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Roland GW-7 User's Manual

1. Button No Tone Category PC cc cc 00 32 WORLD 2 569 HorseGallp SFX 124 2 2 570 Telephone2 SFX 125 1 2 571 Helicopter SFX 126 0 2 Button No Rhythm Category PC cc cc 572 Car Engine SFX 126 1 2 00 32 573 Car Pass SFX 126 3 2 DRUMS 607 Standard 1 DRUMS 1 0 2 574 SFX 126 5 2 608 Jazz Kit 1 DRUMS 33 0 2 575 Train SFX 126 6 2 609 New TR 909 DRUMS 31 0 2 576 Applause 1 SFX 127 0 2 610 DRUMS 10 0 2 577 Laughing SFX 127 1 2 611 R amp B DRUMS 14 0 2 578 Screaming SFX 127 2 2 612 Tech amp House DRUMS 12 0 2 579 SFX 128 3 2 613 Drum n Bss DRUMS 11 0 2 580 Breath Nz SFX 122 0 2 614 Latin Perc DRUMS 47 0 4 581 FiKeyClick SFX 122 1 2 615 India Perc DRUMS 45 0 4 582 Seashore SFX 123 0 2 616 GamelanPrc DRUMS 46 0 4 583 Rain SFX 123 1 2 617 China Perc DRUMS 44 0 4 584 Stream SFX 123 4 2 618 India Kit DRUMS 94 0 4 585 Bubble SFX 123 5 2 619 OrientlKit DRUMS 93 0 4 586 Dog SFX 124 1 2 620 Std Latin DRUMS 75 0 4 587 Kitty SFX 124 4 2 621 Jazz Latin DRUMS 76 0 4 588 Growl SFX 124 5 2 622 TR909Latin DRUMS 77 0 4 589 Telephone1 SFX 125 0 2 623 HipHopLatn DRUMS 80 0 4 590 SFX 125 2 2 624 R amp B Latin DRUMS 81 0 4 591 SFX 125 3 2 625 TechnoLatn DRUMS 78 0 4 592 Scratch 1 SFX 125 4 2 626 D n B Latn DRUMS 79 0 4 593 Scratch 2 SFX 1
2. Button No Tone Category PC cc cc Button No Tone Category PC cc cc 00 32 00 32 GUITAR 143 MtDist Bs ELECTRIC GUITAR 29 1 2 GUITAR 214 Attack Pls BASS 40 29 2 BASS 144 Funk Pop ELECTRIC GUITAR 29 8 2 BASS 215 StrSlap BASS 121 2 2 145 FunkGt ELECTRIC GUITAR 29 16 2 216 Bass Slide BASS 121 5 2 146 Jazz Man ELECTRIC GUITAR 29 24 2 STRINGS 217 StStrings STRINGS 49 16 2 147 GtPinch ELECTRIC GUITAR 30 4 2 218 StSlowStr STRINGS 50 10 2 148 DistGt2 ELECTRIC GUITAR 31 1 2 219 Legato Str STRINGS 50 8 2 149 Dazed Gt ELECTRIC GUITAR 31 2 2 220 SynStrings STRINGS 51 0 2 150 Feedback 1 ELECTRIC GUITAR 31 8 2 221 SuspensStr STRINGS 45 9 2 151 Feedback 2 ELECTRIC GUITAR 31 9 2 222 2 Str STRINGS 46 0 2 152 Power Gt2 ELECTRIC GUITAR 31 17 2 223 XP Strings STRINGS 49 4 4 153 5th Dist ELECTRIC GUITAR 31 18 2 224 Str Oct STRINGS 49 32 4 154 Rock Rhy 1 ELECTRIC GUITAR 31 24 2 225 OR Str Oct STRINGS 49 85 4 155 RockRhy2 ELECTRIC GUITAR 31 25 2 226 Violin 1 STRINGS 41 0 2 156 RockRhy3 ELECTRIC GUITAR 31 26 2 227 SlowViolni STRINGS 41 8 2 157 Feedback 3 ELECTRIC GUITAR 32 8 2 228 Viola 1 STRINGS 42 0 2 158 GtCutNz 1 ELECTRIC GUITAR 121 1 2 229 Cello 1 STRINGS 43 0 2 159 GtCutNz2 ELECTRIC GUITAR 121 3 2 230 Contrabass STRINGS 44 0 2 160 Dist CutNz ELECTRIC GUITAR 121 4 2 231
3. Standard 1 Jazz Kit 1 New TR 909 Hip Hop R amp B Tech amp House Drum n Bss Latin Perc India Perc GamelanPrc China Perc 9 EE 909 Kick 3 909 Kick 3 909 Kick 909 Kick 3 909 Kick 3 1 House Kick House Kick House Kick 909 Kick2 House Kick C0 12 TR 808 Kick TR 808 Kick TR 808 Kick TR 808 Kick 909 Kick REN HipHop Kick 909 Kick HipHop Kick HipHop Kick HipHop Kick 14 SimpleKick 909 Kick2 909 Kick2 SimpleKick SimpleKick ENE TR 909 OHHsh TR 909 OHHsh R amp B OHHsh TR 909 OHHsh TR 909 OHHsh 16 TR 909 OHH TR 909 OHH R amp B OHH TR 909 OHH TR 909 OHH Ah Ah Ah Ah Ah BENI Ha Ha Ha Ha Ha 19 ShutHa ShutHa ShutHa ShutHa ShutHa EE ShutHi ShutHi ShutHi ShutHi ShutHi 21 One One One One One EE Two Two Two Two Two 23 Three Three Three Three Three 1 24 Four Four Four Four Four E Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll 26 Finger Snap Finger Snap Snap Snap Snap Snap Snap EM High Q High Q High Q High Q High Q High Q 28 Slap Slap Slap Slap Slap Slap Slap 29 ScratchPush ScratchPush Scrich Push2 Sertch Push2 Scrich Push2 Scrich Push2 Scrich Push2 ScratchPull ScratchPull Sertch Pull2 Scrich Pull2 Sertch Pull2 Sertch Pull2 Sertch Pull2 Gu Roll 31 Sticks Sticks Sticks Sticks Sticks Sticks Sticks Gu Hi EN SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick HuYinLuo
4. t e p Grad ebbe d RD 12 REPEAT e 23 i eere Rn esaet ake e e ash 12 uod EAR dS 19 ROTARY u una sayu mahala a eevee 17 45 5 ertet ade tee 6 9 SELECT is ausenenteinn ein teneris 6 Send beet e 19 SEX WAA WA WA KAA 11 SINGLE SSE Mate het eed E wA 21 SONG rea ee eat Wu 8 23 27 SONG CONTROL 2 ett ee 6 SONG REC uie hee nee 6 21 22 oth EU m tee te 9 10 Split Point eee ndi HR e 18 STYLE ooi 15 SYNC STAR p dS 6 14 T eh e 6 14 Tempo ah 14 T OD ones a eM 8 9 11 12 U UPPER 9 10 USB Be sn eet ai 7 24 USER eaten eh ea ee ake S 11 15 17 User SONE 10 User het deeds 10 V VALUE ki ND nn de 6 WARTA TION iier eere tecti es 14 MIDfatO sue ERE ee terti ese REC Pi ete 12 VOLUME 5 uu mastam bo eset ocio et 6 14 Write Perform ireren eE A E t 17 Write SOND stes itte t HR e gen et 22 Wrlte3LOn x ite ede iere roe ER ees 12 For EU Countries This product complies with the requirements of European Directive 89 336 EEC For the USA FEDERAL COMMUNICATIONS COMMISSIO
5. C8 c9 PC 1 CC69 4 PC 70 CC32 4 PC 71 CC32 4 PC 72 CC32 4 PC 73 CC32 4 PC 82 CC32 4 PC 83 CC32 4 PC 84 CC32 4 PC 87 CC32 4 PC 88 CC32 4 PC 85 CC32 4 TR909 Asia HipHop Asia R amp B Asia TechnoAsia D n B Asia Std OR Jazz OR TR 909 OR HipHop OR R amp B OR Techno OR 9 ee Sees E 909 Kick 3 909 Kick 3 909 Kick 909 Kick 3 909 Kick 3 909 Kick 3 909 Kick 3 909 Kick 909 Kick 3 11 House Kick House Kick House Kick 909 Kick2 House Kick Mix HH Cl 4 Mix HH Cl 4 House Kick House Kick House Kick 909 Kick2 12 TR 808 Kick TR 808 Kick TR 808 Kick TR 808 Kick 909 Kick Mix HH Cl 1 Mix HH CI 1 TR 808 Kick TR 808 Kick TR 808 Kick TR 808 Kick HipHop Kick 909 Kick HipHop Kick HipHop Kick HipHop Kick Mix HH Cl 2 Mix HH CI 2 HipHop Kick 909 Kick HipHop Kick HipHop Kick 14 SimpleKick 909 Kick2 909 Kick2 SimpleKick SimpleKick Mix HH CI 3 Mix HH CI 3 SimpleKick 909 Kick2 909 Kick2 SimpleKick TR 909 OHHsh TR 909 OHHsh R amp B OHHsh TR 909 OHHsh TR 909 OHHsh Mix HH Op 1 Mix HH Op 1 TR 909 OHHsh TR 909 OHHsh R amp B OHHsh TR 909 OHHsh 16 TR 909 OHH TR 909 OHH R amp B OHH TR 909 OHH TR 909 OHH Mix HH Op 2 Mix HH Op 2 TR 909 OHH TR 909 OHH R amp B OHH TR 909 OHH 7 Ah Ah Ah Ah Ah Mix Snare 1 Mix Snare 1 Ah Ah Ah Ah 18 Ha Ha Ha Ha Ha Mix Snare 2 Mix Snare 2 Ha Ha Ha Ha 19 ShutHa ShutHa ShutHa ShutHa ShutHa Mi
6. Press SELECT gt to get the screen indicate Write Song Then press ENTER Enter a name for the user song Use SELECT gt to move the cursor and turn the VALUE dial to choose the characters you need Press ENTER the screen will prompt Write Sure 5 Press ENTER to save the song If you press EXIT you re returned to the previous screen without saving the song Deleting a Song Here s how you can delete a song from a user song memory location Sng01 Sng99 1 Press FUNCTION 2 Press SELECT gt to get the screen to indicate Utility Then press ENTER 3 Use SELECT gt to select Delete Song 4 Turn the VALUE dial to select the user song that you want to delete 5 Press ENTER the screen will prompt Delete Sure 6 Press ENTER to delete the song If you press EXIT you re returned to the previous screen without deleting the song Selecting and Playing Song Press MODE SONG so the button is lit Turn the VALUE dial to select song Press ENTER Press b w to play the song To stop press once again NOTE When you select a user song the temporary song memory Sng00 will be overwritten by the user song you selected NOTE You can t play back SMF data that contains more than 16 parts Moving the Playback Location of a Song You can u
7. 12 un cttm 8 17 22 FUT As e aspi mami a 14 23 FUNCTION ett 7 H HOLD PEDAL rer reete etos 7 8 Tit IBtDRV tne eet tt eeu 10 Initialize eme etre ea Se Ress 10 eet Eia e eet 14 K KBD eeiam tutu i emiten 21 KEYBOARD 7 21 Keyboard Mode ies 9 11 L Local 26 9 10 MAIN Ga 9 MARKER oie RES eb ente hte Rusa 23 Metronome ete der ets 10 MEX i tiones stoves AZARIA MAE 19 20 MID Ti ci Dok 7 26 27 MIDI Channel Bi 11 00 13 26 7 9 11 15 17 23 ModulatiOn uu rtt e e el ee 7 17 Music im tee 8 15 Mute x oto OV m amia ent c Te cn Tdi icta 23 O Octave MR ETHER CLE EROS 11 ORIGINALS io ret TR Eo hte te 14 OUTPUT zu su oh ecd 7 8 Pedal gen ERR RE unenun 17 22 25 Pedal Swatch a tees 8 PERFORM a 17 Performance sa o 8 16 18 PHONES sag nein E m 7 Pitch eerte aa 17 Portaimento bo orm ee Me eiai 12 x itecto eer dot ee a er dec Boles 7 9 PUN GCEEL eee m ica eer eun 21 22 R Rec Mode 4 2 ata aaa ere re er ter 21 22 Recording seien RII end 21 22
8. Pedal HiHat Jazz Pedl HH TR 909 CHH HipHopCHH R amp B CHH TR 909 CHH R amp B CHH Pedal HiHat Jazz Pedl HH 45 Real Tom 4 Tom Real Tom 4 Real Tom 4 808 Tom 2 Real Tom 4 Real Tom 4 Synth Drum 2 808 Tom 2 Real Tom 4 Real Tom 4 TR 707 TR 707 Open HiHat Jazz Open HH TR 909 OHH HipHopOHH R amp B OHH TR 909 OHH HipHopOHH Open HiHat Jazz Open HH 47 Real Tom 4 Tom Real Tom 4 Real Tom 4 808 Tom 2 Real Tom 4 Real Tom 4 Synth Drum 2 808 Tom 2 Real Tom 4 Real Tom 4 C348 Real Tom 1 Tom Real Tom 1 Real Tom 1 808 Tom 2 Real Tom 1 Real Tom 1 Synth Drum 2 808 Tom 2 Real Tom 1 Real Tom 1 TR 707 Crash TR 707 Crash Crash Cym 1 Crash Cym 1 909 Crash Crash Cym 1 909 Crash 909 Crash 909 Crash Crash Cym 1 Crash Cym 1 50 Real Tom 1 Tom Real Tom 1 Real Tom 1 808 Tom 2 Real Tom 1 Real Tom 1 Synth Drum 2 808 Tom 2 Real Tom 1 Real Tom 1 Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal 52 Doholla Dom Doholla Dom China Cymbal China Cymbal China Cymbal ReverseCymbl ReverseCymbl ReverseCymbl China Cymbal China Cymbal China Cymbal 53 Doholla Sak Doholla Sak Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell 5 Jingle Bell Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine 55 Doholla Tak2 Doholla Tak2 Splash Cym Splash Cym Splash Cym Splash Cym Splash Cym Splash Cym Splash Cym Splash Cym S
9. to start recording 5 Perform 6 Press gt to stop recording Keyboard This recording mode records only the keyboard performance The backing will not be available NOTE The temporary song Sng00 will be erased by the new recording 1 Make preparations by selecting the keyboard mode 9 and Tone p 11 2 Press SONG REC so the button is lit 3 Turn the VALUE dial to set Rec Mode to KBD 4 Use the metronome if desired p 10 5 Press to start recording 6 Perform 7 Press to stop recording Single This recording mode lets you layer additional material onto the previously recorded sounds and record each track separately NOTE You can t use this recording mode if the temporary track Sng00 contains no data 1 Press SONG REC so the button is lit 2 Turn the VALUE dial to set Rec Mode to SINGLE 3 Press SELECT The recording track screen will appear Turn the VALUE dial to select the track you want to record 4 Make preparations to play a Tone p 11 5 Press to start recording 6 Perform 7 Press p gt to stop recording If you want to record additional material continue from step 1 The keyboard and backing parts are recorded on the following tracks Track Part name 1 Backing 1 2 Backing bass 1 3 Backing 2 4 Main Keyboard 2 5 Backing 3 6
10. 170 Admiral Boulevard Mississauga On L5T 2N6 CANADA TEL 905 362 9707 U S A Roland Corporation U S 5100 S Eastern Avenue Los Angeles CA 90040 2938 U S A TEL 323 890 3700 As of January 15 2005 ROLAND 03902456 1MP
11. Roland lt BACKING TRACK SONG CONTROL BACKING SYNC TRACK START 9 ANALOG 7 BAND TYPE CUTOFF RESONANCE FILTER DRUMS amp ATTACK RELEASE FENV BASS COMBO FULL lt gt BACKING REVERB CHORUS EFFECT 1 2 1 AOE Xr 4 TAP TEMPO INTRO ORIGINAL FILLIN VARIATION ENDING 2 i YA SELECT MARKER A B REPEAT A B aa SONG CONTROL KEYBOARD SELECT YE SPLIT DUAL B TONE STYLE PERFORM SONG Fianol 105 095 gt gt KBD GUITAR PIANO ORGAN BASS ORIGINAL FILL VARIATION ENDING 1 VOLUME knob This knob controls the volume of the entire GW 7 2 D Beam controller You can use this controller simply by moving your hand above it p 16 3 ASSIGNABLE buttons You can use these buttons to turn the D Beam controller on off or to select the D Beam function p 16 4 TAP TEMPO button You can use this button to set the tempo p 14 5 BACKING TRACK button Press this button when you want the backing to play p 14 6 SYNC START button This button activates the Sync Start function p 14 7 BAND TYPE buttons Use these buttons to change the backing ensemble or to use the minus one function p 14 p 23 8 SONG REC button Press this button to record a song p 21 9 SONG CONTROL buttons Use these buttons to play back the backing or song p 14 p 23 SAX STRINGS S
12. gt You can assign a variety of functions to this pedal For details refer to Pedal p 25 Using Preset Performances By selecting a preset performance you can quickly recall settings that are appropriate for the song you re playing When you select a preset performance settings for the following items will be recalled Music style Tempo Tone for the keyboard mode Effect Chorus Reverb Bandtype Keyboard touch If MODE PERFORM is lit you will hear a string sound and a chord bass sound when you play the left hand area of the keyboard Selecting a Performance l 2 Press MODE PERFORN so the button is lit Turn the VALUE dial to select the desired performance setting If you want to select a user performance press USER so the button is lit In the screen Pf001 Pf110 indicates preset performances and Uf001 Uf032 indicates user performances Editing a Performance You can edit the settings of a performance and store them as a user performance 1 Press FUNCTION 2 Use SELECT gt to get the screen to indicate Edit Perform and press ENTER If you press EXIT you re returned to the previous screen Use SELECT gt to select a parameter and turn the VALUE dial to edit the value of that parameter cf gt For details refer to Performance Parameters p 18 Saving a Performance Press FUNCTION Use SELECT gt to get
13. 16 16 track Recorder Mode 4 easy modes ALL Keyboard Single Punch In Out Preset Memory Styles 110 User Memory Styles 99 Songs 99 Band Type 3 levels Drum amp Bass Combo Full Band Others USB Data transfer Operating System Windows Windows 2000 Macintosh Mac OS 9 0 4 or later Mac OS X 10 0 or later Controllers D Beam Controller 1 Pitch Bend Modulation Lever 1 Control Knobs 2 Display Large backlit custom LCD Connectors Output Jacks L MONO R Headphones Jack MIDI Connectors IN OUT Hold Pedal Jack Control Pedal Jack USB Connector Power Supply DC 9 V AC Adaptor Current Draw 1 000 mA Dimensions 1 045 W x 320 D x 86 H mm 41 3 16 W x 12 5 8 D x 3 7 16 H inches Weight 5 0 kg 11 lbs 1 oz excluding AC adaptor Accessories Owner s Manual AC Adaptor ACI Series or PSB 1U Options Keyboard Stand KS 12 Pedal Switch DP Series Foot Switch BOSS FS 5U Expression Pedal EV 5 In the interest of product improvement the specifications and or appearance of this unit are subject to change without prior notice 44 Index A AC Adaptor ete ee erede des 9 21 ANALOG MODIFY 6 12 14 19 ASSIGNADBLE una deett teet 6 16 Attack ue Eee ee ND emt 12 B BACKING es snas 8 14 BACKING TRACK eere 6 14 15 Balance uide amu acus 14 BAND TY PE siint a
14. EV 5 sold separately By connecting any other expression pedals you risk causing malfunction and or damage to the unit Introduction Connecting the AC Adaptor 1 Remove the GW 7 from its shipping carton and place it on a horizontal surface 2 Connect the included power supply cord to the included AC adaptor AC adaptor Power supply cord E eu to an AC outlet Depending on your region the included AC adaptor may bea different type than the one shown above If so omit step 2 and proceed 3 Connect the AC adaptor to the DC IN jack on the GW 7 s rear panel and then plug the AC adaptor into an electrical outlet NOTE prevent the inadvertent disruption of power to your unit should the plug be pulled out accidentally and to avoid applying undue stress to the AC adaptor jack anchor the power cord using the cord hook as shown in the illustration Cord hook GW 7 rear panel Turning the Power On Off Turning the Power On NOTE Once the connections have been completed turn on power to your various devices in the order specified By turning on devices in the wrong order you risk causing malfunction and or damage to speakers and other devices 1 Before you turn on the power turn the VOLUME knob all the way to the left to minimize the volume 2 Press the rear panel POWER button to turn on the power NOTE This unit is equipped with a protection circuit A brief interval a
15. NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug USING THE UNIT SAFELY INSTRUCTIONS FOR THE PREVENTION OF FIRE ELECTRIC SHOCK OR INJURY TO PERSONS About ZA WARNING and N CAUTION Notices Z WARNING N CAUTION Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings as well to domestic animals or pets Before using this unit make sure to read the instruc tions below and the Owner s Manual Do not open or modify in any way the unit or its AC adaptor Donot attempt to repair the unit or replace parts within it except when this manual provides specific instruc tions directing you to do so Refer all servicing to y
16. 2 Turn the C1 REVERB or C2 CHORUS knob NOTE Chorus is applied only if MFX is OFF Editing the Effects 1 Press EFFECTS 2 Use SELECT gt to select a parameter and turn the VALUE dial to edit its value Parameter Range Explanation Refer to p 20 Selects the type of multi effect It is memorized in each Tone For details refer to Multi Effect List p 20 MFX are not applied to the following three types of tones The lower part in Split mode The second tone in Dual mode Drum sets Tone MFX OFF ON Normally you will leave this ON Only one setting can be saved in the entire GW 7 ON When you switch the Tone the MFX will also change OFF The MFX will not change when you switch the Tone Chorus OFF Selects the type of chorus It is memorized in each Performance CHORUS 1 4 Chorus is applied only if MFX is OFF FB CHORUS OFF Chorus will not be applied FLANGER CHORUS 1 4 These are typical chorus effects that add depth and spaciousness SHORT DLY FB CHORUS A chorus that produces a flanger like effect and a mild tone S DLY FB FLANGER A metallic sounding effect reminiscent of a jet airplane taking off and landing SHORT DLY Delays the sound producing an echo effect S DLY FB A short delay will be repeated Cho Main 0 127 Adjusts the amount of chorus applied to the Main mode Tone the Tone of the Upper Part in Split mode or the first Tone in Dual
17. 39 Castanets Atarigane 808clap 808clap 808 High Q 40 Concert Snr Hyoushigi Elec Snare 2 909 Snare 1 Elec Snare 1 Std 1 Slap 41 Timpani Ohkawa Synth Drum 2 808 Tom 2 Synth Drum 2 Std 1 Kick2 ScratchPush NEM Timpani H kotsuzumi Jazz Clsd HH 808 chh CR 78 chh Std 2 Kickt ScratchPull 43 Timpani L Kotsuzumi Synth Drum 2 808 Tom 2 Synth Drum 2 Std2 Kick2 Sticks EE Timpani Ban Gu Pedal HiHat 808 chh 808 chh Kick 1 SquareClick 45 Timpani Big Gong Synth Drum 2 808 Tom 2 Synth Drum 2 Kick 2 Mtrnm Click E imani Small Gong JazzOpenHH 808 ohh CR 78 ohh Soft Kick Mtrnm Bell 47 Timpani Bend Gong Synth Drum 2 808 Tom 2 Synth Drum 2 Jazz Kick 1 Gt FretNoise 48 Timpani Rama Cymbal Synth Drum 2 808 Tom 2 Synth Drum 2 Jazz Kick 2 Gt Cut Noise E Timpani Rama Cymbal Crash Cym 1 808 Crash Crash Cym 1 Concert BD Gt Cut Noise 50 Timpani Gamelan Gong Synth Drum 2 808 Tom 2 Synth Drum 2 Room Kick 1 String Slap Timpani Udo Short Ride Cymbal Ride Cymbal Ride Cymbal Room Kick 2 FI KeyClick 52 Timpani Udo Long ReverseCymbl China Cymbal ReverseCymbl Power Kick1 Laughing 53 Timpani Udo Slap Ride Bell Ride Bell Ride Bell Power Kick2 Screaming Tambourine Bendir Tambourine Tambourine Tambourine Elec Kick 2 Punch 55 Splash Cym Reg Dum Splash Cym Splash Cym Splash Cym Elec Kick 1 Heart Beat EE cowbell Req Tik Cowbell 808cowbe Cowbell Elec Kick Footsteps 57 Con Cymbal2 Tabla Te Crash Cym 2 Crash Cym 2 Crash Cym 2 TR 808 Kick Footsteps EE Vibras
18. Dual Keyboard 3 7 Backing 4 8 Backing 5 9 Backing 6 10 Backing drums 11 Split Keyboard 4 12 13 21 Track Part name 14 15 16 Main Keyboard 5 1 The bass that sounds when the backing is playing 2 Main mode the Upper Tone of Split mode or the first Tone of Dual mode 3 Second Tone of Dual mode 4 Lower Tone of Split mode 5 If you assign drum set for Main mode the Upper Tone of Split mode or the first Tone of Dual mode Punch In Out You can use punch in out to re record a selected region of a previously recorded track The data before and after the re recorded region will not be erased NOTE You can t use this if the temporary song Sng00 contains no data 1 Press SONG REC so the button is lit 2 Turn the VALUE dial to set Rec Mode to PUNCH 3 Press SELECT The recording track screen will appear Turn the VALUE dial to select the track you want to record 4 Press gt to start playback 5 At the point where you want to start re recording press SONG REC once again 6 Perform 7 Press SONG REC once again to stop recording 8 Press to stop playback If you want to re record again continue from step 3 Using a Foot Switch to Punch In Out You can use a separately available pedal switch Roland DP Series foot switch Boss FS 5U to start and stop recording This lets you play using both hands
