User Manual CEV.FR
Contents
1. back port of the Mini35 and secure it in place with the lock ring b Slightly release the 4 screws s in front of Open the lock ring b the relay lens The bayonet ring r must be moveable Line up the relay lens into the port holding the camera by its top handle Make sure the locating pin is fully engaged Close lock ring Bring the camera carefully into a standard vertical position Then remove camera without losing this position Lock the 4 screws in the relay front and re connect relay lens to the adapter port Close the lock ring b clockwise to secure the relay lens Note Be sure the camera cannot disengage accidentally P S TECHNIK 23 CD SZ Om PS P 9 CD SZ Om P P 9 AA IN I 7 ZE Attach the camera support Slide the camera support bracket under the camera and attach the knob f to the bottom of the camera Lock the lever knob e at the back of the camera support and lock the screws at the bottom of the camera support 24 P S TECHNIK a d The big knurled knob f through the camera platform has to line up with the 14 threaded hole on the camera bottom Start engaging the thread of the knob in the thread of the camera but do not tighten it yet Release the lever knob e at the back of the platform to allow the spring loaded pad d to come in contact with the base of the camera Finish tightening the knob f at the bottom of the p2. focal length lenses due to different DoF characteristics Maybe this results in different target speed settings
3. image captured by the camera is generated on the focus screen inside the Mini35 This focus screen lowers the contrast of the image somewhat in a way similar to the effect of a low contrast filter This is desirable since it removes some of the electronic detail artifact typical in a DV image even though at a quick glance the image may appear less sharp than the one recorded by the unfiltered original lens Test if the back focus is properly adjusted Place the camera with the Mini35 Image Converter mounted with a 35mm lens in front of a high quality test definition chart such as the Putora 7A9 chart The iris on the camera should be open The film lens should be focused by eye to the point of best resolution highest number of circles visible on the Putora chart Without changing anything else close the iris of the camera a couple of stops The resolution should not visibly increase If it does the focus of camera needs to be adjusted Follow the steps below to adjust the camera focus 42 P S TECHNIK h H D i 25 Follow the steps below to adjust the relay back focus Steps Instructions Explanatory Notes 1 Leave the Iris on the camera lens fully open and adjust the camera focus until you have achieved the sharpest image Check that the film lens is at the best focus before you check the back focus a second time You will need a good quality monitor to accurately judge the sharpness of the image By using a Putora 7
4. it easier to start by sliding the camera support out of the way The camera support platform has a spring loaded pad in the center that adjusts for the height of the camera The knob with a lever e at the back of the camera platform locks the spring loaded pad in place By releasing that knob the spring will push the pad to its highest position making the mounting of the camera difficult Mount the relay lens now attached to the camera onto the Mini35 Image Converter Each time a new camera is attached to the converter the bayonet mount of the relay lens has to be adjusted Engage the relay into the back port of the Mini35 and secure it in place with the lock ring b D D D Open the lock ring b Slightly release the 4 screws s in front of the relay lens The bayonet ring r must be moveable Line up the relay lens into the port holding the camera by its top handle Make sure the locating pin is fully engaged Close lock ring Bring the camera carefully into a standard vertical position Then remove camera without losing this position Lock the 4 screws in the relay front and re connect relay lens to the adapter port Close the lock ring b clockwise to secure the relay lens Note Be sure the camera cannot disengage accidentally P S TECHNIK 31 ce SS OO ce SS OO AA wo I 7 ZE Attach the camera support Slide the camera support bracket under the camera and attach the kn
5. light gt Prepare new battery Below minimum speed change bat Power Connection Connect the cable from the battery holder in the socket F and load battery in the holder The Connecting Kit uses the same battery type as the camera LANC amp Remote Control with the Mini35 The Mini35 and LANC compatible cameras can also be controlled via a remote control ON OFF switch Use the LANC cable to connect the Mini35 via the INPUT M with the camera Then connect the Mini35 via the REMOTE socket L with the remote control ON OFF switch 7 pin LANC Cable e Available for Canon amp Sony camcorders e Panasonic AG DVX100 is not prepared for LANC connection Canon XL1 XL1S XL2 Sony HDR FX1E HVR Z1E DSR PD150 DCR VX2000 The Mini35 can be controlled e Independently from the camera with the Mini35 on board RUN button H e Simultaneously with the camera via the camera VTR or REC button e Simultaneously with the camera via a Remote Control ON OFF switch Panasonic AG DVX100 The camera is not LANC compatible and can only receive commands The Mini35 can be controlled e Independently from the camera with the Mini35 on board RUN button H e Simultaneously with the camera via the camera VTR or REC button P S TECHNIK 11 Si 6 SWO MINIS CANON XL1 XL1S XL2 Follow the steps below to properly attach the Mini35 Image Converter to your Canon XL1 XL1S XL2 with lightweight support a Viewfinder Holder b To
