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Yamaha MU90R Owner's Manual

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4. 10 MSB INSERTION EFFECT PARAMETER10 LSB INSERTION EFFECT PART 36 32 127 CHARACTER 0 127 L63 C R63 0 95 CAT OFF ON 0 127 0 127 24 0 24 semitones 64 0 63 64 0 63 0 127 OFF ON O 1 0 127 Refer to the Effect Program List codB OdB 6dB 0 96 127 L63 C R63 Refer to the Effect Program List oodB 0dB 6dB 0 96 127 Refer to the Effect Program List codB OdB 6dB 0 96 127 L63 C R63 codB OdB 6dB 0 96 127 codB OdB 6dB 0 96 127 0 127 INSERTION SYSTEM Part1 4 0 3 ADI AD2 64 65 OFF 127 flat jazz pops rock concert 12 0 12 dB 12 0 12 dB 12 0 12 dB 12 0 12 dB Refer to the Effect Program List Part1 4 0 3 ADI AD2 64 65 OFF 127 depends on performance number depends on performance number depends on performance number 0C 01 00 2 00 7F 01 00 7F 02 2 00 7F 03 00 7F 04 2 00 7F 05 00 7F 06 2 00 7F 07 00 7F 08 2 00 7F 09 00 7F 2 00 7F 0B 00 7F 0C 2 00 7F 0D 00 7F 1 00 7 TOTAL SIZE MIDI Data Format INSERTION EFFECT 2 TYPE MSB INSERTION EFFECT 2 TYPE LSB INSERTION EFFECT 2 PARAMETERI MSB INSERTION EFFECT 2 PARAMETERI LSB INSERTION EFFECT 2 PARAMETER2 MSB INSERTION EFFECT 2 PARAMETER2 LSB INSERTION EFFECT 2 PARAMETER3 MSB INSERTION EFFECT 2 PARAMETER3 LSB
5. ponn 18 ____________________________________________________________________ 5 8 O O AA a on 8111890 6L OO j U Eb o A onal 9 11 11 11 11 11 Ll j Ll 44 O j O Ebo do dd do Ld db Lb dE o 11 11 LL ETE ELEC j j Y Ez a CI MENTCTVIEZM po EE db LH LT E EIE dd Eb 11111111 111 111111 1 EL o j L O j jJ e do db O Loo dE dE 11111111 _ Q O j S dq d dH ees es 99 pe 801 1 8 u m m m m m dnoin 1Ju umnsu aj ueq a ozaueg al a al fal al 91 ueq a 1 a yueg a praueg al a soueg fa cxueg a oxued 571109128 daamg JUBUOSIY ISLAMA 10200593 sug qnoq 1524 MOIS Sut 021015 454 43 MU90
6. 1 l impani l _ Ti l l i s Scratch H Scratch L TG Sticks TG Click Noise TG Metronome Click TG Metronome Bell TG Guitar Fret Noise Cutting Noise H Cutting Noise L String Slap Flute Key Click Laugh Scream Punch Heartbeat Footsteps 4 Q 1 E 1 1 E aisi 818 8 L 5 5 gt gt 15 QOS S QlQ DA Crash Cymbal CM 15 gjg AA dt 1 1 Ride Cymbal Tambourine E Cowbell CM and Cymbal H TG vi Applause and Cymbal L TG 1 Door Squeak Door Slam Scratch Cut Bongo H CM Bongo L CM Conga H Mute CM Conga H Open CM Conga L CM Timbale H CM Timbale L CM Agogo H Agogo L Cabasa CM ER Ignition Squeal Exhaust Crash Siren ER IAN ANI 3 AE a 2 519 5 2d Aa 2 92 92 05 5 tS tS tS tS P2 F2 x rain et Plane 2 gt 31 Kon Kou Kon zls s s aja ala gis 2 O38 als la cc A A MN JE gt i as standard Kit No sou
7. UE GENERATOR SOUND LIST amp MIDI DATA AD input preset MU90 A D INPUT PRESET AIDI __ Am A E AAA m m 5 Source 7 PGMCNG 0 2 3 4 Preset Off Reverb Chorus Chorus Reverb Karaoke 1 Karaoke2 ERE var type Karaokel Karaoke2 1 GUITAR Preset Name Off Guitar Reverb Chorus Chorus Reverb Tube Stack var type Amp Sim Amp Sim 2 Preset Name Off Keyboard Reverb Chorus Chorus Reverb Phaser EP Pan EP var type Phaser Auto Pan 3 AUDIO Preset Name Off Audio Reverb Chorus Chorus Reverb var type 18 STEREO Preset Name Off Keyboard Reverb Chorus Chorus Reverb Phaser EP Pan EP Note 3 var type Phaser Auto Pan 19 STEREO Preset Name Off Audio Reverb Chorus Chorus Reverb Note 3 var type PAD pp n A i BANK Source 7 78 09 10 1 Preset Name Karaoke3 Vocal Studio Oct Up Oct Down input gain mic mic mic mic mic mic var type Karaoke3 Echo Stagel Exciter Pitch Change Pitch Change 1 GUITAR Preset Name Flang Gtr Clean Gtr Funk Gtr Tremolo Phaser Sth Guitar Note 1 input gain mic mic mic mic mic mic var type Flaneer Celeste Touch Wah Tremolo Phaser Pitch Change 2 KEYBOARD Preset Name Wah Rotary Orgn Synth Str Synth Pad Synth Lead SFX input gain line line line line line line var
8. al fa al vrxwa jd d swa al al cxueg al rwa a Ooueg _ 9513295 dmg jueuoses sug 1884 MOIS ug 0919 454 42 MU90 XG Voice List JO 1oquinw 0 se O mr r nr r rr r rn c FF s E rUFFgxnr r Tr mnnn nr sm r m am 0 F a1ouseas EZI ZION UI zz un passWwIs k rrrrrrr m Se AA rn kannon r rr wm m n nnn m rr t aJ 80 Fm mnr r rr rr 27 jj jj j j HAHAHAHA ort x ann mn rrrrrcFFnrnrr Oa Yr a s s s V reueys ZIT 6017 F T n mr Ie jj jj j jj Jj j jj j jj j Jj ss or an A j j j Rm E 5101900 1808 101 H sur Vue n gnon on OOT rasp pp _____ ____ lt 66 MMOS V A A j ej ajo tors PZ peas 96 Y 28 v6 56 pedrouo 8 8 0 E a S 8 0 L 1 eters Z waws c 1 06 11115313 jJ j j jJ j oo oj l jJ os
9. N 20 1 21 1 22 1 23 1 24 1 25 1 TOTAL SIZE 6 Data H 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F Parameter INSERTION EFFECTI TYPE MSB INSERTION EFFECTI TYPE LSB INSERTION EFFECTI PARAMETERI INSERTION EFFECTI PARAMETER2 INSERTION EFFECTI PARAMETER3 INSERTION EFFECTI PARAMETER4 INSERTION EFFECTI PARAMETERS INSERTION EFFECTI PARAMETER6 INSERTION EFFECTI PARAMETER7 INSERTION EFFECTI PARAMETERS INSERTION EFFECTI PARAMETER9 INSERTION EFFECTI PARAMETERIO INSERTION EFFECTI PART NUMBER MW INSERTION CONTROL DEPTH BEND INSERTION CONTROL DEPTH CAT INSERTION CONTROL DEPTH ACI INSERTION CONTROL DEPTH AC2 INSERTION CONTROL DEPTH INSERTION EFFECTI 1 INSERTION EFFECTI PARAMETERI2 INSERTION EFFECTI 13 INSERTION EFFECTI PARAMETER 14 INSERTION EFFECTI 15 INSERTION EFFECTI PARAMETER 16 25 Refer to the Effect Parameter List Description flat jazz pops rock classic 32 2 0k Hz 0 1 12 0 shelving peaking 12 0 12 dB 100 10 0k Hz 01 124 12 0 12 dB 100 10 0k Hz 0 1 12 0 12 0 12 dB 100 10 0k Hz 0 1 12 0 12 0 12 dB 0 5k 16 0k Hz 0 1 12 0 shelving peaking Description Refer to the Effect Program List Part1 32
10. wororn 811 jj jj IS j 91 rr maa lt T NA n eye NN a E omj ANE Dol 0 TIT J E a cms mess zt usr vm uswa Jo HA E O O mcrrm m 00 J j jj j j j E IT ECO NANA jj jj jj j jj j jj p E HE EE j jj j Jj sess ni otura sor j supa T jj jj j Jj 2 jj j jj j A Fa sao s Yaw YKI gt jj j Jj E sony z aona aone L AA A 66 muwu 2 suomos 86 jj jj Jj AAA TT mnr ANN NA rea cuz en ee j jj j jj j jj j J j J j J j 53 1 AAA jj jj j jj j Jj j simo e wa son a manu z pea mm 06 AAA jj oee pea wuts j j Jj j Jj miU J A jj Jj J L j j jj j j jj j jj J jj j j 68 AAA essem ws vi
11. A j j A j j j A O 24 F 9 RubberBa 3 L6 j j j j TI J 2 DrawOrg3 2 StdumOr 1 SidiumO2 2 GospelOr 1 CkGsplo 2 ChapelOr NN ris 25 __ _____ ____ ___ _ 111111 2 EB S IH I E amp EWEAM OO EA j A j S jj j j jj j j 35 32 GuHmo2 if TE MEME G bp T 20 kii Ez 23 Bank Select LSB Instrument Group Chromatic Percussion Ensemble 46 SFX VOICE Bank Select LSB BankO Bank 66 E Bank 67 Bank 68 Bank 69 E Bank 70 E 71 Bank72 73 E Bank96 Bank97 Bank98 E Bank 99 E Bank 100 E Bank 101 Bank Select LSB MU90 XG Voice List DoorSqek DoorSlam ScratchC ScratchS Telphon2 DIN HE 2410 rere Pulse Ld NN Synth Lead Sus ee 2 jj i A Dmm ier E 2
12. 2 00 7 INSERTION EFFECTI PARAMETER8 MSB u 00 00 7 INSERTION EFFECTI PARAMETERS LSB 4A 40 2 00 7F INSERTION EFFECTI PARAMETER9 MSB 00 00 7F INSERTION EFFECTI PARAMETER9 LSB 42 2 00 7F INSERTION EFFECTI PARAMETERIO MSB 000 00 INSERTION EFFECTI PARAMETER10 LSB TOTAL SIZE 14 When using an EFFECT TYPE for which MSB is not required the parameters of addresses 02 0B are received and the parameters of addresses 30 42 are not received When using an EFFECT TYPE for which MSB is required the parameters of addresses 30 42 are received and the parameters of addresses 02 0B are not received For bulk transmission which includes EFFECT TYPE data the parameters of addresses 02 0B will always be transmitted However for an EFFECT TYPE which requires MSB the parameters of addresses 02 0B are not received when bulk data is received 03 01 00 2 00 INSERTION EFFECT2 TYPE MSB Refer to the Effect Program List 49 DISTORTION 00 7F INSERTION EFFECT2 TYPE LSB 00 02 1 00 INSERTION EFFECT2 PARAMETERI 28 depends on insertion effect2 type 03 1 00 INSERTION EFFECT2 PARAMETER2 14 04 1 00 7F INSERTION EFFECT2 48 05 1 00 7F INSERTION EFFECT2 35 06 1 00 INSERTION EFFECT2 PARAMETERS 40 07 1 00 7F INSERTION EFFECT2 PARAMETER6 00 08 1 00 7F INSERTION EFFECT2 7 2 09 1 00 7F I
13. 2 VO j j j 44 2 sos 5 AMMA 01 wa Z j j j z denuan U 2 o wshious 1 2 mama 6 2 oc H Z 2 lt maw 1 qp 41 LL 41 2 SS BSS s ms E E ES Em A panas LL 2H I L LL I 7 mu ped 2 uo pedro 7 17 nsmow z won M o EE ewa es 05 88 A dE A oa Sra 5 A T e pensia 10201 j jj jj j ss I swsprH c qan l j jJ CS AA asa MA peri lt ss MANS lt OS 7 mestanoq zs z ousoos lesu mus soa jj jj pL ava 8 jj jJ j j j j j j j o Aoo A EDMEDMED SIDMEDAAID EDAD EDD pe 8z1 1 aj sooueg a poxueg a al al a al ueq al ueq a ueq a LE ueq al oc a ueq A al al
14. 52 CHORUS3 CHORUS4 066 422 CELESTE1 CELESTE2 CELESTE3 CELESTE4 67 3 FLANGERI_ FLANGER2 _ 068 4 SYMPHONIC MI 5 NOEFEECT __ 07 7 _ NOEFFECT 072 8 1 073 9 NOEFFECT HN 086 6 NOEFEECT 07 7 ENSEMBLE DETUNE 088 55 pst 17 7E A NO EFFECT Same as basic effects LSB 00 VARIATION TYPE 0 63 DEC HEX 00 000 jo NOEFFECT n i HALLI H2 nn 002 2 2 03 3 STAGE STAGE2 7 004 4 PLATE 4 005 5 DEAYLCR 006 6 DELAYLR 007 7 I 8 8 X CROSDELAY SSS 009 jo ERO 22200 1010 X GATEREVRB 42 B REVERSEGATE 012 EFFECT THRU 0 015 EFFECT or THRU EE 016 0 WHITEROOM MEM OE 018 2 CANYON 019 13 BASEMENT 020 4 KARAOKE1 ____ 2 KARAOKE3 021 1 _ NOEFFECTor THRU MN oo 063 __ 32 NOEFRECTATBRO ISSO NO EFFECT for SYS or THRU for INS Same as basic effects LSB 00 MU90 Effect LSB MSB LIST VARIATION TYPE 64 127 DEC HEX 090 1064 IN 065 41 CHORUSI CHORUO CHORUS3 CHORUS4 ____
15. EQ TREBLE frequency 500 16 0k Hz ki On 23 1 00 7F HIGH PASS FILTER CUTOFF FREQUENCY 64 0 63 TOTAL SIZE 24 n performance part number 00 03 35 00 00 0 0D 10 11 12 13 14 15 16 17 TOTAL SIZE 0B 00 20 21 22 23 24 25 26 27 28 29 2 2B 2C 2D 2E 2F 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 41 42 43 44 45 46 47 TOTAL SIZE OB 00 70 71 72 73 74 75 TOTAL SIZE 0C 00 00 01 02 03 04 05 06 07 08 09 OB OC 0D TOTAL SIZE 0C 01 01 01 01 01 01 01 01 01 01 01 01 18 NOR RR n Na pa pa ED 28 06 OF 20 00 7F 01 7F 00 60 00 01 00 7F 00 7F 28 58 00 7F 00 7F 00 7F 00 01 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 01 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 01 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 01 7F 00 7F 00 7F 00 7F 00 01 00 7F 00 04 34 4C 34 4C 34 4C 34 4C 34 4C 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F MIDI Data Format PERFORMANCE NAME PERFORMANCE VOLUME PERFORMANCE PAN AC1 CC NUMBER A D INPUT MW LFO PMOD DEPTH MW LFO FMOD DEPTH BEND PITCH CONTROL AC1 LOW PASS FILT
16. A Stage Diffusion EQ Low Frequency EQ High Frequency 0 00Hz 39 7Hz 0 127 0 127 32Hz 2 0kHz table 3 12 12dB 500Hz 16 0kHz table 3 12 12dB 100Hz 10 0kHz table 3 variation block 12 12dB variation block 1 0 12 0 variation block 180 180deg resolution 3deg mono stereo PHASER 1 chorus variation insertion1 2 block Display See Table 0 00Hz 39 7Hz table 1 0 127 0 127 63 63 32Hz 2 0kHz table 3 12 12dB 500Hz 16 0kHz table 3 12 12dB D63 gt W D W D lt W63 4 5 6 chorus insertion1 2 block 4 12 variation block mono stereo 1 LFO Frequency L R Depth F R Depth PAN Direction EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width 0 00Hz 39 7Hz 0 127 0 127 L lt gt R L gt R L lt R Lturn Rturn L R 32Hz 2 0kHz 12 12dB 500Hz 16 0kHz 12 12dB 100Hz 10 0kHz variation block 12 12dB variation block 1 0 12 0 variation block PHASER 2 variation block Display See Table LFO Frequency Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry Wet Stage LFO Phase Difference 0 00Hz 39 7Hz 0 127 0 127 63 63 32Hz 2 0kHz 12 12dB 500Hz 16 0kHz 12 12dB D63 gt W D W D W63 3 4 5 6 180deg 180deg table 3 table 3 table 3 table 1 table 3 table 3
17. al gz 4571 1291258 SIABM 1230 5501 YAMS A mn puog u TS SABIPO 20 eunjeq eunjeq I eunjeq pany punos JAISSNIIIJ m m m m m 1Ju umnsu 45 SFX VOICE MU90 XG Voice List lolo oo UU o lalale IE lE 2 8 5S Bank 0 E Number of elements Sound Bank Select LSB SmthFrtl 2 Euro Hi 1 2 PP Tp LL LL L 6thHit BassHit AA A s 6 jJ j j MAA ET j A IA r U MSE jJ a lj f 2 Fish 1 HardReso Barer 2 jj __ jj j j y 740 CS Light 1 MetBass I j j L A __ S PT NasalGir 1 2 Bass 2 GE GE E Number of elements Same as Bank 0 Bank 66 E Bank 67 E Bank 68 E Bank 69 E Bank 70 Bank 71 E Bank 72 E 73 E Bank96 Bank97 E Bank98 E 99 Bank 100 Bank 101 E j s ES __ EO O AO AO j T f __ j j j jj j j 5 j jJ 35 lal
18. i CongaHOpenV E 3 __ CongaAnaogL ___ 1 i jConalV F 3 TimbaeHV Fe 3 rimaerv 1 Timbale LV C G 3 1 __ __ C 3 111 JAggoLV ifAgegiV ip C 70 A 1 Maracas2 i o 1 n Samba WhileHV fif SambaWhistleHV_ 1 SambaWhisteHV_ 1 __________ 2 410 Samba While v Samba Whistle LV __ 1 SamaWhisleLV fif 73 cr 74 4 Gn A 75 D amp 4 _ 2 1 2 co E 4 7 78 4 iCucaMuev CucaMue V fif 79 4 1 ScrachL3 CucaOpnV 0 2 81 a 4 2 82 4 3 4 84 5 60 _61 66 67 68 69 70 Same as standard Kit No sound 66 XG Drum Map n Program Alternate s azz Kit ta Kit Kit Kit 1 Kit 2 off assign C 3 Bongo H V l y D 3 Conga Mutev Submarine 2 Di 3 CmgaHOpnV _ 1 E 3 Conary 1 F 3
19. 80 MUSO Internal Performance bulk dump MU90 MU90R NATIVE BULK DUMP 1 Internal Performance bulk dump MIDI Data Format 2 2 1 XG Bulk Dump These messages set XG related parameters Unlike parameter changes a single message can set multiple parameters The message format is as follows 11110000 Exclusive status 01000011 43H YAMAHA ID 0000nnnn N Device Number 01001100 4CH Model ID 5555566 SSH ByteCountMSB Ottttttt TTH ByteCountLSB 0ggggggg GGH Address High Ommmmmmm MMH Address Mid 01111111 Address Low Ovvvvvvv VVH Data Okkkkkkk KKH Check sum 11110111 FAN End of Exclusive Address and Byte Count are given in tables 1 n Byte Count indicates the total size of the data in tables 1 n Bulk Dump and Dump Request messages are received when the beginning of the block is specified as the address Block indicates the unit size of the data string included in the total size in tables 1 n Check sum is the value which produces a lower 7 bits of 0 when the Start Address Byte Count and the Check Sum itself are added 2 2 1 1 XG System bulk dump This message sets the XG SYSTEM block see tables lt 1 1 gt and lt 1 2 gt 2 2 1 2 System Information bulk dump This message indicates the contents of the SYSTEM INFORMATION block see tables lt 1 1 gt and lt 1 3 gt This message is transmitted in response to a dump request but will be ignored if it is received 2 2 1 3 Multi bulk du
20. RideCma2V if CE Same as standard Kit No sound 61 XG Drum Map Program Alternate Kit 2 Hi Kit Kit azz off assign 13 C 3 Surdo Mute V Aro e 1 T G G GB 1 8 1 lr Gu 15 D IM U 16 a 7 1 s G a 20 1 21 A 22 1 23 1 24 c 25 o BusTpv if 1 26 010 1 BmsSwiv 1 BrushSwirlv fif 27 o BmshSlpv 1j BrshSlpV 1 28 Reverse Cymbal 1 Reverse Cymbal Brush Tap Swirl V Brush SwidV fif 29 i SnareRoiiV 1 9 o Ho 2 31 G SnareAnaog Snare Techno3 OpenRimShot2Soft Rim Gate 32 cr 33 KickTechoSoft 1 KickTechnoQ i KickDrySoft KickCoueh fif 34 fat Open Rim Short Dry 1 RimGae 1 OpenRimShot2 RimGae3 fif 35 Tight KickTechnoL I KickDim
21. 2 CosmicPd_ 2T HL Ana Pad 797 98 Fairy 1 01 Footstep 1 02 2 2 2 T 2 DigiBell 2 AirBells VibeBell 2 2 pa j ji j j j j o 8 102 00 AtmosPad 799 LoudGick 2 ChrstBel 1 T2 Dharma C TT JT E 2 2 MikyWay 2 Night 2 2 2 ResogPan 2 DE EHE I ID iO DO II cs A 2 205 2 O SynPiano 2 2 StarDust Synth Pad Synth Effects 47 LaserGun Xplosion Firework a 2 Gamelan 2 5 Rama Cym 2 J T eS 72 oes Percussive RevConBD EJ J 1 ji OC AA 17 AAA 18 Rock 2 Tp LL LL r Rev ma2 1 E Sound Effects Sound Same Bank 0 E Number elements E Number of elements MU90 TG300B Voice List ____________ es _ A A E s
22. 5 tS tS tS p N i fa m ki EE 27 EN EA 31 52 55 z w Kou as 51 52 55 7 eae miw Kon Kon Kon Kou Kon Kou 8 S EEE gt gt gt gt gt gt gt D B 3 3 3 2 5 s S ojo 5 09 A amp N T gt Same as standard Kit No sound 66 TG300B Drum Map 44172222 Program 3 tg es B __ Hi Hat Closed Orchestra 1 nn __ Hi Hat Pedal Orchestra _ Hi Hat Open Orchestra 11 Ride Cymbal 1 Orchestra 1 EN m 7 RREN 7 u ojojojojojojo N 127 x 1 Kick Tight Jazz Kick Tight CM Kick CM Side Stick CM Snare CM Hand Clap CM Snare Electro CM Floor Tom L CM Hi Hat Closed CM Floor Tom H CM Hi Hat Open Short CM Low Tom CM Hi Hat Open CM Kick Tight Jazz TG 1 Kick Tight Jazz TG 1 Kick Orchestra KiekJazz 1 Kick Small Gran Cassa Orchestra Ka BrshSlpTG ____ 1 Castanet TG 2 wama a