19. It s convenient to use the metronome when you re practicing a new song Hold down SHIFT and press ENTER METRONOME The metronome setting screen will appear and the metronome will begin sounding Use SELECT gt and turn the VALUE dial to specify the time signature and volume for the metronome To stop the metronome hold down SHIFT and press ENTER METRONOME Restoring the GW 7 to Its Factory Settings Press FUNCTION Use SELECT gt to get the screen to indicate Utility and then press ENTER Use SELECT gt to get the screen to indicate Factory Reset Press ENTER The screen will prompt Sure Press ENTER to initialize the GW 7 If you press EXIT instead you re returned to the previous screen and no initialization takes place Once the initialization is complete the previous screen will reappear Restoring the factory settings will initialize the System User Tone and User Performance settings Initializing the User Style and User Song Memory Press FUNCTION Use SELECT gt to get the screen to indicate Utility and then press ENTER Use SELECT gt to get the screen to indicate Init IntDRV Press ENTER The screen will prompt Sure Press ENTER to initialize the settings If you press EXIT instead you re returned to the previous screen and no initialization takes place Once the in
20. Kick 3 909 Kick 3 909 Kick 909 Kick 3 909 Kick 3 Mix HH Cl 4 Mix HH Cl 4 House Kick House Kick House Kick 909 Kick2 House Kick Mix HH CI 1 Mix HH CI 1 TR 808 Kick TR 808 Kick TR 808 Kick TR 808 Kick 909 Kick Mix HH CI 2 Mix HH Cl 2 HipHop Kick 909 Kick HipHop Kick HipHop Kick HipHop Kick Mix HH CI 3 Mix HH CI 3 SimpleKick 909 Kick2 909 Kick2 SimpleKick SimpleKick Mix HH Op 1 Mix HH Op 1 TR 909 OHHsh TR 909 OHHsh R amp B OHHsh TR 909 OHHsh TR 909 OHHsh Mix HH Op2 Mix HH Op2 TR 909 OHH TR 909 OHH R amp B OHH TR 909 OHH TR 909 OHH Mix Snare 1 Mix Snare 1 Ah Ah Ah Ah Ah Mix Snare 2 Mix Snare 2 Ha Ha Ha Ha Ha Mix Snare 3 Mix Snare 3 ShutHa ShutHa ShutHa ShutHa ShutHa Mix Snare 4 Mix Snare 4 ShutHi ShutHi ShutHi ShutHi ShutHi Mix Kick 2 Mix Kick 2 One One One One One Mix Kick 3 Mix Kick 3 Two Two Two Two Two Mix Kick 4 Mix Kick 4 Three Three Three Three Three Mix Kick 1 Mix Kick 1 Four Four Four Four Four Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Finger Snap Finger Snap Snap Snap Snap Snap Snap Finger Snap Finger Snap High Q High Q High Q High Q High Q High Q High Q High Q High Q Slap Slap Slap Slap Slap Slap Slap Slap Slap ScratchPush ScratchPush Sertch Push2 Scrich Push2 Sertch Push2 Scrich Push2 Sertch Push2 ScratchPush ScratchPush ScratchPull ScratchPull Sertch Pull2 Sertch Pull2 Sertch Pull2 Sertch Pull2 Sertch Pull2 ScratchPull ScratchPull Sticks Sticks Sticks Sticks Sticks Sticks Sticks Sticks S
21. Mix Snare 1 514 2 Std 1 Snaret Room Snare 1 Dance Snare1 Jazz Snare 1 Brush Swirl EN 909Clap Mix Clap Mix Clap Mix Clap Mix Clap 808clap 808clap 808clap 808clap Hand Clap2 Brush Slap1 40 Ps Snare Mix Snare 5 Mix Snare 5 Mix Snare 5 Mix Snare 5 Std 2 Snare2 Std 1 Snare2 Room Snare 2 Power Snare1 Jazz Snare 2 Brush Swirl 41 808 2 Mix Snare 6 Mix Snare 6 Mix Snare 6 Mix Snare 6 Real Tom 6 Real Tom 6 Room Tom 5 Rock Tom 4 Real Tom 6 Lite Tom 4 L R amp B CHH Norm HH CI Norm HH CI Norm HH CI Norm HH CI Jazz Clsd HH Close HiHat Room Chh Room Chh Jazz Clsd HH Brs Chh 43 808 Tom 2 Mix Snare 2 Mix Snare 2 Mix Snare 2 Mix Snare 2 Real Tom 6 Real Tom 6 Room Tom 5 Rock Tom 4 Real Tom 6 Lite Tom 4 78 R amp B CHH Norm HH Pd Norm HH Pd Norm HH Pd Norm HH Pd Pedal HiHat Pedal HiHat Pedal HiHat Pedal HiHat Pedal HiHat Pedal HiHat 45 808 Tom 2 909Snare2 909Snare2 909Snare2 909Snare2 Real Tom 4 Real Tom 4 Room Tom 2 Rock Tom 4 Real Tom 4 Lite Tom 4 LEE Norm HH Op Norm HH Op Norm HH Op Norm HH Op Jazz OpenHH Open Hi Hat R8 Ohh2 R8 Ohh2 JazzOpenHH Brush Ohh 47 808 Tom 2 Mix Snare 3 Mix Snare 3 Mix Snare 3 Mix Snare 3 Real Tom 4 Real Tom 4 Room Tom 2 Rock Tom 4 Real Tom 4 Lite Tom 4 48 808 Tom 2 Jungle Snare Jungle Snare Jungle Snare Jungle Snare Real Tom 1 Real Tom 1 Room Tom 2 Rock Tom 1 Real Tom 1 Lite Tom 4 EJ 909 Crash Mix HH Cl 4 Mix HH CI 4 Mix HH Cl 4 Mix HH Cl 4 Crash Cym 1 Crash Cym 1 Crash Cym 1 Crash Cym 1 Crash Cym 1 Brush Cra
22. Part of Split mode L63 0 R63 RND The pan position will change randomly for each note L63 0 R63 Values beginning with L place the sound at the left 0 at the center and R at the right Chord Mode OFF This lets you use simple fingering to specify a chord without having to play all the notes in the chord MODE 1 OFF The chord will consist of only the note s you play on the keyboard in the Lower Part MODE 2 MODE 1 You can play chords as described in Chord Intelligence p 41 MODE 2 You can specify chords in the following four ways Major chords Play the root note of the chord Minor chords Play the root note and the black key located at its left Seventh chords Play the root note and the white key located at its left Minor seventh chords Play the root note black key at left white key at left Backing OFF ON Selects how the backing part will sound Hold OFF When you take your hand off the left side of the keyboard instrumental sounds other than the drums of the backing part will stop only the rhythm part will continue sounding ON The chord you played in the left hand will be remembered The backing will continue playing with that chord until you play another chord Bass Inv OFF ON Specifies how Chord Bass will be sounded OFF The root note of the chord you play will sound ON The lowest note of the chord you play will sound ScaleType EQUAL Selects the scale setting ARABIC EQUAL Equal temperament This is
23. Req Tik Req Tik 97 Sagat L o Sagat L o Sagat L o Sagat L o Sagat L o Sagat L o 98 Sagat R Sagat R Sagat R Sagat R Sagat R Sagat R Sagat L c Sagat L c Sagat L c Sagat L c Sagat L c Sagat L c 100 Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell 101 Mut Pandiero Mut Pandiero Mut Pandiero Mut Pandiero Mut Pandiero Mut Pandiero 102 Opn Pandiero Opn Pandiero Opn Pandiero Opn Pandiero Opn Pandiero Opn Pandiero 103 Tambourinet Tambourinet Tambourine1 Tambourine1 Tambourinet Tambourinet NH Tambourine2 Tambourine2 Tambourine2 Tambourine2 Tambourine2 Tambourine2 105 Udo Slap Udo Slap Udo Slap Udo Slap Udo Slap Udo Slap M Udo Short Udo Short Udo Short Udo Short Udo Short Udo Short 107 Udo Long Udo Long Udo Long Udo Long Udo Long Udo Long 108 ZaghrutaLoop ZaghrutaLoop ZaghrutaLoop ZaghrutaLoop ZaghrutaLoop ZaghrutaLoop ZaghrutaStop ZaghrutaStop ZaghrutaStop ZaghrutaStop ZaghrutaStop ZaghrutaStop 110 Hand Clap ST Hand Clap ST Hand Clap ST Hand Clap ST Hand Clap ST Hand Clap ST Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 112 Wadon 6 Wadon 6 Wadon 6 Wadon 6 Wadon 6 Wadon 6 113 Wadon 1 Wadon 1 Wadon 1 Wadon 1 Wadon 1 Wadon 1 mun Wadon 7 Wadon 7 Wadon 7 Wadon 7 Wadon 7 Wadon 7 115 Wadon 4 Wadon 4 Wadon 4 Wadon 4 Wadon 4 Wadon 4 9 Wadon 2 Wadon 2 Wadon 2 Wadon 2 Wadon 2 Wadon 2 117 Wadon 5 Wadon 5 Wadon 5 Wadon 5 Wadon 5 Wadon 5 mH Wadon 3 Wadon 3 Wadon 3 Wadon 3 Wadon 3 Wadon 3 119 W
24. Rim2 Tabla Rim2 Tabla Rim2 Tabla Rim2 Tabla Rim2 Tabla Rim2 83 Req Tik Req Tik Req Tik Req Tik Req Tik Tabla Te Tabla Te Tabla Te Tabla Te Tabla Te Tabla Te 84 Wadon 6 Wadon 6 Wadon 6 Wadon 6 Wadon 6 Tabla Na Tabla Na Tabla Na Tabla Na Tabla Na Tabla Na es Wadon 3 Wadon 3 Wadon 3 Wadon 3 Wadon 3 Tabla Tun Tabla Tun Tabla Tun Tabla Tun Tabla Tun Tabla Tun 86 Wadon 2 Wadon 2 Wadon 2 Wadon 2 Wadon 2 Req Tak2 Req Tak2 Req Tak2 Req Tak2 Req Tak2 Req Tak2 waos Wadon5 Wadon 5 Wadon 5 Wadon 5 Req Takt Req Takt Req Takt Reg Takt Req Takt Req Takt 88 Wadon 7 Wadon 7 Wadon 7 Wadon 7 Wadon 7 Reg Rim Req Rim Req Rim Req Rim Reg Rim Req Rim 89 Wadon 4 Wadon 4 Wadon 4 Wadon 4 Wadon 4 Req Dom2 Req Dom2 Req Dom2 Req Dom2 Req Dom2 Req Dom2 Kane Side Kane Side Kane Side Kane Side Kane Side Req Dom1 Dom1 Req Dom1 Req Req Dom1 Req Dom1 91 Wadon 1 Wadon 1 Wadon 1 Wadon 1 Wadon 1 Reg Khan c Req Khan c Req Khan c Reg Khan c Reg Khan c Reg Khan c N Kane Kane Kane Kane Kane Req Khan o Req Khan o Req Khan o Req Khan o Req Khan o Reg Khan o 93 Dhol Dhol Dhol Dhol Dhol Req Slap Req Slap Req Slap Req Slap Req Slap Req Slap E KwaengwariMt KwaengwariMt KwaengwariMt KwaengwariMt KwaengwariMt Req Loop Req Loop Req Loop Req Loop Req Loop Req Loop 55 Kwaengwari f Kwaengwari f Kwaengwari f Kwaengwari f Kwaengwari f Req Dum Req Dum Req Dum Reg Dum Req Dum Req Dum 96 Rama Cymbal Rama Cymbal Rama Cymbal Rama Cymbal Rama Cymbal Req Tik Req Req Tik Req Tik
25. Supply Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter such as a refrigerator washing machine microwave oven or air conditioner or that contains a motor Depending on the way in which the electrical appliance is used power supply noise may cause this unit to malfunction or may produce audible noise If it is not practical to use a separate electrical outlet connect a power supply noise filter between this unit and the electrical outlet The AC adaptor will begin to generate heat after long hours of consecutive use This is normal and is not a cause for concern Before connecting this unit to other devices turn off the power to all units This will help prevent malfunctions and or damage to speakers or other devices Placement Using the unit near power amplifiers or other equipment containing large power transformers may induce hum To alleviate the problem change the orientation of this unit or move it farther away from the source of interference This device may interfere with radio and television reception Do not use this device in the vicinity of such receivers Noise may be produced if wireless communications devices such as cell phones are operated in the vicinity of this unit Such noise could occur when receiving or initiating a call or while conversing Should you experience such problems you should relocate such wi
26. System Settings entere cree ertet 24 System Parameter Functions sss 25 MIDI Functions MIDI Channels a aa MIDI Parameters Bulk DUMP aqa B lk ovest Using the GW 7 as a MIDI Sound Module 27 Troubleshooting 28 Power Does Not Turn On cse 28 No Sound from the GW 7 sese 28 No Sound from a Specific 28 No Sound from a Connected MIDI Device 28 No Sound in a Specific Range of Pitches 28 Effects Are Not Applied The Effect Sounds Wrong sse 28 Pitch Bend Not Obtained When Pitch Bend Lever Is Move d 28 Sound Is Alternately Heard from Left and Right Panned Each Time You Play a 28 Sound Is Distorted a 29 Pitch ISWtong iie 29 Notes Are Cut O ff 29 Tone LiSIS u rni b u 30 Dr m Sete 35 Music Styles m m 40 Chord Intelligence MODE 1 setting 41 Specifications 44 pio uev Uer VPN OM 45 Panel Descriptions Front Panel
27. Trm WORLD 1 47 36 4 522 Kanoon amp Chr WORLD 2 108 19 4 452 Guzheng WORLD 1 108 1 4 523 Kanoon 1 WORLD 2 108 16 2 453 Guzhng Trm WORLD 1 108 2 4 524 Kawala 2 WORLD 2 76 9 4 454 Guzhng Trm WORLD 1 108 4 4 525 Kawala Oct WORLD 2 76 10 4 455 Guzhng Hrm WORLD 1 108 3 4 526 Kawala 1 WORLD 2 76 8 2 456 Sanxian WORLD 1 107 16 4 527 Kaval Duo WORLD 2 76 32 4 457 Sanxn Trem WORLD 1 107 17 4 528 Nay WORLD 2 74 18 4 458 Pipa WORLD 1 106 32 4 529 Nay Oct WORLD 2 74 19 4 459 Pipa Vib WORLD 1 106 33 4 530 Mizmar WORLD 2 112 24 4 460 Pipa Trem WORLD 1 106 34 4 531 Mizmar Oct WORLD 2 112 25 4 461 Pipa Trem WORLD 1 106 37 4 532 MizmarDual WORLD 2 112 26 4 462 Pipa Harm WORLD 1 106 35 4 533 Zourna WORLD 2 112 42 4 463 Qudi WORLD 1 74 24 4 534 Gajda WORLD 2 110 16 4 464 Qudi Orn WORLD 1 74 25 4 535 Santur 3 WORLD 2 16 2 4 465 Bangdi WORLD 1 74 28 4 536 Santur 2 WORLD 2 16 1 2 466 Bandi Grwl WORLD 1 74 29 4 537 Santur 1 WORLD 2 16 0 2 467 Bandi Grwl WORLD 1 74 30 4 538 Cimbalom WORLD 2 16 8 2 468 Xiao WORLD 1 78 8 4 539 Kalimba WORLD 2 109 0 2 469 Xiao Orn WORLD 1 78 9 4 540 Balafon 1 WORLD 2 13 16 2 470 Xun WORLD 1 74 32 4 541 Balafon 2 WORLD 2 13 17 2 471 Xun Orn WORLD 1 74 33 4 542 Log Drum WORLD 2 13 24 2 472 Shakuhachi WORLD 1 78 0 2 543 Timpani PERCUSSION 48 0 2 473 Hulusi WORLD 1 112 40 4 544 Castanets PERCUSSION 116 8 2 474 Shanai 1 WORLD 1 112 0 2 545 Agogo Bell PERCUSSION 114 0 2 475 Shanai 2 WORLD 1 112 1 2 546 Woodblock PERCUSSION 116 0 2 476 WORL
28. Violin2 STRINGS 4 1 2 161 PickScrape ELECTRIC GUITAR 121 6 2 232 SlowVioln2 STRINGS 41 9 2 162 Ac Bass 1 BASS 33 0 2 233 Viola2 STRINGS 42 1 2 163 Ac Bass 2 BASS 33 1 2 234 2 STRINGS 43 1 2 164 Fingrd Bst BASS 34 0 2 235 Trem Str STRINGS 45 0 2 165 Jazz Bass BASS 34 2 2 236 Slow Trem STRINGS 45 8 2 166 Fingrd Bs3 BASS 34 3 2 237 Strings 1 STRINGS 49 0 2 167 Pick Bassi BASS 35 0 2 238 Strings 2 STRINGS 49 1 2 168 Frilss Bs1 BASS 36 0 2 239 Orchestrat STRINGS 49 8 2 169 Slap Bass1 BASS 37 0 2 240 Orchestra2 STRINGS 49 9 2 170 SynBass 1 BASS 39 0 2 241 Trem Orch STRINGS 49 10 2 171 Reso SH Bs BASS 39 16 2 242 XP Orch STRINGS 49 21 4 172 Square Bs BASS 39 22 2 243 ChoirStr STRINGS 49 11 2 173 Ac Bass 3 BASS 33 2 2 244 Velo Str STRINGS 49 24 2 174 AcBass4 BASS 33 3 2 245 60s Str STRINGS 49 40 2 175 Baby Bass BASS 33 4 4 246 Slow Str1 STRINGS 50 0 2 176 Fingrd Bs2 BASS 34 1 2 247 Slow Str2 STRINGS 50 1 2 177 Fingrd Bs4 BASS 34 4 2 248 Warm Str STRINGS 50 9 2 178 FingerSlap BASS 34 7 2 249 OB Strings STRINGS 51 1 2 179 Pick Bass2 BASS 35 3 2 250 SynStri STRINGS 51 2 2 180 MtPickBs BASS 35 8 2 251 70s Str1 STRINGS 51 8 2 181 Frtiss Bs2 BASS 36 1 2 252 70s Str2 STRINGS 51 9 2 182 Frilss Bs3 BASS 36 2 2 253 Syn Str 2 STRINGS 52 0 2 183 Frtiss Bs4 BASS 36 3 2 254 SynStr3 STRINGS 52 1 2 184 SynFrilss BASS 36 4 2 255 Double Hit STRINGS 56 10 2 185 Mr Sm
29. Wadon 5 Req Kopyak Mt Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo 88 Req Rim Mambo Bell Wadon 7 Req Rim Kopyak Op 89 Req Dom2 Cowbell 1 Wadon 4 Req Dom2 Chenchen Opn Req Dom1 Cowbell 2 Kane Side Req Dom Chenchen Cls 91 Req Pandeiro 1 Wadon 1 Req Khan c Ceng Ceng 92 Req Khan o Pandeiro 2 Kane Req Khan o Kwaengwari p 93 Req Slap Tambourim 1 Dhol Req Slap Kwaengwari f LEN Req Loop Tambourim 2 KwaengwariMt Req Loop KwaengwariMt 95 Reg Dum Tambourine Kwaengwari f Req Dum Reg Slap 96 Req Tik Apito Rama Cymbal Req Tik Jingle Bell 97 Sagat L o Quijada Sagat L o Sagat Open 98 Sagat R Chekere Sagat R Sagat Close EN Sagat L c Cajon Lo Sagat L c Ban Gu 1 100 Jingle Bell Cajon Hi Jingle Bell Ban Gu 2 101 Mut Pandiero Hand Clap Mut Pandiero 102 Opn Pandiero Castanets Opn Pandiero 103 Tambourinet Mute Triangle Tambourinet NH Tambourine2 Open Triangle Tambourine2 105 Udo Slap Agogo 1 Udo Slap M Udo Short Agogo 2 Udo Short 107 Udo Long RecoReco Udo Long 108 ZaghrutaLoop Mtl Guiro ZaghrutaLoop 109 ZaghrutaStop Bombo 1 ZaghrutaStop 110 Hand Clap ST Bombo 2 Hand Clap ST EE Bombo 3 Hand Clap 112 Wadon 6 Bombo 4 Wadon 6 113 Wadon 1 Bombo 5 Wadon 1 Wadon 7 Wadon 7 115 Wadon 4 Wadon 4 9 Wadon 2 Wadon 2 117 Wadon 5 Wadon 5 Wadon 3 Wadon 3 118 Wadaiko Wadaiko 120 Mute Surdo Mute Surdo i Mute Triangle Mute Triangle Op
30. an echo OD gt CHORUS Overdrive and chorus are connected in se ries OD gt FLANGER Overdrive and flanger are connected in se ries OD gt DELAY Overdrive and delay are connected in series DS gt CHORUS Distortion and chorus are connected in se ries DS gt FLANGER Distortion and flanger are connected in se ries DS gt DELAY Distortion and delay are connected in series EH gt CHORUS Enhancer and chorus are connected in se ries EH gt FLANGER Enhancer and flanger are connected in se ries EH gt DELAY Enhancer and delay are connected in series CHO gt DELAY Chorus and delay are connected in series FL gt DELAY Flanger and delay are connected in series CHO gt FLANGER Chorus and flanger are connected in series CHO DELAY Chorus and delay are connected in parallel FL DELAY Flanger and delay are connected in parallel CHO FLANGER Chorus and flanger are connected in paral lel STEP FLANGER The pitch of the flanger sound changes in stepwise fashion COMPRESSOR Suppresses high level sounds and boosts low level sounds making the overall vol ume more consistent LIMITER Compresses sounds that are louder than a specified level thus preventing distortion HEXA CHORUS Six phase chorus that adds depth and spa ciousness to the sound six chorus units with different delay times are layered TREMOLO CHO Chorus with an added tremolo effect ST CHORUS Stereo
31. chorus SPACE D A multiple chorus that applies two phase modulation in stereo It does not produce an impression of modulation but generates a transparent chorus effect ST DELAY Repeats the input sound to create echoes MOD DELAY Adds modulation to the delayed sound cre ating a flanger like effect 3TAP DELAY Three delayed sounds are panned to mid dle left and right 4TAP DELAY Four delayed sounds are heard TM CTRL DLY This is a delay that lets you change the delay time in real time by operating the modula tion lever REVERB Adds reverberation to the original sound simulating a large space GATE REV NR Reverb that cuts the reverberation during its decay GATE REV RV Gated reverb where the reverberation grad ually increases GATE REV 51 Reverb sound that moves from right to left GATE REV S2 Reverb sound that moves from left to right Song Functions The song memory locations are organized as follows Name Type Explanation Sng00 Temporary Used when playing or recording a song song Erased when you switch off the GW 7 s power Sng0l Usersongs Contain the songs you record and save Sng99 The contents are preserved even when you switch off the GW 7 s power Recording Song You can use the 16 track recorder of the GW 7 to record your own performances The following four recording modes are available Recording a new song ALL Keyboard performance and ba
32. delay Portamento control Reverb Effects 1 depth Chorus Effects 3 depth NRPN LSB MSB RPN LSB MSB 1 O 1 KK KKK 0 1 27 Program No 1 128 1 Control Change OOOOOOOOOOOOOOOOOOOOOOOO 100 101 Program Change True Number System Exclusive Song Position Song Select Tune Request System Clock 1 Real Time Commands 173 3 All Sound 159 126 127 Reset All Controllers 121 ux Local On Off Messages All Notes Off Active Sensing System Reset O System gt x gt x O gt x gt x O OO 123 125 KO KK gt gt XOOOOO 1 0X is selectable 2 Recognized as M 1 even if Mz1 3 Continue is not transmitted or received in Style mode Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No 43 Specifications GW 7 Workstation Keyboard 61 keys with velocity Sound Generator Maximum Polyphony 64 voices Parts 16 parts Keyboard part Wave Memory 32 M bytes 16 bit linear equivalent Preset Memory Tones 606 256 GM2 Drum Sets 51 9 GM2 Performances 110 User Memory Tones 128 Drum Sets 16 Performances 32 Effects Multi FX 47 types Reverb 8 types Chorus 8 types Transpose 12 to 12 Backing Track Tempo 20 to 250 Tracks
33. indicate USB Connecting Then the GW 7 will appear on your computer screen as an external drive GW 7 DRV or as Removable Disk The drive letter will depend on the number of drives that Windows has detected This is not relevant for Mac OS NOTE Data transfer is possible for Windows 2000 or later and for Mac OS 9 0 4 or later If you experience a problem with your system please contact the nearest Roland dealer Open the GW 7 external drive on your computer screen and open the Style or Song folder You can perform the following file operations Drag and drop music style files to copy them from the Style folder to the hard disk of your computer Drag and drop song files to copy them from the Song folder to the hard disk of your computer Drag and drop music style files to copy them from the hard disk of your computer to the Style folder Drag and drop song files to copy them from the hard disk of your computer to the Song folder Delete unwanted files Rename files NOTE Do not delete or rename the Style or Song folders The system will not operate correctly if you do so NOTE The filenames for styles or songs must be no longer than eight characters and may consist only of uppercase letters and numerals Style files must have an extension of STL and song files must have an extension of MID The GW 7 cannot use files that do not conform to these spe
34. mode It is memorized in each Tone Cho Dual 0 127 Adjusts the amount of chorus applied to the second Tone in Dual mode It is memorized in each Perfor mance Cho Split 0 127 Adjusts the amount of chorus applied to the Tone of the Lower Part in Split mode It is memorized in each Performance Reverb OFF Selects the type of reverb It is memorized in each Performance ROOM 1 3 OFF Reverb will not be applied HALL 1 2 ROOM 1 3 These simulate the reverberation of a room Higher numbered settings simulate larger PLATE rooms DELAY HALL 1 2 These simulate the reverberation of a concert hall Higher numbered setting simulate larger PAN DELAY halls PLATE This is a digital simulation of a metal plate reverb unit It is particularly appropriate for percus sive sounds DELAY A delay effect without reverb producing a repeating echo PAN DELAY A delay sound is repeated alternating between the left and right channels Rev Main 0 127 Adjusts the amount of reverb applied to the Main mode Tone the Tone of the Upper Part in Split mode or the first Tone in Dual mode It is memorized in each Tone Rev Dual 0 127 Adjusts the amount of reverb applied to the second Tone in Dual mode It is memorized in each Perfor mance Rev Split 0 127 Adjusts the amount of reverb applied to the Tone of the Lower Part in Split mode It is memorized in each Performance 3 When you re finished editing the effect settings press EFFECTS or EXIT to return to the
35. more intense vibrato Vib Delay 64 63 Adjusts the time until vibrato be gins Higher settings produce a longer delay until vibrato will begin J TERM Portamento is an effect that smoothly changes the pitch from one note to the next AGUY Vibrato is an effect that uses an LFO Low Frequency Oscillator to cyclically vary the pitch Saving a Tone After you ve edited the currently selected Tone including drum set Tones here s how you can save it in user memory 1 Press FUNCTION 2 Use SELECT gt to get the screen to indicate Write Tone 3 Press ENTER the screen will indicate Tone Num U001 4 Turn the VALUE dial to select a save destination U001 U144 Then press ENTER 5 name for the user Tone Use SELECT gt to move the cursor and turn the VALUE dial to change each character 6 Press ENTER the screen will indicate Write Sure 7 Press ENTER to write the edited tone into user memory If you press EXIT you re returned to the previous screen without the tone being written 12 Keyboard Mode Functions Other Functions Keyboard Velocity p 18 j Master Tune p 25 Volume p 18 9 Transpose 25 Chord Mode p 18 Using the GW 7 as a MIDI Keyboard Controller You can change the MIDI channel transmitted by the keyboard This is convenient when you re using the GW
