Apex PE-232 MKII User Manual
Contents
1. Turn TE rr rer TE E T n i1 M mal ll i Er len T rr er js x io ER en Si ni nr ro 1 DRE SX A un N 1 as Mag un de m 15 VINE HEHE E 1 MAINS FUSE Holds the mains fuse 2 MAINS SOCKET e Insert the plug of the mains lead into the mains socket mains connector is a standard 3 pin IEC connector The centre terminal of the connector is directly connected to the chassis of the equaliser Connect the other end to your mains supply via a wall socket that has a connection to earth Mains frequency is 50 60Hz For units set at 100 V 120 V use a UL listed cord set consist ing of a minimum 18 AWG type SVT or SJT three conductor cord a maximum of 15 feet in length and a parallel blade grounding type attachment plug rated 15 A 125 V For units set at 230 V domestic USA use a UL listed cord set consisting of a minimum 18 AWG type SVT or SJT three conductor cord a maximum of 15 feet in length and a tandem blade grounding type attachment plug rated 15 A 250 V For units set at 220V 230 V 240 V Europe except U K use a cord set consisting of a minimum 18 AWG cord and ground ing type attachment plug rated 15 A 250 V The cord set should have the appropriate safety approvals for the country in which the equipment will be installed and marked HAR 3 MAINS VOLTAGE SELECTOR The equaliser is designed to be operated with nominal mains voltages of 1152. Q maximum Be careful when boosting frequencies outside the hearing range High Q boosting at high frequencies is almost inaudible and can cause tweeter damage Woofers specially if they are mounted in horns or bass reflex enclosures should not be driven with frequencies below the cabinet cutoff frequency to avoid destruction When you cut a section you will find out that narrowband dips are essentially inaudible You can experiment with this using the IN OUT switch for comparing processed and unprocessed sound Infinite notches are very useful for removing unwanted frequency components like hum without degrading sound integrity Adjusting a filter for infinite notching at maximum Q is not a simple job and even with the slow motion controls frequency adjustment can be a problem This is caused by the fact that filter edges get steeper the more you attenuate Also reliability of the notch settings can pose a problem This can become problematic in permanent installations In such cases it is better to use a somewhat lower Q setting when infinite notching You will find out 25 Graphic equaliser 26 that even at lower Q these non reciprocal filters remain essentially inaudible In the overlapping regions between two filter sections you can adjust two adjacent sections to the same frequency Because of the perfect combining response of the filters responses are added This is another way for building a deep less sensitive not
3. APEX nv Bosdel 52 3600 GENK Belgium warrant to you the original purchaser and any subsequent owner of this Apex product for a period of one year from the date of purchase by the original purchaser that the product is free of defects in components and factory workmanship under normal use and service The date of purchase is the date appearing on the first end user s bill of sale or other proof of original purchase from an We are not responsible for product failure caused by misuse accident or neglect This warranty shall not be applicable to any product on which the serial number has been defaced altered or removed lt does not cover damage to other components connected to the Apex product resulting from Apex product failure This warranty shall be considered void if this product is subjected to repair work or alteration by persons other than authorised by Apex in such a manner as to injure in the sole judgement of Apex the performance stability reliability or safety During the warranty period when failing to perform as specified Apex will undertake to repair or at its option replace this product at no charge to its owner provided the unit is returned shipping pre paid to the factory or authorised service facility You must notify us of your need for warranty service preferably by filling in the service request form and returning it to us We will give you notice of the authorised service centres to whom you may deliver the product
4. only indicative and are no guarantee for successful implementation in your system Room equalisation The PE232 is very well equipped for sound system equalisation and adaptation of the system response to suit environmental needs The parametric filters can be used to suppress the major ring modes of a room This is most easily and safely done if the system is provided with a limiter or compressor in the main signal path to control the gain of the system once feedback occurs Put the bandwidth controls of the parametric filters in their centre position This will make it easier to find the exact frequency at which feedback occurs Afterwards while fine tuning the bandwidth of the filters can be reduced higher Q setting to minimize the loss of audio information Increase the gain of the system until it feeds back at a single frequency This is the major ring mode Make sure that from the moment feedback occurs the compressor or limiter is active Feedback is a regenerative process and it will become stronger and stronger until the system goes into nonlinearity By that time speaker failure could have occurred Make a rough estimation of the frequency at which feedback occurs and notch out the ring mode by adjusting the gain and frequency controls of the appropriate filter section Normally it is not necessary to use the infinite notching capability Remember that the filter gets broader when the attenuation increases It is therefore better t