23. MidTom CM 1 Las cz 7 CE _ Crash Cymbal CM 11 Dp fia ton I L5 _ Ride Cymbal CM 275 s Cs FE Tambourine 1 Ls 756 om s 52 m ____ Borem 1 D Conga Mure CM 1 D Conga CM T Si Les TimaeHCM 1 FG 1 a G ____ oe Agogo LOM I Maracas CM 1 2 Sanba Wisi H TG CM 1 pcr 2 Samba Whistle LTG CM 1 3 Vibrasap CM a n s _ pa ClavesCM T F mm E F 4 Paca 791064174 Heu 5 Fooisteps 1 5 Fooisteps 1 Applause 1 cs I bs 6 Wind Chime I D 6 I es rs I ewh se I pas Dapa 2 1 os es 2 ce I For c Machine Gan 1 1 haser 2 ps Explosi
24. Multi Part Parameter 1 BEND PITCH CONTROL BEND FILTER CONTROL BEND AMPLITUDE CONTROL BEND LFO PMOD DEPTH BEND LFO FMOD DEPTH BEND DEPTH Effectl Parameter 7 BEND VARIATION CONTROL DEPTH Valid when Variation Effect is assigned to a part as Insertion By default this will function as Pitch Control If the receive channel 15 drum part effects 5 and 6 will not apply If the Multi Part parameter BEND CHANGE OFF that part will not re ceive Pitch Bend messages 9 t gt gt S 1 6 Channel Aftertouch This message conveys the force with which the keyboard is pressed after notes are played for an entire MIDI channel The pressure can be controlled for each part This message will create changes in the currently sounding notes The effect of this message can be specified by the following parameters Multi Part Parameter 1 CAT PITCH CONTROL CAT FILTER CONTROL CAT AMOLITUDE CONTROL CAT LFO PMOD DEPTH CAT LFO FMOD DEPTH CAT LFO AMOD DEPTH Effectl Parameter 7 CAT VARIATION CONTROL DEPTH Valid when Variation Effect is assigned to a part as Insertion By default there will be no effect If the receive channel is a drum part effects 5 and 6 will not apply If the Multi Part parameter Rev CHANNEL AFTER TOUCH OFF that part will not receive Channel Aftertouch messages O ta gt S 1 7 Polyphonic Aftertouch This message conveys the force with which a key is pressed after a no
25. Silence Sie 126 one note jam jam 1 Silence Silence 127 effect water 2 Silence Silence 128 effectjungle 2 Silence 55 MU90 Performance List Preset Performance List MSB 001 LSB 000 Warm effect sound MW controls the filter 2 RihPino Arobust concert grand n 3 SawClassic Analog sawtooth brass Delay effeet PD BigAtmos Distinctive synth pad MW controls the filter OR 705 Organ of the 70 s Aftertouch controls the rotary speed 14 PD FancyPad Pad with atmosphere Aftertouch controls filter BR wN 7 10 11 12 17 18 R F Classi F P i 15 21 23 24 25 PD DarPad Dark synth pad MW controls 27 Classic synth brass 28 OR OverdriveOR Organ with overdrive 31 RD Groovin 37 OR EarlyBird Organ with symphonic effect Use for dance music 41 DeepHap Clear harmonica Great for solos ss 44 OR EuroAccordion Accordion with European ss 47 OR CrispOrgan Percussive electric organ S 55 PowerSynthBras Powerful synth brass 59 Solemn pipe organ 60 amp Strings Layered acoustic piano and stereo strings 2 61 RD Ric
26. Silence Siene electric bass Silence 69 stapbast 1 Silence 70 stapbas2 1 Silence fretless bass 1 1 Silence gt iretiess bass 2 fedes 1 Silence met Silence 2 1 Siene 75 piceotot 1 Silence 7 76 piceoto2 2 Silence recorder 1 Silence 78 papi pampipes 2 Silence 9 sai Sie Silence sx2 Sie sx3 Siene fsa psa Siene Silence canei carn Silence Siene 54 etarinet2 __ 1 Silence Silence oboe Silence Sie 56 ensishhom Silence 87 bassoon bassoon Silence Silence harmonia 1 Silence 59 rrampert 1 Silence 99 2 1 Sience trombone 2 Silence o2 trombone2 tmbone2 2 Silence Silence 93 1 Silence Silence 94 fugihom2 2 Silence Siene 95 ub ______ Silence Silence 96 brass section 1 Silence Silence 97 brass section brssect2 2 Silenc
27. 00 5 28 58 00 7 00 7 00 7 00 7 00 7 00 5 28 58 00 7 00 7 00 7 00 7 00 7 00 01 00 7 00 7 00 7 00 7 00 7 01 7F 01 7F 00 7F 00 7F MIDI Data Format MW LFO FMOD DEPTH MW LFO AMOD DEPTH BEND PITCH CONTROL BEND LOW PASS FILTER CONTROL BEND AMPLITUDE CONTROL BEND LFO PMOD DEPTH BEND LFO FMOD DEPTH BEND LFO AMOD DEPTH Rcv PITCH BEND CH AFTER TOUCH CAT Rcv PROGRAM CHANGE Rcv CONTROL CHANGE Rcv POLY AFTER TOUCH PAT Rcv NOTE MESSAGE Rcv RPN Rcv NRPN Rcv MODURATION Rcv VOLUME Rcv PAN Rcv EXPRESSION Rcv HOLDI Rcv PORTAMENTO Rcv SOSTENUTO Rcv SOFT PEDAL Rcv BANK SELECT SCALE TUNING C SCALE TUNING C SCALE TUNING D SCALE TUNING D SCALE TUNING E SCALE TUNING F SCALE TUNING SCALE TUNING G SCALE TUNING SCALE TUNING A SCALE TUNING Af SCALE TUNING B CAT PITCH CONTROL CAT LOW PASS FILTER CONTROL CAT AMPLITUDE CONTROL CAT LFO PMOD DEPTH CAT LFO FMOD DEPTH CAT LFO AMOD DEPTH PAT PITCH CONTROL PAT LOW PASS FILTER CONTROL PAT AMPLITUDE CONTROL PAT LFO PMOD DEPTH PAT LFO FMOD DEPTH PAT LFO AMOD DEPTH ACI CONTROLLER NUMBER PITCH CONTROL LOW PASS FILTER CONTROL AMPLITUDE CONTROL ACI LFO PMOD DEPTH ACI LFO FMOD DEPTH ACI LFO AMOD DEPTH AC2 CONTROLLER NUMBER AC2 PITCH CONTROL AC2 LOW PASS FILTER CONTROL AC2 AMPLITUDE CONTROL AC2 LFO PMOD DEPTH AC2 LFO FMOD DEPTH AC2 LFO AMOD DEPTH PO
28. Parameter PROGRAM NUMBER BANK SELECT VOLUME PAN DRY SEND LEVEL CHORUS SEND REVERB SEND VARIATION SEND NOTE SHIFT LOW PASS FILTER CUTOFF FREQUENCY LOW PASS FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY DETUNE Rev NOTE MESSAGE MONO POLY MODE EG INITIAL LEVEL PITCH EG ATTACK TIME EG RELEASE LEVEL EG RELEASE TIME VELOCITY SENSE DEPTH VELOCITY SENSE OFFSET NOTE LIMIT LOW NOTE LIMIT HIGH VELOCITY LIMIT LOW VELOCITY LIMIT HIGH EQ BASS EQ TREBLE EQ BASS frequency EQ TREBLE frequency HIGH PASS FILTER CUTOFF FREQUENCY 00 03 00 63 PERFORMANCE NAME PERFORMANCE VOLUME PERFORMANCE PAN AC1 CC NUMBER A D INPUT MW PMOD DEPTH MW FMOD DEPTH BEND PITCH CONTROL FILTER CONTROL AC1 AMPLITUDE CONTROL FMOD DEPTH PORTAMENTO SWITCH PORTAMENTO TIME 37 Refer to the Effect Program List Part1 4 0 3 AD1 AD2 64 65 OFF 127 Description 1 128 0 127 Refer to the XG voice map 0 127 RND L63 C R63 0 127 0 127 0 127 0 127 24 0 24 semitones 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 12 8 0 12 7 Hz Ist bit3 O gt bit7 4 2nd bit3 O gt bit3 0 Ist bit6 OFEON 0 1 Ist bits MONO POLY O 1 0 127 127 127 127 107 127 C 2 G8 C
29. 2 4 2 2 3 MU90 MU90R Native bulk dump This message sets parameters that are unique to the MU90 MU90R Unlike parameter changes a single message can set multiple parameters 11110000 Exclusive status 01000011 43H YAMAHA ID 0000nnnn N Device Number 01011001 59H Model ID Osssssss SSH ByteCountMSB Ottttttt ByteCountLSB 0ggggggg GGH Address High Ommmmmmm Address Mid 01111111 LLH Address Low Ovvvvvvv VVH Data Okkkkkkk KKH Check sum 11110111 End of Exclusive The details are the same for 2 2 1 XG Bulk Dump However for the address byte count and block refer to tables 3 n 2 2 3 1 Internal Performance bulk dump This message sets the INTERNAL PERFORMANCE block see tables lt 3 1 gt and lt 3 3 gt 2 3 Parameter Request These messages request that parameter values be transmitted The transmitted data will be in the format of parameter change messages see 2 1 3 and 2 1 4 2 3 1 XG parameter request This message requests that XG parameter settings be transmitted The transmitted data will be in the format of an XG Parameter Change see 2 1 3 11110000 FOH Exclusive status 01000011 43H YAMAHA ID OOllnnnn 3NH N device Number 01001100 4CH Model ID Oggggggg GGH Address High Ommmmmmm MMH Address Mid 01111111 LLH Address Low 11110111 41 End of Exclusive 2 3 2 MUS0 Native parameter request This message requests that parameters unique to MUSO be transmitted The transmitte
30. 30 pp 00 pp 20 Efe pp pp Performance 32 00 00 1 Part2 32 63 00 100 Part2 33 00 00 1 Part3 33 63 00 100 Part3 34 00 00 1 Part4 34 63 00 100 Part4 2 2 gt MIDI Parameter Change table SYSTEM Address Size Data Parameter Description Initial value H H H H 00 00 00 1 00 01 MUTE LOCK OFF ON 00 01 1 00 01 AD LOCK OFF ON 00 02 1 00 01 EQ LOCK OFF ON 00 03 1 00 01 Rev EXCLUSIVE MESSAGE OFF ON 01 04 1 00 01 Rev BANK SELECT OFF ON 01 05 1 00 04 BULK OUT INTERVAL TIME 50 100 150 200 300 02 06 1 00 10 PERFORMANCE SYSTEM CHANNEL 1 16 all 00 07 1 28 58 PERFORMANCE SYSTEM TRANSPOSE 24 0 24 semitone 40 08 1 00 07 LCD CONTRAST 1 8 01 09 1 00 07 MULTI PORT NUMBER for MIDI OUT 1 8 00 TOTAL SIZE 0 00 00 10 1 00 01 Rcv NOTE OFF ON 01 TOTAL SIZE 1 00 00 11 1 00 01 OUTPUT SELECT LOCK OFF ON 00 TOTAL SIZE 1 lt Table 2 3 gt MIDI Parameter Change table REMOTE SWITCH Address Size Data Parameter Description Initial value H H H H 00 00 1 00 01 PLAY SWITCH OFF ON 01 1 00 01 UTIL SWITCH OFF ON 02 1 00 01 SWITCH OFF ON 03 1 00 01 EDIT SWITCH OFF ON 04 1 00 01 EFFECT SWITCH OFF ON 05 1 00 01 EQ SWITCH OFF ON 06 1 00 01 MUTE SOLO SWITCH OFF ON 07 1 00 01 ENTER SWITCH OFF ON 08 1 00 01 EXIT SWITCH OFF ON 09 1 00 01 SWITCH OA 1 00 01 SELECT SWITCH
31. Refer to the Effect Program List Part1 4 0 3 AD2 64 65 OFF 127 flat jazz pops rock concert 12 0 12 dB 12 0 12 dB 12 0 12 dB 1 128 0 127 Refer to the XG voice map 0 127 RND L63 C R63 0 127 0 127 0 127 0 127 24 0 24 semitones 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 12 8 0 12 7 Hz Ist bit3 0 gt bit7 4 2nd bit3 0 bit3 O Ist bit6 OFF ON O 1 Ist bit5 MONO POLY O 1 Ist bit4 1 0 127 127 4127 4127 127 eus depends on performance number pp 18 1 00 7F 19 1 28 58 1 1 00 7F 3n pp 1B 1 00 7F pp 1 00 7F ID 1 00 7F 3n pp 1E 1 00 7F 3n pp IF 1 00 7F 3n pp 20 1 00 7F 21 1 01 7 22 1 01 7 TOTAL SIZE 23 n performance part number pp performance number MIDI Data Format MW FMOD DEPTH 0 127 PITCH BEND CONTROL 24 0 24 semitones LOW PASS FILTER CONTROL 64 0 63 AMPLITUDE CONTROL 100 0 100 20 VELOCITY SENSE DEPTH 0 127 VELOCITY SENSE OFFSET 0 127 NOTE LIMIT LOW C 2 G8 NOTE LIMIT HIGH C 2 G8 PORTAMENTO TIME 0 127 VELOCITY LIMIT LOW 1 127 VELOCITY LIMIT HIGH 1 127 01 04 00 63 For parameters marked by only the data of n
32. j qu j jJ j j j jJ j aaa OLO o C Ll j J edo o Lb Il ren 5 _ Pe eet xe j je oa 9 j jj 7 oc 21212 117 METTE E T aaa 121 1 zara lt 2 j o pb Lb jj jj 0 oa c 1 gz1 D Lo Lo 1 ___ __________________________ SIE 5 fal sixwa fal 1 orxueg H fal d 4 soueg al ag al al sxwa a fal cxug fal cywa fal rwa faj oxwa _ 9571199195 yueg 48 MU90 TG300B Voice List r r sI ssh SO 821 jj j Jj j 221 dss cf mas mai j lt a j wo D jj jj jj j j j j rar serra punos rgo seu TEN oc rjj seo E jj 7 7 Jj 77
33. table 3 table 3 table 3 MU90 Effect Parameter List 2BAND EQ STEREO variation insertion1 2 block AUTO WAH variation insertion1 2 block 1 EQ Low Frequency 32Hz 2 0kHz table 3 LFO Frequency 0 00Hz 39 7Hz 2 EQ Low Gain 12 12dB LFO Depth 0 127 3 EQ High Frequency 500Hz 16 0kHz table 3 Cutoff Frequency 0 127 4 EQ High Gain 12 12dB Offset Resonance 1 0 12 0 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 EQ High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB Dry Wet D63 gt W D W D lt W63 Drive 0 127 AUTO WAH DIST TOUCH 1 variation insertion1 2 block AUTO WHA ODRV variation block TOUCH WAH DIST variation block Display See Table Display See Table LFO Frequency 0 00Hz 39 7Hz table 1 LFO Depth 0 127 Cutoff Frequency 0 127 Offset Resonance 1 0 12 0 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB Dry Wet D63 gt W D W D W63 Drive 0 127 EQ Low Gain 12 124 distortion EQ Mid Gain 12 124 distortion LPF Cutoff 1 0kHz thru table 3 Output Level 0 127 TOUCH 2 variation insertion1 2 block TOUCH WAH ODRV variation block Display See Table 1 Sensitive Cutoff Frequency Offset Resonance N EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB Dry We
34. 01 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 01 7 00 7 00 7 00 7 00 01 00 03 7 00 04 34 4 34 4 34 4 34 4 34 4 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 MIDI Data Format REVERB TYPE MSB REVERB TYPE LSB REVERB REVERB 2 REVERB 3 REVERB 4 REVERB PARAMETER 5 REVERB RETURN REVERB PAN CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARMETER 1 CHORUS PARMETER 2 CHORUS PARMETER 3 CHORUS PARMETER 4 CHORUS PARMETER 5 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB VARIATION TYPE MSB VARIATION TYPE LSB VARIATION PARMETER 1 MSB VARIATION PARMETER 1 LSB VARIATION PARMETER 2 MSB VARIATION PARMETER 2 LSB VARIATION PARMETER 3 MSB VARIATION PARMETER 3 LSB VARIATION PARMETER 4 MSB VARIATION PARMETER 4 LSB VARIATION PARMETER 5 MSB VARIATION PARMETER 5 LSB VARIATION PARMETER 10 MSB VARIATION PARMETER 10 LSB VARIATION RETURN VARIATION PAN SEND VARIATION TO REVERB SEND VARIATION TO CHORUS VARIATION CONTROL DEPTH VARIATION CONNECTION VARATION PART EQ TYPE EQ GAINI GAIN2 GAIN3 GAIN4 GAIN5 INSERTION EFFECT 1 TYPE MSB INS
35. 066 422 CELESTE1 CELESTE2 CELESTE3 CELESTE4 067 43 FLANGERI FLANGER2____ 7 068 4 MEMMIUS 069 45 ROTARY SPEAKER 070 6 TREMOLO 1071 7 072 8 PHASER1 SSS ST PHASER2 073 9 DISTORTION COMP DISTORTION UP 074 OVER DRIVE 0755 AMP SIMULATOR p 076 4 77 4D BAND EQ MN 078 4E AUTOWAH LFO AUTO WAH DIST AUTO WAH OVERDRIVE 09 a 080 57 PITCHCHANGE PITCHCHANGE 981 581 AURAL EXCITER n 082 5 TOUCHWAH1 TOUCH WAH DIST TOUCH WAH OVERDRIVE 2 083 3 COMPRESSOR 084 4 NOISEGATE 1085 5 VOICECANCEL 22222 086 6 ROTARY SPEAKER 087 57 ENSEMBLE DETUNE j 088 58 AMBIENCE 1089 9 THU I 127 _ THRU Same as basic effects LSB 00 INSERTION EFFECT TYPE DEC HEX 00 O __ _ II 001 1 44 002 2 1 03 3 5 STAGE2 4 II 05 5 DELAYLCR 006 6 007 7 ECHO 008 8 CROSSDELAY 1714 009 9 ooo o o 019 13 THRU 000 4
36. 40 40 00 00 00 40 40 40 00 00 00 10 40 40 40 00 00 00 11 40 40 40 00 00 00 00 00 40 40 40 40 01 MIDI Data Format nn 74 1 NOT USED 75 1 NOT USED nn 76 1 04 28 BASS FREQUENCY nn 77 1 EQ FREQUENCY nn 78 1 NOT USED 79 1 USED 7 1 NOT USED nn 7B 1 NOT USED 7 1 NOT USED nn 7D 1 NOT USED nn 7E 1 NOT USED nn 7F 1 NOT USED TOTAL SIZE OA nn 10 1 00 08 28 29 OUTPUT SELECT TOTAL SIZE 1 When data other than the above is received 0 Stereo Out will be selected OA nn 20 1 00 7F HIGH PASS FILTER CUTOFF FREQUENCY nn 21 1 NOT USED TOTAL SIZE 2 nn PART NUMBER In the case of the DRUM PART there will be no effect for the following parameters BANK SELECT LSB e MONO POLY MODE SCALE TUNING PORTAMENTO PITCH EG FILTER MODURATION DEPTH FMOD DEPTH AMPLITUDE MODURATION DEPTH AMOD DEPTH e OUTPUT SELECT lt Table 1 9 gt MIDI Parameter Change table A D PART Address Size Data Parameter H H H 10 On 00 1 00 01 INPUT GAIN 01 1 00 7F BANK SELECT MSB 02 1 00 7F BANK SELECT LSB 03 1 00 7F PROGRAM NUMBER 04 1 00 16 Rcv CHANNEL 05 1 NOT USED 06 1 NOT USED 07 1 NOT USED 08 1 NOT USED 09 1 NOT USED 1 USED OB 1 00 7F VOLUME 0C 1 NOT USED 0D 1 NOT USED 1 01 7 PAN 1 USED 10 1 USED 11 1 00 7F DRY LEVEL 12 1 00 7 CHORUS SEND 13 1 00 7F REVERB SEND 14 1
37. 65 OFF 127 flat jazz pops rock concert 12 0 12 dB 12 0 12 dB 12 0 12 dB 12 0 12 dB Refer to the Effect Program List 1 4 0 3 AD2 64 65 127 Refer to Effect Program List Part1 4 0 3 AD2 64 65 OFF 127 depends on performance number depends on performance number depends on performance number Memo 39 MIDI Inprementation Chart p CN CN c4 O O STIJUJ 39594 O X 110 punos TIV O X OCT 8547457 Ix O X TOT 00T ISW IST NAAN Ix O x 66 86 Ix O X 16 96 yadeq 2109113 Tx O X 76 26 16 130090 x O x PL LL TOA AO T x O x 9 9 Tx O X 82 9 Ix O x I XI OLL S I 302198 Ts O x IDEO Ls O X LA O x x x 440 SION LZI I A HUG O x NO XXX ORO SOTOA oh x O T 9661 044 91 VHVIAV A v x 40 X ON ONON 440 INNO A lOd AJO INNO O ONON NO INWO A lOd NO INNO S
38. CHORUS 4 6 H m XH CELESTES S 43H CELESTES L9 43H OOH FLANGERI An effect reminiscent ofa jet airplanes 1115 en FLANGER 3 a EN VARIATION OOH NOEFFECT ER 2 oH om HALL2 1 OH om roma s OH OOH STAGE Revrbswubleforsoloistumens om smo s om OOH PLATE Reverb simulating a metal plate reverb ont IH OOH WHITEROOM Unique short reverb with a slight initial delay ER2 22222204007 22 14H om 33 14H 25 om CHORU2 _ LY 26 4IH enonsa C C C C 29 43H om 30 42H 31 42H om 33 43H om FLANGER2 34 43H ENSEMBLE DETUNE A chorus effect without modulation created by adding a slightly pitch shifted sound AMBIENCE An effect that blurs the location of the sound to add spatial width 38 45H 00H ROTARY SPEAKER Simulation of a rotary speaker AC1 assignable controller 1 etc can be used to S eS 39 56H 00H 2WAY ROTARY SPEAKER Simulation of a rotary speaker assignable controller 1 etc can be used to Effect Program List TREMOLO An effect which cyclically modulates the v
