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Korg MS2000 User's Manual

1. Appendices Other controls Panel knobs and keys other than the arpeggiator transmit and receive the following NRPN messages These are transmitted and received on the MIDI channel of the timbre If the voice mode is Split or Dual and the timbre channel LCD Edit mode Page 03B VOICE MIDI ch of both timbres is set to the global MIDI channel GLB NRPN messages will be transmitted received only for the timbre that is selected by the front panel TIMBRE SELECT SELECT key For the correspondence between the values of the message and the values of the MS2000 MS2000R parameter refer to the table Controlling the VIRTUAL PATCH 1 4 SOURCE PATCH 1 SOURCE Bn 63 04 62 00 Bn 06 mm channel mm parameter value PATCH 2 SOURCE Bn 63 04 Bn 62 01 Bn 06 mm channel mm parameter value PATCH 3 SOURCE Bn 63 04 62 02 Bn 06 mm channel mm parameter value PATCH 45 Bn 63 04 Bn 62 03 Bn 06 mm channel mm parameter value Controlling the VIRTUAL PATCH 1 4 DESTINATION PATCH1 DESTINATION Bn 63 04 Bn 62 08 Bn 06 mm n channel mm parameter value PATCH2 DESTINATION Bn 63 04 Bn 62 09 Bn 06 mm n channel mm parameter value PATCH 3 DESTINATION Bn 63 04 Bn 62 0A 06 mm n channel mm parameter value PATCHA4 DESTINATION Bn 63 04 Bn 62 0B Bn 06
2. Mono Poly Unison Specify how the timbre will be sounded Mono The timbre will sound monophonically single notes Poly The timbre will sound polyphonically A maximum of four voices notes can be played simultaneously If Mode is Dual Split each timbre will sound the num ber of voices specified by Timbre Voice Parameter Guide Unison The timbre will sound in unison 5 If Mode is Dual Split each timbre will apply a unison effect with the number of voices specified by Timbre Voice amp If Mode is Dual Split and the maximum polyphony 0 of the timbre Timbre Voice has been set to 1 note the timbre will sound monophonically regardless of 5 this setting 0 MIDI 0 242222222 4 4 01 16 Specify the MIDI transmit receive channel of each timbre GLB The global MIDI channel set in Global mode Page 3A MIDI MIDI Ch will be used as the MIDI transmit receive channel of the timbre Select GLB if you are play ing the MS2000 MS2000R from its own keyboard or from a connected MIDI keyboard 01 16 The specified channel will be used as the MIDI transmit receive channel of the timbre When using the MS2000 MS2000R with a connected external MIDI sequencer set the MIDI transmit receive channel of each timbre to match the MIDI channel of the appropriate track of your MIDI sequen
3. 5 LON OFF If this is ON operating the front panel knobs in LCD Edit mode will cause the LCD screen to switch to that parameter D Preload This operation loads the factory settings For the loading procedure refer to p 30 Basic Guide Edit section 2 Restoring settings to their factory state D MEMORY 6815901 Load Data Dest Program Source Program Load data ees TPRG GLOBAL 1PRG Load only data for one program PROG Load data for all programs 128 programs GLOBAL Load global data Source 4 01 161 Select the number of the program that you wish to load This will be displayed and can be set only if 1PRG is selected for Load Data Dest Program A01 H16 Specify the loading destination for the program selected by Source Program This will be displayed and can be set only if 1PRG is selected for Load Data 54 Page3 MIDI MIDI Ch 01 16 Specify the global MIDI channel When you wish to transmit program changes or system exclusive messages via MIDI set the global MIDI channel to match the MIDI channel of the connected MIDI device note If you wish to receive performance data on the global MIDI channel set the MIDI channel of the timbre to match the global MIDI channel Set the LCD Edit mode Page 03B VO
4. Resolution SEQ2 a LN 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Motion Ola 9 lt OAT lt TT TAT SEQ3 T ghe Al 2 3 4 5 6 1 8 9 10 11 12 13 14 15 16 Motion TT RT AT 41942 UDI_ LZ Timbre2 Dual Split FILTER AMP Vel Sense Vel Sense KBD Track AUDIO IN OSCILLATOR 1 OSCILLATOR 2 MIXER FILTER AMP 05 1 CUTOFF RESONANCE LEVEL 1 Imi 2 WA i55 em lomo OO OO O lumw Ows O L O sync ome 2 VIRTUAL PATCH OU cross AUDIO IN PITCH Ocurorr te Ovetocity CUTOFF 0362 EG 1 INT KBD TRACK PAN kop TRACK osc 2 Pitch O Ote Ken track O osc 2 Pitch O PITCH WAVE WAVE ick nei PAN 0sc 1 CTRL1O PAN 2 NOISE LEVEL 102 O LFO 2 NOISE LEVEL LF02 FREQ Transpose PO CY us SOURCE DESTINATION SELECT Vibrato Int osc 2 PITCH Range CONTROL 1 CONTROL 2 SEMITONE TUNE NOISE x 12BPF EG 2 GATE voice 05 IE i NL 9 p Assign LFO 1 P
5. 4 POSEE LFO 41 Page18 EQ W VIRTUAL PATCH O 42 Pagel4 S Page19 ARPEGGIO ettet 51 15 2 42 UTILITY 51 Pagel6 42 Page20 4420 000 88884 51 17 PAT CHA 42 MOD SEQUENCE 42 Global parameters 18 SEQ 2 42 Pagel GLOBAL sn ented RU dors 53 tem 43 Page2 MEMORY sese 54 Page20 SEQ2 43 Page3 eee ERRORES 54 43 Page4 22 4480 4 4 98 55 E EFFECTS 44 5 1 1 12 4 4 56 Page22 MOD FX Mp DUE di 56 Page23 DELAY 44 lage o OPI ADE Seea Eaa 27 Page24 EQ d Pages CALIB S LA 57 ARPEGGIATOR 45 Page25 ARPEGGIO 45 B UTILITY rre er rre or er Sev 46 28 About MIDI sccscccsssssocccscsssecccssssscecsssssesees 58 MiDRmessagesransmit
6. 1 10 11 12 13 14 15 16 Step Step The recorded value will be held until the next step is played Step pU qup tg H 1 2 3 4 5 6 7 8 9 Step 10 11 12 13 14 15 16 C Step Value Here you can modify the sequence data that is recorded in each step To modify the data you can use the SEQ EDIT SELECT key and the sixteen knobs or the 5 41 keys and the YES NO keys Step Number Value Step 4 101 161 Specify the step 43 44 Value 06 06 24 24 63 631 Modify the value that is recorded at each step These values are the amount of change that will be applied to the value of the parameter that is assigned to the sequence 06 06 This is range when Knob is to Step Length 24 24 This is range when Knob is to Pitch or OSC2 Semi 63 63 This is range for settings other than the above EFFECTS These are the effect related parameters Page22 MOD FX Cho Flg Ensemble Phaser Select the effect type Cho Flg This effect modulates the delay time of the input signal to add depth and warmth to the sound Increasing the Depth value will produce a flanger effect Ensemble This effect uses multiple chorus units to add three dimen sional depth and spaciousness to the sound Phaser This
7. About MIDI By using a MIDI cable to connect MIDI devices midi data can be exchanged between devices even if they are different models or were made by different manufacturers For exam ple you can use the MS2000 MS2000R to control an external MIDI device or conversely use an external MIDI device to control the MS2000 MS2000R to make it produce sound MIDI messages transmitted and received by the MS2000 MS2000R MIDI channels MIDI uses sixteen channels 1 16 MIDI messages can be transmitted and received when the channel of the receiving device matches the channel of the transmitting device The MS2000 MS2000R normally transmits and receives MIDI messages on its Global MIDI channel The global MIDI channel is set in Global mode Page 3 MIDI MIDI Ch Performance data such as note on off and pitch bend from the 52000 52000 is transmitted the global MIDI channel Timbre channel The number of timbres used will depend on the voice mode of the program a Single program uses one a Split Dual program uses two and a Vocoder program uses one A separate MIDI channel can be assigned to each timbre The MIDI channel for each timbre is set in LCD Edit mode Page 03B VOICE MIDI ch If you are playing the MS2000 MS2000R by itself or using an external MIDI keyboard to play it set the MIDI channel of each timbre to be the global MIDI channel GLB If you are connecting an external MIDI sequencer to the
8. 2 Connecting the AC adapter 10 Connecting external devices ceres 10 Connecting pedals and switches 10 Connecting MIDI devices eere 10 1 UsingtheMS2000 MS2000Rasatonegeneratormodule 10 2 Playing an external MIDI 10 3 Setting the MIDI channel preparations for c 11 Connections to the AUDIO IN 11 Connections to a 11 1 Connecting the MS2000 to a computer sequencer 11 2 Connecting the MS2000R to a computer Sequencer aandie E a eE Sa ERRE REE S ra EEEa 11 Playing E U2 Turning the power on off and adjusting the MOMS 12 Listen to the 12 Playing a program 13 PAS 2000 13 Select progra Marensin naass 13 2 Changing the pitch sounded by the keyboard in one octave Steps nspa iiias 13 MS2000R d 14 1 Selecting a program ssssseeeeee 14 2 Use the SELECT 1 16 keys to play the jor aci 14 3 Changing the pitch sounded by the keys in 14 Playing 5 44 15 1 Play a program in
9. 4 Make filter settings MIXER FILTER AMP osc CUTOFF RESONANCE LEVEL EVEI 37 FANE b 1 0S2 EG1INT_ KBDTRACK PAN E F SENSE 1 FON FANE l mm d Kori NOISE Cy NOISE x 2 62 i E a Select the filter type Press the FILTER TYPE key 5 Each time you press the key the filter type will change and the LED of the selected filter type will light The filter type will have a major impact on the character of the sound Adjust the brightness of the sound Rotate the FILTER CUTOFF knob The LCD screen will show Page 08 FILTER Cutoff Rotating the knob toward the right increasing the value will brighten the sound Adding character to the sound Rotate the FILTER RESONANCE knob The LCD screen will show Page 08C FILTER Reso nance Rotating the knob toward the right increasing the value will dramatically change the character of the sound The resonance effect will also be significantly affected by the filter type and cutoff settings SC FILTER Eezonances d Adjusting the depth of the effect from changes the filter cutoff over time 1 Int adjusts the depth of this effect O Rotate the FILTER EG 1 INT knob The LCD screen will show Page 08D FILTER 1 Int Rotating the knob to the right of center values will cause
10. 7 Press the YES key once again The copy will be completed and the display will indi cate Completed Press the EXIT key You will return to the first screen of the function H SwapSeq This function swaps the sequences of the currently selected timbre Select the sequence that you wish to swap Procedure D In LCD Edit mode press the SELECT 16 key and then press the CURSOR key seven times The LCD screen will show Page 26H UTILITY SwapSeq UTILITY SSE Sey 2 Press the YES key The LCD screen will show the sequences that will be swapped SwapSeq SwapSeq Use the YES NO keys and the CURSOR key to specify the sequences that will be swapped 4 Use the CURSOR key to move the cursor to OK and press the YES key You will be asked to confirm the swap function eH UTILITY yd Supe Press the YES key once again The copy will be completed and the display will indi cate Completed Press the EXIT key You will return to the first screen of the SwapSeq func tion 4 Vocoder Parameters These are the parameters for a vocoder program Page 01A COMMON Mode Vocoder VOICE 03 VOICE These parameters are the same as for Single synth programs Refer to 3 SYNTH Parameters PITCH 04 PITCH These parameters are
11. Single ORIGINAL VALUE GATE 1 OCTAVE 2 3 OCTAVE 4 OCTAVE 43128 CURSOR Pi 4 NO YES DIRECT LEVEL WRITE TRIGGER TYPE COMPARE 1 ON OFF LATCH RANGE GLOBAL DEMO EXIT o EG 2 GATE U U LFO1 LF02 EFFECTS VIRTUAL PATCH KEYBOARD TIMBRE SELECT MOD SEQUENCE MENTO or jown 1 Ovetocity Oritch Ocurorr SELECT O 1 ON OFF REC COL 35 oru DISTORTION O DE 7 SELECT SELECT ome om sin SELECT SELECT OLF01 O KBD TRACK Ooscz pitch OAMP Oosc1crrL1 ONolsE LEVEL O LFO 2 FREQ 2 MOD DELAY SOURCE SELECT pestination uni SEQ EDIT EG 1 FILTER EG DECAY SUSTAIN SELECT RELEASE DECAY SEQ1 o TIRE DECAY 5802 O uu SUSTAIN RELEASE FREQUENCY RELEASE F
12. Both Timbre 2 Select the timbre s that will played by the arpeggiator This parameter will be displayed and can be set only if Page 01A COMMON Mode is set to Dual Split Both Both timbres will be sounded by the arpeggiator Timbre 1 Only timbre 1 will be sounded by the arpeggiator Timbre 2 Only timbre 2 will be sounded by the arpeggiator A The MIDI channel of the timbre s to be sounded by the arpeggiator must be set to the Global MIDI chan nel If the timbre is set to other than the Global MIDI channel it cannot be sounded by the arpeggiator 45 5 ndm mee hen a ade ON OFF Specify whether the arpeggiator will be synchronized to the keyboard If this is ON the arpeggiator will always start from the beginning of the arpeggio pattern when you play the key board If you are performing together with other instru ments you can use this function to ensure that the arpeggio pattern is aligned with the beginning of the measure Resolution 0 2 1 24 1 4 Specify the resolution spacing of the notes relative to the tempo specified by Tempo 66 How Resolution and Sync Note values correspond to note values With a setting of 1 4 the arpeggio will be played as quarter notes of the specified tempo With a setting of 1 6 the arpeggio will be played as quarter note triplets of the specified tempo With a setting of 1 8 the arpeggio will
13. T2 OFF PsycheTrance Sequence T1 Amp Level Pitch OSC2 Semi T2 Amp Level Noise Level None OFF Deep Bell Bell Patch1 Int None None OFF Synth Clav Keyboard OFF Line Bass Synth Bass OFF SearchEngine Sequence Step Length None None Decay Noise Level Cutoff Trigger Voice A Choir OFF Far Horizon Synth Lead OFF Glass Synth Soft OFF Random Sequence OSC1 OFF Jami Bass Synth Bass OFF Loomy Poly Line 5 Synth Hard OFF Krazy Arpy 1 Arpeggio Mod3 amp 4 Squad Synth Pad What D Time Synth Bass Healing Synth Lead Auto Disco Sequence Candy Box Bell Vintage EP Keyboard Mini Bass Synth Bass Tap Lead Sequence Cutoff OSC2 Semi Pitch Cutoff Royal Pad Synth Pad Freq Lead Synth Lead Solemn Brass Synth Brass T1 T2 IZDISA WS Wave Seq OSC1 Ctrl2 None House Bass Synth Bass Invaders S E EG1 Attack Resonance Ana Fuzz Category Synth Hard ARPEGGIATOR Water Edge Arpeggio T1 Noise Level None T2 Pitch OSC2 Level Reactor Pad Synth Pad Step Length Panpot MS 101 Sqr Synth Bass Edge Lead Synth Lead
14. E 49 Pagel weit cd ieee eae leet ts artes 35 2 8 49 3 Parameters EET i CREPE RE TREE EE EERE EEE EET 35 Page06 AUDIO IN 2 PERIERE 49 B VOICE eee 35 MIXER c 50 Page03 VOICE ed 35 Page07 MIXER 994 42044 8998 50 Bh PINCH cement oat rte 36 FILTER 50 36 Page08 4 440 4 8 50 5 36 ER 50 5 OSG lhes 36 Page09 4 4 8 00 50 IT ono Mp MEN 38 E EG Envelope 51 RO ERARE docte don 38 Pagel EG 1 scisco eter 51 Page07 MIXBB 38 11 p 5 Le td 39 E LFO Low Frequency 51 Papel BU EID TER 39 Pagel2 LFO 1 Amplifier 40 EOS Page09 AMP 40 CH 4 444 0 0 4 0 4 0 4 0 7 4 Envelope Generator 40 14 CH LEVEL 51 10 EO 40 CHTAN QE 2 teat ear ceo 40 m EFFECTS E LFO Low Frequency Oscillator Al
15. M FRONT PANEL Octave MIDI OUT O GLOBAL Transpose GLOBAL Velocity Curve Timbre 2 SEQ1 Timbre 1 SEQ1 2 3 Arpeggiator D 72 4 4 CONST Select how velocity keyboard playing dynamics will affect volume and tone The results of this setting are affected by A the Position setting 5 127 5 Velocity 5 Q 9 1 Strength fff 1 MIDI Velocity 127 1 This curve produces change for strongly played notes 2 3 The normal curve This curve produces change even if notes are not played very strongly 7 This curve produces little change for medium strength notes and a fairly consistent effect 8 This curve produces little change for medium strength notes and a fairly consistent effect flatter than curve 7 one Curves 7 and 8 produce little change for medium strength notes and are thus suitable when you do not need velocity sensitivity or when you want the sound to be more consistent however these curves are difficult to control because they produce significant change for softly played notes Select a curve that is appropriate for your playing style and the effect that you wish to obtain CONST notes will sound at the velocity value specified by Vel Value E 001 127 T
16. The LED located above the TEMPO knob will blink at quarter note intervals of the 52000 52000 5 inter nal clock The playback speed of the arpeggiator can be synchro play P 55 nized to an external MIDI device rx Parameter Guide 54 Global parameter Page 3C MIDI Clock g Other arpeggiator related settings The arpeggiator also allows you to set the Key Sync Resolution and Swing For details on these parame ters refer to p 27 of the Basic Guide Editing section Edit ing arpeggio parameters and Parameter Guide p 45 Program parameters ARPEGGIATOR 15 Playing Using MOD SEQUENCE to modify the sound 1 Playing a program in which MOD SEQUENCE is on Some of the factory preset programs contain sequence data Here s how to select and play these programs CD Select a program whose MOD SEQUENCE ON OFF key is lit MOD SEQUENCE ON OFF REC 0 Programs whose MOD SEQUENCE ON OFF key is lit contain sequence data A For some programs both the sequence and the arpeg giator will be on but for this example we recommend that you select a program in which only the sequence is on 2 Play the keyboard The program will sound and the sequence will begin playing to modify the sound The SELECT 1 T16 keys will light consecutively to indicate the step that is currently playing 3 Rotate the TEMPO knob The speed at which the sound is modified will chang
17. XVP 10 EXP VOL pedal PS 1 pedal switch DS 1H damper pedal Appearance and specifications of this product are subject to change without notice 7 3 74 Index Symbols YES NO keys 7 19 30 A A Pedal 56 A SwFunc 56 A Switch 57 A SwMode 57 Aftertouch 58 All note off 63 3 6 40 50 Amp Sw 2 40 ANALYSIS FILTER 4 ARPEGGIATOR 4 6 15 45 51 Assign 20 35 ASSIGNABLE PEDAL jack 8 10 SWITCH jack 8 10 Attack ATTACK 7 22 23 40 Attack time 3 7 Audio In 38 AUDIO IN 2 4 49 AUDIO IN jack 8 11 AudioInThru 53 B Band pass filter 4 50 8 8 14 Bend Range 36 37 39 Cable hook 9 CALIB 57 Carrier 4 CH LEVEL 28 51 CH PAN 29 51 8 28 51 Cho Flg 44 Clock 31 Computer 11 Control change 58 59 CONTROL1 6 36 49 Control2 CONTROL2 6 36 49 Copy 7 46 47 48 CopySeq 47 CopySeqAll 48 CopyTimbre 46 CrossDelay 44 CTRL CHANGE 56 CtrlChg 55 CURSOR 41 keys 7 19 30 Cutoff CUTOFF 21 28 39 50 Cutoff frequency 37 39 50 Damper pedal 59 Data Dump 55 64 Saving data on an external device 31 Decay DECAY 7 22 23 40 Decay time 3 7 Delay 27 44 DELAY 44 51 Delay Time TIME 27 44 Demo performance 12 Depth DELAY FX 27 Depth MOD FX 26 Depth MOD DELAY FX 44 Destination DESTINATION 2442 Detune 36 38 57 Distortion DISTORTION 6 23 40 50 Dual 34 DWGS 37 E F Sense 2
18. Program Play mode screen will appear When the power is first turned on you will always be in Program Play mode The upper line of the LCD will show the bank number and name of the program The lower line will show the voice mode of the program and the tempo Program bank and number Voice mode Tempo 2 Turn on the power of the connected devices Adjust the volume Rotate the POWER VOLUME knob to an appropriate level The headphone volume is also adjusted by this knob POWER VOLUME 8 aM POWER OFF 57 10 c Turn off the power D Turn off the power of the connected devices 2 Rotate the POWER VOLUME knob all the way to the left Rotate it until it clicks off The power of the MS2000 MS2000R will be off POWER VOLUME 12 Listen to the demo perfor mance The MS2000 MS2000R contains several demo songs Listen to the demo songs to hear the rich sounds and their expres sive potential a Play back the demo songs O Hold down the EXIT key and the GLOBAL key for approximately one second Hold down the EXIT key and then press and hold the GLOBAL key The demo songs will begin playing consecutively start ing with the first song The LCD screen will show the song name DEMO 1 Sora 1 Demo b Select a demo song During playback use the YES NO keys The demo song will change The LCD screen will indicate th
19. e S S 20 5503 ind 2 BANK 1 2 3 4 5 6 1 8 9 10 1 1 13 14 15 16 COMMON VOICE PITCH Osc 1 05 2 FILTER EG LFO PATCH SEQ MOD DELAY FX EQ ARPEGGIO UTILITY VOICE 0501 1 Select a program 2 Changing the pitch sounded by the key There are two ways to select a program board in one octave steps Using the BANK UP DOWN keys and the SELECT The pitch assigned to the keyboard can be changed over a E 11416 keys range of 2 octaves This method lets you directly select the desired program a Raising the pitch Use the BANK UP DOWN keys to select the desired Press the OCTAVE UP key program bank Pressing these keys will switch between banks The selected bank will be shown in the LCD screen Pressing the key once will make the key LED light green and the pitch will be one octave higher Pressing the key twice will make the key LED light red 2 Use the SELECT 1 16 keys to select the desired pro and the pitch will be two octaves higher gram number To return to the original pitch press the DOWN key The numbers above each key correspond to the program dumber b Lowering the pitch O Press the OCTAVE DOWN key b Using the YES NO keys Pressing the key once will make the key LED light green O Press t
20. note Keyboard Track operates according to the pitch that is controlled by pitch bend transpose and Mod Sequence It is not affected by pitch changes produced by vibrato or Virtual Patch EG Envelope Generator 10 EG 1 Pagell EG 2 These parameters are the same as for a synth program Refer to 3 SYNTH Parameters Low Frequency Oscillator 12 LFO 1 13 LFO 2 These parameters are the same as for a synth program Refer to 3 SYNTH Parameters CH PARAM These set the output level and panning panpot for each of the sixteen filters of the carrier synth To make settings use the CH PARAM SELECT key and the sixteen knobs or the 5 41 keys and the YES NO keys 14 CH LEVEL A Ch Level Specify the output level for each filter of the carrier CH LEUEL 1 HSA ae Channel RA 01 16 Specify the output level of the filter Parameter Guide 15 PAN A Ch Pan Specify the panpot for each filter of the carrier Channel Pan Channel PERPE 01 16 Select the filter for which you wish to make settings L63 CNT R63 Specify the panning of each filter EFFECTS 16 MOD FX 17 DELAY FX 18 EQ These parameters are the same as for a synth program Refer to 3 SYNTH Parameters ARPEGGIATOR 19 ARPEG
21. o _ 0 _ 0 dG PATCH 1 PATCH 2 PATCH 3 PATCH 4 FR SHR FR 5 BANK OCTAVE 1 2 3 4 6 7 8 9 10 11 12 13 14 15 16 Tee 1 COMMON VOICE PITCH 05 1 05 2 FILTER EG LFO PATCH SEQ MOD FX DELAY FX EQ ARPEGGIO UTILITY Lame re El Front and rear panel 1 POWER VOLUME POWER VOLUME knob This turns the power on off and adjusts the volume 2 AUDIO IN knob This adjusts the input level of the AUDIO IN 1 jack 2 knob This adjusts the input level of the AUDIO IN 2 jack OSCILLATOR 1 WAVEs key This selects the waveform for oscillator 1 The LED for the selected waveform will light CONTROL 1 knob This adjusts a waveform parameter The parameter will depend on the selected waveform CONTROL 2 nini knob This adjusts a waveform parameter The parameter will depend on the selected waveform OSCILLATOR 2 WAVE key This selects the waveform for oscillator 2 The LED for the selected waveform will light OSC MOD key This selects how the osci
22. When Knob Step Length data correspondences for both transmission and reception will be 0 9 6 10 19 5 20 29 30 39 3 40 49 2 50 59 1 60 68 0 69 78 1 79 88 2 89 98 3 99 108 4 109 118 5 119 127 6 When Knob Pitch or OSC2 Semi refer to p 66 OSC 2 Semitone values When Knob other values both transmission and reception will be 0 1 63 2 62 64 0 127 63 SEQ3 Step Value 1 16 Bn 63 04 Bn 62 30 3F 06 mm channel mm parameter value Vocoder Parameter MSB Hex LSB Hex Value transmitted Value received TEP 05 TEP 06 TEP 07 TEP 08 TEP 09 TEP 10 TEP 11 TEP 12 TEP 13 TEP 14 TEP 15 1 When Knob Step Length data correspondences for both transmission and reception will be 0 9 6 10 19 5 20 29 4 30 39 3 40 49 2 50 59 1 60 68 0 69 78 1 79 88 2 89 98 3 99 108 4 109 118 5 119 127 6 When Knob Pitch or OSC2 Semi refer to p 66 OSC 2 Semitone values When Knob other values both transmission and reception will be 0 1 63 2 62 64 0 127 63 A If you are using two MS2000 MS2000R units to trans mit and receive these parameters you must set the transmitting and receiving programs
23. YES NO keys to select the copy source timbre If the copy source program is Single it will not be possi ble to select the copy source timbre only timbre 1 is available Use the CURSOR key to move the cursor to OK and press the YES key You will be asked to confirm the copy function C UTILITY vou Sure DET 7 Press the YES key once again The copy operation will be completed and the display will indicate Completed Press the EXIT key You will return to the first screen of the CopyTimbre function D SwapTimbre This function swaps exchanges the settings of timbres 1 and 2 in the currently selected program The swap function cannot be performed for Single pro grams Procedure CD In LCD Edit mode press the SELECT 16 key and then press the CURSOR key three times The LCD screen will show Page 26D UTILITY Swap Timbre OD UTILITY imbre 2 Press the YES key You will be asked to confirm the swap function UTILITY You Sure DET Are 3 Press the YES key once again The timbres will be swapped and the display will indi cate Completed 4 Press the EXIT key You will return to the first screen of the SwapTimbre function InitSeq This function initializes one or all sequences of the currently selected timbre LL SEQ1 ALL Select the sequence s that you wish t
24. function B InitTimbre This function initializes the settings of the currently selected timbre Procedure CD In LCD Edit mode press the SELECT 16 key and then press the CURSOR key once The LCD screen will show Page 26B UTILITY InitTim bre SE UTILITY InitTimbre 2 Press the YES key You will be asked to confirm the initialize operation UTILITY Are You Sure 3 Press the YES key once again The timbre will be initialized and the display will indi cate Completed Press the EXIT key You will return to the first screen of the InitTimbre function C CopyTimbre This function copies the setting of another timbre to the cur rently selected timbre Source Program A01 H16 Select the copy source program Source Timbre 4 1 2 Select the copy source timbre Procedure In LCD Edit mode press the SELECT 16 key and then press the CURSOR key twice The LCD screen will show Page 26C UTILITY Copy Timbre lors imbee 2 Press the YES key The LCD screen will show the copy source program Source Program and timbre Source Timbre Source Timbre Source Program 3 Use the YES NO keys to select the copy source program 4 Use CURSOR P to move the cursor to the copy source timbre Use the
