513-300-118_r9 User Guide, SoloAmp.indd
Contents
1. 234 SS Master Vo ut Aux In Monitor p Q Power L Channel 1 Channel 2 Gain lt p Front Panel Controls cont 11 12 13 14 15 16 17 10dB Pad If you have a high output pickup and the Clip LED comes on at low Gain settings push this switch in for a more usable range XLR Mic Input You may also connect an outboard preamp with balanced XLR out to this input 1 4 Instrument Input Accepts all types of passive or active acoustic pickups Note If you attempt to plug in both the XLR and 1 4 inch inputs at the same time the XLR shuts off Aux In Use this to control the level of a device plugged into the Aux Input Note that the Aux channel is independent of the Mute switch so you can play pre recorded music on your breaks Monitor Use this to control the level of the device you plug into the Monitor Input See page 16 on Monitor input applications Reverb Select Press the Reverb button to select among four preset reverb effects Phantom Power Provides 48V to the XLR input for use with a condenser Microphone The Phantom LED will light to indicate 48V is being supplied to the XLR jack For more information on Phantom Power see page 17 11 12 13 Solo4mp Master Volume Mute 6 0 O L Channel 1 Channel 2 Cip Gain Gain lt p Phase Phas High r Reve2. a avd 0 0 A ANJ N 2 z AY 0 BERE TENDS QN3S W3d4ng 1504 MAI x HOLON GIN MOI NIVO NIVO ssvd h 1 1 4D NI anam 1nO YOLINOW DIN L HO anano Si ruo inano DIN L HO T2NNVHO Technical Specifications Channe Channe Channe 1 amp 20 1 Out Output Impedance 600 Ohm balanced Phantom power tolerant ground isolated 1 amp 2 Effects Sends Output Impedance 2k Ohm Output Level 10dBV Nominal 1 amp 2 Effects Returns Input Impedance 20k Ohm Input Voltage 3dBV 1 4Vrms max 10dBV Nominal Sends and returns are compatible with battery operated effects processors Mix D I Out Output Impedance 600 Ohm balanced Phantom power tolerant ground isolated Tuner Out Output Impedance 5k Ohm Speaker System Woofer Six 4 patented dual gap woofers with neodymium magnet Tweeter One 1 soft dome neodymium magnet ferrofluid cooled Tweeter Level Up to 6dB cut Crossover 4kHz Bi amplified with active crossover Amplifier Woofer 200Watts Tweeter 20Watts Physical Dimensions 6 7 x 5 6 x 41 54 16 92cm x 14 34cm x 105 5 Weight 23 Ibs 10 5 kg without stand and carry bag Ship Weight 43 Ibs 19 5 kg Specifications and information in this manual subject to change without notice 19 FISHMAN www fishman com Fishman and Fishman Transducers are trademarks or traden
3. This allows each player to turn up the other player s mix and only hear it also in their SoloAmp It essentially acts as a monitor allowing the performer to hear the other player more easily The Monitor In may also be used as another audio input just like the Aux Input The Monitor Out can serve a secondary function as another line level mix output This output is always ground isolated to prevent ground loop hum Mix D I Post Plug in here when you wish to send signals from both Channels and Aux Input to mixing console This post EO output is always ground isolated to prevent ground loop hum Mute Foot Switch Plug a mono on off latching type foot switch into this jack for remote access to the Mute The Mute Footswitch duplicates and overrides the front panel Mute switch 29 AC Power Input Connect the SoloAmp to the AC mains supply here C k 3 Channel 1 Channel 2 Aux Input 3 Effects Send SZ Sb N o Effects ff Return In SS p 0 1 Out Monitor Pre Out a 5 J SS 22 Re 6dB OQ OdB Tuner Tweeter Mute Ch 1 Level Foot Switch Mix 0 1 Post Power Designed and Engineered in the U S A by Fishman Transducers Inc e Assembled in China FISHMAN SoloAmp Model PRO AMP SL1 Input 100 240V 50
4. 60Hz mm Max Power 265Watts 3 15A 37MF Date Code E323115 100 240V 50 60Hz 3 15A PE CAUTION Risk shock A not open Na user serviceable pars inside Rete servicing to qultied personnel Do not expose to rain or moisture Tested to Comply With FCC Standards FOR HOME OR OFFICE USE N m 25 26 About Acoustic Feedback There are two features provided to help control acoustic feedback the Phase switch and the Anti Feedback notch control Feedback usually occurs in the lowest octaves of your instrument The natural resonances which produce an instrument s tone also react with amplified sound The louder an instrument is amplified the more it will interact Feedback occurs when a note on the instrument resonates in sync with the amplified sound reinforcing and building to a sustained howl Phase Switch The Phase switch flips the polarity of your instrument signal from positive to negative changing its relationship to the sound coming from the amplifier One phase setting usually provides better resistance to feedback than the other and will vary depending on the instrument and playing environment Another approach to determining optimal phase is the selection which sounds or feels most natural when playing In certain playing environments the Phase switch may not have an audible impact When not using the Phase switch for feedback suppression it is recom