39. KARAOKE1 lt lt 2 KARAOKE3 021 5 I 03 _ THRU I 064 40 THU 065 41 51 ____ CHORUS2 066 42 CELESTE CELESTE2 CELESTE3 ____ ____________ CELESTEA 067 43 FLANGER1 068 44 SYMPHONIC 069 45 ROTARY SPEAKER 070 6 01 7 AUTOPAN 072 8 PHASER 073 9 DITORTION 1074 4 OVER DRIVE 0755 AMP SIMULATOR 076 3BANDEQ 077 40 2BANDEQ 22442 98 4E AUTOWAHLFO 09 4 THU 080 19 THRU 981 1 AURALEXCITERO 24777 022 2 TOUCH WAH TOUCH 083 53 COMPRESOR 1084 4 NOISE 1085 55 THU 086 6 THRU K 077 57 ENSEMBLE DETUNE 14 088 155 __ TI U 127 71 ______ THRU Same as basic effects LSB 00 Aural Exciter 15 a registered trademark of Aphex Corporation MU90 Effect Parameter List HALLIHALL2 WHITE ROOM ROOMI ROOM2 ROOM3 TUNNEL STAGE1 STAGE2 CANYON PLATE reverb variation insertion1 2 block BASEMENT reverb variation block Display See Table Display See Table Reverb Time 0 3 30 0s table 4 Reverb Time 0 3 30 0s table 4 Diffusion 0 10 Diffusion 0 10 Initial Delay 0 63 table 5 Initial Delay 0 63 ta
40. XG Level 2 TOTAL SIZE 10 Transmitted in response to a dump request but not received note number 13 note number 14 Description 102 4 0 102 3 cent Ist bit3 0bit15 12 2nd bit3 O gt bitl 1 8 3rd bit3 0 bit7 4 Ath bit3 0 gt bit3 0 0 127 0 127 24 0 24 semitones N Drum setup number receive only 00 XG system ON receive only 00 receive only 32 127 CHARACTER 32 127 CHARACTER 23 note number 91 Initial value H 00 04 00 00 Table 1 4 gt MIDI Data Format MIDI Parameter Change table EFFECT 1 Address Size Data Parameter Description Initial value H H 02 01 00 2 00 7F REVERB TYPE MSB Refer to the Effect Program List OI HALLI 00 7F REVERB TYPE LSB bi 00 02 1 00 7F REVERB PARAMETER 1 H 12 depends reverb type 03 1 00 7F REVERB PARAMETER 2 04 1 00 3 08 05 1 00 7 REVERB 4 2 06 1 00 5 31 07 1 00 7F REVERB 6 00 08 1 00 7 REVERB 7 00 09 1 00 7F REVERB 8 000 1 00 7 REVERB 9 00 OB 1 00 7 REVERB PARAMETER 10 00 0 1 00 7 REVERB RETURN codB OdB 6dB 0 96 127 40 OD 1 01 7 REVERB PAN L63 C R63 40 TOTAL SIZE 02 01 10 1 00 7F REVERB 11 Refer t
41. see 1 2 22 in units of 1 Control Parameter Data Range 96 RPN Increment 97 Decrement data byte is ignored 1 2 21 NRPN Non registered Parameter Number These messages are used to set parameters such as vibrato filter EG or drum setup etc The parameter is specified by transmitting a NRPN MSB and NRPN LSB and subse quently Data Entry see 1 2 4 is used to set the value of the specified parameter Control Parameter Data Range 98 NRPN LSB 0 127 99 NRPN MSB 0 127 When the Multi Part parameter Rcv NRPN OFF NRPN for that part will not be re ceived The following NRPN messages can be received 17 0 MSB LSB MSB LSB name and range of values 01H 08H mm 2 Vibrato Rate mm 40H 64 0 63 01H 09H Vibrato Depth 01H OAH mm 3 Vibrato Delay mm 40H 7FH 64 0 63 01H 20H Low Pass Filter Cutoff Frequency mm 40H 7FH 64 0 63 01H 21H Low Pass Filter Resonance mm 40H 7FH 64 0 63 mm 01H 24H mm High Pass Filter Cutoff Frequency mm 40H 64 0 63 01H mm 4 Bass Gain mm 00H 40H 7FH 64 0 63 01H mm 4 EQ Treble Gain 01H mm 4 EQ Bass Frequency mm 04H 28H 32 2 Ok Hz 01H 35H mm 4 EQ Treble Frequency mm 1CH 3AH 500 16 0k Hz 01 63H EG Attack Time m
42. 0 31 AD2 64 65 OFF 127 64 0 63 64 0 63 64 0 63 64 0 63 64 0 63 Refer to the Effect Parameter List 00 depends on variation type 30 40 2E 40 Initial value H 00 40 depends on EQ type 0 07 00 40 7 1C 07 400 22 07 40 2 07 40 34 07 00 Initial value H 49 DISTORTION 00 28 depends on insertion effectl type 14 48 35 40 00 2B 4A OAC 40 40 40 40 40 78 depends on insertion effect type 00 00 00 00 000 MIDI Data Format 30 2 00 7F INSERTION EFFECTI PARAMETERI MSB Refer to the Effect Parameter List OO depends on insertion effect type 00 7F INSERTION EFFECTI PARAMETERI LSB 28 32 2 00 7F INSERTION EFFECTI PARAMETER2 MSB 00 00 7F INSERTION EFFECTI PARAMETER2 LSB 14 34 2 00 7 INSERTION EFFECTI PARAMETER3 MSB 00 00 7F INSERTION EFFECTI PARAMETER3 LSB 48 36 2 00 7F INSERTION EFFECTI PARAMETER4 MSB 00 00 7F INSERTION EFFECTI PARAMETER4 LSB 350 38 2 00 7F INSERTION EFFECTI PARAMETERS MSB 00 00 7F INSERTION EFFECTI PARAMETERS LSB 40 2 00 7 INSERTION EFFECTI PARAMETER6 MSB 00 00 7F INSERTION EFFECTI PARAMETER6 LSB 00 3C 2 00 7F INSERTION EFFECTI PARAMETER7 MSB 00 00 7F INSERTION EFFECTI PARAMETER LSB 2
43. 0 1 3 5 Omni On Performs the same processing as when All Sound Off is received Control Parameter Data Range 125 Omni On 0 1 3 6 Mono Performs the same processing as when All Sound Off is received and if the value mono number is within the range of 0 16 sets the corresponding channel to Mode4 m 1 Parameter Mono Control 126 Data Range 0 16 Mode4 is when only messages of the specified channel are received and notes are sounded monophonically 1 3 7 Poly Performs the same processing as when Note Off is received and sets the correspond ing channel to Mode3 Parameter Poly Control 127 Data Range 0 Mode3 is when only the messages of the specified channel are received and notes are sounded polyphonically MIDI Data Format 1 4 Program Change This message selects sounds This changes the program number of the receiving channel If the voice bank is also to be changed transmit this message together with the Bank Select message see 1 2 1 If the Multi Part parameter Rev PROGRAM CHANGE OFF that part will not receive Program Change messages If Sound Module Mode C M the Drum Part will not receive Program Change mes sages 1 5 Pitch Bend This message conveys pitch bend operations In general this message modifies the pitch of a part but it can also control the depth of the following seven effects The result of this message can be changed by the following parameters
44. 00 7F VARIATION SEND TOTAL SIZE 15 10 On 30 1 USED 31 1 NOT USED 32 1 00 01 Rcv PROGRAM CHANGE 33 1 00 01 CONTROL CHANGE 34 1 NOT USED 35 1 00 01 MUTE 36 1 NOT USED 37 1 NOT USED 38 1 NOT USED 39 1 00 01 VOLUME 3A 1 00 01 Rcv PAN 3B 1 00 01 Rcv EXPRESSION 3C 1 NOT USED 3D 1 NOT USED 3E 1 NOT USED 3F 1 NOT USED 40 1 00 01 Rcv BANK SELECT 41 1 NOT USED 42 1 NOT USED 43 1 NOT USED 44 1 NOT USED 45 1 NOT USED 46 1 NOT USED 47 1 NOT USED 48 1 NOT USED 49 1 NOT USED 4A 1 NOT USED 29 32 2 0k Hz 500 16 0k Hz O stereo out 8 indiv1 2 40 indiv1 41 indiv2 64 0 63 Description MIC LINE 0 127 0 127 1 128 1 16 1 16 OFF 0 127 L63 C R63 127 127 a 127 127 Sopo OFF ON OFF ON ON OFF OFF ON OFF ON OFF ON OFF ON 40 Initial value H 00 00 00 00 7F 4B 4 4D 4E 4F 50 51 52 53 54 55 56 57 58 59 5A 5B 5C 5D 5 5 60 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 TOTAL SIZE 31 00 SF 00 SF n A D Part number 0 1 lt Table 1 10 gt MIDI Data Format NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED CONTROLLER NUMBER 0 95 NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED AC2 CONTROLLER NUMBER 0 95 MIDI Parameter Change table
45. 1 00 7F DRY LEVEL nn 12 1 00 7F CHORUS SEND nn 13 1 00 7F REVERB SEND nn 14 1 00 7F VARIATION SEND nn 15 1 00 7F VIBRATO RATE nn 16 1 00 7F VIBRATO DEPTH nn 17 1 00 7F VIBRATO DELAY nn 18 1 00 7F LOW PASS FILTER CUTOFF FREQUENCY nn 19 1 00 7F LOW PASS FILTER RESONANCE nn 1A 1 00 7F EG ATTACK TIME nn 1B 1 00 7F EG DECAY TIME nn IC 1 00 7F EG RELEASE TIME nn 1D 1 28 58 MW PITCH CONTROL nn IE 1 00 7F MW LOW PASS FILTER CONTROL nn 1F 1 00 7F MW AMPLITUDE CONTROL nn 20 1 00 7F MW LFO PMOD DEPTH MIDI Data Format b7 b6 b5 b4 b3 b2 bi 27 Description 32 127 ASCII CHARACTER 32 127 ASCII CHARACTER 0 127 0 127 bO Data33 0 Data34 Data35 Data36 Data37 Data38 Data39 Data40 Data41 Data42 Data43 Data44 Data45 Data46 Data47 Data48 Description 0 64 0 127 0 127 1 128 1 16 1 16 OFF MONO POLY SINGLE MULTI INST for DRUM NORMAL DRUM DRUMSI 4 24 0 24 semitones 12 8 0 12 7 Hz st bit3 0bit7 4 2nd bit3 0 bit3 0 0 127 0 127 0 127 RND L63 C R63 C 2 G8 C 2 G8 0 127 0 127 0 127 0 127 0 0 0 0 0 0 0 0 24 semitones 100 0 100 20 0 127 b7 b6 b5 b4 b3 b2 Initial value H bl bO b indicates bit Initial value part10 26 0 other parts 2 part10 26 7F other parts 0 00 00 Part No 01 01 Part10 2 Part
46. 1 is received as common data and the data of n 2 4 is not received 34 MIDI Data Format lt 3 1 gt Parameter Base Address MODEL ID 59 Parameter Description 1 0 Pes Pad 0 Common 00 00 menion mon CURRENT PERFORMANCE Address H 0 Insertion2 Effect 00 00 00 20 00 70 EQ _______ INTERNAL PERFORMANCE 3 00 00 1 Partl 30 63 00 100 Partl 31 00 00 1 Part2 31 63 00 100 Part2 32 00 00 1 Part3 32 63 00 100 Part3 33 00 00 1 Part4 33 63 00 100 Part4 40 00 00 1 Common 40 63 00 50 00 00 50 63 00 100 Insertion Effect 51 00 00 1 Insertion2 Effect 51 63 00 100 Insertion2 Effect Performance Common INT Address 40 00 100 Common 1 Insertion Effect pp 70 pp Performance lt 3 2 gt MIDI Parameter Change table CURRENT PERFORMANCE Address Size Data Parameter Description Initial value 09 00 1 00 7F PROGRAM NUMBER 1 128 depends on performance number On 01 1 00 7 BANK SELECT 0 127 Refer to the XG voice map On 02 1 00 7F 0 127 03 1 00 PAN RND L63 C R63 0 1 64 127 On 04 1 00 7 SEND LEVEL 0 127 05 1 00 7F CHORUS SEND 0 127
47. 19 7 126 1 226 8 20 0 129 2 230 0 20 2 132 4 233 1 20 5 135 5 236 3 20 8 138 6 239 4 21 1 141 8 242 6 21 4 144 9 245 7 21 7 148 1 248 9 22 0 151 2 252 0 22 4 154 4 255 2 287 157 5 258 3 23 0 160 7 261 5 23 3 163 8 264 6 23 6 167 0 267 7 23 9 170 1 270 9 24 2 173 3 274 0 24 5 176 4 2772 24 9 179 6 280 3 l 250 182 7 283 5 25 5 185 9 286 6 25 8 189 0 289 8 26 1 192 2 292 9 26 5 195 3 296 1 26 8 198 5 299 2 271 gt N Da 15 MIDI Data Format 1 Channel messages 1 1 Note on Note off These are messages which convey keyboard performance data Range of received notes C 2 G8 Velocity range 1 127 Velocity 15 received only for note on When the Multi Part parameter Rev NOTE MESSAGE OFF that part is not received For Drum parts key off is not received when the Drum Setup parameter Rcv NOTE OFF OFF For Drum parts key on is not received when the Drum Setup parameter Rcv NOTE ON OFF Drum Part indicates that the Multi Part parameter PART MODE is DRUM or DRUMSI 4 1 2 Control Changes These messages convey controller operations such as for volume and pan The function is distinguished by the control number Ctrl When the Multi Part parameter Rev CONTROL CHANGE OFF that part will not receive control changes 1 2 1 Bank Select These messages select the voice bank Control Parameter Data Range 0 Ba
48. 2 block EQ Low Gain 12 124 variation insertion1 2 block EQ High Frequency 500Hz 16 0kHz table 3 variation insertion1 2 block EQ High Gain 12 124 variation insertion1 2 block ROTARY SPEAKER variation insertion1 2 block 2WAY ROTARY SPEAKER variation block 1 LFO Frequency 0 00Hz 39 7Hz table 1 Rotor Speed 0 0Hz 39 7Hz table 1 2 LFO Depth 0 127 Drive Low 0 127 Drive High 0 127 Low High L63 gt H L H L lt H63 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 124 Dry Wet D63 gt W D W D lt W63 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB WN EQ Mid Frequency 100Hz 10 0kHz table 3 Crossover 100Hz 10 0kHz table 3 variation block Frequency EQ Mid Gain 12 124 variation block Mic L R Angle Odeg 180deg resolution EQ Mid Width 1 0 12 0 variation block 3deg MU90 Effect Parameter List TREMOLO variation insertion1 2 block Display See Table AUTO PAN variation insertion1 2 block Display See Table 1 LFO Frequency 2 AM Depth 3 PM Depth EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width Phase Difference Input Mode LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Gain EQ High Gain Dry Wet XO OO
49. 51 2 fRideCymballV RidecymballV i RideCymbal1V 522 2 JjChieseCympl V Chinese Chinese CymbalV_ fif 53 2 54 2 n 55 jo 2 SplahCymbav__ 1 __________ SplashCymbalv t SplashCymbalV__ t _________ _ 56 2 CowbellAnalog __ Cowbell Analog 57 2 CrshCymal2v fif CrshCymal2V i CrshCyma2v _______ 58 ax 2 59 JB 2 fRideCygmba2V RieCyma2v i RideCyma2v 1 as standard Kit No sound 62 XG Drum Map DOn Program Note Alternate s azz Kit ta Kit Kit Han Kit 1 2 Kit 2 off assign 13 3 SurdoMutev AAA j l E j j jJ j j 17 A jJ l j 1 4 pS G 1 j j j jJ 6B 20 o 1 A ara 1 2 j 2 j 0 Ta 25 BrushTapv APO 26 0 O Bushswiv _ 1 __ jJ y 27 PASO 285 JBmshTpSwidl V __ 2 010 __ j PA AS j _3 jJ Brasa SO 3 1 TST 34 0 jJ 35 B j 36 KikjazL 1 Kick Sm
50. A D System Address H 11 00 00 TOTAL SIZE 1 11 gt Size H 1 1 Data H 00 01 Parameter Description A D1 2 MONO STEREO MODE MONO STEREO MIDI Parameter Change table DRUM SETUP Address H 3n rr 00 01 02 03 04 05 06 07 08 09 OB 0C 0 TOTAL SIZE 1 3n rr 20 21 22 23 24 25 26 27 28 29 2A 2B 2C 2D TOTAL SIZE 3n rr 40 TOTAL SIZE Size H cy t i an p 1 1 Data H 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 01 00 01 00 01 00 7 00 7 00 7F 00 7F 00 7F 00 7F 00 7F 04 28 1C 3A 00 08 28 29 Parameter Description PITCH COARSE 64 0 63 PITCH FINE 64 0 63 cent LEVEL 0 127 ALTERNATE GROUP OFF 1 127 PAN RND L63 C R63 REVERB SEND 0 127 CHORUS SEND 0 127 VARIATION SEND 0 127 KEY ASSIGN SINGLE MULTI Rcv NOTE OFF OFF ON Rcv NOTE ON OFF ON LOW PASS FILTER CUTOFF FREQUENCY 64 0 63 LOW PASS FILTER RESONANCE 64 0 63 EG ATTACK RATE 64 0 63 EG DECAYI RATE 64 0 63 EG DECAY2 RATE 64 0 63 EQ BASS GAIN 12 12 dB EQ TREBLE GAIN 12 12 dB NOT USED NOT USED EQ BASS FREQUENCY 32 2 0k Hz EQ TREBLE FREQUENCY 500 16 0k Hz NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED NOT USED OUTPUT SELECT O stereo ou
51. INSERTION EFFECT 2 PARAMETER4 MSB INSERTION EFFECT 2 PARAMETER4 LSB INSERTION EFFECT 2 5 MSB INSERTION EFFECT 2 PARAMETERS LSB INSERTION EFFECT 2 PARAMETER10 MSB INSERTION EFFECT 2 PARAMETER 10 LSB INSERTION EFFECT 2 PART MIDI Parameter Change table INTERNAL PERFORMANCE lt Table 3 3 gt Address Size Data H 3n pp 00 1 00 7F 01 1 00 7 3n 02 1 00 7 03 1 00 01 7F 3n 04 1 00 7 05 1 00 7 06 1 00 7 3n 07 1 00 7 08 1 28 58 3n pp 09 1 00 7 3n pp OA 1 00 7F pp 1 00 7F 0 1 00 7 OD 1 00 7 OE 1 00 7 OF 1 00 7 10 1 00 7 11 2 00 OF 3n pp 12 00 7F 3n pp 13 1 00 7F 3n 14 1 00 7 15 1 00 7 16 1 00 7 3n 17 1 00 7 18 1 00 7 19 1 00 7 1 1 00 7 1 01 7 1 01 7 pp 1 00 7F 1 1 00 1 04 28 20 1 3n pp 21 1 00 7F TOTAL SIZE 22 n performance part number pp performance number 40 pp 00 20 7F pp 0C 01 00 7F pp OD 01 01 7F pp OE 01 00 60 pp OF 01 00 01 pp 10 01 00 7F pp 11 01 00 7F pp 12 01 28 58 pp 13 01 00 7F pp 14 01 00 7F pp 15 01 00 7F pp 16 01 00 01 pp 17 01 00 7F TOTAL SIZE 18
52. On 06 1 00 7 REVERB SEND 0 127 On 07 1 00 7F VARIATION SEND 0 127 On 08 1 28 58 NOTE SHIFT 24 0 24 semitones On 09 l 00 01 Rcv NOTE MESSAGE MUTE OFF 0 1 1 00 7 LOW PASS FILTER FREQUENCY 64 0 63 On OB 1 00 7F LOW PASS FILTER RESONANCE 64 0 63 i On 1 00 7F EG ATTACK TIME 64 0 63 On OD 1 00 7F EG DECAY TIME 64 0 63 On OE l 00 7F EG RELEASE TIME 64 0 63 On OF 1 00 7F VIBRATO RATE 64 0 63 On 10 1 00 7F VIBRATO DEPTH 64 0 63 On 11 1 00 7F VIBRATO DELAY 64 0 63 i On 12 2 00 OF DETUNE 12 8 0 12 7 Hz On 13 00 OF Ist bit3 0obit7 4 2nd bit3 0 bit3 0 On 14 1 00 7 PITCH EG INITIAL LEVEL 64 0 63 On 15 1 00 7F PITCH EG ATTACK TIME 64 0 63 16 1 00 7 PITCH EG RELEASE LEVEL 64 0 63 On 17 1 00 7F PITCH EG RELEASE TIME 64 0 63 On 18 1 00 01 MONO POLY MONO POLY O 1 On 19 1 00 7F VELOCITY SENSE 0 127 1 00 7 VELOCITY SENSE OFFSET 9 127 On 1 00 7 NOTE LIMIT LOW C 2 G8 0 127 i On 1C 1 00 7F NOTE LIMIT HIGH C 2 G8 0 127 On 1D 1 01 7 VELOCITY LIMIT LOW 1 127 E On IE 1 01 7 VELOCITY LIMIT HIGH 1 127 IF 1 00 7 BASS 64 0 63 12 12 dB 20 1 00 7 TREBLE 64 0 63 12 12 4 On 21 1 04 28 EQ BASS frequency 32 2 0k Hz On 22 1
53. T 1 LL l ror monnen a ene oa 3 sexes a rom a sexes a soma re eg a coma Jasa 1230 5010 at pueg cus TWE SABPO 20 oumaq I eunjaq E C O C C n lt L m lt 1 C C O C L C E 1 lt HE C pa 1 C m E E L Z H __ C C C L C lt L E L C 8 El d 44 MU90 XG Voice List Jo 1oquinw 0 queg se oures i rT amk s 501 U U U Jj j j aa z 1 ii IL i ns O i i m a 011 SS j j j j j j pea s E O EL SSS SSS us F r r m is mon D rr 0 1 j j 0 6 jer u s Fm ss AO Fw E cv 0 m mar Sooo S j j j j j j