25. o 05 1 CUTOFF RESONANCE LEVEL RG iE 27 Dit aa _ 5200 O 1 RNG owes Osme ANALOG MODELING SYNTHESIZER Single BAY ARPEGGIATOR POWER VOLUME m 05 2 EG1INT KBDTRACK PAN o WAVE INST TEMPO GATE an wave WAVE osc MOD 3 1 TOCTAVE 2 H 7 2 DOWN PAGE i 30 WRITE ADCAVE RANDOM OSC 2 PITCH O zarr 1 TRIGGER COMPARE 8 m Omer 39 ON OFF LATCH RANGE TYPE GLOBAL DEMO EXIT c A 4 ELTER 128 EG 2 T O6 6 Ic NEN VOCODER PARAMETER 1701 1702 EFFECTS VIRTUAL PATCH OCTAVE TIMBRE SELECT MOD SEQUENCE PORTAMENTO orm O vetociry O PITCH CUTOFF TIME omhu m O O osc 2 PitcH O 1 lt DISTORTION O LF01 L O0sctcrR 1 O PAN 2 DOWN up SELECT 1 ON OFF REC BST 5 Ouro T wor nel U SELECT SELECT MOD DELAY SOURCE SELECT DESTINATION SEQ EDIT EG 1 FILTER EG 2 AMP j SELECT SEQ1 ATTACK DECAY SUSTAIN RELEASE ATTACK DECAY SUSTAIN RELEASE FREQUENCY FREQUENCY SPEED FEEDBACK PATCH 1 PATCH 2 PATCH 3 PATCH 4
26. ony Timbre Voice of the timbre is 1 this setting will have no effect PITCH These are the pitch related parameters 04 PITCH Transpose 4 24 241 Adjust the pitch of the oscillator in semitone 100 cent steps The range is two octaves upward or downward note Changes made by the front panel OCTAVE or BANK OCTAVE buttons actually shift the pitches assigned to the keyboard or keys in one octave steps and do not affect the pitch of the oscillator that is sounding Nor are such settings saved by the Write operation If you wish to change the pitch of the oscillator itself you must use this Transpose setting to specify the pitch B 50 1 Adjust the pitch of the oscillator in one cent steps The range is 50 50 cents C Vibrato Int 03 631 Specify the depth of the vibrato effect that is applied when the modulation wheel or for the MS2000R the modulation wheel of a connected external MIDI device is moved to the maximum position The LFO2 will apply a vibrato effect to the pitch of the oscil lator D Bend 12 12 Specify the amount of pitch change in semitones that will occur when the pitch wheel is operated This setting specifies the amount of pitch change that will occur when the pitch
27. 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 lt gt on Co po OSC 2 Semitone values The value of the control change transmitted received by operating the OSC 2 SEMITONE knob of a synth program corresponds to the parameter value as follows Value transmitted received OSC 2 Semitone Value transmitted received OSC 2 Semitone 0 24 66 67 Sync Note values when 1 2 Tempo Sync ON or when DELAY FX Tempo Sync ON When Tempo Sync is ON for LFO 1 2 or DELAY FX the parameter adjusted by the LFO FREQUENCY or EFFECTS SPEED TIME knobs will change to Sync Note In conjunction with this the control change values transmitted received by operating the knob will corre spond to the parameter values as follows Value transmitted LFO Sync Note DELAY Sync Note 0 1 1 1 32 9 17 3 4 1 24 1 8 8 2 6 3 5 4 26 120 127 How Resolution and Sync Note values corre spond to note values The values of SEQ COMMON or ARPEGGIO Resolution and or DELAY Sync Note when Tempo Sync ON correspond to the following note values Each parameter will function according to the tempo speci fied by the TEMPO knob and the note value
28. ARPEGGIATOR NE DESTINATION S OW cross AUDIO IN COMMON aie osc 2 EG 1 INT KBD TRACK PAN L I 3 OO 25 ET Split Point J Point 4 OCTAVE Scale OSC 2 PITCH cmt mer comet m ome Quum PITCH 1 one ER RASNE L OLF01 B9 OSC 1 CTRL 1 O Otro 1 OSC 1 CTRL1 PAN Transpose OLF02 NOISE LEVEL FREQ O tro 2 NOISE LEVEL 102 FREQ LFO 1 EFFECTS ae t SELECT DESTINATION SELECT DESTINATION ibrato Int oT Bend TIMBRE SELECT MOD SEQUENCE e DISTORTION VOICE SELECT 1 ON OFF REC siu 9 m i 7 9 MOD DELAY ssign Priority 0 Trigger EG 1 FILTER EG 2 AMP L1 L1 Detune ATTACK DECAY SUSTAIN RELEASE ATTACK DECAY SUSTAIN RELEASE FREQUENCY SPEED TIME DEPTH FEEDBACK ux 1 2 LFO 1 MOD FX Moni DEA DELAY FX EQ EG Reset EG Reset Key Sync Type LowEQFreq Tempo Sync 5 ee i Tempo Sync LowEQGain nc Note DEPTH FEEDBACK Syne Note HiEQFreq LFO 2 HiEQGain Key Sync Tempo Sync SEQ EDIT Sync Note ys COMMON SEQ1 M 2 3 4 5 6 7 9 10 11 12 13 14 15 16 ete LO RO GG 33 Sea ype Motion WO XL 5 7 OCT OCD RT DDT PRT 5 7 WC WU RZ Run Mode
29. Goa Trax Sequence Amp Level Step Length Amp Level Pitch Retro BD SD Synth Drum Wet Reed Keyboard Fat Bass Synth Bass Flashlight Synth Motion Stream Pad Strings EP Fusion Ld Synth Lead TremoloSynth Synth Soft Motion Pad Synth Motion Banana Bass Synth Bass Bad Dream Century Stab 5 Synth Hard OFF Simple Arpg Arpeggio EG2 Decay 1 Decay Noise Level Random Tin Memoreez Synth Pad Panpot Step Length None OFF Organ Bass Synth Bass OFF High Voltage Synth Lead T1 T2 OFF Trip Planet Sequence T1 Amp Level OSC1 Level OSC2 Semi T2 EG2 Decay Amp Level Pitch Up Dry Plant Bell Reed Piano Keyboard Magnum Bass Synth Bass Mad Lead Sequence Step Length Belly Choir BackInTheDay Synth Lead Synth Brass Synth Brass ElectroShock Sequence Cutoff None Bakin Bass Synth Bass Telephone Golden Synth S E Synth Hard Blue amp White Arpeggio Pan Tran Synth Pad Warp Bass Synth Bass Killa Lead Synth Lead Tribe n Beat Sequence T1 Amp Level OSC2 Level None T2 EG2 Decay Cutoff OSC1 Level Up Bound Ball Bell OFF CuttingArpg Keyboard EG2 Release Amp
30. Ring This modulation generates frequency components that are the sum and difference of the oscillator 1 and 2 wave forms By adjusting Semitone and Tune you can create metallic sounds with little sense of pitch This is effective for sound effects OSC2 Wave e 9 05 2 OSC1 Wave d OSC1 Output Sync This modulation forcibly synchronizes oscillator 2 to the phase of oscillator 1 forcibly resetting the phase of oscilla tor 2 This is effective on synth lead sounds Use Semitone and Tune to adjust the overtones OSC2 Wave gt OSC2 Output Sync OSC1 Wave gt OSC1 Output RingSync This simultaneously applies Ring and Sync modulation OSC2 Wave 69 WWA gt OSC2 Output Sync OSC1 Wave gt OSC1 Output C Semitone lt SEMITONE gt 24 241 Specify the amount of detune for OSC2 relative to OSC1 in semitone steps With a value of 0 the pitch of OSC2 will be the same as 5 setting of 12 produces pitch difference of one octave and 24 produces a pitch difference of two octaves D Tune lt TUNE 63 631 Specify the amount of detune for OSC2 relative to OSC1 A setting of 63 produces a pitch difference of 2 octaves and 48 produces a pitch difference of 1 octave A value near 0 will make fine adjustments in the pitch If OSC Mod is set to
31. This has no effect 5 Control2 5 SynSine1 SynSine2 SynSine3 5thWave1 5thWave2 Clav2 5thWave3 Guitar1 SynSine4 Guitar2 SynSine5 Guitar3 SynSine6 Bass1 SynSine7 Bass2 SynBass1 Bass3 SynBass2 Bass4 SynBass3 Digi7 Bass5 SynBass4 Digi8 Bell1 Endless Bell2 E Piano1 Bell3 E Piano2 Bell4 E Piano3 Voice1 E Piano4 Organ1 Organ2 Organ3 Organ4 5 Organ7 SynBass5 SynBass6 SynBass7 SynWave1 SynWave2 SynWave3 SynWave4 SynWave5 SynWave6 SynWave7 SynWave8 SynWave9 Voice2 Voice3 Voice4 The 35 Endless waveform simulates an endless scale in which notes one octave apart have the identical pitch You can play an ascending or descending scale as far as you wish producing the sensation that a scale of the same pitch is continuing infinitely Noise This generates white noise Within the oscillator a LPF Low Pass Filter is provided to process the noise Resonance Noise LPF E Genarator Cutoff Control1 This sets the cutoff frequency of the LPF Adjusting this will affect the noise waveform Control2 This controls the resonance of the LPF If you raise this enough to produce an identifiable pitch the cutoff frequency will move according to the key board location you play and the change will be heard as a pitch If y
32. This indicates a page to which you refer Symbols amp These symbols respectively indicate points of caution and words of advice Display screen The values of parameters appearing in the display screens printed in this manual are only explanatory examples They will not necessarily match the values shown in the LCD screen of your instrument MIDI related explanations CC is used as an abbreviation for Control Change Number In MIDI related explanations numbers enclosed in square brackets are in hexadecimal notation Table of Contents Basic Guide ener 2 Main features 04 00 nn nenne 2 The structure of the M 2000 MS2000R 2 5 ares 2 Program Play mode sess 2 LCD Editmnmode 2iiusesasecen eov teer 2 Global mode anaanh enne etn ien How a program is structured Synth programs bees Vocoder programs ee ene 4 Front and rear panel 5 Front panel 5 52000 d 5 MBS2000R 5 er RES Red 5 Rear eer 8 Control panel 52000 2 9 Connections
33. bender is moved to the maximum positive position E Portamento lt TIME gt 000 127 This specifies the speed of the portamento effect a smooth change in pitch from one note to the next note of a different pitch With a setting of 000 there will be no portamento effect Increasing this setting from 001 will cause the pitch to change correspondingly slower A If Page 03 VOICE Assign is set to Mono or Unison and if Trigger is set to Single portamento will not apply to the first sounded note OSCILLATOR These are the parameters that affect the waveform of the oscillator Page05 OSC 1 A Wave WAVE gt 5 In B Control lt CONTROL gt 000 127 C Control2 lt CONTROL2 000 127 Wave selects the waveform for OSC1 oscillator 1 Control1 and Control2 set parameters for the selected waveform The parameters that you set will depend on the selected waveform Saw This is a sawtooth wave suitable for creating typical ana log synthesizer sounds such as synth bass and synth brass Control1 Adjusting this value will modify the waveform A setting of 0 will produce a conventional sawtooth wave and a setting of 127 will produce a sawtooth wave one octave higher Control2 LFO1 is used to apply WFM wave form modulation to the waveform specified
34. mm n channel mm parameter value Controlling the FC MOD source of a vocoder program FILTER FC MOD SOURCE Bn 63 04 Bn 62 00 Bn 06 mm n channel mm parameter value Synth Parameter Vocoder Parameter MSB LSB Hex Value transmitted Value received PATCH 1 SOURCE FC MOD SOURCE 0 EG1 18 EG2 36 LFO1 54 LFO2 0 15 EG1 16 31 EG2 32 47 LFO1 PATCH 2 SOURCE 72 VELOCITY 90 KBD TRACK 48 63 LFO2 64 79 VELOCITY PATCH 3 SOURCE 108 1 126 MIDI 2 80 95 KBD TRACK 96 111 MIDI 1 PATCH 4 SOURCE eee 112 127 MIDI 2 PATCH 1 DESTINATION 0 PITCH 18 OSC2 PITCH 0 15 PITCH 16 31 OSC2 PITCH ee DESTINALION NOISE y NOISE LEVEL 64 79 CUTOFF PATCH 3 DESTINATION 72 CUTOFF 90 AMP 108 PAN 80 95 96 111 PAN PATCH 4 DESTINATION 126 LFO2 FREQ 112 127 LFO2 FREQ Controlling SEQ EDIT CH PARAM If the program is a synth program the SEQ Step Value can be controlled If the program is a vocoder program the CH PARAM CH LEVEL and CH PAN of the synthesis filter can be controlled SEQ1 Step Value 1 16 Channel Level 1 16ch Bn 63 04 Bn 62 10 1F Bn 06 mm n channel mm parameter value Synth Parameter Vocoder Parameter MSB Hex LSB Hex Value transmitted Value received SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL S
35. AUDIO IN 1 jack as the oscillator 1 waveform For vocoder programs connect a mic to this jack and input the modulator audio signal AUDIO IN 2 Level switch Set this according to the input source that is connected to the AUDIO IN 2 jack If a mic is connected set this to MIC If a synthesizer or audio device is connected set this to LINE SWITCH PEDAL BANK 52000 BANK OCTAVE MS2000R MS2000 UP DOWN keys Select the program bank MS2000R UP DOWN keys If the KEYBOARD key is off LED dark these select the program bank If the KEYBOARD key is on LED lit these change the pitches assigned to the SELECT 1 16 keys in one octave steps 09 SELECT 1 16 keys In Program Play mode use these to select programs In LCD Edit mode use these to select pages On the MS2000R turning the KEYBOARD key on LED lit will cause these keys to function as a conve nience MIDI keyboard which you can use to play the program PHONES jack MS2000R Connect a set of headphones to this jack D 1 AUDIO IN OUTPUT MIC 2 R L MONO 20 000 ASSIGNABLE OO 3 ASSIGNABLE SWITCH jack Connect a switch pedal here PEDAL jack Connect a volume pedal expression pedal here MIDI MIDI IN connector MIDI data is received at this connector Connect it to an external MIDI device MIDI OUT connector MIDI data is transmitted from this connector Connect i
36. Control 1 AEA The waveforms and parameters correspond as follows WAVE CONTROL1 Modify waveform Modify waveform Modify waveform Cross modulation amount VOX WAVE DWGS NOISE Cutoff of the LPF inside the oscillator AUDIO IN Modify waveform Volume balance of AUDIO IN 1 and AUDIO IN 2 For details on the parameters refer to the parameter guide 2 Rotate the CONTROL 2 knob The LCD screen will show Page 05C OSC 1 Control 2 The parameter will depend on the waveform selected for Wave BC OSC 1 Control z HEE The waveforms and parameters correspond as follows WAVE CONTROL2 Depth of LFO1 modulation Depth of LFO1 modulation Depth of LFO1 modulation Depth of LFO1 modulation VOX WAVE Depth of LFO1 modulation DWGS Select DWGS waveform 64 types NOISE Resonance of LPF inside the oscillator AUDIO IN Depth of LFO1 modulation For details on the parameters refer to the parameter guide c Select the oscillator 2 waveform O Press the OSCILLATOR 2 WAVE key The waveform will change each time you press the key and the LED of the selected waveform will light For oscillator 2 you can select from three waveforms The most common way to use this is to select the same waveform as for oscillator 1 and change the pitch to add depth to the sound d Select the modulation type for the oscillator O Press the OSC MOD
37. Formant Shift Vocoder SELECT 7 Page09A AMP Level SELECT 8 Page10A EG 1 Attack SELECT 9 Page12A LFO 1 Wave Page14A PATCH 1 Source Dest Single Dual Split SELECT 10 Page14A CH LEVEL CH Level Vocoder Page18A SEQ COMMON STEP Single Dual Split SELECT 11 Page15A CH PAN CH Pan Vocoder Page22A MOD FX Type Single Dual Split SELECT 12 Page16A MOD FX Type Vocoder Page23A DELAY FX Type Single Dual Split SELECT 13 Page17A DELAY FX Type Vocoder Page24A EQ LowEQFreq Single Dual Split SELECT 14 Page18A EQ LowEQFreq Vocoder Page25A ARPEGGIO Type Single Dual Split 15 9 ARPEGGIO Type Vocoder Page26A UTILITY InitProgram Single Dual Split 20 UTILITY InitProgram Vocoder SELECT 16 A There are some pages to which the SELECT 1 16 keys do not correspond To access such a page use the SELECT 1 16 keys in conjunction with the PAGE keys For example if you wish to access Page 11A EG 2 Attack in the LCD screen press the SELECT 8 key and then press the PAGE key Select parameter If Global mode Page 2C Memory Page Jump is turned ON operating a front panel knob in LCD Edit mode will cause the LCD screen to jump automatically to that param eter With the factory setti
38. Global parameters that you edit will revert to their unedited state if you turn off the power without saving If you wish to save your settings you must perform the Write operation To write Global parameters press the WRITE key in Glo bal mode The LCD screen will ask you for confirmation If you wish to write the data press the WRITE key once again To can cel the Write operation press the EXIT key in the confir mation screen note Global parameters can be saved regardless of the mem ory protect setting Global mode Page 2A MEMORY Protect Never turn off the power during the Write operation This can damage the data Editing parameters 1 Defeat memory protect To prevent data from being rewritten accidentally the MS2000 MS2000R provides a memory protect function that disables writing to memory In order to write edited data you must first turn memory protect OFF so that writ ing will not be disabled CD Press the GLOBAL key You will enter Global mode 2 Press the SELECT 4 key The LCD screen will show Page 2A MEMORY Pro tect H MEMORY 3 Press NO to turn Protect OFF EA MEMORY Frotecti FF Now it will be possible to execute the write operation 2 Restoring settings to their factory state The factory settings are called the preloaded data You can load this preloaded data to restore the MS2000 MS2000R s programs an
39. High Pass Filter allows frequencies above the cutoff frequency to pass and cuts the lower frequencies Use this when you wish to make the sound thinner However if the cutoff frequency is raised excessively the volume will decrease significantly HPF High Pass Filter 1 l Frequency Cutoff B Cutoff CUTOFF 2 000 127 Set the cutoff frequency Increasing this value will raise the cutoff frequency Cutoff can be varied by time variant change produced by EG1 by keyboard playing dynamics velocity and by note location keyboard tracking The depth of each of these effects is set by Page 08D FILTER EG 1 Int Page 08E FILTER Vel Sense and Page 08F FILTER KBD Track respectively If the Cutoff value is lowered the volume may be extremely low or you may hear no sound at all Parameter Guide C Resonance lt RESONANCE 000 127 Set the resonance of the filter This will emphasize the overtones near the cutoff frequency specified by Cutoff adding a distinctive character to the sound Increasing this value will increase the effect The effect of resonance Low resonance value A Program parameters ni LE High resonance value D EG 1 Int EG 1 INT eene 63 63 This sets the depth at which will modulate t
40. These are parameters that apply to the entire program 01 COMMON Single Vocoder This selects the voice mode of the program Single When you play the keyboard a single timbre will sound The program can be played with up to four voices four notes Timbre1 Split Two timbres can be played on different areas of the key board The number of notes that can be played on each timbre is specified by Timbre Voice Timbre1 Timbre2 Split Point Dual Two timbres will sound simultaneously when you play the keyboard The number of notes that can be played on each timbre is specified by Timbre Voice By using Page 03B VOICE MIDI ch to specify a different MIDI channel for each of the two timbres you can use the MS2000 MS2000R as multi timbral MIDI tone generator Timbre2 Timbre1 By inputting an audio signal to the AUDIO IN 2 connector you can use the MS2000 MS2000R as a four voice vocoder For details on the vocoder parameters refer to p 49 4 Vocoder Parameters Timbre Voice 1 3 2 2 3 1 This specifies the maximum number of notes that played by each timbre This parameter will be displayed and can be set only if Mode is Dual or Split 1 3 Timbre 1 will play one voice and timbre 2 will play three voices 2 2 Each ti
41. YES key once again The copy will be completed and the display will indi cate Completed 42 Press the EXIT key You will return to the first screen of the CopySeq func tion CopySegAll This function copies all sequence data and settings from another timbre to the currently selected timbre Source A01 H16 Select the copy source program Source 0 2 02 tnnnnn 1 2 Select the copy source timbre Procedure D In LCD Edit mode press the SELECT 16 key and then press the CURSOR gt key six times The LCD screen will show Page 26G UTILITY CopySe 6G UTILITY eA 1 2 Press the YES key The LCD screen will indicate the copy source program Source Program and timbre Source Timbre UTILITY Dal 1 Source Timbre Source Program 3 Use the YES NO keys to select the copy source program 4 Use CURSOR to move the cursor to the copy source timbre Use the YES NO keys to select the copy source timbre If you selected a Single program as the copy source it is not possible to select the copy source timbre only tim bre 1 is available Use the CURSOR key to move the cursor to OK and press the YES key You will be asked to confirm the copy function 6G UTILITY Y OLI Are Sure
42. and how arpeggiator data is handled PostKBD Data received at the MIDI IN connector will be sent to the timbre s without being affected by the MS2000 MS2000R s internal settings or the arpeggiator The data outputed by the keyboard of the MS2000 or the SELECT 1 16 keys of the MS2000R will be converted by the internal settings routed through the arpeggiator and sent to the timbre s and to the MIDI OUT connector GLOBAL Transpose Keyboad FRONT PANEL Octave GLOBAL Velocity Curve A If you have selected the PostKBD setting and played the keyboard or the SELECT 1 16 keys with both the arpeggiator and sequence turned on and used an external sequencer to record the MIDI data that was produced the sequence reset method will change when this data is played back If you wish to use this type of application use the Pre TG setting Pre TG Data received at the MIDI IN connector will be converted according to the internal settings routed through the arpeggiator and then sent to the timbre s The data that is output by the keyboard of the MS2000 or the SELECT 1 16 keys of the MS2000R will be sent to the MIDI OUT connector without being affected by the arpeggiator or by internal settings other than Octave Data sent to the timbre s will be converted according to the internal settings and routed through the arpeggiator before being sent Timbre 2 Arpeggiator Timbre1 SEQ1 2 3 MIDI IN
43. corresponding to its parameter value SEQ COMMON Resolution LFO Delay Sync Note Arpeggio Resolution 7 1 3 11 13 20 76 78 5 7 8 9 14 15 19 79 80 16 18 18 81 83 2 3 5 23 68 70 6 22 71 73 za 84 86 16 87 88 27 28 14 92 94 11 12 97 99 13 37 39 10 102 104 15 108 109 17 48 49 6 19 4 118 120 21 58 60 2 123 125 23 63 65 0 40 41 42 44 Stab Saw Voice Name List Category Synth Hard Appendices ARPEGGIATOR Synth Lana Arpeggio Panpot Pitch Step Length Evolution Synth Pad LFO1 Freq Patch 4 Int EG2 Release Boost Bass Synth Bass Dirty Sync Synth Lead Zoop Mania Sequence Patch 4 Int EG2 Decay OSC2 Level OSCI Ctrl1 Ice Field Bell Lounge Organ Keyboard MG Bass Synth Bass GatesOfHell Sequence PWM Strings Strings Turn Wheel Synth Lead Synth Tp Synth Brass DWGS WaveSeq Wave Seq OSC1 Ctrl2 Drive Bass Synth Bass Surrounded Lazy Pitch 5 Synth Hard LFOI Freq OFF Stairs Pad Arpeggio Step Length None Silk Pad Synth Pad OFF Zap Bass Synth Bass OFF Uni Synth Synth Lead TI
44. has been completed Press the EXIT key You will return to the screen where you begin the Pre load process 3 Synchronization with external MIDI devices Settings for synchronization with a connected external MIDI device are made in Page 3C MIDI Clock a Synchronizing an external MIDI device to the MS2000 MS2000R You can synchronize an external MIDI device such as a sequencer or rhythm machine to the tempo of the MS2000 MS2000R arpeggiator D Use a MIDI cable to connect the MS2000 MS2000R s MIDI OUT connector to the external MIDI device s MIDI IN connector 10 2 Press the GLOBAL key to enter Global mode 3 Press the SELECT 6 key The LCD screen will show Page 3C MIDI Clock MIDI Clock Internal 4 Use the YES NO keys to select Internal With a setting of Internal MIDI Clock messages will be transmitted from the MS2000 MS2000R at the tempo specified by the ARPEGGIATOR TEMPO knob Basic Guide 5 Make settings so that the external MIDI device will receive MIDI Clock messages from another device i e so that the external MIDI device will function as a slave device The external MIDI device sequencer or rhythm machine will operate according to the tempo set by the TEMPO knob b Synchronizing the MS2000 MS2000R to an exter nal MIDI device D Use a MIDI cable to connect the MS2000 MS2000R s MIDI IN connector to the external MIDI device s MI
45. is selected only the data of the currently selected program will be transmitted If PROG is selected all program data will be transmit ted If GLOBAL is selected Global data will be transmitted If ALL is selected all programs and Global data will be transmitted Press the CURSOR key to move the cursor to OK Press the YES key The screen will ask you to confirm the data transmis sion HP MIDI Are You Sure 7 Press the YES key The data will be transmitted ALL DATA ing When the transmission is completed the display will indicate Completed A Please do not touch the knobs keys keyboard or wheels etc of the MS2000 MS2000R while the data is being transmitted A If you wish to receive a data dump on the MS2000 MS2000R you must first turn Global mode Page 2A MEMORY Protect OFF If Protect is ON data dumps cannot be received Parameter Guide Parameter Guide Program parameters Global parameters Program parameters Global parameters Program parameters 34 These are the parameters that make up the sound of a pro gram If you wish to save a sound you must perform the Write operation p 19 Basic Guide Edit section 5 Writing sav ing an edited program Uppercase parameter names enclosed in parentheses lt 2 are parameters for which there is a front panel knob or key 1 PROGRAM COMMON Parameters
46. key Each time you press the key the modulation type will change and the LED for the selected modulation type will light Including a setting of off you can select from four modulation types Basic Guide e Adjust the pitch of oscillator 2 in semitone units Rotate the SEMITONE knob The LCD screen will show Page 06C OSC 2 Semitone The most common way to use this is to set oscillator 2 one or two octaves lower than the pitch of oscillator 1 BC DSC 2 Lore 12 f Adjust the pitch of oscillator 2 Rotate the TUNE knob The LCD screen will show Page 06D OSC 2 Tune By slightly skewing the pitch to create a detuning effect you can give the sound more depth eb 2 Turnes 3 Set the volume of each oscillator OSCILLATOR 2 MIXER FILTER RESONANCE O 1 ORN Ke a OL CE Om Bui WAVE osc MOD J bin ir J U nt HOLD OSC 2 PITCH O2 PF Ei SEMITONE TUNE O O1 m z uam O128PF E 12 OF 12 LLLI 3 a Adjust the volume of oscillator 1 O Rotate the MIXER OSC1 knob The LCD screen will show Page 07A MIXER OSC 1 Level MISER _ 1 Level Adjust the volume of oscillator 2 Rotate the MIXER OSC2 knob The LCD screen will show Page 07B MIXER OSC 2 Level MINER 188 050 2 Level
