Shure PSM 400 Wireless User Guide English - Bax
Contents
1. 11 MIXMODE STEREO CONTROL 0 0000 iaoee cece ee ee e ee e eee enn 12 SYSTEM APPEICATIONS ce VD Ee OPE PW CM Ve Late daa 13 TROUBLESHOOTING ts o cv ec eet Eer deet 15 SPECIFICATIONS oe GN RR SE n niet aden ber bare oe aetna woe ee 16 RACK MOUNTING ooa deat cn o teta D pra Ta desta e Seen o 18 ENGLISH INTRODUCTION The PSM 400 Wireless Personal Performance Pack Thank you for buying the Shure PSM 400 Wireless Personal Performance Pack featuring the PAM Personal Monitor Mixer the P4T Transmitter the PAR Receiver and earphones Like all Shure PSM personal monitoring products the PSM 400 provides the many advantages of a wireless in ear monitoring system including e Improved Sound Quality high fidelity without the risk of feedback e Increased Mobility your mix moves with you Personal Control through volume adjustment and MixMode For information on this and other Shure products visit www shure com on the World Wide Web PSM 400 Quick Set Up Guide 1 Plugin the PS40 power supply and connect it to 4 Connect audio sources to mixer s MIC LINE IN mixer s DC IN connector Connect mixer s DC PUTS OUT connector to transmitter s DC input 5 Mix audio sources using LEVEL PAN knobs Use 2 Attach the antenna to the ANTENNA OUT B2. Reorient or relocate the receiving antenna e Increase the separation between the equipment and the receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected e Consult the dealer an experienced radio TV technician for help SHURE SHURE Incorporated http www shure com United States Canada Latin America Caribbean 5800 W Touhy Avenue Niles IL 60714 4608 U S A Phone 847 600 2000 U S Fax 847 600 1212 Intl Fax 847 600 6446 Europe Middle East Africa Shure Europe GmbH Phone 49 7131 72140 Fax 49 7131 721414 Asia Pacific Shure Asia Limited Phone 852 2893 4290 Fax 852 2893 4055
3. Set up 1 Turn the ON OFF VOLUME knob clockwise past click ON Check the LCD Screen to see if RF is being received see LCD Screen on page 11 Plug earphones into earphone output jack Insert earphones into ears as instructed in the earphone user s guide Increase the volume slowly until a comfortable listening level is achieved Set the desired functions in the LCD screen as described in LCD Screen on page 11 Pushbutton Controls Push either the SCROLL or SELECT pushbutton to activate the LCD Screen Push and hold the SCROLL pushbutton to scroll through the functions The current function is underscored Use the SELECT pushbutton to change the status of the underscored function Changing the Reception Channnels 1 2 3 4 Push and hold the SCROLL pushbutton Scroll to FREQ Push the SELECT pushbutton to select a channel 0 9 or A F NOTE Use the same reception channel as the P4T transmitter Push the SCROLL pushbutton to confirm changes Changing MixMode High Frequency Equalization and Limiter Status 1 2 3 Push and hold the SCROLL pushbutton Scroll to the desired function MIX EQ or LIM Push the SELECT pushbutton to toggle the function ON or OFF A function is ON when a dot appears to the right of the function symbol Push the SCROLL pushbutton to confirm changes 10 ENGLISH LCD Screen The LCD Screen on the top panel displays the status of various functions The status of th
4. MixMode or stereo STEREO In stereo the signals remain separate so that 1 L is heard through the left earphone and 2 R is heard through the right earphone The balance knob on the P4R adjusts the balance between the left and right earphones MIXMODE In MixMode the signals are mixed in relation to one another using the balance knob blended into one signal The one mixed signal is sent to both the left and right earphones Using MixMode Step Four The user may con tinue to adjust the blend using the balance knob throughout the performance Step Two Using the balance knob the user blends the two signals until the correct mix is achieved gt pe channeli MIXMODE SSE p channel 2 E jm COUNTERCLOCKWISE MID POINT CLOCKWISE Step One The P4R receives TWO signals from the P4T transmit ter Step Three The PAR sends the mixed signal to both earphones U MIXMODE IN APPLICATIONS MixMode is most useful when two distinct mixes are provided to the P4T transmitter such as a band mix and a vocal mix MixMode combines these two signals into one monitor mix and allows you to control this mix during the performance using the PAR receiver For example if the band overpowers the vocals in the mix increase the level of the vocals and decrease the level of the band by simply adjusting the balance knob on the receiver 12 ENGLISH SYSTEM APPLICATIONS APPLICA