5. repair this unit Moreover specialised components are used in this apparatus and for several of them it is very doubtful if you could find a correct replacement Therefore contact your dealer in the event of failure He or she has notice of the Apex authorised service centres and can advice you about what to do Copy the service request form on the next page fill it out and ship it with the defective unit lt will help the service technician to localise the problem It is often more expedient to call your dealer or our factory 31 SERVICE REQUEST FORM Please copy and complete this form as completely as possible and return itto Apex or an authorised Apex service centre together with the defective unit cda a a a lI Eee ea So quia Model A Purchased Date Describe symptoms of malfunction Under what conditions does the malfunction occur All the time After a while At high signal levels At high temperatures Other please explain moO gt How often did the problem occur What did you do to isolate the problem to this unit e Further comments 32 WARRANTY Summary Items excluded from warranty Our commitment We
6. 0Hz 20KHz graphic eq IN PE232MKII THD lt 01 20Hz 20KHz Noise 92dBm typ 94dBm graphic and parametric equalisers in circuit OdB settings measurements 22Hz 22KHz RMS unweighted Level control to 6dB Level control OdB cal accuracy 0 2dB overall gain input to output Overload indicator lights for approximately 200ms if the instaneous peak voltage at 29 any point in the equaliser comes within 2dB of clipping FILTERS Graphic equaliser e 30150 centre frequencies 25 2 20 2 1 3 octave e Centre frequency tolerance 1 typically better than 0 5 e Qtolerance 1 Max boost cut 6 or 12dB 0 5dB reciprocal Switchable Parametric filters e Tuning ranges 18 200Hz 180Hz 2KHz 1800Hz 20KHz On each band vernier control 10 of main frequency control e Range of Q adjustment 0 5 to 8 e Range of level adjustment to 15dB typ 45 to 15 5 dB non reciprocal Smaller cut than boost curves through addition and subtraction of parametric bandpass filter output to filter input e Each filter individually switchable High pass filter Frequency range 15 300 2 3dB frequencies e maximally flat 12dB octave POWER REQUIREMENTS e Voltage 110 120 220 240V 50 60Hz Consumption 40VA equaliser e ECtype connector SIZE e 482mm 19 inch wide x 133mm 2 2 inch high x 255mm 10 inch deep equaliser WEIGHT 7Kg SPECIFICATIONS SUBJECT TO CHANGE WITHOUT
7. APEX PE Series Paragraphic Equalisers PE 232 MKII USER MANUAL i P Sido wr e APEX nv Schoebroekstraat 62 3583 Beringen Belgium Tel 32 89 28 61 91 Contents Section 1 Contents Section 2 Introduction 2 1 The PE MKII series Section 3 Performance Highlights Section 4 Installation 4 1 Unpakking the unit 4 2 Checking the mains voltage 4 3 Setting the mains voltage 4 4 Replacing the mains fuse 5 5 The rear pannel 5 6 Rack mounting Section 5 Signal connections 5 1 Input 5 2 Output 5 3 Grounding Section 6 The Equaliser Section 7 General operating instructions 7 1 Introduction 7 2 Level control O load and power 7 3 HP and LP filters 7 4 Parametric 7 5 Graphic equaliser 7 6 Specific applications Section 8 Specifications Section 9 Maintenance and service information 11 12 12 12 13 14 15 16 17 23 23 23 24 24 26 27 29 31 Introduction The PE MKII serie The APEX PE MKII series combines a graphic equaliser section with a parametric filter section Wide range Butterworth low and or high pass filters precede the equalisers for added versatility and shaping of the response curve near the edges The heart of each graphic equaliser section is a bank of 30 bandpass filters at distinct ISO centre frequencies or one filter for each 1 3 octave frequency Perfectly flat amplitude and phase response is obtained by using our DLT thick film hybrid circuits which surpa
8. NOTICE Maintenance and service information Preventive maintenance Corrective maintenance Preventive maintenance consists of cleaning and visual inspecting the unit When accomplished regularly preventive maintenance may prevent malfunction and lengthen the apparatus life The severity of the environment in which the equaliser is used determines the required frequency of preventive maintenance Regular cleaning prevents accumulated dust from penetrating potentiometers The front panel can be cleaned with a soft cloth or a small soft bristle brush The brush is particularly useful for dislodging dirt on and around the controls and inside the slider slots Dirt that remains can be removed with a soft cloth dampened in a mild detergent and water solution Do not use strong solvents as they may damage the paint the screened lettering or the plastic control knobs Be careful not to let detergent leak into the potentiometer slots as it may damage the carbon resistance tracks The rear panel can be cleaned in the same way as the front panel The top cover minimizes accumulation of dust inside the unit and should normally be in place when using the equaliser Dirt on components acts as an insulating blanket preventing efficient heat dissipation lt also provides an electrical conduction path that Corrective maintenance consists of component replacement and repair of the unit Unless you are a highly skilled technician do not try to