5. Set the controls as shown here Push the Mute switch out and slowly raise the Master Volume to the desired level 28080808 SG 59505 595 59595 590 505905 S25 59595 fee 59280 52000 596 50205 305 09092 29590 620 50200 525 59595 O26 O25 Oc 20020595 eee 39595 eee 29590 595 29590 eere 09505 RO cg 56595 505 59595 SS5 59590 990905 oS 59580 Seo OS 59595 Seo 59595 osg 59685 595 eod o 595 39595 Seo 59595 09595 50505 e e O O Ox O O 2 O O O O O O O O O O O O O O O O O lt Master Volume Mute In Monitor 5 e OO 1 Channel 1 Channel 2 ey Gain Gain cm Os High r Anti feedback High od Mid r Reverb Level 4 DO 1048 Pad 10dB Pad 2898 FISHMAN Ew Front Panel Controls The following pages describe the functions of each control or jack on the SoloAmp front and rear panels Refer to these numbered diagrams for each numbered control on the following pages 1 Mute The Mute switch shuts off the signals from Channels 1 and 2 to the speakers and all the XLR outputs The mute does not affect the Aux Input Monitor Input Tuner Out or the effects sends 2 Master Volume Set the overall level of the SoloAmp with the Master Volume Note Controls 3 throug
6. power cable For amplifiers purchased outside the USA and Canada you will need to supply your own detachable AC cable This cable must have an IEC style 320 connector at one end and a male AC plug appropriate for your region at the other A Disconnect device is Mains Plug which should remain readily operable 19 23 24 gt Serial Number e A Channel 1 Channel 2 Aux Input pa Tweeter Level Mute Foot Switch Mix 0 1 Post Power Designed and Engineered in the U S A by Fishman Transducers Inc Assembled China 9 8 FISHMAN SoloAmp Model PRO AMP SL1 Input 100 240V 50 60Hz Max Power 265Watts 3 15A Date Code 23115 LISTED 100 240V 50 60Hz 3 15A i FISHMAN Tested to Comply With FCC Standards FOR HOME OR OFFICE USE CAUTION A Risk of lect shock A not open 2 Ne user serviceable pars inside m Rear Panel Controls cont 25 Aux Input Plug line level stereo audio source such as CD or MP3 26 27 28 player in this input The 1 4 inch stereo TRS Aux Input mixes the signals to mono when amplified Monitor In amp Out The monitor feature on the SoloAmp allows two performers each with a SoloAmp to cross feed their EO d and mixed outputs to each other
7. until it subdues the frequency of the higher feedback note Since optimal tone is a matter of taste one can also experiment with reversing the order using the Phase switch to control the upper feedback note and the Anti Feedback notch for the lower Monitor Feature The monitor feature on the SoloAmp allows two performers each with a SoloAmp to cross feed their EO d and mixed outputs to each other This allows each player to turn up the other player s mix and hear it through in their own SoloAmp Connect two SoloAmps as shown then turn up the Monitor knob to mix in the other performer s SoloAmp e e Channel 1 Channel 2 Aux Input Aux Input 5 4 TO Phantom Power FAQs Q A gt 8 have heard 48V phantom power can damage some audio devices True Yes phantom power can damage the following 1 An unbalanced dynamic mic that has been modified for XLR 2 A balanced line level device that is not designed to accept phantom power ex some effects processors Contact the manufacturer to confirm compatibility 3 Some older balanced wireless receivers can be damaged by phantom power Consult the manufacturer of the wireless unit for compatibility 4 An instrument preamp or stompbox with an unbalanced output that is modified for XLR 5 Many ribbon microp
8. ames of Fishman Transducers Inc 513 300 118 Rev H 9 08
9. fety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet Protect the power cord from being walked on or pinched particularly at the plugs convenience receptacles and the point where they exit from the apparatus Use only attachments accessories specified by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as a power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped Do not expose the apparatus to dripping or splashing liquids and do not place objects filled with liquids such as a beverage container or a vase on the apparatus Warning To reduce the risk of fire or electric shock do not expose this apparatus to moisture The apparatus should be connected to mains outliet with a protective earthing connection A Disconnect device is Mains Plug which should remain readily operable Copyright 2008 FISHMAN TRANSDUCERS INC All right