6. A9 chart you will be able to see the moir effect of the test circles visible through the relatively low definition of the viewfinder Lock the back focus and double check the image Leave camera in manual focus and do not change this setting during operation P S TECHNIK 43 lt Zownw i 135 d Maintenance The prism should be cleaned periodically depending on environmental conditions Always use a professional lens cleaning solution Optional Accessories for the Mini35 Available Lens Mounts e ON OFF remote switch e Adapter kit for Canon B amp W viewfinder e DL Mount e Additional side handgrips e Pana Mount e Additional camera connecting kits e Nikon e Custom lens mounts and support interfaces e Canon EF e Top handle for use with EasyRig or Marzpak Zale omar e LeicaR M Contact you local P S Technik dealer for prices and availability 44 BS TECHNIK Frequently Asked Questions Q Will the Angle of View of the lens I m using be affected A No the Angle of View of the lens on the Mini35 will be similar to the Angle of View as seen in the Academy 35mm frame Reason The image the Mini35 creates is not projected directly onto the camera s CCDs but is first resolved onto the focus screen The camera then captures this image with all of its filmic characteristics including Depth of Field Q My image is vignetted dark frame around image Why A Make sure that your matte box and any equip
7. Attach the camera support Slide the camera support bracket under the camera and attach the knob f to the bottom of the camera Lock the lever e at the back of the camera support and lock the screws at the bottom of the camera support 40 P S TECHNIK The big knurled knob f through the camera platform has to line up with the 1 4 threaded hole on the camera bottom Start engaging the thread of the knob in the thread of the camera but do not tighten it yet Release the lever e at the back of the platform to allow the spring loaded pad d to come in contact with the base of the camera Finish tightening the knob f at the bottom of the platform Follow the steps below to test the image once the Mini35 is attached to the camera Steps Instructions Explanatory Notes 1 Install a 35mm film lens in the mount 2 Turn on the camera in the fully manual a Turn ot the AutoFocus and Zoom function position Zoom In to cover the entire image Focus the camera lens on the ground glass inside the converter If the image is too dark Open the iris on the film lens d Open the iris on the camera lens 3 Focus the 35mm film lens on an object The image should be sharp in the viewfinder and on the field monitor P S TECHNIK 4 ce SS OO ce SS OO k f 135 d If the image does not focus as sharp as expected the focus of the corners may be off But before we change the setting it is important to realize that the
8. EIN ETENCE IN DIGITAL FIL vi image Converter e P S TECHNIKW User Manual CEV FR k 135 d Congratulations You now have the power to produce the look and feel of 35mm film using a MiniDV camcorder The P S Technik Mini35 Image Converter is designed for use with the Sony HDV camcorder HVR FX1E Z1E as well as the following MiniDV camcorders Canon XL1 XL1S XL2 Sony DSR PD170 PD150 DCR VX2000 Panasonic AG DVX100 and the Sony HDV camcorders HDR FX1E and HVR Z1E The unit is optimized for 35mm lenses with large rear optical elements such as Cooke S4 Primes Zeiss Ultra Primes and Zeiss Super Speeds Zeiss Distagons with focal lengths over 40mm will also work Improved features of the Oszi 400 series e Improved image screen Finer grain pattern for better imaging e New oscillating movement The elliptical motion of the PRO35 has been incorporated no more center spot e Adjustable speed control Allows greater control over the speed setting of the moving focus screen we recommend the setting be kept between 3 and 4 e Improved optics for Sony connecting kit e New unified body construction 2 P S TECHNIK III Contents Re MONG ca ecsncete ag sgcice caer des cedemaceeceasavsacoucunsVicdinteadsed dnaaveesen thawsiuecucuadayteneeidansioccedesaindaasoe ENEE EE Eeer Re CNV BE NN ge EE General Description ee eer ae eet ee ee ere eee With CANON XL1 XL1S EE With PANASONIC AG DV A E With SON
9. Y HDR FX1E HVR Z1E E With SONY DSR PD150 DCR VX2000 e DAUNTING Ae EE Optional Accessories amp HE eenegen eeh Frequently Asked ee DIETE ULSI E E T E E HE eidele Ee E RE ee ln dE 4 PS TECHNIK MD ON OO AD 28 36 44 44 45 51 52 53 5 Delivery Content Basic Module e 1 Mini35 Image Converter fitted with an interchangeable lens mount of your choice PL Panavision Nikon et al e 2 Hand Grips top and side e 1 Support Interface with Integrated Shoulder Set and 15mm LWS systems The support interface provides 1 4 and 3 8 attachment points allowing the use of all industry standard tripods bridge plates and other support systems e g Steadicam The 15mm LWS system accepts all film style accessories including follow focus and matte boxes An ordered connecting kit is already mounted P S TECHNIK MINIS MINIS Connecting Kits e 1 Relay Lens with protective cap e 1 Mounting Plate e 1 Battery Plate with power cable e 1 Remote Control Cable a e 1 Color Viewfinder Holder Canon Connecting Kit A Connecting Kit ordered with the basic module is already mounted when delivered Camera connecting kits must be purchased separately b for each brand and are available for the following MiniDV Video Cameras Canon XL1 XL1S XL2 a Sony DSR PD150 DCR VX2000 b Panasonic AG DVX100 c Sony HDR FX1E HVR Z1E similar to c 6 P S TECHNIK Preparation Avoid M