47. keys or the YES NO keys to input the value Normally you will use the front panel knobs and keys If the parameter has no corresponding knob or key or if you wish to edit the setting in detail you can use the YES NO keys Each time you press the YES keys the value will increase or decrease in steps of one If you hold down the YES key and press the NO key the value will increase in steps of ten If you hold down the NO key and press the YES key the value will decrease in steps of ten e Return to Program Play mode Press the EXIT key You will return to Program Play mode Basic Guide 3 Switching timbres For a program whose voice mode is Dual Split you can select the timbre that you wish to edit O Press the TIMBRE SELECT SELECT key The LED of the selected timbre will light Each time you press the key the timbre will change The front panel knobs and keys and the parameters shown in the LCD screen will apply to the selected tim bre TIMBRE SELECT 0 4 Returning to the state before editing Compare While editing a program you can temporarily return to the settings that were written before you edited them While holding down the EDIT key press the EXIT key The lower line of the LCD screen will indicate COM PARE and you will return to the state of the settings before they were edited The upper line of the d
48. the sequence will be reset when a note on occurs SEQ Sorc Timbre Press the CURSOR key LCD screen will show Page 18E SEQ COMMON Resolution Specify the playback speed of the sequence relative to the internal clock SEG Resolutions 1 48 Basic Guide b Specify sequence data for each step Here s how to select a program for which sequence is turned on and record sequence data for each step D In Program Play mode select a program for which sequence is turned on 2 Press the EDIT key You will enter LCD Edit mode 8 Press the SEO EDIT CH PARAM SELECT key to make the SEO 1 LED light SEQ EDIT 1 2 15 16 The LCD screen will show Page 19A SEQ 1 Knob For this example we will assign FILTER Cutoff to 5 1 HISA SEG 1 Hane 4 Press the YES key to set Knob to Cutoff H194 SEG 1 Broke Cutoff If you wish to assign a parameter to SEQ 2 or SEQ 3 use y gnap the SELECT key to select SEQ 2 or SEQ 3 Press the MOD SEQUENCE ON OFF key The ON OFF key LED will light and the sequence will be turned on MOD SEQUENCE ON OFF REC 0 Press and hold a note on the keyboard The program will sound and the SELECT 1 16 keys will light consecutively 7 While listening to the sound use the sixteen knobs located beside the SEQ EDIT LED to specif
49. 37 39 50 Ring 3 38 RingSync 38 Run Mode 25 43 Save Saving data on an external device 31 Write the Global parameters 30 Writing an edited program 19 Saw 36 38 Scale 34 Scale Key 35 Semitone SEMITONE 21 38 SEQ EDIT 8 16 Seq Type 25 42 Sequencer 11 Sin Cross 37 Single 34 Split 34 Split Point 34 Squ 38 Step Value 25 43 StereoDelay 44 Sustain SUSTAIN 7 22 23 40 Sustain level 3 7 40 Swap 46 47 48 75 76 SwapSeq 48 SwapTimbre 47 Swing 27 46 Sync 3 38 Sync control 63 Sync Note DELAY FX 44 LFO 41 SyncCtrl 56 Synchronization Clock 54 External MIDI devices 31 Synth programs SYNTHESIS FILTER 4 SystemEx 55 Target 27 45 Tempo TEMPO 15 45 Tempo Sync 41 44 54 Threshold THRESHOLD 28 49 TIMBRE 3 TIMBRE SELECT 7 Timbre Voice 34 TimbreSelect 56 Transpose 36 53 Tri 37 38 Trigger 35 Trigger mode 35 21 36 38 15 45 Type DELAY 27 44 Type FILTER TYPE 39 Type MOD FX 26 44 Universal system exclusive 63 User Scale 57 UTILITY 46 51 Vel Sense 23 39 40 50 Vel Curve 53 Vel Value 53 Velocity 2 4 39 40 50 53 58 73 Vibrato Int 36 VIRTUAL PATCH 4 7 24 42 Vocoder 17 34 Vocoder programs 4 VOCODER SEC 4 VOICE 35 49 Voice mode 3 34 58 Volume 12 21 22 23 59 Vox Wave 37 Wave SELECT 7 41 Wave WAVE 6 36 38 49 Wave form modulation WFM 36 37 49 WFM 36 37 49 WRITE key 7 19 30 A
50. 7 Tri OSC Mod 0 OFF 43 Ring 85 Sync 127 RingSync 0 31 OFF 32 63 Ring 64 95 Sync 96 127 RingSync OSC 2 Semitone HPF Level Synth see p 66 Synth see 66 Audio in 2 Vocoder 0 127 Vocoder 0 127 Synth 0 1 63 2 62 63 1 64 0 65 1 127 Synth 0 1 63 2 62 63 1 64 0 65 1 127 463 OSC 1 Level OSC 1 Level 0 127 OSC 2 Level Inst Level 0 127 Noise Level Noise Level 0 127 Synth 0 24LPF 43 121 85 12 127 12HPF Synth 0 31 241 32 63 12LPF 64 95 12BPF 96 127 12HPF Vocoder 0 0 32 1 63 2 95 1 127 2 Vocoder 0 25 0 26 51 1 52 76 2 77 102 1 103 127 2 Synth 0 127 Synth 0 127 Vocoder 0 1 63 2 62 63 1 64 0 65 1 127 63 Vocoder 0 1 63 2 62 63 1 64 0 65 1 127 63 Resonance Resonance 0 127 0 127 EG 1 Int 0 1 63 2 62 63 1 64 0 65 1 127 63 0 1 63 2 62 63 1 64 0 65 1 127 63 KBD Track E FSense Synth 0 1 63 2 62 63 1 64 0 65 1 127 Synth 0 1 63 2 62 63 1 64 0 65 1 127 63 63 Vocoder 0 127 Level Level 0 127 0 127 Synth 0 1 L63 2 L62 63 101 64 CNT 65 01 127 R63 Synth 0 1 L63 2 162 63 101 64 CNT 65 01 127 R63 Vocoder 0 127 Vocoder 0 127 EG2 GATE 0 EG2 127 GATE 0 63 EG2 64 127 GATE Distortion Distortion 0 OFF 127 ON 0 63 OFF 64 127 ON A
51. 8 50 EDIT key 7 18 19 5 4 7 44 51 3 7 21 22 23 40 51 EG 1 Int 1 INT 21 39 EG Reset 41 Ensemble 44 ENVELOPE FOLLOWER 4 6 50 Envelope source 3 6 22 40 EQ 44 51 Equalizer 44 EXIT key 7 19 30 Expression 59 External input 17 External MIDI device 10 54 FILTER 3 6 21 28 39 50 Filter type 21 39 Formant Shift FORMANT SHIFT 28 50 Frequency FREQUENCY 7 24 41 Front panel 5 Gate 49 Gate Sense 28 49 Gate Time GATE 15 45 GLOBAL 53 GLOBAL key 7 30 Global MIDI channel 11 31 35 54 55 58 59 65 Global mode 2 30 HiEQFreq 44 HiEQGain 45 HPF 37 39 HPF Gate 49 HPF Level HPF LEVEL 28 49 Init ch Lvl 52 Init ch Pan 52 InitProgram 46 51 Initialize 46 47 51 InitSeq 47 InitTimbre 46 52 Intensity PATCH 24 42 KBD Track AMP 23 40 50 FILTER 39 Key Sync ARPEGGIO 27 46 LFO 41 MOD SEQUENCE 25 43 Keyboard track KBD Track 2 4 6 39 40 42 50 Knob 25 43 L R Delay 44 Last Step 25 42 LATCH 15 45 LCD Edit mode 2 18 Level LEVEL 22 40 50 LFO 3 7 24 A1 51 LFO Speed SPEED 26 44 Load 30 Preload 54 Local 54 LowEQFreq 44 LowEQGain 44 LPF 37 39 Master 54 MEMORY 54 Memory protect Defeat 30 MIDI Control change 55 56 58 59 65 System exclusive messages 54 63 MIDI Ch 11 54 MIDI ch 35 MIDI channel 11 34 35 MIDI Dump 31 55 MIDI FILTER 55 MIDI1 MIDI2 54 MIXER 3 6 21 38 50 MOD 44 51 Mod Int FC MOD INT 50 MOD
52. ANALOG MODELING SYNTHESIZER 2000 MS2000R icc Owner s Manual KORG ensure long trouble free operation please read this manual carefully Precautions Location Using the unit in the following locations can result in a malfunc tion In direct sunlight Locations of extreme temperature or humidity Excessively dusty or dirty locations Locations of excessive vibration Power supply Please connect the designated AC adaptor to an AC outlet of the correct voltage Do not connect it to an AC outlet of voltage other than that for which your unit is intended Interference with other electrical devices This product contains a microcomputer Radios and televisions placed nearby may experience reception interference Operate this unit at a suitable distance from radios and televisions Handling To avoid breakage do not apply excessive force to the switches or controls Care If the exterior becomes dirty wipe it with a clean dry cloth Do not use liquid cleaners such as benzene or thinner or cleaning compounds or flammable polishes Keep this manual After reading this manual please keep it for later reference Keeping foreign matter out of your equipment Never set any container with liquid in it near this equipment If liquid gets into the equipment it could cause a breakdown fire or electrical shock Be careful not to let metal objects get into the equipment If something does sli
53. ATION U C DL T SEQ EDIT MZANI EG 1 FILTER EG 2 AMP 1 SELECT SEQ1 ATTACK DECAY SUSTAIN RELEASE 1 3 DECAY SUSTAIN RELEASE FREQUENCY FREQUENCY SPEED FEEDBACK SELECT TET ATTACK DECAY SUSTAIN RELEASE ATTACK DECAY SUSTAIN RELEASE GE SEDA PATCH1 PATCH 2 PATCH 3 PATCH 4 0000 0000 0 6 O O O9 O0 O9 1101 16 VOICE PITCH 05 1 0502 FILTER EG LFO PATCH SEQ MOD FX DELAY FX EQ ARPEGGIO UTILITY VOICE PITCH 05 1 FILTER CH LEVEL PAN MOD FX DELAY FX ARPEGGIO UTILITY MS2000R AUDIO IN OSCILLATOR 1 OSCILLATOR 2 MIXER FILTER o o 05 1 CUTOFF RESO
54. B Decay DECAY gt 000 127 Specify the time from when the attack level is reached until the sustain level Sustain is reached C Sustain lt SUSTAIN gt 000 127 Specify the sustain level D Release lt RELEASE gt 0 127 Specify the time from note off when the key is released until the level reaches 0 Parameter Guide EG Reset ON OFF E SEN 9 Specify whether or not the EG will be reset for the second and subsequent note on If this is ON the second note on will start from a level of 0 If this is OFF the note will start from the current EG level Note on Note off f Note on Retrigger amp EG Reset is valid in the following cases When Page 03A VOICE Assign is Poly When Page 03A VOICE Assign is Mono or Unison and Page 03D VOICE Trigger is Multi Low Frequency Oscillator These are the LFO Low Frequency Oscillator parameters used to create cyclic change LFO1 is internally connected as the modulation source for Page 05B OSC1 Control 1 is internally connected as the modulation source for oscillator pitch via the modulation wheel on the MS2000R the modulation wheel of a connected external MIDI device A If you have difficulty hearing the effect of the LFO increase the depth or
55. CH Trans pose Playing arpeggios The MS2000 MS2000R contain a built in arpeggiator that sounds an arpeggiated broken chord when you hold down a chord on the keyboard When you hold down a chord on the keyboard it will be sounded as shown at right Arpeggio Type Up 1 Play a program in which the arpeggia tor is turned on Some of the factory preset programs have the arpeggiator turned on Here s how to select and play one of these pro grams CD Select a program for which the ARPEGGIATOR ON OFF key is lit Programs for which the ON OFF key is lit have the arpeggiator turned on The arpeggio type and other set tings will be appropriate for the sound of the program 2 Hold down a chord on the keyboard An arpeggio will begin playing On the MS2000R if you press the KEYBOARD key to make the key LED light you will be able to use the SELECT 1 16 keys to play arpeggios t p 14 2 Use the SELECT 1 16 keys to play the program 2 Using the knobs and keys to modify the settings You can use the front panel knobs and keys to modify the arpeggiator settings ARPEGGIATOR 1 OCTAVE UP f 2 OCTAVE DOWN 3 OCTAVE ALT 1 4 OCTAVE ALT2 RANDOM TRIGGER ON OFF LATCH RANGE TYPE b a Turning the arpeggiator on off Press the ARPEGGIATOR ON OFF key When the ON OFF key is lit the arpeggiator is on When it is dark t
56. DELAY FX L R 4 Track Velocity Free Assign SEQ2 SEQ3 4 4 MOD SEQUENCE TIMBRE 1 2 timbre consists of OSC1 OSC2 NOISE MIXER FILTER EG VIRTUAL PATCH and MOD SEQUENCE If the voice mode is Single only TIMBRE 1 will sound If the voice mode is Dual or Split both timbres TIMBRE 1 and TIMBRE 2 will sound OSC1 OSC2 NOISE 5 Oscillator 1 allows you to select from eight different oscillator algorithms including basic analog synthesizer waveforms such as SAW and PWM Cross Modulation and the DWGS Digital Waveform Generator System used on the Korg DW 8000 synthesizer A waveform input from the AUDIO IN 1 2 jacks can also be processed OSC2 Oscillator 2 allows you to select from three types SAW SQU and TRI It can also be used as a modulator oscillator for the Sync or Ring modulation characteristic of analog synthesizers NOISE Noise Generator produces white noise This can be used for sound effects etc MIXER Here you can adjust the levels of OSC1 OSC2 and NOISE and send the combined signal to the FILTER FILTER The FILTER cuts or emphasizes frequency components of the signal from the oscillator thus adjusting the tone brightness etc These filter settings will significantly affect the sound You can select from four types of filter 12 or 24 dB oct LPF Low Pass Filter 12 dB oct BPF Band Pass Filter or 12 dB
57. DI OUT connector rz p 10 2 Press the GLOBAL key to enter Global mode 3 Press the SELECT 6 key The LCD screen will show Page 3C MIDI Clock 4 Use the YES NO keys to select External ClocksiExternal 5 Make settings so that the external MIDI device will transmit MIDI Clock messages i e so that the exter nal MIDI device will function as a master device The sequence or arpeggiator will operate according to the tempo of the external MIDI device For details on synchronization settings for your exter nal MIDI device refer to the owner s manual for your device 4 Saving data on an external device Data Dump Various types of data from the MS2000 MS2000R s internal memory can be transmitted as MIDI exclusive data and saved on another connected MIDI device such as a data filer Before you begin connect a device that is able to receive a MIDI data dump a data filer computer or another MS2000 MS2000R unit and set the global MIDI channels of both devices to match CD Press the GLOBAL key You will enter Global mode 2 Press the SELECT 8 key The LCD screen will show Page 3F MIDI MIDI Dump MIDI OET 3 Press the YES key The display will indicate the type of data dump to be transmitted Editing 31 32 4 Use the YES NO keys to specify the data that will be transmitted MIDI If 1PROG
58. EQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 71 SEQ1 1 CH LEVEL 0 127 CH LEVEL 0 127 SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL SEQ1 CH LEVEL 61 11 When Knob Step Length data correspondences for both transmission and reception will be 0 9 6 10 19 5 20 29 4 30 39 3 40 49 2 50 59 1 60 68 0 69 78 1 79 88 2 89 98 3 99 108 4 109 118 5 119 127 6 When Knob Pitch or OSC2 Semi refer to p 66 OSC 2 Semitone values When Knob other values both transmission and reception will be 0 1 63 2 62 64 0 127 63 SEQ2 Step Value 1 16 Channel Pan 1 16ch Bn 63 04 Bn 62 20 2F Bn 06 mm n channel mm parameter value Synth Parameter Vocoder Parameter MSB Hex LSB Hex Value transmitted Value received SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 1 SEQ2 1 SEQ2 CH PAN CH PAN CH PAN 0 1 L63 2 L62 63 101 0 1 163 2 L62 63 101 SEQ2 CH PAN 64 CNT 65 01 127 R63 64 CNT 65 01 127 R63 SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN SEQ2 CH PAN
59. ER This sets the output level of the carrier The level you specify here will be the input level to the band pass filter of the car rier A OSC 1 Level lt gt 000 127 Specify the output level of OSC1 carrier B Inst Level lt gt 000 127 Specify the output level of the signal that is input from the AUDIO IN 1 jack C Noise Level lt 000 127 Specify the output level of the noise generator FILTER These are the parameters for the band pass filter of the car rier 08 FILTER Formant Shift lt 2 2 This shifts the cutoff frequency of each band pass filter of the carrier allowing you to dramatically modify the character of the vocoder output B Cutoff lt 059 63 63 This continuously shifts the cutoff frequency of each band pass filter of the carrier How Formant Shift and Cutoff are related When Formant Shift 0 and Cutoff 0 the frequency response will be as specified by the cutoff frequencies of each band pass filter of the modulator Adjustments to Cutoff will smoothly shift the frequency response The shift in frequency response caused by Formant Shift is smoothly varied by Cutoff in two stages above and two stages below four stages above and be
60. GIO These parameters are the same as for a synth program Refer to 3 SYNTH Parameters E UTILITY Page20 UTILITY A InitProgram This function initializes the settings of the currently selected vocoder program program common timbre effect arpeg giator When a vocoder program is initialized its voice mode will remain at Vocoder For the procedure refer to 3 SYNTH Parameters 51 Program parameters 52 InitTimbre Refer to 3 SYNTH Parameters C Init ch Lvl This function initializes the output level for each filter of the carrier When the levels are initialized the output level value will be 127 Procedure D Press the SELECT 16 key and then press the CUR SOR key twice The LCD screen will show Page 20C UTILITY Init ch Lvl ac UTILITY I nit ch Lul DET 2 Press the YES key You will be asked to confirm the initialize operation UTILITY Are vou Sure 9 Press the YES key once again The output levels will be initialized and the display will indicate Completed 4 Press the EXIT key You will return to the first screen of the Init ch Lvl function D Init ch Pan This function initializes the panpot for each filter of the car rier When this is done the panpot of each filter will be at CNT center output Procedure D Press the SELECT 16 key and then press the CUR SOR gt key three times T
61. ICE MIDI ch parameter to GLB 24 4 OFF Switch the local on off setting ON Select this setting when you are using the MS2000 MS2000R by itself OFF With this setting controllers such as the keyboard or for the MS200R the SELECT 1 16 keys and modulation wheel will be internally disconnected from the tone gener ator section This setting prevents notes from being sounded in dupli cate when an external sequencer is connected and the per formance data is echoed back from the external sequencer Echo back is a when the performance data transmitted by playing the MS2000 MS2000R is re transmitted back to the MS2000 MS2000R from the sequencer C Clock eere Internal Auto Make settings for synchronization with a connected external MIDI device Internal The 52000 52000 will be the master the controlling device A connected external MIDI device e g sequencer will synchronize to the sequence or arpeggiator of the MS2000 MS2000R If Tempo Sync is turned ON LFO1 and LFO2 the LFO frequency will synchronize to the tempo specified by the TEMPO knob External The 52000 52000 will be the slave the controlled device The MS2000 MS2000R s sequences and arpeggia tor will synchronize to the MIDI clock from a connected external MIDI device If Tempo Sync is turned ON for LFO1 and LFO2 the LFO frequency will
62. IDI MIDI Ch CD Press the GLOBAL key You will enter Global mode 2 Press the SELECT 5 key Page 3A MIDI MIDI Ch will appear in the LCD screen HSA MIDI MIDI Chee With the factory settings the global MIDI channel is set to 1 3 Use the YES NO keys to set the MIDI channel 4 Press the EXIT key to return to Program Play mode c Set the MIDI channel of the connected device Set the MIDI channel of the connected external MIDI device to match the MIDI channel you set for the MS2000 MS2000R For the procedure refer to the owner s manual of the con nected device A Global parameters that you edit will return to their unedited setting if you turn off the power without sav ing To save your edits you must perform the Write operation rz p 30 Connections to the AUDIO IN jacks If you wish to modify the sound of an external synthesizer sampler or other audio source or want use the MS2000 MS2000R as vocoder connect your equipment to the AUDIO IN jack s For details on connections and settings refer to the Basic Guide section entitled Using external input p 17 Basic Guide Connections to a computer sequencer 1 Connecting the MS2000 to a computer sequencer If you wish to perform on the MS2000 keyboard record your performance on a computer or sequencer and then play back the performance on the MS2000 i e using the 52000 as both a MIDI keyboard for input and as a M
63. IDI tone generator connect the 2000 to your computer sequencer using a MIDI interface as shown below 1 amp interface Computer MIDI OUT MIDI IN MIDI IN 6 8 MIDI OUT A If the echo back setting of the sequencer is turned on duplicate notes will be sounded when you play the MS2000 keyboard To prevent this turn the Global mode Page 3B MIDI Local setting OFF to break the connection inside the MS2000 However be aware that if Local is OFF it will not be possible to play the MS2000 by itself Connections 2 Connecting the MS2000R to a com puter sequencer If you wish to connect the MS2000R to a computer sequencer use a MIDI interface to connect the MS2000R master keyboard and computer as shown below Q MIDI interface MIDI OUT MIDI IN Computer L MIDI IN MIDI OUT MS2000R MIDI keyboard A In order to connect to your computer you will need a MIDI interface Please purchase an interface suitable for your computer For details on connections between your computer and MIDI interface and on MIDI port settings refer to the owner s manual for your MIDI interface 11 Playing Turning the power on off and adjusting the volume a Turn on the power Before turning on the power of the MS2000 MS2000R turn off the power of the connected devices D Rotate the POWER VOLUME knob to turn on the power POWER VOLUME 456 8 9 POWER OFF 10
64. IT CH PARAM SELECT key to select a sequence SEO 1 3 For this example select SEQ 1 4 Press the MOD SEQUENCE REC key You are ready to record The REC key LED will blink and the SELECT 1 16 keys will light consecutively It is not possible to enter record ready mode unless sequence has been selected 5 Rotate the ARPEGGIATOR TEMPO knob to adjust the speed of the sequence Watch the speed at which the SELECT 1 16 keys light and adjust the speed so that you will be able to record comfortably While playing the keyboard rotate the FILTER CUT OFF knob CUTOFF CUTOFF Recording will begin from the step at which you rotated the knob When recording begins the REC key LED will change from blinking to lit When you record to the step that was specified by Last Step the REC key LED will go dark and recording will end While playing the keyboard listen to the tonal change If you are not satisfied you can either press the REC key once again and re record or use the sixteen knobs to edit individual steps If you wish to keep the recorded settings perform the Write procedure p 19 5 Writing saving an edited program If two or more knobs are rotated the knob that was rotated first will be recorded It is not possible to record the ARPEGGIATOR or EFFECTS knobs Editing effect parameters The MS2000 MS2000R contains modulation delay and equalizer eff
65. Level None Trigger Bass Machine Synth Bass OFF Trip 2 Ibiza Sequence Cutoff None None Ana Strings Strings Past Mind Synth Lead T1 1 Attack Noise Level 1 Int T2 1 Int None None Future Vibe Synth Soft Euro Synthe Sequence T1 Pitch None None T2 Pitch OSC1 Ctrl2 Panpot Digy Bass Synth Bass Thunder SE Square Comp Category Synth Hard Appendices ARPEGGIATOR OFF Krazy Arpy 2 Arpeggio Random Sweep Pad Synth Pad OFF Sub Bass Synth Bass OFF Phenomenon Synth Lead OFF Ready 2 Air Sequence T1 Cutoff Resonance Noise Level 2 Pitch Amp Level OSC1 12 OFF X Mod Perc Bell EG2 Decay EG2 Release Amp Level Random BritishOrgan Keyboard OFF 80 s Bass Synth Bass OFF Min Deal Sequence OFF Astral Vox Choir OFF Rez Lead Synth Lead OFF Soft Brass Synth Brass OFF CPU Talk Sequence OSC1 Resonance OFF Phunk Bass Synth Bass OFF Jet Set 2000 Poly400 5 Synth Hard Sing OFF OFF Diginator S E Dua OFF Light Pad Synth Pad Sing OFF Bass amp 5thLead Synth Bass Split OFF Woody s Lead Synth Lead Sing
66. MS2000 MS2000R to play each timbre independently set the channel of each timbre to the same channel as the corre sponding track on your MIDI sequencer Even if the timbre channel is not set to GLB control changes assigned to effect parameters Sync Control and Timbre Select will be transmitted and received on the global MIDI channel Note on off Note on 9n kk vv Note off 8n kk vv n channel kk note number vv velocity When you play the keyboard of the MS2000 note on off messages are transmitted On the MS2000R note on off messages are transmitted when you turn the KEYBOARD key on and press the SELECT 1 16 keys The note off velocity is transmitted at a fixed 64 but is not received If the Global mode Page 1C GLOBAL Position is Post KBD note on off messages will be transmitted by the arpeggiator if it is running Program change Program change Cn ppl n channel pp program number When you select a program in Program Play mode a pro gram change message is transmitted with the number cor responding to the 128 programs 01 16 stored in the MS2000 s eight banks When the MS2000 MS2000R receives a program change message it will select a program according to the settings of Global mode Page 4F MIDI FILTER P Chg program change map If you wish to receive program changes set Global mode Page 4A MIDI FILTER ProgChg to ENA If this is set to DIS program changes
67. NANCE LEVEL KO RG 1 21100089 osca RESONANCE ORIGINAL 1 MS2000R Onwes Osme ANALOG MODELING SYNTHESIZER Single on cont IN ARPEGGIATOR POWER VOLUME CURSOR osc2 EG 1 INT KBD TRACK PAN o gt WAVE ST Fe sense meo L IO DL J yew wave WAVE osc MOD C OG 6 6 0 3 OCTAVE ALT 1 WRITE m 4 PHONES RANDOM 0362 PITCH COMPARE NTROL 1 CONTROL SEMITONE TUNE NOISE 4 ON OFF LATCH RANGE TYPE EDIT GLOBAL DEMO EXIT 0 IT at Fo TT 10 INN VOCODER PARAMETER LFO1 42 1 02 EFFECTS VIRTUAL PATCH KEYBOARD IMBRE SELECT MOD SEQUENCE PORTAMENTO o LM 1 1 Ovevocity Ocurorr 16 1 5 14 ort 2 DISTORTION O Z 1 056101811 10 O 1 DETON O S H O S H 4 2 LEVEL LF02 FREQ o o SELECT SELECT SOURCE 8 SELECT DESTINATION CO 1 SEQ EDIT EG 1 FILTER EG 2 AMP E HR 2 1 seas SELECT SEQ1 ATTACK DECAY SUSTAIN RELEASE ATTACK DECAY SUSTAIN RELEASE FREQUENCY FREQUENCY SPEED FEEDBACK o
68. O Oo I vELociTY OTL KBD TRACK Om O 7 0 L T L I L J EG 2 AMP DEPTH FEEDBACK DEPTH FEEDBACK EG2 LFO 1 LFO2 EG Reset Key Sync Key Sync Tempo Sync Tempo Sync Sync Note Sync Note DIRECT LEVEL ARPEGGIATOR Type Key Sync Range Resolution Target Swing ARPEGGIATOR 1 OCTAVE 2 OCTAVE 3 OCTAVE UP DOWN ALT 1 9 10 11 12 13 14 15 16 Appendices Troubleshooting Before you suspect a malfunction please check the following points Power does not turn on s the power cable connected to the outlet p 10 s the POWER VOLUME knob turned on p 12 No sound Are the connected devices or headphones connected to the correct jack s 10 Are the connected devices powered on Is the POWER VOLUME knob set to a position where sound will be p 12 Is the Global mode Page MIDI Local setting turned 54 Were volume related parameters set to a value of 0 rer EET 38 40 Was the FILTER Cutoff set 0 0 39 Ifa pedal is connected to the MS2000 MS2000R is the pedal in a position for which no sound will be pro duced Sound does not stop Is the Global m