10. h 13 are identical for both channels 3 Clip LED The Clip LED will light when the Gain level is too high and the signal becomes distorted If the light comes on when you play lower the Gain until the distortion goes away 4 Gain Use the Gain knob to set the level of the signal 5 Phase Use the phase switch in conjunction with the Anti Feedback filter to eliminate acoustic feedback To read more about acoustic feedback see page 14 6 High Boost highs to add air to the sound of the instrument With the knob set at 12 o clock the control is effectively out of the circuit 7 Anti Feedback If you encounter low frequency feedback sweep this control to isolate and eliminate it To read more about acoustic feedback see page 14 8 Mid This control affects how well the instrument blends in or stands out in the mix At loud volumes a midrange cut will achieve a more natural sound With the dial set at 12 o clock the control is effectively out of the circuit 9 Reverb Level Controls the amount of digital reverb in the channel 10 Low Boost here to add weight to the sound In general boost bass at low volumes and flatten it out or cut at higher levels With the dial set at 12 o clock the control is effectively out of the circuit CO N O da Solo4Amp iIS Gain T Hr 6 9 High r Anti feedback High Mid r Reverb Level Mid ow Low Reverb Select
11. hones Which devices are safe with 48V phantom power All the following can be used safely with phantom power 1 All balanced condenser microphones 2 All balanced dynamic microphones 3 Many new wireless units Check with the manufacturer for compatibility 4 preamp D l designed for phantom power operation such as the Fishman Platinum Block Diagram HOLIMS TBNVd 1408 5 HOWE HDLIMS 1003 93501215 02 N3HM Neve HOLIMS 1901 iile t ati lei anw mans aSVHd Z HO arog DIA ZHI anya INOX Si TBNNYHD 1 f g indino _ 317 THNNVHO ueg 4 z 4D Ped SPOL TWNOIS i 1 je DU DA 3L AISHA xd Nanid GNaS 333408 x H21ON AIW NIVO 55 4 JndNI YOLINOW O i zx mm LI SN3A3N Z HO 10913 708 E rege SSvd IH YOLINOW I E WLIDI Q HNNVHO nv JndNIXnv 73 91 55 i SadndNV YILIM 1341 gaaAay L HO LYD
12. mended to leave it in the out position The Phase switch also affects the signal polarity to the balanced D I and Monitor outputs synchronizing the amplifier with other sound systems in use Anti Feedback The Anti Feedback control is a variable frequency notch filter designed to subdue a resonant peak on the instrument which is prone to feedback Turning the knob adjusts the center frequency of the filter ranging from subsonic off to 330Hz at full clockwise When not being used for feedback the Anti Feedback notch can also be used as a tone control to subdue an unpleasant frequency in a microphone or room Play a note which accentuates the offending frequency and turn the control until the intensity is diminished 14 Setting Phase and Anti Feedback The Phase and Anti feedback controls can be used to restrict the two most dominant feedback notes allowing greater volume before feedback than otherwise possible In most cases the Phase switch is used to control the lower dominant note while the Anti Feedback notch is used to control the higher 1 Start with the Anti Feedback control turned down completely 2 Turn up the level of the amp until feedback begins Flip between the two Phase positions Each position will produce different dominant feedback frequency Listen to the frequencies and select the Phase position which allows the higher note to feedback while subduing the lower 4 Adjust the Ant Feedback clockwise
13. rb m Low OU Reverb Selec ooooQ 1 2 3 4 Al Oar 14 15 Rear Panel Controls 19 20 21 22 23 24 Channel 1 amp 2 Effects Loop Send Patch an external effect delay reverb chorus through the send and return jacks for each channel Use a standard 1 4 inch shielded instrument cable to connect the effects send to the input of the effect This serial effects loop is located post and is compatible with battery operated stompbox style effects processors Channel 1 amp 2 Effects Loop Return This is the effects return for each channel Connect the Channel 2 return jack to the output of the effect Channel 1 amp 2 D I Out Pre EQ Use this output when you want a flat signal to go to the board This pre EO output is always ground isolated to prevent ground loop hum Tuner Out Plug in an electronic tuner here This output receives only the Channel 1 signal and is independent of the mute so you can tune with the speakers and the XLR outs muted The Tuner Out can also be used as unbalanced D I out for Channel 1 Tweeter Level Set the front panel controls flat and adjust the tweeter level to where it sounds best to you AC Power The SoloAmp has a universal power supply and can accept voltages from around the world For amplifiers purchased in the USA Canada and Mexico plug in the supplied detachable AC