5. each transmitter to its respective P4R receiver PN o TROUBLESHOOTING PROBLEM SOLUTION No sound at the receiver Check the power cord on the transmitter and make sure it is powered on Make sure both the transmitter and the receiver are set to the same frequency sure the earphones are plugged in to the receiver sure receiver is on and the battery is good Listen to the headphone monitor on the transmitter to check audio feed sure the antenna is connected to the transmitter Check the incoming audio and power connections and the outgoing audio connections at the mixer Low receiver range Tryto maintain line of sight between transmitter and receiver another frequency in case interference is limiting the range Check for television channel interference Receiver sounds fuzzy or distorted sure no other transmitters are operating on your frequency sure transmitter input level is lighting yellow LEDs for optimum performance Listen to the headphone monitor on the transmitter to check audio feed Low audio output at the receiver sure transmitter input level is lighting yellow LEDs for optimum performance sure the receiver s volume knob is 15 SPECIFICATIONS System Specifications RF Carrier Frequency Range 722 to 865 MHz country dependent Operating Range 300 ft environment dependent Audio Frequency Respon
6. flicker occasionally 6 Set up the receiver as directed in the PAR section of this user s guide Make sure that the frequency selected on the receiver matches the frequency selected on the transmitter ENGLISH Loop Applications The LOOP OUT 1 L and 2 R outputs allow the signal going through the P4T transmitter to be routed to other devices The LOOP feature of the transmitter can be used for any number of applications Shown here are only a few examples of how it can be used Also see System Application 3 0000 QAaaA oppe 1 2 AE By J L e RS e 9202 Floor Monitor Amplifier Running Floor Monitors Through a P4T Transmitter An audio signal can be sent through the LOOP connectors to an amplifier for an onstage monitor system When setup this way the P4R and the onstage monitors will reproduce the same audio um BAND MIX J SOLO MIX 1 s NU C 0682 20 soto MIX 2 A y Y soomi 7 A A A p BANDMX e BAND MIX PAT TRANSMITTER AUX1 AUX2 AUX4 k P4R RECEIVER MIXING CO
7. or other devices The isolation provided by the fit of quality earphones is also an important factor in determining the SPL in the ear Here are some general tips to follow in the use of this product to protect your ears from damage 1 Turn up the volume control only far enough to hear properly 2 Ringing in the ears may indicate that the gain levels are too high Try lowering the gain levels 3 Have your ears checked by an audiologist on a regular basis If you experience wax buildup in your ears stop using the system until an audiologist has examined your ears 4 Wipe the earphones with an antiseptic before and after use to avoid infections Stop using the earphones if they are causing great discomfort or infection This symbol indicates that there are important operating and maintenance instructions in the literature accompanying this unit Licensing Information Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate the equipment Licensing of Shure wireless microphone equipment is the user s responsibility and licensability depends on the user s classification and application and on the selected frequency Shure strongly urges the user to contact the appropriate telecommunications authority concerning proper licensing and before choosing and ordering frequencies THIS RADIO EQUIPMENT IS INTENDED FOR USE IN MUSICAL PROFESSIONAL ENTERTAINMENT AND SIMILAR APPLICATIONS NOTE THIS EQ