69. OFF Filter Muzik Sequence Dual Pitch None OSC2 Semi Noise Level Cutoff Pitch OFF TimeZone SFX SE Single OFF Pulse Comp Keyboard Single OFF Vocoder Ens Vocoder Vocoder OFF Vocoder Cho Vocoder Vocoder OFF Vocoder Wah Vocoder Vocoder OFF VocoderPulse Vocoder Vocoder OFF VoiceChanger Vocoder Vocoder OFF Vocodevil Vocoder Vocoder OFF AudioIn INIT AudioIn Single Trigger Init Program Init Program Single OFF 69 0 Program No Single Split Dual Program Program Name FILTER AMP Vel Sense Vel Sense KBD Track AUDIO IN OSCILLATOR 1 OSCILLATOR 2 MIXER FILTER AMP VIRTUAL PATCH 5 7 1 ARPEGGIATOR m O PITCH curorr CUTOFF 1 DS 2 4 RERA Em e ES d Ken TRACK O 0 62 O O Osc 2 PITCH oA Ovoxwwi o 1 O B9 OSC 1 CTRL 1 PAN OSC 1 CTRL 1O PAN owes Target Swing OLF02 NOISE LEVEL LF02 FREQ
70. R SystemEx to ENA and you will be able to receive a data dump at any time Data is transmitted and received on the global MIDI channel Data the currently selected program will be transmit ted PROG Data for all programs will be transmitted GLOBAL Global data will be transmitted ALL All programs and global data will be transmitted The following times are required in order to perform the various types of data dump Data to dump Data size Bytes 1PROG PROG GLOBAL Time required Seconds Less than one second approximately 15 Less than one second approximately 15 Page4 MIDI FILTER Pregl Select whether or not program changes will be transmitted and received ENA Program changes will be transmitted and received DIS Program changes will not be transmitted or received DIS ENA Select whether or not MIDI control changes will be transmit ted and received ENA MIDI control changes will be transmitted and received DIS MIDI control changes will not be transmitted or received C P Belg occi mies DIS ENA Select whether or not pitch bend messages will be transmit ted and received ENA Pitch bend messages will be transmitted and received DIS Pitch bend messages will not be transmitted or received E DIS ENA D System Bx se caccsssssassenccsssnssncasasesseasosecatesaes DIS Select whether o
71. REQUENCY FREQUENCY FREQUENCY SPEED TIME DEPTH FEEDBACK 0 0 0 1 seas C O BANK OCTAVE 1 00004 8 9 16 O 19160 O O ATTACK COMMON 05 2 AUDIO IN2 1 Selecting a program There are two ways to select a program a Using the BANK OCTAVE UP DOWN keys and the SELECT 1 16 keys This method lets you directly select the desired program Press the KEYBOARD key to make the key LED go dark 2 Use the BANK OCTAVE UP DOWN keys to select the desired program bank Pressing these keys will switch between banks The selected bank will be shown in the LCD screen Use the SELECT 1 16 keys to select the desired pro gram number The numbers above each key correspond to the program number Using the YES NO keys Press the YES key Each time you press the key the program number will increase by one Press the NO key Each time you press the key the program number will decrease by one 2 Use the SELECT 1 16 keys to play the program On the MS2000R you can use the SELECT 1 16 keys to play the program D Press the KEYBOARD key to make the key LED light 2 Press the SELECT 1 16 keys The program will sound The correspondence between DELAY FX EQ
72. SEQ DELAY FX fcn Pan LFO PATCH CH LEVEL MOD ARPEGGIO B UTILITY G the SELECT 1 16 keys and their pitches is shown in the illustration above 3 Changing the pitch sounded by the keys in one octave steps The pitch assigned to the SELECT 1 16 keys can be changed over a range of 2 octaves A This setting has no effect on the pitches that will be generated by a MIDI keyboard or other external MIDI devices that are connected to the MS2000R Before you begin press the KEYBOARD key to make the key LED light a Raising the pitch Press the BANK OCTAVE UP key Pressing the key once will make the key LED light green and the pitch will be one octave higher Pressing the key twice will make the key LED light red and the pitch will be two octaves higher To return to the original pitch press the DOWN key Lowering the pitch Press the BANK OCTAVE DOWN key Pressing the key once will make the key LED light green and the pitch will be one octave lower Pressing the key twice will make the key LED light red and the pitch will be two octaves lower To return to the original pitch press the UP key The setting of the BANK OCTAVE UP DOWN keys cannot be saved for individual programs If you wish to change the pitch for a specific program use the LCD Edit mode Page 04A PITCH Transpose parameter Parameter guide p 36 Page 04A PIT
73. SEQUENCE 4 7 16 25 42 Mod Sre FC MOD SOURCE 50 Mode 34 Modulation effect 26 44 Modulation source 41 42 50 59 Modulation type 20 MODULATION wheel 9 Modulator Motion 43 Motion Rec 26 Mst Tune 53 NAME 29 35 NOISE 3 4 Noise 37 Noise Level NOISE 38 50 Note on off 58 NoteRcv 55 OCTAVE 8 13 ON OFF ARPEGGIATOR 15 45 MOD SEQUENCE 16 ORIGINAL VALUE LED 7 OSC 1 3 4 20 36 49 OSC 1 Level OSC1 21 38 50 OSC 2 3 38 OSC 2 Level OSC2 21 38 OSC Mod OSC MOD 38 OSCILLATOR Modulation 20 38 OSCILLATOR 1 6 20 36 OSCILLATOR 2 6 20 38 OUTPUT 8 10 P Bend 55 P Chg 55 PAGE keys 7 18 30 PageJump 19 54 PageMemory 54 Panpot 8 22 29 40 44 51 52 56 59 PEDAL amp SW 56 Phaser 44 PHONES jack 8 9 PITCH 36 49 Semitone 21 Transpose 36 Tune 21 36 Pitch bend 36 55 58 Pitch bend change 58 PITCH BEND wheel 9 Portamento 7 36 56 59 Position 53 Power on off 12 POWER VOLUME 6 Preload 30 54 Preloaded data Restoringsettingstotheirfactorystate 30 Priority 35 Appendices ProgChg 55 Program Select a program MS2000 13 Select a program MS2000R 14 Program change 54 55 58 Program Play mode 2 12 13 18 Protect 30 54 Pulse 36 Pulse width modulation PWM 36 PWM 36 Range RANGE 15 45 Rear panel 8 Release RELEASE 7 22 24 40 Release time 3 7 Reset all controller 63 Resolution ARPEGGIO 27 46 Resolution MOD SEQUENCE 25 43 Resonance RESONANCE 3 6 20 21
74. Sync adjustments in Semitone or Tune will change the pitch of the overtones The pitch of the fundamental will not change MIXER These parameters affect the output level of each oscillator These settings will be the input level to the filter 07 MIXER A OSC 1 Level lt OSCI gt 000 127 Set the output level of oscillator 1 B OSC 2 Level lt OSC2 gt 000 127 Set the output level of oscillator 2 C Noise Level lt NOISE gt 000 127 Set the output level of the noise generator FILTER the filter related parameters 08 FILTER A Type lt FILTER TYPE gt 24LPF 12HPF Select the filter type 12LPF 12dB oct 24LPF 24dB oct LPF Low Pass Filter is the most commonly used type of file which allows the frequencies lower than the cutoff fre quency to pass and cuts the higher frequencies Raising the cutoff frequency Cutoff value will produce a brighter sound LPF Low Pass Filter 12dB oct 24dB oct 1 1 Frequency Cutoff 12BPF 12dB oct BPF Band Pass Filter allows a frequency band in the region of the cutoff frequency to pass and cuts the remain ing frequencies It is used when you wish to emphasize only a specific portion of the frequency range BPF Band Pass Filter Frequency Cutoff 12HPF 12dB oct HPF
75. TCH BEND wheel on the MS2000 pitch bend change messages are transmitted on the global MIDI channel If you want pitch bend change messages to be received and transmitted set Global mode Page 4C MIDI FILTER P Bend to ENA If this is set to DIS pitch bend change messages will not be received or transmitted Control changes Control changes Bn cc vv n channel cc control change no vv value Movements of the MODULATION wheel or a modulation source MIDI 1 MIDI 2 can be transmitted and received as various controllers according to their control change num ber If you wish to transmit and receive control change mes sages set Global mode Page 4B MIDI FILTER CtrlChg to ENA If this is set to DIS control change messages will not be transmitted or received Modulation depth CC 01 Bn 01 When modulation depth is received it will adjust the depth of the vibrato produced by LFO2 according to the setting of LCD Edit mode Page 4C PITCH Vibrato Int If the maxi mum value 127 is received vibrato will be applied over the full pitch range specified by Vibrato Int If a value of 0 is received no vibrato will be applied When you move the MODULATION wheel of the MS2000 modulation depth messages will be transmitted on the glo bal MIDI channel Volume CC 07 Bn 07 vv If you set Global mode Page 6A PEDAL amp SW A Pedal to Volume pedal movements will transmit volume mes sages o
76. Tempo setting The Range setting will be ignored Program parameters note If a greater number of keys are played than the number of timbres specified in Page 01B COMMON Timbre Voice or Page 03A VOICE Assign notes will be played starting at the lowest pitched note and continu ing upward for the maximum number of allowable notes Range lt RANGE 1 Octave 4 Octave Specify the octave range in which the arpeggio will be played With a setting of 1 Octave the arpeggio will be played ina range of 1 octave With a setting of 2 Octave the arpeggio will be played ina range of 2 octaves With a setting of 3 Octave the arpeggio will be played ina range of 3 octaves With a setting of 4 Octave the arpeggio will be played ina range of 4 octaves Tempo lt TEMPO gt 20 300 Specify the tempo of the arpeggio Increasing this value will speed up the arpeggio tempo m If the Global mode Page 3C MIDI Clock setting is External this setting will be ignored m This setting will also be the sequence playback speed D Gate Time GATE 000 100 Specify the note length gate time of the arpeggiated notes With a setting of 000 each note will be extremely short With set to 100 each note will continue playing until the next note is triggerd
77. Virtual Patch 10 MOD SEQUENCE 25 Editing effect parameters 26 1 Modulation effect settings 26 2 Delay settings eee rre tette ten 27 Editing arpeggio 27 Editing vocoder 222 4 4 2 1 1 28 1 Adjust the mic input audi 28 2 Setthe filtet ien ea US 28 Changing the program name 29 Editing Global parameters 30 Basic editing procedure eere 30 Editing parameters 44 2122 4 10 2 30 1 Defeat memory protect 30 2 Restoring settings to their factory 30 3 Synchronization with external MIDI devices 31 4 Saving data on an external device Data Dump 31 Table of Contents 2 46 Parameter Guide 33 4 Vocoder Parameters 49 ie clu C REIP 49 Program 34 49 49 1 PROGRAM COMMON 34 04 PITCH 49 COMMON 9 eie eee ent 49 2 Program 35
78. a synth program Pitch related parameters will not apply to the wave form from the AUDIO IN jack Basic Guide 2 Using the vocoder function Here s how to select a vocoder program a program whose voice mode is Vocoder and try out the vocoder function a Using an internal waveform as the carrier Before you connect a mic turn off the power and set the MS2000 MS2000R s AUDIO IN 2 knob to 0 D Connect a mic to the AUDIO IN 2 jack LINE THRU n O00 ASSIGNABLE SWITCH PEDAL OO ourPuT R L MONO AUDIO IN OUT 1 MIC p LINE 2 Set the rear panel AUDIO IN 2 Level switch to the MIC position 3 Turn on the power of the MS2000 MS2000R 4 Select a vocoder program Programs for which the lower left of the LCD screen indicates Vocoder are vocoder programs 8 Input a voice from the mic and adjust AUDIO IN 2 so that the LED does not light red By rotating the knob you can directly output the voice that was input Make adjustments while listening to the voice that is input 6 While inputting a voice play the keyboard The sound with the vocoder effect will be output If you are unable to hear the effect try adjusting the AMP knob or the MIXER knob For details on vocoder editing refer to Basic Guide p 28 Editing section Editing vocoder program b Using an external waveform as the carrier If you wish to u
79. anel OCTAVE or BANK OCTAVE UP DOWN keys amp On the MS2000R this is effective only for a perfor mance using the SELECT 1 16 keys Portmnt The pedal switch will function as a portamento on off switch Parameter Guide Arpegio The pedal switch will function as an arpeggiator on off switch A SWitch csccscccsscsscsscssssssscsescsscsecsssssesssessseee Select the polarity of the pedal switch that is connected Set this to if you are using a Korg PS 1 pedal switch or if you are not using a pedal switch D A SwMode Latch Specify how a connected pedal switch will turn on off With the factory settings this is Unlatch UnLatch The switch will be on only while it is being pressed Latch The switch will alternate between on and off each time it is pressed Page7 USER SCALE A User Scale Specify the user scale For each pitch in the octave you can adjust the pitch in a range of 100 100 cents The entire keyboard will use this scale if you set LCD Edit mode Page 01 COMMON Scale to User Scale USER SCALE 1 8898 Detune Select the note whose pitch you wish to adjust Detune 2 100 100 Adjust the pitch in one cent units relative to the equal tem perament as 0 A setting of 100 raises t
80. another key or knob an will be displayed in the LCD screen beside CTRL CHANGE PEDAL amp SW A A Pedal Volume FootPdl Select the function of the pedal that is connected to the ASSIGNABLE PEDAL jack With the factory settings this is Exp Pdl Volume MIDI control change MIDI Volume CC 07 will be assigned You can use a pedal to control the volume level of the pro gram This is used mainly as a fader style level control Pedal operations will also transmit Bn 07 vv CC 07 messages from the MIDI OUT connector For a vocoder program this controls the volume level of the internal tone generator of the carrier If the control change map Page 5 CTRL CHANGE Amp Level has been set to CC 07 this will control the volume level Exp MIDI control change MIDI Expression CC 11 will be assigned You can use a pedal to control the volume level This is used mainly to add dynamic performance expression to the level Pedal operations will also transmit Bn 0B vv CC 11 messages from the MIDI IN connector Panpot MIDI control change MIDI Panpot CC 10 will be assigned You can use a pedal to control the panpot of the program Pedal operations will also transmit Bn 0A vv CC 10 messages from the MIDI IN connector n For a vocoder program this controls the volume level of the audio that is output directly from the AUDIO IN 2 jack Di
81. b Select a page In the same way as in LCD Edit mode use the PAGE keys and SELECT 1 16 keys to select the desired page The SELECT 1 16 keys correspond to pages as shown below SELECT 1 Page1A GLOBAL Mst Tune SELECT 2 Page1D GLOBAL Vel Curve SELECT 3 Page1F GLOBAL AudiolnThru SELECT 4 Page2A MEMORY Protect SELECT 5 Page3A MIDI MIDI Ch SELECT 6 Page3C MIDI Clock SELECT 7 Page3D MIDI SELECT 8 Page3F MIDI MIDI Dump SELECT 9 Page4A MIDI FILTER ProgChg SELECT 10 Page4B MIDI FILTER CtrlChg SELECT 11 Page4C MIDI FILTER P Bend SELECT 12 Page4D MIDI FILTER SystemEx SELECT 13 Page6A PEDAL amp SW A Pedal SELECT 14 Page6B PEDAL amp SW A SwFunc SELECT 15 Page7A USERSCALE Key Detune SELECT 16 Page8A CALIB AS c Select a parameter As in LCD Edit mode use the 5 4 keys to select the desired parameter ve p 19 d Input the value Use the YES NO keys to input the value When you press the YES NO keys the value will increase or decrease in steps of one If you hold down the YES key and press the NO key the value will increase in steps of ten If you hold down the NO key and press the YES key the value will decrease in steps of ten e Write save the Global parameters
82. be played as eighth notes of the specified tempo With a setting of 1 12 the arpeggio will be played as eighth note triplets of the specified tempo With a setting of 1 16 the arpeggio will be played as six teenth notes of the specified tempo With a setting of 1 24 the arpeggio will be played as six teenth note triplets of the specified tempo 100 100 This skews the timing of the even numbered notes counting from the first note of the arpeggio When Resolution 1 8 1 2 3 4 5 6 7 8 9 22 b M DS Pp M 2 A UD NT uo ud 5 E UTILITY Here you can use various utility functions such as copy ini tialize and swap exchange to help you edit more effi ciently Page26 UTILITY InitProgram This function initializes the settings of the currently selected program timbre effect arpeggiator When you initialize a program its voice mode will be Sin gle Procedure D In LCD Edit mode press the SELECT 16 key The LCD screen will show Page 26A UTILITY InitPro gram SH UTILITY InitPFraosram OF 2 Press the YES key 46 You will be asked to confirm the initialize operation BA UTILITY Are You Sure DE 3 Press the YES key once again The program will be initialized and the display will indicate Completed Press the EXIT key You will return to the first screen of the InitProgram
83. bre chosen by the front panel TIMBRE SELECT SELECT key By using the front panel TIMBRE SELECT SELECT key to switch timbres you can transmit a message Timbre Select that specifies the timbre to which the messages will apply When the MS2000 MS2000R receives a Timbre Select mes sage the timbre will switch according to the received value A control change message is used for this Timbre Select message as specified by Global mode Page MIDI FILTER TimbSelect 0 Timbre 1 1 127 Timbre 2 59 60 Parameters transmitted and received via Front panel knobs and keys other than the controls listed above are assigned NRPN Non Registered Parameter No NRPN messages can be used freely by any musical instrument manufacturer or model NRPN editing is performed using the following procedure CD Use NRPN MSB CC 99 Bn 63 mm and NRPN LSB CC 98 Bn 62 rr n channel mm rr parameter no upper and lower bytes to select the parameter 2 Use data entry MSB CC 6 Bn 06 mm channel mm parameter value to specify the value On the MS2000 MS2000R only data entry MSB is used Controlling the arpeggiator When arpeggiator settings are modified by the front panel keys or knobs the following NRPN messages are transmitted When these NRPN messages are received the corresponding arpeggiator settings will change accordingly These messages are transmitted and received on the global MIDI channel For the
84. by Control 1 The Control 2 setting specifies the depth of the modulation produced by By setting the Page 12A LFO1 Wave parameter to Tri and adjusting Frequency you can create the effect of detuning Pulse This is a pulse wave suitable for electronic sounds or wind instruments Control1 This adjusts the pulse width A setting of 0 will produce a square wave with a tone reminiscent of woodwind instruments such as clarinet At a setting of 127 the pulse width will be 0 and no sound will be heard By adjusting the pulse width you can produce sounds similar to clavinet or sax Control2 LFO1 is used to apply PWM pulse width modulation to the pulse width specified by Control1 The Control2 setting specifies the depth of the modulation produced by LFO1 By setting the Page 12A LFO1 Wave parameter to Tri and adjusting Frequency you can make the sound distort 0 63 127 This is triangle which has weaker overtones and stron ger fundamental than a sawtooth wave or square wave It is suitable for mellow bass sounds Control1 You can modify the waveform by adjusting this value Asetting of 0 will produce a triangle wave and a setting of 127 will produce a waveform with a pitch that is one octave and a fifth higher Control2 LFO1 is used to apply WFM wave form modulation to the waveform specified by Control1 The Control2 settin
85. ced with the response that is being held regardless of whether or not there is any input A If you set this to 127 when there is no input signal present there will be no output even if an audio signal is subsequently input AMP Page09 AMP A Level lt 000 127 Specify the volume level of the internal tone generator OSC1 NOISE for the carrier B Direct Level lt 391158 gt 000 127 Specify the volume level of the audio that is output directly from the AUDIO IN 2 jack C Distortion lt gt OFF If this is ON distortion will be applied to the OSC1 NOISE AUDIO IN 1 signal D Vel nii DATEI Dia pi ER 63 63 Specify how velocity keyboard playing dynamics will affect the volume With positive settings the volume will increase as you play harder With negative settings the volume will decrease as you play harder KBD Track 63 63 eid es Specify how keyboard tracking will affect the volume With positive 4 settings the volume will increase as you play above the C4 note on the keyboard and will decrease as you play below C4 With negative settings the volume will decrease as you play above the C4 note on the keyboard and will increase as you play below C4 With setting of 0 keyboard tracking will not affect the vol ume
86. cer If the channel you select is the same as the global MIDI channel a G will be displayed beside the setting Last Low High Specify which note on the keyboard will be sounded when you simultaneously play more notes than the number of voices specified for this timbre Last The last played note will be given priority Low The lowest note on the keyboard will be given priority High The highest note on the keyboard will be given priority Single Multi Select the trigger mode This specifies whether retriggering will occur if you continue holding the first pressed note and play another note This parameter will be displayed and can be set only if Page 03A VOICE Assign is set to Mono Unison Single The second and subsequent notes will not retrigger the EG or LFO Use this setting when you wish to play legato Multi The EG and LFO will be retriggered each time a note is played Note on Note on EG Single i 1 I Trigger Multi Trigger 35 36 E 2 4 4 00 1 Specify the amount of detuning difference in pitch that will be applied to notes sounded simultaneously by the Unison function This parameter will be displayed and can be set only if Assign is set to Unison A If the Mode is Dual Split and the maximum polyph
87. correspondence between the values of the message and the values of the MS2000 MS2000R parameter refer to the table ON OFF Bn 63 00 Bn 62 02 Bn 06 mm n channel mm parameter value RANGE Bn 63 00 Bn 62 03 Bn 06 mm n channel mm parameter value LATCH Bn 63 00 Bn 62 04 Bn 06 mm n channel mm parameter value TYPE Bn 63 00 Bn 62 07 Bn 06 mm n channel mm parameter value GATE Bn 63 00 Bn 62 0A Bn 06 mm n channel mm parameter value MSB Hex LSB Value transmitted Value received 0 OFF 127 ON 0 63 OFF 64 127 ON 0 1 Octave 1 2 Octave 2 3 Octave 3 4 Octave 0 1 Octave 1 2 Octave 2 3 Octave 3 127 4 Octave 0 OFF 127 ON 0 63 OFF 64 127 ON 0 Up 26 Down 51 71 Alt2 102 Random 127 Trigger 0 21 Up 22 42 Down 43 63 64 85 2 86 106 Random 107 127 Trigger Refer to separate table GATE values Refer to separate table GATE values GATE values Value transmitted received Gate Time 96 Value transmitted received Gate Time 96 Value transmitted received Gate Time 96 Value transmited received Gate Time 96 Value transmitted received Gate Time 9 107 084 108 085 109 110 086 111 087 112 088 113 114 089 115 090 116 091 117 092 118 119 093 120 094 121 095 122 096 123 124 097 125 098 126 099 127 100
88. creen will show Page 10B EG 1 Decay Rotating the knob toward the right increasing the value will cause a longer decay time until the sustain level is reached 158 EG 1 Adjust the brightness of the sustained sound Rotate the EG 1 SUSTAIN knob The LCD screen will show Page 10C EG 1 Sustain The change in brightness produced by the SUSTAIN knob will depend on the setting of the EG 1 INT knob 22 Adjust the speed at which the tone will change after the note is released Rotate the EG 1 RELEASE knob The LCD screen will show Page 10D EG 1 Release Rotating the knob toward the right will make the sound change more slowly and rotating it toward the left will make it change instantly 8180 1 Release m mu P m 6 Adjust the output of the timbre FILTER AMP EG 2 GATE DISTORTION Wan DISTORTION a Adjust the volume of the timbre Rotate the LEVEL knob The LCD screen will show Page 09A AMP Level If the volume changes over time this level will be the maximum level that occurs during the change in vol ume Adjust the output panpot stereo position Rotate the PAN knob The LCD screen will show Page 09B AMP Panpot When the knob is in the center CNT the output will be centered CHT Select envelope source for vol
89. cts the patch SOURCE key For synth programs this selects the modulation source For vocoder programs this selects the modulation source that is applied to the synthesis filter cutoff fre quency DESTINATION key This selects the parameter to which modulation will be applied PATCH1 PATCH2 PATCH3 PATCH4 knobs These adjust the depth of modulation Basic Guide EFFECTS MOD DELAY key This selects the effect that will be edited SPEED TIME NJAMA 1 knob This adjusts the modulation speed of the modulation effect or the delay time of the delay effect DEPTH FEEDBACKe 1 knob This adjusts the effect depth and the amount of feed back LFO1 LFO2 5 1 key This selects the LFO waveform FREQUENCY 109164 knob 9 This sets frequency 5 EG1 EG2 ATTACKe knob This sets the attack time rise time DECAY 59 knob This sets the decay time the time from when the attack time is completed until the sustain level is reached SUSTAIN 1 knob This adjusts the sustain level the level that will be held while the note is sustained RELEASE 3 knob This sets the release time the time from when you release the note until it decays PORTAMENTO TIME knob This determines how portamento will be applied MOD SEQUENCE ON OFF key This switches the sequence on off REC key Use thi
90. d global settings to the factory state A When you load this data all data in the MS2000 MS2000R will be rewritten to the factory settings Before you perform this operation make sure that it is OK to overwrite the data If Global mode Page 2A MEMORY Protect is ON the preload data cannot be loaded If you wish to load the preload data you must first turn Protect OFF CD Press the GLOBAL key You will enter Global mode 2 Press the SELECT 4 key and then press the CURSOR key three times The LCD screen will show Page 2D MEMORY Preload 4 MEMORY Preload 3 Press YES key Ascreen will appear in which you can select the data to be loaded MEMORY 1 1 4 Use the YES NO keys to select the data that you wish to load If 1PROG is selected only a single program will be loaded In this case use the YES NO keys to select the program number to be loaded and the loading destination use the CURSOR key to move If PROG is selected 128 programs will be loaded If GLOBAL is selected Global data the settings of Glo bal mode will be loaded Use the CURSOR key to move the cursor to OK and press the YES key The screen will ask for confirmation MEMORY Are You Sure DE Press the YES key once again The data will be loaded When the screen indicates Completed loading