14. rest on this pin and tighten the top thumbscrew Figure 2 Lift the SoloAmp using the handle on the back of the unit while supporting the weight with your other hand A guide is molded into the underside of the SoloAmp and acts as an aid in positioning the SoloAmp onto the tripod Once positioned lower the SoloAmp onto the tripod until it rests firmly on the tube Warning Follow the height warnings printed on the stand for safe operation Setting the height outside TO this area is forbidden Safety Pin A Max stand diameter 38 6 980 9 Figure 1 Figure 2 Cabling Precautions When making your cable connections always be sure to route the cables so that the audience performers or anyone else will not trip over them or accidentally pull the SoloAmp over Setting SoloAmp Controls 1 2 Plug the provided AC line cord into the back of the amplifier Locate the Power switch and switch it off then connect the power cord Plug the SoloAmp into an electrical outlet with the appropriate AC voltage Push in the Mute switch and turn on the Power switch You should see the front panel power LED glow green Connect your instrument to the Channel 1 input with a shielded 1 4 inch cable Play aggressively and raise the Channel 1 Gain knob until the Clip LED flashes then back off the Gain until no clipping occurs
15. ring loss wear hearing protection when you perform with amplification FISHMAN SoloAmp Tested to Comply With FCC Standards LISTED 3 FOR HOME OR OFFICE USE AUDIO EQUIPMENT 23115 Getting Started Here are some basic setup tips to help get you going To operate your SoloAmp safely please read the entire manual especially the Important Safety Instructions on page 2 Setting the SoloAmp on its Stand SoloAmp is intended for use with the included tripod speaker stand The system is designed for use in portable applications where the amplifier and stand are to be placed directly on a level solid flat surface Do not substitute the speaker stand with a non Fishman part or attempt to mount or suspend the SoloAmp in a permanent or temporary method other than that as described in this guide or by Fishman 1 2 Loosen Tighten Locate the stand in a place that is free of obstructions where it may be accidentally pushed over or where it may be a trip hazard Loosen the lower of the two large thumbscrews and spread the tripod legs Follow the height warnings printed on the stand for safe operation Figure 1 Setting the height outside this area is forbidden Tighten the thumbscrew before placing the SoloAmp on the stand Remove the safety pin and loosen the top large thumbscrews Extend the top tube to the third hole or lower if you are seated while performing Replace the safety pin Allow the tube to
16. s reserved No part of this document may be reproduced in any form without the written permission of FISHMAN TRANSDUCERS INC 2 Welcome Thank you for making Fishman a part of your acoustic experience We are proud to offer the finest acoustic amplification products available high quality professional grade tools which empower you to sound your very best Before using your SoloAmp carefully read the following sections Important Safety Instructions Page 2 Getting Started Page 4 and 5 Save Your Packing Materials The box and packing materials for the SoloAmp were specially designed to pro tect the amplifier during shipping Save all this stuff in case you need to re ship the SoloAmp Troubleshooting Should you have any problems please check with your installer or refer to the online installation guide for this product Technical support troubleshooting tips and installation information can be found at http www fishman com support Hear This The SoloAmp amplifier is capable of cleanly reproducing the sound of your instrument at very high volume levels Prolonged repeated exposure to high sound pressure levels SPLs without protection can cause permanent hearing loss OSHA has set guidelines and specified permissible sound exposure limits for those who work in high SPL environments Permissible Noise Exposures Duration per day hours Sound level dBA slow response 1 2 1 4 or less To ensure against permanent hea
17. www fishman com F ISHMAN i USER GUIDE SOLOAMP Whenever this symbol appears it alerts you to the presence of important operating and maintenance servicing instructions in the user s manual for this CAUTION amplifier Risk of electric shock Do not open No user serviceable parts inside s pe Refer servicing to qualified personnel presence of uninsulated dangerous voltage inside Do not expose to rain or moisture the enclosure that may be sufficient to constitute a risk of shock Wherever this symbol appears it alerts you to the Important Safety Instructions To ensure your personal safety and the safety of others operate this apparatus only after reading these instructions and heeding the warnings listed below onhwn 0 tile 12 16 17 Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with a dry cloth Do not block the ventilation openings Install in accordance with the manufacturer s instructions Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your sa
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