OPERATORS MANUAL
Contents
1. ETE A d aA A A A A CICICICICICICI CICICICICICICI CC 53 CO EST E23 CICICICICICICI COOL CC CO CO C CO CO A CC CO CO C CO CO A CC CO CO C CO CO E CC CO CO C CO EET CC CO CO C CO CO TE CICICICICICICI CICICICICICICI CC CO CO CC CO ET CO EET CC CO CO CC CO CO A CICICICICICICI CICICICICICICI CC CO CO CC CO CO A CC CO CO C ETER CC CO CO C CO CO A CIO EEE ODDE CICICICICICICI CC CO EST ET E LU U U 0 U 00 L CC CO LC CC CO LC CC CO L CC CO LC ENEE ETE TEX EE CC CO L CC CO L CC CO LC CC CO LC EEE CC CO L CC CO L Table l ri E EL EL EL EL EL EL EL ET EL EL EL EL EL T 1 3 Octave centre frequency Hz Effect on voice 40 50 63 80 100 125 160 200 250 315 400 500 Sense of power in some outstanding bass singers Voice fundamentals Important for voice quality 630 800 Important for voice naturalness Too much boost in the2. 5 05 E C C O C E C O C C O C C C T DN360 Graphic Equaliser T A FART oS L 100 i P 80 AILILILII L3 N noo L3 5000 iz v J FEE r3 ci 2 2500 r3 1 000 L3 54 TITI 71 a LU Z nooo m4 S ma L3 v 7 Bed ooo y E DUE 4 x E N A Latah 5 gt ME et E e S z es S I 5 S XI EG LP S D IA 2 3 8 43 R 7 _ CRM T3 9 5 1 3 H L C ug C LA L md 0 oo 2 SIT 3 gt lt A Ge TTS m LAN Fr LD s oo Se 7 4 1 of mH No L KU O j i XP gt EP T ZO ESA T gt EN Y ve L K 1 o a 5
3. oo C C C A ooo Mo C C C C L ooo C1 C C C C ooo mo C C C A ooo Mo C C C C L ooo C1 C C C C ooo C1 C C C ppm C C L C Mo C C C C L C C C C CH C A ooo C1 C C C ooo Mo C C C C L ooo C C C A ooo C1 C C C C C L Ho C C C ooo mo C C C A ooo C1 C C C C C C C C Ho C C ooo mo C C ppm aE E d TT C1 C C C C C LO C C C C1 C C C A ooo C C C EZ ES C AR Mo C C C ooo C C C A ooo Mo C C C C L ooo mo C C C A ooo Ho C C C L ooo C1 C C C ooo Mo C C A ooo C EST C C Mo C C C C ooo C C C A ooo r i 10k Frequency Hz Typical House Curve 100 10 20 CC CO LC gaiga poagna E gaiga L1 L3 B CO C3 EJ OOOO GGA EST E C C ee en C C1 3 LO CO CO 00 E T CO C O T C AA AE CICICICI CC CON E 1E JEJE CC CO CO C CO CO A CICICICICICICI EO CO TE JEJE EL CICICICICICICI EIET CO C
4. 1kHz range can make instruments sound horn like 1 25 to 4k Drums guitar accentuation of vocals strings and brass Too much bass in the 1 to 2kHz range can make instruments sound tinny Too much boost anywhere between 1 to 4kHz can produce listening fatigue 5 6 3 8k Accentuation of percussion cymbals and snare drum Reduction at 5kHz makes overall sound more distant and transparent Reduction of tape hiss and system noise The 1 25 to 8k governs clarity and definition 10 12 5 16k Cymbals and overall brightness Too much boost causes sibilance Reduction of tape hiss and system noise LU U L U 200000000 LU U U U U 00 L 20000000 LU U U 0 U 00 L ATI P Test Microphone Sound System Equalisation sound System Equalisation Pink Noise general Esp SEGA o o H nm oos pre aga H mo oo ron oga H C1 ooo C1 C oga H mo oo t mo oo ron oga H mo oo t mo oo RR oga H mo oo mo oo oga H mo oo t no