91. de Page 3 MIDI MIDI 1 and MIDI 2 settings 3 Received according to the Global mode Page 5 CTRL CHANGE setting 4 In addition to Korg exclusive messages Inquiry messages Master Volume messages and Master Fine Tune messages are also supported 5 When the Global mode Page3C MIDI Clock is internal transmitted but not received The opposite for External or Auto Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO O Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X Consult your local Korg distributor for more information on MIDI IMPLEMENTATION
92. e 2 Checking the parameter that is assigned to each sequence Here s how to check the parameter that is assigned to each sequence Press the SEO EDIT SELECT key to select a sequence SEO 1 3 SEQ EDIT 8 2 15 16 The LED of the selected sequence will light and the assigned parameter will be displayed in the LCD screen If Cutoff is assigned to SEQ1 Haismszanm R SEHI Cutoff If all LED s are dark no sequence is selected sequence select is off In this case the voice mode and tempo of the program will be displayed In Program Play mode you can only check the assigned parameters To assign a parameter use LCD Edit mode rz Basic Guide p 25 Edit section b Specify sequence data for each step 16 3 Checking the value recorded for each step Here s you to use the sixteen knobs to check the value that is recorded for each step CD Press the SEQ EDIT SELECT key to select a sequence SEO 1 3 SEQ EDIT 2 Rotate the sixteen knobs located beside the SEQ EDIT LED so that the ORIGINAL VALUE LED is lit The number shown below each knob corresponds to the sequence step As you rotate each knob the position where the ORIGI NAL VALUE LED lights will be the value that was recorded at that step of the sequence The value of each step represents the change from the written or currently set value of the parameter If the SEQ EDIT SELECT key has selected a se
93. e name of the selected demo song Exit the demo performance Press the EXIT key You will return to Program Play mode All demo songs 2000 korg Inc all rights reserved Basic Guide Playing a program Here s how to select and play a program MS2000 MS2000R contain a total of 128 programs with 16 programs in each of eight banks You can select programs in Program Play mode If the LCD screen shows that you are in LCD Edit mode or Global mode press the EXIT key The method of changing the program or pitch differs between the MS2000 and the MS2000R Also the SELECT 1 16 keys can be used to play a program only on the MS2000R 52000 AUDIO IN OSCILLATOR 1 OSCILLATOR 2 MIXER FILTER
94. e will synchro nize to the MIDI clock received from an external MIDI device C Delay Time lt TIME gt 000 127 Set the delay time This parameter will be displayed and can be set only if Tempo Sync is OFF C Syne 1 32 1 1 Specify the delay time a proportion of the tempo set the TEMPO knob P 66 How Resolution and Sync Note values correspond to note values This parameter will be displayed and can be set only if Tempo Sync is ON D Depth lt DEPTH FEEDBACK 000 127 Specify the delay depth and feedback amount Increasing this value will make the delay louder and will also increase the amount of feedback If you do not wish to apply a delay set this to 000 Excessively high settings of this parameter may cause the output to be distorted Page24 EQ LowEQfFreq 40Hz 1000Hz Set the frequency of the low range equalizer 12 0 12 0 Set the gain of the low range equalizer 1 00kHz 18 0kHz Set the frequency of the high range equalizer D 2 4422002 12 0 12 0 Set the gain of the high range equalizer Excessively raising the equalizer gain parameters may cause the output to be distort
95. ects Here we will explain how to make settings for the modulation effect and the delay A If you wish to use the front panel knobs to adjust the parameters of the modulation effect and delay you must first use the SEO EDIT SELECT key to turn off the SEQ 1 3 LED s EFFECTS LFO2 MOD DELAY MOD DELAY SPEED FEEDBACK SPEED TIME DEPTH FEEDBACK 1 Modulation effect settings If you wish to use the front panel knobs to make mod ulation effect settings you must first turn off the MOD DELAY key LED a Select the effect type Press the SELECT 12 key The LCD screen will show Page 22A MOD FX Type Use the YES keys to select the effect type There are three types of modulation effect MOD Fa 18 Adjust the modulation frequency Rotate the SPEED TIME knob The LCD screen will show Page 22B MOD FX LFO Speed As you rotate the knob toward the right increasing the value the modulation frequency will become faster H226 MOD Spreag a c Adjust the effect depth and the amount of feedback Rotate the DEPTH FEEDBACK knob The LCD screen will show Page 22C MOD FX Depth Increasing the value will cause modulation to be deeper increasing the amount of feedback MOD FE Depth 2 Delay settings amp If you wish to use the front panel knobs to
96. ed ARPEGGIATOR These are the arpeggiator related parameters Page25 ARPEGGIO a RR MR RARE ON OFF Turn the arpeggiator on off This parameter can be set only by the front panel key When this is ON the key LED will light LATCH ON OFF Specify how the arpeggiator will operate when you take your hand off of the keyboard This parameter can be set only by the front panel key If this is ON the key LED will light the arpeggiator will continue playing even if you take your hand off of the key board If this is OFF the key LED will go dark the arpeggiator will stop playing when you take your hand off of the keyboard A Type CTYPE Jii eor aat Up Trigger Select the arpeggio type Up Notes will be played consecutively from low to high pitches Down Notes will be played consecutively from high to low pitches Alt 1 Up and Down will be alternated The highest and lowest notes will be sounded once Alt 2 Up and Down will be alternated The highest and lowest notes will be sounded twice Parameter Guide Random Notes will be played randomly Trigger The notes that you are actually pressing will be sounded at intervals of the trigger The trigger timing is determined by the
97. effect modulates the phase of the sound to create a twisting sensation LFO Speed lt SPEED gt 000 127 Specify the speed of the LFO inside the modulation effect C Depth lt DEPTH FEEDBACK 000 127 Specify the modulation depth and amount of feedback Increasing this value will deepen the modulation effect and also increase the amount of feedback If you do not wish to apply the effect set this to 000 Excessively high settings of this parameter may cause the output to be distorted Page23 DELAY FX ici e a I queue StereoDelay L R Delay Select the delay type StereoDelay This is a stereo delay Stereo Delay FEEDBACK lt H DELAY 4 DELAY CrossDelay This is a stereo delay where the left and right channels of feedback are interchanged On Dual programs it is effec tive to set the panpot of the two timbres to left and right respectively Cross Delay FEEDBACK Hos lt H w FEEDBACK L R Delay This is a delay where the delay sound is output to left and right alternately L R Delay FEEDBACK FEEDBACK B Tempo ON OFF If this is ON the delay time will synchronize to the tempo If the Global mode Page 3C MIDI Clock setting is Inter nal the delay time will synchronize to the tempo set by the TEMPO knob If it is External the delay tim
98. ell as global data If PROG GLOBAL or ALL dumps are received by the MS2000 MS2000R the data will be written directly into internal memory you do not need to perform the Write operation Whena dump request is received from an external device the MS2000 MS2000R will transmit the data dump that was requested When you switch to LCD Edit mode the data of only the selected program will be dumped If you wish to receive a data dump set Global mode Page 4D MIDI FILTER SystemEx to ENA If this is set to DIS data dumps will not be received n If you wish to obtain the MIDI Implementation which includes details of the MIDI exclusive format please contact a Korg dealer Appendices Front panel knob key control change assignments Control changes can be assigned to each front panel knob key of the MS2000 MS2000R so that the changes in sound as con trolled by knob key operations can be transmitted as performance data Synth Parameter Vocoder Parameter Initial Value transmitted Value received Portamento Portamento 0 127 0 127 0 Saw 18 Pulse 36 54 Sin 72 Vox Wave 0 15 Saw 16 31 Pulse 32 47 Tri 48 63 Sin 64 79 Vox 90 DWGS 108 Noise 126 Audio In Wave 80 95 DWGS 96 111 Noise 112 127 Audio In Control1 0 127 0 127 Control2 0 127 OSC 1 Wave DWGS see p 66 0 127 OSC 1 Wave DWGS see p 66 Wave 0 Saw 64 Squ 127 Tri 0 42 Saw 43 85 Squ 86 12
99. ense Rotating the knob toward the right increas ing the value will smooth the attack of the vocoder out put and lengthen the release SF FILTER Senses ga Shift the cutoff frequency of the carrier filters Press the 1 key m d When you press the key the formant shift amount will change and the LED for the selected shift amount will light By shifting the filters you can dramatically change the character of the vocoder output Adjust the cutoff frequency of the carrier filters Rotate the FILTER knob LCD screen will show Page 08B FILTER Cutoff 3H FILTER Cutoff TE Use the knob to adjust the filter shift amount in a range of 2 steps By using this in conjunction with the key the cutoff frequency can be shifted in a range of 4 steps Adjust the output level of the carrier filters CD Press the elit il key to make the LED light SEQ EDIT T 2 Use the sixteen knobs located beside to adjust the output level of each filter Rotating the knob far left is a setting of 0 and rotating it far right is a setting of 127 max SE m M f Adjust the panpot stereo location of the carrier fil ters Press the 1 key to make the LED light SEQ EDIT 16 16 Use the sixteen knobs located beside to adjust the panpot of each filter When the k
100. equence will advance one step every two beats At a setting of 1 4 the sequence will advance one step every beat Ata setting of 1 8 the sequence will advance two steps every beat At a setting of 1 16 the sequence will advance four steps every beat At a setting of 1 32 the sequence will advance eight steps every beat Page19 SEQ Page20 SEQ2 Page21 SEQ3 Knob LNone Pitch Patch4 Int Select the parameter that will be recorded in the sequence Program parameters None The sequence will have no effect on anything Pitch The sequence will modify the overall pitch of the oscillator in a range of 24 semitones Step Length The sequence will modify the length of each step as speci fied by SEQ COMMON Resolution in a range of 6 Other The sequence will modify the value of the corresponding parameter assigned to a panel knob in a range of 63 or 24 in the case of OSC2 Semi m If the same parameter is specified for two or more sequences an will be displayed in the upper right of the LCD screen and the assignment to the higher num sequence SEQ3 gt SEQ2 gt SEQ1 will take priority B Motion 5 Step Select how change will occur when the sequence is played back Smooth The value recorded at each step will change in a smooth linear fashion Smooth 1 2 3 4 5 6 7 8 9
101. etting Page 14 17 1 4 Destination to LFO2Freq will have no effect D Frequency lt FREQUENCY gt 000 127 Specify the frequency of the LFO Increasing this value will result in a faster frequency This parameter will be displayed and can be set if Tempo Sync is OFF If Tempo Sync is ON this will indicate Sync Note E Syne 256 Specify the frequency proportion of the tempo set by the TEMPO knob s 66 How Resolution and Sync Note values correspond to note values This parameter will be displayed and can be set if Tempo Sync is ON setting of 1 1 there will be one cycle every four beats setting of 1 2 there will be two cycles every four beats Ata setting of 1 4 there will be one cycle every beat setting of 1 8 there will be two cycles every beat 41 42 VIRTUAL PATCH Virtual Patch allows you to assign modulation sources such as EG and LFO to various parameters Four such combinations can be made for each timbre Page 14 PATCH 15 2 16 17 PATCH4 Source lt SOURCE gt EG 1 MIDI 2 Select a modulation source EG 1 EG 2 or EG2 will be the modulation source LFO 1 LFO 2 LFO1 or LFO2 will be the modulation source Velocity Keyboard playing dynamics will be t
102. eyboard Track operates according to the pitch that is controlled by pitch bend transpose and Mod Sequence Itis not affected by pitch changes produced by vibrato or Virtual Patch 39 40 Amplifier These are the volume related parameters 09 AMP Level LEVEL gt eere eene 000 127 Adjust the volume of the timbre If the Mode is Split Dual this setting will adjust the vol ume balance between timbre 1 and timbre 2 Panpot lt PAN gt L63 CNT R63 Adjust the sounds stereo location C Amp Sw lt EG 2 gt EG 2 Gate Select the envelope source that will produce time variant change in the volume EG 2 If you select EG2 EG 2 GATE key LED is off the vol ume will change according to the envelope specified for EG2 Note off Adjusting LEVEL will change this amplitude Gate If you select Gate EG 2 GATE key LED is lit the vol ume will remain constant Note on Note off Adjusting LEVEL will change this amplitude D Distortion lt DISTORTION gt ON OFF If this is ON distortion will be applied to the output of the timbre The depth of distortion can be adjusted by the output level of each oscillator in Page 07 Mixer E Vel 63 63 This specifies how velocity ke
103. ff LATCH key If this is on the arpeggiator will continue playing even if you release your hand from the keyboard RANGE key This sets the range in which the arpeggio will be played TYPE key This selects the arpeggio type KEY amp DISPLAY ORIGINAL VALUE LED When editing this will light when the value currently selected by the knob or key matches the written value LCD In Program Play mode this will display information such as the program number and program name In LCD Edit and Global modes this will display parameters CURSOR lt gt keys In LCD Edit and Global modes these are used to select the parameter that you wish to edit YES NO keys In Program Play mode these are used to select pro grams In LCD Edit and Global modes these are used to set values and to write or copy data PAGE keys These are used to switch pages EDIT key This key enters LCD Edit mode While you are editing a program you can hold down this key and press the EXIT key to return to the origi nal written settings the Compare function GLOBAL key This key enters Global mode By holding down the EXIT key and then holding down this key you can enter Demo mode WRITE key Use this key to save the settings you edit EXIT key From any mode this key lets you return to Program Play mode It is also used to cancel a write or copy operation VIRTUAL PATCH SELECT key This sele
104. g specifies the depth of the modulation produced 0 63 127 Sin Cross This is basically a sine wave but oscillator 2 is used to apply cross modulation By using oscillator 2 to modulate the frequency of oscilla tor 1 cross modulation produces a complex overtone Structure Control1 Specify the depth of cross modulation At a setting of 0 a sine wave will be produced Control2 LFO1 is used to apply further modulation to the depth of cross modulation that was specified by Control1 Control2 specifies the depth of modulation produced by X mod Depth X mod Depth Mod 05 2 M OSC1 Vox Wave This simulates a waveform similar to human vocal cords Even if the oscillator pitch is changed the frequency spec trum will be maintained which makes this effective when used for vocal type sounds or as a vocoder oscillator Select HPF or BPF as the filter and adjust Cutoff to cre ate a vocal type sound Control1 Adjusting this value will modify the waveform Control2 is used to apply modulation to the waveform specified by Control1 Control2 sets the depth of the modulation applied by LFO1 OSC1 Output Parameter Guide DWGS This selects the waveform You can select one of the following waveforms DWGS List This is waveform data created harmonic additive syn 5 thesis 64 types of waveform provided 2 Control1 5
105. h knobs and keys the ORIGINAL VALUE LED will light when their setting matches the original written value 2 Editing in LCD Edit mode Use LCD Edit mode to edit parameters for which there is no knob or key or to edit while checking the parameter value in the LCD screen a Enter LCD Edit mode Press the EDIT key You will enter LCD Edit mode The upper line of the LCD screen will show the page number and the page name The lower line will show the parameter name and value Page number COMMON hada Page name SrPlit Parameter name Parameter value b Select a page LCD Edit mode consists of multiple pages Use the PAGE keys and the SELECT 1 16 keys to select pages O Press the PAGE 4 or key Each time you press the key the next or previous page will appear 281A Single e HAZA Press a SELECT 1 16 key You will move directly to the page of the desired param eter The SELECT 1 16 keys correspond to pages as shown below SELECT 1 01 COMMON Mode SELECT 2 Page03A VOICE Assign SELECT 3 Page04A PITCH Transpose SELECT 4 Page05A OSC 1 Wave Page06A OSC 2 Wave Single Dual Split SELECT 5 Page06A AUDIO IN 2 Gate Sense Vocoder Page08A FILTER Type Single Dual Split SELECT 6 pageosa FILTER
106. he YES key and the pitch will be one octave lower Each time you press the key the program number will Pressing the key twice will make the key LED light red increase by one and the pitch will be two octaves lower To return to the original pitch press the UP key The setting of the BANK OCTAVE UP DOWN keys cannot be saved for individual programs If you wish to change the pitch for a specific program use the LCD Edit mode Page 04A PITCH Transpose parameter rz Parameter guide p 36 Page 04A PITCH Trans pose Press the NO key Each time you press the key the program number will decrease Playing 14 MS2000R 1 2 u in UDLILLAIUN 1 UDUILLAIUN 2 IER amr CUTOFF CUTOFF EG 1 INT FILTER TYPE FORMANT SHI 1 21 WA POWER VOLUME DU 3 1 2 8 1 POWER OFF 5 voc DER PARAMETER vox WAVE pwn OVE cross O AUDIO IN WAVE wave osc MOD OSC 2 PITCH TUNE HPF LEVEL THRESHOLD CONTROL 1 CONTROL 1 CONTROL 2 CONTROL 2 RESONANCE RESONANCE HOLD 12 Ou EVEL KORG 3 MS2000 ANALOG MODELING SYNTHESIZER ARPEGGIATOR
107. he LCD screen will show Page 20D UTILITY Init ch Pan mp UTILITY Init ch Pan 2 Press the YES key You will be asked to confirm the initialize operation UTILITY re Vou Sure 9 Press the YES key once again The output levels will be initialized and the display will indicate Completed 4 Press the EXIT key You will return to the first screen of the Init ch Pan function Global parameters These parameters affect the entire MS2000 MS2000R To set these parameters press the GLOBAL key If you wish to save the settings you make you must perform the Write operation Basic Guide Edit section p 30 Page 1 GLOBAL A Mst Tune eere eee eee eee 430 0HZ 450 0Hz This adjusts the overall pitch of the entire MS2000 MS2000R in 0 1 Hz steps relative to the reference pitch of A4 middle A Use this when you need to tune the pitch of the MS2000 MS2000R to other instruments B L7 12 4 12 This adjusts the overall pitch of the entire MS2000 MS2000R in semitone steps 100 cents Use this when you wish to transpose to suit the song you are playing The range covers one octave upward or downward C Position 2 Pre TG This specifies the MIDI IN OUT routing inside the MS2000 MS2000R This setting will affect how MIDI data is transmitted and received
108. he Parameter Guide Program parameters p 42 d Set the depth of modulation Use the PATCH 1 4 knobs to set the depth of modu lation Rotate the knob for the patch that is selected by the SELECT key Rotating the knob toward the right of center values will apply the effect in the positive direction Rotating the knob toward the left of center values will apply the effect in the negative direction 10 Make MOD SEQUENCE settings a Set SEQ COMMON parameters As preparation before creating the actual sequence data the SEQ COMMON parameters are used to specify things such as the maximum number of steps in the sequence and the playback method Use the YES NO keys to set the values D Press the SELECT 11 key The LCD screen will show Page 18A SEQ COMMON Last Step Specify the length maximum number of steps of the sequence that you wish to record in the range of 1 16 SEG L Shere 16 2 Press the CURSOR key The LCD screen will show Page 18B SEQ COMMON Seq Type Specify the direction in which the steps will play back SEG Typed Forward 3 Press the CURSOR key The LCD screen will show Page 18C SEQ COMMON Run Mode Specify the loop setting for sequence playback BC SEG Run Mode Looe 4 Press the CURSOR key The LCD screen will show Page 18D SEQ COMMON Key Sync Specify how
109. he arpeggiator is off Each time you press the key the setting will alternate between on and off b Maintaining the arpeggiator after you release your hand from the keyboard Press the LATCH key to make the key LED light LATCH is on When LATCH is on the arpeggiator will continue play ing even after you release your hand from the keyboard Basic Guide Each time you press the key the setting will alternate between on and off c Setting the pitch range of the arpeggio D Press the RANGE key The pitch range will be displayed in the lower line of the LCD screen Each time you press the key the pitch range will change between 1 4 octaves 2 Press the EXIT key The previous LCD screen will reappear d Selecting the arpeggio type D Press the TYPE key The lower line of the LCD screen will show the arpeggio type Each time you press the key the arpeggio type will change 2 Press the EXIT key The previous LCD screen will reappear e Adjusting the note length gate time O Rotate the GATE knob Rotating the knob toward the right will lengthen the notes and rotating it toward the left will shorten them f Adjusting the arpeggiator playback speed O Rotate the TEMPO knob Rotating the knob toward the right will speed up the playback speed and rotating it toward the left will slow down the playback speed The selected speed will be shown in the lower left of the LCD screen
110. he character at the cursor location While pressing the EDIT key rotate knob 16 Symbols including a space can be selected for the char acter at the cursor location c Deleting a character D Use the CURSOR lt gt keys to move the cursor to the character that you wish to delete 2 Hold down the EDIT key and press the CURSOR 44 key The character at the cursor will be deleted d Inserting a character A character can be inserted if no more than eleven charac ters have already been specified and if there is a space at the end of the character string Use the CURSOR lt gt keys to move the cursor to the location where you wish to insert a character 2 Hold down the EDIT key and press the CURSOR gt A character will be inserted at the cursor location The inserted character will be the last deleted character If you are inserting a character for the first time it will be a space 29 Editing 30 Editing Global parameters In Global mode you can make settings that affect the entire MS2000 MS2000R and also create user scales Basic editing procedure a Enter Global mode 2 Press the GLOBAL key You will enter Global mode The upper line of the LCD screen will show the page number and page name and the lower line will show the parameter name and parameter value Page name Page number GLOBAL Met Turner 4489 Parameter name Parameter value
111. he cutoff frequency to produce time varying changes in cutoff fre quency Positive values will produce a correspondingly greater change Cutoff Int 63 Note on Note off ii Int 32 Note on Cutoff frequency specified by Cutoff Int 0 Time Negative values will produce a correspondingly greater change in the opposite direction Cutoff 63 Cutoff __ 0 specified by Cutoff Note off Note on Note Note off Time E viaa ada 63 63 This specifies how velocity keyboard playing dynamics will affect the cutoff frequency With positive settings the cutoff frequency will rise as you play more strongly With negative settings the cutoff frequency will fall as you play more strongly KBD Track lt KBD TRACK 63 63 This specifies how keyboard tracking the keyboard location that you play will affect the cutoff frequency With positive settings the cutoff frequency will rise as you play upward from the C4 note and fall as you play downward With a setting of 48 the change in cutoff fre quency will be proportionate to the change in pitch With negative settings the cutoff frequency will fall as you play upward from the C4 note and rise as you play downward With a setting of 0 keyboard tracking will not affect the cut off frequency n K
112. he modulation source KBD Trk Keyboard location keyboard tracking will be the modu lation source Keyboard Track operates according to pitch that is controlled by pitch bend transpose and Mod Sequence It is not affected by pitch changes produced by vibrato or Virtual Patch MIDI 1 MIDI 2 The function specified in Global mode Page 3D MIDI MIDI 1 or Page 3E MIDI MIDI 2 will be the modula tion source B Destination DESTINATION Pitch LFO2Freq Select the parameter destination that will be controlled by the modulation Pitch Modulation will apply to the pitch of the entire timbre OSC2Ptch Modulation will apply to the Page 06D OSC2 Tune parameter 5 1 Modulation will apply to the Page 05B OSC1 Control 1 parameter NoiseLvl Modulation will apply to the Page 07C MIXER NoiseLevel parameter Cutoff Modulation will apply to the Page 08B FILTER Cutoff parameter Amp Modulation will apply to the Page 09 AMP Level parameter Pan Modulation will apply to the Page 09B AMP Panpot parameter LFO2 Freq Modulation will apply to the Page 13D LFO2 Frequency parameter If LFO Tempo Sync is ON selecting LFO2Freq will have no effect Intensity lt PATCH 63 63 Specify the depth of the effect produced by the modulation source With a setting of 0 there will be no modulati