9. V and 230V The circuits can tolerate a deviation of 15 on the mains covering the range 98V to132V and 195V to 264V 13 Rack mounting 14 4 SERIAL NUMBER This number is the fingerprint of the unit and should be quoted in any correspondence concerning the unit 5 SIGNAL GROUND LIFT This switch disconnects the signal ground from the mains and chassis earth The switch should be used if hum due to ground loops is experienced and will generally solve the problem 6 8 Balanced IN A B Connects the equaliser to balanced outputs The connector is a female Neutric XLR NC3FD For wiring details see section Signal connections 7 9 Balanced OUT A B Connects the equaliser to balanced inputs The connector is a male The PE232MkIl is designed for standard 19 rack mounting as well as free standing outside a rack cabinet The unit requires three standard rack units Mounting the unit directly over large heat producing devices may shorten component life and therefore is not recommended Ambient temperature should not exceed 50 degrees Celsius when the equipment is powered Because of the chassis mechanical construction the PE232MKIl has no need for support at the rear when mounted in a rack cabinet This feature facilitates manipulation of the unit while ensuring perfect mechanical stability Make sure there is enough room for air circulation between different pieces of equipment and through the heatsink at the back Signal co
10. ch You can adjust two 15dB filters to get a 30dB notch and because of The centre frequencies of the graphic equaliser are chosen for perfect filter interpolation For some frequencies this means a slight deviation from the ISO proposed centre frequencies maximum deviation is about 2 so there should be no problem when using the equaliser in combination with commercial real time analysers that generally use the ISO centre frequencies The 30 controls of the graphic section provide you with a lot of possibilities for shaping sound In doing so it is best to regard following principles It is generally better to attenuate peaks rather than to boost the surrounding frequencies to the same level Noise will be lower and the sound will be more natural in this way Do not attempt to correct narrow peaks or dips with the graphic section Use the parametric filters for this purpose These aredesigned for narrowband operation and are much more versatile Do not use the graphic equaliser as a gain fix up device It is far better to use the 6dB of available gain from the LEVEL control than to put a lot of equaliser controls in the boost position Specific applications This part of the manual describes very specific suggestions on how to use the PE232 in different applications We recommend that you read these The information contained in each may inspire you for setting up your system The proposed equaliser settings are
11. cuit ground of the driven equipment See figure B and D p20 e When driving a balanced input connections are straightforward Check carefully for correct phase relative to input connections Grounding Because it is not always possible to determine whether the equipment connected to the equaliser have their circuit ground connected to earth and because the mains earth is not always of good quality it is hardly possible to give general rules for One and only one ground path should exist between each piece of equipment The circuit ground of the equaliser should not be left floating A ground loop generally causes a steady hum If you encounter ground loop you can often break it using the ground lift switch on the rear panel When using the ground lift switch the circuit ground of the equaliser is disconnected from the chassis ground Chassis ground is always connected to earth for safety reasons Signal ground remains connected to terminal 1 of the XLR sockets The input output supply board of the equaliser is provided with place for adding a resistor and a capacitor R107 C107 for those who do not wish to completely disconnect the chassis and circuit grounds Providing a small ceramic capacitor between the two grounds can be helpful for solving HF buzz problems often encountered when using mains ground The figures below shows some grounding schemes for the equaliser If you follow these figures while setting up yo
12. nal is avoided When the PE232MKII is driven from a balanced source ground the shield at the source end only and leave terminal 1 SG on the PE232MKII disconnected Wiring of the other input terminals is straightforward Check carefully for correct phase relative to output connections See figure A and B p20 When the equaliser is driven from an unbalanced source connect the shield to the circuit ground of the source and to terminal 1 signal ground of the input XLR connector Depending on whether the circuit ground of the driving equipment is connected to earth or not it may be advantageous to lift circuit ground from chassis ground on the equaliser using the ground lift switch You can experiment with this and leave the switch in the position that gives minimum hum or buzz The output electronics of the equaliser simulate true transformer operation The impedance to ground from each output terminal is approximately 10 KZ Output connections are via a standard 3 pin XLR male socket Because the output is made electronically floating you may ground eihter terminal 2 or 3 without fear of short circuiting an op amp output to ground Moreover you loose 6dB of signal Some general rules for output connections Always ground the shield at the equaliser side only by connecting it to terminal 1 SG of the XLR socket e When driving an unbalanced load connect terminal 2 to the signal input and terminal 3 to the cir
