Fee aem Fi a sn Art Review September 2012 OANSELM KIEFER PHOTO CHARLES DUPRAT COURTESY WHITE CUBE BENJAMIN SABATIER COURTESY GALERIE JEROME DE NOIRMONT Anselm Kiefer White Cube Hong Kong Anselm Kiefer has long mined the legacy of the Third Reich to magnificent effect But in recent years the German artist s insight on other cultures has been less successful This show in the London based gallery s palatial new space in Hong Kong misread China s troubled history and came off as pa tronizing and Eurocentric The title Let a Thousand Flowers Bloom referred to the infamous West ern misquote of Mao s 1957 edict Let ting a hundred flowers blossom in which the Chinese leader purported to encourage new lines of thought Mao then suppressed this open expression
17. ingly the resulting objects resembled pillows as if the artist were playing with contrasts of heft and weightlessness This idea was expanded in his subversive Can series 2012 in which paint cans support concrete blocks The series Etai 2012 functioned as both sculpture and painting Each con sisted of a paint can crushed between a block of concrete and a wooden cube so that the vivid color spilled out dripping onto the wood drawing attention to the woods role as both surface and object In other sculptures rusty barrels were com pressed and perched on metal poles ei ther compacted against the ceiling or used as supports for concrete blocks In one particularly striking work Sabatier transformed his tough raw ma terials into something delicate A crooked tower of red bricks held together by clamps Briques II 2012 recalled a frag ile house of playing cards and conveyed a sense of precarious balance that belied its solidity Laurie Hurwitz Alessandro Twombly BFAS Blondeau Fine Art Services Geneva In this recent series of lush color drenched paintings all executed in tem pera on paper Alessandro Twombly expressed the essence rather than the exact likeness of flowers Informed by the artist s interest in botany from a sci entific as well as an esthetic perspective the works honed in on the textures in tense coloration and fragility of a single blossom without portraying a specific spe
18. nomie CJD Paris T te t te FIAC Galerie J r me de Noirmont Paris 1955 2005 Salon du Cinguantenaire Montrouge fr cat D localisation cur Y Delacour CJD Paris Sculpture FIAC Galerie J r me de Noirmont Paris Ma petite entreprise Centre d Art Contemporain Meymac fr Cat Les jeux dans l art du XXe si cle Le Bellevue Biarritz fr La Lonja Palacio de Montemuzo Saragosse es cat Arts en Marches Parcours d art contemporain Arcade Fougeres fr cat Manifeste cur L Gauthier Connexe O2 Maison des M tallos Paris CONTRIBUTIONS INTERVENTIONS Quels contours pour l entreprise d artiste a table ronde La Vitrine AM Rioux P Ardenne B Sabatier M O Walher Paris 11 mars Pragmatisme et cr ation Colloque International Universit de Paris 1 Panth on Sorbonne Ecole Normale Su p rieure de Paris 4 5b d cembre Du travail S minaire S Bonn A Leduc Centre de recherche IDE Ecole Superieur d Art de Lorraine Metz fr 25 novembre ArtyBike Paris tout p tits Artcurial 20 juin cat The Pink Butterfly Benefit Auction Nsouli Foundation London 12 juin So School Festival formes et pr sence de la recherche dans les coles d art ANdEA Salon de Montrouge 29 mai Les Rendez vous de la Mati re Bookstorming Paris 30 mai Vente pour la restauration de la peinture murale de Keith Haring a l H pital Necker Enfants Malades Sothe by s Paris 13 17 avril cat Le tr
19. o di Rass jen p arte Kadi Ne hd WI Art in America October 2012 ke Sea pnsximmaa Sak zm ruere pois bet conci Cc ed d pee sate Pass Tub quse gH sol Ire gent w f eg Pesta Ses hr Ow Cue raa wt amr Sella MIN ang tuii miuus tt LH KI mind gium pitt Um br LE ti fimm em prote mmm wegl A der lema UI alang rus ett len Tex Prisma rni ius remets dira MAS eu CAT Gm oH Hon Ce um Hutt Sall irr ur das ra loo ii note miks Ir fra Tuan ne dl heap Si dee adi mnis uw aie pris ee crin an er delhi dun ij eg Tuin zent ip qd nie d Sap IB of aul ums sd ungue fue xh ba meum grat rz w n e Peel Becr x Esc mim Towie wett an wieg rerm EE ap iore LA Hae camcn uiia er bast scht Preis moin cen gei eg elt sei deg Pitt ut numen Gr b pn huma Hoze atem d ser Mare Uer erop Dro Mn vie rer prie hes cm I s SLE EU EN A 2 yes Pei hd MAXBOOK CHRISTIAN LARSEN Mig Scene re Al je ra ro IN DU Di A ai Ne achis Dain L H TEL Ama seem mi rum pin 2 m itu bL Me wije s mu mije ez um er a inem m Viral Tu fuh deel ee Oh Ecken fua Zeen aed Eu unc tem Fh aua coni ad 1 loi Noted nl ord pcd Camis giis Cz Dar india C1 Fr ae Pha De ap reum gi CT an