113. he pitch a semitone 100 cents above standard pitch A setting of 100 lowers the pitch a semitone 100 cents below standard pitch Page8 CALIB Here you can set the active range of the MS2000 MS2000R s controllers or a connected pedal switch or pedal Make these settings if operating a controller or pedal does not produce the desired result A AS Make settings for a switch connected to the MS2000 MS2000R Turn the connected switch on off and then press the YES key B AP Set the active range of a pedal connected to the MS2000 MS2000R Move the connected pedal through its maximum range of movement and then press the YES key C BW MS2000 only Set the active range of the MS2000 s pitch bender Move the pitch bender through its maximum range of move ment return it to the center and then press the YES key D MW MS2000 only Set the active range of the MS2000 s modulation wheel Move the modulation wheel through its maximum range of movement and then press the YES key A If you do not perform these settings correctly the dis play will indicate Invalid Data when you press the YES key If this occurs make the setting once again A You must perform the Write operation for CALIB set tings just as for other Global parameters If you fail to perform the Write operation the settings will revert to their previous values 1 p 30 57 Global parameters 58
114. his will be displayed and can be set if Vel Curve is CONST notes will be sounded at the velocity value you specify Variations in playing dynamics will have no effect on vol ume or tone AudiolnThru eere OFF If this is ON the signal that is input from AUDIO IN 1 2 will be output without change This lets you check that the input to the AUDIO IN 1 2 jacks is correct This setting is not memorized by the Write operation When the power is turned on it will always be turned OFF 53 Page2 MEMORY LON OFF Specify whether or not the internal memory will be pro tected ON The following writing operations will be prohibited Writing a program Loading the factory data Receiving a data dump OFF Data can be written to internal memory B OFF Make settings for the page memory function ON When you exit LCD Edit mode or Global mode to return to Program Play mode and then re enter the previous mode the page that had been selected when you exited the mode will appear in the LCD screen OFF When you enter LCD Edit mode or Global mode the LCD screen will show the first page of the mode In LCD Edit mode Page 01A COMMON Mode will be displayed In Global mode Page 1A GLOBAL Mst Tune will be displayed
115. ing the value will speed up the frequency of change m You can synchronize the LFO frequency to the tempo specified by the TEMPO knob Refer to the Parameter Guide Program parameters p 41 9 Apply modulation to parameters Virtual Patch Virtual Patch allows eight modulation sources to be assigned to various parameters that make up the sound in order to modulate the corresponding parameters A If you wish to use the front panel knobs to set or adjust the Virtual Patch parameters you must first use the SEQ EDIT SELECT Key to turn off the SEQ 1 3 LED s b VIRTUAL PATCH ORT Ocurorr 0562 O 05 1 1 PAN NOISE LEVEL LFO2 FREQ KBD TRACK 1 DESTINATION a Select a patch Press the SELECT key to select a patch Each time you press the key you will cycle through PATCH 1 4 and the LED of the selected patch will light b Select a modulation source Press the SOURCE key Each time you press the key the modulation source will change and the LED of the selected modulation source will light For details on the parameters refer to the Parameter Guide Program parameters 42 c Select the parameter to which modulation will be applied Press the DESTINATION key Each time you press the key the parameter will change and the LED of the selected parameter will light For details on the parameters refer to t
116. intensity values of the modula tion destination 12 LFO 1 13 LFO 2 A Wave SELECT gt 5 Select the LFO waveform For you can select from Saw Squ Tri and S H For LFO2 you can select from Saw Squ 4 Sin and S H Squ Amplitude changes irregularly sample amp hold B Key 5 Voice Specify how the LFO will be applied to a voice when note on occurs OFF The LFO phase will not be reset when note on occurs Note on AAD Timbre The LFO phase will be reset at the first note on that occurs from a state of no keys pressed Subsequently modulation will continue to be applied at the same LFO phase even for subsequent note on s Program parameters Note on Note on Note all off Voice The LFO phase will be reset at each note on and modula tion of differing phases will apply to each voice Note on 1VOICE T 7 Note on 2VOICE Tempo 5 2 10 OFF If this is ON the LFO frequency will synchronize to the tempo or to MIDI clock If the Global mode Page 3C MIDI Clock setting is Inter nal the LFO will synchronize to the tempo specified by the TEMPO knob If the setting is External the LFO will syn chronize to the MIDI clock received from an external MIDI device If Tempo Sync is ON s
117. is is set to Damper Connecting MIDI devices If you wish to connect the MS2000 MS2000R to an external MIDI device use a MIDI cable to make connections 1 Using the MS2000 MS2000R as a tone generator module To use the 52000 52000 as a tone generator module use a MIDI cable to connect the MS2000 MS2000R s MIDI IN connector to the MIDI OUT of the external MIDI device MIDI OUT MIDI IN External MIDI device MS2000 MS2000R 2 Playing an external MIDI device If you wish to play an external MIDI device from the key board of the MS2000 or from the SELECT 1 16 keys of the MS2000R use a MIDI cable to connect the MIDI OUT connector of the MS2000 MS2000R to the MIDI IN connec tor of the external MIDI device MIDI OUT MIDI IN MS2000 MS2000R External MIDI device 3 Setting the MIDI channel preparations for playing If you are using the MS2000 MS2000R as a tone generator module or if you are using the MS2000 as a master key board to play an external MIDI device you must set the MIDI channel of the MS2000 MS2000R to match the MIDI channel of the external MIDI device before you can begin playing Use the following procedure to set the MIDI channel a Check the connections Make sure that the MS2000 MS2000R is correctly con nected to the external MIDI device 10 b Set the MIDI channel of the MS2000 MS2000R The Global MIDI channel of MS2000 MS2000R is set in Global mode Page 3A M
118. isplay will indicate the program number and program name 2 Press the EXIT key You will return to Program Play mode 5 Writing saving an edited program If you turn off the power or change to a different program without saving your edited program or arpeggiator set tings they will be lost To save a program you must per form the Write operation Before you begin the Write process turn the Global mode Page 2A Memory Protect setting OFF with the factory settings this is ON p 30 1 Defeat memory protect D In Program Play mode LCD Edit mode press the WRITE key The upper line of the LCD will continue to show what had been displayed when you pressed WRITE key In the figure below the WRITE key was pressed in LCD Edit mode Page 01A COMMON The lower line of the LCD will indicate the writing desti nation program number the number of the program that you edited BLA DET Editing If you decide to cancel the Write operation press the EXIT key 2 Use the YES NO keys to select the writing desti nation program number If you do not need to change the writing destination proceed to step 3 19 3 Press the WRITE key The display will ask you for confirmation 4 Press the WRITE key once again When the LCD screen indicates Completed the data has been written Never turn off the power during the Write ope
119. it only Press the SELECT 15 key and then press the CUR SOR P gt key four times The LCD screen will show Page 25E ARPEGGIO Tar get Select the timbre that will be used to play the arpeggio when the voice mode is Dual or Split This will be dis played only for Dual or Split SE ARFEGGIO Timbre 1 arget b Specify the keyboard synchronization Press the CURSOR key The LCD screen will show Page 25F ARPEGGIO Key Sync If this is turned ON the arpeggio pattern will begin playing from the beginning whenever a note on occurs OFF Supine c Set the resolution Press the CURSOR key The LCD screen will show Page 25G ARPEGGIO Reso lution Set the resolution timing interval between notes rela tive to the tempo of the arpeggio playback z250 ARPEGGIO Resolutions 1 4 d Make the rhythm swing Press the CURSOR key The LCD screen will show Page 25H ARPEGGIO Swing This setting skews the timing so that the arpeggiator will offset the even numbered notes giving you a swing feel B25H ARPEGGIO B58IX 27 Editing 28 Editing vocoder program Here s the procedure for editing a program when in the Vocoder mode For details on parameters that are the same as the synth pro gram please refer to the explanation for synth programs Here we will explain the parameters that can be set only for a voc
120. k 1 Shot The sequence will play back for only one cycle and will hold the value of the last step Loop The sequence will play back as a loop using the sequence type specified by Seq Type urin otion Rec the sequence will always play bac During Motion R he seq ill always play back in Loop mode D Key Timbre Voice Specify how the sequence will be reset when note on occurs when a key is played OFF The sequence will not be reset when note on occurs Timbre At the first note on that occurs from a condition of all notes off the sequence will be reset for the timbre that is sounding In the case of a Split program the timbre that is assigned to the key for which the note on occurred will be reset Voice Reset will occur for each voice for which there is a note on m If the sequence and the arpeggiator are both on you should set this parameter to either OFF or Timbre If you select Voice the sequence will be reset each time the arpeggiator sounds If you select Timbre the sequence will be reset at each chord change E Resolution eere 1 48 17 1 Specify the sequence playback speed as a proportion of the tempo set by the TEMPO knob or MIDI clock P 66 How Resolution and Sync Note values correspond to note values At a setting of 1 1 the sequence will advance one step every four beats At a setting of 1 2 the s
121. knob The LCD screen will show Page 11C EG 2 Sustain Rotating the knob toward the right increasing the value will produce a louder volume during the sustain BliC EG 2 Editing Sustain 23 24 d Adjust the speed at which the volume will decay after the note is released Rotate the EG 2 RELEASE knob The LCD screen will show Page 11D EG 2 Release Rotating the knob toward the right increasing the value will make the volume decay more slowly and rotating it toward the left decreasing the value will shorten the decay For sounds such as pads strings or organs use a higher value 8 Make LFO settings The LFO Low Frequency Oscillator applies cyclic change to a parameter If it is applied to the pitch of the oscillator the result is vibrato If applied to the filter cutoff the result is wah If applied to the amp level the result is a tremolo effect If you wish to use the front panel knobs to adjust the LFO parameters you must first use the SEQ EDIT SELECT key to turn off the SEQ 1 3 LED s EFFECTS FREQUENCY FREQUENCY a Select the LFO waveform Press the SELECT key Each time you press the key the waveform will change and the LED of the selected waveform will light The type of change will depend on the waveform you select b Set the frequency of the Rotate the FREQUENCY knob Rotating the knob toward the right increas
122. l O 71 VALUE owes O sm o ingle AUDIO IN POWER VoLUME O eO a 7 osc2 EG1INT TRACK PAN E 5 WAVE INST EF SENSE TEMPO GATE Lee WAVE osc MOD D E r TOCTAVE UP AE LO LO CI ZOOM pow POWER OFF AOCTAVE OSC 2 PITCH TRIGGER COMPARE nm CONTROLA Most Own ON OFF LATCH RANGE TYPE EDIT GLOBAL DEMO EXIT CONTROL 1 CONTROL 2 THRESHOLD NOISE FILTER TYPE 12 EG 2 GATE U T o o C VOCODER PARAMETER LFO 1 1 2 LFO2 EFFECTS VIRTUAL PATCH OCTAVE ey SELECT KE MOD SEQUENCE ru or qu O 1 1 0 m O Ken TRACK 05 2 DISTORTION O Z7 OSC 1CTRL1 PAN 10 bid E S H S H 02 7 ONOISE LEVEL Lro2 Fato U 2 U SELECT SELECT MOD SOURCE 8 E SELECT SELECT MOD DELAY SELECT FC MOD SOURCE DESTIN
123. llator 2 will modulate by oscilla tor 1 The modulated waveform will be output from oscillator 2 SEMITONE knob For synth programs this sets the pitch of oscillator 2 in semitone steps For vocoder programs this sets the output level of the HPF high pass filter that is applied to the signal received at the AUDIO IN 2 jack TUNE knob For synth programs this is a fine adjustment for the pitch of oscillator 2 For vocoder programs this sets the threshold level at which the signal input from the AUDIO IN 2 jack will be cut MIXER osc1 knob This adjusts the volume of oscillator 1 05 2 knob For synth programs this adjusts the volume of oscillator For vocoder programs this adjusts the volume of the signal that is input from the AUDIO IN 1 jack NOISE 1 knob This adjusts the volume of the noise generator FILTER FILTER key For synth programs this selects the filter type The LED for the selected filter type will light For vocoder programs this selects the formant shift The LED for the selected formant shift will light CUTOFFe knob For synth programs this sets the filter cutoff frequency For vocoder programs this sets the cutoff frequency of the synthesis filter RESONANCE axel 1 knob For synth programs this sets the amount of filter reso nance For vocoder programs this sets the amount of resonance for the synthesis fi
124. llers message is received all con troller values currently operating on that channel will be reset Appendices Arpeggiator When the MS2000 MS2000R s arpeggiator is synchronized to a connected external MIDI device system realtime mes sages Start and Stop will control the arpeggiator Start FA When a Start FA message is received the arpeggiator will start from the pitch of the first played note Stop FC When a Stop FC message is received the arpeggiator will stop It will not be turned off the arpeggiator will start again when additional notes are played System exclusive messages MS2000 MS2000R format F0 exclusive status 42 Korg ID n 0 F global MIDI channel 58 MS2000 MS2000R model ID ff function ID type of message F7 end of exclusive Universal system exclusive System exclusive messages include a special category of messages whose purpose is officially defined These are called universal system exclusive messages Of these universal system exclusive messages the MS2000 MS2000R supports Master Volume and Master Fine Tun ing Master volume FO 7F nn 04 01 vv mm F7 vv lower byte of value mm upper byte of value mm vv 7F 7F is mm vv 00 00 is 0 When a Master Volume message is received the MS2000 MS2000R will adjust its overall volume If Global mode Page GLOBAL AudioInThru is ON the input signal of AUDIO IN 1 2 will not be affected by Master V
125. low when used in conjunction with Formant Shift Frequency 63 0 63 Cutoff range in which BPF 8 will change BPF bo 7 8 o gt Frequency 63 0 463 Cutoff range in which BPF 8 will change Formant Shift 2 C Resonance lt 7710199 gt 000 127 Specify the amount of resonance for each band pass filter Increasing this value will emphasize the regions near each cutoff frequency D Mod Src lt EG 1 MIDI 2 Select the modulation source that will be applied to Cut off The selectable modulation sources are the same as for the Virtual Patch modulation sources Source for synth parame ters Refer to p 42 B VIRTUAL PATCH E Mod Int 63 63 Specify the depth of the modulation that will be applied to Cutoff E ESense lt 000 127 Specify the sensitivity of the envelope follower of the modu lator With low settings of this parameter the rise and fall of the signal from the AUDIO IN 2 jack will be detected rapidly With high settings of this parameter the change will become slower producing a sound with no attack and a long release With a setting of 127 the response of the signal being input at that time will be maintained Subsequently the sound will be produ
126. lter EG1 INTe knob For synth programs this adjusts how much the filter cutoff frequency will be affected by the time variant change produced by 1 For vocoder programs this adjusts the depth of the modulation that is applied to the cutoff frequency of the synthesis filter The modulation source can be selected by KBD TRACK 1 knob For synth programs this adjusts the filter keyboard tracking change in cutoff frequency that will occur according to the keyboard location you play For vocoder programs this adjusts the sensitivity of the ENVELOPE FOLLOWER for the vocoder sec AMP LEVELe knob For synth programs this adjusts the volume of each tim bre For vocoder programs this adjusts the volume of the internal tone generator carrier OSC1 NOISE PANe knob For synth programs this sets the output panning for each timbre For vocoder programs this sets the level at which the signal from the AUDIO IN 2 jack will be output directly EG 2 GATE key This selects the envelope source for the volume DISTORTION key This switches distortion on off ARPEGGIATOR TEMPO knob This sets the tempo of the arpeggio performance This setting will also determine the MOD SEQUENCE playback speed and is used when synchronizing the LFO frequency to the tempo GATE knob This adjusts the length of the notes sounded by the arpeggiator ON OFF key This turns the arpeggiator on o
127. m mixer powered monitor system etc In order to take full advantage of the potential of the MS2000 MS2000R we recommend that you use stereo out put If you are making monaural connections use the L MONO jack Connecting pedals and switches By connecting a volume pedal and a switch pedal you can expand your performance possibilities Connect a pedal and or switch pedal as necessary You can set the polarity of the pedal in Global mode Page 6 PEDAL amp SW Parameter guide p 56 a ASSIGNABLE PEDAL jack If you wish to use a pedal to control breath control volume pan or expression connect an EXP 2 expression pedal sold separately or an XVP 10 EXP VOL pedal sold sepa rately etc The function that will be controlled is determined by the setting in Global mode Page 6A PEDAL amp SW rx Parameter guide p 56 With the factory settings this is set to Exp Pdl IN SWITCH PEDAL ASSIGNABLE AUDIO IN MIC 2 1 R OUTPUT L MONO Monitor speakers amplified ASSIGNABLE SWITCH jack If you wish to use a pedal switch to change programs to change the octave up down or to turn portamento or the arpeggiator on off connect a PS 1 switch pedal sold sepa rately or DS 1H damper pedal sold separately The func tion that will be controlled is determined by the A SwFunc setting in Global mode Page 6B PEDAL amp SW Parameter guide p 56 With the factory settings th
128. mbre will play two voices 3 1 Timbre 1 will play three voices and timbre 2 will play one voice 46 1f the Page 03A VOICE Assign setting is Mono this setting will be ignored C 1 G9 Specify the keyboard location split point at which timbres 1 and 2 will be divided You can also change this by holding down the EDIT key and playing a note on the keyboard where you want the tim bres to be split This parameter will be displayed and can be set only when Mode is Split D Equal Temp User Scale This selects the scale type of the program You can select from ten scale types Equal Temp This is the equal temperament that is used for most music Each semitone is spaced an equal pitch distance apart Pure Major This is a pure major temperament Major chords played in the key specified by Scale Key will be perfectly in tune Pure Minor This is a pure minor temperament Minor chords played in the key specified by Scale Key will be perfectly in tune Arabic This is a scale used in Arabic music It includes the quar ter tone scale used in Arabic music Pythagorea This is the Pythagorean scale which is based on ancient Greek musical theory and is especially effective for play ing melodies Werckmeist This is the Werckmeister temperament an equal tempered scale used in the later Baroque period Kirnberger This is the Kirnberger temperament created in the 18
129. ms consist of OSC1 NOISE MIXER VOCODER SEC EFFECT and ARPEGGIATOR The vocoder takes a signal from the internal tone generator OSC1 NOISE or the AUDIO IN 1 jack applies to it the characteristics of the signal that is input from the AUDIO IN 2 jack and outputs the result The most popular use for this is to input a voice from a mic connected to the AUDIO IN 2 jack in order to create the effect of an instrument speaking VOCODER BLOCK DIAGRAM AUDIO IN 2 VOICE SYNTHESIS Y DIRECT LEVEL VOCODER SEC HPF A TL ch E FSENSE ER ANALYSIS ENVELOPE FILTER FOLLOWER DELAY FX RESONANCE 1 1 gt 4 4 LEVEL PAN CUTOFF FC MOD FORMANT SHIFT OSC1 NOISE AUDIO IN 1 jack carrier The OSC1 NOISE signal will be the carrier to which the vocoder effect is applied Waveforms that contain large numbers of overtones such as SAW and VOX WAVE are ideal for the carrier waveform It is also possible to apply the vocoder effect to a waveform that is input to the AUDIO IN 1 jack together with OSC1 NOISE The volumes of OSC1 NOISE AUDIO IN are adjusted by the MIXER and the combined signal is output to the VOCODER SEC AUDIO IN 2 jack modulator The signal that is input to the AUDIO IN 2 jack will be the modulator In general it is most common for a voice to be input to the modulator but you can create unique effects by inputting
130. n the global MIDI channel By setting the AMP Level control change assignment to volume CC 07 you can receive volume messages to control the volume Panpot CC 10 Bn 0A vv If you set Global mode Page 6A PEDAL amp SW A Pedal to Panpot pedal movements will transmit panpot mes sages on the global MIDI channel By setting the AMP Panpot control change assignment to panpot 10 you can receive panpot messages to move the stereo loca tion of the sound Expression CC 11 Bn OB vv When expression messages are received the timbre volume will be controlled If the maximum value 127 is received the volume will be maximum and if a value of 0 is received the volume will be 0 If you set Global mode Page 6A PEDAL amp SW A Pedal to Exp Pdl pedal movements will transmit expression mes sages on the global MIDI channel Damper pedal 64 Bn 40 vv Damper pedal messages can be received to turn the damper hold effect on off for a timbre If you set Global mode Page 6B PEDAL amp SW A SwFunc to Damper movements of the assignable switch will trans mit damper pedal messages on the global MIDI channel 0 OFF 7F ON Portamento CC 65 Bn 41 vv When portamento messages are received the portamento effect of the timbre will be turned on off If portamento time is 0 there will be no portamento effect If you set Global mode Page 6B PEDAL amp SW A SwFunc to Portmnt movement
131. ngs this is ON Press the CURSOR 4 or gt key When you press the key the parameter will change The cursor will blink at the beginning of the parameter value If the parameter no longer changes when you press the CURSOR gt key you have reached last parameter in that page CURSOR COMMON 2816 COMMON ode Single Teme CURSOR 4 gt COMMOH Scale If there are two parameters in a single screen use the 5 41 keys to move the cursor to parame ter that you wish to modify 414A PATCHI 1 itch PATCH EG 1 Pitch In some cases the setting of one parameter may cause the number of parameters in the page to change For example if the Page 01A COMMON Mode parameter is set to Split instead of Single there will be two additional parameters Timbre Voice and Split Point In conjunction with this the alphabetical charac ter following the page number will also change In the case of Single Page 01B COMMON will be Scale In the case of Split Page 01B COMMON will be Timbre Voice CURSOR gt COMMON BEIE Single ScaletEsual COMMOH BEGIE COMMOH Split Timbre 2 2 d Input the value Use the front panel knobs or
132. ngs to do so VIRTUAL PATCH VIRTUAL PATCH allows you to use not only EG or LFO but even velocity keyboard playing dynamics or key board tracking the area of the keyboard you play as mod ulation sources which can be assigned to sound parameters for greater freedom in creating sounds Four routings com binations can be specified for each timbre MOD SEQUENCE MOD SEQUENCE is a step sequencer that lets you apply time variant change to various sound parameters in a way similar to analog synthesizers of the past Use the sixteen knobs on the front panel to set the value of each step and playback to make the sound change You can also operate the knobs in realtime and record their movements parameter values in each step Motion Rec function Since each timbre can have up to three sequences you can obtain very complex tonal changes Vocoder programs EFFECTS Each program has a modulation effect delay and equalizer For a modulation type effect you can select from three effects such as chorus For a delay effect you can select from three types of delay including a stereo delay ARPEGGIATOR This is an arpeggiator with six types of arpeggio type For a program whose voice mode is Dual Split arpeggios can be played on one or both timbres Since arpeggiator settings can be made for each program you can create and save an arpeggio type that is suitable for the sound of that program Vocoder progra
133. nob is in the center CNT the output will be in the center When rotated far left the output will be only in the L channel When rotated far right the output will be only in the R channel Changing the program name a Using the CURSOR a gt keys and the YES NO keys CD Press the SELECT 1 key and then press the PAGE key The LCD screen will show Page 02A NAME 2 Use the CURSOR lt gt keys to move the cursor to the character that you wish to change 3 Use the YES NO keys to select the desired char acter 4 Repeat steps 2 and 3 to specify the desired program name You can specify a program name of up to 12 characters b Using the EDIT key and the sixteen knobs When the LCD screen shows Page 02A NAME you can use the EDIT key and the sixteen knobs used for sequence and vocoder settings to change the program name as explained below KEEN 22 29 1 2 15 16 Basic Guide While pressing the EDIT key rotate knobs 1 12 The corresponding character 1 12 of the name will change While pressing the EDIT key rotate knob 13 Uppercase alphabetical characters can be selected for the character at the cursor location While pressing the EDIT key rotate knob 14 Lowercase alphabetical characters can be selected for the character at the cursor location While pressing the EDIT key rotate knob 15 Numerals can be selected for t