8. Connector Powers a P4T transmitter or TE another P4M mixer A DC jumper cable is provided with the mix Peo er NOTE PS40 can only power two Shure devices CONCENTRIC LEVEL PAN Knobs The inner knob controls 8 SPLIT OUTPUTS Each male XLR output provides a duplicate the input level the outer ring pans the input signal between the 1 L and 2 R mix outputs of its corresponding mic line input Front panel settings have no effect on split outputs Mixer Back Panel 1 To audio input of transmitter AC Adaptor Audio Sources Mixer Front Panel Personal Monitor Mixer Plug the PS40 AC adaptor into the mixer s DC IN locking connector Plug the other end into a wall socket Connect the MIX OUT jacks to the audio input of the P4T wireless transmitter Connect up to four audio sources microphones instruments mixers into the input jacks on the front panel of the mixer ENGLISH Using the PAM Personal Monitor Mixer Pans between Mix Out channels oe sees el AUDIO ON AUDIO ee LINPUTS INPUT 1 AUDIO Adjust levels to Mix Outs MIX AUX IN SPLIT Ours TL Y OUTPUT 3
9. Console Personal Monitor Mixer P4 2 EJ OO Transmitter 7 Receiver l1 UTUU H Shared Signal 0 Monitor Mix wi St A A m Transmission Split Mix A Line c e n e Outputs 1 4 Outputs Inputs PAM UU U PAT PAR EP d Personal Monitor Mixer Y Y Inputs 1 4 Se Receiver DOCU RF Reception o 4 Level Pan Knobs 1 4 Monitor Mix This configuration uses the PAM s SPLIT OUTPUTS to pass audio signal to other PAM Personal Monitor Mixers Each player can create a custom mix at their mixer Recommended for live studio or rehearsal situations 1 Connect a monitor mix signal from a mixing console and up to three audio sources to the four inputs on the mixer s front panel Connect the SPLIT OUTPUT of the mixer containing the monitor mix to an input on a second mixer Connect the other SPLIT OUTPUTS from the first mixer to either the second mixer or to the mixing console On the second mixer connect the SPLIT OUTPUT containing the monitor mix to a third mixer or to a floor monitor amplifier Connect MIX OUT 1 L and MIX OUT 2 R on the back panel of each mixer to INPUTS 1 L and 2 R on the back panel of a P4T trans mitter On each mixer mix the four signals using the CONCENTRIC LEVEL PAN knobs on the front panel 7 Transmit the mix from
10. D screen and pushbuttons to prevent unwanted changes during or between performances To lock out the front panel Set all functions to desired settings Hold down the SCROLL and SELECT pushbuttons simultaneously for five seconds A NOTE The reception channel will be replaced by dashes B when lock out is engaged When lock out is engaged the SCROLL and SELECT pushbuttons light the LCD screen but cannot change the status of any of the functions To disengage the lock out hold the SCROLL and SELECT pushbuttons for five seconds until the reception channel is displayed again 11 ENGLISH MixMode Stereo Control The flexible design of the PSM 400 Wireless Personal Performance Pack makes configuring a monitor mix very simple In addition the unique MixMode circuitry enables you to customize your own individual mix in a multiple mix environment MixMode Control Used for mixing and combining an individual mix between two distinct monitor sends Stereo Control Used for conventional stereo monitor mixes Mono Control Used when only one mono monitor mix is available STEREO FOU 2 eO 1 L Signal from Audio Source 2 R MIXMODE Signal from Audio Source P4T TRANSMITTER P4R RECEIVER WHAT IS MIXMODE CONTROL The receiver receives two signals 1 L and 2 R from the P4T transmitter The processes these signals in either
11. DC connector is protected from short by a self reset ting Polyfuse Maximum recommended load is 250mA 2 P4Ms or 1 Phantom Power The PAM does not produce phantom power but phantom power is al lowed to pass through Split Outputs 1 4 to inputs 1 4 respectively Audio Polarity All outputs in polarity with all inputs XLR Pin 2 is hot with respect to Pin 3 Pin 1 is ground 1 4 TRS tip is hot with respect to ring sleeve is ground Temperature Range Operating eorr PP 7 to 49 C 20 to 120 F Storage 29 to 74 C 20 to 165 F Overall Dimensions 44 mm H x 218 mm W x 162 mm D 1 72 x 8 60 x 6 37 inches Net Weight 1 20 Kg 2 Ibs 10 oz P4T Transmitter Specifications RF Output Power 50 mW 17 dBm typical conducted country dependent Modulation Limiter Internal peak limiter gt 10 1 compression Antenna External whip 50 BNC connector 16 Current 250 mA maximum Dimensions 219 2 mm X 43 6 mm X 136 5 mm 8 6 in X 1 7 in X 5 4 in Net Weight 907 2 g 2 Ibs 0 ENGLISH CONNECTORS P4T Audio Inputs 1 L and 2 R Connector Type 1 4 inch jack female TRS Configuration electronically balanced Actual 20 kQ Impedance Nominal 10 dBV 7 8 dBu Input Level Maximum 15 dBu Input Level Tip hot ring cold Sleeve ground Pin Assignments Phantom Power Yes Protection Up to 50 VDC Power Requirements Operating voltage 14 18 Vd