10. anging the back focus please note that the image photographed by the camera is generated on the focus screen inside the Mini35 This focus screen lowers the contrast of the image similar to the effect of a low contrast filter This is desirable since it removes some of the electronic detail artifact typical in a DV image even though at a quick glance the image may appear less sharp than the one recorded by the unfiltered original lens Test if the back focus is properly adjusted Place the camera with the Mini35 Image Converter mounted with a 35mm lens in front of a high quality test definition chart such as the Putora 7A9 chart The iris on the relay should be fully opened The film lens should be focused by eye to the point of best resolution highest number of circles visible on the Putora chart Without changing anything else close the iris of the relay a couple of stops The resolution should not visibly increase If it does the back focus of the relay needs to be adjusted Follow the steps below to adjust the relay back focus 18 P S TECHNIK MINIS Follow the steps below to adjust the relay back focus Steps Instructions Explanatory Notes 1 Release the hex screw k 1 5mm by about a half a turn Now the ring is free for adjustment Leave the Iris on the relay lens fully open and adjust the back focus ring until you have achieved the sharpest image Check that the film lens is at the best focus before you che
11. ck the back focus a second time You will need a good quality monitor to accurately judge the sharpness Once satisfied with the image lock the hex screw to secure this adjustment and double check the image By using a Putora 7A9 chart you will be able to see the moir effect of the test circles visible through the relatively low definition of the viewfinder P S TECHNIK 19 CDS Om PS Gg ME PANASONIC AG DVX100 Follow the steps below to properly attach the Mini35 Panasonic AG DVX100 camera with lightweight support 20 P S TECHNIK Image Converter to your D Oo ao o Top Cover Lock Ring Relay Lens Spring loaded Pad Support release Lever Camera Screw Battery Holder Bottom Screws Steps Instructions Make sure the camera is turned off Remove the relay lens from the Mini35 a Locate the lock ring b b Rotate the lock ring b counter clockwise Attach the relay lens onto the camera Screw the relay gently onto the front of the camera lens Take great care to not cross thread it It should screw on like a regular filter If it feels tight back it off and realign it properly Failure to take great care during assembly may damage the camera MINIGD Explanatory Notes The relay is attached to the rear of the Mini35 via a bayonet type mount The lock ring b is the ring located in the front of the relay lens nearest to the body of the Mini35 a Remove all f
12. dern Images Techniques Tel 33 1 48 13 90 10 Email emit wanadoo fr Germany P S Technik GmbH Tel 49 89 45 09 82 30 Email info pstechnik de Great Britain OpTex International Tel 44 20 84 41 21 99 Email simon optexint com Holland Holland Equipment B V Tel 31 20 694 35 75 Email sales hollandequipment nl Sweden Svensk Film amp Ljusteknik AB Tel 46 8 54 55 18 20 Email Stig sfl se Spain Video Cine Import S A Tel 349 663 64 66 Email vci terra es North American Distributor ZGC Inc Tel 1 973 335 4460 Email sales zgc com Peru Equador Bolivia Brasil Moviecenter Tel 00511 221 40 58 Australia LEMAC Film amp Video Equipment Tel 61 2 94 38 44 88 Email jbowring ozemail com au GUS Dedo Weigert Film GmbH Tel 49 89 35 61 61 11 Email mwarnck dedoweigertfilm de China SUI SUN TRADING CO LTD Email pspro35 yahoo com tw J apan SHOTOKU CORP Tel 81 44 833 33 51 Email ebimoto shotoku co jp Korea SAMA Electronics Corp Tel 82 2 34 72 05 65 Email inn samakorea com Singapore Thailand Malaysia Philipines Indonesia Transmarco H Warta Pte Ltd Email thwarta general transmarco234 com Sri Lanka Maclear Film Equipment Services Tel 9412 58 55 73 Email maclear slt lk Taiwan Viewpoint Image Assembling Tel 8862 23 03 78 99 Email vpia ms64 hinet net P S TECHNIK 51 MINIS Technical Data Camera Mount converter t
13. e fully opened The film lens should be focused by eye to the point of best resolution highest number of circles visible on the Putora chart Without changing anything else close the iris of the camera a couple of stops The resolution should not visibly increase If it does the focus of the camera needs to be adjusted See the following steps to adjust the camera focus 26 P S TECHNIK Follow the steps below to adjust the relay back focus Steps Instructions Explanatory Notes 1 Leave the Iris on the camera lens fully open and adjust the camera focus until you have achieved the sharpest image Check that the film lens is at the best focus before you check the back focus a second time You will need a good quality monitor to accurately judge the sharpness of the image By using a Putora 7A9 chart you will be able to see the moir effect of the test circles visible through the relatively low definition of the viewfinder Lock the back focus and double check the image Leave camera in manual focus and do not change this setting during operation P S TECHNIK 27 CD SZ Om P P og KIZIO MINIS SONY HDR FX1E HVR Z1E Follow the steps below to properly attach the Mini35 Image Converter to your Sony HDR FX1E HVR Z1E camera with lightweight support 28 P S TECHNIK D Oo nao o Top Cover Lock Ring Relay Lens Spring loaded Pad Support release Lever Camera Screw Bat