36. one octave for the second Tone of Dual mode Oct Split 4 4 Raises or lowers the pitch in steps of one octave for the Lower Part of Split mode Vol Main 0 127 Adjusts the volume for Main mode the Upper Part of Split mode or the first Tone of Dual mode Vol Dual 0 127 Adjusts the volume for the second Tone of Dual mode Vol Split 0 127 Adjusts the volume for the Lower Part of Split mode Vol ChordBs 0 127 Adjusts the Chord Bass volume When BACKING TRACK is lit and the backing is stopped the bass will sound according to the chord you play in the left hand Vol Drum 0 127 Adjusts the volume of the music style s drum part Vol Bass 0 127 Adjusts the volume of the music style s bass part Vol Backing 0 127 Adjusts the volume of the music style s backing parts 1 6 Pan Main RND Adjusts the panning left right stereo position for Main mode the Upper Part of Split mode or the first Tone of L63 0 R63 Dual mode RND The pan position will change randomly for each note L63 0 R63 Values beginning with L place the sound at the left 0 at the center and R at the right Pan Dual RND Adjusts the panning left right stereo position for the second Tone of Dual mode L63 0 R63 RND The pan position will change randomly for each note L63 0 R63 Values beginning with L place the sound at the left 0 at the center and R at the right Pan Split RND Adjusts the panning left right stereo position for the Lower
37. play more than 64 voices simultaneously currently sounding notes may be cut off 29 Tone Lists Button No Tone Category PC cc cc Button No Tone Category PC cc cc 00 32 00 32 PIANO 1 StPiano 1 PIANO 1 8 2 KBD 72 Bandoneon ACCORDION 24 2 2 EuropeanPf PIANO 1 16 2 ORGAN 73 Harmonicat ACCORDION 23 0 2 3 Piano2 PIANO 2 0 2 74 Harmonica2 ACCORDION 23 1 2 4 Honkytonk PIANO 4 0 2 75 Harpsi2 KEYBOARD 7 24 2 5 Piano 1 PIANO 1 0 2 76 StHarpsi KEYBOARD 7 16 2 6 StPiano2 PIANO 2 8 2 77 Harpsi 1 KEYBOARD 7 0 2 7 Piano3 PIANO 3 0 2 78 CoupledHps KEYBOARD 7 8 2 8 EG EP 1 PIANO 3 1 2 79 Clav KEYBOARD 8 0 2 9 EG EP2 PIANO 3 2 2 80 CompClav KEYBOARD 8 8 2 10 StPiano3 PIANO 3 8 2 81 Pulse Clav KEYBOARD 8 39 2 11 OldUpright PIANO 4 8 2 82 Celesta CHROMATIC PERC 9 0 2 12 E Piano 1 ELECTRIC PIANO 5 0 2 83 Music Box CHROMATIC PERC 1 0 2 13 StSoft EP ELECTRIC PIANO 5 8 2 84 Vibraphone CHROMATIC PERC 12 0 2 14 Dyno EP ELECT
38. previous screen 19 Performance Functions and Effects Multi Effect List OFF MEX will not be applied ENHANCER Controls the harmonic structure of the high frequency portion of the sound adding sparkle and improving the definition OVERDRIVE 1 4 Produces a natural sounding distortion typ ical of a vacuum tube amplifier 1 Small amp 2 Built in type 3 Large double stack amp 4 Large triple stack amp DISTORTION 1 4 Produces a more intense distortion than Overdrive Four types are available PHASER Adds a phase shifted sound to the original sound and modulates it over time to pro duce a twisting and turning sensation AUTO WAH Cyclically moves a filter to produce a wah effect cyclic change in tone ROTARY Simulates the sound of classic rotary speak ers from the past You can switch the rota tional speed slow fast by moving the BENDER MODULATION lever away from yourself realistically simulating the behav ior of an actual rotary speaker This is partic ular effective when applied to organ sounds ST FLANGER Produces a metallic whooshing effect remi niscent of a jet airplane taking off and land ing 2PITCH SHIFT Shifts the pitch of the original sound Two pitch shifted sounds can be layered onto the original sound FB PITCH SFT Pitch shifter in which the pitch shifted sound is fed back to the input producing
39. you press them If you re using this type of pedal set this parameter to RVS reverse If you re using a Roland pedal without a polarity switch use the STD standard setting Hold Pol STD RVS Switches the polarity of the pedal connected to the HOLD PEDAL jack See Pedal Pol above C1 REVERB SEND Choose the EFFECT to be controlled when you press SELECT to choose REVERB and then turn the C1 knob CHORUS SEND REVERB SEND Adjusts the send level of each tone to the reverb PORTA SW CHORUS SEND Adjusts the send level of each tone to the chorus PORTA TIME PORTA SW Portamento will be applied if you turn the knob to the right and will not be applied if you turn the knob DECAY TIME to the left p 12 VIB RATE PORTA TIME Adjusts the portamento time Turn toward the right to lengthen the time p 12 VIB DEPTH DECAY TIME Adjusts the decay time Turn toward the right to lengthen the time p 12 VIB DELAY VIB RATE Adjusts the modulation speed of vibrato Turn toward the right to make the vibrato faster p 12 VIB DEPTH Adjusts the modulation depth of vibrato Turn toward the right to make the vibrato deeper p 12 VIB DELAY Adjusts the amount of time to pass before vibrato begins Turn toward the right to lengthen the delay p 12 C2 Same as C1 Choose the EFFECT to be controlled when you press SELECT to choose CHORUS and then turn the C2 knob above Split Ctrl OFF ON Selects whether the controllers hold pedal contro
40. 1 285 4169 ISRAEL Halilit P Greenspoon amp Sons Ltd 8 Retzif Ha aliya Hashnya St Tel Aviv Yafo ISRAEL TEL 03 6823666 JORDAN AMMAN Trading Agency 245 Prince Mohammad St Amman 1118 JORDAN TEL 06 464 1200 KUWAIT EASA HUSAIN AL YOUSIFI amp SONS CO Abdullah Salem Street Safat KUWAIT TEL 243 6399 LEBANON Chahine S A L Gerge Zeidan St Chahine Bldg Achrafieh P O Box 16 5857 Beirut LEBANON TEL 01 20 1441 OMAN TALENTZ CENTRE L L C P O BOX 37 MUSCAT POSTAL CODE 113 TEL 931 3705 QATAR A Emadi Co Badie Studio amp Stores P O Box 62 Doha QATAR TEL 4423 554 SAUDI ARABIA aDawliah Universal Electronics APL Corniche Road Aldossary Bldg 1st Floor Alkhobar SAUDI ARABIA P O Box 2154 Alkhobar 31952 SAUDI ARABIA TEL 03 898 2081 SYRIA Technical Light amp Sound Center Rawda Abdul Qader Jazairi St Bldg No 21 P O BOX 13520 Damascus SYRIA TEL 011 223 5384 TURKEY Ant Muzik Aletleri Ithalat Ve Ihracat Ltd Sti Siraselviler Caddesi Siraselviler Pasaji No 74 20 Taksim Istanbul TURKEY TEL 0212 2449624 U A E Zak Electronics amp Musical Instruments Co L L C Zabeel Road Al Sherooq Bldg No 14 Grand Floor Dubai U A E TEL 04 3360715 NORTH AMERICA CANADA Roland Canada Music Ltd Head Office 5480 Parkwood Way Richmond B C V6V 2M4 CANADA TEL 604 270 6626 Roland Canada Music Ltd Toronto Office
41. 25 7 2 627 Std Asia DRUMS 67 0 4 594 WindChimes SFX 125 5 2 628 Jazz Asia DRUMS 68 0 4 595 Car Stop SFX 126 2 2 629 TR909 Asia DRUMS 69 0 4 596 Car Crash SFX 126 4 2 630 HipHopAsia DRUMS 70 0 4 597 Jetplane SFX 126 7 2 631 R amp B Asia DRUMS 71 0 4 598 Starship SFX 126 8 2 632 TechnoAsia DRUMS 72 0 4 599 Burst Nz SFX 126 9 2 633 Asia DRUMS 73 0 4 600 Punch SFX 127 3 2 634 Std OR DRUMS 82 0 4 601 Heart Beat SFX 127 4 2 635 Jazz OR DRUMS 83 0 4 602 Footsteps SFX 127 5 2 636 TR 909 OR DRUMS 84 0 4 603 Applause 2 SFX 127 6 2 637 HipHop OR DRUMS 87 0 4 604 Gun Shot SFX 128 0 2 638 R amp B OR DRUMS 88 0 4 605 MachineGun SFX 128 1 2 639 Techno OR DRUMS 85 0 4 606 Laser Gun SFX 128 2 2 640 D n B OR DRUMS 86 0 4 641 MxKit amp Latn DRUMS 89 0 4 642 MxKt amp lndia DRUMS 90 0 4 643 MxKit amp OR DRUMS 92 0 4 644 MxKit amp Chin DRUMS 91 0 4 645 Standard 2 DRUMS 2 0 2 646 Standard 3 DRUMS 3 0 2 647 Room DRUMS 9 0 2 648 Power DRUMS 17 0 2 649 Jazz Kit 2 DRUMS 34 0 2 650 Brush Kit DRUMS 41 0 2 651 Orchestra DRUMS 49 0 2 652 Ethnic DRUMS 50 0 2 653 Electronic DRUMS 25 0 2 654 TR 808 amp 909 DRUMS 26 0 2 655 Dance DRUMS 27 0 2 656 Kick amp Snare DRUMS 51 0 2 657 SFX DRUMS 57 0 2 34 Drum Sets PC 1 CC32 2 PC 33 CC32 2 PC 31 CC32 2 PC 10 CC32 2 PC 14 CC32 2 PC 12 CC32 2 PC 11 CC32 2 PC 47 CC32 4 PC 45 CC32 4 PC 46 CC32 4 PC 44 CC32 4
42. 426 5050 Roland Shanghai Electronics Co Ltd GUANGZHOU OFFICE 2 F No 30 Si You Nan Er Jie Yi Xiang Wu Yang Xin Cheng Guangzhou 510600 CHINA TEL 020 8736 0428 HONG KONG Tom Lee Music Co Ltd Service Division 22 32 Pun Shan Street Tsuen Wan New Territories HONG KONG TEL 2415 0911 Parsons Music Ltd 8th Floor Railway Plaza 39 Chatham Road South T S T Kowloon HONG KONG TEL 2333 1863 INDIA Rivera Digitec India Pvt Ltd 409 Nirman Kendra Mahalaxmi Flats Compound Off Dr Edwin Moses Road Mumbai 400011 INDIA TEL 022 2493 9051 INDONESIA PT Citra IntiRama Cideng Timur No 15 150 Jakarta Pusat INDONESIA TEL 021 6324170 KOREA Cosmos Corporation 1461 9 Seocho Dong Seocho Ku Seoul KOREA TEL 02 3486 8855 MALAYSIA Roland Asia Pacific Sdn Bhd 45 1 Block C2 Jalan PJU 1 39 Dataran Prima 47301 Petaling Jaya Selangor MALAYSIA TEL 03 7805 3263 When you need repair service call your nearest Roland Service Center or authorized Roland distributor in your country as shown below PHILIPPINES G A Yupangco amp Co Inc 339 Gil J Puyat Avenue Makati Metro Manila 1200 PHILIPPINES TEL 02 899 9801 SINGAPORE SWEE LEE MUSIC COMPANY PTE LTD 150 Sims Drive SINGAPORE 387381 TEL 6846 3676 CRISTOFORI MUSIC PTE LTD Blk 3014 Bedok Industrial Park E 02 2148 SINGAPORE 489980 TEL 6243 9555 TAIWAN ROLAND TAIWAN ENTERPRISE CO LTD Room 5
43. 56 Chorus Org ORGAN 18 8 2 127 GtFret Nz ACOUSTIC GUITAR 121 0 2 57 Dind Org 2 ORGAN 18 10 2 128 JazzGt1 ELECTRIC GUITAR 27 0 2 58 Perc Org2 ORGAN 18 32 2 129 PedalSteel ELECTRIC GUITAR 27 8 2 59 ChurchOrg3 ORGAN 20 16 2 130 Clean Gt2 ELECTRIC GUITAR 28 1 2 60 PuffOrgan ORGAN 21 16 2 131 JCCinGt ELECTRIC GUITAR 28 4 2 61 Squeeze Me ACCORDION 22 5 4 132 MidTune Gt ELECTRIC GUITAR 28 23 2 62 Oktober ACCORDION 22 6 4 183 MutedGt ELECTRIC GUITAR 29 0 2 63 Vint Accdn ACCORDION 22 10 4 134 Overdrive ELECTRIC GUITAR 30 0 2 64 Romance ACCORDION 22 11 4 185 Dist Gt 1 ELECTRIC GUITAR 31 0 2 65 LaSeine ACCORDION 22 12 4 136 Power Gt1 ELECTRIC GUITAR 31 16 2 66 Accrdn1 ACCORDION 22 1 4 137 Mellow Gt ELECTRIC GUITAR 27 1 2 67 Accrdn 2 ACCORDION 22 2 4 138 Jazz Gt2 ELECTRIC GUITAR 27 2 2 68 Accrdn3 ACCORDION 22 3 4 139 CleanGt1 ELECTRIC GUITAR 28 0 2 69 AccrdnJuno ACCORDION 22 4 4 140 Open ELECTRIC GUITAR 28 3 2 70 Acerdn It ACCORDION 22 8 2 141 Chorus Gt ELECTRIC GUITAR 28 8 2 71 Fr ACCORDION 22 0 2 142 Clean Gt3 ELECTRIC GUITAR 28 48 2 30
44. 6 10 Backing drums 11 Split Keyboard 4 12 Chord Bass Keyboard 5 16 Main Keyboard 6 1 The bass that sounds when the backing is playing 2 Main mode the Upper Tone of Split mode or the first Tone of Dual mode 8 Second Tone of Dual mode 4 Lower Tone of Split mode 5 The bass that sounds according to the chord you play in the left hand when BACKING TRACK is lit and the backing is stopped 6 If you assign a drum set for Main mode the Upper Tone of Split mode or the first Tone of Dual mode MIDI Parameters For details on how to make these settings refer to System Settings p 24 MIDI parameters other than Local Ctrl will be saved as soon as you exit System Edit mode Local Ctrl Local Control On Off default On If the notes you play on the keyboard are sent to the sound generator via both of the two routes 1 and 2 as shown in the diagram the notes will be duplicated or interrupted To prevent this you can disconnect route 1 by using the Local Off setting You should turn this setting Off if you ve connected a MIDI sequencer to the GW 7 1 Local on Sequencer MIDI Sound IN generator eme 2 MIDI OUT v 2 Thru setting turned on Play a note once it s Sounded twice NOTE The setting of this parameter is cleared when you switch off the GW 7 s power MIDI TxRx MIDI Transmission Re
45. 7 and written into these memory loca tions p 24 switch to user styles press USER so the button is lit return to preset styles press USER once again so the button goes out Selecting a Preset Style 1 Press BACKING TRACK so the button is lit Press MODE STYLE so the button is lit Press USER so the button goes out N Use SELECT gt to select a style by genre Immediately after you press SELECT the screen will show the name of the first music style in the selected genre 5 Turn the VALUE dial to step through the styles one by one Selecting a User Style Press BACKING TRACK so the button is lit Press MODE STYLE so the button is lit Press USER so the button is lit HM Turn the VALUE dial to step through the styles one by one and then press ENTER Adding Music Styles cf gt Use a USB cable to connect the GW 7 to your computer p 24 Copy music style files from your computer to the user memory of the GW 7 Deleting a Music Style 1 Press FUNCTION 2 Use SELECT gt to get the screen to indicate Utility Then press ENTER 3 Use SELECT gt to choose Delete Style Then press ENTER 4 Turn the VALUE dial to select the user style Us001 Us099 that you want to delete 5 Press ENTER the screen will indicate Delete Sure 6 Press ENTER to d
46. 7 with an external computer sequencer or sound module 1 Hold down SHIFT and press MODE SONG so the button is lit The screen will indicate Kbd Ch 1 B Turn the VALUE dial to change the setting 1 16 e Press SELECT the screen will indicate Local Ctrl OFF This lets you change the Local Control setting p 26 4 Press SELECT to return to the keyboard channel screen 13 Playing with an Accompaniment Backing 1 Press BACKING TRACK so the button is lit When you play the left hand area of the keyboard you will hear a strings sound and an chord bass sound At this time the keyboard split point will be set to C4 note number 60 iR If you press and hold SPLIT for approximately two seconds the split point setting screen will appear You can turn the VALUE dial to change the split point When you re finished press EXIT 2 Press START STOP the backing will start playing If BACKING TRACK is unlit pressing START STOP will cause only the drums to start playing Use your left hand to play a chord a single note gt If you play a different chord or single note the backing key will change 5 Use the following buttons to select a different pattern for the currently selected music style INTRO A backing pattern suitable for an introduc tion ORIGINAL A simple backing pattern FILL IN This backing pattern is used when trans
47. 9fl No 112 Chung Shan N Road Sec 2 Taipei TAIWAN R O C TEL 02 2561 3339 THAILAND Theera Music Co Ltd 330 Verng NakornKasem Soi 2 Bangkok 10100 THAILAND TEL 02 2248821 VIETNAM Saigon Music Suite DP 8 40 Ba Huyen Thanh Quan Street Hochiminh City VIETNAM TEL 08 930 1969 AUSTRALIA NEW ZEALAND AUSTRALIA NEW ZEALAND Roland Corporation Australia Pty Ltd 38 Campbell Avenue Dee Why West NSW 2099 AUSTRALIA For Australia Tel 02 9982 8266 For New Zealand Tel 09 3098 715 CENTRAL LATIN AMERICA ARGENTINA Instrumentos Musicales S A Av Santa Fe 2055 1123 Buenos Aires ARGENTINA TEL 011 4508 2700 BARBADOS A amp B Music Supplies LTD 12 Webster Industrial Park Wildey St Michael Barbados TEL 246 430 1100 BRAZIL Roland Brasil Ltda Rua San Jose 780 Sala B Parque Industrial San Jose Cotia Sao Paulo SP BRAZIL TEL 011 4615 5666 CHILE Comercial Fancy II S A Rut 96 919 420 1 Nataniel Cox 4739 4th Floor Santiago Centro CHILE TEL 02 688 9540 COLOMBIA Centro Musical Ltda Cra 43 No 25 A 41 Bododega 9 Medellin Colombia TEL 574 3812529 COSTA RICA JUAN Bansbach Instrumentos Musicales Ave 1 Calle 11 Apartado 10237 San Jose COSTA RICA TEL 258 0211 CURACAO Zeelandia Music Center Inc Orionweg 30 Curacao Netherland Antilles TEL 305 5926866 DOMINICAN REPUBLIC Instrumentos Fernando Giraldez Calle Proyecto Ce
48. ASS 40 18 2 281 TenorSaxi SAX 67 0 2 211 SmoothBass BASS 40 19 2 282 XP Tnr Sax SAX 67 2 4 212 Mild Bass BASS 40 20 2 283 Baritn Sax SAX 68 0 2 213 Detuned Bs BASS 40 21 2 284 SopSax2 SAX 65 8 2 Button No Tone Category PC cc cc Button No Tone Category PC cc cc 00 32 00 32 SAX 285 Alto Sax 2 SAX 66 1 2 SYNTH 356 SquareWave SYNTH LEAD 81 0 2 BRASS 286 Hyper Alto SAX 66 8 2 357 Mellow FM SYNTH LEAD 81 3 2 287 Tenor Sax2 SAX 67 1 2 358 CC Solo SYNTH LEAD 81 4 2 288 Velo Tenor SAX 67 9 2 359 260 Sync SYNTH LEAD 81 17 2 289 Flute Vib WIND 74 48 2 360 Saw Wave 1 SYNTH LEAD 82 0 2 290 Piccolo WIND 73 0 2 361 Pulse Saw SYNTH LEAD 82 2 2 291 Oboe WIND 69 0 2 362 GR 300 SYNTH LEAD 82 6 2 292 Bassoon WIND 71 0 2 363 Waspy Syn SYNTH LEAD 82 16 2 293 Clarinet WIND 72 1 2 364 Rhythm Saw SYNTH LEAD 82 45 4 294 Pan Flute WIND 76 0 2 365 Seq Saw SYNTH LEAD 82 46 2 295 Whistle WIND 79 0 2 366 SynCalli
49. C 9 Turning the Power On Off 9 Turning the Power On 229 Turning the Power 9 Adjusting the Screen 9 Listening to the Demo Song sese 9 Playing Sounds from the Keyboard Keyboard Mode 9 Using Main Mode n pusu un a 9 Using Split Mode 5 Using Dual Mode saan a anu ua Using the Restoring the GW 7 to Its Factory Settings T Initializing the User Style and User Song Memory 10 Keyboard Mode Functions 11 Selecting the Tone for the Keyboard Mode 11 Selecting a Tone 11 Using the Favorite Tone Function Registering a Favorite 2 11 Selecting a Favorite 11 Drum Sounds and Sound Effects SFX cll Drum 11 Sound Effects SEX 11 Octave Settings cessive ies 11 Editing a Tone Editing a Tone in Detail sse 12 Saving a Tone Other Functions wee Using the GW 7 as a MIDI Keyboard Controller 13 Playing with an Accompaniment Backing 14 Playing Back a Backing 14 Changing the Backing Ensemble sss 14 Adjusting the Volume 14 Adjusting the
50. CAT BRASS DEMO METRONOME 17 SHIFT EFFECTS FUNCTION LOWER UPPER USB 15 16 gt me OCTAVE gt Cn TP FAVORITE 20 07 10 ANALOG MODIFY section Turn the C1 C2 knobs to control the functions you select by pressing the SELECT button p 12 p 14 p 25 11 Screen This displays various information according to the operations you perform 12 VALUE dial Use this to edit the value of the parameters settings in the screen 13 SELECT buttons gt Use these buttons to change between screen pages tone categories or music styles 14 EXIT NOYENTER YES buttons Pressed to issue the Cancel EXIT or OK ENTER commands in screens that prompt you to make such a selection To listen to the demo songs hold down SHIFT and press EXIT p 9 To use the metronome hold down SHIFT and press ENTER p 10 15 EFFECTS button This button lets you make effect settings p 19 To lower the pitch of the keyboard tone in steps of one octave hold down SHIFT and press EFFECTS p 11 Panel Descriptions 16 FUNCTION button This button takes you to the settings screen for various parameters To raise the pitch of the keyboard tone in steps of one octave hold down SHIFT and press FUNCTION p 11 17 KEYBOARD section Use these buttons to switch the keyboard mode p 9 p 11 18 MODE section Use these buttons to switch between Tone Style Performa
51. D 1 112 8 2 547 Taiko PERCUSSION 117 0 2 477 Suona WORLD 1 112 32 4 548 Concert BD PERCUSSION 117 8 2 478 Suona Grwl WORLD 1 112 33 4 549 Mt CncrtBD PERCUSSION 117 9 2 479 Suona WORLD 1 112 34 4 550 Melo Tom 1 PERCUSSION 118 0 2 480 Hichiriki WORLD 1 112 16 2 551 Real Tom PERCUSSION 118 1 2 481 Bagpipe WORLD 1 110 0 2 552 Melo Tom 2 PERCUSSION 118 8 2 482 Shamisen WORLD 1 107 0 2 553 Rock Tom PERCUSSION 118 9 2 483 Tsugaru WORLD 1 107 1 2 554 Synth Drum PERCUSSION 119 0 2 484 Koto WORLD 1 108 0 2 555 808 Tom PERCUSSION 119 8 2 485 TaishoKoto WORLD 1 108 8 2 556 Elec Perc PERCUSSION 119 9 2 486 Zither WORLD 1 47 24 2 557 RevCymbal1 PERCUSSION 120 0 2 487 WORLD 1 47 0 2 558 RevCymbal2 PERCUSSION 120 1 2 488 Bonang 1 WORLD 1 113 8 2 559 Rev Snare1 PERCUSSION 120 8 2 489 Gender 1 WORLD 1 113 9 2 560 Rev Snare2 PERCUSSION 120 9 2 490 Gamln Gong WORLD 1 113 10 2 561 Rev Kick PERCUSSION 120 16 2 491 St Gamelan WORLD 1 113 11 2 562 RevCncrtBD PERCUSSION 120 17 2 492 RamaCymbal WORLD 1 113 16 2 563 Rev Tom 1 PERCUSSION 120 24 2 493 Atarigane WORLD 1 114 8 2 564 Rev Tom 2 PERCUSSION 120 25 2 494 Gopichant WORLD 1 106 16 2 565 Thunder SFX 123 2 2 495 Sitar 2 WORLD 1 105 1 2 566 Wind SFX 123 3 2 496 Sitar 1 WORLD 1 105 0 2 567 Bird 1 SFX 124 0 2 497 Dtnd Sitar WORLD 1 105 2 2 568 Bird 2 SFX 124 3 2 33
52. Floor Maritime Plaza Barataria Trinidad W I TEL 868 638 6385 URUGUAY Todo Musica S A Francisco Acuna de Figueroa 1771 C P 11 800 Montevideo URUGUAY TEL 02 924 2335 VENEZUELA Instrumentos Musicales Allegro C A Av las industrias edf Guitar import 7 zona Industrial de Turumo Caracas Venezuela TEL 212 244 1122 AUSTRIA Roland Elektronische Musikinstrumente HmbH Austrian Office Eduard Bodem Gasse 8 A 6020 Innsbruck AUSTRIA TEL 0512 26 44 260 BELGIUM FRANCE HOLLAND LUXEMBOURG Roland Central Europe N V Houtstraat 3 B 2260 Oevel Westerlo BELGIUM TEL 014 575811 CZECH REP K AUDIO Kardasovska 626 CZ 198 00 Praha 9 CZECH REP TEL 2 666 10529 DENMARK Roland Scandinavia A S Nordhavnsvej 7 Postbox 880 DK 2100 Copenhagen DENMARK TEL 3916 6200 FINLAND Roland Scandinavia As Filial Finland Elannontie 5 FIN 01510 Vantaa FINLAND TEL 0 9 68 24 020 GERMANY Roland Elektronische Musikinstrumente HmbH Oststrasse 96 22844 Norderstedt GERMANY TEL 040 52 60090 GREECE STOLLAS S A Music Sound Light 155 New National Road Patras 26442 GREECE TEL 2610 435400 HUNGARY Roland East Europe Ltd Warehouse Area DEPO Pf 83 H 2046 Torokbalint HUNGARY TEL 23 511011 IRELAND Roland Ireland G2 Calmount Park Calmount Avenue Dublin 12 Republic of IRELAND TEL 01 4294444 ITALY Roland Italy S p A Viale delle Industrie 8 20020 A