12. LN KAN Inputs IN PAM Personal Monitor Mixer PS M Inputs 1 4 Transmitter RFR ti eception Monitor Level Pan Knobs 1 4 This configuration using the PAM s SPLIT OUTPUT and a PSM transmitter s LOOP OUTPUT allows one PAM to provide custom mixes to two PSM transmit ters and is recommended for small ensembles in live performance 1 2 3 Connect up to four microphones or instruments into the P4M inputs Connect the SPLIT OUTPUTS to a mixing console Connect a monitor mix from a mixing console to the first PAT transmitter On the first PSM transmitter connect the LOOP output containing the monitor mix to an input on the second PSM transmitter Connect a MIX OUT output to each transmitters remaining input Use the front panel PAN knobs to balance input signals between the two transmitters Place the PSM receivers in MixMode Use the balance wheel on the PSM receiver to blend the monitor mix with the cus tom mix created by the PAM 14 ENGLISH APPLICATION FOUR Multiple PSM 400 Systems Other Audio To Next PAM Sources To Mixing Console orAmplifier INPUTS Y Y f A Aa 4 Mixing Consold 8 Line Mixing a INPUTS P4 M Inputs
13. NC outer ring to pan signal left or right and use inner connector knob to adjust signal level 3 Connect mixer s 1 L and 2 R MIX OUT jacks to 6 Check signal clip LEDs transmitter s 1 L and 2 R INPUT jacks 8 Turn receiver volume knob past click ON Keep volume at minimum 9 Set receiver functions see P4R Receiver on page 10 7 10 Set transmitter and receiver to same frequency channel 11 Check RF symbol on receiver LCD to confirm RF reception 12 Insert earphones into earphone jack on the receiver Insert earphones into your ears 13 Slowly increase receiver volume to a comfortable level ENGLISH THE MIXER Controls and Features d SPLIT OUTPUTS SHUREINC ES gt VW ONU SN MIXER BACK PANEL MS MIC LINE INPUT Jacks Accommodate both XLR and 1 4 con 4 MIX OUT Output Jacks 1 4 TRS jacks provide the line level nectors at mic or line levels They are electronically balanced mix created with the level pan knobs SE Eme Color indicates the signal status of the corre 5 AUXIN Inputs Signals from two 1 4 TRS input jacks are com Sponaing mic ine input bined with the mix created by the level pan knobs Front panel settings do not affect these jacks 6 DCIN Locking Connector Plug the PS40 AC adaptor into this 7 OUT Locking
14. NSOLE II RJ SOLON __ BAND 0010 0010000 A oO o o eo o o olo o o o o o ie elololololele oo ele lolololo o o o o o o ele o olo o lo o o o 00 000 0010 A GEO soto ma gt S iolololololololo o o lolo olololo o o o o olo lololololole olo lolo o o o o o o o o ole SOLO MIX 3 i O P4T TRANSMITTER P4R RECEIVER Running Multiple PSM Wireless Systems Under MixMode Control When using a mixer with multiple auxiliary out jacks a single monitor mix can be sent to multiple P4T transmitters using the LOOP connectors and independent monitor mixes or direct outputs can be sent directly to the second channel of each P4T This allows each P4T user to mix a band mix signal with a solo mix signal using the MixMode feature on the receiver The thumbwheel on the P4R is used to mix the two signals in relation to one another N mew 0682 0 0 gt T 60 00 Running a Recording Device Through Transmitter H you would like to make recording of a performance the LOOP outputs can be connected to the input
15. PS40E 230V PS40UK 230V 10 ft Coaxial Antenna Cable BNC connector PA725 reunirse epe 9548420 Certifications PAM Eligible to bear C mark Conforms to European Union EMC directive 89 336 EEC Meets applicable tests and performance criteria in European EMC Standard EN 55103 1996 parts 1 and 2 for resi dential E1 and light industirial E2 environments P4T Type Accepted under FCC Part 74 FCC ID DD4P4T Certified by IC in Canada under RSS 123 EP4T Meets the essential requirements of European R amp TTE Direc tive 99 5 EC eligible to bear CE mark O682 Type approved to EN 300 422 Parts 1 and 2 Meets requirements of EMC Standard EN 301 489 Approved under the DECLARATION OF CONFORMITY provi sion of FCC Part 15 Certified in Canada by IC under RSS 123 Meets essential requirements of European Union R amp TTE Directive 99 5 EC eligible to bear C mark Meets requirements of EMC standards EN 300 422 Parts 1 and 2 and EN 301 489 Parts 1 and 9 PS40 Conforms to applicable U S and Canadian electrical and safety standards PS40E PS40UK Conforms to European low voltage directive 72 23 EEC Eligible to bear CE marking 17 SHURE PAR Tested To Comply C With FCC Standards FOR HOME OR OFFICE USE ENGLISH RACK MOUNTING OPTIONS Rack Mounting the 4 and PAM Both the and PAM feature a 5 rack chassis specially designed for sturdine
