Nady Systems Microphone TCM 1150 User's Manual
Contents
1. ae USER GUIDE Congratulations on purchasing the Nady TCM 1150 Vacuum Tube Condenser Microphone This superior microphone is perfect for recording studio vocals acoustic instruments orchestras and choral groups ambient instrument audio and many live sound applications Powerful and versatile the TCM 1150 meets the stringent requirements of even the most demanding digital recording and live broadcasting applications This manual covers the operation of the TCM 1150 and the TMPS 2 power supply To take full advantage of the superb features of this microphone and to enjoy long and trouble free use please read this user s guide carefully UNPACKING INSPECTION STORAGE AND TRANSPORT Your TCM 1150 microphone was carefully packed at the factory and the shipping carton was designed to protect the unit during shipping Please retain this container in the highly unlikely event that you ever need to return your microphone for servicing e TMPS 2 power supply pattern polar pattern select unit with switchable 115 230VAC operation Power cord e SSM 1150 elastic suspension shock mount FEATURES e XC 7P 30 ft 10 m connecting cable with 7 pin XLR e FW 1150 foam windscreen e User guide e Warranty card The TCM 1150 is the best value available today in studio tube condenser microphones with the classic vintage look and the same extraordinary sound and performance as a legendary vacuum tube microphone at a fraction of their or2. 2 power supply with the XC 7P 7 pin XLR cable supplied Connect the TMPS 2 Audio Output to your mixer using a standard balanced 3 pin XLR microphone cable Note Before connecting to a mixer directly turn the channel to which you re connecting to its lowest gain setting and turn off its phantom power Connect the TMPS 2 to the AC power supply first selecting the proper voltage 115 230VAC Turn on the TMPS 2 Power ON OFF Switch 5 Slowly turn up the channel gain Controls and Connections in your mixer to the dered A Audio output for connection to a standard level balanced 3 pin XLR cable Note Make sure to set the mixer to the B To microphone use the supplied 7 pin XLR cable proper gain level too much gain may XC 7P distort subsequent amplifiers and too little C IEC AC cord receptacle with internal fuse AC may result in a noisy signal power cable supplied 6 Select the polar pattern desired D 115 230 VAC select switch Note verify setting with the Polar Pattern Select is at the correct voltage supplied or the unit will Switch omnidirectional be damaged cardioid figure 8 or one of six E Power ON OFF switch F 9 pattern polar pattern select switch intermediate stages Note Experiment with all these choices to fully utilize the versatility the TCM 1150 can offer for various diverse applications Note For optimum performance it is best to let the microphone warm up for 5 to 10 minutes so
3. that the internal vacuum tube can reach its peak specifications USING THE MICROPHONE SHOCK MOUNT It is recommended that the TCM 1150 be used with the SSM 1150 spider shock mount which uses an elastic suspension to isolate the microphone from vibration thereby lowering noise transmitted to the microphone from the stand This is a useful tool in many situations such as when the performer is tapping his or her feet or when there is noise pickup from the rumbling of traffic outside of the building USING THE FOAM WINDSCREEN The FW 1150 foam windscreen is supplied with the TCM 1150 This windscreen fits over the grill portion of the microphone and is designed primarily to decrease bass rumble from wind noise pickup during outdoor live or recording use It is also useful in keeping mouth spray out of the microphone head The windscreen should be used whenever someone is close miked to both protect the microphone and to also eliminate popping sounds from percussive breath sounds An external stand mount pop filter The disadvantage of using the shock mount is that the weight of the microphone may make it drift in the elastic suspension so mic placement may take a little longer To insert the TCM 1150 into the SSM 1150 shock mount pinch close the levers on the sides of the mount to the open position then slide the microphone into place such as the Nady MPF 6 is also ideal for this application Note Be aware that
4. the foam windscreen will slightly attenuate the high frequency response of the microphone WARNING The capsule is the fon of the condenser microphone If it becomes dirty or wet the sound will be degraded Never spray any liquid on the microphone head Always use a foam windscreen or pop filter if you talk or sing close to the microphone grill screen U S Should your Nady microphone require service please contact the Nady Service Department via phone at 510 652 2411 or e mail at service nady com INTERNATIONAL For service please contact the Nady distributor in your country through the dealer from whom you pur chased this product Do not attempt to service this unit yourself as it will void your warranty Date of purchase Serial Dealer s Name Street City State Zip TCM 1150 SPECIFICATIONS a sce pectin a a a ceenn True condenser pressure gradient microphone with 1 25 mm diameter dual diaphragms and vacuum tube preamplifier 6072 selected from 12A17 50 pF Omnidirectional cardioid figure 8 and six intermediate stages silent switching 6dBV 2dBV OdBV 1V Pa for all patterns 20 to 20 000 Hz lt 200 Ohms Vacuum tube Capsule capacitance Polar pattern Open circuit sensitivity 1KHz Frequency range Rated output impedance Recommended load impedance Max SPL 1 THD 1000H z Equivalent noise level A weighted S
5. N ratio re 1Pa Dynamic range max SPL to A weighted noise level Ambient temperature range Relative humidity range Connector Mic cable Dimensions Net weight Power requirement Dedicated TMPS 2 powering unit 115 230VAC selectable TMPS 2 Dimensions and Weight 2 X 5 5 X 7 51 X 140 X 178 mm 3 25 Ibs 1 46 Kg Specifications and design subject to change without prior notice for improvement purposes 14 F to 140 F 10 C to 60 C 90 68 F 20 C 85 140 F 60 C 7 pin XLR gold plated 7 pin XLR cable XC 7P 30 ft 10 m Diameter 1 8 46 mm length 9 45 240 mm 860 12 03
6. iginal cost For the first time the superior technology of these classic microphones is affordable even to the most modest project studios With the superior rugged construction and unparalleled warmth presence and clarity of the original classics but with unbeatable affordability the TCM 1150 studio vacuum tube condenser microphone delivers both superb sound and unsurpassed value e Ideal for the most demanding applications including all forms of vocal and instrument picku e Gold sputtered ultra thin 1 diameter mylar dual diaphragm e Tube preamplifier circuitry with 6072 vacuum tube a classic 12AT7 specially selected for low distortion superior signal to noise ratio and minimum sensitivity to mechanical vibrations e Special output transformer designed for ultra transparency and natural warm reproduction of sound e Almost all brass parts for years of studio workhorse reliability e Power provided by a dedicated AC power supply with a balanced XLR output for connection to any mixing console with no phantom power required e Nine different polar patterns remotely selectable on power supply for ultimate versatility in use and ease of operation omnidirectional cardioid figure 8 and six intermediate stages OPERATION The TCM 1150 must be powered by the supplied TMPS 2 power supply and amplified by a microphone pre amp such as built into a mixer or a stand alone unit Set up 1 Connect the TCM 1150 to the A TMPS
Download Pdf Manuals
Related Search