54. TG Kick Tight e gt I ick Room Side Stick 1 Side Stick Analog 1 Snare Electro TG Snare Analog 200 Snare pp Hand 1 po Snare Power2 Snare Power 2 1 ul Snare Tight 1 l l l Hi H atClosed i Hat Closed Analog l l N AAA ped x x SS ws po pu m Closed Analog LowTom i fomRoom3 TomRoom3 TomEletro3 11 o 4 _ ks Ps sssi 1 5 RE l Hi HatOpen __ 1 Hi Hat Open Analog Crash Cymbal 1 1 Ka l Crash Analog Hi Hat Pedal 1 Ride Cymbal 1 HU Chinese Cymbal Reverse pi p p pi p 561 fRideCymbalCup 11 Tambowine jSplashCymbal 1 x Cowel E ________ 2 111 _________ pi S y fr 8 x AAA owbell Analog v 211 NN 711 711 n ws Ride Cymbal2 1 mwa n BongoH s BongoL Ji in sss 71 ws E 711 711 sssi Conga 1 CongaHOpen 11 Ji Timbale H 1 Timbale L 1 AgogoL 1 aj Conga Analog M Conga Analog L Ql gt gt mimm unm 05
55. Timbale VTE Fe 3 PAPA ___ _ 1 ____ Mp Gi 3 __ 111 w 12 1 hunter Scream 1 j Ph Samba WhieHv 2 72 C 4 O JjSamaWhileLV tt Buble 2 FootSteps 4 eed 2 1 4 p 75 j jJ 76 4 j AAA ILI JJJ O O 9 75 9mj0f b j j UU 78 4 CucaMev 79 4 0 __ 80 4 8 4 2 j T M5 8 L8 5 og Machine Gun Las 5 p 2 8 p 5 __ _ Birt Tweet 1 Explosion 2 MALE _ Kitty Firework E s E 5 o F 24 s INN A Gro 5 __________ Mao 61 62 63 3 64 3 65 3 F 3 67 G 3 G 3 3 70 A 3 71 B 72 C 73 Same as standard Kit No sound 67 TG300B Drum Map F 09 e Lp m gie yp ps Analog Kit Finger Snap 1 7 Scratch HTG 1 i mem ki y E E E E n l m 1 www 1 Fw 1 i w Metronome Click TG Metronome Bell
56. WAH ODRV COMP DIST EARLY REF type EARLY REFI EARLY REF2 GATE REVERB REVERSE GATE FLANGER type FLANGER 1 FLANGER2 FLANGER3 KARAOKE type KARAOKEI KARAOKE2 KARAOKE3 PHASER type PHASERI PHASER2 PITCH CHANGE type PITCH CHANGEI PITCH CHANGE2 REVERB type HALLI HALL2 ROOMI ROOM2 ROOM3 STAGE1 STAGE2 PLATE WHITE ROOM TUNNEL CANYON BASEMENT WAH type AUTO WAH AUTO WAH DIST AUTO WAH ODRV TOUCH WAH1 TOUCH WAH2 TOUCH WAH DIST TOUCH WAH ODRV 13 Data Value Assign Table table 1 table 3 LFO Frequency EQ Frequency 0 32 1 35 64 2 69 96 8 50 40 2 0k 2 2k 2 5k 2 8k 3 2k 3 6k 4 0k 4 5k 5 0k 5 6k 6 3k 7 0k 8 0k 9 0k 10 0k 11 0k 12 0k 14 0k 16 0k 18 0k THRU 20 0k Du gt table 2 table 4 Modulation Delay Offset Reverb time 0 0 32 32 64 64 96 9 6 0 3 32 3 5 64 Du N A 14 Data Value Assign Table table 5 table 6 Table 8 Table 9 Delay Time 200 0ms Room Size Compressor Attack Time Compressor Release Time 0 1 32 0 1 32 5 1 50 5 0 1 2 3 4 5 6 7 8 9 1 0 1 2 3 4 5 6 7 8 9 Table 10 Compressor Ratio 0 1 2 3 4 5 6 7 table 11 Reverb Width Depth Height table 7 Delay Time 400 0ms 0 1 32 1009 64 2016 96 0 5 32 88 64 176 96 104 0 204 8 17 9 107 2 207 9 18 2 110 3 211 1 18 5 113 5 214 2 18 8 116 6 217 4 19 1 119 8 220 5 19 4 122 9 223 7
57. XG Voice List Jo 1oquinw 0 JUL g se Es sesev z av _ AAA 4 1 ise paran L LL e sarao ssa mje cessa r masa ____ ____ __ __ ___ lt TT Jj j Jj j Jj jj J fe em z wa J T T TT T T P mane Jj jji TI T a ee Fever jj J j jj Jj ESS F Hs sssi O apu j j rj 1 f s wm l Jj j j T To E EE EC f esso z TT I ITT pee s l1 wm pem en Li en ra mn cuo METE Aa 7 5 OC so I _ 1odders usus Le E sopa py ty j T P Jj pil room se vafzzr z EA 0 17 j
58. by the sound Control Parameter Data Range 71 Harmonic Content 0 64 127 64 0 63 Since this is a relative change parameter it specifies an increase or decrease centered at 64 Higher values will produce a more distinctive sound For some sounds the effective range may be narrower than the settable range 1 2 13 Release Time This message adjusts the EG Release Time specified by the sound Control Parameter Data Range 72 Release Time 0 64 127 64 0 63 MIDI Data Format Since this 15 a relative change parameter it specifies an increase or decrease centered at 64 Higher values will lengthen the release which occurs after note off 1 2 14 Attack Time This message adjusts the EG Attack Time specified by the sound Control Parameter Data Range 73 Attack Time 0 64 127 64 0 63 Since this is a relative change parameter it specifies increase or decrease centered at 64 Higher values will make the attack more gradual and lower values will make the attack more sharp 1 2 15 Briehtness This message adjusts the low pass filter cutoff frequency specified by the sound Control Parameter Data Range 74 Brightness 0 64 127 64 0 63 Since this 15 a relative change parameter it specifies an increase or decrease centered at 64 Lower values will produce a more mellow sound For some sounds the effective range may be narrower than the settable range 1 2 16 Portamento Cont
59. etc as a pedal wah PITCH CHANGE 1 This effect changes the pitch of the input signal PITCH CHANGE 2 AURAL This effect adds new overtones to the input signal to make it stand out mme Limits the output when the input signal exceeds a specified level Can also add a sense of attack to the sound RE eee Gates the input when the input signal falls below a specified level Effective when you wish to suppress noise from the A D input Aural Exciter 9 is a registered trademark of Aphex Corporation Effect Program List INSERTION1 2 40H OH Bypass without 2 oH C j 1 OH om S OH roms 6 OOH STAGEi Reverb suitable for solo instruments n 7 eH OOH PLATE simulating a metal 9 osm OOH DELAYLCR An effect which generates three delays L Rand C cente 1 KARAORE2 _ r j Gs im 7 CHORU2 8 4H am om om w 22 43H CELESTES 233 42H om CELESTES 25 43H om 26 43H om ENSEMBLE DETUNE A chorus effect without modulation created by adding a slightly pitch shifted sound 45H ROTARY SPEAKER Simulation of a rotary speaker AC1 assignable controller 1 etc can be used to control the speed of rotation 8 30 31 00H 32 33 34 35 36 38 0
60. speed of the pitch change A value of 0 15 the shortest portamento time and 127 15 the longest portamento time If the receiving channel is drum part Portamento Time is not received 1 2 4 Data Entry This message sets the value of the parameter specified by RPN see 1 2 22 or NRPN see 1 2 21 Control Parameter Data Range 6 Data Entry MSB 0 127 38 Data Entry LSB 0 127 1 2 5 Main Volume This message control the volume of each part Use it to adjust the volume balance of each part Parameter Volume Control 7 Data Range 0 127 If the Multi Part parameter Rev VOLUME OFF that part will not receive Main Vol ume 0 15 silence 127 is maximum volume 16 1 2 6 This message controls the stereo location the sound of each part Control Parameter Data Range 10 0 64 127 If the Multi Part parameter Rcv OFF that part will not receive Panpot 0 is left 64 is center 127 is right 1 2 7 Expression This message controls the dynamics of each part Use it to create volume changes during a song Parameter Expression Control 11 Data Range 0 127 If the Multi Part parameter Rev EXPRESSION OFF that part will not receive Expres sion 1 2 8 Hold1 This message controls sustain pedal on off Control Parameter Data Range 64 Holdl 0 63 64 127 OFF ON When ON the currently sounding notes will be sustained even after note off is received If t
61. 0H AUTO WAH LFO Cyclically changes the center frequency ot a wah filter Can be used with etc Fo s s TOUCH WAH 1 The level of the input will modify the center frequency of the wah filter Can be 40 52H TOUCH WAH 2 The level of the input will modify the center frequency of the wah filter Can be AURAL EXCITER This effect adds new overtones to the input signal to make it stand out 42 53H 00H COMPRESSOR Limits the output when the input signal exceeds a specified level Can also add a 43 54H 00H NOISE GATE Gates the input when the input signal falls below a specified level Effective when nsn you wish to suppress noise from the A D input Aural Exciter 15 registered trademark of Aphex Corporation MU90 Effect LSB MSB LIST REVERB TYPE DEC HEX 09 000 O JE 001 1 __ mu2 002 2 ROM2 5 969 03 STAGEI 5 pep 4 __ __ I 005 5 NOEFFECT 015 NOEFEECT II 016 0 WHITE ROOM II 017 TONNEL J 1018 2 019 3 BASEMENT II 020 4 _ NOEFFET 17 78 NOEFEFECT M NO EFFECT Same as basic effects LSB 00 CHORUS TYPE DEC HEX 090 000 NOEFET 001 1 NOEFFEECT 4 40 SS INN 065 414 CHORUSI
62. 1 Tone Generator Code XG End of Exclusive When this instrument receives 2 1 2 2 Identity Request message it will transmit this message 2 1 3 XG Parameter Change This message sets XG related parameters One parameter can be modified by each mes sage The message format is as follows 11110000 Exclusive status 01000011 43H YAMAHA ID 0001nnnn INH N device Number 01001100 4CH Model ID 09999999 GGH Address High Ommmmmmm Address Mid 01111111 LLH Address Low Osssssss SSH Data 11 11 0111 F7 H End of Exclusive For parameters with a data size of 2 or 4 the corresponding number of data bytes will be transmitted 2 1 3 1 XG System On 11110000 FOH Exclusive status 01000011 43H YAMAHA ID 0001nnnn INH N device Number 01001100 4CH Model ID 00000000 OOH Address High 00000000 00H Address Mid 01111110 Address Low 00000000 OOH Data 11110111 End of Exclusive When On is received SOUND MODULE MODE will be set to XG Since approximately 50 ms is required to execute this message an appropriate interval must be left before the next message 2 1 3 2 XG System parameter change This message sets the XG SYSTEM block see tables lt 1 1 gt and lt 1 2 gt 2 1 3 3 Multi Effectl parameter change This message sets the MULTI EFFECTI block see tables 1 1 and lt 1 4 gt 2 1 3 4 Multi EQ parameter change This message sets the MULTI EQ block see tables 1 1 and lt 1 5 gt
63. 1 01H Sub ID 2 General MIDI On 11110111 End of Exclusive When this message is received the SOUND MODULE MODE vwill be set to XG and all settings except for MIDI Master Tuning will be reset to their default values However in the following cases this is not received e SOUND MODULE MODE When the XG Model System parameter see table 2 2 Rev GM EXCLUSIVE MESSAGE OFF Since approximately 50 ms is required to execute this message an appropriate interval must be left before the next message MIDI Data Format 2 1 2 2 Identity Request 11110000 01111110 Ommmmmmm MMH 00000110 06H 00000001 01H 1114110111 Exclusive status Universal Non Real Time Device Number Sub ID 1 General Information Sub ID 2 Identity Request End of Exclusive When this message is received this instrument will transmit the following 2 1 2 3 Iden tity Reply message 2 1 2 3 Identity Reply 11110000 FOH 01111110 Ommmmmmm MMH 00000110 06H 00000010 02H Exclusive status Universal Non Real Time Device Number Sub ID 1 General Information Sub ID 2 Identity Reply 01000011 43H YAMAHA ID 00000000 00H Device Family Code LSB ID 1 01000001 41H Device Family Code MSB ID 2 01010010 52H Device Number Code LSB ID 3 00000010 02H Device Number Code MSB ID 74 00000000 00H 00000000 00H 00000000 00H 00000001 01H 1111011
64. 2 G8 1 127 1 127 64 0 63 12 12 dB 64 0 63 12 12 dB 32 2 0k Hz 500 16 0k Hz 64 0 63 32 127 ASCII CHARACTER 0 127 L63 C R63 1 64 127 0 95 CAT OFF ON 0 127 0 127 24 0 24 semitones 64 0 63 100 0 100 0 127 OFF ON 0 1 0 127 depends on performance number Initial value depends on performance number depends on performance number 5 40 20 21 22 23 24 25 26 27 28 29 2 2 pp 2 pp 2D pp 2E pp 2F pp 30 pp 31 pp 32 pp 33 pp 34 pp 35 2 pp 36 pp 37 2 pp 38 pp 39 2 2 3C 3D 2 2 40 41 42 1 1 43 1 44 1 1 1 1 N pa NOR RRR gt pp 45 pp 46 pp 47 TOTAL SIZE 28 40 pp 70 pp 71 pp 72 pp 73 pp 74 pp 75 TOTAL SIZE 06 E 50 pp 00 2 pp 01 pp 02 2 pp 03 pp 04 2 pp 05 pp 06 2 pp 07 pp 08 2 pp 09 2 2 pp 0D pp OE 1 TOTAL SIZE OF 51 pp 00 2 pp 01 pp 02 2 pp 03 pp 04 2 pp 05 pp 06 2 pp 07 pp 08 2 pp 09 2 2 pp OE 1 TOTAL SIZE pp performance number 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 01 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F
65. 2 1 3 5 Multi Effect2 parameter change This message sets the MULTI EFFECT2 block see tables 1 1 and lt 1 6 gt 2 1 3 6 Display parameter change This message sets the DISPLAY block see tables 1 1 and lt 1 7 gt 2 1 3 7 Multi Part parameter change This message sets the MULTI PART block see tables 1 1 and 1 8 2 1 3 8 AD Part parameter change This message sets the AD PART block see tables 1 1 and lt 1 9 gt 2 1 3 9 AD Part parameter change This message sets the AD SYSTEM block see tables 1 1 and lt 1 10 gt 2 1 3 10 Drums Setup parameter change This message sets the DRUMS SETUP block see tables 1 1 and 1 11 2 1 4 MU80 Native parameter changes These messages set parameters unique to MU80 One parameter can be modified by each message The message format 15 as follows 11110000 FOH Exclusive status 01000011 43H YAMAHA ID 0001nnnn INH N Device Number 01001001 49H Model ID 0ggggggg GGH Address High Ommmmmmm Address Mid 01111111 LLH Address Low Ovvvvvvv VVH Data 11 11 0111 F7 H End of Exclusive For parameters with a data size of 2 or 4 the corresponding number of data bytes will be transmitted 2 1 4 1 System parameter change This message sets the SYSTEM block see tables lt 2 1 gt and lt 2 2 gt 2 1 4 2 Remote switch This message sets the REMOTE SWITCH block see tables lt 2 1 gt and lt 2 3 gt 2 1 5 MU90 MU90R Native parameter changes These mes
66. 26 4 other parts 0 40 08 00 64 40 40 40 00 TF 00 28 00 40 40 40 40 40 40 40 40 40 40 40 nn 21 nn 22 nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE nn 30 nn 31 nn 32 nn 33 nn 34 nn 35 nn 36 nn 37 nn 38 nn 39 3 3C 3D 40 41 42 43 44 45 46 47 43 49 4 4 4 4D 4 4 50 51 52 53 54 55 56 57 58 59 5B 5C 5D nn 5 nn 5F nn 60 nn 61 nn 62 nn 63 nn 64 nn 65 nn 66 nn 67 nn 68 nn 69 nn 6A nn 6B nn 6C nn 6D nn 6E TOTAL SIZE 3F nn 70 nn 71 nn 72 nn 73 TOTAL SIZE 29 p ph 1 1 1 1 4 00 7 00 7 28 58 00 7 00 7 00 7 00 7 00 7 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 01 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 28 58 00 7 00 7 00 7 00 7 00 7 28 58 00 7 00 7 00 7 00 7 00 7
67. 300 System parameter change 3 TG300 Multi Effect parameter change 4 TG300 Multi Part parameter change 2 1 1 Universal realtime messages 2 1 1 1 Master Volume 11110000 Exclusive status 01111111 ZFH Universal Real Time 01111111 7 ID of target device 00000100 04H Sub ID 1 Device Control Mes sage 00000001 01H Sub ID 2 Master Volume 5555555 SSH Volume LSB Ottttttt TTH Volume MSB 11110111 FA End of Exclusive or 11110000 Exclusive status 01111111 Universal Real Time Oxxxnnnn Device Number xxx don t care 00000100 04H Sub ID 1 Device Control Message 00000001 01H Sub ID 2 Master Volume 09565655 SSA Volume LSB Ottttttt Volume MSB 11110111 F7H End of Exclusive When this is received the Volume MSB will be reflected in the System parameter MAS TER VOLUME This indicates that SSH is the hexadecimal expression of the binary 05555555 The same applies for other cases 2 1 2 Universal non realtime messages 2 1 2 1 General MIDI System On 11110000 FOH Exclusive status 01111110 Universal Non Real Time 01111111 7FH ID of target device 00001001 09H Sub ID 1 General MIDI Message 00000001 01H Sub ID 2 General MIDI On 11110111 End of Exclusive or 11110000 Exclusive status 01111110 Universal Non Real Time Oxxxnnnn XNH N Device Number X don t care 00001001 09H Sub ID 1 General MIDI Message 0000000
68. 6 07 08 09 OB OC 0D 10 11 11 13 14 15 16 17 NOR gt Pp 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 01 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 01 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 01 7 00 7 00 7 00 7 00 01 00 03 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 7 00 04 34 4C 34 4C 34 4C 34 4C 34 4C 00 7F 00 7F 00 7F 00 01 7F 00 7F 00 7F 00 7F 00 7F 28 58 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F 00 OF 00 OF 00 7F 00 7F 00 7F 00 7F 00 7F MIDI Data Format REVERB TYPE MSB REVERB TYPE LSB REVERB PARAMETER 1 REVERB PARAMETER 2 REVERB PARAMETER 3 REVERB PARAMETER 4 REVERB PARAMETER 5 REVERB RETURN REVERB PAN CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARMETER 1 CHORUS PARMETER 2 CHORUS PARMETER 3 CHORUS PARMETER 4 CHORUS PARMETER 5 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB VARIATION TYPE MSB VARIATION TYPE LSB VARIATION PARMETER 1 MSB VARIATION PARMETER 1 LSB VARIATION PARMETER 2 MSB VARIATION PARMETER 2 LSB VARIATION PARMETER 3 MSB VARIATION PARMETER 3 LSB VARIATION PARMETER 4 MSB VARIATION PARMETER 4 LSB VARIATION PARMETER 5 MSB VARIATION PARM