16. Shy Model PSM 400 Wireless Personal CC Performance Pack User Guide SHURE a peen E INPUT LEVEL _ of a 0 T H A f P spe 00 O i 12 L FREQ ae 2 Pg eg 5 KR Ns U PSM 400 Wireless Personal Performance Pack Featuring the P4M Mixer P4T Transmitter and P4R Receiver A C Printed in U S A 2005 Shure Incorporated 27D8706 Rev 5 Patent Des 442 938 alc eer TUE 3 lei 19 DEUTSCH talon Elta cate uias defer esr ter rdi dei aee afi 35 d LEE 51 HERE 67 ENGLISH WARNING USING THIS SYSTEM AT EXCESSIVE VOLUMES CAN CAUSE PERMANENT HEARING DAMAGE USE AS LOW A VOLUME AS POSSIBLE In order to use this system safely avoid prolonged listening at excessive sound pressure levels Please use the fol lowing guidelines established by the Occupational Safety Health Administration OSHA on maximum time exposure to sound pressure levels before hearing damage occurs 90 dB SPL at 8 hours 95 dB SPL at 4 hours 100 dB SPL at 2 hours 105 dB SPL at 1 hour 110 dB SPL at 1 5 hour 115 dB SPL at 15 minutes 120 dB SPL avoid or damage may occur It is difficult to measure the exact Sound Pressure Levels SPL present at the eardrum in live applications In addition to the volume setting on the PSM the SPL in the ear is affected by ambient sound from floor wedges
17. TION ONE One PSM 400 System D p RF TRANSMISSIONS MIX OUTPUTS PAM Personal Monitor Mixer INPUTS 1 4 HU uuu U d gt PAR Aa Receiver RF RECEPTION Transmitter LEVEL PAN KNOBS 1 4 This is the basic configuration of the PSM 400 system and is the recommended configuration for small ensembles in live or rehearsal situations 1 2 8 4 Connect up to four microphones instruments or audio devices to the four inputs on the PAM mixer front panel Connect MIX OUT 1 L and MIX OUT 2 R on the back panel of mixer to INPUT 1 L and INPUT 2 R on the back panel of the transmitter Mix the four signals using the CONCENTRIC LEVEL PAN knobs on the front panel of the mixer Transmit the mix to the receiver APPLICATION TWO Multiple PAM Personal Monitor Mixers to One P4T Transmitter _ ft UI TEN e MIX AUX LINE Ca TPUTS INPUTS INPUTS e OUTPU WUUU UU UU P4M 4 Personal Monitor Mixer Personal Monitor Mixer Transmitter INPUTS 1 4 INPUTS 1 4 Y LI UU UU CUTU YY Y AAAA LEVEL PAN KNOBS 1 4 AAA This application using the P4M s AUX inputs allows more than four inputs to be mixed Recommended
18. UIPMENT MAY BE CAPABLE OF OPERATING ON SOME FREQUENCIES NOT AUTHORIZED IN YOUR REGION PLEASE CON TACT YOUR NATIONAL AUTHORITY TO OBTAIN INFORMATION ON AUTHORIZED FREQUENCIES FOR WIRELESS MICROPHONE PROD UCTS IN YOUR REGION Licensing Note that a ministerial license to operate this equipment may be required in certain areas Consult your national authority for possible requirements Shure Transmitter Model PAT may be used in the countries and frequency ranges listed in Table 1 on page 83 ENGLISH TABLE OF CONTENTS INTRODUCTION Eee s rete egest te eed edo EE ua ee qoi etc Race tti aati ages 5 PSM 400 QUICK SET UP GUIDE 5 PAM MIXER EE EE E ae x e ex RE e BUE RE RE EA ER 6 Controls and Features vec EPI LER eR eek 2 Pee SP UEATRS C 6 Set EE 6 Using the PAM Personal Monitor Mixer 7 TRANSMITTER a enorm eot edes ecu cesta eeu epp da TU a EE 8 Controls and Features 8 Set El KEE 8 Loop ee Uerde 9 PAR o EUR rear tee acta a anal aah abet ea pe darent orla 10 Controls and Features 10 Battery Installation scc egre ee eU A ica act a dp a e ac o a te a edet ete Pa ee neas 10 ele KEE 10 Pushbutton Control Ip xi MER De Eu eee imd ene ere tere 10 ep WEE 11 Locking Out the LCD