20. oint Eph mere Paris L Art pour L Accueil Pierre Berg et Associ s Bruxelles be Jeune Cr ation avec Dan Meththananda Cenquatre Paris Cadavre exquis Centre d art contemporain Le Pav Dans la Mare Besancon fr Paint B A L L Adresse Mus e de La Poste Paris fr cat Culture relaxative Atelier 540 Muzeum Bruxelles be Une proposition Kanal20 Atelier Bruxelles be White walls red floors black corners collection Goldschmidt Bruxelles be An Obscure Taxonomy of noble lines Atelier fine art gallery Addis Ababa et Already made Galerie J r me de Noirmont Paris FIAC Galerie J r me de Noirmont Grand Palais Paris Les choses dont nous savons rien encore Point Ephemere Paris cat Macadam studio 15 16 Centre Pompidou Paris Survival Kit 2 Center for contemporary art Riga lv cat Enfin M Okonski Zbiornik Kultury MIK Cracovie pl Qui vive Il Moscow International Biennale for Young Art Moscou cat Shapes Shades and Shadows Collection Goldschmidt Bruxelles Manifestez vous performances Centre Pompidou Le 1O4 Paris Le pire n est jarnais certain cur C Debize ESAMM Metz fr cat Production Destruction Expenditure Spool pool and The Sinai Desert Canoe Club Londres La Biblioth que Fantastique Soir e Performances cur A Lefebvre Palais de Tokyo Paris Christmas Palm cur M Kowalik Freies Museum Whiteconcepts Zero project The absence of Art Berlin Per
21. preneur Le Quotidien de l Art n 543 14 f vrier FRONZ Hans Dieter Warum Kunstler in den Baumarkt gehen in Badische Zeitung de 11 februar AZIMI Roxana Le business en mod le Le Nouvel Economiste 31 janvier BERTHIER Florence Les artistes managers et ou strateges se revelent dans la vitrine am Inluencia net jan vier ROMANACCE Aurelie Le Business de l Art Arts Magazine n 84 f vrier AZIMI Roxana Claude Parent Yves Klein et les r ves d architectures Le Quotidien de l Art n 429 26 juillet SIMENC Christian Un r ve d architecture Le Journal Des Arts n 395 juillet septembre BLANKAERT Marie Claire Chez Florence Baudoux N o f minin ELLE D coration n 216 avril DE ROCHEBOUET B atrice R inventer la Party Arty Figaroscope f vrier ROMANACCE Aur lie Les artistes de demain en grand format in Arts Magazine n 70 fr Novembre FRANKLIN Paul B Benjamin Sabatier in Art in America magazine us october HURWITZ Laurie Benjamin Sabatier in Art News us september ADDLEMAN Kate Brute Materials ARTslant us june PIODA St phanie La rive droite fait sa nocturne March de l Art Beaux Arts magazine N 336 juin Chantier Sabatier Air France magazine juin DE ROCHEBOUET B atrice Le travail selon Benjamin Sabatier Figaro Scope fr mai PORRET Karine Benjamin Sabatier l esth tique du Labeur Stiletto magazine mai PIODA St phanie Du c t de
22. provoking retrospective of three decades worth of film photog raphy and text based work British ArtSlant June 2012 HARD WORK Benjamin Sabatier Galerie Jerome De Noirmont 58 Avenue Matignon 75008 Paris France 25 May 2012 12 July 2012 Brute Materials by Katie Addleman in ArtSlant If for some reason you d been worried that contemporary French art was turning into an overly feminine affair Grand Palais was so much more manly before Daniel Buren got in there to decorate go see Benja min Sebatier s Hard Work Bricks cans racks nails assorted construction related instruments I m too girly to know the name of these are the artists materials in use here The objects they compose seem in their real or imagined dirtiness vaguely out of place in the eighth arrondissement hyper elegance of the Galerie J r me de Noirmont but the tension this creates between the work and its environment is the first delight of the exhibition Sabatier who lives and works in Paris is at an early stage in his career barely into his thirties his exhibi tion history is if illustrious only a decade long but he has already proved himself a surprising precise and dedicatedly political artist Often incorporative of found parts his sculptures collages and installations in formed by ideas about consumerism the working life and social homogeneity evince Sebatier s concern with reception as much as form messa