14. e plate XL2 engraved under the platform This adjusts for the different camera heights Follow the steps below to test the image once the Mini35 is attached to the camera Steps Instructions Explanatory Notes 1 Install a 35mm film lens in the mount 2 Turn on the camera in the fully manual The message CHECK THE LENS will be position gt displayed in the viewfinder for several seconds then the image should appear with the word LENS blinking If the image is too dark a Open the iris on the film lens b Open the iris on the relay lens 3 Focus the 35mm film lens on an object The image should be sharp in the viewfinder and on the field monitor The Canon XL1 and XL1S will electronically recognize only lenses made by Canon to work with these cameras Accordingly you will see a lens warning light in the viewfinder when using the Mini35 Image Converter This is normal and will have no effect on the footage you shoot With the XL1 camera you cannot eliminate the lens warning light from blinking in the viewfinder but it is possible to remove it from an external monitor using the ON SCREEN key of the remote control With the XL1S camera you can control the lens warning light via the EFV DISPLAY ON OFF key on the left side of the camera P S TECHNIK 17 3 5 0 So sp 90 k 135 d If the image does not appear as sharp as expected a back focus adjustment is necessary Before ch
15. ider this With the same caveat as above check out Atlantis from www dvfilm com Q Do need a support for my prime lenses What about cine zooms A Q Most cine and still primes will not need any support Larger still primes and zooms typically special use telephoto lenses will need additional support All cine zooms will require the use of an external bridge plate system for support What are the major differences between using cine lenses and still lenses A As far as optical quality the SLR still lenses are on a par with cine primes The major difference is the ergonomics of the lenses Since they were not designed to capture moving images the focus and zoom movements may not be as smooth as the movement on a cine lens In addition older zoom lenses will not hold their focus while vni35 zooming in and out and functionally become variable primes We do have reports that the newest SLR zooms will hold focus throughout the range Make sure to test the individual lens before production Q Can I use 16mm lenses A No this is not possible The 16mm lenses project an image 10 4x7 4mm not half as big as the 35mm image 18x24mm the Mini35 is working with Strong vignetting will appear You can only use 35mm cine and still photography lenses Q Can I use Nikon AF lenses A Yes The physical mount of the AF lenses is the same as the standard MF lenses and focus iris and zoom control can be set
16. ilters sunshades adapter rings etc before attaching the relay lens directly onto the camera front lens b Eventually you need a rubber pad to grip the protective cap recessed deeply in the hood P S TECHNIK 21 CD SZ Om PS P 9 CD SZ Om P P og MIN 135 WEEEUE 4 Run Panasonic camera together with Mini35 5 Prepare the Mini35 a Release the two screws h on the bottom of the camera support and slide the support toward the rear battery holder b Release the knob e push the pad d down and lock it in that position by tightening knob e 22 P S TECHNIK The Panasonic is not a LANC compatible camera A remote ON OFF switch is needed in order to turn on the Panasonic camera and the Mini 35 with one button RS switch 20449 The first time a camera has to be installed you will find it easier to start by sliding the camera support out of the way The camera support platform has a spring loaded pad in the center that adjusts for the height of the camera The knob with a lever e at the back of the camera platform locks the spring loaded pad in place By releasing that knob the spring will push the pad to its highest position making the mounting of the camera difficult Mount the relay lens now attached to the camera onto the Mini35 Image Converter Each time a new camera is attached to the converter the bayonet mount of the relay lens has to be adjusted Engage the relay into the
17. latform MINIGD Follow the steps below to test the image once the Mini35 is attached to the camera Steps Instructions Explanatory Notes 1 Install a 35mm film lens in the mount 2 Turn on the camera in the fully manual a Turn off the AutoFocus and Zoom function position Zoom In to cover the entire image Focus the camera lens on the ground glass inside the converter b If the image is too dark a Open the iris on the film lens b Open the iris on the camera lens 3 Focus the 35mm film lens on an object The image should be sharp in the viewfinder and on the field monitor P S TECHNIK 25 Om PG 0 CD SZ Om PS P 9 k 135 d If the image does not focus as sharp as expected the focus of the camera may be off But before we change the setting it is important to realize that the image capured by the camera is the image generated on the focus screen inside the Mini35 This focus screen lowers the contrast of the image somewhat in a way similar to the effect of a low contrast filter This is desirable since it removes some of the electronic detail artifact typical in a DV image even though at a quick glance the image may appear less sharp than the one recorded by the unfiltered original lens Test if the back focus is properly adjusted Place the camera with the Mini35 Image Converter mounted with a 35mm lens in front of a high quality test definition chart such as the Putora 7A9 chart The iris of the camera should b