13. nnections Input For maximum performance the use of two conductor shielded cable is recommend Because the shield does not carry signal interference between signal current and shield current is minimised in this way Ordinarily the shield is connected to ground at one end The inputs of the equaliser are electronically balanced The input impedances of the and legs are made equal so that common mode rejection CMR is practically independent from the impedance of the driving source HF and LF trims are provided to optimise the CMR and null out circuit tolerances These electronically balanced inputs are compatible with most professional and semi professional balanced or unbalanced sound equipment A low pass filter precedes the input stages of the equaliser When driving the equaliser from a high impedance source overall frequency response can be compromised because of the low pass filter capacitors When the source impedance is higher than 2 2 unbalanced or 4KZ balanced it is advisable to change the cutoff frequency of the input filters In this case contact your dealer to make the modifications Generally the output impedance of modern audio equipment is 15 Output 16 Some general rules for input connections e Although not necessary because of input circuit symmetry it is best to always use the and input terminals when wiring the equaliser In this way hum pick up from the open termi
14. o adjust the gain control for a headroom of app 5 to 10 dB below the feedback point This procedure can be repeated for the suppression of other ring modes if they appear Normally after a few ring frequencies are eliminated the point of diminishing returns is reached and further effort is not very rewarding The graphic equaliser section can now be used to further tailor the 27 28 system response and to compensate for deficiencies in the room acoustics Conference equalisation Low frequencies are attenuated for decreasing the effect of windhowl in the microphone using the high pass filter with a 30 Hz cutoff Hum is easily suppressed with a parametric filter in the notch mode For example adjust the LF parametric filter to produce a notch at 50Hz with a Q of 3 Create with the graphic Specifications INPUT Electronically balanced Absolute overload point 22dBu Impedance 10 KZ each leg equal impedance for and legs CMRR better than 65dB 20Hz 20KHz XLR 3 type connector connections 1 signal ground 2 hot 3 cold OUTPUT Electronically balanced and floating simulating transformer output with app 10 KZ to ground impedance for each leg Max level gt 21dBm into 600 Z Impedance 51 Z each leg Output symmetry balance better than 65dB 20Hz 20KHz IEC XLR 3 type connector connections 1 signal ground 2 hot 3 cold PERFORMANCE Frequency response 0 0 5dB 2
15. or we will give you an authorization to return it to the factory All components must be shipped in a factory pack shipping prepaid If needed replacement packing can be obtained 33 from us Corrective action will be taken within a reasonable time of the date of receipt of the defective product by us or the service centre If the repairs made by Apex or the authorised service centre are not satisfactory notify Apex or the service centre immediately Repairs Product changes 34 We reserve the right to change the design on any product without prior notice and with no obligation to make corresponding changes products previously manufactured
16. ower supply fails the fail safe relay of the equaliser links input and output By putting the controls in their central position you make sure that the overall gain of your system is not changed when the fail safe relay activates This is a good starting point for the exploration of the equaliser s functions Once all mains and input and output connections are made correctly switch the unit on by pressing the power switch After app 0 2 seconds the fail safe relay will activate and thereby link the unit in the signal path The graphics on the equaliser s front panel illustrate the different functions of the unit and make it ergonomically pleasant to work Level control O load and power The level control is preceding the filter section of the equaliser and levels the input signals of the filter section The input stage of the equaliser is located before the level control The level control has thus no effect on the levels in the input stage In case the overload led illuminates and decreasing the level with this control has no effect it probably means that the input stage is in overload The only solution to this problem is lowering the signal level at the input of the unit by lowering the output of the driving equipment or by adding an external loss pad to the input wiring Of course the power switch is for turning the unit on and off but if the system is set up well LEVEL at OdB it can be used as a bypass for the complete e