53. IC PERC 99 9 2 35 Perc Org 1 ORGAN 18 9 2 106 Air Bells CHROMATIC PERC 99 17 2 36 Organ3 ORGAN 19 0 2 107 Bell Harp CHROMATIC PERC 99 18 2 37 Rotary Org ORGAN 19 8 2 108 Gamelimba CHROMATIC PERC 99 19 2 38 RotarySlow ORGAN 19 16 2 GUITAR 109 NylonGt 1 ACOUSTIC GUITAR 25 0 2 39 RotaryFast ORGAN 19 24 2 BASS 110 Velo Harm ACOUSTIC GUITAR 25 24 2 40 ChurchOrg1 ORGAN 20 0 2 111 Nyin Steel ACOUSTIC GUITAR 26 9 2 41 ChurchOrg ORGAN 20 8 2 112 RequintGt ACOUSTIC GUITAR 25 40 2 42 OrganFlute ORGAN 20 24 2 113 FlamencoGt ACOUSTIC GUITAR 25 49 2 43 TremFlute ORGAN 20 32 2 114 StiStr Gt ACOUSTIC GUITAR 26 0 2 44 ReedOrgan ORGAN 21 0 2 115 12StrGt ACOUSTIC GUITAR 26 8 2 45 Organ 101 ORGAN 17 1 2 116 Mandolin ACOUSTIC GUITAR 26 16 2 46 DtndOrg1 ORGAN 17 7 2 117 Ukulele ACOUSTIC GUITAR 25 8 2 47 Trem Organ ORGAN 17 8 2 118 Guitarron ACOUSTIC GUITAR 25 9 4 48 Organ 109 ORGAN 17 9 2 119 NylonGt2 ACOUSTIC GUITAR 25 16 2 49 60sOrgan2 ORGAN 17 17 2 120 NylonGt3 ACOUSTIC GUITAR 25 82 2 50 60s Organ3 ORGAN 17 18 2 121 StlStr Gi2 ACOUSTIC GUITAR 26 32 2 51 PopOrgan ORGAN 17 8 2 122 Steel Body ACOUSTIC GUITAR 26 33 2 52 Rock Organ ORGAN 17 32 2 123 E GtHarm ACOUSTIC GUITAR 32 0 2 53 Even Bar ORGAN 17 33 2 124 Ac Gt Harm ACOUSTIC GUITAR 32 16 2 54 Organ Bass ORGAN 17 40 2 125 Atmosphere ACOUSTIC GUITAR 100 0 2 55 Organ201 ORGAN 18 1 2 126 Nylon Harp ACOUSTIC GUITAR 100 2 2
54. Itopia PAD 92 3 2 340 Tb Sect 2 ACOUSTIC BRASS 62 27 2 411 Tine Pad PAD 94 1 2 SYNTH 341 Syn Brass1 SYNTH BRASS 63 0 2 412 Panner Pad PAD 94 2 2 342 Jump Brass SYNTH BRASS 63 5 2 413 Sweep Pad PAD 96 0 2 343 OctSynBrss SYNTH BRASS 63 16 2 414 Polar Pad PAD 96 1 2 344 VeloBrass2 SYNTH BRASS 64 17 2 415 Shwimmer PAD 96 9 2 345 Poly Brass SYNTH BRASS 63 1 2 416 Soundtrack PAD 98 0 2 346 Syn Brass5 SYNTH BRASS 63 3 2 417 AmbientPad PAD 100 6 2 347 Juno Brass SYNTH BRASS 63 4 2 418 Goblin Syn PAD 102 1 2 348 Syn Brass3 SYNTH BRASS 63 8 2 419 ResoPanner PAD 103 5 2 349 Quak Brass SYNTH BRASS 63 9 2 420 StarTheme1 PAD 104 0 2 350 Oct Brass SYNTH BRASS 63 18 2 421 Horn Pad PAD 90 2 2 351 Syn Brass2 SYNTH BRASS 64 0 2 422 Sine Pad PAD 90 5 2 352 Soft Brass SYNTH BRASS 64 1 2 423 BowedGlass PAD 93 0 2 353 Syn Brass4 SYNTH BRASS 64 8 2 424 Metal Pad PAD 94 0 2 354 VeloBrass1 SYNTH BRASS 64 16 2 425 Halo Pad PAD 95 0 2 355 Big Lead SYNTH LEAD 82 4 2 426 Converge PAD 96 8 2 32 Button No To
55. L Op 33 Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Changgo EN Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Asian Gong 35 Kick 1 Jazz Kick 2 909 Kick HipHop Kick 909 Kick 3 909 Kick TR 808Kick Tabla Ge Wadon 6 Tang Gu Mt C236 Kick 2 Jazz Kick 1 909 Kick SimpleKick SimpleKick House Kick 909 Kick Voice 1 Tabla Ge Wadon 6 Tang Gu Op EA Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Voice 2 Tabla Te Wadon 3 Shu Gu Rim 38 Snare 2 Jazz Snare 1 909 Snare HipHop Snare R amp B Snare Techno Snare Jungle Snare Bongo 101 Tabla Ge Hi Wadon 2 Shu Gu E 909Clap Hand Clap2 909Clap FunkClap R amp B Clap 909Clap 909Clap Bongo Lo2 Hand Clap2 Wadon 5 Shu Ban 2 40 Snare 1 Jazz Snare 909Snare2 HipHopSnare2 909Snare2 House Snare Ps Snare Bongo Hi Tabla Na Wadon 7 Ban Gu 4 41 Real Tom 6 Real Tom 6 808 Tom 2 Real Tom 6 Real Tom 6 Synth Drum 2 808 Tom 2 Conga Lo Tabla Tun Wadon 4 Tang Gu Op EZE Close HiHat Jazz Clsd HH TR 909 CHH HipHopCHH R amp B CHH TR 909 CHH R amp B CHH Conga Hi Tambourine1 Kane Side Nao Bo 43 Real Tom 6 Real Tom 6 808 Tom 2 Real Tom 6 Real Tom 6 Synth Drum 2 808 Tom 2 Conga Conga Slap Wadon 1 Tang Gu Mt E Pedal HiHat Jazz Pedl HH TR 909 CHH HipHopCHH R amp B CHH TR 909 CHH R amp B CHH Timbles Lo Tambourine2 Kane Xiao Bo 45 Real Tom 4 Real Tom 4 808 Tom 2 Real Tom 4 Real Tom 4 Synth Drum 2 808 Tom 2 Timbles Hi Udo Slap Dhol Tang Gu Op E Op
56. Lo Bongo Lo Bongo Lo 62 Doff Tak 2 Bongo 101 Tabla Ge Hi Doff Tak 2 Shu Gu Mute H Conga Mute H Conga Mute H Conga Mute H Conga Mute H Conga Mute H Conga EN Doff Tak 3 Bongo Lo2 Hand Clap2 Doff Tak 3 Shu Ban 2 Conga Hi Opn Conga Hi Opn Conga Hi Opn Conga Hi Opn Conga Hi Opn Conga Hi Opn 64 Low Bongo Bongo Hi Tabla Na Low Bongo Ban Gu 4 Conga Lo Opn Conga Lo Opn Conga Lo Opn Conga Lo Opn Conga Lo Opn Conga Lo Opn 65 Bongo High Conga Lo Tabla Tun Bongo High Tang Gu Op High Timbale High Timbale High Timbale High Timbale High Timbale High Timbale EE Doholla Sak Conga Hi Tambourine1 Doholla Sak Nao Bo Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale 67 Doholla Tak2 Conga Conga Slap Doholla Tak2 Tang Gu Mt Agogo Agogo Agogo Agogo Agogo Agogo i Doholla Tak1 Timbles Lo Tambourine2 Doholla Takt Xiao Bo Agogo Agogo Agogo Agogo Agogo Agogo 69 Doholla Dom Timbles Hi Udo Slap Doholla Dom Tang Gu Op Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa EE Dholak 1 Timbles Ceng Ceng Dholak 1 HuYinLuoH Op Maracas Maracas Maracas Maracas Maracas Maracas a Dholak 2 Claves Udo Short Dholak 2 Tang Gu Mt ShriWhistle ShriWhistle ShriWhistle ShriWhistle ShriWhistle ShriWhistle 72 Dhol Cuica Lo Udo Long Dhol Tang Gu Op LongWhistle LongWhistle LongWhistle LongWhistle LongWhistle LongWhistle E Tabla Ge Cuica Hi Xiao Bo Tabla Ge HuYinLuoH Op Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro 74 Tabla Ge Surdo 1 Timbl Tabla Ge Tang Gu Mt Lo
57. N RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for help This device complies with Part 15 of the FCC Rules Operation is subject to the following two conditions 1 This device may not cause harmful interference and 2 This device must accept any interference received including interference that may cause undesired operation Unauthorized changes or modification to this system can void the users autho
58. RIC PIANO 5 47 2 85 Marimba CHROMATIC PERC 13 0 2 15 Wurly ELECTRIC PIANO 5 48 2 86 Xylophone CHROMATIC PERC 14 0 2 16 EP Legend ELECTRIC PIANO 6 10 2 87 Tubir Bel CHROMATIC PERC 15 0 2 17 Hard FM EP ELECTRIC PIANO 6 24 2 88 Sft Crystl CHROMATIC PERC 99 2 2 18 EP Phase ELECTRIC PIANO 6 32 2 89 LoudGlockn CHROMATIC PERC 99 4 2 19 FM SAEP ELECTRIC PIANO 5 16 2 90 Choir amp Bell CHROMATIC PERC 99 16 2 20 60sEP ELECTRIC PIANO 5 24 2 91 CHROMATIC PERC 43 2 21 Hard EP ELECTRIC PIANO 5 25 2 92 Glocken CHROMATIC PERC 10 0 2 22 Mellow EP ELECTRIC PIANO 5 26 2 93 Hard Vibe CHROMATIC PERC 12 1 2 23 EPiano2 ELECTRIC PIANO 6 0 2 94 StVibe CHROMATIC PERC 12 8 2 24 Detuned EP ELECTRIC PIANO 6 8 2 95 StMarimba CHROMATIC PERC 13 8 2 25 StFMEP ELECTRIC PIANO 6 16 2 96 ChurchBell CHROMATIC PERC 15 8 2 26 Nylon EP ELECTRIC PIANO 100 5 2 97 Carillon CHROMATIC PERC 15 9 2 KBD 27 Organ2 ORGAN 18 0 2 98 Crystal CHROMATIC PERC 99 0 2 ORGAN 28 Organ 1 ORGAN 17 0 2 99 Syn Mallet CHROMATIC PERC 99 1 2 29 R amp B Organ ORGAN 17 10 2 100 RndGlocken CHROMATIC PERC 99 3 2 30 Cool Organ ORGAN 17 34 2 101 GlcknChime CHROMATIC PERC 99 5 2 31 60s Organt ORGAN 17 16 2 102 Cir Bells CHROMATIC PERC 99 6 2 32 Cheese Org ORGAN 17 24 2 103 X mas Bell CHROMATIC PERC 99 7 2 33 OrgOct2 ORGAN 17 21 4 104 VibraBells CHROMATIC PERC 99 8 2 34 Org Oct1 ORGAN 17 20 4 105 Digi Bell CHROMAT
59. Req Tik Req Tik C684 Conga MtLow Sagat L o Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa Wadon 6 Wadon 6 Cga Mute Hi Sagat R Caxixi Caxixi Caxixi Caxixi Caxixi Caxixi Caxixi Wadon 3 Wadon 3 86 Cga Mute Lo Sagat L c Ganza Ganza Ganza Ganza Ganza Ganza Ganza Wadon 2 Wadon 2 Dholak 1 Jingle Bell Bongo Bell Bongo Bell Bongo Bell Bongo Bell Bongo Bell Bongo Bell Bongo Bell Wadon 5 Wadon 5 88 Dholak 2 Mix Snare 1 Mambo Bell Mambo Bell Mambo Bell Mambo Bell Mambo Bell Mambo Bell Mambo Bell Wadon 7 Wadon 7 89 Dhol 1 Mix Snare 2 Cowbell 1 Cowbell 1 Cowbell 1 Cowbell 1 Cowbell 1 Cowbell 1 Cowbell 1 Wadon 4 Wadon 4 Wadon 6 Mix Snare 3 Cowbell 2 Cowbell 2 Cowbell 2 Cowbell 2 Cowbell 2 Cowbell 2 Cowbell 2 Kane Side Kane Side 91 Wadon 1 Mix Snare 4 Pandeiro 1 Pandeiro 1 Pandeiro 1 Pandeiro 1 Pandeiro 1 Pandeiro 1 Pandeiro 1 Wadon 1 Wadon 1 Wadon 5 Mix Kick 2 Pandeiro 2 Pandeiro 2 Pandeiro 2 Pandeiro 2 Pandeiro 2 Pandeiro 2 Pandeiro 2 Kane Kane 93 Wadon 7 Mix Kick 3 Tambourim 1 Tambourim 1 Tambourim 1 Tambourim 1 Tambourim 1 Tambourim 1 Tambourim 1 Dhol Dhol EN Wadon 3 Mix Kick 4 Tambourim 2 Tambourim 2 Tambourim 2 Tambourim 2 Tambourim 2 Tambourim 2 Tambourim 2 KwaengwariMt KwaengwariMt 95 Wadon 4 Mix Kick 1 Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Kwaengwari f Kwaengwari f C7 96 Wadon 2 Mix HH Cl 4 Apito Apito Apito Apito Apito Apito Apito Rama Cymbal Rama Cymbal EA Wadaiko Rim Mix HH CI 1 Quijada Quijada Quijada Quijada Quijada Quijad
60. Rock 124 4 4 59 105 4 4 4 DynoRock 76 4 4 60 Reggae 140 4 4 5 104 4 4 61 Country 130 4 4 6 USBallad 88 4 4 62 OntryPop 105 4 4 63 114 4 4 Dance 64 Cool6 8 64 6 8 7 FeverDnc 113 4 4 65 Oldie6 8 92 6 8 8 80sTekno 134 4 4 66 Schlager 127 4 4 9 EuroDnce 138 4 4 67 4 4 125 4 4 10 IbizaDnc 138 4 4 68 Polka 130 4 4 11 KeepOnDc 140 4 4 69 PolkaPop 127 4 4 12 90sTekno 140 4 4 13 HrdTekno 140 4 4 Ballroom 14 90sHouse 132 4 4 70 70sDisco 126 4 4 15 ClubHous 130 4 4 71 BigSamba 116 4 4 16 102 4 4 72 Rockin 185 4 4 17 87 4 4 73 Boogie 150 4 4 18 Cool Rap 94 4 4 74 Twist 162 4 4 19 94 4 4 75 EngWitz 91 3 4 20 70sDance 108 4 4 76 W Waltz 180 3 4 21 EasyHop 88 4 4 77 SIWaltz 90 3 4 78 Tango 120 4 4 8Beat 79 Musette 175 3 4 22 56 4 4 80 Cha Cha 130 4 4 23 Soul Bal 58 4 4 81 Mambo 102 4 4 24 ClassBal 62 4 4 82 Beguine 110 4 4 25 SimpleBIl 80 4 4 83 Rhumba 100 4 4 26 AlClapBl 80 4 4 84 Shuffle 145 4 4 27 LayBakBl 83 4 4 85 Foxtrot 185 4 4 28 92 4 4 86 Charest 205 4 4 29 UKLiteBl 104 4 4 87 PasDoble 122 4 4 30 110 4 4 31 SmilePop 118 4 4 World 32 GermanP 120 4 4 88 Wehda Kb 120 4 4 89 WehdaKb2 135 4 4 16Beat 90 Masmoudi 120 8 4 33 Easy Pop 64 4 4 91 Dabkah T 113 6 4 34 Soul Pop 75 4 4 92 Saidi 110 4 4 35 NightPop 78 4 4 93 Saidi EG 95 4 4 36 Guitar P 86 4 4 94 Progmks 119 4 4 37 Lati
61. Roland W Workstation Owner s Manual Thank you and congratulations on your choice of the Roland Workstation GW 7 Before using this unit carefully read the sections entitled USING THE UNIT SAFELY and IMPORTANT NOTES p 2 3 p 4 These sections provide important information concerning the proper operation of the unit Additionally in order to feel assured that you have gained a good grasp of every feature provided by your new unit Owner s manual should be read in its entirety The manual should be saved and kept on hand as a convenient reference p TTT TANT Conventions Used in This Manual Operating buttons are enclosed by square brackets e g ENTER Reference pages are indicated by p The following symbols are used This indicates an important note be sure to read it This indicates a memo regarding the setting or function read it as desired This indicates a useful hint for operation read it as necessary This indicates information for your reference read it as necessary This indicates an explanation of a term read it as necessary Copyright 2005 ROLAND CORPORATION All rights reserved No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION For the U K IMPORTANT THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE BLUE
62. S 57 1 2 389 Bass amp Lead SYNTH LEAD 88 0 2 319 Trumpet 3 ACOUSTIC BRASS 57 2 2 390 Big amp Raw SYNTH LEAD 88 1 2 320 Dark Tp ACOUSTIC BRASS 57 3 2 391 Fat amp Perky SYNTH LEAD 88 2 2 321 XP Trumpet ACOUSTIC BRASS 57 5 4 392 Delayed Ld SYNTH LEAD 88 7 2 322 Bright Tp ACOUSTIC BRASS 57 24 2 393 Poly Syn POLY SYNTHESIZER 91 0 2 323 Warm Tp ACOUSTIC BRASS 57 25 2 394 80sPolySyn POLY SYNTHESIZER 91 1 2 324 Trombone 2 ACOUSTIC BRASS 58 1 2 395 Ice Rain POLY SYNTHESIZER 97 0 2 325 Trombone 3 ACOUSTIC BRASS 58 2 2 396 Warm Atoms POLY SYNTHESIZER 100 1 2 326 Bright Tb ACOUSTIC BRASS 58 4 2 397 Brightness POLY SYNTHESIZER 101 0 2 327 Tuba 2 ACOUSTIC BRASS 59 1 2 398 Fantasia 1 POLY SYNTHESIZER 89 0 2 328 Mute Tp 2 ACOUSTIC BRASS 60 2 2 399 Fantasia 2 POLY SYNTHESIZER 89 1 2 329 Fr Horns 2 ACOUSTIC BRASS 61 1 2 400 Harm Rain POLY SYNTHESIZER 97 1 2 330 XP Horns ACOUSTIC BRASS 61 10 4 401 African wd POLY SYNTHESIZER 97 2 2 331 FrHornSolo ACOUSTIC BRASS 61 2 402 Clav Pad POLY SYNTHESIZER 97 8 2 332 XP Horn ACOUSTIC BRASS 61 4 4 403 Rave POLY SYNTHESIZER 98 8 2 333 Horn Orch ACOUSTIC BRASS 61 16 2 404 Warm Pad PAD 90 0 2 334 Brass 2 ACOUSTIC BRASS 62 1 2 405 Thick Pad PAD 90 1 2 335 Brass 3 ACOUSTIC BRASS 62 8 2 406 Rotary Str PAD 90 3 2 336 XP Brass 1 ACOUSTIC BRASS 62 6 4 407 Soft Pad PAD 90 4 2 337 XP Brass 2 ACOUSTIC BRASS 62 11 4 408 SpaceVoice PAD 92 0 2 338 XP Tp amp Sax ACOUSTIC BRASS 62 15 4 409 Heaven II PAD 92 1 2 339 Twin Bones ACOUSTIC BRASS 62 25 2 410
63. Tempo 14 cope 14 Stopping the 14 Selecting a Music Style tents 15 Adding Music Styles 15 Deleting a Music Style sse 15 Other Functions Related to Music Styles 15 Performance Functions and Effects 16 Performance Functions eee 16 D Beani Controller adco E 16 Pitch Bend and Modulation sse 17 Assignable Pedal sse 17 Using Preset Performances 17 Selecting a Performance sss 17 Editing a Performance u 17 Saving a 17 Performance 2 18 Using Effects cete etti erede 19 Adjusting the Reverb or Chorus Send Level 19 Editing the Effects Multi Effect Listes a aP eee n tenente Recording Another Song After Previously Recording a 22 Saving rice teretes Deleting a Song terere nores Selecting and Playing a Song Moving the Playback Location of a 50 5 23 Minus One Playback sss 23 USB Functions and System Functions 24 Transferring Files via USB sese 24 Terminating the USB Connection between the GW 7 and Your 24
64. This specifies whether Song Position Pointer messages will be transmitted received to indicate the currently playing position in Song mode If you don t want this message to be transmitted or received choose the Off setting This is valid only if MODE SONG is lit Lyrics Tx Lyrics Data Transmission On Off default Off When playing back Format 0 SMF music data this allows lyrics imbedded in the data to be transmitted to an external device Bulk Dump GW 7 s User Tone data and User Performance data be sent via MIDI and saved on an external sequencer or other MIDI device Make settings on your external sequencer so that it is ready to record normal performance data and perform the following steps on the GW 7 NOTE User Style and User Song data cannot be transmitted via MIDI Use USB to transfer this data p 24 1 Use a separately available MIDI cable to connect the GW 7 s MIDI OUT connector to your external sequencer s MIDI IN connector 2 Press FUNCTION 3 Use SELECT gt to get the screen to indicate Utility and then press ENTER 4 Use SELECT gt to choose Bulk Dump 5 Press ENTER the screen will prompt Sure 6 Press ENTER again to execute the Bulk Dump If you press EXIT the procedure is canceled and you re returned to the previous screen GW 7 User Tone data and User Performance data saved on an external sequencer or other MIDI device ca
65. a Quijada 98 DJembe Mix HH CI 2 Chekere Chekere Chekere Chekere Chekere Chekere Chekere Djembe rim Mix HH Cajon Lo Cajon Lo Cajon Lo Cajon Lo Cajon Lo Cajon Lo Cajon Lo 100 Open Surdo Mix HH Op 1 Cajon Hi Cajon Hi Cajon Hi Cajon Hi Cajon Hi Cajon Hi Cajon Hi 101 Mute Surdo Mix HH Op 2 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Tamborim Mute Triangle Castanets Castanets Castanets Castanets Castanets Castanets Castanets 103 Talking Drum Open Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle Bend Drm Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle 105 Mut Pandiero Agogo 1 Agogo 1 Agogo 1 Agogo 1 Agogo 1 Agogo 1 Agogo 1 r 2 Opn Pandiero Agogo 2 Agogo 2 Agogo 2 Agogo 2 Agogo 2 Agogo 2 Agogo 2 107 Req Dum RecoReco RecoReco RecoReco RecoReco RecoReco RecoReco RecoReco C8 108 Req Tik Mtl Guiro Mtl Guiro Mtl Guiro Mtl Guiro Mtl Guiro Mtl Guiro Mtl Guiro High Timbale Bombo 1 Bombo 1 Bombo 1 Bombo 1 Bombo 1 Bombo 1 Bombo 1 110 Mute Triangle Bombo 2 Bombo 2 Bombo 2 Bombo 2 Bombo 2 Bombo 2 Bombo 2 Open Triangle Bombo 3 Bombo 3 Bombo 3 Bombo 3 Bombo 3 Bombo 3 Bombo 3 112 Maracas Bombo 4 Bombo 4 Bombo 4 Bombo 4 Bombo 4 Bombo 4 Bombo 4 113 Shaker Bombo 5 Bombo 5 Bombo 5 Bombo 5 Bombo 5 Bombo 5 Bombo 5 Bar Chimes 115 Kane 116 rr rr cr L 36 co 2 C5 C6
66. adaiko Wadaiko Wadaiko Wadaiko Wadaiko Wadaiko 120 Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo 121 Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle 122 Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle 37 co C2 c5 C6 C8 c9 38 PC 86 CC32 4 PC 89 CC32 4 PC 90 CC32 4 PC 92 CC32 4 PC 91 CC32 4 PC 2 CC32 2 PC 3 CC32 2 PC 9 CC32 2 PC 17 CC32 2 PC 34 CC32 2 PC 41 CC32 2 D n B OR MxKit amp Latin MxKt amp India MxKit amp OR MxKit amp Chin Standard 2 Standard 3 Room Power Jazz Kit 2 Brush Kit 9 ee 909 kick 3 11 12 909 HipHop Kick 14 SimpleKick EEN 10 909 OHHsh 16 TR 909 OHH hz Ah NN 19 ShutHa Mix Rev 5 Mix Rev 5 Mix Rev 5 Mix Rev 5 EEN suci Mix Rev 4 Mix Rev 4 Mix Rev 4 Mix Rev 4 21 One Mix Rev 3 Mix Rev 3 Mix Rev 3 Mix Rev 3 m 22 Two Mix Rev 2 Mix Rev 2 Mix Rev 2 Mix Rev 2 23 Three Mix Rev 1 Mix Rev 1 Mix Rev 1 Mix Rev 1 24 Four TR 808 Kick TR 808 Kick TR 808 Kick TR 808 Kick T E Snare Roll Mix Sandy 1 Mix Sandy 1 Mix Sandy 1 Mix Sandy 1 Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll 26 Snap Mix Kick 4 Mix Kick 4 Mix Kick 4 M
67. aslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap RecoReco Vibraslap Saron HuYinLuoH Mt 59 Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Mtl Guiro Ride Bell Gamelan Gong HuYinLuoL Mt C4 60 Bongo High Bongo High Bongo High Bongo High Bongo High Bongo High Bongo High Maracas Conga MtLow Bonang Cga Mute Hi Bongo Lo Bongo Lo Bongo Lo Bongo Lo Bongo Lo Bongo Lo Bongo Lo Shaker Cga Mute Hi Bonang Cga Mute Lo 62 Mute H Conga Mute H Conga 808 Conga Mute H Conga Mute H Conga Mute H Conga 808 Conga Cabasa Cga Mute Lo Bonang Dholak 1 Conga Hi Opn 808 Conga Conga Hi Opn Conga Hi Opn Conga Hi Opn 808 Conga Caxixi Dholak 1 Bonang Dholak 2 64 Conga Lo Opn Conga Lo Opn 808 Conga Conga Lo Opn Conga Lo Opn Conga Lo Opn 808 Conga Ganza Dholak 2 Bonang Dhol 65 High Timbale High Timbale High Timbale High Timbale High Timbale High Timbale High Timbale Agogo 1 Dhol 1 Bonang Wadon 6 6 Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale Agogo 2 Wadon 6 Bonang Wadon 1 67 Agogo Agogo Agogo Agogo Agogo Agogo Agogo Bongo Bell Wadon 1 Bonang Wadon 5 68 Agogo Agogo Agogo Agogo Agogo Mambo Bell Wadon 5 Bonang Wadon 7 69 Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa Cowbell 1 Wadon 7 Bonang Wadon 3 REN Maracas Maracas 808marac Maracas Maracas Maracas 808marac Cowbell 2 Wadon 3 Bonang Wadon 4 71 ShrtWhistle ShrtWhistle ShrtWhistle ShrtWhistl
68. at Jazz Open HH TR 909 OHH HipHopOHH R amp B OHH TR 909 OHH 4 808 Tom 2 Real Tom 4 Real Tom 4 Synth Drum 2 808 Tom 2 Real Tom 4 Real Tom 4 808 Tom 2 Real Tom 4 Real Tom 4 Synth Drum 2 48 808 Tom2 Real Tom 1 Real Tom 1 Synth Drum 2 808 Tom 2 Real Tom 1 Real Tom 1 808 Tom 2 Real Tom 1 Real Tom 1 Synth Drum 2 EJ 909 Crash Crash Cym 1 909 Crash 909 Crash 909 Crash Crash Cym 1 Crash Cym 1 909 Crash Crash Cym 1 909 Crash 909 Crash 50 808 Tom 2 Real Tom 1 Real Tom 1 Synth Drum 2 808 Tom 2 Real Tom 1 Real Tom 1 808 Tom 2 Real Tom 1 Real Tom 1 Synth Drum 2 EE Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal 52 China Cymbal ReverseCymbl ReverseCymbl ReverseCymbl China Cymbal China Cymbal China Cymbal China Cymbal ReverseCymbl ReverseCymbl ReverseCymbl 53 Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine 55 Splash Cym Splash Cym Splash Cym Splash Splash Splash Cym Splash Cym Splash Splash Splash Cym Splash Cym EZE 808cowbe Cowbell Cowbell Cowbell 808cowbe Cowbell Cowbell 808cowbe Cowbell Cowbell Cowbell 57 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 55 Vibraslap Vibrasla
69. cal Instrument Digital Interface It is a universal standard for exchanging musical performance data among electronic musical instruments and computers GW 7 s MIDI connectors allow it to transmit performance data to and receive such data from other devices You can use the GW 7 in a wide range of ways by connecting external devices to these connectors A separate publication titled MIDI Implementation is also available It provides complete details concerning the way MIDI has been implemented on this unit If you should require this publication such as when you intend to carry out byte level programming please contact the nearest Roland Service Center or authorized Roland distributor Connection Example NOTE Before making connections with other devices you must turn down the volume of all devices and turn off the power to avoid malfunctions or speaker damage Play the GW 7 s sounds from your MIDI sequencer MIDI sound module sequencer Use the GW 7 to play your MIDI sound module MIDI provides sixteen channels numbered 1 16 Even if two MIDI devices are connected you won t be able to select or play sounds on the other device unless both devices are set to the same MIDI channel The GW 7 is capable of receiving on all channels 1 16 Backing 1 Backing bass 1 Backing 2 Main Keyboard 2 Backing 3 Dual Keyboard 3 Backing 4 Backing 5 SYI NIA No Backing