5. DN360 OPERATORS MANUAL Klark Teknik Group Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY11 7HJ England Tel 44 1562 741515 Fax 44 1562 745371 Email sales ktgplc com Website www klarkteknik com E ERT SIGNAL PROCESSING BY DEFINITION KLARA TERNIR GROUP Walter Nash Road Kidderminster Worcestershire DY 11 7HJ England Tel 44 0 1562 741515 Fax 44 0 1562 745371 Company Registration No 2414018 66 DDA MIDAS SIGNAL PROCESSING BY DEFINITION BETTER BY DESIGN DESIGNED FOR A PURE PERFORMAN G DECLARATION OF CONFORMITY Teknik Group UK PLC Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY 11 7HJ LU U UD U UD U UD U D 0 0 Product Number Product Description Nominal Voltage s Current Freq DN360 Graphic Equaliser 115V AC 60mA 50 60Hz 230V AC 120mA LU U Directive s Test Standard s UL 813 CSA 22 2 Nol M90 Low voltage Directive 73 23 EEC EN 60065 89 336 EEC amended by 92 31 EEC amp 93 68 EEC EN 50081 1 1992 EMC 89 336 EEC amended by 92 31 EEC amp 93 68 EEC EN 55022 Class B EMC 89 336 EEC amended by 92 31 EEC amp 93 68 EEC EN 50082 1 1994 EMC 89 336 EEC amended by 92 31 EEC amp 93 68 EEC E
6. L C C LH L C C LH LI OG LU O LI LI LH LU LI LU L LU LI LH L LU LI LH LI 00 BALANCED BALANCED Lu e O lt S 3 1 lt m m lt e gt gt Output Input 2 O D 0 0 D 0 U U U UD 0 D DADO 0 0 0 0 D 0 D D D D D 0 0 D 0 D L U U U 0 UD 00 U 0 U U UD U UD 0 UD 0 00 0 U 0 U U rm H Specifications Input Type Impedance alanced Unbalanced Output Type Min Load impedence Source impedance Max Level Performance Frequency response Distortion 4dBm Equivalent input noise Channel separation Overload indicator Level Control Filters Type Centre frequencies ISO Tolerance Maximum boost cut Subsonic filter MELT Proprietory Microcircuit Power Requirements Voltage Consumption Weight Nett Shipping Dimensions Width Depth Height Terminations Input Output Power Transformer balanced 20k 10k Transformer balanced 600 dBu 0 5dB 20Hz 20kHz lt 0 01 1kHz lt 90dBu 20Hz 20kHz unweighted gt 75dB 1kHz 19dBu 6dB to MELT 2x30 25Hz 20kHz 1 3 octave 5 6 12dB 18dB octave 3dB 30Hz 110 120 220 240V 50 60Hz gt SKg 6Kg 482mm 19 205mm 8 133mm 51 4 3 pin XLR 3 pin XLR 3 pin ICE U U U U U U JD U Klark Tekn
7. n C1 CO CO Mo CO CO C Mo CO CO n Mo CO CO C Mo oOOOOOOO Mo ooOOOOOO C1 CO CO CO C0 CO n Mo CO CO 5 CO CO 0 5 C Mo CO CO 5 CO CO 0 C Mo CO CO 5 CO CO 0 5 C C1 ace CO CO en G C Mo CO CO 5 CO CO 5 C0 C Mo CO CO CO CO C C1 CO CO CO dd CO C Se CO CO C0 E C1 CO CO CO 0 CO CO ES C iiti be 0 CO CO 0 ES C C1 CO CO CO 0 CO CO C Mo CO CO 5 CO CO 5 C Mo CO CO 5 CO CO 5 C Mo CO CO 5 CO CO 0 5 C Iii CO CO 0 A HENG 0 CO CO n Mo CO CO CO CO C Mo CO CO CO CO C Mo CO CO 5 CO CO 0 C C1 CO CO ES ESIES CO a C CO CO CO 0 CO CO C LE L U U U 0 U HOUUUU LE 1 IIT Hi L U UU L L U U U U U 12 44 0 1562 5 44 0 1562 745371 Klark Teknik Building Walter Nash Road Kidderminster Klark Teknik Group Worcs DY11 7HJ England 13 KLARKTEKNIKGROUP FREQUENCY RANGE CHART E i 22 L pe NOTES
8. 315 to Ik range produces a telephone like quality 1 25 to 4k 5 6 3 8k Vocal fricatives accentuation of vocals Important to speech intelligibility Too much boost between 2 and 4kHz can mask certain speech sounds e g b and can become indistinguishable Too much boost anywhere between 1 and 4kHz can produce listening fatigue Vocals can be highlighted by slightly boosting the vocal at 3kHz and at the same time slightly dipping the instruments at the same frequency Accentuation of voice The range from 1 25 to 8k governs the clarity of voice 10 12 5 16k Too much boost causes