18. ment in front of the lens does not cause the vignetting vni35 Some old lens designs with small rear lenses do not work properly with the Mini35 because the diameter of the last lens is to small This is concerning the Cooke Series II amp Ill and Zeiss Distagons below 40mm The 25 250mm zooms by Angenieux as well as Cooke are both tight but work properly We did not test all still photography lenses but due to the bigger image size Still 24x86mm vs Cine 18x24mm no vignetting is expected Do I have to send my camera to P S Technik to do any mechanical or electronic changes before can use the Mini35 Image Converter A No No modifications to the camera are necessary P S TECHNIK 45 k 135 d Q Does the Mini35 require a power supply like the human eye sees images on a image A Yes You will need a battery to run the motor plane of the Mini35 Each camera connecting kit Tip For the best effect when composing a shot includes a battery mount specific to the aim for out of focus objects in both the brand of camera so no new batteries or foreground and background chargers are needed simply the batteries you already have for your system one for Q How can avoid having the grain of the the camera and one for the Mini35 projection glass showing up on the tape A Don t stop the taking lens down above 4 Q What will the image look like as compared to 5 6 Regulate the light as much as possible a digital
19. n by tightening knob e 38 P S TECHNIK The first time a camera has to be installed you will find it easier to start by sliding the camera support out of the way The camera support platform has a spring loaded pad in the center that adjusts for the height of the camera The knob with a lever e at the back of the camera platform locks the spring loaded pad in place By releasing that knob the spring will push the pad to its highest position making the mounting of the camera difficult Mount the relay lens now attached to the camera onto the Mini35 Image Converter Each time a new camera is attached to the converter the bayonet mount of the relay lens has to be adjusted Engage the relay into the back port of the Mini35 and secure it in place with the lock ring b d Open the lock ring b Slightly release the 4 screws s in front of the relay lens The bayonet ring r must be moveable Line up the relay lens into the port holding the camera by its top handle Make sure the locating pin is fully engaged Close lock ring Bring the camera carefully into a standard vertical position Then remove camera without losing this position Lock the 4 screws in the relay front and re connect relay lens to the adapter port Close the lock ring b clockwise to secure the relay lens Note Be sure the camera cannot disengage accidentally P S TECHNIK 39 ce SS OO ce SS OO MME 6
20. nside the Mini35 This focus screen lowers the contrast of the image somewhat in a way similar to the effect of a low contrast filter This is desirable since it removes some of the electronic detail artifact typical in a DV image even though at a quick glance the image may appear less sharp than the one recorded by the unfiltered original lens Test if the back focus is properly adjusted Place the camera with the Mini35 Image Converter mounted with a 35mm lens in front of a high quality test definition chart such as the Putora 7A9 chart The iris of the camera should be fully opened The film lens should be focused by eye to the point of best resolution highest number of circles visible on the Putora chart Without changing anything else close the iris of the camera a couple of stops The resolution should not visibly increase If it does the focus of the camera needs to be adjusted See the following steps to adjust the camera focus 34 P S TECHNIK h H D i 25 Follow the steps below to adjust the relay back focus Steps Instructions Explanatory Notes 1 Leave the Iris on the camera lens fully open and adjust the camera focus until you have achieved the sharpest image Check that the film lens is at the best focus before you check the back focus a second time You will need a good quality monitor to accurately judge the sharpness of the image By using a Putora 7A9 chart you will be able to see the moir effect
21. o camera Lens Mount converter to lens Tuning for Shooting Sensor Length of Mini35 unit Weight Frame position Mini35 s Iris Diaphragm behind lens Current consumption Power supply Image Target Frequency Eccentric Recommended Operating Temperature Range 52 P S TECHNIK Canon XL1 S Canon XL1 Mount Back Focus Relay Lens 345 mm 2 85 kg 6 27 lbs Panasonic AG DVX100 Sony DSR PD150 Sony HDR FX1E DCR VX2000 HVR Z1E Screw Mount Screw Mount Screw Mount Mount by Choice Back Focus Camera Lens 345 mm 345 mm 222 3 0 kg 3 0 kg 2999 6 6 lbs 6 6 lbs ue Upright Emulsion Side Up Built in for Light Reduction No effect on depth of focus 300mA 7 2 V Adapter Battery connected via 2 pin cable Variable speed marks 0 8 0 50 C Technical Information No 69 June 2006 BS TECHNIKW Professional Cine Equipment Manufacture EEN EERER EEN nerererrererererrerererrrrrcrrcrrcrerirecreriesicecierererscrersc test cet PRO35 MINI35 How to Adjust the Target Speed Many customers asked for a setup procedure for the best speed of the oscillating target glass in the PRO35 or the MINI35 Image Converter Electronic cameras become better and better in quality very fast While with the first generation of MiniDV came ras the target speed was not a major issue it is now more important High Definition cameras see more details than Standard Definition cameras As well recording systems