70. ception This specifies the part s that will receive and transmit MIDI Option Meaning ALL All parts KBD The keyboard part refer to Keyboard in the MIDI channel table in the left column of this page The song parts 1 16 SIL The backing parts Backing 1 6 Backing bass Backing drums The song parts 1 16 SNG Only the song parts 1 16 OFF None of the GW 7 s parts will transmit or receive MIDI messages Sync Rx MIDI Synchronization This specifies how the GW 7 will synchronize to an external MIDI device Synchronization is available if the MIDI OUT connector of your external MIDI device is connected to the GW 7 s MIDI IN connector If you ve made the opposite connection refer to the owner s manual for your external device Off The GW 7 will not synchronize to the external MIDI device The GW 7 will receive MIDI Start or Continue mes sages and will begin playing the backing or song re cording playback in synchronization with the MIDI Clock messages that are subsequently received When the GW 7 receives a Start message it will wait a short time for MIDI Clock messages to arrive If MIDI Clock messages are received the GW 7 will syn chronize to them If not the GW 7 will use its own tempo In either case you will be able to use MIDI Stop messages to stop playback or recording P Bend TxRx Pitch Bend Message Transmission Rece
71. cific Part Could the volume of the part be turned down Adjust the volume parameters Vol Main Vol Dual Vol Split Vol ChordBs Vol Drum Vol Bass Vol Backing p 18 Could you have used the Minus One function to mute silence a specific part p 23 Does the MIDI receive channel of the part match the MIDI transmit channel of the connected MIDI device Set the MIDI channel of the connected external device to match the GW 7 p 26 No Sound from a Connected MIDI Device Are MIDI messages being transmitted Turn MIDI TxRx to a setting other than OFF p 25 p 26 Does the MIDI transmit channel of the GW 7 s keyboard controller section match the MIDI receive channel of the connected MIDI device Set the MIDI channel of the connected external device to match the GW 7 p 26 No Sound in a Specific Range of Pitches Some tones such as drum sets or bass tones have a limited range of pitches Effects Are Not Applied The reverb and chorus effects for the keyboard parts won t be applied if their amounts are set to 0 Raise the Cho Main Cho Dual Cho Split Rev Main Rev Dual and Rev Split settings above 0 p 19 If is not OFF chorus is not applied to Main mode the upper part of Split mode the first tone of Dual mode The Effect Sounds Wrong If Tone MFX is OFF some combinations of tones and effects may sound different in comparison to other tones Turn the Tone MFX sett
72. cifications Terminate the USB connection as described in Terminating the USB Connection between the GW 7 and Your Computer below and then press USB or EXIT on the GW 7 If you copy a large number of music style files to the GW 7 the screen will indicate Busy gt Converting and the processing can take quite a while This is because the STL files are being converted to STH device specific data files Terminating the USB Connection between the GW 7 and Your Computer 2 Depending on the computer you re using perform the action below Macintosh Drag the GW 7_DRV or Removable Disk icon into the trash Windows XP In My Computer right click the GW 7 DRV or Removable Disk icon and execute Eject Windows 2000 Me 1 Click in the task tray and click the message that indicates Stop drive EN a 3 27 Task bar 4 Task tray 2 In the Remove Hardware dialog box click OK Disconnect the USB cable from the GW 7 and your computer System Settings l 2 Press FUNCTION Use SELECT gt to get the screen to indicate Edit System Then press ENTER If you press EXIT you re returned to the previous screen Use SELECT to select a parameter and turn the VALUE dial to change the setting of that parameter L cf gt For details refer to System Parameter Functions p 25 When you re finished making s
73. cking are all recorded simultaneously KBD Keyboard Only the keyboard performance is recorded Recording additional material to an existing song SINGLE Record one track at a time You can choose the track that will be recorded Re record over a specified region of a track PUNCH Punch in out NOTE The GW 7 has one temporary song memory location Sng00 This is the memory location that is used when you record a song it is erased when you switch off the GW 7 s power If you don t want to lose the song you must save it in a user song memory location Sng01 Sng99 22 NOTE For the first recording SINGLE is selected automatically Be aware that if you choose ALL or KBD the temporary song Sng00 will be erased If you want to record additional material to an existing song you must choose SINGLE or PUNCH If the temporary song Sng00 contains no data you can t select SINGLE or PUNCH NOTE You can t record a song while the GW 7 is synchronized to an external MIDI device All This recording mode records the keyboard performance and all of the backing NOTE The temporary song Sng00 will be erased by the new recording 1 Make preparations by selecting the keyboard mode p 9 Tone p 11 and Backing p 14 2 Press SONG REC so the button is lit 3 Turn the VALUE dial to set Rec Mode to ALL 4 Press
74. dblock Conga Lo Opn Woodblock Woodblock Woodblock House Snare Horse Gallop Mute Conga Slide Mute Cuica Mute Cuica Hoo Elec Snare Bird 79 Open Cuica Mut Pandiero Open Cuica Open Cuica Hoo Elec Snare 3 Rain so Mute Triangl Opn Pandiero Mute Triangl Mute Triangl Mute Triangl 808 Snare 1 Thunder 81 Open Triangl Open Surdo Open Triangl Open Triangl Open Triangl 808 Snare 2 Wind EE Shaker Mute Surdo Shaker Shaker Shaker 909 Snare 1 Seashore 83 Jingle Bell Tamborim Jingle Bell Jingle Bell Jingle Bell 909 Snare 2 Stream 84 Bell Tree Agogo Bell Tree Bell Tree Bell Tree Brush Swirl Bubble Castanets Agogo Castanets Castanets Castanets Brush Tap Kitty 86 Mute Surdo Shaker Mute Surdo Mute Surdo Mute Surdo Brush Slap1 Bird 2 me Open Surdo Low Whistle Open Surdo Open Surdo Open Surdo Brush Slap2 Growl 88 Applause Low Whistle U Brush Slap Applause 2 89 1 Mute Cuica 2 22 Brush Swirl Telephone 1 REN Open bua o c Brush Swirl Telephone 2 91 Mute Triangle Long Swirl T o2 Open Triangle 93 Short Gia C C 2 o 20000 44 Long mm 95 Cabasa Up 2 emm 96 Cabasa Down a nanan 98 Woodblock mmmme e NEM i 39 Music Styles Name Tempo Time sign Name Tempo Time sign Rock Traditional 1 SteadyRk 73 4 4 57 Blues 61 4 4 2 PowerRck 132 4 4 58 1705 R amp B 117 4 4 3 Elec
75. e ShrtWhistle ShrtWhistle ShrtWhistle Pandeiro 1 Wadon 4 Bonang Wadon 2 C572 LongWhistle LongWhistle LongWhistle LongWhistle LongWhistle LongWhistle LongWhistle Pandeiro 2 Wadon 2 Gender Wadaiko Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Tambourim 1 Wadaiko Rim Gender Ohkawa 2 74 Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Tambourim 2 DJembe Gender Shimedaiko 1 028 Claves Claves 808clave Claves Claves Claves 808clave Tambourine Djembe rim Gender Shimedaiko 2 76 Woodblock Woodblock Woodblock Woodblock Woodblock Woodblock Woodblock Apito Open Surdo Gender Mokugyo 1 77 Woodblock Woodblock Woodblock Woodblock Woodblock Woodblock Woodblock Quijada Mute Surdo Gender Mokugyo 2 78 Mute Cuica Mute Cuica Mute Cuica Hoo Hoo Hoo Mute Cuica Chekere Tamborim Gender Kane Side 79 Open Cuica Open Cuica Open Cuica Hoo Hoo Hoo Open Cuica Cajon Lo Talking Drum Gender Wadaiko Rim EN Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle Mute Triangle Cajon Hi Bend Drm Gender Kwaengwari p 81 Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle Open Triangle Hand Clap Mut Pandiero Gender Shu Gu Rim NE Shaker Shaker Shaker Shaker Shaker Shaker Shaker Castanets Opn Pandiero Gender Kane 83 Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Mute Triangle Req Dum Gender Ban Gu 4 6 84 Bar Chimes Bell T
76. e original volume will return after two or three seconds NOTE If you turn off the power while the D Beam setting screen is displayed the D Beam setting you chose will not be remembered by the GW 7 You must press EXIT before you turn off the power NOTE A performance using a function that produces a sound such as DRUM ROLL can t be recorded in a song Performance Functions and Effects Pitch Bend and Modulation The Bender Modulation lever located at the left of the keyboard can be used to apply two types of effect to the sound you re playing in Keyboard mode d Pitch Bend is an effect that lowers the pitch of the sound you re playing when you move the lever toward the left or raises it when you move the lever toward the right d Modulation is an effect that applies vibrato to the sound you re playing when you push the lever away from yourself i If the type is ROTARY this will switch the rotational speed instead of Modulation Modulation Pitch falls Pitch rises BENDER gt If you press the lever away from yourself while moving it to left or right both effects will be applied at the same time You can adjust the range of the pitch change For details refer to P Bend Range p 25 Assignable Pedal You can connect a separately available foot switch Boss FS 5U or a separately available expression pedal Roland EV 5 to the CONTROL PEDAL jack on the rear panel cf
77. e result as a Song You can also load Song data from a computer connected to the GW 7 via USB p 24 Making Connections DT To prevent malfunction and or damage to speakers or other devices always turn down the volume and turn off the power on all devices before making any connections Connecting External Equipment Pedals and Switches Connecting External Equipment You can record your playing or a song recorded on the GW 7 onto a cassette tape or other audio recording device Connect the OUTPUT jacks on the GW 7 s rear panel to the input jacks of your external device Cassette deck power amp audio amp keyboard amp monitor speakers etc EB S EB 1B R L MONO OUTPUT Connecting a Pedal and Switch NOTE You must switch off the GW 7 s power before you connect a pedal and or switch Connect a separately available pedal switch Roland DP Series to the HOLD PEDAL jack on the rear panel You can use this pedal switch to sustain notes even after taking your hands off the keyboard Connect a separately available pedal switch Roland DP Series a separately available foot switch Boss FS 5U or separately available expression pedal Roland EV 5 to the rear panel CONTROL PEDAL jack You can use this to control various functions that you assign p 25 NOTE Use only the specified expression pedal
78. elete the user style you selected If you press EXIT you re returned to the previous screen without the style being deleted Other Functions Related to Music Styles Adjusting the volume balance between the backing and the keyboard performance p 14 Adjusting the volume of a specific part in the music style 18 9 Changing the split point 18 The backing playback Hold function p 18 15 Performance Functions and Effects Performance Functions D Beam Controller The D Beam controller is a controller that you use simply by positioning your hand above it You can use this to control one of two functions that you select By changing the selected assignment you can control a wide variety of effects To turn the D Beam controller on press either ASSIGNABLE 1 or ASSIGNABLE 2 so the button is lit To turn it off press the button to make it go dark You can t use ASSIGNABLE 1 and ASSIGNABLE 2 at the same time Assigning the D Beam Controller Function 1 Press ASSIGNABLE 1 or ASSIGNABLE 2 to access the D Beam assignment screen 2 Turn the VALUE dial to select the desired D Beam function 16 D Beam func tion Explanation DRUM ROLL A snare drum roll will continue as long as your hand is positioned over the D Beam Move your hand closer to increase the volume and move your hand rapidly away to play a cymbal CHIMES Chimes will sound when you posi
79. en HiHat Jazz Open HH TR 909 OHH HipHopOHH R amp B OHH TR 909 OHH HipHopOHH Timbles Ceng Ceng KwaengwariMt HuYinLuoH Op 47 Real Tom 4 Real Tom 4 808 Tom 2 Real Tom 4 Real Tom 4 Synth Drum 2 808 Tom 2 Claves Udo Short Tabla Ge Tang Gu Mt C3 48 Real Tom 1 Real Tom 1 808 Tom 2 Real Tom 1 Real Tom 1 Synth Drum 2 808 Tom 2 Cuica Lo Udo Long Dholak 1 Tang Gu Op E Crash Cym 1 Crash Cym 1 909 Crash Crash Cym 1 909 Crash 909 Crash 909 Crash Cuica Hi Xiao Bo Kwaengwari f HuYinLuoH Op 50 Real Tom 1 Real Tom 1 808 Tom 2 Real Tom 1 Real Tom 1 Synth Drum 2 808 Tom 2 Surdo 1 Timbl Paila Tabla Te Tang Gu Mt EN Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Surdo 2 Kwaengwari p Rama Cymbal Shou Luo 1 52 China Cymbal China Cymbal China Cymbal ReverseCymbl ReverseCymbl ReverseCymbl China Cymbal Caixa Gamelan Gong Gamelan Gong HuYinLuoL Mt 53 Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Repinique 1 Ride Bell Kwaengwari f Shou Luo 2 Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Repinique 2 Ceng Ceng Ceng Ceng Xiao Bo 55 Splash Cym Splash Cym Splash Cym Splash Cym Splash Cym Splash Splash Cym Repinique Splash Cym Kopyak Op Ban Gu 4 56 Cowbell Cowbell 808cowbe Cowbell Cowbell Cowbell 808cowbe Quide Nao Bo Saron Nao Bo 57 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Guiro Crash Cym 1 Kopyak Mt HuYinLuoH NEN Vibraslap Vibr
80. en Triangle Open Triangle 2 C4 C5 C6 C7 PC 49 CC32 2 PC 50 CC32 2 PC 25 CC32 2 PC 26 CC32 2 PC 27 CC32 2 PC 51 CC32 2 PC 57 CC32 2 100 Orchestra Ethnic Electronic 8088909 Dance Kick amp Snare SFX QA AA Aa e O eee E Snare Roll Finger Snap Snare Roll Snare Roll Snare Roll 26 Finger Snap Tambourine Finger Snap Finger Snap Finger m Jazz Cis HH Castanets High Q High Q High Q o o 28 Pedal HiHat Crash Cym 1 Slap Slap Sap 29 Jazz Open HH Snare Roll Scrtch Push2 Scrtch Push2 Scrtch Push2 Ride Cymbal Concert Snr Scrtch Scrtch Sertch Pull2 MM 31 Sticks Concert Cym Sticks Sticks 2 Scrtch Push2 S 32 SquareClick Concert BD SquareClick SquareClick SquareClick Sertch Pull2 33 Mtrnm Click Jingle Bell Mtrnm Click Mtrnm Click Mtrnm Click Gt CutNoise2 iz Mtrnm Bell Bell Tree Bell Mtrnm Bell Mtrnm Bell Gt CutNoise2 35 Jazz Kick 1 Bar Chimes Elec Kick 2 TR 909 Kick DanceKick2 1 Dist CutNoiz 36 Concert BD Wadaiko Elec Kick 1 TR 808 Kick Elec Kick 2 Dist CutNoiz E Side Stick Wadaiko Rim Side Stick 808 Rimshot Side Stick Bass Slide 38 Concert Snr Shimedaiko Elec Snare 808 Snare 1 Power Snare2 Pick Scrape
81. es 6 14 23 Pender 7 17 Bulk Dump oret epe ne meret 27 Bulk Load need 27 thee ach E RD RERUM 12 14 19 25 2 ununi it Reg 12 14 19 25 Chords 2 53 oa eie ett ne E 14 CHOPS 19 COMBO ehe eee 14 23 Contrast sae updated 9 25 CONTROL PEDAT tte 7 8 17 Cord Hook uasa 7 9 Cutoff pasa ee aet e RE 12 D D Beam iu tects e e E eene 6 16 DG IN 38 AA WAA BANA 7 9 B 12 Delete SOng e eee eie fenetre et 22 Delete Style ete mtt hens 15 DEMO sen cdit detener tens 9 Drum aet he eh ls ie i ite 11 DRUMS amp BASS iii kimani iii kishki 14 23 9 10 Edit Perform i aenea 17 Edit System 22 24 Edit inae aaa e oe IAA NAWA 12 EEEFBCTS2 vedi sham eave eet 6 19 ENDING tet thers cat 14 6 EIN Vac eite tec edite beu 12 EXIT Se Kinan ba temet focus festen l ata edet 6 Expression Pedal 8 17 Factory ned P o 10 ai Are eerte oed Da MR S 7 11 EILEIIN S s eoe etus 14 ka aaa pa tu a
82. f the BAND TYPE buttons DRUMS amp BASS COMBO or FULL The mute track setting screen will appear 2 Turn the VALUE dial to change the track that will be muted 23 Transferring Files via USB USB Functions and System Functions The GW 7 can send and receive music styles and song files via a USB connection with your computer NOTE You must not perform the following actions while the GW 7 s USB button is lit or while files are being sent or received If you perform these actions your computer may freeze or the files in the GW 7 s memory may be damaged Connect or disconnect the USB cable Restart shut down or enter or exit Suspend Standby or Hibernation mode on your computer Switch off power to the GW 7 NOTE If you are using Windows 2000 XP you must log onto Windows as one of the following users in order to complete the USB connection correctly Auser name belonging to the Administrators group such as Administrator Auser name whose account type is a computer administrator NOTE Do not connect two or more GW 7 units to one computer via USB The system will not operate correctly with such connections Turn on the power of your computer Turn on the power of the GW 7 Use a separately available USB cable to connect the GW 7 to your computer On the GW 7 press USB so the button is lit When a USB connection has been established with your computer the GW 7 s screen will
83. few seconds after power up is required before the unit will operate normally NOTE If the GW 7 is connected to a keyboard amp or audio amp turn on the power of the GW 7 first and then switch on your amp 3 Turn the VOLUME knob to adjust the volume of the GW 7 Turning the Power Off 1 Press the POWER switch once again to turn off the power NOTE If the GW 7 is connected to a keyboard amp or audio amp switch off the power to your amp first then turn off the power on the GW 7 Adjusting the Screen Contrast Hold down FUNCTION and turn the VALUE dial Listening to the Demo Song 1 Hold down SHIFT and press EXIT DEMO The screen will indicate DEMO PLAY 2 Press START STOP to begin demo playback 3 Press START STOP to stop demo playback 4 Press EXIT to return to the previous screen NOTE All rights reserved Unauthorized use of this material for purposes other than private personal enjoyment is a violation of applicable laws NOTE No data for the music that is played will be output from MIDI OUT Playing Sounds from the Keyboard Keyboard Mode Immediately after you turn on the power the GW 7 will be in a state where you can use the entire keyboard to play a piano sound The GW 7 s keyboard can operate in one of the following three modes MAIN The entire keyboard plays one Tone SPLIT The region of the keyboard to the left of the split point becomes the L
84. hen you take your hand away BEND DOWN The pitch will fall when you bring your hand closer to the D Beam The pitch will return to the original level when you take your hand away When you bring your hand closer to the D Beam the volume of the keyboard performance will in crease and the pitch will rise The pitch and vol ume will return to the original level when you take your hand away EXP DOWN When you bring your hand closer to the D Beam the volume of the keyboard performance will in crease and the pitch will fall The pitch and vol ume will return to the original level when you take your hand away TEMPO UP The tempo will become faster when you bring your hand closer to the D Beam The tempo will return to the original value when you take your hand away TEMPO DOWN The tempo will become slower when you bring your hand closer to the D Beam The tempo will return to the original value when you take your hand away START STOP Playback will start when you position your hand over the D Beam Playback will stop when you position your hand over the D Beam once again FILL If you position your hand over the D Beam while the backing is playing a fill in will sound This is the same function as FILL IN FADE OUT If you position your hand over the D Beam the volume will begin decreasing and will then reach zero The backing performance will stop and then th
85. iler AN the nearest Roland Service Center or an authorized Roland distributor as listed on the Information page when The AC adaptor or the power supply cord has been damaged or If smoke or unusual odor occurs Objects have fallen into or liquid has been spilled onto the unit or e The unit has been exposed to rain or otherwise has become wet or The unit does not appear to operate normally or exhibits a marked change in performance provide supervision until the child is capable of following all the rules essential for the safe operation of the unit In households with small children an adult should Protect the unit from strong impact Do not drop it outlet with an unreasonable number of other devices Be especially careful when using extension cords the total power used by all devices you have connected to the extension cord s outlet must never exceed the power rating watts amperes for the extension cord Excessive loads can cause the insulation on the cord to heat up and eventually melt through Do not force the unit s power supply cord to share an S your retailer the nearest Roland Service Center or an authorized Roland distributor as listed on the Infor mation page Before using the unit in a foreign country consult with N CAUTION location or position does not interfere with their proper The unit and the AC adaptor should be located so their ventilation This uni
86. increase as you move your hand closer and cheering will sound if you move your hand even closer LAUGHING Laughter will sound when you position your hand over the D Beam The volume is greater when you move your hand more rapidly D Beam func tion Explanation SCREAMING A scream will sound when you position your hand over the D Beam The volume is greater when you move your hand more rapidly BIRD A bird call will sound when you position your hand over the D Beam The volume is greater when you move your hand more rapidly DOG A dog s bark will sound when you position your hand over the D Beam The volume is greater when you move your hand more rapidly SEASHORE Surf will sound when you position your hand over the D Beam The volume will increase as you move your hand closer RAIN The sound of rain will continue as long as your hand is positioned above the D Beam The vol ume will increase as you move your hand closer and thunder will sound if you move your hand even closer MODULATION The D Beam controller will apply the same effect as the MODULATION lever p 17 EXPRESSION The volume will increase when you bring your hand closer to the D Beam The volume will re turn to the original level when you take your hand away BEND UP The pitch will rise when you bring your hand closer to the D Beam The pitch will return to the original level w