19. Y Y AUX IN SPLIT y Sei OUTPUT 2 Once the basic set up is complete use the P4M Personal Monitor Mixer to create a custom mix 1 Mix the signal from each audio input using the corresponding CONCENTRIC LEVEL PAN knob OUTER RING Use this to pan the signal to the left or right channel of the stereo mix INNER KNOB Use this to control the level of the audio input 2 Observe the signal clip LEDs next to each CONCENTRIC LEVEL PAN knob NOTE Decrease the level of an input if the corresponding signal clip LED is consistently red If the level is decreased all the way and the LED remains red the level of the input from the previous device in the audio chain is too high and should be decreased 3 Up to two additional line level audio sources such as other mixers a click track or a digital sequencer may be added via the AUX IN inputs These signals go directly to the MIX OUT outputs and are not affected by the CONCENTRIC LEVEL PAN knobs 4 pass an unaltered signal through the mixer use the corresponding SPLIT OUTPUT NOTE Although the mixer does not provide phantom power for condenser microphones the SPLIT OUTPUTS can pass phantom power from a phantom power supply to a microphone connected to the corresponding input jack CAUTION Use a direct box when connecting guitars keyboards and other instruments to a mixing console through the P4M Mixer The phantom power that mixing consoles provide for microphones can damage other instrument
20. c Supplied with one of the following external power supplies Model PS40 120 Vac 60 Hz input Model PS40E Model PS40UK 230 Vac 50 60 Hz input P4T L R LOOP Outputs 1 L and 2 R Connector Type 1 4 inch jack female TRS Configuration electronically balanced Actual 20kQ Impedance Nominal 10 dBV 7 8 dBu Output Level Maximum 15 dBu Output Level Tip lt hot ring cold Sleeve ground Pin Assignments Phantom Power Yes Protection Up to 50 VDC PAR Receiver Specifications RF Sensitivity 1 uV typical Image Rejection 55 GB typical Spurious Rejection 60 GB typical Squelch Threshold 4 5 uV typical Antenna Attached Whip Power Requirements 9 V alkaline battery Battery Life Up to 8 hours volume dependent Audio Output Connector 3 5 mm Stereo Left tip Right ring Ground sleeve Minimum Load Impedance 16 Q Net Weight 125 g 28 lbs Overall Dimensions 82 6 mm X 63 5 mm X 26 2 mm 3 1 4 in X 2 1 2 in X 1 1 82 in Furnished Accessories Optional Accessories Transmitter Antenna PA715 Antenna 770 120 Dual Mount Rack Bracket 5388484 UA RE Rent PA770E 240 VAC Straddle Bars 53A8443 Unidirectional 705 AC Adaptor PS40 120V
21. en cuanto a las frecuencias legales disponibles y usos legales del equipo en su rea Rivolgersi alle autorit competenti per ottenere informazioni relative alle frequenze autorizzate nella propria regione e alle norme che regolano l uso di questo apparecchio 83 Declaration of Conformity We of Shure Incorporated 5800 W Touhy Avenue Niles IL 60714 4608 U S A 847 600 2000 Declare under our sole responsibility that the following product Model PAR Description Receiver Has been tested and found to comply with the limits for an uninten tional radiator device and approved under the Declaration of Con formity provision of the Part 15 of the FCC rules Operation is subject to the following two conditions 1 This device may not cause harmful interference 2 This device must accept any interference received includ ing interference that may cause undesired operation Shure Incorporated Manufacturer Signed November 12th 2003 Name Title Craig Kozokar EMCProject Engineer Corporate Quality Shure Incorporated EU DECLARATION OF CONFORMITY We Shure Incorporated of 5800 W Touhy Avenue Niles IL 60714 4608 U S A Declare under our sole responsibility that the following products Model P4T Description Transmitter Model PAR Description Receiver Model PAM Description 4 Mixer Model PS40E PS40UK Description AC DC Power Adapter Conform to the essential requirements and
22. ese functions can be changed using the SCROLL and SELECT pushbuttons see Pushbutton Controls on page 10 JN 4 Ner RF Indicates the P4R receiver is receiving a transmission Always check for RF reception prior to inserting earphones into ears Battery Life Meter Indicates the approximate amount of volt age left in the battery These voltages translate to time as follows HIGH 4 8 hours of operation MEDIUM 1 4 hours of operation I LOW less than 1 hours of operation a NOTE If no bars are present within the battery life gauge change the battery immediately Battery life depends on many variables including battery type brand earphones used and receiver vol ume setting RECEPTION CHANNEL FREQ The P4R receiver features 16 preset user selectable channels 0 9 and A F The ceiver must be set to the same channel as its transmitter MixMode MIX The receiver receives the monitor mix in ei ther MixMode MIX ON or stereo MIX OFF See MixMode Stereo Control on page 12 NOTE If the receiver is receiving only one signal it will be in mono High Frequency Equalization EQ Adds 6 dB at 10 KHZ for increased treble response Limiter LIM The limiter provides protection against loud signals V N WARNING Turning the Limiter OFF defeats protection against hazardous sound levels Locking Out the LCD Screen Once the receiver s functions are set for use lock out the LC