sibilance Table 2 1 EL EL EL EL EL EL EL EL EL EL EL EL EL E E 1 3 Octave centre frequency Hz Effect on music 31 40 50 63 Fundamentals of bass drum tuba double bass and organ These frequencies give music a sense of power If over emphasised they make the music muddy 50 or 60Hz band also used to reject ac Mains hum 80 100 125 Fundamentals of lower tympani Too much boost produces excessive boom 100 or 125Hz also used for hum rejection 160 200 250 Drum and lower bass Too much boost produces excessive boom Also useful for 3rd harmonic mains hum rejection 315 400 500 Fundamentals of string and percussion 630 800 Fundamentals and harmonics of strings keyboards and percussion Boosting the 600
9. A A A A C CO CO A A C CO CO LC A C CO CO LC CICICICICI CICICICICI I E J E ET Ez EET EET E 1 EEE CC ET ET ELT EJ CO E ER CC CO CO C ET AMALTIER te a m e a m DN6000 L C 1 LC CO C C 0 LC CO C C C LC CO C C C L C EJ C LC CO C C C L C EJ C L C C C L C EJ CJ L C C C L C C C L C C C Ogaa Ogaa Ogaa Ogaa L C C C LC CO C C 0 L C C C LC CO C C C L C C C LC CO C C C L C 07 LC CO C C C L C C C Ogaa L C C C C O L IL IE JE LL IL IL 1E LIL qu pp L IL IL IE ILE L IL IL IE IE L IL IL IE ILE L IL IL IE IE 1 1 LILILILILI L E EE p EE L IL IL IE ILE L IL IL IE ILE L IL IL JE JEJE L IL IL IE IE IE L IL IL IE IE JE 11 C CO CO CO CO EE aa So CO CO mr nm C CO C A oo ou C A oo nm C CO C1 02 CO CO 5 nm C CO C A oo nm C CO A oo J ou nm C CO mr C1 CO C C C C E CO J AT C O 00000 Mo CO CO C Mo Mo CO C1 CO CO 0
10. K 5K 6K3 8K 10K 12K5 16K 20K 14 102201 ON 6 ION Josnenbq Peyo 01090 SUIS 0 13A31 2 lt 31V9S LNO 9 71 13441 ZH 3108S LNO 94 9 7 47 J apo 36171 7003 096 ES 1102201 ON 6 ION Jostrenbq 01090 SUS 0 2 31VIS C 5 Ino 9 7 O 0 ell NI G aV01 0 O 402 491 48 2x9 AS Ap SINE SAZ Az ML 008 0 9 006 007 SLE osz 002 091 921 001 08 9 OG 07 Le ST 13 31 ZH 1 5 LNO 9 9 7 C a 0 35171 7 003 DIHAVMD 096 091 0 91
11. NV 50140 8 93 EMC 89 336 EEC amended by 92 31 EEC amp 93 68 EEC ENV 50140 2 95 EMC 89 336 EEC amended by 92 31 EEC amp 93 68 EEC EN 5014 1 1993 EMC 89 336 EEC amended by 92 31 EEC amp 93 68 EEC EN 60801 2 1993 IEC 801 4 88 4 j Signed JIA Ne e Date 27th August 1999 Name F D Merrey Jnr Authority Managing Director Klark Teknik Group UK Plc A Subsidiary of Telex communications Inc KLARK IEKNIK DN360 DN3600 LU U U 0 D LU U UD U UD 0 UD U U UD U D U DODDOOJODOOL LU U UD U D DO 0 600 U U U U U U L C LU U UD U 1 ODO U U 0 UD 0 UD 0 D 0 ODO U U UD U D LU U U 0 U 0 U U 0 0 U U
12. RELATED FREQUENCIES RO lt This chart shows above the musical notes and octaves related to their W U gt ae Ro SE actual frequencies The details are cross references below to the LP freguency range of our Graphic Egualisers and the range capabilities of gt common musical instruments HI 1 1 II HI HI OCTAVES CDEFGABCDEFGABCDEFGABCDEFGABCDEFGABCDEFGABCDEFGABCDEFGABCDEFGABC NOTES 25 31 40 50 63 80 100 125 160 200 250 315 400 500 630 800 1K251K6 2K 2K53K154K 5K6K3 SK 10K 12K5 16K 20K FREQUENCY 66066660060 6606 9 Human Hearing Range VOCAL Soprano Contralto Baritone Bass WOODWIND Piccolo Flute Oboe Clarinet in B flat or A Clarinet in E flat Bass Clarinet Basset Horn Cor Anglais Bassoon Double Bassoon BRASS Soprano Saxaphone Alto Saxaphone Tenor Saxaphone Baritone Saxaphone Bass Saxaphone Trumpet in C Trumpet in F Alto Trombone Tenor Trombone Bass Trombone Tuba Valve Horn STRINGS Violin Viola Cello Double Bass Guitar KEYBOARDS Pianoforte Organ PERCUSSION Celeste Timpani Glockenspiel Xylophone 25 31 40 50 63 80 100 125 160 200 250 315 400 500 630 800 1K251K6 2 2K53K154