87. ing ON Alternatively select a different MFX type p 19 Pitch Bend Not Obtained When Pitch Bend Lever Is Moved Could the pitch bend range be set to 0 Set the P Bend Range to a value other than 0 p 25 Sound Is Alternately Heard from Left and Right Panned Each Time You Play a Note Some tones alternately pan the sound to left and right each time you play a note You cannot change this setting for these tones If the Pan Main Pan Dual or Pan Split parameters are set to Rnd the sound wili alternate between left and right each time you play a note p 18 Troubleshooting Sound Is Distorted For some effect or part volume settings the sound may distort Adjust the following parameters Volume parameters Vol Main Vol Dual Vol Split Vol ChordBs Vol Drum Vol Bass Vol Backing p 18 Amount of reverb or chorus for the keyboard part Cho Main Cho Dual Cho Split Rev Main Rev Dual Rev Split p 19 Overall volume and volume balance p 14 Could you be applying an effect such as overdrive or distortion which intentionally distorts the sound p 20 Pitch Is Wrong For some tones the pitch in certain ranges may sound different than other tones Could the tuning of the GW 7 be incorrect Check the Master Tune setting p 25 Could the pitch have been changed by pedal operations or by pitch bend messages received from an external MIDI device Notes Are Cut Off If you attempt to
88. ion as an Expression pedal SOSTENUTO CHORD OFF While you keep the pedal depressed the Chord Assignment function in the left hand region of the key SOFT board will be turned off allowing you to play using the entire keyboard ROTARY S F CHORD TGL When you press the pedal once the Chord Assignment function for the left hand region of the keyboard START STOP will be turned off allowing you to play using the entire keyboard When you press the pedal again the BASS INV keyboard will revert to its previous state and you can use the left hand region to specify chords PUNCH I O SOSTENUTO The pedal will function as a Sostenuto pedal When you press the pedal notes that are already being held down will be sustained This function can be used only for the keyboard part SOFT The pedal will function as a Soft pedal Notes you play while holding down the pedal will have a softer tone This function can be used only for the keyboard part ROTARY S F The pedal will switch the speed of the rotary effect This is valid only if the ROTARY type is selected for MFX p 20 START STOP The pedal will start stop the backing or song playback BASS INV The pedal will switch the Bass Inversion function on off p 18 PUNCH I O The pedal will control punch in and punch out during song recording p 22 Pedal Pol STD RVS Switches the polarity of the pedal connected to the CONTROL PEDAL jack Some pedals will operate in the opposite of the expected way when
89. itialization is complete the previous screen will reappear 10 Keyboard Mode Functions Selecting the Tone for the Keyboard Mode GW 7 contains 657 different Tones You can use these Tones in the three keyboard modes Main Split Dual p 9 Selecting a Tone 1 Press MODE TONE so the button is lit The Tone memory locations are organized as follows Number Type Explanation 001 Preset These Tones built into the GW 7 P657 They cannot be overwritten U001 User You can use these memory locations to U144 store Tones you ve edited To switch to User Tones press USER so the button is lit To switch back to Preset Tones press USER once again so its illumina tion is switched off 0129 0144 are only for drum sets 2 Turn the VALUE dial to step through the Tones one by one Alternatively you can press one of the ten buttons PIANO DRUMS to select a Tone by category You can use SELECT gt to step through the categories one by one If after selecting a Preset tone you press and hold down for approximately two seconds the category button in which that tone is registered that tone will be selected first when you press the same button the next time You can t do this for User tones In Split mode or Dual mode you can select two Tones independently p 10 When BACKING TRACK is lit the left hand region of the keyboard wi
90. ition ing to ORIGINAL or VARIATION VARIATION This is a more intense backing pattern ideal for use during a break ENDING When you want to stop playback you can press this button instead of the START STOP button the ending will play and then the backing will stop The chord name is displayed in the backing chord area of the screen Use your left hand to play the backing chord and your right hand to play the melody Changing the Backing Ensemble You can press the following BAND TYPE buttons to change the type of ensemble that will play the backing DRUMS Simple backing patterns with only drums and bass amp BASS line COMBO Backing patterns played by a band with several types of instrumental sounds FULL Backing patterns with a full arrangement of multiple instruments When the power is turned on FULL is selected Adjusting the Volume Balance Volume Balance Between the Drum Part and Other Parts 1 Press ANALOG MODIFY SELECT to make BACKING light 2 Turn the C1 knob DRUM lt gt BAND to adjust the volume balance between the drum part and the other parts Turn the knob toward the left to make the drum part louder Volume Balance Between the Backing and the Keyboard Performance 1 Press ANALOG MODIFY SELECT to make BACKING light 2 Turn the C2 knob BACK lt gt KBD to adjust the volume balance between the backing and the keyboard perf
91. ix Kick 4 Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Mix Sandy 2 Mix Sandy 2 Mix Sandy 2 Mix Sandy 2 High Q High Q High Q High Q High Q High Q 28 Slap Mix Kick 3 Mix Kick 3 Mix Kick 3 Mix Kick 3 Slap Slap Slap Slap Slap Slap 29 Scrtch Push2 House Kick House Kick House Kick House Kick ScratchPush ScratchPush ScratchPush ScratchPush ScratchPush ScratchPush EE Scrtch Pull2 Mix Sandy 3 Mix Sandy 3 Mix Sandy 3 Mix Sandy 3 ScratchPull ScratchPull ScratchPull ScratchPull ScratchPull ScratchPull 31 Sticks Mix Kick 1 Mix Kick 1 Mix Kick 1 Mix Kick 1 Sticks Sticks Sticks Sticks Sticks Sticks Z SquareClick Mix Sandy 4 Mix Sandy 4 Mix Sandy 4 Mix Sandy 4 SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick 33 Mtrnm Click Mix Kick 2 Mix Kick 2 Mix Kick 2 Mix Kick 2 Mtrnm Click Mtmm Click Mtrnm Click Mtrnm Click Mtrnm Click EE Mtrnm Bell Mix Sandy 5 Mix Sandy 5 Mix Sandy 5 Mix Sandy 5 Mtrnm Bell Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Bell 35 TR 808 Kick Mix Kick 5 Mix Kick 5 Mix Kick 5 Mix Kick 5 Std2 Kick2 54 1 Kick2 Room Kick 2 Power Kick2 Jazz Kick 2 Jazz Kick 2 36 909 Kick2 Mix Kick 6 Mix Kick 6 Mix Kick 6 Mix Kick 6 Std 2 Kick1 Std 1 Kickt Room Kick 1 Power Jazz Kick 1 Jazz Kick 1 7 Side Stick TR 707 Rim TR 707 Rim TR 707 Rim TR 707 Rim Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick 38 Jungle Snare Mix Snare 1 Mix Snare 1 Mix Snare 1
92. l Mtrnm Bell Mtrnm Bell Bell 35 909 HipHop Kick 909 Kick 3 909 Kick TR 808 Kick Kick 1 Jazz Kick 2 909 Kick HipHop Kick 909 Kick 3 909 Kick 36 909 Kick2 SimpleKick SimpleKick House Kick 909 Kick2 Kick 2 Jazz Kick 1 909 Kick2 SimpleKick SimpleKick House Kick IE Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick 38 909 Snare HipHop Snare R amp B Snare Techno Snare Jungle Snare Snare 2 Jazz Snare 1 909 Snare HipHop Snare R amp B Snare Techno Snare EN 909Clap FunkClap R amp B Clap 909Clap 909Clap 909Clap Hand Clap2 909Clap FunkClap R amp B Clap 909 40 909Snare2 HipHopSnare2 909Snare2 House Snare Ps Snare Snare 1 Jazz Snare 909Snare2 HipHopSnare2 909Snare2 House Snare 41 808 Tom 2 Real Tom 6 Real Tom 6 Synth Drum 2 808 Tom 2 Real Tom 6 Real Tom 6 808 Tom 2 Real Tom 6 Real Tom 6 Synth Drum 2 909 HipHopCHH R amp B CHH TR 909 CHH R amp B CHH Close HiHat Jazz Clsd HH TR 909 CHH HipHopCHH R amp B CHH TR 909 CHH 43 808 Tom 2 Real Tom 6 Real Tom 6 Synth Drum 2 808 Tom 2 Real Tom 6 Real Tom 6 808 Tom 2 Real Tom 6 Real Tom 6 Synth Drum 2 NN TR 909 CHH HipHopCHH R amp B CHH TR 909 CHH R amp B CHH Pedal HiHat Jazz Pedl HH TR 909 CHH HipHopCHH R amp B CHH TR 909 CHH 45 808 Tom 2 Real Tom 4 Real Tom 4 Synth Drum 2 808 Tom 2 Real Tom 4 Real Tom 4 808 Tom 2 Real Tom 4 Real Tom 4 Synth Drum 2 E TR 909 OHH HipHopOHH R amp B OHH TR 909 OHH HipHopOHH Open HiH
93. l pedal pitch bend modulation will apply to the Lower Part of Split mode Metro Time 1 4 2 4 3 4 4 4 Specifies the time signature the number of beats per measure for the metronome p 10 5 4 6 4 6 8 9 8 Metro Vol 0 127 Adjusts the volume of the metronome p 10 MIDI TxRx ALL KBD STL Refer to MIDI TxRx MIDI Transmission Reception p 26 SNG OFF Sync Rx OFF ON Refer to Sync Rx MIDI Synchronization p 26 P Bend TxRx OFF ON Refer to P Bend TxRx Pitch Bend Message Transmission Reception p 27 Mod TxRx OFF ON Refer to Mod TxRx Modulation Message Transmission Reception p 27 Prog TxRx OFF ON Refer to Prog TxRx Program Change Message Transmission Reception p 27 Velocity Rx OFF ON Refer to Velocity Rx Velocity Reception p 27 Clock Tx OFF ON Refer to Clock Tx Clock Message Transmission p 27 StartStop Tx OFF ON Refer to StartStop Tx Start Stop Message Transmission p 27 SongPos TxRx OFF ON Refer to SongPos TxRx Song Position Pointer Message Transmission Reception p 27 Lyrics Tx OFF ON Refer to Lyrics Tx Lyrics Data Transmission p 27 25 MIDI Functions The GW 7 can transmit and receive performance data when connected to an external MIDI device which enables the two devices to control each other s performance For example one device can play or switch sounds on the other device MIDI stands for Musi
94. land the stand must be carefully placed so it is level and sure to remain stable If not using a stand you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit and keep it from wobbling Be sure to use only the AC adaptor supplied with the unit Also make sure the line voltage at the installation matches the input voltage specified on the AC adaptor s body Other AC adaptors may use a different polarity or be designed for a different voltage so their use could result in damage malfunction or electric shock Do not excessively twist or bend the power cord nor place heavy objects on it Doing so can damage the cord producing severed elements and short circuits Damaged cords are fire and shock hazards This unit either alone or in combination with an amplifier and headphones or speakers may be capable of producing sound levels that could cause permanent hearing loss Do not operate for a long period of time at a high volume level or at a level that is uncomfortable If you experience any hearing loss or ringing in the ears you should immediately stop using the unit and consult an audiologist coins pins or liquids of any kind water soft drinks Do not allow any objects e g flammable material S etc to penetrate the unit Immediately turn the power off remove the AC adaptor from the outlet and request servicing by your reta
95. lap Tabla Na Vibraslap Vibraslap Vibraslap TR 909 Kick Applause 59 Concert Cym Tabla Tun Ride Cymbal Ride Cymbal Ride Cymbal Dance Kick 2 DoorCreaking 60 Bongo High Tabla Ge Bongo High Bongo High Bongo High Std 1 Snaret Door E Bongo Lo Tabla Ge Hi Bongo Lo Bongo Lo Bongo Lo Std 1 Snare2 Scratch 62 Mute H Conga Talking Drum Mute H Conga 808 Conga Mute H Conga Std 2 Snare1 Wind Chimes KE Conga Hi Opn Bend Drm Conga Hi Opn 808 Conga Conga Hi Opn Std 2 Snare2 Car Engine 64 Conga Lo Opn Caxixi Conga Lo Opn 808 Conga Conga Lo Opn Tight Snare Car Stop 65 High Timbale DJembe High Timbale High Timbale High Timbale Concert Snr Car Pass Low Timbale Djembe rim Low Timbale Low Timbale Low Timbale Jazz Snare 1 Car Crash 67 Agogo Low Timbale Agogo Agogo Agogo Jazz Snare 2 Siren 68 Agogo Timbl Paila Agogo Agogo Agogo Room Snare 1 Train 69 Cabasa High Timbale Cabasa Cabasa Cabasa Room Snare 2 Jetplane ENE Maracas Cowbell Maracas 808marac Maracas Dance Snare1 Helicopter n ShrtWhistle Bongo High ShrtWhistle ShrtWhistle ShrtWhistle Power Snare1 Starship 72 LongWhistle Bongo Lo LongWhistle LongWhistle LongWhistle Rev Snare Gun Shot 73 Short Guiro Mute H Conga Short Guiro Short Guiro Short Guiro Power Snare2 Machine Gun 74 Long Guiro Conga Hi Opn Long Guiro Long Guiro Long Guiro Elec Snare 1 Lasergun 2 Claves Conga MtLow Claves 808clave Claves Dance Snare2 Explosion 76 Woodblock Conga Slap Woodblock Woodblock Woodblock Elec Snare 2 Dog 77 Woo
96. les Hi Timbles Hi Timbles Hi Timbles Hi Timbles Hi Udo Slap Udo Slap Ceng Ceng Tabla Rim3 Timbles Timbles Timbles Timbles Timbles Timbles Timbles Ceng Ceng Ceng Ceng 71 Udo Short Tabla Rim2 Claves Claves Claves Claves Claves Claves Claves Udo Short Udo Short C572 Udo Long Req Dom2 Cuica Lo Cuica Lo Cuica Lo Cuica Lo Cuica Lo Cuica Lo Cuica Lo Udo Long Udo Long Xiao Bo Req Tak2 Cuica Hi Cuica Hi Cuica Hi Cuica Hi Cuica Hi Cuica Hi Cuica Hi Xiao Bo Xiao Bo 74 Timbl Paila Domi Surdo 1 Surdo 1 Surdo 1 Surdo 1 Surdo 1 Surdo 1 Surdo 1 Timbl Timbl Paila gt Kwaengwari Req Surdo 2 Surdo 2 Surdo 2 Surdo 2 Surdo 2 Surdo 2 Surdo 2 Kwaengwari p Kwaengwari p 76 Gamelan Gong Req Rim Caixa Caixa Caixa Caixa Caixa Caixa Caixa Gamelan Gong Gamelan Gong 7 Ride Bell Req Slap Repinique 1 Repinique 1 Repinique 1 Repinique 1 Repinique 1 Repinique 1 Repinique 1 Ride Bell Ride Bell Ceng Ceng ZaghrutaLoop Repinique 2 Repinique 2 Repinique 2 Repinique 2 Repinique 2 Repinique 2 Repinique 2 Ceng Ceng Ceng Ceng 79 Splash Cym Req Khan c Repinique Repinique Repinique Repinique Repinique Repinique Repinique Mut Pandiero Mut Pandiero Nao Bo ZaghrutaStop Quide Quide Quide Quide Quide Quide Quide Nao Bo Nao Bo 81 Crash Cym 1 Req Khan o Guiro Guiro Guiro Guiro Guiro Guiro Guiro Opn Pandiero Opn Pandiero Vibraslap Req Loop Maracas Maracas Maracas Maracas Maracas Maracas Maracas Req Dum Req Dum 83 Ride Bell Req Slap Shaker Shaker Shaker Shaker Shaker Shaker Shaker
97. ll play a string sound and a chord bass sound If you don t want these to play press BACKING TRACK so the illumination is turned off Using the Favorite Tone Function The Favorite Tone function lets you register to ten Tones to each of the ten category buttons PIANO DRUMS regardless of the category of the Tone or whether it is a Preset Tone or a User Tone For example if you register the Tones you use most frequently you ll be able to select them quickly ina live performance situation Registering a Favorite Tone After selecting a Tone hold down FAVORITE and press the category button one of the ten buttons PIANO DRUMS in which you want to register that Tone Selecting a Favorite Tone Press FAVORITE so the button is lit and press the category button one of the ten buttons PIANO DRUMS in which you registered the desired Tone Drum Sounds and Sound Effects SFX Drum Sets The last 51 Tones P607 P657 are called drum sets When you select a drum set a different sound is assigned to each note of the keyboard For example the left most key will play a bass drum kick sound and other keys will play snare drum and other sounds A drum set is a collection of ninety or more sounds each assigned to a different key NOTE You can t select a drum set for the Lower Part of Split mode nor as the second Tone in Dual mode Sound Effects SFK The GW 7 contains sou
98. n be received via MIDI 1 reloaded back into the GW 7 NOTE User Style and User Song data cannot be received via MIDI Use USB to transfer this data p 24 NOTE When you execute Bulk Load the User Tone and User Performance data in the GW 7 s memory will be overwritten You should save any important data on an external MIDI device before you proceed 1 Power up the GW 7 2 Use a separately available MIDI cable to connect the GW 7 s MIDI IN connector to your external sequencer s MIDI OUT connector 3 Transmit the bulk dump from your external sequencer to the GW 7 Using the GW 7 as a MIDI Sound Module Press SONG to put the GW 7 in Song mode 27 Troubleshooting This section provides points to check and actions to take when the GW 7 does not function as you expect Refer to the appropriate section for the problem you are experiencing Power Does Not Turn On Is the included AC adaptor power cord correctly connected to an AC outlet and to the GW 7 p 9 Do not use any AC adaptor and power cord other than the one included Doing so will cause malfunctions No Sound from the GW 7 Could the VOLUME knob be turned down If playing the keyboard does not produce sound could Local Control be turned OFF Turn Local Ctrl ON p 25 p 26 Could pedal operations or MIDI messages exclusive or volume received from an external MIDI device have lowered the volume No Sound from a Spe
99. n the C1 knob to adjust CUTOFF or turn the C2 knob to adjust RESONANCE CUTOFF This specifies the cutoff frequency at which the filter will begin affecting the spectral components of the sound Turn the knob toward the right to brighten the sound or toward the left to darken the sound RESONANCE This boosts the sound in the region of the cutoff frequency adding a distinctive character to the sound Turn the knob to ward the right to strengthen this character or toward the left to decrease it 3 Press ANALOG MODIFY SELECT to make ENV light 4 Turn the C1 knob to adjust ATTACK or turn the C2 knob to adjust RELEASE These parameters affect the way in which the volume changes between the time a key is pressed and released ATTACK Adjusts the attack time the time from when you press a key until the sound reaches its full volume Turn the knob toward the right to lengthen the attack time or toward the left to shorten it RELEASE Adjusts the release time the time from when you release a key until the sound disappears Turn the knob toward the right to lengthen the release time or toward the left to shorten it Editing a Tone in Detail You can edit the currently selected tone including drum set Tones in more detail After editing a Tone you can save it in user memory 1 Press FUNCTION 2 Use SELECT gt to get the screen to indicate Edit Tone 3 P
100. nPop 92 4 4 95 Disco OR 102 4 4 38 LightPop 94 4 4 96 Raja Bha 89 4 4 39 98 4 4 97 Dadra 70 6 8 40 Groovy P 100 4 4 98 KehrvaA 110 4 4 41 SunnyPop 104 4 4 99 Bhangra 109 4 4 100 Bangla 110 4 4 Jazz 101 Cmprsari 132 4 4 42 JzBallad 70 4 4 102 Minang 82 4 4 43 BigBand 144 4 4 103 Popsunda 98 4 4 44 JazzClub 150 4 4 104 Kromong 128 4 4 45 BgBndBld 82 4 4 105 Korean 100 4 4 46 JazzWltz 100 3 4 106 K latin 134 4 4 107 89 4 4 Latin 108 JiangNan 72 4 4 47 LuvBossa 136 4 4 109 ChnOpera 120 4 4 48 MidBossa 150 4 4 110 JingJu 136 4 4 49 UpBossa 168 4 4 50 UpSamba 103 4 4 51 Discsamb 117 4 4 52 Salsa 100 4 4 53 Merengue 124 4 4 54 Bachata 128 2 4 55 Jogetmly 114 4 4 56 Guarach 181 4 4 Chord Intelligence MODE 1 setting Constituent notes of this chord Keys you need to press to hear this chord C Cs D Eb E F C M7 DM7 Eb 7 EM7 FM7 TERT 7 7 D7 Eb7 E7 F7 Cm C m Dm Ebm Em Fm Cm7 C m7 Dm7 Eb m7 Em7 Fm7 Pd CmM7 C mM7 DmM7 Eb mM7 EmM7 FmM7 Mibi P du Cdim C dim Ddim Eb dim Edim Fdim bal D T P du Cm7 b5 C m7 b5 Dm7 b5 Eb m7 b5 Em7 b5 Fm7 b5 d LP dud Caug C aug Daug Eb aug Eaug Faug P dd Csus4 C sus4 Dsus4 Eb sus4 Esus4 Fsus4 Mb d dd d dud C7sus4 C 7sus4 D7sus4 Eb 7sus4 E7sus4 F7sus4 D 41 Chord Intelligence MODE 1 set
101. nce and Song modes 19 USB button The GW 7 can exchange music style data or song files with your computer via a USB connection p 24 20 PIANO DRUMS Use these buttons to select tones by category p 9 11 Panel 21 FAVORITE button Use this button to access favorite tones p 11 22 Bender Modulation lever You can raise or lower the pitch by moving this lever to the left or right Push the lever away from yourself to apply modulation normally vibrato to the sound p 17 CONTROL HOLD PEDAL lt MIDI e ee PAS Roland LIMONO PHONES MADE IN CHI OUTPUT DCIN ON morr 1 USB connector Use a USB cable to connect the GW 7 to your computer via this connector p 24 2 MIDI OUT IN connectors Connect MIDI devices to these connectors p 26 3 CONTROL PEDAL jack Connect a separately available pedal switch Roland DP Series a separately available foot switch BOSS FS 5U or a separately available expression pedal Roland EV 5 to this jack p 8 p 17 4 HOLD PEDAL jack Connect a separately available pedal switch Roland DP Series to this jack p 8 5 OUTPUT R L MONO jacks Connect your cassette deck power amp audio amp keyboard amp monitor speakers etc to these jacks p 8 6 PHONES jack Connect a separately available pair of headphones to this jack Sound will be output f
102. nd effect drum and percussion Tones 543 P606 and you can assign just one of these Tones to the keyboard and use it to play a melody You can use these across the entire keyboard in Main Split or Dual modes If you re using Split mode you ll probably want to set the split point to about C6 if you re going to play a sound effect or percussion sound with your right hand or to about C3 if you re using your left hand Octave Settings You can shift the pitch of a Tone upward or downward in steps of an octave over a maximum of four octaves upward or downward Hold down SHIFT and use OCTAVE gt In Split Mode If UPPER is lit hold down SHIFT and use OCTAVE to change the octave setting of the Upper Part If LOWER is lit this operation will change the octave setting of the Lower Part In Dual Mode If UPPER is lit hold down SHIFT and use OCTAVE to change the octave setting of the first Tone If LOWER is lit this operation will change the octave setting of the second Tone Keyboard Mode Functions Editing a Tone You can turn the C1 C2 knobs to edit the currently selected Tone including drum set Tones After editing a Tone you can save it in user memory For example if the KEYBOARD SPLIT and UPPER buttons are lit the following procedure will edit the Tone for the Upper Part of Split mode 1 Press ANALOG MODIFY SELECT to make FILTER light 2 Tur