23. reprise Paris April May 2014 Form Work IV 2014 Form Work VII 2014 brushed aluminium wood and concrete 281 x 55 L x 48 D cm brushed aluminium wood and concrete 45 5 x 555 5 L x 275 D cm Form Work V 2014 Form Work II 2014 brushed aluminium wood and concrete 211 5 H x 205 L x 55 5 D cm brushed aluminium wood and concrete 42 5 104 5 Lx 27 D em Group Show 2015 Galerie Jousse Entreprise Paris View of Group show Galerie Jousse Entreprise December 2013 Tr pieds 2012 Metal concrete clamps 195 x 267 x 205 cm View of Group show Galerie Jousse Entreprise December 2013 FIAC Hors les murs 2013 Galerie Jousse Entreprise Paris View of FIAC Hors les murs Berges de Seine Paris 2013 View of FIAC Hors les murs Berges de Seine Paris 2013 View of FIAC Hors les murs Berges de Seine Paris 2013 Reinforced Concrete Bodson Gallery Brussels View of the exhibition Reinforced Concrete Bodson Gallery Brussels 2015 View of the exhibition Reinforced Concrete Bodson Gallery Brussels 2013 View of the exhibition Reinforced Concrete Bodson Gallery Brussels 2015 View of the exhibition Reinforced Concrete Bodson Gallery Brussels 2013 View of the exhibition Reinforced Concrete Bodson Gallery Brussels 2015 View of the exhibition Reinforced Concrete Bodson Gallery Brussels 2013 View of the exhibition Reinforced Concrete Bodson
24. rine Issert Saint Paul de Vence fr Group Show SNAP Projects Lyon fr Group Show Bodson Gallery Bruxelles Pense b tes Collection 1 cur S Aubry S Bourg Galerie de Roussan Paris Stalactica cur Sven Jorgensen Ramapano Galerie utopia Quincaillerie Vander Eycken Brussels Raw Materials St dtische Galerie Delmenhorst de Art Bruxelles Bodson Gallery Bruxelles be Art Paris Bodson Gallery Paris fr On out of Work SNAP Projects Lyon fr Monument Sainsbury Centre for Visual Arts Norwich uk Artgeneve Bodson Gallery Gen ve ch Business Model cur I de Maison Rouge La Vitrine AM Paris fr Raw Materials St dtische Galerie Bietigheim Bissingen de Group Show Galerie Jousse Entreprise Paris fr FIAC Hors Le Murs Berges de Seine Jousse Entreprise Paris fr YIA Art Fair Galerie Jousse Entreprise Paris De leur temps 4 ADIAF Centre d Art Le hangar bananes Nantes fr cat In Vivo in Natura cur J Jourdan Le 7 5 Paris fr Sentimentale de Joel Andrianomearisoa Maison Revue Noire Paris fr MakeSHIFT S cur Petra Bungert Columna 2 Lyon Biennale Satellite Vienne fr cat 2012 2011 2010 2009 Les aventures de la v rit Peinture et philosophie un r cit cur B H L vy Fondation Maeght Saint Paul de Vence fr R ves d Architecture cur F Fulch ri Espace de l Art Concret Mouans le Sartroux fr Soap Projects cur S Malik Foire de Paris fr La m diterr
25. ron cone Tre daher een nnere RUP uen ut Iw park g curii cux kan yha ra pre Marr pend cun T 17 FTA Ng BAR em MIO we moy rot FRATS URL oi IL E Tiie afi qe lum et bet Lasch te Uta OO A Ai em arp UA et aid bert ind lug el HATT aur p arsi DD arises deu n Disc M Exo Viet em Fr le dii To ti LiDE TS HAK ue us tbs ap mp kita in Jr Grape ngan wert esch War baro an ot M tte Dec Samo mima Sore leen Has in Barsaat repen en fis puro s BR il cn tai wi liie Weird RL Lis coal ded arisen lode 15 mre Ti drm Dam nr pomi voa uri cxx iD A ha mri CO aan igang vo pr eg ur a vais ol penc Poiuliubes bin Y bili lammil Cn VH lige up da Heer Hae Coe CM etn ed ien rf mee ron ides GCM layer Cars nap duse Dll cae dutadi tone Pal Gowa L PT mmn e d n t or tss reen id presarea P ahis fie ap P portes doet te the ceing iem is ii Dam Lait zf aas gun qu re K ew Zesmg oil Lum camps d Lors seis rn aln fi Rocker SEIN thee crturtw c Op erg Doc bn ti thee Wist Lim d r pan Chr e d ett ua hio dp eani T gurgur De HO honra fur carica soc ipm vn o Leen fi