134. nsssnsnsssnsnsanosisedatssnsassaedadesrsanaxe 1 3 Select the copy destination sequence Procedure In LCD Edit mode press the SELECT 16 key and then press the CURSOR gt key five times The LCD screen will show Page 26F UTILITY Copy Seq 26F UTILITY 2 Press the YES key The LCD screen will indicate the copy source program Source Program timbre Source Timbre sequence Source Seq and copy destination sequence Destina tion Seq 26F UTILITY DET Source Destination Seq Source Seq 47 48 3 Use the YES NO keys to select the copy source program 4 Use the CURSOR key to move the cursor to the copy source timbre Use the YES NO keys to select the copy source timbre If the copy source program is Single it is not possible to select the copy source timbre only timbre 1 is available Use the CURSOR key to move the cursor to the copy source sequence 7 Use the YES NO keys to select the copy source sequence Use the CURSOR to move the cursor to the copy destination sequence Use the YES NO keys to select the copy destina tion sequence Use the CURSOR key to move the cursor to OK and press the YES key You will be asked to confirm the copy function 26F UTILITY You Sure DE 17 Press
135. o initialize When you initialize a sequence the data recorded in that sequence will be erased Procedure In LCD Edit mode press the SELECT 16 key and then press the CURSOR key four times Parameter Guide The LCD screen will show Page 26E UTILITY InitSeq UTILITY 2 Press the YES key The LCD screen will show the sequence to be initialized InitSeq SBE UTILITY Program parameters 3 Use the YES NO keys to select the sequence that you wish to initialize If you select ALL all sequences SEQ 1 3 of the timbre will be initialized Use CURSOR to move the cursor to OK and press the YES key You will be asked to confirm the initialize function 6E UTILITY You Sure DET 5 Press the YES key once again The sequence s will be initialized and the display will indicate Completed Press the EXIT key You will return to the first screen of the InitSeq func tion F CopySeq This function copies sequence data from another timbre to the currently selected timbre Source A01 H16 Select the copy source program Source Timbre 1 2 Select the copy source timbre Source 51 53 Select the source sequence Destination Seq sssss
136. obs and keys to modify the sound and change the parameter values You can also use the arpeggiator and MOD SEQUENCE for additional performance possibilities LCD Edit mode Se 11 In this mode you view parameter values in the LCD screen and edit them Access this mode when you wish to edit parameters that do not correspond to any knob or key on the front panel or when you wish to make detailed adjustments to a parameter value Global mode A GLOBAL Met Ture 446 In Global mode you can make the following settings Adjust the tuning and edit user scale data Specify the functions of the assignable pedal and assign able switch Transmit a MIDI exclusive data dump Set MIDI and other parameters for the entire the MS2000 MS2000R Basic Guide How a program is structured The programs of the MS2000 MS2000R can be classified in one of two categories depending on the Voice mode setting LCD Edit mode Page 01A COMMON Mode synth programs whose Mode is Single Dual Split and vocoder programs whose Mode is Vocoder Synth programs Introduction As shown in the diagram below a synth program consists of timbres effects and an arpeggiator SYNTHESIZER BLOCK DIAGRAM TIMBRE 2 in the case of Dual Split TIMBRE 1 AUDIO 1 11 4 A 4 VIRTUAL PATCH Df G2 DIST GATE Free Assign 4
137. oct HPF High Pass Filter Use to create time variant changes in cutoff frequency AMP This consists of AMP Amplifier DIST Distortion and PAN Panpot AMP sets the volume and PAN sets the stereo location Use 2 to create time variant changes in volume You can produce hard harsh tones by turning DIST on By adjusting the filter cutoff and resonance strong effects can be produced EG1 2 An EG Envelope Generator applies a time variant change to a sound parameter On the MS2000 MS2000R there are two EG s for each tim bre Each EG consists of four parameters ATTACK attack time DECAY decay time SUSTAIN sustain level and RELEASE release time is assigned as the envelope source that produces time variant change in the FILTER cutoff frequency EG2 is assigned as the envelope source that produces time variant change in the AMP volume If you wish to assign EG1 and EG2 to other parameters you can make VIRTUAL PATCH settings to do so LFO 1 2 The LFO Low Frequency Oscillator applies cyclic change to sound parameters The 52000 52000 provides two LFO s for each tim bre each with four waveforms LFO1 is assigned as the modulation source for OSC1 is assigned as the modulation source for the pitch modulation controlled by the modulation wheel If you wish to assign LFO1 and LFO2 to other parameters you can make VIRTUAL PATCH setti
138. ode Page 6A PEDAL amp SW A Switch setting appropriate for the pedal switch that is connected 57 Can t write programs or global settings IsGlobalmode Page 2A MEMORY Protect turned OFF p 30 54 Transpose or velocity curve is not transmitted received correctly sGlobalmodePagelC Global Position setappropriately 53 Arpeggios do not start s the arpeggiator turned ON OFF key lit p 15 Is Global mode Page 3C MIDI Clock set to Internal 54 No response to MIDI messages sent from an external device Is the MIDI cable connected correctly 10 Does the MIDI channel of data transmitted from the external MIDI device match the global MIDI channel of the 52000 52000 11 Does not respond correctly to MIDI messages sent from an external device Are the various parameters of Global mode Page 4 MIDI FILTER set to 00005 55 Specifications and options Tone generator system Analog modeling synthesis system Synth programs Multi timbral capability maximum two timbres for Split Dual 4 voices 2 oscillators noise generator EG x 2 LFO x 2 virtual patch x 4 MOD sequence maximum 16 steps x 3 Vocoder programs 4 voices 1 oscillator noise generator EG x 2 LFO x 2 16 channel vocoder adjustable level and pan f
139. oder program 1 Adjust the mic input audio OSCILLATOR 1 OSCILLATOR 2 Vox WAVE O NOISE L cross AUDIO IN OSC 2 PITCH CONTROLI 12 5 TUNE CONTROL 1 RO HPF LEVEL THRESHOLD FOE ANA d AN a Cut the noise when there is no input Rotate the 1 knob The LCD screen will show Page 06B AUDIO IN 2 Threshold Rotating the knob toward the right will make it more likely that the audio will be cut Adjust this so that noise is not obtrusive when you are not speaking into the mic BEEBE AUDIO Threshold G69 2 Press the SELECT 5 key The LCD screen will show Page 06A AUDIO IN 2 Gate Sense Adjust this so that the vocoder sound that is output is not interrupted unnaturally Use the YES NO keys to adjust the value b Adjust the consonants of the vocoder sound Rotate the knob The LCD screen will show Page 06C AUDIO IN 2 HPF Level Rotating the knob toward the right increasing the value will emphasize the consonants of the input sound Har AUDIO IH 2 Level 188 2 Set the filter MIXER NOISE sa FILTER TYPE FORMANT SHIFT JAN 12 Adjust the sensitivity of the ENVELOPE FOLLOWER for the modulator Rotate the E F SENSE knob The LCD screen will show Page 08 FILTER E ES
140. olume Master fine tuning FO 7F nn 04 03 vv mm F7 A value of 8192 mm vv 40 00 is center 0 cent 4 440 0 2 4096 mm 20 00 is 50 cents and 12288 mm vv 60 00 is 50 cents When master fine tuning is received the value specified for the MS2000 MS2000R s Global mode Page 1A GLOBAL Mst Tune will be ignored and the overall pitch will be specified by the data that was received 63 64 Transmitting sound settings etc Data Dump Program data and global data can be transmitted as a MIDI exclusive data The action of transmitting MIDI exclusive data to an external MIDI device is called a data dump By performing a data dump you can store various types of data on an external MIDI device or rewrite the sounds or settings of a second MS2000 MS2000R Data dumps can be performed on the MS2000 MS2000R as follows In Global mode Page MIDI Dump select the type of data to be transmitted PROG GLOBAL ALL and transmit the data dump 1PROG will dump only the data for the program select ing in Program Play mode When the MS2000 MS2000R receives such a data dump the settings of the currently selected program will be rewritten by the data that was received In this case the data will not be saved unless you per form the Write operation PROG will dump the data for all programs saved in memory GLOBAL will dump global data Global mode settings ALL will dump all programs as w
141. on MOD SEQUENCE These are the sequence related parameters Page18 SEQ COMMON Last St 01 Step e Specify the sequence length maximum number of steps 16 Forward Alt 2 Specify the sequence type sequence playback direction Forward Play back from the first step Step 01 Forward Last Step 16 Step Step Step Step Step 01 02 03 14 15 16 Run Mode Loop Reverse Play back in reverse from the last step the value specified by Last Step Reverse Last Step 16 Step Step Step Step Step Step gt 16 15 14 03 02 01 1 1 Pete gt eee i Run Mode Loop Alt 1 Alt 2 Alternately play back in Forward and Reverse Alt1 Last Step 16 Step Step Step Step 01 02 15 16 RE Run Loop i Step Step Step 01 02 15 Alt2 Last Step 16 Step Step 01 02 15 16 77555555 Loop i Step Step Step Step 01 02 15 16 m During Motion Rec the sequence will always play in Forward mode Parameter Guide C Run 15 Loop Specify whether the sequence will be looped for playbac
142. or each channel For mant Shift function Tone generator 4 voice 2 oscillator noise generator Keyboard 52000 44 notes no aftertouch Effects Modulation effect 3 types delay 3 types equalizer Arpeggiator 6types Programs 16 programs x 8 total 128 programs Inputs AUDIO IN 1 jack Input impedance 39 kQ Maximum input level 3 5 dBu AUDIO IN 1 INST knob Max Source impedance 600 Q AUDIO IN 2 jack with MIC LINE switch AUDIO IN2 LINE Input impedance 39 kQ Maximum input level 3 5 dBu AUDIO IN 2 VOICE knob Max Source impedance 600 Q AUDIO IN 2 MIC Input impedance 22 kQ Maximum input level 33 dBu AUDIO IN 2 VOICE knob Max Source impedance 600 Q Outputs e L MONO jacks Output impedance 1 1 kQ MONO 550Q Maximum output level 6 5 dBu Load impedance 100 kQ Headphone jack Output impedance 10 Q Maximum output level 35 mW Load impedance 33 Q Control inputs ASSIGNABLE PEDAL jack ASSIGNABLE SW jack MIDI IN OUT THRU connectors Display 16 character 8 x 5 pixel x 2 line LCD module with backlight Power supply 9 8 W Dimensions MS2000 737 8 W x 371 3 D x 147 7 mm MS2000R 482 0 W x 233 2 D x 87 1 H mm five space rack mount Weight MS2000 7 1 kg MS2000R 2 8 kg Included items AC adapter DC9V Washers x4 Bushing x4 Screws x4 MS2000R only Options EXP 2 expression pedal
143. ou want the oscillation produced by resonance to match the reference pitch set Control1 to 24 37 38 Audio In If this is selected the waveform input from the AUDIO IN 1 or AUDIO IN 2 jack will be used This allows the MS2000 MS2000R to be used as an effect processor Control1 This adjusts the volume balance between AUDIO IN 1 and AUDIO IN 2 With a setting of 0 only AUDIO IN 1 will be output With a setting of 127 only AUDIO IN 2 will be output Control2 LFO1 is used to apply modulation to the volume balance between AUDIO IN 1 and AUDIO IN 2 that you set by The Control2 setting sets the depth of this modulation produced by 1 Page06 OSC 2 A Wave lt WAVE gt Saw Squ Tri Select the waveform for oscillator 2 Saw A sawtooth wave suitable for creating typical analog syn thesizer sounds such as synth bass and synth brass Squ A square wave suitable for creating electronic sounds or simulating woodwinds such as clarinet Tri A triangle wave with weaker overtones and stronger fun damental than a sawtooth wave or square wave B OSC Mod lt OSC MOD OFF RingSync Select the modulation type for the oscillator OFF Output without applying modulation By adjusting Semi tone and Tune you can produce a spacious detuning effect For synth bass sounds set the pitch of oscillators 1 and 2 one octave apart
144. p into the equipment unplug the AC adaptor from the wall outlet Then contact your nearest Korg dealer or the store where the equipment was purchased THE FCC REGULATION WARNING for U S A This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protec tion against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communi cations However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consult the dealer or an experienced radio TV technician for help Unauthorized changes or modification to this system can void the user s authority to operate this equipment CE mark for European Harmonized Standards CE mark which is attached to our company
145. quence SEO 1 3 you can use the sixteen knobs located beside the SEQ EDIT LED to edit the data of each step Using external input 1 Modifying an external waveform A waveform from an external device connected to the AUDIO IN jack can be modified in the same way as an internal waveform Before you connect an external device turn off the power of both devices and set the MS2000 MS2000R s AUDIO IN knob to 0 1 Connect the external device THRU OUT IN QOO ao ASSIGNABLE AUDIOIN OUTPUT SWITCH PEDAL MIC 2 1 R 1 0000 1 OUTPUT MIDI Synthesizer sampler etc 8 2 Turn on the power of both devices 3 Set the MIDI channel of the MS2000 MS2000R and the MIDI channel of the connected MIDI device to the same channel For details on setting the MS2000 MS2000R s MIDI channel refer to Basic Guide p 11 Connections 3 Set ting the MIDI channel preparations for playing 4 Press the OSCILLATOR 1 WAVE key to make the AUDIO IN LED light WAVE O VOX WAVE WAVE rw Owes De O cross IN 5 Input a waveform from the connected external device and adjust the AUDIO IN 1 8 knob so that the LED does not light red 6 Operate the knobs and keys of the FILTER EG and LFO to modify the input waveform For details on parameter settings refer to Basic Guide p 20 Editing
146. r not MIDI system exclusive messages will be transmitted and received ENA MIDI system exclusive messages will be transmitted and received DIS MIDI system exclusive messages will not be transmitted or received NoteR ALL ODD NoleRcy ertet rro ore thao ne P etate e ER When note data is received specify note numbers even numbered notes odd numbered notes all notes that will be sounded by the MS2000 MS2000R ALL All note numbers will be received Normally you will leave this set at ALL If you have connected an MS2000 or an addition MS2000R to an MS2000R to increase the polyphony set one unit to EVN and the other to ODD so that either one or the other will sound A EVN or ODD are valid only if the program has an Assign setting LCD Edit mode Page 03A VOICE of Poly MS2000 MIDI OUT MIDI IN ODD EVN MIDI OUT MIDI IN MIDI THRU MIDI IN EVN ODD MIDI keyboard etc m There is no effect on the MIDI data that is received EVN Even numbered notes C D E F G will be sounded ODD Odd numbered notes D A B will be sounded P Chg Here you can freely specify the correspondence between the MS2000 MS2000R s program numbers and the incoming MIDI program change numbers MIDI FILTER Pa Chalana Bal External Internal External 000 127 Select the incoming MIDI p
147. ration This can damage the data 5 Press the EXIT key You will return to the screen where you started Editing a synth program Here is the procedure for editing a synth program Unless otherwise specified this is the procedure for editing a program whose voice mode is Single The explanation assumes that you are already in LCD Edit mode l Specify how notes will be sounded In Page 03A VOICE Assign specify how the timbre will sound the notes O Press the SELECT 2 key The LCD screen will show Page 03A VOICE Assign UDICE zin Hona Use the YES NO Keys to change the setting If you wish to play chords select Poly If you wish to play single notes select Mono or Unison 2 Make oscillator settings Make settings for oscillator 1 and 2 which will be the basis of the sound OSCILLATOR 1 OSCILLATOR 2 To Vox wave x Owes ON cross AUDIO IN CONTROL 1 CONTROL 1 a Select the waveform for oscillator 1 Press the OSCILLATOR 1 WAVE key Each time you press the key the waveform will change and the LED for the selected waveform will light For oscillator 1 you can choose from eight waveforms including the external output waveform 20 Set waveform parameters D Rotate the CONTROL 1 knob The LCD screen will show Page 05B OSC 1 Control 1 The parameter will depend on the selected waveform OSC 1
148. rect Level If the control change map Page 5 CTRL CHANGE Panpot has been set to 10 this will control panpot or Direct Level A Touch After Touch will be assigned Operating the pedal will transmit Channel Pressure Dn vv messages from the MIDI OUT connector If the Global mode parameters Page 3D MIDI MIDI 1 or Page MIDI MIDI 2 are set to A Touch this can be used as a modulation source BreathC MIDI control change MIDI Breath Control 02 will be assigned Operating the pedal will transmit Bn 02 vv messages from the MIDI OUT connector If the Global mode parameters Page 3D MIDI MIDI 1 or Page MIDI MIDI 2 are set to CC 02 this can be used as a modulation source FootPdl MIDI control change Foot Pedal CC 04 will be assigned Operating the pedal will transmit Bn 04 vv messages from the MIDI OUT connector If the Global mode parameters Page 3D MIDI MIDI 1 or Page MIDI MIDI 2 are set to CC 04 this can be used as a modulation source 2 Damper Arpegio Select the function of the pedal switch connected to the ASSIGNABLE SWITCH jack With the factory settings this is Damper Damper The pedal switch will function as a damper pedal Prog The pedal switch will select programs consecutively Oct The pedal switch will switch octaves This lets you use the pedal to perform the functions of the front p
149. rhythm sounds or other waveforms VOCODER SEC This consists of two sets of 16 band pass filters ANALYSIS FILTER and SYNTHESIS FILTER and the ENVELOPE FOLLOWER The audio signal from the AUDIO IN 2 jack modulator is input to sixteen bandpass filters ANALYSIS FILTER and the ENVELOPE FOLLOWER detects the volume envelope time variant change of each frequency band Then the signal from the internal tone generator or the AUDIO IN 1 jack carrier is input to the other set of 16 band pass filters SYNTHESIS FILTER and processed by the envelopes detected by the ENVELOPE FOLLOWER to modulate the carrier with the features of the voice produc ing the impression that the instrument or sound is talking vocoder effect It is also possible to use the FORMANT SHIFT or CUTOFF parameters to change each frequency of the carrier band pass filter This will cause the frequency response curve to be raised or lowered while preserving the character of the modulator and will dramatically affect the tone Front and rear panel Front panel The characters printed inverse white on the front panel are vocoder program parameters LCD Edit mode Page 01A COM MON Mode Vocoder 52000 AUDIO IN OSCILLATOR 1 OSCILLATOR 2 MIXER FILTER AMP o 0501 CUTOFF RESONANCE LEVEL vm 27008 fosca GU 81 Ovoxwave
150. riaiog moeng Date 1999 12 14 MS2000 MS2000R MIDI Implementation Chart Transmitted Recognized Remarks Basic Default Memorized Channel Changed Mode Memorized Messages Altered este sk sk aK oe te te ae ak ak ok Note 5 120 21 108 MS2000 MS2000R Number True Voice ke ae ae ae ae a k k Velocity Note On 1 127 64 Aftertouch Polyphonic Key X Monophonic Channel Pitch Bend 52000 MS2000R Modulation wheel Breath Controller Foot controller Data Entry MSB Volume Panpot Expression Damper Portamento NRPN LSB MSB All sound off Reset all controllers Virtual patch source Sync control Timbre select Panel controls knobs switches MS2000 MS2000R Control Change OOOOOOOOOOOOOOO O X X 00 127 Change Variable Range System Exclusive O Song Position Song Select Tune System Common System Clock Real Time Command Local On Off Aux All Notes Off Messages Active Sense Reset 123 127 X Remarks B C Transmitted received when Global mode Page 4 MIDI Filter ProgChg CirlChg PBend SystemEx settings are respectively ENA 1 Transmitted according to the Global mode Page 6 PEDAL 8 SW A Pedal and A SwFunc settings 2 Received according to the Global mo
151. riority TIMBRE SELECT MOD SEQUENCE PORTAMENTO PITCH CUTOFF PITCH CUTOFF Trigger TNE Orla KBD TRACK OSC 2 PITCH 0562 PITCH AMP DISTORTION Detune sur O 1 m fice 2 5 0361 CTRL1 PAN OSC 1 PAN 2 sa EG 1 FILTER EG 2 AMP C I ATTACK DECAY SUSTAIN RELEASE ATTACK DECAY SUSTAIN RELEASE FREQUENCY FREQUENCY 1 2 LFO 1 LFO 2 EG Reset EG Reset KeySync KeySync Tempo Sync Tempo Sync Sync Note Sync Note SEQ EDIT SEQ COMMON SEQ1 SELECT SEQ1 LastStep Knob us 7 otion Run Mode Key Sync Resolution SEQ2 Knob Motion SEQ3 Knob Motion sooipueddy cL Program No Program Name AUDIO IN 1 rad 21 Mode Scale PITCH Transpose Tune Vibrato Int Bend Range VOICE Assign Priority Trigger Detune ATTACK DECAY SUSTAIN RELEASE SEQ EDIT Q 71 CONTROL 1 exe OSCILLATOR 1 OSCILLATOR 2 vox WAVE Lipwm DWGs NoisE cross AUDIO IN HPF LEVEL UD UO EG 1 1 EG Reset Vocoder Program AUDIO IN2 Gate Sense HPF Gate MIXER FILTER AMP Vel Sense KBD Track AMP LEVEL aoctave 2 MOD FX DELAY FX EQ TRIGGER Type Type LowEQFreq ON OFF LATCH RANGE TYPE Tempo Sync LowEQGain Sync Note HiEQFreq HiEQGain LFO1 EFFECTS PORTAMENT
152. rogram change number LAOO H16 Select the MS2000 MS2000R program number 55 Global parameters 56 SyncCtil OFF 95 Select the MIDI control change number that will be transmit ted from the MIDI OUT connector when the arpeggiator sends a note on With the factory settings this is 90 n If the specified number has been specified for another key or knob an will be displayed in the LCD screen beside MIDI FILTER TimbreSelect OFF CC 00 CC 95 Here you can select the control change number that will be output from the MIDI OUT connector when a timbre is selected in Program Play mode or LCD Edit mode With the factory settings this is 95 n If the specified number has been specified for another key or knob an will be displayed in the LCD screen beside MIDI FILTER Page5 CTRL CHANGE A Ctrl Change Here you can assign a MIDI control change number CC to each front panel knob When you operate a knob or key in Program Play mode or LCD Edit mode the assigned control change will be trans mitted or received CTRL CHAHGE Fart ament ECHOS knob Ctrl Knob LPOrtamento Mod Depth Select the knob or key Ctrl OFF 0 95 Select the MIDI control change number If the specified number has been specified for
153. s The MS2000 MS2000R contains a total of 128 programs with 16 each in banks A H 3 Virtual Patch function Not only EG and LFO but also velocity and keyboard track ing can be used as modulation sources and assigned to parameters that make up the sound giving you even more freedom to create sounds 4 MOD SEQUENCE MOD SEQUENCE is a step sequencer that lets you apply time varying change to sound parameters in a way similar to analog synthesizers of the past 5 External input waveforms can be pro cessed A waveform input from the AUDIO IN 1 2 jacks can be pro cessed in the same way as the internal waveforms 6 Vocoder function If a mic is connected to the AUDIO IN 2 jack the 52000 52000 be used as a four voice vocoder In addition to using two 16 bank filter sets to simulate the vocoder sounds of classic equipment you can create original vocoder sounds by shifting the filter frequency or adjusting the level and pan of individual frequency bands 7 Arpeggiator The MS2000 MS2000R provides an arpeggiator that allows you to produce arpeggios simply by holding down a chord You can choose from six arpeggio types and also specify the duration and spacing of the arpeggiated notes The structure of the MS2000 MS2000R Modes The MS2000 MS2000R has the following three modes Program Play mode In this mode you can select and play a program sound As you play you can use the front panel kn
154. s of the assignable switch will trans mit portamento messages on the global MIDI channel 0 OFF 7F ON Appendices Using control changes as a modulation source for a virtual patch By setting Global mode Page 3D 3 MIDI MIDI 1 or MIDI 2 to 00 95 you can use control changes as the modulation source of the virtual patch of a synth program or the FC MOD modulation source of a vocoder program The value 0 127 of the modulation source will be used without change and no distinction will be made between upper byte MSB lower byte LSB or between continuous type switch type Assigning control changes to a parameter con troller knob key You can make settings in Global mode Page 5A CTRL CHANGE to assign principal parameter controllers of the front panel knobs keys to control changes 00 95 By doing so you can use these controllers to transmit the corresponding control change message and when the con trol change messages are received the result will be the same as if the controller were operated p 65 Front panel knob key control change assignments Sound parameter controllers will transmit and receive on the timbre channel and effect parameter controllers will transmit and receive on the global MIDI channel If the voice mode of the program is Split or Dual and if both timbre channels are set to the global MIDI channel GLB control change messages will be transmitted only for the tim