22. ob f to the bottom of the camera Lock the lever knob e at the back of the camera support and lock the screws at the bottom of the camera support 32 P S TECHNIK The big knurled knob f through the camera platform has to line up with the 1 4 threaded hole on the camera bottom Start engaging the thread of the knob in the thread of the camera but do not tighten it yet Release the lever knob e at the back of the platform to allow the spring loaded pad d to come in contact with the base of the camera Finish tightening the knob f at the bottom of the platform MINIGD Follow the steps below to test the image once the Mini35 is attached to the camera Steps Instructions Explanatory Notes 1 Install a 35mm film lens in the mount 2 Turn on the camera in the fully manual a Turn off the AutoFocus and Zoom function position b Zoom In to cover the entire image Focus the camera lens on the ground glass inside the converter If the image is too dark d Open the iris on the film lens e Open the iris on the camera lens 3 Focus the 35mm film lens on an object The image should be sharp in the viewfinder and on the field monitor P S TECHNIK 33 ce SS OO ce SS OO k f 135 d If the image does not focus as sharp as expected the focus of the camera may be off But before we change the setting it is important to realize that the image captured by the camera is the image generated on the focus screen i
23. of the test circles visible through the relatively low definition of the viewfinder Lock the back focus and double check the image Leave camera in manual focus and do not change this setting during operation P S TECHNIK 35 lt Zow ce SS OO MINIS SONY DSR PD170 PD150 DCR VX2000 Follow the steps below to properly attach the Mini35 Image Converter to your Sony DSR PD150 DCR VX2000 with lightweight support 36 P S TECHNIK aaow ki Top Cover Lock Ring Relay Lens Spring loaded Pad Support release Lever Camera Screw g Battery Holder Bottom Screws Steps Instructions Make sure the camera is turned off Remove the relay lens from the Mini35 a Locate the lock ring b b Rotate the lock ring b counter clockwise Attach the relay lens onto the camera MINIS Explanatory Notes The relay is attached to the rear of the Mini35 via a bayonet type mount The lock ring b is the ring located in the front of the relay lens nearest to the body of the Mini35 Remove all filters sunshades adapter rings etc before attaching the relay lens directly onto the camera front lens P S TECHNIK 37 ce SS OO ce SS OO k 135 d A Prepare the Mini35 a Release the two screws h on the bottom of the camera support and slide the support toward the rear battery holder b Release the knob e push the pad d down and lock it in that positio
24. onverter quality monitor Stop down on the front lens until you can clearly see possible moving artefacts this might only happen on a high T stop Compensate to the light level Adjust target speed by turning the speed wheel until the movement of visible artefakts stops it will be still visible but no more moving Open the iris on the front lens to your working stop Now you got the target speed which gives you the free dom to use almost any lens without the need of re ad justment If you are getting close to a critical F stop on the front lens by accident or on purpose or because of a short focal length you will never see any strange movements in the image because you synced the camera s shutter with the target speed of your Image Converter a frozen target might not be as visible as a moving artefact Technical Information No 69 P S TECHNIK June 2006 Professional Cine Equipment Manufacture ee EEEEREEEEEEEEEE ENEE ENEE ENEE ENEE SEENEN EE EEN EREEEEEEE REENEN ENNEN EENS When do I have to re adjust the target speed If the camera is changed If the shutter speed framerate is changed see P S Technical Info No 61 Variable frame rates A high shutter speeds for details If your operation temperature changes heavily see P S Technical Info No 47 Increased Power Consumption in cold temperature for details Short focal length lenses are usually more critical than longer
25. p Cover c Lock Ring d Relay Lens e Spring loaded pad f Support release Lever g Camera Screw h Battery Holder k Bottom Screws Spacer for XL1 XL1S 12 P S TECHNIK Steps Mu Instructions Explanatory Notes Make sure the camera is turned off Remove the relay lens from the Mini35 The relay is attached to the rear of the Mini35 via a bayonet type mount see E on page 9 a Locate the lock ring c b Rotate the lock ring c counter clockwise The lock ring c is the ring located in the front of the relay lens nearest to the body of the Mini35 photo page 12 Attach the relay lens onto the camera a Line up the red dots The relay lens attaches like any other XL b Engage the lens in the mount mounted lens gt c Rotate the lens until the lock clicks in place P S TECHNIK 13 Si OSWA 530 Si Oma MINI 4 Prepare the Mini35 a Release the two screws k on the bottom of the camera support and slide the support toward the rear battery holder b Release the lever f push the pad e down and lock it in that position by tightening lever f 14 P S TECHNIK The first time a camera has to be installed you will find it easier to start by sliding the camera support out of the way The camera support platform has a spring loaded pad in the center that adjusts for the height of the camera The knob with a lever f at the back of the camera platform locks the s