26. s Mus es Beaux Arts magazine N 331 janvier ANDRIKIAN Yves A bient t jespere Est R publicain 25 novembre A bas le vieux monde Magazine Poly novembre LEBLANC St phane Faceties Artistiques 20 minutes fr 16 mars DE SANTIS Sophie Already Made Le Figaro fr 22 f vrier RONDELET Simone Nature revisited Luxos magazine it t WESSANG Adeline Benjamin Sabatier noblahblah org fr d cembre MAERTENS Marie Art amp Economie Technikart hors s rie art contemporain fr octobre DEDET Fr d rique L lu Benjamin Sabatier Point de Vue n 3170 fr avril ROUILL Andr L entreprise mat riau et formes esth tiques dito n 274 Paris art com fr avril FADAT Manuel Correspondance avec Benjamin Sabatier Appendices n 3 fr mars BIANCHI Stefano Influence Pop Cool mag n 32 it printemps FAUST Val rie Artistes et grandes cuvees Le Figaro magazine n 20016 fr d cembre SENALDI Marco L Eta dell Imballaggio Impackt Contenitori e Contenuti it automne HELFAND Jessica Second in a Series Completions Design Observer us septembre REBOIS Catherine Mass consumption under ice International Auctioneers automne BROUNS Jesse The Kit Kid a step by step guide to creation DAM n 12 juillet ao t DOUAIRE Pierre Evariste 2Package Paris art com fr juin DOUAIRE Pierre Evariste Interview Paris art com fr avril PERESSO
27. the most successful of these works is Base V a paint can crushed under a concrete block peeking out from under it bleeding bright blue acrylic that drips down its sides and pools pitifully around it That these works compel the viewer to invent narratives and anthropomorphize brute materials that clamp is hurting that bucket is more than what they look like or what comment they might make the source of their charm Sacs Il is a bag of concrete socked in the stomach by a vengeful wood plank Briques Il is the work of a renegade labourer who used his tools to serve his own playful ends rather than the demands of his employer There is pleasure in analyzing these objects component parts in marveling at their construction in noticing the familiar about them and how it is rendered strange but not as much as in the imaginings they inspire Sebatier s hard work becomes ours his inventions are remade in the minds of their viewers Fortunately his technical and creative virtuosity makes it easy for us Either that or this type of work just comes naturally Kate Addleman WORKS Storage Galerie Jousse Entreprise Paris Form Work IV 2014 brushed aluminium wood and concrete 215 H x 407 L x 47 D cm View of the exhibition Storage Galerie Jousse Entreprise Paris April May 2014 View of the exhibition Storage Galerie Jousse Entreprise Paris April May 2014 View of the exhibition Storage Galerie Jousse Ent
28. ves fr S quenceur 1 Contemporain ed Artcurial Paris fr Cent Briques pour Madagascar ed Artcurial Paris fr 2009 SALUT l Artiste id es re ues sur les artistes Isabelle de Maison Rouge Le Cavalier Bleu editions fr Les choses dont nous ne savons rien encore Universit Paris IV CNAP Point Ephemere Paris fr Survival Kit 2 LCCA Riga lv Qui Vive Moscow International Biennale for Young Art Moscou ru Le pire n est jamais certain la cr ation l preuve des risques majeurs Edition de l Esamrm fr Nous ne vieillirons pas ensemble Edition Label Hypothese fr 2008 Loving the Alien mak nite MAK Wien at 2007 Fonction Critique Edition Aperto fr Festival inSPIRACJE Space Szczecin pl Les Entreprises critiques Cit du design dition fr MIRfestival Ath nes gr All colours permitted as long as they don t interfere with business Art Center BWA Katowice pl ART TOY Colette Christie s fr 2005 XV me Biennale de Paris Edition Biennale de Paris fr 2005 955 2005 Salon du Cinquantenaire Montrouge Edition ville de Montrouge fr Ma petite entreprise Edition du Centre d Art Contemporain de Meymac fr Les Jeux Dans l Art du XXe Si cle Editions de La Difference fr PE ARTICLES CRENN Julie Business Model Entreprises d artistes Art press n 410 avril KELLER Bettina Der Baurnarkt als Inspirationsquelle in S dth ringen de 8 mars RIOUX Christophe L artiste comme entre

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