155. s products of AC mains operated apparatus until December 31 1996 means it conforms to EMC Directive 89 336 EEC and CE mark Directive 93 68 EEC And CE mark which is attached after January 1 1997 means it conforms to EMC Directive 89 336 EEC CE mark Directive 93 68 EEC and Low Voltage Directive 73 23 EEC Also CE mark which is attached to our company s products of Battery operated apparatus means it conforms to EMC Directive 89 336 EEC and CE mark Directive 93 68 EEC Data handling Unexpected malfunctions can result in the loss of memory contents Please be sure to save important data on an exter nal data filer storage device Korg cannot accept any responsibility for any loss or damage which you may incur as a result of data loss Thank you for purchasing the Korg MS2000 MS2000R analog modeling synthesizer To ensure trouble free enjoyment please read this manual carefully and use the product correctly About this manual How this manual is organized The MS2000 MS2000R owner s manual is organized as fol lows Basic Guide First read the Basic Guide to learn essential points of opera tion and basic procedures Introduction explains the features of the MS2000 MS2000R and how its modes and programs are organized Front and rear panel explains the knobs and keys of the front panel and the input output jacks and switches of the rear panel Connections explains how to connec
156. s when you wish to record realtime knob move ments as a sequence TIMBRE SELECT SELECT key When editing a Dual Split program this switches between the two timbres for editing D OCTAVE MS2000 KEYBOARD MS2000R MS2000 OCTAVE UP DOWN keys These shift the pitch range of the keyboard in one octave steps MS2000R KEYBOARD key If this key is pressed to make the LED light you can use the SELECT 1 16 keys to play the program SEQ EDIT SELECT key For synth programs this selects a sequence when creat ing or editing sequence data When a sequence is selected use the sixteen knobs at the right to create the sequence data For a vocoder program this is used to set the synthesis filter levels and panpot In this case the sixteen knobs at the right are used to set the various parameter values Rear panel VEN 01 THRU OUT eco IN 000 OUTPUT L MONO R jacks Connect these to your powered monitor speakers stereo amp mixer or multitrack recorder If you are playing in mono make connections to the L MONO jack AUDIO IN AUDIO IN 1 jack For synth programs connect a synthesizer or audio device here The input signal can be used as the oscilla tor 1 waveform For vocoder programs this will be the input jack for the external carrier of the vocoder AUDIO IN 2 jack For synth programs connect a synthesizer or audio device here This can be used together with the
157. se a waveform that is input from an exter nal device as the carrier make settings as described in both of the previous sections 1 Modifying an external wave form and 2 Using the vocoder function Make connections as shown below AUDIOIN OUTPUT MIC LINE 2 1 R L MONO Se OO ASSIGNABLE SWITCH PEDAL O O Synthesizer sampler etc 17 Playing 18 Editing program parameters Programs consist of a large number of parameters In order to create a program from scratch you will need to under stand all of these parameters Instead of this we suggest that you select a factory preset program and try editing it in order to understand each parameter Basic editing procedures The basic procedures for editing are explained below You can edit a program in Program Play mode or in LCD Edit mode 1 Editing in Program Play mode In Program Play mode you can not only select and play a program but also use the front panel knobs and keys to edit the sound of the program as you play for example by adjusting the filter cutoff or slightly slowing the attack The parameters that correspond to each key will change value or be switched on off each time you press the key and their status will be shown by the LED or in the LCD screen The parameters that correspond to each knob can be adjusted in analog fashion as indicated by the markings around the knob For bot
158. see p 66 Depth Depth 0 127 0 127 DELAY FX Different parameters assigned to synth parameters and vocoder parameters For programs whose voice mode is Split Dual this will apply only to the timbre selected by the TIMBRE SELECT SELECT key if the timbre MIDI channel LCD Edit mode Page 03B VOICE MIDI ch is GLB m Effect parameters are transmitted and received on the global MIDI channel regardless of the timbre MIDI channel If you are using two MS2000 MS2000R units to transmit and receive these parameters you must set the transmitting and receiving programs to the same settings 65 66 Control 2 values when OSC 1 Wave DWGS When the synth parameter OSC 1 Wave is set to DWGS the CONTROL 2 knob will select the DWGS waveform The value of the control change transmitted received by operating the CONTROL 2 knob corresponds to the parameter value as follows Value transmitted received 0 1 Value DWGS Wave transmitted received 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 DWGS Wave 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42
159. set the delay you must first turn on the MOD DELAY key LED a Select the delay type Press the SELECT 13 key The LCD screen will show Page 23A DELAY FX Type Use the YES NO keys to select the delay type There are three types of delay DELAY FE Tug2icstereobelas b Adjust the delay time O Rotate the SPEED TIME knob The LCD screen will show Page 23C DELAY FX Delay Time Rotating the knob toward the right increasing the value will lengthen the delay time DELAY Delas Time You can synchronize the delay time to the tempo speci fied by the TEMPO knob rs Parameter guide p 44 Page 23B DELAY FX Tempo Sync c Adjust the effect depth and the amount of feedback O Rotate the DEPTH FEEDBACK knob The LCD screen will show Page 23E DELAY FX Depth Rotating the knob toward the right increasing the value will deepen the delay sound increasing the amount of feedback E DELAY earth AGG Basic Guide Editing arpeggio parameters Here we will explain the parameters that can be set only in LCD Edit mode Use the YES NO keys to set the values For details on the parameters that can be set in Program Play mode refer to the section of the Basic Guide entitled Playing in Playing arpeggios 2 Using the knobs and keys to mod ify the settings p 15 a Select the timbre that will be used to play the arpeg gio Dual Spl
160. synchronize to the MIDI clock from the external MIDI device Auto When MIDI clock data is input from a connected external MIDI device the MS2000 MS2000R will automatically operate with the External setting Normally it will operate with the Internal setting When making settings for synchronizing external MIDI devices refer to the owner s manuals for the devices you are using D eee 95 Select the function that will be assigned to modulation source MIDI 1 of the virtual patch With the factory settings this is Bend Parameter Guide MIDI2 P Bend CC 95 E M RR Select the function that will be assigned to modulation source MIDI 2 of the virtual patch With the factory settings this is CC 01 note If the specified setting is assigned to another parameter an will be shown in the right of the upper line of the LCD screen MIDI Select the data that you wish to dump This function transmits the MS2000 MS2000R s programs and global settings to a MIDI data filer or computer con nected to the MIDI OUT connector The same data can also be transmitted to another MS2000 MS2000R For the dump procedure refer to p 31 Basic Guide Edit sec tion 4 Saving data on an external device Data Dump To receive this data set Global mode Page 4D MIDI FILTE
161. t to an external MIDI device MIDI THRU connector MIDI data received at MIDI IN is re transmitted without change from this connector Use it when you wish to connect three or more MIDI devices 5 DC9V Connect the included AC adapter here Basic Guide 6 Cable hook Wrap the AC adapter power cable around this to pre vent accidental disconnection When unwrapping the cable from the hook do not apply excessive force to the cable Control panel MS2000 iN 1 PITCH BEND wheel This controls the pitch MODULATION wheel This controls the modulation depth With the factory settings it will control the depth of the modulation applied by the to the oscillator pitch 3 PHONES jack A set of headphones can be connected here Front and rear panel 10 Connections AC adapter included Connect to E an AC outlet IN a MIDI OUT MID Clem QUU MIDI keyboard tone generator module sampler etc A Be sure to turn off the power of all devices before mak ing connections Failing to take this precaution may cause your speaker system to be damaged or may cause malfunctions Connecting the AC adapter Connect the included AC adapter After you have connected the AC adapter to the MS2000 MS2000R plug it into an AC outlet Connecting external devices Connect the OUTPUT jacks L MONO R of the MS2000 MS2000R to your audio syste
162. t the MS2000 MS2000R to external audio devices external MIDI devices computers pedals and pedal switches Playing explains basics for playing the MS2000 MS2000R listening to the demos selecting sounds using the arpeggia tor etc Editing explains the basic procedures for editing sound parameters and global parameters and describes how the main parameters are edited Parameter Guide This section explains the operation of all MS2000 MS2000R parameters and discusses points of which you should be aware for various settings The explanations are organized by page for each mode Refer to this section when an unfamiliar parameter appears or when you would like to learn more about the functions Appendices This section provides explanations of MIDI related topics such as the MIDI messages that the MS2000 MS2000R can use control changes etc as well as a Voice Name List and other information Printing conventions in this manual Knobs and keys 1 Knobs and keys on the panel of the MS2000 MS2000R are enclosed in square brackets Parameters shown in the LCD screen Parameters that appear in the LCD screen are enclosed in double quotation marks Bold type Parameter values are printed in bold type The names of parts of the MS2000 MS2000R and operating procedures are also printed in bold type Procedure steps 0 3 Steps a procedure are printed as or 0 0 3
163. tedind eceivecbyheMS2000 MS2000R 58 MIDI channels etienne 58 Note on Off 44e ena ce eee te a T enean 58 Program change 58 Aftertouch eite 58 Pitch DENCY tene ete cs 58 Control charges 2 inonbtee picem 59 Arpegelator i idee UU ES HERE IS 63 System exclusive messages 63 Front panel knob key control change assignments 65 How Resolution and Sync Note values correspond to note 66 Voice 404400409 67 Blank 1 8 70 Troubleshooting 73 Specifications and 5 73 AE 74 MIDI Implementation Chart 77 Basic Guide Basic Guide Introduction Front and rear panel Connections Playing Editing Introduction Playing Connections Front and rear panel Editing Introduction Main features 1 Analog modeling system The MS2000 MS2000R provides eight types of oscillator algorithms including waveforms of analog synthesizers and places the most important sound parameters on the front panel so that you can modify sounds as you play or perform a variety of realtime editing with the same ease of operation as on an analog synthesizer 2 128 program
164. th century and used mainly for tuning harpsichords Slendro This is the Slendro scale an Indonesian gamelan scale that divides the octave into five notes If the Scale Key is C use the C D F G and A notes Pelog This is the Pelog scale an Indonesian gamelan scale that divides the octave into seven notes If the Scale Key is C use C D A and notes User Scale This will be the scale that was specified in Global mode Page 7A User Scale E Scale Specify the key tonic that will be the basis of the scale selected by Scale 2 NAME Program Name Page02 Name 5 Specify the name of the program Use the 5 4 keys the YES NO keys the EDIT key and the sixteen knobs to specify the name For the procedure refer to p 29 Basic Guide Edit section Changing the program name Available characters Ll HECDEFGHIJELMMOPGRS TUUWEY SECS IO abcdefdahiiklmnaoruroztuuukgseziltce 3 SYNTH Parameters These are the parameters for synth programs i e programs whose Page 01A COMMON Mode is Single Dual Split In the case of Dual Split use the front panel TMIBRE SELECT SELECT key to switch between the timbres for editing VOICE These parameters specify how the timbre will be sounded and set the MIDI channel Page03 VOICE
165. the effect to be applied to the cutoff in the positive direction Rotating the knob to the left of center values will cause the effect to be applied to the cutoff in the negative direction Editing gt FILTER EG 1 Int 48 21 5 Specify time varying change the tone Use EG 1 to create time varying change in the cutoff fre quency FILTER Cutoff amp If you wish to use the front panel knobs to adjust the EG 1 parameters use the SEQ EDIT SELECT key to make the SEQ 1 3 LED s go off Note on Cutoff a b d Time a Attack Time b Decay Time c Sustain Level d Release Time EG 1 FILTER ATTACK DECAY SUSTAIN RELEASE DECAY LSUSTAIN RELEASE b c d a Adjust the speed at which the tone will change dur ing the attack O Rotate the EG 1 ATTACK knob The LCD screen will show Page 10A EG 1 Attack Rotating the knob toward the right will cause the tone to change more slowly and rotating it toward the left will cause the tone to change instantly EG 1 A If rotating the knob does not produce an effect try adjusting the FILTER EG 1 INT knob or make sure that the SEQ EDIT SEQ 1 3 LED s are dark If these LED s are lit it is not possible to edit the EG or The knobs will function to edit the sequence data b Adjust the speed at which the tone will change dur ing the decay O Rotate the EG 1 DECAY knob The LCD s
166. the same as for synth programs Refer to 3 SYNTH Parameters OSCILLATOR 05 OSC 1 Wave lt Saw Audio In B Control lt 000 127 Control2 lt 000 127 Select the waveform of the carrier Saw Pulse Tri VoxWave DWGS Noise Audio In Refer to 3 SYNTH Parameters Page 05 OSC 1 Sin sine wave will be used No cross modulation will be applied Control1 Adjusting the value will modify the waveform Control2 LFO1 will apply WFM wave form modulation to the waveform specified Control1 The depth of the LFO1 modulation is adjusted by Control2 Parameter Guide AUDIO IN 2 These are the parameters for the input from the AUDIO IN 2 jack Page06 AUDIO IN 2 A Gate 02 7 000 127 Specify the speed of the gate that will be applied to the audio signal input from the AUDIO IN 2 jack according to the Threshold setting Lower values for this setting will make the gate operate more quickly causing the vocoder sound to decay more quickly Higher values for this setting will make the gate operate more gradually causing the vocoder sound to have a longer decay note If the Threshold value is high this effect will apply more readily If the value is 0 there will be no effect Threshold lt 000 127 Specify the level at
167. to the same set tings Sync control The first played note on will sync a Mod Sequence or LFO whose KeySync Timbre However in order to distin guish manually played note on off s from those that are repeated automatically by the arpeggiator the MS2000 MS2000R s arpeggiator will transmit a Sync Control mes sage at the time of note on when Global mode Page 1C GLOBAL Position is PostKBD A control change message is used for this Sync Control message as specified by Global mode Page 4G MIDI FIL TER SyncCtrl By using Sync Control to apply sync to a Mod Sequence or LFO you can cause each arpeggiated note to advance the Mod Sequence or random LFO by one step Silencing all notes of a given channel All note off CC 123 Bn 7B 00 value is 00 When an Note Off message is received all currently sounding notes of that channel will be turned off Some sound may linger due to the envelope settings All sound off 120 Bn 78 00 value is 00 When an Sound Off message is received all notes cur rently sounding on that channel will be silenced While AII Note Off allows the decay of a note to continue the Sound Off will silence the sound immediately However this message is intended for use in emergencies and is not for use during a performance Resetting all controllers of a given channel Reset all controllers 121 Bn 79 00 value is 00 When a Reset Contro
168. ttack Attack 127 0 127 0 127 0 127 Release Release 127 0 127 Attack Attack 127 0 127 0 0 0 0 0 0 Wave Tune Threshold Type Formant Shift Cutoff Cutoff FILTER Panpot Direct Level Decay Decay 127 Sustain Sustain 127 127 127 127 31 32 63 Squ 64 95 Tri 96 127 S H Decay Decay i127 Sustain Sustain 127 Release Release 127 Wave Wave 0 Saw 43 Squ 85 Tri 127 S H Frequency Frequency 0 127 Tempo Sync ON see p 66 LFO 1 127 Tempo Sync ON see p 66 31 Saw 32 63 Squ 64 95 Sin 96 127 S H Frequency 0 127 0 127 PATCH 1 Intensity 0 1 63 2 62 63 1 64 0 65 1 127 63 0 1 63 2 62 63 1 64 0 65 1 127 63 PATCH 2 Intensity 0 1 63 2 62 63 1 64 0 65 1 127 63 0 1 63 2 62 63 1 64 0 65 1 127 63 PATCH Intensity 0 1 63 2 62 63 1 64 0 65 1 127 63 0 1 63 2 62 63 1 64 0 65 1 127 63 PATCH 4 Intensity 0 1 63 2 62 63 1 64 0 65 1 127 63 0 1 63 2 62 63 1 64 0 65 1 127 63 Wave 0 Saw 43 Squ 85 Sin 127 S H LFO 2 SEQ ON OFF 0 OFF 127 ON 0 63 OFF 64 127 LFO Speed LFO Speed 0 127 Depth Depth 0 127 MOD FX Delay Time Delay Time 0 127 Tempo Sync ON see p 66 0 127 Tempo Sync ON
169. ume Press the EG 2 GATE key Each time you press the key the envelope source will change If you want the volume change over time select EG 2 2 GATE key LED dark If you want the volume to sound at a fixed level as on an organ select GATE EG 2 GATE key LED lit d Apply distortion to the output Press the DISTORTION key Each time you press the key distortion will be turned on off When this is on DISTORTION key LED lit distortion will be applied This is effective when you wish to pro duce a hard harsh tone If distortion is turned on use the MIXER knobs to adjust the degree of distortion If you adjust FILTER Cutoff or Resonance the char acter of the distortion will change e Use keyboard playing dynamics to vary the volume Press the SELECT 7 key and then press the CURSOR gt key four times The LCD screen will show Page 09E AMP Vel Sense Use the YES NO keys to set the value Positive values will cause the volume to increase as you play more strongly Negative values will cause the volume to decrease as you play more strongly We Series 28 f Vary volume by keyboard location you play From the Vel Sense screen press the 5 key The LCD screen will show Page 09F AMP KBD Track Use the YES NO keys to set the value Positive values will cause the volume to increase as you pla
170. which the arpeggiator is t rned 15 2 Using the knobs and keys to modify the settings 15 Using MOD SEQUENCE to modify the sound 16 1 Playing a program in which MOD SEQUENCE ERE dne a E ER e ta 16 2 Checkingtheparameterthatisassignedtoeachsequence 16 3 Checking the value recorded for each step 16 Using external input 2 222 2 4 2114 4471 17 1 Modifying an external 17 2 Using the vocoder function sess 17 Editing program parameters 18 Basic editing procedures eere 18 1 Editing in Program Play 18 2 Editing in LCD Edit 18 3 Switching timbres gt 4 Returning to the state before editing Compare 5 Writing saving an edited Editing synth 20 1 Specify how notes will be sounded 20 2 Make oscillator settings sse 20 3 Set the volume of each oscillator 21 4 Make filter settings 21 5 Specify time varying change in the 22 6 Adjust the output of the 22 7 Specify time variant changes in volume 23 8 Make settings 24 9 Apply modulation to parameters
171. which the audio signal from the AUDIO IN 2 jack will be silenced Increasing this value will cause the audio signal to be silenced This lets you eliminate any noise that might be heard when no input signal is present A If this setting is set excessively high the audio signal will also be cut and it will be difficult for the vocoder effect to apply C HPF Level lt 315138 000 127 Adjust the amount of the high frequency portion of the audio signal input from the AUDIO IN 2 jack that will be mixed into the output of the vocoder Increasing this value will emphasize the portion that corre sponds to the consonants of speech or singing 015 When mixing the high frequency portion of the audio signal input from the AUDIO IN 2 jack into the output of the vocoder this setting specifies whether this high frequency portion will be output only while the internal tone generator is sounding or whether it will always be output whenever there is an input to the AUDIO IN 2 jack ENA Use this setting when you wish to apply the vocoder effect only to the internal tone generator or when you wish to use the MS2000 MS2000R as a tone generator and connect the output of another synthesizer to the AUDIO IN 1 jack DIS This setting is effective when you have connected a guitar via an effects unit etc to the AUDIO IN 1 jack Program parameters 49 Page07 MIX
172. will not be received The MS2000 MS2000R does not transmit or receive bank select messages Bn 00 mm Bn 20 bb Aftertouch Channel aftertouch Dn vv n channel vv value If Global mode Page 3D E MIDI MIDI 1 or MIDI 2 are set to A Touch aftertouch can be used as a modulation source for a virtual patch of a synth program or for the FC MOD of a vocoder program These messages will be received on the timbre channel If Global mode Page 6A PEDAL amp SW A Pedal is set to A Touch pedal movements will transmit channel after messages on the global MIDI channel If you wish to transmit and receive channel aftertouch set Global mode Page 4B MIDI FILTER CtrlChg to ENA If this is set to DIS channel aftertouch messages will not be transmitted or received Pitch bend Pitch bend change En bb mm n channel bb lower digits of value mm upper digits of value When pitch bend change messages are received a pitch bend effect will be applied according to the value set for LCD Edit mode Page 4D PITCH Bend Range If Global mode Page 2D or E MIDI MIDI or MIDI 2 are set to P Bend pitch bend can be used as an FC MOD modulation source for the virtual patch of a synth program or vocoder program In this case the message will act as a modulation source where mm 64 bb 00 will be 0 center value for the range of 127 127 This message is received on tim bre channel When you move the PI
173. y the sequence data for each step The sixteen knobs are normally used to edit program sounds EG or LFO etc but when the SELECT key has selected a sequence they are used to set and edit sequence data The numbers shown below each knob correspond to the sequence steps Rotate the knob for the step you wish to set 60 6 15 16 When you rotate a knob the LCD screen will show 19C 19 SEQ 1 Step Value SEQ 1 1 18 Step user Value The value of each step is the amount of change relative to the parameter value that is currently written or set 25 26 If you wish to set the value more detail use the YES keys If you specify a value for a step number that is beyond the Page 18A SEQ COMMON Last Step setting it will be ignored You can use the above procedure to edit sequence data that was created previously or that was recorded in real time c Record sequence data in realtime Motion Rec Motion Rec allows realtime knob movements to be recorded in the steps of a sequence Here we will explain how to record movements of the FIL TER CUTOFF knob in a program for which sequence data has not yet been recorded D In Program Play mode select a program for which sequence is turned off Select a program for which changes in tone can be heard clearly 2 Press the MOD SEQUENCE ON OFF key to turn on the sequence 3 Press the SEO ED
174. y upward on the keyboard and decrease as you play downward on the keyboard Negative values will cause the volume to increase as you play downward on the keyboard and decrease as you play upward on the keyboard Basic Guide 7 Specify time variant changes in volume EG 2 produces time variant changes in the AMP Level A If you wish to use the front panel knobs to adjust the EG 2 parameters you must first use the SEO EDIT SELECT key to make the SEQ 1 3 LED s go dark Level Note on Note off time c Sustain Level d Release Time a Attack Time b Decay Time EG 2 AMP ATTACK b d a Adjust the speed at which the sound will attack trigger Rotate the EG 2 ATTACK knob The LCD screen will show Page 11A EG 2 Attack Rotating the knob toward the right increasing the value will cause the sound to attack trigger more slowly and rotating it toward the left decreasing the value will cause the sound to attack trigger instantly A If rotating the knob does not produce an effect make sure that the AMP EG 2 GATE key LED is dark b the speed at which the volume will decay Rotate the EG 2 DECAY knob The LCD screen will show Page 11B EG 2 Decay Rotating the knob toward the right increasing the value will cause a longer decay time until the sustain is reached c Adjust the volume of the sustained sound Rotate the EG 2 SUSTAIN
175. yboard playing dynamics will affect the volume With positive settings the volume will increase as you play the keyboard harder With negative settings the volume will decrease as you play the keyboard harder KBD Track 63 63 a OS sse Specify how keyboard tracking will affect the volume With positive 4 settings the volume will increase as you play above the C4 note on the keyboard and will decrease as you play below C4 With negative settings the volume will decrease as you play above the C4 note on the keyboard and will increase as you play below C4 With a setting of 0 keyboard tracking will not affect the vol ume n Keyboard Track operates according to the pitch that is controlled by pitch bend transpose and Mod Sequence It is not affected by pitch changes produced by vibrato or Virtual Patch EG Envelope Generator These are the parameters for the EG Envelope Generator which creates time varying changes in the sound is internally connected as the envelope source for FIL TER Cutoff EG2 is internally connected as the envelope source for AMP Level 10 EG 1 Pagel1 EG 2 Level Sustain level Attack level 0 Time Attack time Decay time Release time A Attack lt ATTACK 000 127 Specify the time from note on when the key is pressed until the attack level maximum value of the envelope is reached

Korg MS2000 User's Manual

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