23. for large ensembles in live or rehearsal situations 1 Oar WN Connect up to four audio sources to the front panel inputs of the P4M mixer Mix these signals using the CONCENTRIC LEVEL PAN knobs on the mixer Connect the MIX OUTPUTS of the first mixer to the AUX INPUTS of a second P4M mixer Connect up to four more audio sources into the front panel inputs of the second P4M Mixer Mix these signals using the CONCENTRIC LEVEL PAN knobs on the second mixer Connect the MIX OUTPUTS of the second mixer to the LINE INPUTS of the P4T transmitter The transmitter receives a mix consisting of all eight audio sources which it transmits to the P4R receiver NOTE If more than eight inputs are required connect additional P4M mixers between the second mixer and the transmitter using the connection described in step 3 above 13 ENGLISH APPLICATION THREE One P4M MUTA PAT Transmitters Other Audio Monitor Mix Sources Mix 2 ae Y E To Mixing Line LOOP Console Inputs Outputs Y EE m PSM 7 RECEIVER Oe Transmitter 1 L A AAA ve Yy p A RF Transmission p Shit Mix U Outputs Outputs Line
24. other relevant previsions of the R amp TTE Directive 1995 5 EC The products comply with the following product family harmonized or national standards ETSI 300 422 1 ETSI EN 300 422 2 ETSI EN 301 489 Part 1 and 9 P4R ETSI 300 422 1 ETSI EN 300 422 2 ETSI EN 301 489 Part 1 and 9 P4M 55103 1 55103 2 PS40E PS40UK EN60950 6100 3 2 EN6100 3 3 Manufacturer Shure Incorporated we s Hee Name Title Craig Kozokar EMC Project Engineer Corporate Quality Shure Incorporated Date October 27 2003 European Contact Shure Europe GmbH Wannacker Str 28 74078 Heilbronn Germany Phone 49 7131 7214 0 Fax 49 7131 7214 Note This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to part 15 of FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accor dance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interfer ence by one or more of the following measures
25. s Connect the instrument to the direct box then connect the direct box to the P4M Mixer input AUXIN AUXIN MIX OUT MIX OUT 2 R 1 2 8 qe SPLIT OUTS PN o Dips d MIC LINE INPUTS Audio signal path for the PAM Mixer ENGLISH THE P4T TRANSMITTER Controls and Features PN LT fas CD 2 3 IAN AEN 4 5 INPUT LEVEL Wireless Personal Monitor CH LM O QO UM OO OO 12 L Free ES TRANSMITTER FRONT PANEL MODEL FREQ 0 722 325 MHz PSM TRANSMITTER FREQ 1 723 100 MHz SHURE INCORPORATED FREQ 2 724 500 MHz FREQ 3 725 550 MHz O EVANSTONIL 60202 FREQ 4 726 125 MHz FREQ 5 728 450 MHz WZ FREQ 8 734 175 MHz LOOP OUT FREQ 6 730 450 MHz FREQ 7 731 525 MHz INPUT 0682 O s Q CANADH S16231209 FREAD 743225 Me MMC FREQ E Dici Mi MADE IN USA 6 7 8 9 TRANSMITTER BACK PANEL 1 Local Earphone Output Jack 1 8 inch 4 Transmission Frequency LED This indicates which of the 16 Connects to earphones Channels 0 9 or A F is transmitting 2 Local Earphone Level Control Adjusts the volume of the local 5 Frequency Select Button This recessed button changes the earphone jack s amplifier Always listen at low levels transmission channel Use a 1 4 plug to press this bu
26. s of a tape deck DAT or other recording device ENGLISH P4R RECEIVER Controls and Features Balance Knob This thumbwheel adjusts the left right balance when the unit is in stereo and the Mix 1 Mix 2 balance when the unit is in MixMode SCROLL Pushbutton Use with the SELECT pushbutton to control the functions in the LCD screen See Pushbutton Con trols on page 10 SELECT Pushbutton Use with the SCROLL pushbutton to control the functions in the LCD screen See Pushbutton Con trols on page 10 1 8 Earphone Output Jack Connects to earphones 7 P4R TOP PANEL ppum TX Belt Clip Securely attaches the receiver to a belt guitar strap or waist band LCD Screen The LCD Screen displays the status of various functions See LCD Screen on page 11 ON OFF VOLUME Knob Turn clockwise past click to turn ON Continue to turn clockwise to increase volume counter clockwise to decrease volume Battery Compartment Door See Battery Installation on page 10 Antenna An attached flexible whip antenna receives radio fre quency RF from the Transmitter Battery Installation 1 2 3 Open the battery compartment door by pushing down and sliding towards the antenna Insert a fresh 9V alkaline battery with the terminals properly positioned Close the battery compartment door Note If battery compartment door will not close the battery is not properly inserted