13. U U U UD 0 U U U D 0 0 0 IEC 0 0 0 D D D D DD 0 0 0 D D U 0 D D 0 0 0 D DD D D D 0 0 D 0 DO U U U UD U D U D 0 0 0 0 U UD U U U U D U D 0 UD 0 D 0 0 U 0 U U U L L LU U U U 0 U 0 U U OHz 20kHz 0000 3V m 002 U U U UU 0 LU U U 0 UD LU U U U D 0 0 ODO ODO U 0 UD 0 UD 0 D U U U UD 0 U 0 U Teknik D D D D D D D D D D D D C C UE 0 C 0 0 CO 0 0 0 CO UO UO UO UO 0 U U r KLARK Li LU U U 0 D U 0 U U U U LU U U U U U U U U U U U U U L U U U 0 U U U U U U U 0 U L U U U U U 0 U U U U U U U U U U U U LU U U U U L U U U U U U U U U U U U U U U U U 0 0 UU 0 U U U U UD 0 UD 0 UD 00 0 0 U 0 U U LU U UD 0 0 U 0 U U U 0 U CICICICICICICI LU U U U LU U U U LU U U U LU U U U LU U U U LU U U U U U U U E C C G O O O OO O S lt 5 C C C C C 9 m C CO O m O O 0
14. Yo N se LAM 0000000 18000000 11300000 00000000000000000 UD U D U U U U U 0 D U 0 0 D LEDUD D D 0 0 U 0 DU 0 D 0 D 0 L 1 DA IG L3 oO L3 oo H PAK lt m m QoOoz MM oooo L3 oo oo oo oo C1 C C C oooo oooo 9 C1 C C C C1 C C C C1 C C C 11101111010 D E30 ooo 0 O OG GO O 07 O OG GO 0 OG OG O OG GO 07 O OG GO 1 OI OG OG 0 O OG GO Eo OI OG OG OG Co 0 O OG GO OI la 0 O ooo ODO B3 OG O 0 a a L3 OG O 0 GO OG 0 0 a a B3 p3 O 0 a O L3 OG O 0 GO O E 0 0 LLI L OG OG OG LA Ol OG OG 8 mz mim Em eee se ri L3 EJ EJ 00000060 C C C CO C C0 CO C 0 C C C CO C C0 CO C 0 C C C 1 C C C C C C LILO C C C C C EEG E EEE ADA 1 E 1 El 3 E Ez EI EI EEG Ed C C C EEE EG Era EEG EI EEE Go C C C C C C E C C EI LA OG OG OG L OG OG OG LA OG OG OG LA OG OG OG T C C C O L C C LH L C C LH LH OG 0
15. ik U U U 0 U U U 0 U U U 0 D 0 U U UU L lark Teknik D D D D D D D D D 0 0 D DN LU U U U UD 000 0 U UU U UD 0 D 0 0 L UU UU LU U LU LU U LU LU U LU LU U U 1 Ul CICICICICICICI CC CO LC CC CO LC 111 CC CO LC CC CO LC CC CO LC CC CO LC CIO CC CO LC CC CO LC CC CO LC CC CO LC CC CO LC CC CO LC MEG CC CO LC CICICICICIWM LA m C Mo C A C Mo C C MEGA GOH FH E E oo C1 C C C A C Mo C C MEGA Mo MGA C1 C C 3 C C A C C1 E ESSI Mo C C MEGA C1 C ELE EL
16. s oO C o goH Doc oga H C C goga H C mo oo ron oga H mo oo ooo o ga H mo oo mo oo H C1 ooo H mo oo ron oga H mo oo mo oo no oo raat mo oo mo oo ron oga H Doo C H gao no oo da r t PAPP AAA no oo no oo aha no oo aha no oo a no oo 00000 ah C1 C aa no oo 00000 EARP AAA AA at 18105101 10 ALA CIC CICICICICI CICICICICI CC C CO A C CO EST A C CO CO LC CC C CO CO LC CICICICICI CICICICICI CICICICICI A C CO CO 1 A C CO CO ER ETO CICICICICI A CO LC A A A A A E TE CO CO A A C CO A A A C CO CO A CICICICICI CC C Epp CC C CO CO ES A C CO CO 23 A C CO CO LC CICICICICI A C CO CO L A A
17. uaym 00901010 1 JON OG Jo1seur do TERRI GROUP SIGNAL PROCESSING BY DEFINITION BETTER BY DESIGN DESIGNED FOR A PURE PERFORMANCE EVI AUDIO JAPAN LTD 5 3 8 Funabashi Setagaya ku Tokyo 156 0055 Japan Marketing Phone 81 3 5316 5026 Fax 81 3 5316 5030
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