69. C2 CONTROLLER NUMBER 18 1 3 Channel Mode messages These messages specify the basic operation of each part 1 3 1 All Sound Off Silences all currently sounding notes on the corresponding channel However the status of channel messages such as Note on or Hold On is preserved Parameter All Sound Off Control 120 Data Range 0 1 3 2 Reset All Controllers The values of the following controllers will change Pitch Bend Change Channel Pressure Polyphonic Key Pressure Modulation Expression Hold 0 center 0 off 0 off 0 off 127 maximum 0 off 0 off 0 off 0 off Reset the Portamento Source Note Number that was re ceived Number un set internal data will not change Number un set internal data will not change Portamento Sostenuto Soft Pedal Portamento Control The following data will not change Program Change Bank Select MSB LSB Volume Pan Effect Send Levels 1 3 4 and the value of parameters which were set using RPN and NRPN Control 121 Parameter Data Range Reset All Controllers 0 1 3 3 All Note Off Turns off all notes which are currently note on for the corresponding channel However if Hold or Sostenuto are ON the notes will continue sounding until these are turned off Parameter All Note Off Control 123 Data Range 0 1 3 4 Omni Off Performs the same processing as when All Note Off is received Control Parameter Data Range 124 Omni Off
70. DELAY 00 VARIATION LSB 00 42 2 00 7F VARIATION 1 MSB 1A depends on variation type 00 7F VARIATION PARAMETER 1 LSB 05 44 2 00 7F VARIATION PARAMETER 2 MSB n OD 00 VARIATION 2 LSB 03 46 2 00 7 VARIATION PARAMETER 3 MSB 27 00 7F VARIATION PARAMETER 3 LSB 08 48 2 00 7F VARIATION PARAMETER 4 MSB 27 00 7F VARIATION 4 LSB 08 4 2 00 7 VARIATION 5 MSB 00 00 VARIATION PARAMETER 5 LSB 4A 4C 2 00 7F VARIATION PARAMETER 6 MSB i 00 00 7F VARIATION PARAMETER 6 LSB a 64 4 2 00 7F VARIATION PARAMETER 7 MSB 00 00 7F VARIATION PARAMETER 7 LSB 50 2 00 VARIATION 8 MSB 00 00 7F VARIATION PARAMETER 8 LSB 00 7 52 2 00 7F VARIATION PARAMETER 9 MSB 000 00 7F VARIATION PARAMETER 9 LSB 00 54 2 00 7 VARIATION PARAMETER 10 MSB 00 00 7 VARIATION 10 LSB 200 56 1 00 7F VARIATION RETURN codB OdB 6dB 0 96 127 40 57 1 01 7F VARIATION PAN L63 C R63 1 64 127 40 58 1 00 7F SEND VARIATION REVERB codB OdB 6dB 0 96 127 00 39 1 00 7F SEND VARIATION CHORUS codB OdB 6dB 0 96 127 00 SA 1 00 01 VARIATION CONNECTION INSERTION SYSTEM 00 5B 1 00 7F VARIATION PART NUMBER Part1 32 0 31 AD2 64 65 OFF 127 5C 1 00 7F M
71. EE I om oa z nemen 1 r C T gt AO c counav ipei ren El El f 1 f moun wunns Fi Fi al AVI 45711221956 ued IH WPA H 50 MU90 TG300B Voice List Fa T e mors T T TJ T j j Tj af C I T J ns IT TT IT JI I oun mous C JI J LL II jJ j Ta a xs TL cmon soup wo sou ocr JT p aj o T J jJ Ts goods C TJ J m ous ITT T T Tor T srr C T TT J Tr af ovens L IJ j P J T IT T Tor sr sr 27727 o af ooa T oes j J olor sens l I Tr o R IT Ter T I e
72. ER CONTROL AC1 AMPLITUDE CONTROL AC1 LFO FMOD DEPTH PORTAMENTO SWITCH PORTAMENTO TIME REVERB TYPE MSB REVERB TYPE LSB REVERB PARAMETER 1 REVERB PARAMETER 2 REVERB PARAMETER 3 REVERB PARAMETER 4 REVERB PARAMETER 5 REVERB RETURN REVERB PAN CHORUS TYPE MSB CHORUS TYPE LSB CHORUS PARAMETER 1 CHORUS PARAMETER 2 CHORUS PARAMETER 3 CHORUS PARAMETER 4 CHORUS PARAMETER 5 CHORUS RETURN CHORUS PAN SEND CHORUS TO REVERB VARIATION TYPE MSB VARIATION TYPE LSB VARIATION PARAMETER 1 MSB VARIATION PARAMETER 1 LSB VARIATION PARAMETER 2 MSB VARIATION PARAMETER 2 LSB VARIATION PARAMETER 3 MSB VARIATION PARAMETER 3 LSB VARIATION PARAMETER 4 MSB VARIATION PARAMETER 4 LSB VARIATION PARAMETER 5 MSB VARIATION PARAMETER 5 LSB VARIATION PARAMETER 10 MSB VARIATION PARAMETER 10 LSB VARIATION RETURN VARIATION PAN SEND VARIATION TO REVERB SEND VARIATION TO CHORUS AC1 VARIATION CONTROL DEPTH VARIATION CONNECTION VARIATION PART EQ TYPE EQ GAINI EQ GAIN2 EQ GAIN3 EQ GAIN4 EQ GAIN5 INSERTION EFFECT TYPE MSB INSERTION EFFECT TYPE LSB INSERTION EFFECT MSB INSERTION EFFECT 1 PARAMETERI LSB INSERTION EFFECT PARAMETER2 MSB INSERTION EFFECT PARAMETER2 LSB INSERTION EFFECT PARAMETER3 MSB INSERTION EFFECT PARAMETER3 LSB INSERTION EFFECT PARAMETER4 MSB INSERTION EFFECT PARAMETER4 LSB INSERTION EFFECT PARAMETER5 MSB INSERTION EFFECT PARAMETERS LSB INSERTION EFFECT
73. ERTION EFFECT TYPE LSB INSERTION EFFECT MSB INSERTION EFFECT 1 PARAMETERI LSB INSERTION EFFECT PARAMETER2 MSB INSERTION EFFECT PARAMETER2 LSB INSERTION EFFECT PARAMETER3 MSB INSERTION EFFECT PARAMETER3 LSB INSERTION EFFECT PARAMETER4 MSB INSERTION EFFECT PARAMETER4 LSB INSERTION EFFECT 5 MSB INSERTION EFFECT PARAMETERS LSB INSERTION EFFECT PARAMETER10 MSB INSERTION EFFECT PARAMETER10 LSB INSERTION EFFECT PART INSERTION EFFECT 2 TYPE MSB INSERTION EFFECT 2 TYPE LSB INSERTION EFFECT 2 MSB INSERTION EFFECT 2 PARAMETERI LSB INSERTION EFFECT 2 PARAMETER2 MSB INSERTION EFFECT 2 PARAMETER2 LSB INSERTION EFFECT 2 PARAMETER3 MSB INSERTION EFFECT 2 PARAMETER3 LSB INSERTION EFFECT 2 PARAMETER4 MSB INSERTION EFFECT 2 PARAMETER4 LSB INSERTION EFFECT 2 PARAMETERS MSB INSERTION EFFECT 2 PARAMETERS LSB INSERTION EFFECT 2 10 MSB INSERTION EFFECT 2 PARAMETER10 LSB INSERTION EFFECT 2 PART 00 63 38 Refer to the Effect Program List codB OdB 6dB 0 96 127 L63 C R63 Refer to the Effect Program List codB OdB 6dB 0 96 127 L63 C R63 codB OdB 6dB 0 96 127 Refer to the Effect Program List codB OdB 6dB 0 96 127 L63 C R63 1 64 127 codB OdB 6dB 0 96 127 codB OdB 6dB 0 96 127 0 127 INSERTION SYSTEM Part1 4 0 3 ADI AD2 64
74. ETER 5 LSB VARIATION PARMETER 10 MSB VARIATION PARMETER 10 LSB VARIATION RETURN VARIATION PAN SEND VARIATION TO REVERB SEND VARIATION TO CHORUS 1 VARIATION CONTROL DEPTH VARIATION CONNECTION VARATION PART INSERTION EFFECT 1 TYPE MSB INSERTION EFFECT 1 TYPE LSB INSERTION EFFECT 1 PARAMETER 1 INSERTION EFFECT PARAMETER2 INSERTION EFFECT PARAMETER3 INSERTION EFFECT PARAMETER4 INSERTION EFFECT PARAMETERS INSERTION EFFECT 10 INSERTION EFFECT 1 PART EQ TYPE EQ GAINI EQ GAIN2 EQ GAIN3 EQ GAIN4 EQ GAIN5 PROGRAM NUMBER BANK SELECT VOLUME PAN DRY SEND LEVEL CHORUS SEND REVERB SEND VARIATION SEND NOTE SHIFT LOW PASS FILTER CUTOFF FREQUENCY LOW PASS FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE TIME VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY DETUNE NOTE MESSAGE MONO POLY MODE PORTAMENTO SWITCH PITCH EG INITIAL LEVEL PITCH EG ATTACK TIME PITCH EG RELEASE LEVEL PITCH EG RELEASE TIME MW LFO PMOD DEPTH 33 Refer to the Effect Program List codB OdB 6dB 0 96 127 L63 C R63 Refer to the Effect Program List codB OdB 6dB 0 96 127 L63 C R63 codB OdB 6dB 0 96 127 Refer to the Effect Program List codB OdB 6dB 0 96 127 L63 C R63 1 64 127 codB OdB 6dB 0 96 127 codB OdB 6dB 0 96 127 0 127 INSERTION SYSTEM Part1 4 0 3 AD1 AD2 64 65 OFF 127
75. FAT SQ P Fatsynth lead with just a touch of portamento 98 KS Volksmusk Split sound between accordion and brass ensemble 99 KS JfunkJammin Split sound between a solid electric piano and bass Split sound between tuba and trumpet MW controls the delay effect piano chromatic percussion OR organ accordion harmonica GT guitar bass ST strings EN ensemble brass RD reed PI pipe LD synth lead PD synth pad FX synth effects ethnics PC percussive SE sound effects CO combinations KS keyboard splits MU90 Performance List Internal Performance List MSB 002 LSB 000 1 PF ConcertGrand Rich full concert grand piano that simulates even the resonances 2 PF MIDIGrad Layered electric piano and piano Raise MW piano and pad 3 PF 605 stage electric piano with a bit of distortion effect 77 4 PF CPPad Pad layer that brings out the character of the Yamaha CP80 5 PhaseEP Electric piano with sharp phaser O 6 RihDXEP Electric piano sound of the famous DX7 7 PD GranPad Gentle and dark synth pad Two octave layer S 8 PD Pictures Synth pad with a layered 5th interval MW controls the filter PD MoviePad Big and rich string type pad o 10 PD Aquamarine Pad suggestive of underwater n 11 PD Classic analog synth pad of yesterd
76. FFECT2 PARAMETERS MSB 00 00 7F INSERTION EFFECT2 PARAMETERS LSB 40 2 00 7 INSERTION EFFECT2 PARAMETER6 MSB 00 00 7F INSERTION EFFECT2 PARAMETER6 LSB 00 3C 2 00 7F INSERTION EFFECT2 PARAMETER7 MSB 00 00 7F INSERTION EFFECT2 PARAMETER LSB 2 2 00 7 INSERTION EFFECT2 PARAMETER8 MSB 00 00 7F INSERTION EFFECT2 PARAMETERS LSB 4A 40 2 00 INSERTION EFFECT2 PARAMETER9 MSB 00 00 7F INSERTION EFFECT2 PARAMETER9 LSB 42 1 00 7F INSERTION EFFECT2 PARAMETER10 MSB li 00 00 7F INSERTION EFFECT2 PARAMETERIO LSB TOTAL SIZE 14 When using an EFFECT TYPE for which MSB is not required the parameters of addresses 02 0B are received and the parameters of addresses 30 42 are not received When using an EFFECT TYPE for which MSB is required the parameters of addresses 30 42 are received and the parameters of addresses 02 0B are not received For bulk transmission which includes EFFECT TYPE data the parameters of addresses 02 0B will always be transmitted However for an EFFECT TYPE which requires MSB the parameters of addresses 02 0B are not received when bulk data is received 26 lt Table 1 7 gt MIDI Parameter Change table DISPLAY DATA Address Size Data Parameter H 06 00 00 20 20 7F DISPLAY LETTER Datal DISPLAY LETTER Data32 TOTAL SIZE 20 07 00 00 30 00 7F DISPLAY BITMAP Datal 2F DISPLAY Data48 TOTA
77. Hz 2 0kHz table 3 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 Low Gain 12 124 High Frequency 500Hz 16 0kHz table 3 EQ High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB EQ High Gain 12 12dB Lch Delay1 0 1 743 0ms variation block L gt R Delay 0 1 743 0ms variation block 0 1 371 4ms insertion1 2 block 0 1 371 4ms insertion1 2 block 1 3714 Lch Feedback Level 63 63 R gt L Delay 0 1 743 0ms variation block Rch Delay1 0 1 743 0ms variation block 0 1 371 4ms insertion1 2 block 1 3714 0 1 371 4ms insertion1 2 block 1 Feedback Level 63 63 Rch Feedback Level 63 63 Input Select L R L amp R High Damp 0 1 1 0 High Damp 0 1 1 0 Lch Delay2 0 1 743 0ms variation block 0 1 371 4ms insertion1 2 block Rch Delay2 0 1 743 0ms variation block 0 1 371 4ms insertion1 2 block Delay2 Level 0 127 D63 gt W D W D lt W63 Dry Wet D63 gt W D W D W63 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 EQ Low Frequency 32Hz 2 0kHz a table 3 EQ High Frequency 500Hz 16 0kHz 58 table 3 EQ Low Gain 12 12dB EQ High Gain 12 12dB EQ High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB EARLY REFI EARLY REF variation block GATE REVERB No Parameter Display See Table REVERSE variation loni Type Rira RS Pi Spr Display See Table Room Size 0 1 7 0 table 6 Type TypeA Diffusion 0 10
78. I Data Format lt Table 1 1 gt Parameter Base Address MODEL ID 4C Parameter XG SYSTEM INFORMATION EFFECT 1 EFFECT 2 DISPLAY 0 00 00 00 0 00 0 00 07 00 02 01 02 40 05 00 03 0 06 00 07 00 Address TE XG System On MULTI PART additional Multi Part 17 Multi Part 32 A D Part 1 A D Part 2 01 02 02 03 03 07 08 08 08 08 10 10 11 A D D 7D Drum setup Reset XGSystemOn All Parameter Reset System Information System Information 00 Multi Part 1 00 Multi Part 16 Multi Part 17 Multi Part 32 Multi Part 1 Multi Part 16 AID SYSTEM ii 99 AID System 01 40 01 00 OF 10 IF 00 OF 10 1F 00 01 OD Drum Setup 1 Drum Setup 2 Drum Setup 3 Drum Setup 4 DRUM 30 31 OD 32 OD 33 OD Table 1 2 MIDI Parameter Change table XG SYSTEM Address Size Data Parameter H H H 00 00 00 4 00 0F MASTER TUNE 01 00 0F 02 00 0F 03 00 0F 04 1 00 7F MASTER VOLUME 05 1 00 7F MASTER ATTENUATOR 06 1 28 58 TRANSPOSE TD 1 N DRUM SETUP RESET TE 1 00 XG SYSTEM ON 1 00 ALL RESET TOTAL SIZE 07 lt 1 3 gt MIDI Parameter Change table SYSTEM INFORMATION Address Size Data Parameter H H H 01 00 00 E 20 7 Model 1 0D 20 7F Model Name 14 1 00 7F XG Level 1 1 00 7
79. IAS __ ___ 1 2 tp tp jj jj LH sss L LL Ll uso 11 ort 21112211 o ELE Ap uoquon Ep lt assaje 96 o quosuq E cay ar AAN sss smuwus i essrauks 79 55214 ee I j j j j ooq xzo t eventos es E E EEE Ki w w Ki w i qp s i l K CHE 82 1 Tp aaae 1544 2 sws i ssiwss c nsmuo z suo ll 2505 6r OE BE AA TEE AE EE A On A o qu E o 1 p ____ 1 so A i Ki i i K i i K KW E a oo U U O gt p qu pp j J j Ll J j TT j C j sSuns 1 tamara 2 lt vampon z va
80. KickZap if 1 4 36 I Kick Techno2 1 KickBoo 1 Dawn 1 Kick Jazz 37 Ca 1 Side Stick Analog Side Stick Analog Side StickDry i SideStick Dy 38 p 1 SnareTecho 1 Snare Clap 2 Snare Dry Mute SnareTin fif 39 A uM 40 1 j SnaeTechno2 1 SnaeDry2 1 Snare White 5 fif i 41 TomAndog TomAnalog Floor Tom L Short __ 1 Floor Tom L Short 1 TomJazz pi 42 1 1 Hi Hat Closed Analog 1 Hi Hat Closed3 Hi Hat Closed2H 1 Hi Hat Closed 2 Stot 1 f 43 1 fomAndog 2 Floor TomH Shot Floor Tom H Short TomJazz2 44 1 1 HiHatClosedAnalog2 Hi HatClosedAnalog2 1 Hi HatPedal2H 1 Hi HatPedal2Soft 45 ja 1 fomAndog TomAnalog3 Low Short 1 Low Tom Short 1 TomJaz3 46 at 1 1 Hi HatOpenAnalog 1 Hi HatOpen3 HrHatOpen2L Hi HatOpen2Sofe fif 47 1 TomAnaog4 4 Mid TomLShort MidTomLShort 1 TomJazz4 pi 48 C 2 fomAndog5 TomAnalg5 i MidTomHShon 1 TomH Short 1 TomJazz5 ji 49 Ca 2 CrashAnalog 1 Crash Analog CrahCymbal V CmshCympllV fif J 50 2 fomAnadog6 TomAnalg High Tom Short High Tom Short 1 TomJazz pi
81. L SIZE 30 How DISPLAY BITMAP data and the screen display are related In the horizontal direction seven pixels form one byte of data To display a pixel set its data bit to 1 To turn off the pixel set its data bit to 0 This data is arranged in the screen as follows 67 b6 65 64 63 62 bi Datal O Data2 Datal8 Data3 Datal9 Data4 Data20 Data5 Data21 Data6 Data22 Data7 Data23 Data8 Data24 Data9 Data25 DatalO Data26 Datall Data27 Datal2 Data28 Datal3 Data29 Datal4 Data30 Datal5 Data31 Datal6 Data32 Only bit 6 and bit 5 are used for Data33 Data48 Bitmap data can also be received just for a specific pixel In this case the other pixels will display their previous status Display Data parameter changes can transmit data continuously from a desired location lt Table 1 8 gt MIDI Parameter Change table MULTI PART Address Size Data Parameter H H H 08 nn 00 1 00 40 ELEMENT RESERVE nn 01 1 00 7F BANK SELECT MSB nn 02 1 00 7F BANK SELECT LSB nn 03 1 00 7F PROGRAM NUMBER nn 04 1 00 1 7 CHANNEL 05 1 00 01 06 1 00 02 SAME NOTE NUMBER KEY ON ASSIGN nn 07 1 00 05 PART nn 08 1 28 58 NOTE SHIFT nn 09 2 00 OF DETUNE nn OA 00 OF nn OB 1 00 7F VOLUME nn 1 00 7F VELOCITY SENSE DEPTH nn OD 1 00 7F VELOCITY SENSE OFFSET nn OE 1 00 7F PAN nn OF 1 00 7F NOTE LIMIT LOW nn 10 1 00 7F NOTE LIMIT HIGH nn 11
82. Legend Chorus type pad with spacy feeling With the factory settings the internal performances will be occupied by the above sounds piano chromatic percussion OR organ accordion harmonica GT guitar bass ST strings EN ensemble BR brass RD reed PI pipe LD synth lead PD synth pad FX synth effects ethnics PC percussive SE sound effects CO combinations KS keyboard splits 29 XG Drum Map AE I no Program off assign C 1 Surdo Mute OOOO oe V1 arto ie _ es hl i WhipSip S JWhpSapB 4 Scratch j scan SeratehL Scratch A EROS NU Finger Snap 1 Finger Snap ClickNoise GlckNoseB 1 Metronome Click 1 MetonomeClikB if MemmomeBelB 14 ESTOS ASIS EEN jBrshTapV BrushTapB fif Brush SwirlV 1 BrushSwilB____ 1 Brush ____ 1 Brush Swirl Brush 4 D 4 5 DH 1 6 1 7 8 F 1 9 G A1 A A 2 A 1 EN 4 fc 0 ES BU EN EN Snare Roll 1 SnareRol2__ Snare 1 SmaeRolB 1 LI Ki po po IN AE m Snare Dry 1 SnareSoftB 7 __ St
83. NSERTION EFFECT2 PARAMETERS8 4A OA 1 00 7F INSERTION EFFECT2 9 5 OB 1 00 INSERTION EFFECT2 PARAMETER10 0 1 00 7F INSERTION EFFECT2 PART NUMBER Part1 32 0 31 7 AD1 AD2 64 65 OFF 127 0D 1 00 7F MW INSERTION CONTROL 64 0 63 40 1 00 7 BEND INSERTION CONTROL DEPTH 64 0 63 40 OF 1 00 CAT INSERTION CONTROL DEPTH 64 0 63 40 10 1 00 ACI INSERTION CONTROL DEPTH 64 0 63 40 11 1 00 7F AC2 INSERTION CONTROL DEPTH 64 0 63 40 TOTAL SIZE 12 20 1 00 7F INSERTION EFFECT2 PARAMETER 11 Refer to the Effect Parameter List 78 depends on insertion effect2 type 21 1 00 7F INSERTION EFFECT2 PARAMETER 12 00 22 1 00 7F INSERTION EFFECT2 PARAMETER 13 00 23 1 00 7F INSERTION EFFECT2 PARAMETER 14 00 24 1 00 7F INSERTION EFFECT2 PARAMETERI5 00 25 1 00 7F INSERTION EFFECT2 PARAMETERI6 00 TOTAL SIZE 6 30 2 00 7F INSERTION EFFECT2 PARAMETERI MSB Refer to the Effect Parameter List OO depends on insertion effect2 type 00 7F INSERTION EFFECT2 PARAMETERI LSB 280 32 2 00 7F INSERTION EFFECT2 PARAMETER2 MSB 00 00 7F INSERTION EFFECT2 PARAMETER2 LSB L4 34 2 00 7F INSERTION 2 MSB l 00 00 7F INSERTION EFFECT2 PARAMETER3 LSB 48 36 2 00 7F INSERTION EFFECT2 PARAMETER4 MSB 00 00 7F INSERTION EFFECT2 PARAMETER4 LSB 350 38 2 00 7F INSERTION E