17. pect the unit carefully for any signs of damage occurred during transport Your PE232MKII has undergone stringent quality control inspection and tests at the factory It left in perfect condition f damage is found notify the transport company immediately Only you the consignee may institute a claim against the carrier for damage during shipment Make sure to retain the damaged 11 Checking Check if the voltage selector on the rear of the equaliser indicates the correct supply voltage before connecting the the mains voltage equaliser to the mains Setting e Remove the plug from the wall socket and check if the mains the mains voltage fuse is of the correct rating Replacing e Withdraw the fuse holder from the equaliser by turning the locking screw half revolution counter clockwise and pull out the mains fuse i j the fuse holder of the socket e Remove the old fuse and replace with fuse of the correct rating e 1630 mA slow blow fuse Littlefuse 213 630 for 100 120 V e 315 mA slow blow fuse Littlefuse 213 315 for 220 240 V NOTE Delivery position is 220 V T315mA Wickemann 19195 in all cases The rear panel 7 a SUC Bi r r hu a E Ln nr EL VE ou Tiu EX nr me t Ika am i un udi ma Pes ee T E CNET o FPE Br IT P ir FC eS ree FRLER H EI M D gt 11 2 gc 2 Mt i FEO Tura gu i
18. qualiser making use of the fail safe 23 HP filter Parametric 24 The HP filter has a continuously variable turnover frequency from 15 to 300Hz The filter has a roll off slope of 12dB octave and is of the Butterworth type for maximally flat response lt is particularly useful in situations where potentially harmful subsonic signals are likely to cause speaker or amplifier overload Phono cartridges and wind in microphones are examples of sources that can produce excessive subsonic outputs Adjusted for a 25Hz roloff it will not have a dramatic effect on sound while providing serious protection against overload If you have never used a parametric equaliser before the best thing to do is to experiment with actual program material It is hardly possible to describe the physical perception of certain equaliser settings lt is therefore better you hear it for yourself For this reason we will limit ourselves in this section to some general guidelines for using these filters The bandwidth of the parametric filters is adjusted with the central Q controls Q calibration of these controls was chosen for simplicity The relationship between 3dB bandwidth BW Q and centre frequency Fc is given by following simple formula Fc Q Boost a filter and discover the contrast between the subtle shelving effects available from broadband operation Q minimum and the ringing coloured sound you get from narrowband peaking
19. rol adjusts the centre frequency of the filter In combination with the multiplier switch the centre frequency can be positioned anywhere in the audible spectrum Calibration tolerance of the frequency controls is about 10 20 The multiplier switch selects the range of the frequency control 0 1 corresponds to a frequency range of 18 to 200 Hz 1 corresponds to a frequency range of 180 to 2000 Hz 10 corresponds to a frequency range of 1k8 to 20 kHz The vernier control is used in combination with the frequency control and is used for fine tuning the position of the centre The IN OUT switch activate or deactivate the corresponding parametric filter function The sliders of the graphic equaliser allow centre gain adjustment for each of the indicated centre frequencies The IN OUT switch activate or deactivate the corresponding graphic equaliser section SCALE NOTE The SCALE switch switches the range of the corresponding graphic equaliser section to 6dB or 12dB full scale Note The rotary controls of the PM232MKII are high quality conductive plastic potentiometers However calibration accuracy of these controls is only modest Indications on the front panel therefore are principally intended 21 22 General operating instructions Introduction If you are not familiar with equalisers the best thing to do before first turn on is to put all controls in their central position When the unit is not powered or the p
20. sses the results and quality of discrete components DLT stands for Dynamic Laser Trimming at the factory each filter of the graphic equaliser is adjusted for optimum 1 3 octave filter centre frequency and bandwidth by means of a special developed trimming algorithm Adjusting the centre frequency and the Incorporating all filter components on the hybrid circuits has the advantage that the number of soldered connections is largely reduced boosting the reliability to an extent only exceeded by The controls of the graphic equaliser provides up to 12 dB of reciprocal cut and boost at the distinct ISO centre frequencies The filters of the PE series preserve optimal filter bandwidth whatever the settings of the controls are Because of this constant Q circuitry filter response does not broaden at low cut or boost settings In this way filter interaction is minimized and the graphic qualities of the equaliser preserved The individual filters of the graphic equaliser combine smoothly together and result in a continuous response curve free from N BEN WIEN y a Hl E y u ld a E B m 0 The strength of the parametric filters is the possibility to control frequency and bandwidth A 45 to 15dB of non reciprocal constant Q is achieved by adding boosting or subtracting cutting the output of a variable state bandpass filter from the filter s input This technique results in a broader boost than c