26. pring loaded pad in place By releasing that knob the spring will push the pad to its highest position making the mounting of the camera difficult Mount the relay lens now attached to the camera onto the Mini35 Image Converter Engage the relay into the back port of the Mini35 and secure it in place with the lock ring c gt MINIGD a Open the lock ring c b Line up the relay lens into the port holding the camera by its top handle Make sure the locating pin is fully engaged C Close the lock ring c clockwise to secure the relay lens Note Be sure the camera does not accidently disengage P S TECHNIK 15 D gt RI 530 Si Oma MINIGD 6 Attach the camera support Slide the camera support bracket under the camera and attach the knob g to the bottom of the camera Lock the lever f at the back of the camera support and lock the screws at the bottom of the camera support 16 P S TECHNIK a The big knurled knob g through the camera platform has to line up with the 14 threaded hole on the camera bottom b Start engaging the thread of the knob in the thread of the camera but do not tighten it yet c Release the lever f at the back of the platform to allow the spring loaded pad e to come in contact with the base of the camera Finish tightening the knob g at the bottom of the platform Note The different setup between the XL1 and the XL2 requires to attach a littl
27. s that the community cannot Q I want to include a credit for P S and the Mini35 in my production do you have a preferred format of your logo or artwork available A We appreciate this very much Logos and artwork are available for download at www pstechnik de P S TECHNIK 47 135 Q Is there any prejudice towards the MiniDV format A Yes Even though MiniDV is a SMPTE standard broadcast quality format many television stations and other venues will not accept MiniDV tapes and or assume that the production value of MiniDV is low We recommend burning your footage to DVD or transferring it to a higher format BetaSP DigiBeta DVCPRO50 for presentation to these types of outlets Q I ve finished my movie and want the world to see it can you help me distribute it A Our tip Check out www customflix com for the latest in independent distribution of your film 48 P S TECHNIK Q am using an XL1 S and want a progressive look but don t like Frame mode are there any options A While we have not tested it ourselves we have heard very good things about DVFilmMaker from www dvfilm com am using a PAL XL1 S for the increased resolution and color but plan to distribute in NTSC Is there a simple process for converting from one format to another A In the past this would have required you to go to a professional transfer house and for the best results you still might want to cons
28. scription Pos Description A Hook B LWS System Light Weight Support System C Wheel D Intermediate Takes the Flange Interchangeable Mount Comment For Tape Measure Prepared for 15mm rods Clamping screw for LWS Interchangeable Mount connects to Lens Pos Description Bayonet Mount BATT Rose Wheel RUN Control LED RUN LOW BAT Speed Control Focal Plane Takes Relay Lens Battery Cable Input Connector GREEN button GREEN gt RED low power gt Blinking light gt Wheel Marks 0 8 White Engraving MIND Comment Relay Lens connects to Camera Pin 1 Bat Pin 2 Bat For Side Handgrip Manual RUN STOP Mini35 only Runs with chosen speed Acceptable speed Prepare new battery Below minimum speed change bat Controls oscillating movement P S TECHNIK 9 10 P S TECHNIK Pos Description Comment REMOTE 3 Pin Fisher Pin 1 GND input female socket Pin 2 NC Pin 3 VTR Pin 3 Grounding pin3 will run the tape record on most cameras and the Mini35 simultaneously INPUT 7 Pin Fischer Pin 1 not for LANC female socket connected cable Pin 2 VTR trigger Pin 3 Bat Pin 4 U Bat ex Pin 5 not 4 connected Pin 6 Bat Pin 7 RET Pin 7 partial functions are available on non LANC cameras like Panasonic AG DVX100 Control LED GREEN gt Runs with chosen RUN speed LOW BAT RED gt Acceptable speed Blinking
29. tery Holder Bottom Screws Steps Instructions Make sure the camera is turned off Remove the relay lens from the Mini35 a Locate the lock ring b b Rotate the lock ring b counter clockwise Attach the relay lens onto the camera Screw the relay gently onto the front of the camera lens Take great care to not cross thread it It should screw on like a regular filter If it feels tight back it off and realign it properly Failure to take great care during assembly may damage the camera MINIGS Explanatory Notes The relay is attached to the rear of the Mini35 via a bayonet type mount The lock ring b is the ring located in the front of the relay lens nearest to the body of the Mini35 a Remove all filters sunshades adapter rings etc before attaching the relay lens directly onto the camera front lens b Eventually you need a rubber pad to grip the protective cap recessed deeply in the hood P S TECHNIK 29 lt Zow LEZON NAg VIRI 135 4 Run Sony camera together with Mini35 Use the LANC cable to START STOP the Mini35 and the camera at the same time 5 Prepare the Mini35 c Release the two screws h on the bottom of the camera support and slide the support toward the rear battery holder d Release the knob e push the pad d down and lock it in that position by tightening knob e 30 P S TECHNIK The first time a camera has to be installed you will find