84. O Frequency 0 00Hz 39 7Hz table 1 1 LFO Frequency 0 00Hz 39 7Hz table 1 LFO Depth 0 127 LFO Depth 0 127 Feedback Level 63 63 Delay Offset 0 127 table 2 Delay Offset 0 63 table 2 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB Dry Wet D63 gt W D W D lt W63 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 EQ High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 124 Dry Wet D63 gt W D W D lt W63 gt Q t O Q O EQ Mid Frequency 100Hz 10 0kHz table 3 EQ Mid Frequency 100Hz 10 0kHz table 3 variation block variation block EQ Mid Gain 12 12dB variation block EQ Mid Gain 12 12dB variation block EQ Mid Width 1 0 12 0 variation block EQ Mid Width 1 0 12 0 variation block LFO Phase 180 180deg resolution Difference 3deg ENSEMBLE DETUNE chorus variation insertion1 2 block AMBIENCE variation block Display See Table Display See Table Detune 50 50cent 1 Delay Time 0 127 table 2 Lch Init Delay 0 127 table 2 2 Output Phase normal invers Rch Init Delay 0 127 table 2 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 EQ High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB Dry Wet D63 gt W D W D lt W63 Dry Wet D63 gt W D W D lt W63 XO OQ EQ Low Frequency 32Hz 2 0kHz table 3 variation insertion1
85. OFF ON OB 1 00 01 VALUE SWITCH OFF ON 0 1 00 01 SWITCH OFF ON OD 1 00 01 SELECT SWITCH OFF ON OE 1 00 01 VALUE SWITCH OFF ON TOTAL SIZE OF lt Table 2 4 gt MIDI Parameter Change table MU80 MU50 INTERNAL PERFORMANCE Address Size Data Parameter Description Initial value H H 30 pp 00 0C 20 7F PERFORMANCE NAME 32 127 CHARACTER depends on performance number 01 00 PERFORMANCE VOLUME 0 127 OD 01 01 7 PERFORMANCE PAN L63 C R63 1 64 127 i pp OE 01 00 60 AC1 CC NUMBER 0 95 CAT 96 pp OF 01 00 01 A D INPUT OFF ON TOTAL SIZE 10 32 30 pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp 20 21 22 23 24 25 26 27 28 29 2 2B 2C 2D 2E 2F 30 31 32 33 34 35 36 37 38 39 3A 3B 3C 3D 3E 3F 40 41 42 43 44 45 46 47 48 49 4A 4B 4 4D 4E 4F 50 N NOR RB Re NOR RRR gt TOTALSIZE 31 30 pp 70 pp pp pp pp pp TI 72 73 74 75 TOTAL SIZE 06 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n 3n pP pP pP pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp pp 00 01 02 03 04 05 0
86. Parameter name and range of values 00H 00H mm 2 Pitch Bend Sensitivity mm 00H 18H 0 24 semitones Set in semitone units up to two octaves 00H 01H mm Fine Tuning mm 100 cents mm ll 40H cents 100 cents mm ll 7FH Note After mm ll OOH 7FH 87 5 cents comes OIH 87 4 cents 00H 02H mm Coarse Tuning mm 28H 40H 58H 24 0 24 semitones RPN Null Puts the RPN and NRPN numbers in an un set condition The internal setting values will not change 1 Refer to 1 2 4 2 indicates that the setting value is ignored 1 2 23 Assignable Controller By specifying a control change number of 0 95 for a part you can control the way in which an effect is applied For each part this instrument allows two control change numbers to be specified and AC2 The following parameters specify the effects that are controlled by AC1 and AC2 Multi Part Parameter 1 ACLAC2 PITCH CONTROL 2 ACLAC2 FILTER CONTROL 3 ACLAC2 AMPLITUDE CONTROL 4 ACI AC2 LFO PMOD DEPTH 5 ACI AC2 LFO FMOD DEPTH 6 ACI AC2 LFO AMOD DEPTH Effectl Parameter 7 ACLAC2 VARIATION CONTROL DEPTH Valid when Variation Effect is assigned to a part as Insertion The control change number is specified by the Multi Part parameter or A D Part parameter AC CONTROLLER NUMBER The AC2 control change number is specified by the Multi Part parameter or A D Part parameter A
87. RTAMENTO SWITCH PORTAMENTO TIME PITCH EG INITIAL LEVEL PITCH EG ATTACK TIME PITCH EG RELEASE LEVEL PITCH EG RELEASE TIME VELOCITY LIMIT LOW VELOCITY LIMIT HIGH NOT USED NOT USED EQ BASS GAIN EQ TREBLE GAIN 0 127 0 127 24 0 24 semitones 9600 0 9450 cent 100 0 100 20 0 127 0 127 0 127 OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON OFF ON 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 64 0 63 cent 24 0 24 semitones 9600 0 9450 cent 0 127 0 127 0 127 24 0 24 semitones 9600 0 9450 cent 100 0 100 20 0 127 0 127 0 127 0 95 24 0 24 semitones 9600 0 9450 cent 100 0 100 20 0 127 0 127 0 127 0 95 24 0 24 semitones 9600 0 9450 cent 100 0 100 20 0 127 0 127 0 127 OFF ON 0 127 64 0 63 64 0 63 64 0 63 64 0 63 1 127 1 127 12 12 dB 12 12 dB 00 00 42 40 40 00 00 00 01 01 01 01 01 01 01 XGmode 01 GMmode 00 01 01 01 01 01 01 01 01 XGmode 01 GMmode 00 40 40 40 40 40 40 40 40 40 40 40 40 40
88. Room Size 0 1 20 0 table 6 Initial Delay 0 63 s table 5 Diffusion 0 10 Feedback Level 63 63 Initial Delay 0 127 table 5 HPF Cutoff Thru 8 0kHz table 3 Feedback Level 63 63 LPF Cutoff 1 0k Thru 60 tablei3 HPF Cutoff Thru 8 0kHz 52 table 3 LPF Cutoff 1 0k Thru table 3 WN Dry Wet D63 gt W D W D lt W63 Q Dry Wet D63 gt W D W D W63 Liveness 0 10 Density 0 3 Liveness 0 10 High Damp 0 1 1 0 Density 0 0 1 3 High Damp 1 1 0 MU90 Effect Parameter List KARAOKE I 2 3 variation insertion1 2 block CHORUS1 2 3 4 Display See Table CELESTE1 2 3 4 chorus variation insertion1 2 block Delay Time 0 127 tablef77 Display See Table Feedback Level 63 63 LFO Frequency 0 00Hz 39 7Hz table 1 HPF Cutoff Thru 8 0kHz table 3 LFO Depth 0 127 LPF Cutoff 1 0k Thru table 3 Feedback Level 63 63 Delay Offset 0 127 table 2 EQ Low Frequency 32Hz 2 0kHz table 3 EQ Low Gain 12 124 High Frequency 500Hz 16 0kHz table 3 EQ High Gain 12 12dB Dry Wet D63 gt W D W D lt W63 D63 gt W D W D lt W63 A EQ Mid Frequency 100Hz 10 0kHz table 3 variation block EQ Mid Gain 12 12dB variation block EQ Mid Width 1 0 12 0 variation block Input Mode mono stereo FLANGER1 2 3 chorus variation insertion1 2 block SYMPHONIC chorus variation insertion1 2 block Display See Table Display See Table LF
89. T SATSNTOXS JI 9dATSD91 ITUSUPIA Ex SIT JO S SABMIB ST Zx ST JT Tx 41 jeseM su s AHO So30N IV HAO NO ESO MIDI Inprementation Chart Spueuuoo SUTIL TROU wo1sAS SATSNTOXY WS1sAS x MU90 XG Voice List Jo JIQUINN Ut se 9UIES esgus e tem Z 69 L 1 ssp ess 29 727 oros 19 LITT j C j j jJ T j j J C md T L T1 LL LL ttt ett 2 0 2 2 _ j C jJ j j j j T j j j jJ C j J j J aos TT eee j j T vs NY L ASMIS S cssums os gore 1 111 ln 581155 sms Ka ruedun 8 214 9v nguei F s FF ncCrCksFV m mn rr rr n T rr r r ka V 22112117172 C j ora gt AAA NAH e ra vans or
90. W VARIATION CONTROL 64 0 63 40 5D 1 00 7 BEND VARIATION CONTROL 64 0 63 40 5 1 00 7 CAT VARIATION CONTROL 64 0 63 40 5F 1 00 7F AC1 VARIATION CONTROL DEPTH 64 0 63 40 60 1 00 7 2 VARIATION CONTROL 64 0 63 40 TOTAL SIZE 21 24 02 01 70 71 72 73 74 75 TOTAL SIZE Da gt lt 1 5 gt 00 7F 00 7F 00 7F 00 7F 00 7F 00 7F MIDI Data Format VARIATION PARAMETER 11 VARIATION PARAMETER 12 VARIATION PARAMETER 13 VARIATION PARAMETER 14 VARIATION PARAMETER 15 VARIATION PARAMETER 16 MIDI Parameter Change table MULTI EQ Address Size 02 40 00 01 02 03 04 05 06 07 08 09 OB 0C 0 0 10 11 12 13 14 mun TOTAL SIZE 15 Table 1 6 Data H 00 04 34 AC 04 28 01 78 00 01 34 AC OE 36 01 78 34 4C 36 01 78 34 4 36 01 78 34 4 01 78 00 01 Parameter EQ TYPE EQ FREQUENCY1 EQ Q1 EQ SHAPEI EQ GAIN2 EQ FREQUENCY2 EQ Q2 NOT USED EQ GAIN3 EQ FREQUENCY3 EQ Q3 NOT USED EQ GAIN4 EQ FREQUENCY4 EQ Q4 NOT USED EQ GAIN5 EQ FREQUENCY5 EQ 05 EQ 5 5 MIDI Parameter Change table EFFECT 2 Address Size H H 03 00 00 2 02 03 04 05 06 07 08 09 OB OC 0D 10 11 TOTAL SIZE 1 E
91. a Format 24H rr mm Drum High Pass Filter Cutoff Frequency mm 00H 40H 7FH 64 0 63 mm Drum EQ Bass Gain mm 00H 40H 7FH 64 0 63 rr mm Drum EQ Treble Gain mm 40H 64 0 63 34H rr mm Drum EQ Bass Frequency mm 04H 28H 32 2 0k Hz 35H rr mm Drum EQ Treble Frequency mm 1CH 3AH 500 16 0k Hz MSB 14H 35H for drum is received when the Multi Part parameter PART MODE DRUMSI 4 See 1 2 4 2 indicates that the value is ignored 3 Adjusts the time at which the vibrato effect begins after a note is played Lower values will cause the effect to begin applying sooner and higher values will cause the effect to begin applying later This has no effect when Bank Select MSB 127 is selected 4 This has no effect when the Multi Part parameter PART DRUM or DRUMS1 4 1 2 22 RPN Registered Parameter Number These messages make part settings such as Pitch Bend Sensitivity and Tuning The RPN MSB and RPN LSB are transmitted to specify the parameter which is to be controlled and subsequently Data Entry see 1 2 4 is used to set the value of the speci fied parameter Control Parameter Data Range 100 RPN LSB 0 127 101 RPN MSB 0 127 If the Multi Part parameter Rcv RPN OFF that part will not receive this message The following RPN messages can be received RPN Daa Eny C MSB LSB LSB
92. a2v 1 RideCymbal2B 1 as standard Kit No sound 60 XG Drum Map SEA Program n iil off assign 3 Surdo Mute V Surdo Mute V 1 oc T t RR 15 os 1 I 16 E 1 F 1 18 reu 19 al 2 1 21 22 1 a 24 n 25 0 jJBmshTpV 1 Bunrpv ___ 1 3 26 jBusnswiv 27 108 BrsHSlpy __ 1 C 28 E JBmushTapSwil V BrushfapSwalV Reverse Cymbal 1 RiverseCymbal 29 00 0 jSnreRolV 3 0 J 30 _ 3 5 1 Snare Noisy5 1 Snare Snappy Electro 1 SnareNoisy4 ____ 1 32 33 ja KikTgh2 1 Kick3 1 Kick Tight2 11 34 IM 35 ____ 1 KickGate 1 KickAnalogShor 1 36 1 1 Kick Gate 1 KickGate2 1 Kick Gate 1 Kick Analog 11 3 jc 1 Stick Analog 38 p 1 Snare 2 1 Snare Rock Snare SnareNoisy2 1 Snare Ana
93. al _____ 1 Gran Cassa Mute CuttingNoise 1 Phone Call 1 2 DoorSquak 38 D 1 1 BrushSlap3 1 Band Snare Distorted Cutting Noise 2 Door Slam 1 1 SeratehCut 1 40 1 jSnaeTightL BrushTap2 _____ 1 Band Snare 1 Bass Slide 2 ScrahH3 2 41 7 Jijrompmushi ____ 1 TomJazz Pick Scrape 1 WindChime 42 F i 1 HHaClosedL fT Telephone 1 43 1 jiffomiaz __ 1 44 1 1 HiHaPedlL AS 45 Tom 1 TomBrsh3 Tomzazz3 1 1 46 1 1 47 1 ____ 1 TomJazz4 _ 1 1 48 C 2 piffomBrush5 __ 5 o and Cymbal j j ____ _ 50 2 ____ 212 1 TomBrsh 1 TomJazz6 Si 2 fif 1 24 2 Chinese Cymbalv fif PluteKeyChek 1 f1 53 2 RideCygmbaCupL 1 1 1 54 re 55 jo 2 jSpahCymalV 56 o 2 5 E Siren 2 57 2 CrahCymbl2W_ j HadCymbl2 1 Train 1 58 2 59 2 RieCymba2V Hand Cymbal 2 Short 1 f Starship 2 as standard Kit No sound 63 XG Drum Map AE r UArTN P
94. angle of the mics which will pick up the output AURAL EXCITER Level of the effect sound which will be mixed into the dry sound PITCH CHANGE type Output level of second unit AMBIENCE Exchange the L R phase of the effect sound All types Output level PITCH CHANGE type PAN of first unit PITCH CHANGE type PAN of second unit PHASER type FLANGER type L R phase difference between modulation waveforms At 0 deg 64 there is no phase difference PITCH CHANGE type Output level of first unit AUTO PAN Type of auto pan L lt gt R is sine wave L R is square wave PHASER type Offset value of phase modulation PITCH CHANGE type Pitch setting in semitone steps 12 Explanation of effect parameters Release COMPRESSOR type Time until when the compressor effect is removed kwa sarrra Threshold COMPRESSOR type Input level at which the effect begins to apply Wall Vary REVERB type Condition of the walls of the room being simulated higher values produce more random reflections REVERB type Width of the room being simulated Note The types such as REVERB type referred to in the above table include the following effects CHORUS type CHORUSI CHORUS2 CHORUS3 CHORUS4 CELESTE1 CELESTE2 CELESTE3 CELESTE4 COMPRESSOR type COMPRESSOR COMP DIST DELAY type DELAY DELAY L R ECHO CROSS DELAY DISTORTION type DISTORTION OVERDRIVE SIMULATOR AUTO WAH DIST AUTO WAH ODRV TOUCH WAH DIST TOUCH
95. ay __12 PD Combination of analog sound and voice pad Aftertouch controls the filter U 13 PD DakPad Dark pad suitable for pop n Analog synth with decay suitable for sequenced phrases Analog synth with extremely short decay suitable for sequenced phrases 19 OR BackyardOrgan Jazz type organ suitable for accompaniment 20 OR OldDaysOrgan Percussive organ MW controls rotary speed 21 OR Stereo Field Organ Organ with a sense of stereo 2 OR Drawbars1AT Drawbar organ of the 70 s Aftertouch controls the rotary speed 23 OR Drawbas2MW Sentimental organ MW controls rotary speed FulChuch Church style pipeorgan n 25 Old Rock Organ Electric organ of the 60 s Organ 4 typical of progressive rock MW has rotary speaker effect Clean electric guitar suitable for Use on sequenced phrases MW controls the auto pan speed 45 CuttingBrass Sharp brass section n 46 TijuanaBrass Softbrass section of the 6045 n 47 BR CS80Mind Brass sound of the classic Yamaha 580 synthesizer 48 FatEnsemble Warm analog synth type pad n 49 TechBras Synth bass with distortion suitable for techno An 5 BR ThinBrass Classic synth bass of yesterday ____ _________ Synth lead characterized by velocity controlling the tonal change of the attack 60 HighLigh Synth sound that layer
96. ble 5 HPF Cutoff Thru 8 0kHz table 3 HPF Cutoff Thru 8 0kHz table 3 LPF Cutoff 1 Ok Thru table 3 LPF Cutoff 1 0k Thru table 3 Width 0 5 10 2m table 11 Heigt 0 5 20 2m table 11 Depth 0 5 30 2m table 11 Wall Vary 0 30 Dry Wet D63 gt W D W D W63 Q A Q LD Dry Wet D63 gt W D W D lt W63 Rev Delay 0 63 table 5 Rev Delay 0 63 table 5 Density 0 4 reverb variation block Density 0 4 0 2 insertion1 2 block Er Rev Balance E63 gt R E R E R63 Er Rev Balance E63 gt R E R E lt R63 High Damp 0 1 1 0 High Damp 0 1 1 0 Feedback Level 63 63 Feedback Level 63 63 0 1 1486 0ms variation block Lch Delay 0 1 1486 0ms variation block 0 1 742 9ms insertion1 2 block 0 1 742 9ms insertion1 2 block 1 7429 0 1 1486 0ms variation block Rch Delay 0 1 1486 0ms variation block 0 1 742 9ms insertion1 2 block 0 1 742 9ms insertion1 2 block 1 7429 Cch Delay 0 1 1486 0ms variation block Feedback Delay 1 0 1 1486 0ms variation block 0 1 742 9ms insertion1 2 block 0 1 742 9ms insertion1 2 block 1 7429 Feedback Delay 0 1 1486 0ms variation block Feedback Delay 2 0 1 1486 0ms variation block 0 1 742 9ms insertion1 2 block 0 1 742 9ms insertion1 2 block Feedback Level 63 63 Feedback Level 63 63 Cch Level 0 127 High Damp 0 1 1 0 High Damp 0 1 1 0 Dry Wet D63 gt W D W D lt W63 Dry Wet D63 gt W D W D lt W63 EQ Low Frequency 32
97. ct the amp type to be simulated COMPRESSOR type NOISE GATE Time until when the compressor begins to take effect Time until when the gate begins to open Frequency offset value which will control the wah filter KARAOKE 1 2 3 AMBIENCE Interval between repeats of the karaoke echo Delay length ECHO Volume of the second delay REVERB type EARLY REF type Density of the reflections Higher values produce greater density REVERB type Depth of the room to be simulated ENSEMBLE DETUNE Amount of pitch shift DISTORTION type The degree of distortion 2WAY ROTARY SPEAKER Depth of the modulation caused by the rotation of the high frequency speaker All types Balance between dry sound and effect sound DISTORTION type Curve of distortion character sharp 127 distorts suddenly and mild 0 distorts gradu ally All types Frequency at which the EQ will boost cut the high range All types Amount of gain with which the EQ will boost cut the high range All types Amount of gain with which the EQ will boost cut the low range All types Frequency at which the EQ will boost cut the mid range All types Frequency at which the EQ will boost cut the low range Depth of front back panning valid when PAN Direction L turn Rturn REVERB type DELAY type EARLY REF type PITCH CHANGE type KARAOKE type CHORUS type FLANGER type Amount of feedback for the initial delay Amount of feedback Setting for delay repeats Level at which the delayed o