27. se 50 Hz to 12 kHz 3 dB earphone dependent Image Rejection 55 dB typical Spurious Rejection 60 GB typical ENGLISH Total Harmonic Distortion 1 KHz 0 8 typical Ref 35 KHz deviation Modulation FM 35 KHz Deviation Nominal MPX Stereo Channel Separation 35 dB typical Signal to Noise Ratio 80 dB typical A weighted Operating Temperature 7 49 C 20 to 120 F P4M Mixer Specifications Measurement Conditions unless otherwise specified full gain 1 KHz one channel activated source impedances Mic 150 Aux Level 150 terminations Line 600 Frequency Response Ref 1 KHz controls centered 20 Hz to 20 Khz 2 dB INPUT Specifications 9100 1 L mono 100 dB 90 dB gt 75 dB gt 70 dB Impedance at 1kHz Input Clipping Level Crosstalk Common Mode Rejection OUTPUT Specifications Output Clipping Level N A 5 dBV 10 kQ balanced load 30 dBV input ch 1 4 Noise 100 Hz to 22 kHz 110 dBV 100 dBV all controls CCW 62 dBV all controls CW Distortion THD at 1kHz 0005 lt 05 0 dBV output Crosstalk 100 dB 70 dB LEDs Resultant Mix Out Level Green 30 dBV Yellow 10 dBV Red 0dBV Current 120 mA max Power Requirements Operating voltage 14 18 Supplied with one of the following external power supplies Model PS40 120 Vac 60 Hz input Model PS40E Model PS40UK 230 Vac 50 60 Hz input NOTE Courtesy
28. ss The sagging and bending found in most 1 designs is eliminated the brackets and straddle bars are designed to ensure that the units will be installed securely WARNING Do not torque the screws too tightly or the chassis may be damaged Mounting Units 18 TABLE 1 TABLEAU1 TABELLE1 TABLA TABELLA 1 Country Code PAT HF P4T P3 P4T MN 4 Code de Pays 722 746 MHZ 722 746 MHZ 800 830 MHZ 842 865 MHZ Lander Kurzel C digo de pa s Codice del Paese 7 800 835WHZ 942 855MHZ _ LEE 5 5 2 _ 073 88 85wHT _ LEE oa aa rz UN a All Other Countries Tous les autres pays Alle anderen Dem s pa ses Tutti gli altri Paesi Please contact your national authority for information on available legal frequencies for you8r area and legal use of the equipment Se mettre en rapport avec les autorit s comp tentes pour obtenir les informations sur les fr quences autoris es disponibles localement et sur l utilisation autoris e du mat riel F r Informationen bez glich der f r Ihr Gebiet verf gbaren gesetzlich zugelassenen Frequenzen und der gesetzlichen Bestimmungen f r den Einsatz der Ger te setzen Sie sich bitte mit der zust ndigen rtlichen Beh rde in Verbindung Comun quese con la autoridad nacional para obtener informaci n
29. tton 6 Antenna Connector 50 9 type This connects to the an 3 cuiu of ie d ADEM the tenna to transmit UHF signals to the receiver input level of the left and right input channels The four s on aor the left display the status of the signal from channel 1 and the four i NT Bub Ee LEDs on the right display the status of the signal from channel 2 transmitters tape recorders or amplifiers See LOOP Applica ES GE 8 Jacks Two 1 4 TRS switching jacks are line level audio inputs 9 DC Input Connector Input for PS40 power supply or PAM mix er s DC jumper cable Set Up Follow these directions to set up the 4 transmitter for operation 1 Plug the mixer s DC OUT jumper cable into the transmitter s DC input 2 Attach the antenna to the ANTENNA OUT connector 3 Connect the mixer s MIX OUT 1 L and MIX OUT 2 R to inputs 1 L and 2 R of the transmitter 4 Select an operating frequency using the FREQUENCY SELECT button Push the button repeatedly until the LED displays the desired chan nel The display will flash Push and hold the button until the flashing stops to confirm the change use a 1 4 plug to press the button IMPORTANT Never set more than ONE transmitter to the same operating frequency 5 Once the transmitter transmits audio observe the INPUT LEVEL LEDs If the LEDs consistently illuminate red decrease the output level of the audio source until the red LEDs only
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