103. ne Category PC cc cc Button No Tone Category PC cc cc 00 32 00 32 SYNTH 427 CelestlPad PAD 96 10 2 WORLD 1 498 TamburaDrn WORLD 1 105 17 4 428 Ancestral PAD 98 1 2 WORLD 2 499 SteelDrums WORLD 2 115 0 2 429 Prologue PAD 98 2 2 500 Quena WORLD 2 75 8 4 430 Goblin PAD 102 0 2 501 Zampona WORLD 2 76 16 4 431 50s Sci Fi PAD 102 2 2 502 Duduks WORLD 2 112 41 4 432 Echo Drops PAD 103 0 2 503 Banjo WORLD 2 106 0 2 433 Echo Bell PAD 103 1 2 504 Mute Banjo WORLD 2 106 1 2 434 Echo Pan 1 PAD 103 2 2 505 Bouzouki WORLD 2 106 11 4 435 Echo Pan 2 PAD 103 3 2 506 Saz WORLD 2 106 13 4 436 Big Panner PAD 103 4 2 507 Tar WORLD 2 106 12 4 437 WaterPiano PAD 103 6 2 508 HurdyGurdy WORLD 2 111 18 4 438 StarTheme2 PAD 104 1 2 509 Fiddle WORLD 2 111 0 2 WORLD 1 439 SitarDrone WORLD 1 105 4 4 510 Kemanche WORLD 2 111 16 4 440 Sitar 3 WORLD 1 105 3 4 511 Gadulka WORLD 2 111 17 4 441 Sarod WORLD 1 105 24 4 512 Rabab 2 WORLD 2 106 10 4 442 Erhu WORLD 1 111 8 4 513 Rabab 1 WORLD 2 106 8 2 443 Erhu Vib WORLD 1 111 10 4 514 Oud 1 WORLD 2 106 24 2 444 Erhu Harm WORLD 1 111 11 4 515 Oud 2 WORLD 2 106 25 4 445 Bonang 2 WORLD 1 113 26 4 516 Oud Trem WORLD 2 106 27 4 446 Gender 2 WORLD 1 113 27 4 517 Oud Trem WORLD 2 106 26 4 447 Saron WORLD 1 113 28 4 518 Oud amp Str WORLD 2 106 28 4 448 Yanggin WORLD 1 47 32 4 519 Tambura WORLD 2 105 9 4 449 WORLD 1 47 33 4 520 Kanoon 2 WORLD 2 108 17 4 450 Yangin Trm WORLD 1 47 34 4 521 Kanoon Oct WORLD 2 108 18 4 451 Yangin
104. ng Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro EE Tabla Dom Surdo 2 Kwaengwari p Tabla Dom Shou Luo 1 Claves Claves Claves Claves Claves Claves 76 Tabla Ge Hi Caixa Gamelan Gong Tabla Ge Hi HuYinLuoL Mt Woodblock Woodblock Woodblock Woodblock Woodblock Woodblock 77 Tabla Roll Repinique 1 Ride Bell Tabla Roll Shou Luo 2 Woodblock Woodblock Woodblock Woodblock Woodblock Woodblock EZE Tabla Tak Repinique 2 Ceng Ceng Tabla Tak Xiao Bo Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica 79 Tabla Flam Repinique Mut Pandiero Tabla Flam Ban Gu 4 Open Cuica Open Cuica Open Cuica Open Cuica Open Cuica Open Cuica Tabla Rim1 Quide Nao Bo Tabla Nao Bo Mute Triangle Mute Triangle Mute Triangl Mute Triangl Mute Triangl Mute Triangl 81 Tabla Rim3 Guiro Opn Pandiero Tabla Rim3 HuYinLuoH Op Open Triangle Open Triangle Open Triangl Open Triangl Open Triangl Open Triangl Tabla Rim2 Maracas Reg Dum Tabla Rim2 HuYinLuoH Mt Shaker Shaker Shaker Shaker Shaker Shaker 83 Tabla Te Shaker Req Tik Tabla Te HuYinLuoL Mt Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell 84 Tabla Na Cabasa Wadon 6 Tabla Na Gu Roll Bar Chimes Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Es Tabla Tun Caxixi Wadon 3 Tabla Tun GuHi Castanets Castanets Castanets Castanets Castanets Castanets 86 Req Tak2 Ganza Wadon 2 Req Tak2 Kane Side Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo mM Req Bongo Bell
105. ntral No 3 Ens La Esperilla Santo Domingo Dominican Republic TEL 809 683 0305 ECUADOR Mas Musika Rumichaca 822 y Zaruma Guayaquil Ecuador TEL 593 4 2302364 EL SALVADOR OMNI MUSIC 75 Avenida Norte y Final Alameda Juan Pablo II Edificio No 4010 San Salvador ELSALVADOR TEL 262 0788 GUATEMALA Casa Instrumental Calzada Roosevelt 34 01 zona 11 Ciudad de Guatemala Guatemala TEL 502 599 2888 HONDURAS Almacen Pajaro Azul S A de C V BO Paz Barahona 3 Ave 11 Calle S O San Pedro Sula Honduras TEL 504 553 2029 MARTINIQUE Musique amp Son Z I Les Mangle 97232 Le Lamantin Martinique F W I TEL 596 596 426860 Gigamusic SARL 10 Rte De La Folie 97200 Fort De France Martinique F W I TEL 596 596 715222 MEXICO Casa Veerkamp s a de c v Av Toluca No 323 Col Olivar de los Padres 01780 Mexico D F MEXICO TEL 55 5668 6699 NICARAGUA Bansbach Instrumentos Musicales Nicaragua Altamira D Este Calle Principal de la Farmacia 5ta Avenida 1 Cuadra al Lago 503 Managua Nicaragua TEL 505 277 2557 PANAMA SUPRO MUNDIAL S A Boulevard Andrews Albrook Panama City REP DE PANAMA TEL 315 0101 PARAGUAY Distribuidora De Instrumentos Musicales J E Olear y ESQ Manduvira Asuncion PARAGUAY TEL 595 21 492147 PERU Audionet Distribuciones Musicales SAC Juan Fanning 530 Miraflores Lima Peru TEL 511 4461388 Roland Corporation TRINIDAD AMR Ltd Ground
106. om EE Ceng Ceng Ceng Ceng Ceng Ceng Ceng Ceng Ceng Ceng Dholak 1 Dholak 1 Dholak 1 Dholak 1 Dholak 1 Dholak 1 71 Udo Short Udo Short Udo Short Udo Short Udo Short Dholak 2 Dholak 2 Dholak 2 Dholak 2 Dholak 2 Dholak 2 72 Udo Long Udo Long Udo Long Udo Long Udo Long Dhol Dhol Dhol Dhol Dhol Dhol E Xiao Bo Xiao Bo Xiao Bo Xiao Bo Xiao Bo Tabla Ge Tabla Ge Tabla Ge Tabla Ge Tabla Ge Tabla Ge 74 Timbl Paila Paila Timbl Paila Timbl Paila Timbl Paila Tabla Ge Tabla Ge Tabla Ge Tabla Ge Tabla Ge Tabla Ge EE Kwaengwari p Kwaengwari p Kwaengwari p Kwaengwari p Kwaengwari p Tabla Dom Tabla Dom Tabla Dom Tabla Dom Tabla Dom Tabla Dom 76 Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Tabla Ge Hi Tabla Ge Hi Tabla Ge Hi Tabla Ge Hi Tabla Ge Hi Tabla Ge Hi 77 Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Tabla Roll Tabla Roll Tabla Roll Tabla Roll Tabla Roll Tabla Roll EZE Ceng Ceng Ceng Ceng Ceng Ceng Ceng Ceng Ceng Ceng Tabla Tak Tabla Tak Tabla Tak Tabla Tak Tabla Tak Tabla Tak 79 Mut Pandiero Mut Pandiero Mut Pandiero Mut Pandiero Mut Pandiero Tabla Flam Tabla Flam Tabla Flam Tabla Flam Tabla Flam Tabla Flam Tabla Tabla Rim1 Tabla Tabla Rimi Tabla Rim1 Tabla 81 Opn Pandiero Opn Pandiero Opn Pandiero Opn Pandiero Opn Pandiero Tabla Rim3 Tabla Rim3 Tabla Rim3 Tabla Rim3 Tabla Rim3 Tabla Rim3 Req Dum Req Dum Req Dum Req Dum Req Dum Tabla
107. ooth BASS 36 5 2 256 Orch Hit STRINGS 56 0 2 186 Frilss Bs5 BASS 36 8 2 257 BassHit STRINGS 56 1 2 187 FatFrilss BASS 36 48 2 258 6thHi STRINGS 56 2 2 188 ResoSlap BASS 37 8 2 259 EuroHit STRINGS 56 8 2 189 Slap Bass2 BASS 38 0 2 260 Techno Hit STRINGS 56 4 2 190 SynBs 101 BASS 39 1 2 261 ImpactHit STRINGS 56 8 2 191 Juno Bass BASS 39 2 2 262 Philly Hit STRINGS 56 9 2 192 106 Bass BASS 39 3 2 263 Lo Fi Rave STRINGS 56 16 2 193 Acid Bass BASS 39 8 2 SCAT 264 StChoir VOCAL 53 8 2 194 TB303 Bass BASS 39 9 2 265 Humming VOCAL 54 40 2 195 Techno Bs BASS 39 10 2 266 Voice Doos VOCAL 54 0 2 196 Clav Bass BASS 39 19 2 267 Syn Vox VOCAL 55 0 2 197 Hammer BASS 39 20 2 268 Solo Vox VOCAL 86 0 2 198 JungleBass BASS 39 21 2 269 ChoirAahst VOCAL 53 0 2 199 Pop SynBs BASS 39 23 2 270 Mellow Chr VOCAL 53 9 2 200 LightSynBs BASS 39 24 2 271 ChoirAahs2 VOCAL 53 32 2 201 FatTB Bass BASS 39 25 2 272 Syn Voice VOCAL 55 8 2 202 Syn Bass 2 BASS 40 0 2 273 Ana Voice VOCAL 55 19 2 203 Syn Bs 201 BASS 40 1 2 274 Harp Vox VOCAL 100 3 2 204 Mod Bass BASS 40 2 2 275 HilwReleas VOCAL 100 4 2 205 Seq Bass BASS 40 3 2 SAX 276 Blow Tenor SAX 67 8 2 206 BeefFMBs BASS 40 8 2 BRASS 277 XP Breathy SAX 67 10 4 207 X Wire Bs BASS 40 9 2 278 Sop Sax1 SAX 65 0 2 208 RubberBass BASS 40 16 2 279 Alto Sax 1 SAX 66 0 2 209 SH101Bs1 BASS 40 17 2 280 XP AltoSax SAX 66 2 4 210 SH101Bs2 B
108. op SYNTH LEAD 83 0 2 296 EnglshHorn WIND 70 0 2 367 PurePan Ld SYNTH LEAD 83 2 2 297 JzClarinet WIND 72 0 2 368 Charang SYNTH LEAD 85 0 2 298 BsClarinet WIND 72 8 2 369 Wire Lead SYNTH LEAD 85 1 2 299 Flute WIND 74 0 2 370 Dist Lead SYNTH LEAD 85 8 2 300 Recorder WIND 75 0 2 371 Square SYNTH LEAD 81 1 2 301 Ocarina WIND 80 0 2 372 Hollow Min SYNTH LEAD 81 2 2 302 BottleBlow WIND 77 0 2 373 Shmoog SYNTH LEAD 81 5 2 303 Trumpet 1 ACOUSTIC BRASS 57 0 2 374 LM Square SYNTH LEAD 81 6 2 304 Latin Tp 1 ACOUSTIC BRASS 57 7 4 375 Sine Wave SYNTH LEAD 81 8 2 305 Latin Tp 2 ACOUSTIC BRASS 57 6 4 376 DistSquare SYNTH LEAD 81 16 2 306 FlugelHorn ACOUSTIC BRASS 57 8 2 377 P5 Saw SYNTH LEAD 82 1 2 307 Trombone 1 ACOUSTIC BRASS 58 0 2 378 Feline GR SYNTH LEAD 82 3 2 308 Tuba 1 ACOUSTIC BRASS 59 0 2 379 Velo Lead SYNTH LEAD 82 5 2 309 Mute Tp 1 ACOUSTIC BRASS 60 0 2 380 LA Saw SYNTH LEAD 82 2 310 Fr Horns 1 ACOUSTIC BRASS 61 0 2 381 Dr Solo SYNTH LEAD 82 8 2 311 Brass 1 ACOUSTIC BRASS 62 0 2 382 Saw Wave 2 SYNTH LEAD 82 9 2 312 Brass Fall ACOUSTIC BRASS 62 16 2 383 Saw Wave 3 SYNTH LEAD 82 10 2 313 Twin Tp ACOUSTIC BRASS 62 24 2 384 Natural Ld SYNTH LEAD 82 36 2 314 Tb Sect 1 ACOUSTIC BRASS 62 26 2 385 Vent Synth SYNTH LEAD 83 1 2 315 Latin Tbs1 ACOUSTIC BRASS 62 28 4 386 Chiffer Ld SYNTH LEAD 84 0 2 316 Latin Tbs2 ACOUSTIC BRASS 62 29 4 387 5thSawWave SYNTH LEAD 87 0 2 317 Brass Oct ACOUSTIC BRASS 62 30 4 388 Big Fives SYNTH LEAD 87 1 2 318 Trumpet 2 ACOUSTIC BRAS
109. or lets you use your left hand to operate pitch bend modulation while you play the melody with your right hand 1 Connect your foot switch to the rear panel CONTROL PEDAL jack 2 Press FUNCTION 3 Use SELECT gt to get the screen to indicate Edit System and then press ENTER 4 Use SELECT gt to choose Pedal and turn the VALUE dial to select PUNCH I O 5 Press SONG REC so the button is lit 6 Turn the VALUE dial to set Mode to PUNCH 7 Press SELECT The recording track screen will appear Turn the VALUE dial to select the track you want to record 8 Press to start playback 9 Atthe point where you want to start re recording press the foot switch 10 Perform 11 Press the foot switch once again to stop recording 12 Press to stop playback If you want to re record again continue from step 7 Recording Another Son After Previously Recording a Song 1 Save the song you previously recorded See note below 2 Record your next song as described in the procedure for All p 21 The temporary song Sng00 memory contains the song you just recorded If you set the recording mode to ALL the previously recorded song will be erased allowing you to record a new song Saving a Song Here s how you can save a song from the temporary song memory Sng00 to a user song memory Sng01 Sng99 1 Press FUNCTION
110. ormance Turn the knob toward the left to make the backing louder If you want to adjust the volume of the entire GW 7 turn the VOLUME knob Adjusting the Tempo 1 Press TAP TEMPO The tempo setting screen will appear 2 Turn the VALUE dial to adjust the tempo You can also specify the tempo by pressing TAP TEMPO three or more times at the desired interval return to the original tempo hold down SHIFT and press TAP TEMPO 3 Press EXIT to return to the previous screen Sync Start 1 Press SYNC START so the button is lit ALLY Sync Start is a function that automatically starts the backing when you play a note to the left of the split point This is convenient when you want the backing to begin playing the moment you play a chord in the left hand To defeat this setting press SYNC START so the button goes out Stopping the Backing 1 Press START STOP once again to make the backing stop If you press ENDING the ending phrase will play and then the backing will stop 14 Playing with an Accompaniment Backing Selecting a Music Style The style memory locations are organized as follows Number Type Explanation Ps001 Preset These are the styles built into the GW 7 Ps110 They cannot be overwritten 05001 User Separately sold Music Style data can be Us099 loaded from your computer via USB into the GW
111. our retailer the nearest Roland Service Center or an autho rized Roland distributor as listed on the Information page Never use or store the unit in places that are Subject to temperature extremes e g direct sunlight in an enclosed vehicle near a heating duct on top of heat generating equipment or are Damp e g baths washrooms on wet floors or are Humid or are Exposed to rain or are Dusty or are Subject to high levels of vibration This unit should be used only with a stand that is recommended by Roland About the Symbols ALWAYS OBSERVE THE FOLLOWING The A symbol alerts the user to important instructions or warnings The specific meaning of the symbol is determined by the design contained within the triangle In the case of the symbol at left it is used for general cautions warnings or alerts to danger The symbol alerts the user to items that must never be carried out are forbidden The specific thing that must not be done is indicated by the design contained within the circle In the case of the symbol at left it means that the unit must never be disassembled The symbol alerts the user to things that must be carried out The specific thing that must be done is indicated by the design contained within the circle In the case of the symbol at left it means that the power cord plug must be unplugged from the outlet When using the unit with a stand recommended by Ro
112. ower Part while the region of the key board to the right of the split point becomes the Upper Part Fach part plays a different Tone DUAL The entire keyboard plays two Tones simultaneously Using Main Mode 1 Turn on the power as described in Turning the Power A piano sound will be selected 2 Select the desired Tone 1 Press MODE TONE so the button is lit 2 Turnthe VALUE dial to step through the Tones one by one Alternatively you can press one of the ten buttons PIANO DRUMS to select a Tone by category cf gt Refer to p 11 for details 3 Play the keyboard Turn the VOLUME knob to adjust the volume Introduction Using Split Mode 1 If you want to use your left and right hands to play different Tones press KEYBOARD SPLIT so the button is lit The Tone you selected in Main mode i e when SPLIT and DUAL were extinguished will be the Tone for the Upper Part Select a different Tone for each Part 1 Toselect the Tone for the Upper Part press UPPER so the button is lit To select the Tone for the Lower Part press LOWER so the button is lit 2 Turn the VALUE dial to step through the Tones one by one Alternatively you can press one of the ten buttons PIANO DRUMS to select a Tone by category Play the keyboard Turn the VOLUME knob to adjust the volume i The split point is set to C4 note number 60 In Split mode the mo
113. p Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap 59 Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal 60 Tabla Ge Tabla Ge Tabla Ge Tabla Ge Tabla Ge Doff Dom Doff Dom Doff Dom Doff Dom Doff Dom Doff Dom Tabla Tabla Tabla Tabla Doff Tak 1 Doff Tak 1 Doff Tak 1 Doff Tak 1 Doff Tak 1 Doff Tak 1 62 Tabla Ge Hi Tabla Ge Hi Tabla Ge Hi Tabla Ge Hi Tabla Ge Hi Doff Tak 2 Doff Tak 2 Doff Tak 2 Doff Tak 2 Doff Tak 2 Doff Tak 2 EN Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Hand Clap2 Doff Tak 3 Doff Tak 3 Doff Tak 3 Doff Tak 3 Doff Tak 3 Doff Tak 3 64 Tabla Na Tabla Na Tabla Na Tabla Na Tabla Na Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo 65 Tabla Tun Tabla Tun Tabla Tun Tabla Tun Tabla Tun Bongo High Bongo High Bongo High Bongo High Bongo High Bongo High Tambourine1 Tambourine1 Tambourine1 Tambourine1 Tambourine1 Doholla Sak Doholla Sak Doholla Sak Doholla Sak Doholla Sak Doholla Sak 67 Conga Slap Conga Slap Conga Slap Conga Slap Conga Slap Doholla Tak2 Doholla Tak2 Doholla Tak2 Doholla Tak2 Doholla Tak2 Doholla Tak2 Tambourine2 Tambourine2 Tambourine2 Tambourine2 Tambourine2 Doholla Tak1 Doholla Takt Doholla Takt Doholla Takt Doholla Takt Doholla Takt 69 Udo Slap Udo Slap Udo Slap Udo Slap Udo Slap Doholla Dom Doholla Dom Doholla Dom Doholla Dom Doholla Dom Doholla D
114. plash Cym Cowbell Cowbell Cowbell Cowbell 808cowbe Cowbell Cowbell Cowbell 808cowbe Cowbell Cowbell 57 Doholla Doholla Takt Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Cabasa Cabasa Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap 59 Doff Dom Doff Dom Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal C4 60 Tabla Ge Doff Tak 2 Voice 1 Voice 1 Voice 1 Voice 1 Voice 1 Voice 1 Voice 1 Tabla Ge Tabla Ge Tabla Te Low Bongo Voice 2 Voice 2 Voice 2 Voice 2 Voice 2 Voice 2 Voice 2 Tabla Te Tabla Te 62 Tabla Ge Hi Doff Tak 3 Bongo Lot Bongo 101 Bongo 101 Bongo 101 Bongo 101 Bongo 101 Bongo 101 Tabla Ge Hi Tabla Ge Hi WE Hand Clap2 Bongo High Bongo Lo2 Bongo Lo2 Bongo Lo2 Bongo Lo2 Bongo Lo2 Bongo Lo2 Bongo Lo2 Hand Clap2 Hand Clap2 64 Tabla Na Doff Tak 1 Bongo Hi Bongo Hi Bongo Hi Bongo Hi Bongo Hi Bongo Hi Bongo Hi Tabla Na Tabla Na 65 Tabla Tun Tabla Dom Conga Lo Conga Lo Conga Lo Conga Lo Conga Lo Conga Lo Conga Lo Tabla Tun Tabla Tun Tambourine1 Tabla Roll Conga Hi Conga Hi Conga Hi Conga Hi Conga Hi Conga Hi Conga Hi Tambourine1 Tambourine1 67 Conga Slap Tabla Tak Conga Conga Conga Conga Conga Conga Conga Conga Slap Conga Slap Tambourine2 Tabla Flam Timbles Lo Timbles Lo Timbles Lo Timbles Lo Timbles Lo Timbles Lo Timbles Lo Tambourine2 Tambourine2 69 Udo Slap Tabla Rim1 Timbles Hi Timbles Hi Timb
115. ption On Off default On This is an on off switch for Pitch Bend message transmission reception These messages temporarily raise or lower the pitch of the keyboard mode Tone Mod TxRx Modulation Message Transmission Reception On Off default On This is an on off switch for Modulation message transmission reception These messages apply vibrato to the keyboard mode Tone control change CC 01 Prog TxRx Program Change Message Transmission Reception On Off default On This is an on off switch for Program Change message transmission reception These messages are used to select Tones Velocity Rx Velocity Reception On 1 127 default On This is an on off switch for Velocity reception This applies only to the velocity of Note messages received via If this is On the GW 7 will use the velocity value that it receives Otherwise the GW 7 will use the velocity value you specify here Clock Tx Clock Message Transmission On Off default On This specifies whether MIDI Clock messages will be transmitted Use this when you want a connected external MIDI device to synchronize to the GW 7 StartStop Tx Start Stop Continue Message Transmission On Off default On This specifies whether Start Stop Continue messages will be transmitted Song mode Start Stop Continue Style mode Start Stop SongPos TxRx Song Position Pointer Message Transmission Reception On Off default On
116. ree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Open Triangle Req Tik Saron Gamelan Gong 85 Castanets Castanets Castanets Castanets Castanets Castanets Castanets Bombo 1 Sitar 3 Saron Saron 86 Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Bombo 2 Sitar 3 Saron Wind Bell NEM Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Bombo 3 Sitar3 Saron Kopyak Mt 88 Bombo 4 Sitar 3 Saron Kopyak Op 89 Bombo 5 Sitar 3 Saron Chenchen Opn Sitar 3 Saron Chenchen Cls 91 Sitar 3 Saron Ceng Ceng EA Sitar 3 Saron Kwaengwari p 93 Sitar 3 Saron Kwaengwari f Sitar 3 Saron KwaengwariMt 95 Sitar 3 Saron Reg Slap C7 96 Sitar 3 Saron Jingle Bell Nul Real Tom 6 Sagat Open 98 Real Tom 4 Sagat Close EE Real Tom 4 Ban Gu 1 100 Real Tom 1 Ban Gu 2 101 Real Tom 1 102 909Clap 103 High Timbale a 104 Mute Triangle 105 Open Triangle Er Maracas 107 Shaker 8 108 Tambourine _ 109 Jingle Bell 110 Bar Chimes 112 35 94 CC32 4 PC 93 CC32 4 PC 75 CC32 4 PC 76 CC32 4 PC 77 CC32 4 PC 80 CC32 4 PC 81 CC32 4 PC 78 CC32 4 PC 79 CC32 4 PC 67 CC32 4 PC 68 CC32 4 India Kit Orientl Kit Std Latin Jazz Latin TR909Latin HipHopLatn R amp B Latin TechnoLatn D n B Latn Std Asia Jazz Asia 909
117. reless devices so they are at a greater distance from this unit or switch them off Donotexpose the unit to direct sunlight place it near devices that radiate heat leave it inside an enclosed vehicle or otherwise subject it to temperature extremes Excessive heat can deform or discolor the unit When moved from one location to another where the temper ature and or humidity is very different water droplets conden sation may form inside the unit Damage or malfunction may result if you attempt to use the unit in this condition Therefore before using the unit you must allow it to stand for several hours until the condensation has completely evaporated Donotallow objects to remain on top of the keyboard This can be the cause of malfunction such as keys ceasing to produce sound Maintenance For everyday cleaning wipe the unit with a soft dry cloth or one that has been slightly dampened with water To remove stubborn dirt use a cloth impregnated with a mild non abrasive detergent Afterwards be sure to wipe the unit thoroughly with a soft dry cloth Never use benzine thinners alcohol or solvents of any kind to avoid the possibility of discoloration and or deformation Repairs and Data Please be aware that all data contained in the unit s memory may belost when the unit is sent for repairs Important data should always be backed up in another MIDI device e g a sequencer or on a computer or written do