30. to P S TECHNIK 49 k 135 d manual There are reports that these lenses are not as smooth in their movement in manual mode as compared to the MF lenses but will otherwise function normally The Mini35 does not provide any type of electronic lens control Q Will the Mini35 control the iris of my Canon Q EF lenses A No The Mini35 does not provide any type of electronic lens control EF lenses are wide open by default which means there is no problem using them with the Mini35 you will simply have no way to stop down the lens for Depth of Field control Can use commercially available anamorphic adapters with the Mini35 50 P S TECHNIK A No The Mini35 connects directly to the cameras and does not allow for the use of any of the prosumer anamorphic attachments There are two methods for shooting 16x9 The first is to shoot 4 3 composing for 16x9 and then masking in post The XL1S provides on screen guides to assist in this process The second is to use the in camera 16x9 feature To achieve a 2 4 1 scope look you are able to use anamorphic cine lenses from companies such as Panavision and Hawk Most NLE systems will allow for an anamorphic unsqueeze during capture The image will appear squeezed in the viewfinder or field monitor unless you have a monitor that can perform an unsqueeze or you use an inline unsqueeze device similar to the Transvideo format converter Dealers France EMIT Mo
31. urphy s Law Assemble the Mini35 Image Converter on your camcorder BEFORE the first day of your production After attaching the unit to your camera according to the steps outlined below be sure to check each of your lenses F stop combinations and shutter adjustments for compatibility We recommend at least a half if not full day of testing before production You will need a more robust film lighting package rather than the typical video lighting kit for optimal image capture The Mini35 is not a magical device time and effort will be needed to obtain the desired images at first but will become second nature as your productions progress vni35 USAGE NOTE The Mini35 creates a lively cine like image with an artificial film grain pattern How much the film grain pattern is adequate for you depends on your preference To adjust the visibility of the pattern use the 8 step speed control wheel J and the T stops To optimize the effect the taking lens should be as wide open as possible Use the iris on the relay lens of the XL1 S Mini35 and ND filters for bright outdoor shots With the Panasonic and Sony Mini35 exposure control is done on the camera lens with the camera set in full manual mode Items needed before you begin e A35mm format film lens for testing and e A high quality test chart such as the Putora 7A9 e Acontrol monitor is recommended P S TECHNIKY 7 MINIS 8 PS TECHNIK General De
32. video look with the relay lens only XL1 s version A A textbook perfect digital video image is Use neutral density filters when there is too uniformly sharp background and much light foreground The professional 35mm motion picture film look is sharp but less starkly Q Are there differences between the Canon so Capturing the image in 35mm format XL1 and XL1S when using the Mini35 Image with a 35mm lens also allows you to Converter capture gradations of focus depth of field A With the XL1S you can use the slow shutter without Canon lenses Also the XL1S chip 46 P S TECHNIK is more sensitive to light an advantage when using the Mini35 Image Converter Q Do I need any additional editing equipment A No The Mini35 does not affect the format of the camera The images are still being recorded in the 1 3 MiniDV format for use in your current post chain Q How much light is lost A In general 1 Stop Q Where can get more information on the Mini35 or connect with other users of the adapter A General information is available from www pstechnik de Questions can be forwarded to info pstechnik de DVInfo net www dvinfo net hosts a P S Technik forum un http www dvinfo net conf forumdisplay php s amp forumid 58 where many users post questions insight into and experiences with the device Mizell Wilson of ZGC Inc is the offical monitor of this forum and is happy to answer any question
33. with compression can cause big trouble from noise or other artifacts This is just ONE opinion how you can opti mize your results we know that there are many reasons to do it in a different way What is the best speed We refer to the fact that a non visible target glass causes no problems Recommendations Shoot wide open on the front lens if possible Less Depth of Field DoF makes sure that the target does not get in focus Use the camera rear iris to expose your image Use optical filters in front of the lens in adition for light reduction Use normal shutter speeds 1 48s 1 50s 1 60s This enables the target to oscillate in the proper way see Technical Info No 61 Variable Frame Rates A High Shutter Speeds for details Why is not maximum speed the best speed In principle a fast moving target leaves you more freedom than a slow moving target that is the principle functionality of the Image Converters Sync the P S Technik Image Converter s target speed to the camera s shutter speed this eliminates additional maybe visible interferences AND if you get the target in focus the structure is not moving less visible Usually you have one speed for a given camera at a gi ven shutter speed framerate Adjustments a Connect the camera to a best native resolution monitor b Shoot a flat and even lit surface like a grey or coloured wall c Use a wide angle lens d Turn on the Image C
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