98. d data will be in the format of an XG Model Native Parameter Change see 2 1 4 11110000 FOH Exclusive status 01000011 43H YAMAHA ID 0011 3NH N Device Number 01001001 49H Model ID 0ggggggg GGH Address High Ommmmmmm MMH Address Mid 01111111 LLH Address Low 11110111 End of Exclusive 2 3 3 MU90 MU90R Native parameter request This message requests that parameters unique to the MU90 MU90R be transmitted The transmitted data will be in the format of a MU90 MU90R Native Parameter Change see 2 1 4 11110000 Exclusive status 01000011 43H YAMAHA ID 0011nnnn 3NH N Device Number 01011001 59H Model ID 09999999 GGH Address High Ommmmmmm MMH Address Mid 01111111 LLH Address Low 11110111 End of Exclusive 2 4 Dump Request These messages request that parameter values of the specified block be transmitted The transmitted data will be in bulk dump format 2 4 1 XG dump request This message requests that all parameter values of the specified block of XG parameters be transmitted The transmitted data will be in XG Bulk Dump format see 2 2 1 11110000 FOH Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N device Number 01001100 4CH Model ID 0ggggggg GGH Address High Ommmmmmm Address Mid 01111111 LLH Address Low 11110111 End of Exclusive The address is valid if the beginning of the block is specified Transmission reception of dump requests cannot be turned off by a MIDI
99. e Silence 98 vibraphone vibe Silence Silence 99 vibraphone 2 vibe Silence synth male symale 1 Silence 101 mallet windbelt malewin 2 Silence glockenspiet glocken 2 Silence Siene 103 barbe 1 Silence 104 xylophone xylophen 1 Silence Silence 105 marimba marimba 2 Silence Sie 106 hoo ko Silence Sie so smo 2 Silence Silence 108 2 Silence whistle whistler 2 Silence Silence whistle2 1 Silence Sie bme bottle ___ 2 Silence Siene 12 f breath pipe breath 2 Silence Silence 13 mpi 1 Silence 14 meloditom melotom 1 Silence Silence 5 deep snare deepsnar Silence Silence 116 electric percussion I __ 1 Silence Silence 17 electric percussion epere2 1 Silence Silence 1s uio 1 Silence Sie 19 wikorm 1 Silence 29 cymbal 2 Silence casa ease 1 Silence Silence Silence 123 orchestra hit 1 Silence Silence 124 telephone telphone Silence 125 bird weet
100. e See Table Como No Value See Table Attack table 8 1 40ms table 8 Release table 9 Release 10 680ms table 9 Threshold 3 Threshold 72 30dB Ratio 0 20 table 10 4 Output Level 0 127 Output Level 1 2 3 4 5 6 7 8 9 0 VOICE CANCELAR variation block A Q LD n Low Adjust 0 26 0 26 High Adjust 0 26 0 26 11 Parameter name AM Depth AMP Attack Cch Delay Cch Level Crossover Frequency Cutoff Frequency Offset Delay Offset Delay Time Delay2 Level Density Depth Detune Diffusion Drive Drive High Drive Low Dry Wet Edge Clip EQ High Frequency EQ High Gain EQ Low Frequency EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width Er Rev Balance F R Depth Feedback Delay Feedback Delay 1 Feedback Delay 2 Feedback Level Fine 1 Fine 2 Height High Adjust High Damp HPF Cutoff Initial Delay Input Mode Input Select L R Depth L gt R Delay Lch Delay Lch Delay 1 Lch Delay 2 Lch Feedback Level Lch Init Delay LFO Depth LFO Frequency LFO Phase Difference Liveness Low Adjust Low High LPF Cutoff Mic L R Angle Mix Level Output Level Output Level 1 Output Level 2 Output Phase Pan 1 Pan 2 PAN Direction Phase Shift Offset Pitch Explanation of effect parameters Effect types in which the parameter exists Explanation of parameter TREMOLO Depth of volume modulation AMP SIMULATOR Sele
101. hBassClarinet Richly expressive bass clarinet for soloists ooo 62 BR SlapSwitch Slap bass with velocity switching S 64 PD SoftSweep Spacious pad MW modifies the tone 65 OR DrawOrgan MW Drawbar organ MW changes the rotary speed ss 66 SL PoraLin MW Synth lead with a simple feeling MW controls 4 f 68 Easy Seven Classical sounding FM electric piano Layered with synth strings 69 KS Guitar amp Sax Split sound with soft feeling guitar and breathy tenor sax 72 PD Easter Ethnic style pad sound also playable as lead 75 Trombonit Expressive brass sound suitable for solos 0 22 77 BR Remix Brass Sound with velocity split between strings brass section and brass fall 80 KS Bass Piano Brass Split sound between velocity split piano and brass and bass __ 4 4 4 83 Hybrid Brass Punch brass which combines acoustic and synth U I II I 86 SE MUtopia Futuristic pad Aftertouch controls the filter OOOO 87 PD FloatPad Soft feeling pad MW controls the filter 88 OR TinyPip Small pipe organ 2 56 5 Nl MU90 Performance List 89 SC SweetWine Synth sound suitable for electronic music 4 4 4 90 PD PadSwel Bright feeling synth pad with filter change effect 94 PD Space Wall Synth pad with deep modulation 96 SC
102. he Multi Part parameter Rcv HOLD1 OFF that part will not receive Hold1 1 2 9 Portamento This message controls portamento pedal on off Control Parameter Data Range 64 Portamento 0 63 64 127 OFF ON When ON the pitch will smoothly change from one note to the next The time over which the pitch change occurs is adjusted by Portamento Time see 1 2 3 If the Multi Part parameter MONO POLY MODE MONO turning Portamento ON will also cause the sound to be smoothly connected legato If any of the following Multi Part parameter settings apply that part will not receive Portamento e Rev PORTAMENTO OFF e PART MODE DRUM DRUMSI 4 1 2 10 Sostenuto This message controls sostenuto pedal on off Control Parameter Data Range 66 Sostenuto 0 63 64 127 OFF ON When sostenuto is turned on while a note is sounding that note will continue sustaining until sostenuto is turned off If the following Multi Part parameter setting applies that part will not receive Sostenuto e Rev SOSTENUTO OFF 1 2 11 Soft Pedal This message controls soft pedal on off Control Parameter Data Range 67 Soft Pedal 0 63 64 127 OFF ON When the sound will softer If any of the following Multi Part parameter settings apply that part will not receive Soft Pedal Rcv SOFT PEDAL OFF PART DRUM DRUMI 4 1 2 12 Harmonic Content This message adjusts the resonance of the filter that is specified
103. icks BT Kick Open Rim Shot Dry 1 OpenRimShotB if aussi RENE p p S 5 S S p pe m p m S S L1 Casanet 00 jCametB S 115 p Kick Soft m S EY S o Kick op S p S p po S 8 EE EN p p p S 1 E e Side Stick if Side Stick Dry 1 SideSikB_____ t ___________ 10 Flor TomL i FborTomLShort FloorTomLB 1 i Hi Hat Closed HrHaClosdLB 1 Flor TomH if Floor Tom Short 1 FloorTomHB ____ 1 2 Hi Hat Pedal HiHatPedalB LowTomShot i LowTomB TomRoom3 o Sapes 1 MidTomLShot MidTomLB jij MidTomHShort ___ 1 MidTomHB 5 ____1 Crash Cymbal 1 V 1 CrashCymbal1B f EN EN Mid Tom L 1 Po 11 I e jHlghTomShot i HighTomB 1 RieCymaliv RideCymbal 1B 1 1 Chinese Cymbal V 1 ChieseCyma B Ride Cymbal Cup Short el Tambourine L Isene L 56 2 j Cowel 11 owur 1 1 57 2 2 GrahCymba2V 1 CrashCymbal2B__ _ 58 fat 2 __ 1 PViralpB 59 JB 2 JjRidCymbl2 RieCym
104. log 11 35 0 1 C 40 fe 1 _____ Tight Snappy 2 1 Snare RockRim 1 Snare 1 Snare Noisy3 1 SnareAnalog 4 F 1 i TomRok1 ____ 1 TomRock1H Tom Electro1 i TomAnalog1 11 4 1 1 40 fHiHatClosed2 1 Hi Hat Closed Analog 1 4 G 1 20 1 i TomRok2H i TomEleo i TomAnalog 44 1 1 MiHaPedaQ 1 Hi Hat closed Analog 2 1 45 1 JRemTom3Q i TomRock3 11 Tom 3 5 1 TomElecwo3 1 Tom Analog3 ___ 1 46 fas 1 1 JH HaOpnL 1 HrHaOpn2 1 Hi Hat Open Analog 47 1 jiomRoomm4Dak _ 1 i TomRock4LShot 1 TomElecro4 i TomAnalog4 48 C 2 TomRoom5LDak 1 5 TomRock5LSho 1 Tom 5 Tom 5 11 50 D 2 j iomRoom LDak i TomRock6 1 TomRock6LShot 1 TomElecro6 1 TomAnalog6 11 51 2 RideCymaliwv_ 52 E 2 ChneseCymbaV Chinese Cymbalv fif 53 F 2 54 2 55 2 SplashCymaVv 1 jSpahCymalV __ 1 56 c 2 lol Cowo Analog 57 la 2 CashCymbi2v fif qp j CmshCyma2V pp s las 2 __ 59 B 2 RideCymba2w_ 1
105. m 00H 40H 7FH 64 0 63 mm OIH 64H mm EG Decay Time mm 00H 40H 7FH 64 0 63 01H 66H EG Release Time mm 40H 7FH 64 0 63 14H rr Drum Low Pass Filter Cutoff Frequency rr drum instrument note number mm 00H 40H 7FH 64 0 63 15H Drum Low Pass Filter Resonance rr drum instrument note number rr mm 16H Drum EG Attack Rate IT drum instrument note number mm 40H 7FH 64 0 63 IT 17H rr mm Drum EG Decay Rate rr drum instrument note number mm 40H 64 0 63 Applies to both Decay 1 and 2 18H Drum Instrument Pitch Coarse rr drum instrument note number rr mm 19H Drum Instrument Pitch Fine IT drum instrument note number mm 40H 7FH 64 0 63 IT 1 Drum Instrument Level rr drum instrument note number mm 00H 7FH 0 maximum ICH rr Drum Instrument Panpot rr drum instrument note number mm 00H 01H 40H 7FH RND L63 C R63 1DH Drum Instrument Reverb Send Level rr drum instrument note number mm 0OH 7FH 0 maximum 1EH Drum Instrument Chorus Send Level rr drum instrument note number mm 0 maximum rr 1FH Drum Instrument Variation Send Level rr drum instrument note number mm 00H 7FH 0 maximum when Variation Connection SYSTEM mm 00H 01H 7FH OFE ON when Variation Connection INSERTION rr MIDI Dat
106. mp This message sets the MULTI EFFECT block see tables 1 1 and lt 1 4 gt 2 2 1 4 Multi EQ bulk dump This message sets the MULTI EQ block see tables lt 1 1 gt and lt 1 5 gt 2 2 1 5 Multi Effect2 bulk dump This message sets the MULTI EFFECT2 block see tables 1 1 and 1 6 2 2 1 6 Multi Part bulk dump This message sets the MULTI PART block see tables 1 1 and lt 1 8 gt 2 2 1 7 A D Part bulk dump This message sets the A D PART block see tables 1 1 and lt 1 9 gt 2 2 1 8 Drums Setup bulk dump This message sets the DRUMS SETUP block see tables 1 1 and lt 1 11 gt 2 2 MUSO Native bulk dump These messages set parameters unique to the MU80 Unlike parameter changes a single message can set multiple parameters 11110000 FOH Exclusive status 01000011 43H YAMAHA ID 0000nnnn ONH N Device Number 01001001 49H Model ID 05555555 SSH ByteCountMSB Ottttttt TTH ByteCountLSB 0ggggggg GGH Address High Ommmmmmm MMH Address Mid 01111111 LLH Address Low Ovvvvvvv VVH Data Okkkkkkk KKH Check sum LLLIQITEL End of Exclusive The details are the same for 2 2 1 XG Bulk Dump However for the address byte count and block refer to tables 2 n 2 2 2 System bulk dump This message sets the SYSTEM block see tables 2 1 and lt 2 2 gt 2 2 2 2 MUS0 MUSO Internal Performance bulk dump This message is in MU80 MU50 data format sets the INTERNAL PERFORMANCE block see tables 2 1 and
107. n Pe 7 re I Li BidTwer 2 103 6 Li Ge Thunder I ae ko i Fi Sese 107 Steam cr Bubble 2 No Sound ro npn Ry C M Drum Map YAMAHA VV98070 703CRIT1 3 02B0 M D G EMI Division Yamaha Corporation 1997 Printed in Japan
108. nV 1 jCogaHOpnV j CongaAndogM 1 Conga LV 1 CongaAnalogL __ 1 Timbale D 3 E 35 3 pe 9 mme EVI AA IG 35 31 AA p EC 3 3 3 3 3 3 3 3 3 EX 11 A Samba Whiste HV 1 72 4 Samba WhisteLV__ 1 ___________ jSampaWhistleLV 73 C a rn Y y MCU 402 ___ 1 o E 4 77 F 78 4 CucaMuev if CucaMuev ScratchH2 i SerarchH2 f1 79 4 Scratch 2 1 Seracht3 0 2 81 A 4 o 3 9 83 nn ss C 5 61 62 63 64 65 F 67 G G A 70 71 72 C 73 Same as standard Kit No sound 65 XG Drum Map Jn Program Note Alternate SK Kit 2 Hop Kit Kit azz off assign C 3 Bongo H V w r s T Bongo H V ee 1 IAE wawawan D 3 _____ ___ 1 CongaAnalogH_ i CongaHMueV l ConaHMueV fif D 3
109. nd 69 TG300B Drum Map m LI 1 Program Note jo Analog Kit E E j Maracas 1 Electro Kit E un in in in i NO lt mO O Ol Ea O IB lt lt m miu m O O lt O NO s es m m Ben Claves Surdo Mute TG Surdo Open TG 2 ea 8 Castanet 1 ote a st t t st Z lt 78 a 4 CucaMueTG 1 79 4 4 GucaOpenTG 1 111 80 4 5 frangeMuteTG o o p 81 4 5 frangleOpnTG po 82 EGZ Shaker __ 1 p 83 4 ingle Bells _ 1 __ p o VO 4 jc 5 io S S S f z 2 A 9 6 x m d 8 3 B E Same as standard Kit No sound 70 TG300B Drum Map 33 Alternate assign Jazz Kit S ob AJ Samba Whistle L TG CM Vibraslap CM lara 2 211 Explosion Samba Whistle H TG CM Scream Punch Heartbeat Footsteps Footsteps Applause Door Squeak Door Slam Claves CM Laugh Maraca
110. nk Select MSB 0 64 126 127 Normal voice SFX voice 5 kit Drum kit 32 Bank Select LSB 0 127 Bank Select processing 15 suspended until a Program Change message 15 received and when voice from a different voice bank is to be selected Bank Select and a program change message must be transmitted as a set in the order of Bank Select MSB LSB and Program Change Bank Select 15 not received when Sound Module Mode C M 1 2 2 Modulation In general this message controls the depth at which vibrato is applied but the depth of the following seven effects can be controlled The effect of these messages can be changed by the following parameters Multi Part Parameter 1 MW PITCH CONTROL 2 MW FILTER CONTROL 3 AMPLITUDE CONTROL 4 MW PMOD DEPTH 5 MW LFO FMOD DEPTH 6 MW LFO AMOD DEPTH Effectl Parameter 7 MW VARIATION CONTROL DEPTH Valid when Variation Effect is assigned to a part as an Insertion effect With the initial settings the LFO Pitch Modulation PMOD effect will apply Parameter Modulation Control 0 Data Range 0 127 When the Multi Part parameter Rev MODULATION OFF that part will not receive Modulation If the receiving channel is a drum part effects 5 and 6 will not apply 1 2 3 Portamento Time This message controls the way in which portamento see 1 2 9 is applied Parameter Portamento Time Control 5 Data Range 0 127 When Portamento this adjusts the
111. ns T T I Lor 9 ens C T Ki iem T sr I J 8 SIE I II af sa P s C T j j J T ka aoa ens 1 T T TIT J T AO ICE T J J T IEA T T TIT J T T T TT Tr L T I 00 T TI TIT J Ts af eoma af wosa TJ NE J Ki J T Ki T J T vens TT J J s i 08 P T ens T _____ T NO sr T T T T J IA T ens T J J ETA Fr creme T cens C i C TI Ki TL J TI o us I 89 D esses T ens n UO NEN ens L oo uns IE qe A NTN j j LL al a Fi a 101 ueq a E E s punos 3AISSNIIIJ oru m u u u dnour 1u umnsu al al ocxwa al sexwa al roexwI 88192129 yueg 5 About the 128 GM
112. o the Effect Parameter List OO depends on reverb type 11 l 00 7F REVERB PARAMETER 12 i 04 12 1 00 7F REVERB PARAMETER 13 32 13 1 00 7 REVERB 14 08 14 1 00 7 REVERB PARAMETER 15 40 15 1 00 7F REVERB PARAMETER 16 00 TOTAL SIZE 6 02 01 20 2 00 7F CHORUS TYPE MSB Refer to the Effect Program List 41 51 00 7 CHORUS TYPE LSB 00 22 1 00 7F CHORUS PARAMETER 1 06 depends chorus type 23 1 00 7F CHORUS PARAMETER 2 36 24 1 00 7F CHORUS PARAMETER 3 4D 25 1 00 CHORUS PARAMETER 4 n 6 26 1 00 7 CHORUS PARAMETER 5 00 27 1 00 7 CHORUS PARAMETER 6 1C 28 1 00 CHORUS PARAMETER 7 40 20 1 00 7F CHORUS PARAMETER 8 2 2 1 00 7 CHORUS 9 40 2B 1 00 7F CHORUS PARAMETER 10 40 2 1 00 7 CHORUS RETURN codB OdB 6dB 0 96 127 40 2D 1 01 7F CHORUS PAN L63 C R63 1 64 127 40 2E 1 00 7F SEND CHORUS REVERB codB OdB 6dB 0 96 127 00 TOTAL SIZE OF 02 01 30 1 00 7F CHORUS PARAMETER 11 Refer to the Effect Parameter List 2E depends on chorus type 31 1 00 7F CHORUS PARAMETER 12 40 32 1 00 7F CHORUS 13 33 1 00 CHORUS 14 00 34 1 00 7F CHORUS PARAMETER 15 00 35 1 00 7 CHORUS PARAMETER 16 00 TOTAL SIZE 6 02 01 40 2 00 7F VARIATION TYPE MSB Refer to the Effect Program List 05
113. olume AUTO PAN An effect which cyclically moves the sound left right and front back PHASER 1 Cyclically changes the phase to add modulation PHASER 2 44 49 00H DISTORTION Adds a hard edged distortion A noise gate is provided making this suitable for use with A D input as well Since a compressor is provided in the initial stage even distortion 15 produced regardless of the input level Adds mild distortion noise gate is provided making this suitable for use with A D input as well nn Simulates a guitar amp A noise gate is provided making this suitable for use with A D input as well 3BAND EQ MONO Mono EQ with low mid and high equalization 2BAND EQ STEREO Stereo EQ with low and high equalization Ideal for the drum part A as pedal wah ld uii NE The output of AUTO WAH is distorted by DISTORTION Can be used with AC1 etc as a pedal wah kika ren The output of AUTO WAH is distorted by OVERDRIVE Can be used with ACI etc as a pedal wah The level of the input will modify the center frequency of the wah filter Can be used with etc as a pedal wah kl RR The output of TOUCH WAH is distorted by DISTORTION Can be used with AC etc as a pedal wah ARTE The output of TOUCH WAH is distorted by OVERDRIVE Can be used with etc as pedal wah papse poses asse The level of the input will modify the center frequency of the wah filter Can be used with