21. ts PE232MKII 2 x 30 band constant Q precision DLT graphic equaliser 2x 2 band constant Q parametric equaliser notch filter Variable HP filter Graphic equaliser in out switchable Switchable scale 6 12 dB on graphic equalisers 6 dB of gain available Extremely low distortion and noise True differential input circuitry Effective HF interference cancelation on in and outputs through perfectly HF balanced stages XLR in and outputs Accurate peak stretching overload indicators Fail safe bypass Earth lift switch Power transformer with low flux windings and magnetic screening reducing magnetic stray field to other units Wide mains voltage range Professional parts and construction 10 Installation NOTE In addition to these operating instructions and the PE MKII equaliser the packaging also contains power cord see note for U K This apparatus must be earthed The wires of the mains lead are coloured in accordance with the following code Green and yellow Earth Blue Neutral Brown Live As the colours of the wires in the mains lead may not correspond with the coloured marking in your plug proceed as follows Unpacking the unit The equaliser comes in a cardboard safety box specially designed for protection of the unit against damage during transport Save all the packing materials for future use if you ever need to ship the unit again Please ins
22. ur system and hum or noise appears don t be afraid to experiment Just keep safety earth connected to the chassis of the equaliser A ground loop consists of two connections to ground so there is always another solution than to disconnect the chassis of the 17 18 Drsing 34 peer ER wil Dre paast Irrur Balanced l azrcad on Es Jl i li k i Ground Hit zvixh r Ne E D peer yn uid See Figure Diving 94 peer ER wil Dre Ja raura Irrur I I 9 Unbalanced pont l l F Il Ground zvixh r III J T En uud ol ERES Lr aud Figure B Drsing 34 peer ER wil Dre I U nbslancad Sarco sub I FDE 1 Gieund Lit zvixh r ML A E T pep yn uud ERES Lr aud Figure C Diving 94 peer Er wil Drm 34 t Irrir 1 Unban zad Input I nbslancad aub 1 Ground Ht zvixh r m E T asb yn uid Sl pr ES tur uid Figure D The Equaliser POWER O LOAD a LEVEL dB 9 HP o See fold out at the end of the manual When pressing the power button AC mains is applied to the unit The red led below the power switch illuminates as you switch on the apparatus The fail safe relays will open switching the filters between the input and the outp
23. ut curves and makes it possible to create very narrow notches almost inaudible and therefore without the sound colouration often found with reciprocal filters One of the possible applications of those notch filters is T ar um li re 5 m m a a Pp T i enc 5 Ek ak ol eu All filter and equaliser functions of the PE232MKII are switchable IN and OUT of the signal paths The complete unit can be bypassed by switching it off The fail safe relays will react as if there were a mains failure and will link the input of each channel to its corresponding output PE232MKII has electronically balanced inputs and balanced floating output stages Each output circuit actually simulate a transformer with a 10KOhm impedance to ground for each leg Both the input and output circuits are factory adjusted for optimum balance at low and high frequencies This results in increased interference immunity of the unit The overall gain of each channel of the PE232MKII is variable from e to 6 dB with the front panel level control All potential overload points of each channel are continuously monitored by an extremely fast peak overload detector followed by a peak stretching circuit for clear indication of overload conditions The detector thresholds are chosen for approximately 2 dB headroom when the overload led illuminates giving the user the ability to Performance Highligh
24. ut of the unit When switching power off the fail safe relays will link the input of each The O LOAD indicator illuminates when the peak signal voltage anywhere in the unit exceeds 18dBm This level is about 2 dB below clipping of the equaliser s internal circuits The overload led is commanded by a peak stretching circuit for better visualisation of overload conditions and will light for The LEVEL control adjusts the input level to the equaliser and filler sections of the unit Being preceded by the input stage the level control does not permit to adjust signal level in this part of the circuit The equaliser has 6dB of available gain and can be used as a low noise and distortion gain make up amplifier The level control lets you adjust gain between to 6dB in a The HP filter has a continuously variable cutoff frequency of 15 to 300Hz The filter has a roll off slope of 12dB octave and is of the Butterworth type for maximally flat response It is particularly useful in situations where potentially harmful subsonic signals 19 GAIN MULTIPLIER o IN OUT qv SLIDERS IN OUT 121 20 The GAIN controls of the parametric notch filters adjust the centre frequency gain of the corresponding parametric filter The Q controls adjust the Q of each band Setting Q to maximum result in a narrow band operation while a minimum Q result in a broadband operation Calibration tolerance of the Q The frequency cont
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