118. rese Milano ITALY TEL 02 937 78300 NORWAY Roland Scandinavia Avd Kontor Norge Lilleakerveien 2 Postboks 95 Lilleaker N 0216 Oslo NORWAY TEL 2273 0074 POLAND MX MUSIC SP Z O O UL Gibraltarska 4 PL 03664 Warszawa POLAND TEL 022 679 44 19 PORTUGAL Roland Iberia S L Portugal Office Cais das Pedras 8 9 1 Dto 4050 465 Porto PORTUGAL TEL 22 608 00 60 ROMANIA FBS LINES Piata Libertatii 1 535500 Gheorgheni ROMANIA TEL 266 364 609 RUSSIA MuTek 3 Bogatyrskaya Str 1 k 1 107 564 Moscow RUSSIA TEL 095 169 5043 SPAIN Roland Iberia S L Paseo Garcia Faria 33 35 08005 Barcelona SPAIN TEL 93 493 91 00 SWEDEN Roland Scandinavia A S SWEDISH SALES OFFICE Danvik Center 28 2 tr 5 131 30 Nacka SWEDEN TEL 0 8 702 00 20 SWITZERLAND Roland Switzerland AG Landstrasse 5 Postfach 4452 Itingen SWITZERLAND TEL 061 927 8383 UKRAINE TIC TAC Mira Str 19 108 P O Box 180 295400 Munkachevo UKRAINE TEL 03131 414 40 UNITED KINGDOM Roland U K Ltd Atlantic Close Swansea Enterprise Park SWANSEA SA7 9F UNITED KINGDOM TEL 01792 702701 BAHRAIN Moon Stores No 16 Bab Al Bahrain Avenue P O Box 247 Manama 304 State of BAHRAIN TEL 17 211 005 CYPRUS Radex Sound Equipment Ltd 17 Diagorou Street Nicosia CYPRUS TEL 022 66 9426 IRAN MOCO INC No 41 Nike St Dr Shariyati Ave Roberoye Cerahe Mirdamad Tehran IRAN TEL 02
119. ress ENTER If you press EXIT you re returned to the previous screen 4 Use SELECT gt to select a parameter and turn the VALUE dial to adjust the value of the parameter Parameter Range Explanation Tone Volume 0 127 Adjusts the volume of the tone Porta Sw OFF Specifies whether portamento ON see the glossary item in the right column of this page will be ap plied ON or not OFF Parameter Range Porta Time 0 127 Explanation Adjusts the speed at which the pitch will change when porta mento is used Higher settings will lengthen the time over which the pitch changes to the next note Cutoff 64 63 The same as CUTOFF described in the left column of this page Resonance 64 63 The same as RESONANCE de scribed in the left column of this page Attack Time 64 63 The same as ATTACK described in the left column of this page Decay Time 64 63 Adjusts the decay time the time from when the attack has fin ished until the volume reaches the level at which it will remain as long as you hold down the key Higher settings produce a longer decay time Release Time 64 63 The same as RELEASE described in the left column of this page Vib Rate 64 63 Adjusts the modulation speed of vibrato see the glossary item be low Higher settings produce faster vibrato Vib Depth 64 63 Adjusts the modulation depth vibrato Higher settings produce
120. rity to operate this equipment This equipment requires shielded interface cables in order to meet FCC class B Limit For Canada NOTICE This Class B digital apparatus meets all requirements of the Canadian Interference Causing Equipment Regulations AVIS Cet appareil num rique de la classe B respecte toutes les exigences du R glement sur le mat riel brouilleur du Canada For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name GW 7 Type of Equipment Workstation Responsible Party Roland Corporation U S Address 5100 S Eastern Avenue Los Angeles CA 90040 2938 Telephone 323 890 3700 Information EGYPT Al Fanny Trading Office 9 EBN Hagar 1 Askalany Street ARD E1 Golf Heliopolis Cairo 11341 EGYPT TEL 20 2 417 1828 REUNION Maison FO YAM Marcel 25 Rue Jules Hermann Chaudron BP79 97 491 Ste Clotilde Cedex REUNION ISLAND TEL 0262 218 429 SOUTH AFRICA That Other Music Shop PTY Ltd 11 Melle St Braamfontein Johannesbourg SOUTH AFRICA TEL 011 403 4105 FAX 011 403 1234 Paul Bothner PTY Ltd 17 Werdmuller Centre Main Road Claremont 7708 SOUTH AFRICA TEL 021 674 4030 CHINA Roland Shanghai Electronics Co Ltd 5F No 1500 Pingliang Road Shanghai 200090 CHINA TEL 021 5580 0800 Roland Shanghai Electronics Co Ltd BEIJING OFFICE 10F No 18 3 Section Anhuaxili Chaoyang District Beijing 100011 CHINA TEL 010 6
121. rom the OUTPUT jacks even if you connect headphones 7 Cord hook Use this to secure the AC adaptor cord p 9 8 DCIN jack Connect the included AC adaptor here p 9 9 POWER switch This turns the power on off p 9 Introduction J TERM What is a Tone p 11 On the GW 7 each of the sounds you normally play is called a Tone If we use the analogy of an orchestra a Tone corresponds to an instrument played by one of the musicians Settings for parameters such as effects and filters are also included in a Tone What is Backing p 14 Backing refers to the automatic accompaniment functionality of the GW 7 What is a Music Style 15 A Music Style is a musical template used by a Backing The GW 7 contains a variety of music styles such as rock dance Latin and jazz You can also add style data by connecting the GW 7 to your computer via USB p 24 NOTE You can t create music styles using the GW 7 itself you ll need to use the built in styles provided by the GW 7 or load commercially available style data What is a Performance 16 A Performance is a group of settings that specifies the Tone and Style the keyboard mode and various other parameters What is a Song 21 The GW 7 contains a 16 track recorder which you can use to record the music you play You can add a Backing to the performance you play on the keyboard and save th
122. se the following buttons to do this a Moves to the beginning of the song lt lt Moves to the preceding measure gt P Moves to the next measure Repeatedly Playing a Specified Region You can make a specified region A B play repeatedly 1 Use lt a Bp to move to the measure at which you want repeat playback to begin 2 Press MARKER A B to set marker A to the current location 3 Use pp to move to the measure at which you want repeat playback to end 4 Press MARKER A B to set marker B to the current location 5 Press REPEAT A B 6 Press gt to start repeat playback NOTE Don t set a marker in the last measure of a song repeat playback will not work properly if you do so Minus One Playback You can mute silence a desired track of the song For example if you ve copied an SMF Standard MIDI File to the GW 7 you can mute one of the tracks and play that part yourself on the keyboard Muting a Track 1 Press BAND TYPE DRUMS amp BASS factory default setting track 10 COMBO factory default setting track 1 or FULL factory default setting track 2 to specify the track you want to mute 2 Press The song will play and the track you specified in step 1 will be muted Changing the Muted Track You can change the mute track specified for each button DRUMS amp BASS COMBO and FULL 1 Press and hold one o
123. sh 50 808 Tom 2 TR 707 SD TR 707 SD TR 707 SD TR 707 SD Real Tom 1 Real Tom 1 Room Tom 2 Rock Tom 1 Real Tom 1 Lite Tom 4 EE Ride Cymbal Mix HH CI 1 Mix HH CI 1 Mix HH CI 1 Mix HH CI 1 Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Brush Ride 52 China Cymbal Snare 1 Snare 1 Snare 1 Snare 1 China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal 53 Ride Bell Snare Roll Snare Roll Snare Roll Snare Roll Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Brush RideBL Tambourine Mix HH CI 2 Mix HH Cl 2 Mix HH CI 2 Mix HH CI 2 Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine 55 Splash Cym Mix Snare 4 Mix Snare 4 Mix Snare 4 Mix Snare 4 Splash Cym Splash Cym Splash Splash Cym Splash Cym Splash Cym EZE 808cowbe Mix HH Mix HH CI 3 Mix HH Mix HH Cowbell Cowbell Cowbell Cowbell Cowbell Cowbell 57 Crash Cym 2 Side Stick Side Stick Side Stick Side Stick Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 55 Vibraslap Mix HH Op 1 Mix HH Op 1 Mix HH Op 1 Mix HH Op 1 Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap 59 Ride Cymbal Mix HH Op 2 Mix HH Op 2 Mix HH Op 2 Mix HH Op 2 Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal Ride Cymbal 60 Doff Dom Voice 1 Tabla Ge Doff Dom Tang Gu Op Bongo High Bongo High Bongo High Bongo High Bongo High Bongo High Doff Tak 1 Voice 2 Tabla Te Doff Tak 1 Shu Gu Rim Bongo Lo Bongo Lo Bongo Lo Bongo
124. st suitable octave settings for each tone are applied automatically If you press and hold SPLIT for approximately two seconds the split point setting screen will appear You can turn the VALUE dial to change the split point When you re finished S a a If you press and hold UPPER or LOWER for approximately two seconds the volume setting screen for each part will appear You can turn the VALUE dial to adjust the volume of each part When you re finished press EXIT 8 You can t select a drum set Tone for the Lower Part Using Dual Mode 1 2 If you want to play two Tones simultaneously press KEYBOARD DUAL so the button is lit Select two Tones 1 To change the Tone that you selected in Main mode press UPPER so the button is lit To change the second Tone that you want to layer with the first Tone press LOWER so the button is lit 2 Turnthe VALUE dial to step through the Tones one by one Alternatively you can press one of the ten buttons PIANO DRUMS to select a Tone by category Play the keyboard Turn the VOLUME knob to adjust the volume If you press and hold UPPER or LOWER for approximately two seconds the volume setting screen for each part will appear You can turn the VALUE dial to adjust the volume of each part When you re finished press EXIT ET You can t select a drum set Tone as the second Tone Using the Metronome
125. t is for use only with Roland stand KS 12 Use with other stands is capable of resulting in instability AN causing possible injury AC adaptor when plugging into or unplugging from Always grasp only the output plug or the body of the 0 this unit or an outlet and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs Also disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire At regular intervals you should unplug the AC adaptor Q Try to prevent cords and cables from becoming entangled Also all cords and cables should be placed so they are out of the reach of children gt Never climb on top of nor place heavy objects on the unit Never handle the AC adaptor body or its output plugs with wet hands when plugging into or unplugging from an outlet or this unit Before moving the unit disconnect the AC adaptor and all cords coming from external devices Before cleaning the unit turn off the power and unplug the AC adaptor from the outlet Whenever you suspect the possibility of lightning in your area disconnect the AC adaptor from the outlet IMPORTANT NOTES In addition to the items listed under USING THE UNIT SAFELY on page 2 3 please read and observe the following Power
126. the method of tuning that is most widely used in Western music in which the octave is divided into twelve equal steps ARABIC Arabic temperament Compared to equal temperament E and B are half a semitone low and C F and Ab are half a semitone high The intervals G B C E F Ab Bb C and Eb F3 are a neutral third between a major third and minor third Scale Mode MAIN Specifies the part s to which the Scale setting will apply ALL MAIN The scale setting applies to Main mode the Upper Part of Split mode and the first Tone of Dual mode ALL The scale setting applies to all parts Scale C B 64 63 As an alternative to the temperament commonly used in Western music you can adjust the pitch of each note to create temperaments used in other musical cultures or historical periods e g Oriental temperaments or tem peraments used in the Baroque era You can adjust the pitch of each note in the octave C C D Eb E F F G Ab A Bb B These settings are applied to every note of the same name i e the C of each octave the C of each octave etc Most often the pitch is adjusted one quarter tone upward or downward so you will select a value of 50 or 50 18 Performance Functions and Effects The GW 7 contains built in reverb chorus and multi effect processors You can choose an effect type for each processor Adjusting the Reverb or Chorus Send Level 1 Press ANALOG MODIFY SELECT so EFFECT is lit
127. the screen to indicate Write Perform Press ENTER the screen will indicate Perform Num Uf001 Turn the VALUE dial to select the desired destination Uf001 Uf032 and then press ENTER Input a name for your user performance Use SELECT to move the cursor and turn the VALUE dial to change each character Press ENTER the screen will prompt Write Sure Press ENTER to save the performance If you press EXIT you re returned to the previous screen without the performance being saved 17 Performance Functions and Effects Performance Parameters Parameter Range Explanation Kbd Velo Sw OFF ON Specifies whether the loudness of the notes you play from the keyboard will be fixed OFF or not ON Kbd Velocity 1 127 Specifies the loudness of each note when the above Kbd Velo Sw is OFF Split Point 36 96 Specifies the split point the key at which the keyboard will be divided used in Split mode This will be the low est note of the Upper Part 60 corresponds to C4 Oct Main 4 4 Raises or lowers the pitch in steps of one octave for Main mode the Upper Part of Split mode or the first Tone of Dual mode In the case of a drum set this does not transpose the pitch rather it shifts the set of drum percussion sounds that are assigned to the keyboard Oct Dual 4 4 Raises or lowers the pitch in steps of
128. ticks SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick 33 Wadaiko Wadaiko Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click IEE Mute Surdo Mute Surdo Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell 35 TR 707 BD Low TR 707 BD Kick 1 Jazz Kick 2 909 Kick HipHop Kick 909 Kick 3 909 Kick TR 808 Kick Kick 1 Jazz Kick 2 C236 TR 707 BD Low TR 707 BD Kick 2 Jazz Kick 1 909 Kick2 SimpleKick SimpleKick House Kick 909 Kick2 Kick 2 Jazz Kick 1 TR 707 Rim TR 707 Rim Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick Side Stick 38 TR 707 SD TR 707 SD Snare 2 Jazz Snare 1 909 Snare HipHop Snare R amp B Snare Techno Snare Jungle Snare Snare 2 Jazz Snare 1 EZE 909Clap Hand Clap ST 909Clap Hand Clap2 909Clap FunkClap R amp B Clap 909Clap 909Clap 909Clap Hand Clap2 40 TR 707 SD TR 707 SD Snare 1 Jazz Snare 909Snare2 HipHopSnare2 909Snare2 House Snare Ps Snare Snare 1 Jazz Snare 41 Real Tom 6 Tom Real Tom 6 Real Tom 6 808 Tom 2 Real Tom 6 Real Tom 6 Synth Drum 2 808 Tom 2 Real Tom 6 Real Tom 6 LEN TR 707 HH c TR 707 HH c Close HiHat Jazz Clsd HH TR 909 CHH HipHopCHH R amp B CHH TR 909 CHH R amp B CHH Close HiHat Jazz Clsd HH 43 Real Tom 6 Tom Real Tom 6 Real Tom 6 808 Tom 2 Real Tom 6 Real Tom 6 Synth Drum 2 808 Tom 2 Real Tom 6 Real Tom 6 TR 707 TR 707
129. ting 42 Constituent notes of this chord Keys you need to press to hear this chord F G Ab A Bb B F M7 AbM7 AM7 Bb M7 7 G7 Ab7 A7 Bb 7 B7 F m Abm WIDE mm rm mm F m7 Gm7 Abm7 Bb m7 RTT F mM7 GmM7 AbmM7 AmM7 Bb mM7 BmM7 LP IER P ELLE F dim Gdim Abdim Adim Bb dim Bdim CPP EE S ERE F m7 b5 Gm7 b5 Abm7 b5 Am7 Bb m7 b5 m MERE erm C cR HUU H F amp aug Gaug Abaug Aaug Bb aug Baug F sus4 Gsus4 Absus4 Asus4 Bb sus4 Bsus4 F 7sus4 G7sus4 75054 A7sus4 Bb 7sus4 B7sus4 D LH Workstation Date Jan 25 2005 Model GW 7 MIDI Imprementation Chart Version Basic Default 1 16 1 16 Channel Changed 1 16 OFF 1 16 OFF Default Mode 3 Mode 3 Mode Messages Mode 3 4 M 1 Mode 3 4 M 1 2 Altered KKK KKK RRR KR RIK T Note 0 127 Number True Voice FORO II III Note Velocity Note Off After Key s Touch Channel s Pitch Bend 0 32 1 IN m NIN Bank select Modulation Portamento time Data entry Volume Panpot Expression Hold 1 Portamento Sostenuto Soft Resonance Release time Attack time Cutoff Decay time Vibrato rate Vibrato depth Vibrato
130. tion your hand above the D Beam The volume is greater when you move your hand more rapidly CUICA Different sounds will be heard depending on the position of your hand above the D Beam The volume is greater when you move your hand more rapidly GUIRO Same as above CONGA Same as above SITAR Same as above TABLA Same as above WADON Same as above GENDER Same as above BIG GONG A gong will sound when you position your hand over the D Beam The volume is greater when you move your hand more rapidly BUBBLE The sound of bubbles will continue as long as your hand is positioned above the D Beam The volume will increase as you move your hand closer STREAM The sound of running water will continue as long as your hand is positioned above the D Beam The volume will increase as you move your hand closer EXPLOSION An explosion will sound when you position your hand over the D Beam The volume is greater when you move your hand more rapidly GUN SHOT A pistol shot will sound when you position your hand over the D Beam The volume is greater when you move your hand more rapidly ENGINE An engine will continue sounding as long as your hand is positioned above the D Beam The volume will increase as you move your hand closer APPLAUSE Applause will continue sounding as long as your hand is positioned above the D Beam The vol ume will
131. vels You may prefer to use headphones so you do not need to be concerned about those around you especially when it is late at night When you need to transport the unit package it in the box including padding that it came in if possible Otherwise you will need to use equivalent packaging materials Use only the specified expression pedal EV 5 sold separately By connecting any other expression pedals you risk causing malfunction and or damage to the unit The effective range of the D Beam controller is greatly reduced in strong light such as direct sunlight Please be aware of this when using the D Beam controller Microsoft and Windows are registered trademarks of Microsoft Corporation Windows is known officially as Microsoft Windows operating system Apple and Macintosh are registered trademarks of Apple Computer Inc MacOSis a trademark of Apple Computer Inc Contents USING THE UNIT SAFELY 2 IMPORTANT 65 4 Panel Descriptions 6 Front 0 0 6 aed 7 Introduction 8 About the GW ettet eiua 8 Making 5 8 Connecting External Equipment Pedals and Switches 8 Connecting the A
132. wn on paper when possible During repairs due care is taken to avoid the loss of data However in certain cases such as when circuitry related to memory itself is out of order we regret that it may not be possible to restore the data and Roland assumes no liability concerning such loss of data Additional Precautions Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction or the improper operation of the unit To protect yourself against the risk of loosing important data we recommend that you periodically save a backup copy of important data you have stored in the unit s memory another MIDI device e g a sequencer or on a computer Unfortunately it may be impossible to restore the contents of data that was stored in the unit s memory another MIDI device e g a sequencer or on a computer once it has been lost Roland Corporation assumes no liability concerning such loss of data e Use reasonable amount of care when using the unit s buttons sliders or other controls and when using its jacks and connectors Rough handling can lead to malfunctions e Never strike or apply strong pressure to the display When connecting disconnecting all cables grasp the connector itself never pull on the cable This way you will avoid causing shorts or damage to the cable s internal elements To avoid disturbing your neighbors try to keep the unit s volume at reasonable le
133. x Snare 3 Mix Snare 3 ShutHa ShutHa ShutHa ShutHa E ShutHi ShutHi ShutHi ShutHi ShutHi Mix Snare 4 Mix Snare 4 ShutHi ShutHi ShutHi ShutHi 1 One One One One One Mix Kick 2 Mix Kick 2 One One One One m 22 Two Two Two Two Two Mix Kick 3 Mix Kick 3 Two Two Two Two 23 Three Three Three Three Three Mix Kick 4 Mix Kick 4 Three Three Three Three 24 Four Four Four Four Four Mix Kick 1 Mix Kick 1 Four Four Four Four E Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll 26 Snap Snap Snap Snap Snap Finger Snap Finger Snap Snap Snap Snap Snap High Q High Q High Q High Q High Q High Q High Q High Q High Q High Q 28 Slap Slap Slap Slap Slap Slap Slap Slap Slap Slap Slap 29 Scrtch Push2 Scrtch Push2 Scrtch Push2 Scrtch Push2 Scrtch Push2 ScratchPush ScratchPush Scrtch Push2 Scrtch Push2 Scrich Push2 Scrtch Push2 EE Scrtch Pull2 Scrtch Pull2 Scrtch Pull2 Scrtch Pull2 Scrtch Pull2 ScratchPull ScratchPull Scrtch Pull2 Scrtch Pull2 Sertch Pull2 Scrtch Pull2 31 Sticks Sticks Sticks Sticks Sticks Sticks Sticks Sticks Sticks Sticks Sticks Z SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick SquareClick 33 Mtrnm Click Mtrnm Click Mtmm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtmm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click IEE Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bel
134. ystem settings press EXIT USB Functions and System Functions System Parameter Functions Parameter Range Explanation LCD Contrast 20 20 Adjusts the contrast of the text in the screen Local Ctrl OFF ON Refer to Local Ctrl Local Control p 26 Master Tune 427 4 452 6 Hz Adjusts the tuning of the entire GW 7 The displayed value is the frequency of the A4 key middle A Transpose 12 12 Transposes the pitch of the GW 7 in semitone steps Trans Mode INT Selects the part s that will be affected by the above Transpose setting SNG INT Only the keyboard part Notes received from the MIDI IN connector will not be affected 148 SNG Only the song parts will be transposed MID I S The keyboard part and song part I M MID Only notes received from the MIDI IN connector will be transposed S M The keyboard part and notes received from the MIDI IN connector ALL S M The song parts and notes received from the MIDI IN connector will be transposed ALL All parts and notes received from the MIDI IN connector will be transposed P Bend Range 0 24 Specifies the range of pitch change that can be controlled using the pitch bend controller p 17 Pedal EXPRESSION Selects the function that will be controlled when you press a separately available pedal connected to the CONTROL PED CHORD OFF AL jack CHORD TGL EXPRESSION The pedal will funct

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