114. resolution 3deg DISTORTION OVERDRIVE variation insertion1 2 block Display See Table COMP DIST variation block Display See Table Drive 0 127 Drive EQ Low Frequency EQ Low Gain Cutoff Output Level EQ Mid Gain EQ Mid Width Dry Wet Q Edee Clip Curve Display See Table 2 AMP Type 3 LPF Cutoff 4 Output Level 11 Edge Clip Curve EQ Mid Frequency 0 127 32Hz 2 0kHz table 3 12 12dB 1 0k Thru table 3 0 127 100Hz 10 0kHz table 3 12 12dB 1 0 12 0 D63 gt W D W D lt W63 0 127 mild sharp AMP SIMULATOR variation insertion1 2 block 0 127 Off Stack Combo Tube 1 0k Thru table 3 0 127 D63 gt W D W D lt W63 0 127 0 127 mild sharp 0D 3BAND EQ MONO variation insertion1 2 block EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry Wet Edge Clip Curve Attack Release Threshold Ratio 32Hz 2 0kHz 12 12dB 1 0k Thru 0 127 100Hz 10 0kHz 12 12dB 1 0 12 0 D63 gt W D W D lt W63 0 127 1ms 40ms 10ms 680ms 48dB 6dB 1 0 20 0 table 3 table 3 table 3 mild sharp table 8 table 9 table 10 Display See Table Q EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency 12 12dB 100Hz 10 0kHz 12 12dB 1 0 12 0 12 12dB 50Hz 2 0kHz 500Hz 16 0kHz mono stereo
115. rogram Bongo H E Bongo H B j 1 o 1 necs s _____ 1 I1 CogaHMueB CogaHOpn 1 CongaHOpenV lj CongaHOpeB fif Conga 1 lj CogaLB ______ 1 Timbale HV lj TimbleHB ID Agogo Casa 1 ERN ress Oo jSambaWhisleH 1 j SambaWhisle HV 1 SambaWhiste HB f SambaWhisleL Samba Whistle LV 1 SambaWhisle LB 1 j GuroShot jGuroShrtB C GuroLog j GwrLogB 11 Caves S iss 11 WodBlckH 1 JWedBleckHB WoodBlockL WodBlekrB_ CucaMue 1 1 1 x CucaOpen CuicaQpenvy_ _ 1 fif 2 jJTimgeMweB 1 2 Triangle Open Triangle OpenB 1 _____ 11 phgeBelsB 1 JBelTee 11 7 11 _ n Same as standard No sound 64 XG Drum Map SE F ME HE Program M n off assign fF Bongo H V F Bongo H V C 3 iy 1 w Conga MuteV 1 jCongaAmlogH 1 CogaHOp
116. rol This message specifies the key source number for portamento the key number from which portamento will start The portamento source key is specified as 0 127 When Portamento Control is received the currently sounding pitch will change at a speed of Portamento Time 0 to the key of the next note on that is received on the same channel Control Parameter Data Range 84 Portamento Control 0 127 C 2 G8 This is received even if PORTAMENTO OFF 1 2 17 Effect1 Depth Reverb Send Level This message specifies the send level for the reverb effect Control 91 Parameter Effect Depth Data Range 0 127 Higher values will produce a deeper reverb The result of the value will depend on the state of the reverb effect 1 2 18 Effect3 Depth Chorus Send Level This message specifies the send level for the chorus effect Parameter Effect3 Depth Control 93 Data Range 0 127 Higher values will produce more modulation and spaciousness The result of the value will depend on the state of the chorus effect 1 2 19 Effect4 Depth Variation Effect Send Level This message specifies the send level for the variation effect Control 94 Parameter Effect4 Depth Data Range 0 127 However this is not received if the Variation Effect parameter Variation Connection 0 Insertion 1 2 20 Data Increment Decrement for RPN This message increases or decreases the value of the parameter specified by RPN
117. s CM Orchestra Kit Helicopter 1 S Vind Chime tion Applause Exhaust Cas a ai Train 44 4 Machine Gun 1 Bird Tweet Ff Cut pf Wind po Pf Seashore J Stream Bubble pp Eu a Eo Po E x Po x x Po Lo x poo IN IN n A AAA ss x AAA IN PA e n nn n x AAA A 2 AAA IN Po m LI m m m m m m m m m m m m m m i m m m m m n m m m m m m m m m m n m Gunshot Machine Gun L Dog L Horse Bird Tweet 11 Shower 211 Wine Seashore Stream Bubbe E O un un NO 6 I alvl la lt lt 3 5 N No A a N 5 ss 92 8858 5 555353355 Same as standard Kit No sound 71 Note Note Alternate C M Kit E i x cl x CI __ Side Stick OM i x x DAL and Cap OM a Ei Snare Electro CM i 2 I 5 Gi HerTemHCM I as Ar LevTmcM 57 pen
118. s a variety of sounds Old feeling electric piano where velocity changes the tone 66 CoolVibs Percussive vibraphone With n 68 SC TechChord2 Dance sound with layered minor third and fifth MW controls the filter 69 SC HiPasSQl Synth sound using a high pass filter Light feeling synth lead suitable for sequenced phrases 74 OR 70sRockOrgan Rock organ typical of the 70 s 75 ClickOrganMW__ Electronic organ with key click sound MW changes the rotary speed 76 OR NieOrga Brightfeeling organ of the 805 77 OR SacrlOrgan Full digital organ MW changes the rotary speed I 4 4 4 78 OR BaoqueFeel Solemn pipe organ with layered strings 79 PlainPipe Simple feeling pipe organ n 80 OR French Accordion Accordion with a French touch 81 OR Lambada Accordion Accordion suitable for tango or lambada Thick bass with distinctive changes controlled velocity 86 RD Soft Section Mild sax section with four saxes combined 56 Otho MU90 Performance List SE Devil s House Sound effect evocative of the devil s house Play strongly around for devil s voice and sereams 9 SE iling with strong velocities 9 CO Combination of marimba and voice sounds U I 4 f 98 Blue amp Blue Transparentpad 99 Space
119. sages set parameters unique to the MU90 MU9OR One parameter can be modified by each message The message format is as follows 11110000 FOH Exclusive status 01000011 43H YAMAHA ID 0001nnnn INH N Device Number 01011001 59H Model ID 0ggggggg GGH Address High Ommmmmmm MMH Address Mid 1111111 GLH Address Low Ovvvvvvv VVH Data 11110111 F H End of Exclusive For parameters with a data size of 2 or 4 the corresponding number of data bytes will be transmitted 2 1 5 1 Current Performance parameter change This message sets the CURRENT PERFORMANCE block see tables lt 3 1 gt and lt 3 2 gt 2 1 6 Other parameter changes 2 1 6 1 Master Tuning This message simultaneously modifies the pitch of all channels 11110000 FOH Exclusive status 01000011 43H YAMAHA ID 0001nnnn INH N device Number 00100111 27H Model ID 00110000 30H Address High 00000000 00H Address Mid 00000000 00H Address Low Ommmmmmm Master Tune MSB 01111111 LLH Master Tune LSB Oxxxxxxx don t care 11110111 End of Exclusive Normally the XG SYSTEM parameter MASTER TUNE should be used see table lt 1 2 gt 2 2 Bulk Dump This instrument uses the following bulk dumps XG BULK DUMP 1 XG System bulk dump 2 System Information bulk dump 3 Multi Effect bulk dump 4 Multi EQ bulk dump 5 Multi Effect2 bulk dump 6 Multi Part bulk dump 7 AD Part bulk dump 8 Drums Setup bulk dump MUSO NATIVE BULK DUMP 1 System bulk dump 2
120. sounds Piano Chromatic Percussion Strings Ensemble Brass 6 Piano 2 Electric piano with metallic resonance DX e Jow 9 Fretless Synth bass with sweep 50 Trumpet Mute Trp 52 About the 128 GM sounds Synth Lead Synth Pad Synth Effects Ethnic 0 10 0 0 10 ni 2 2 2 2 2 Bowed Pad BowedPad Glass harp style pad Metallic Pad MetalPad Pad with hard synth strings Halo Pad Halo Pad Pad with breath noise 1 1 1 Sweep Pad SweepPad Sweep pad with gentle attack 65 67 70 71 72 73 74 75 76 71 78 79 81 82 83 84 85 87 88 91 92 93 94 95 97 100 101 102 103 104 5 6 7 8 9 0 1 2 3 4 112 Percussive 113 116 17 Iis 119 Sound Effect I 1 1 1 Applause Applause Audience applauding 53 C M Voice List TYPE1 1 9 TYPE2 Part11 16 1 full name display full name display 6 3 epiano3 1 Acoustic Piano 6 A Piano6 honky tonk piano hnkytnk 2 Electric Piano __ E Pianol 2 9 organ eorgant 2 Electric Piano Eam 2 Acoustic Guitar 1 50 rr eiui 1 1 54 C M Voice List TYPE1 Partl 9 Part11 16 full display full name display acoustic bass 1 Silence 67 etectric bass 1
121. switch other than Exclusive off MIDI Data Format 2 4 2 MUS0 Native dump request This message requests that all parameter values of the specified block of MUSO native parameters be transmitted The transmitted data will be in MU80 Native Bulk Dump format see 2 2 2 11110000 Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N Device Number 01001001 49H Model ID 09999999 GGH Address High Ommmmmmm Address Mid 0111111 LLH Address Low 1134104111 FZH End of Exclusive Details are the same as 2 4 1 XG Bulk Dump Request 2 4 2 MU90 MU90R Native dump request This message requests that all parameter values of the specified block of MU90 MU90R native parameters be transmitted The transmitted data will be in MU90 MU9OR Native Bulk Dump format see 2 2 3 11110000 FOH Exclusive status 01000011 43H YAMAHA ID 0010nnnn 2NH N Device Number 01011001 59H Model 09999999 GGH Address High Ommmmmmm Address Mid 01111111 Address Low 11110111 End of Exclusive Details are the same as 2 4 1 XG Bulk Dump Request 3 Realtime messages 3 1 Active Sensing a Transmission Not transmitted b Reception Once FE has been received if no MIDI messages are received for an interval of ap proximately 300 msec the same processing will be performed as when ALL SOUND OFF ALL NOTE OFF and RESET ALL CONTROLLERS are received and the in strument will return to a status of never having received FE 22 MID
122. t 8 indiv1 2 40 indiv1 41 indiv2 When data other than the above is received 0 Stereo Out will be selected 3n rr 50 51 TOTAL SIZE 3n rr 60 61 TOTAL SIZE 1 1 2 1 1 2 00 7F 30 50 30 50 HIGH PASS FILTER CUTOFF FREQUENCY 64 0 63 NOT USED VELOCITY SENSE PITCH 16 0 16 VELOCITY SENSE LPF CUTOFF 16 0 16 30 Initial value H 00 Initial value H 40 40 depend on the note TF 00 depend on the note 01 40 40 40 40 40 40 40 36 40 depend the note MIDI Data Format n Drum Setup Number O 3 rr note number 0D 5B The MU90 will initialize all Drum Setup data in the following cases When XG SYSTEM ON is received When GM SYSTEM ON 1 received When DRUM SETUP RESET is received in XG mode Note When a program change is received by a part to which a Drum Setup 15 assigned the assigned Drum Setup will be initialized If the same Drum Setup 15 assigned to two or more parts changes in Drum Setup parameters including program changes will be reflected in all parts to which it 15 assigned 31 MIDI Data Format 2 1 gt Parameter Base Address MODEL ID 49 Description MUSOSYSTEM 00 00 00 REMOTE SWITCH 00 00 Remote Switch MU80 30 00 00 1 Common INTERNAL PERFORMANCE 30 63 00 100 Common 31 00 00 1 Partl 31 63 00 100 Part1 Parameter MUS0 Performance Common INT Address
123. t D63 gt W D W D lt W63 BW Drive 0 127 EQ Low Gain 12 124 distortion EQ Mid Gain 12 124 distortion LPF Cutoff 1 0kHz thru table 3 Output Level 0 127 CHANGE 2 variation block Display See Table Pitch 24 24 Initial Delay 0 127 Fine 1 50 50cent Fine 2 50 50cent Sensitive Cutoff Frequency Offset Resonance EQ Low Frequency 32Hz 2 0kHz EQ Low Gain 12 124 EQ High Frequency 500Hz 16 0kHz EQ High Gain 12 12dB O Q LO Drive 0 127 CHANGE 1 block Dry Wet D63 gt W D W D lt W63 table 3 table 3 Display See Table Pitch 24 24 Initial Delay 0 127 Fine 1 50Hz 50Hz Fine 2 50Hz 50Hz Feedback Level 99 99 A OQ Pan 1 L63 R63 Output Level 1 0 127 2 L63 R63 Output Level 2 0 127 AURAL EXCITERO variation insertion1 2 block Dry Wet D63 gt W D W D W63 table 7 Display See Table 1 HPF Cutoff 500Hz 16 0kHz 0 127 0 127 Feedback Level 99 99 Dry Wet D63 gt W D W D lt W63 Pan 1 L63 R63 Output Level 1 0 127 Pan 2 L63 R63 Output Level 2 0 127 table 7 10 28 58 table 3 0 127 0 127 Aural Exciter 15 registered trademark Corporation MU90 Effect Parameter List COMPRESSOR variation insertion1 2 block NOISE GATE variation insertion1 2 iii No Parameter Valu
124. ta z sion ka essa 28 AN e A 41 e Id j 2 gt 2 2 5 2 5 2 55 55 2 5 44 1 bb 4 11 amam d j TT F gc poog DI PSUM NH E 2 5 2 SE SES SCE SSE O a 441 bb o db o bb 14 Y AAA on 4014117 bo 211 o 69 co do dd ____ o Lb o hb o Lb esea j j j j Jj jj j xesonr 9 EEUU jj jj j es ouv i j j j A O AA AO i xesouds l 1 bo Lo mas EEES al fal sig fal awa omg fal reg al orxwa d 6xwa 4 fa amg al oywg al coueg a pora jaj fal al faj owwa 51102195 ueg 49 MU90 TG300B Voice List ___ __ 0122 i ngo _ v ssea TE A E IA IET ef AE ssug af yon ara I S rugosa ca eevo I pem j ca mn Ka aa rara AAA per sr I tea raros 020 z 2 jj jj cr 81116 AMARA o lt ___ __ lt oue310 1 res jj jj j j jz
125. te is played for an individual note The pressure can be controlled independently for each note This message will create changes in the currently sounding note The effect of this message can be specified by the following Multi Part parameters 1 CONTROL 2 FILTER CONTROL 3 AMPLITUDE CONTROL 4 PAT LFO PMOD DEPTH 5 PAT LFO FMOD DEPTH 6 PAT LFO AMOD DEPTH By default there will be no effect The effect will apply to note numbers 36 97 In the case of the following Multi Part parameter settings that part will not receive Poly phonic Aftertouch messages Rcv CHANNEL AFTER TOUCH OFF PART MODE DRUM DRUMSI 4 19 2 System Exclusive messages 2 1 Parameter change This Instrument uses the following parameter changes UNIVERSAL REALTIME MESSAGE 1 Master Volume UNIVERSAL NON REALTIME MESSAGE General MIDI System On 2 Identity Request INQUIRY MESSAGE 3 Identity Reply INQUIRY MESSAGE XG PARAMETER CHANGE XG System on XG System parameter change Multi Effect parameter change Multi EQ parameter change Multi Effect2 parameter change Display parameter change Multi Part parameter change AD Part parameter change 9 AD System parameter change 10 Drums Setup parameter change 80 NATIVE PARAMETER CHANGE 1 System parameter change 2 Remote switch MU90 MU90R NATIVE PARAMETER CHANGE 1 Current Performance parameter change Other 1 Master tuning 2 TG
126. type Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change 3 AUDIO Preset Name Note 2 input gain var type 18 STEREO Preset Name Wah Rotary Orgn Synth Str Synth Pad Synth Lead SFX KEYBOARD input gain line line line line line line Note 3 var type Touch Wah Rotary Speaker Symphonic Flanger2 Delay LCR Pitch Change 19 STEREO Preset Name AUDIO input gain Note 3 var type Note 1 The input may be distorted depending on the guitar that you use Make adjustments using either the A D INPUT VOLUME or the volume of your guitar Note 2 For AUDIO A DI is panned to the left channel and A D2 is panned to the right channel Note 3 The stereo setting can be selected only for A DI The A D1 and A D2 inputs are handled as the left and right channels respectively of a stereo signal ERE Effect Program List REVERB Fea Type 00H OOH NO EFFECT Effect is off HALL 1 Reverb simulating the reverberance of a hall HALL QA ROOM 1 Reverb simulating the reverberance of a room ROOM _ ROOMS oe 6 OH OOH STAGET Reverb suitable for solo instrumens 1 7 0H S OOH PLAT Reverbsimulating a metal plate reverb device 9 IH OH WHITEROOM Unique short reverb with a slight initial delay 7 CHORUS 00H OOH NOEFFECT HEHeiisof 7 4IH om 3 CHORUS
127. ufso c zssegu s Ot 17 i semosexu 2 vgower r gsensva T ssegpov fit ress 1 1528567 6 Dp qup qu Tp j J j 0 Jj j j j J Jj eas se ssesex z j j j ees 4 1 _ Pt fees j j j jJ I t _ C j jJ j j j C lt lt sseg __ jiloumov AAA a AAA cure z 2 aorma z norma osale asaji J j j j J j jJ j ts 11 1 spa 11 Pt oper I noci erg 220 oa cc Temo o eee j j j j j j Jj A ez HA Il 12 a __ _ _ _ usowoa 61 81 L af zoxmoz roso omma 2 22 2 rods osea 12810 MA EA 2 lt AN 91 A a 1 uoydo Xx een o OSN j j LL j 2
128. utput is returned to the input negative values invert the phase PHASER type Level at which the output of the phaser is returned to the input negative values invert the phase REVERB type DELAY type EARLY REF type Adjust the decay of the high frequencies smaller values will cause high frequencies to decay more rapidly REVERB type EARLY REF type KARAOKE type AURAL Frequency at which the high pass filter will cut the low range REVERB type EARLY REF type PITCH CHANGE type Delay time until the early reflections Length of delay until the ER Gate Reverb sounds Delay length CHORUS type FLANGER type SYMPHONIC type ROTARY SPEAKER PHASER type WAH type CHORUS type FLANGER type SYMPHONIC ROTARY SPEAKER TREMOLO AUTO PAN PHASER type WAH type Frequency of delay modulation Modulation depth caused by speaker rotation Depth of phase modulation Depth to which wah filter is controlled Frequency of delay modulation Frequency at which the speaker rotates Modulation frequency Auto pan frequency Frequency of phase modulation Frequency at which wah filter is controlled EARLY REF type ER decay Lower values produce faster decay VOICE CANCELAR Adjust the lower limit of the mid range that will be attenuated 2WAY ROTARY SPEAKER Volume balance between the high range speaker and the low range speaker All types Frequency at which the low pass filter will cut the high range 2WAY ROTARY SPEAKER L R

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