Kodak 250D 5205 User's Manual
Contents
1. LOG EXPOSURE lux seconds DIFFUSE SPECTRAL DENSITY 0 2 300 350 400 450 500 550 600 650 700 750 800 0 0 250 300 350 400 450 500 550 600 650 700 750 WAVELENGTH nm Sensitivity reciprocal of exposure erg cm A required to produce specified density WAVELENGTH nm No filter corrections or exposure adjustments for exposure times from 1 1000 of a second to 1 10 second In the 1 second range increase exposure 2 3 stop and use a KODAK WRATTEN Gelatin Filter CC10R In the 10 second range increase exposure 1 stop and use a KODAK WRATTEN Gelatin Filter CC10R After processing the Kodak internal product code symbol EQ product code numbers 5205 35 mm or 7205 16 mm emulsion and roll number identification and EASTMAN KEYKODE Numbers are visible along the length of the film The perception of graininess of any film depends on scene content complexity color and density In KODAK VISION2 250D Color Negative Film 5205 7205 the measured granularity is exceptionally low The perceived sharpness of any film depends on various components of the motion picture production system Camera and projector lenses film printers and other factors play a role but the specific sharpness of a film can be measured and charted in the Modulation Transfer Curve Spectral Sensitivity Curve Key Sensitivity of the ye2. No H 2 PROCESSING Manual for Processing KODAK Motion Picture Films Process ECN 2 Specifications Module 7 KODAK Publication No H 24 07 IMAGE STRUCTURE KODAK Motion Picture Film KODAK Publication No H 1 TRANSFER KODAK Telecine Analysis Film User s Guide KODAK Publication No H 822 KODAK Telecine Exposure Calibration Film User s Guide KODAK Publication No H 807 LAD LAD Laboratory Aim Density KODAK Publication No H 61 STORAGE KODAK Motion Picture Film KODAK Publication No H 1 All of the above are also available at http www kodak com go motion The Book of Film Care KODAK Publication No H 23 for AATON A MINIMA Cameras For direct ordering in the U S and Canada 1 800 621 FILM 3456 Hollywood California 6700 Santa Monica Boulevard Los Angeles California 90038 1203 Phone 323 464 6131 Orders 1 800 621 FILM New York New York 360 West 31st Street New York New York 10001 2727 Phone 212 631 3400 Orders 1 800 621 FILM LATIN AMERICA REGION Entertainment Imaging 1900 NW 97th Avenue Miami Florida 33172 Phone 305 378 0566 305 229 0422 CANADA Kodak Canada Inc 3500 Eglinton Avenue West Toronto Ontario Canada M6M 1V3 Phone 416 761 4922 Orders 1 800 621 FILM Fax 416 761 4948 Toll Free Fax 1 866 211 6311 Kodak Canada Inc 4 Place du Commerce Suite 100 Ile des Soeurs Verdun Quebec Canada H3E 1J4 Orders 1 800 621 FILM Fax 1 866 211
3. 6311 product characteristics at any time New 9 2004 Printed in U S A Kodak Eastman Vision Keykode and Wratten are trademarks Eastman Kodak Company 2004 KODAK Publication No H 1 5205 CAT 162 5185 Kodak Canada Inc 4185 Still Creek Drive Suite C150 Burnaby British Columbia Canada V5C 6G9 Orders 1 800 621 FILM Fax 1 866 211 6311 EUROPEAN AFRICAN AND MIDDLE EASTERN REGION Entertainment Imaging A2N Kodak Ltd Kodak House P O Box 66 Station Road Hemel Hempstead Herts HP1 1JU England Phone 44 1442 844106 Fax 44 1442 844072 Eastman Kodak SA 29 31 Route de L Aeroport Le Grand Saconnex Case Postale 271 1215 Geneva 15 Switzerland Information Phone 41 22 747 2000 Fax 41 22 747 2200 GREATER ASIA amp JAPAN REGION AUSTRALIA Kodak Australasia Pty Ltd 173 Elizabeth Street Coburg Victoria Australia 3058 Phone 61 3 8371 8520 Fax 61 3 9353 2962 Notice While the data presented are typical of production coatings they do not represent standards that must be met by Kodak Varying storage exposure and processing conditions will affect results The company reserves the right to change and improve CHINA Peoples Republic Beijing 8610 6561 6561 Shanghai 8621 6350 0888 Guangzhou 8620 8666 9888 HONG KONG Phone 852 2564 9352 INDIA Phone 91 22 5641 6762 INDONESIA Phone 62 21 570 5212 JAPAN Phone 813 5540 2280 KOREA Phone 822 708 5830 MALAYSIA Phone 603 7957 2
4. 722 NEW ZEALAND Phone 649 302 8665 PAKISTAN Phone 92 21 561 0150 PHILIPPINES Phone 632 813 7916 SINGAPORE Phone 65 6371 3388 TAIWAN Phone 8862 2893 8282 THAILAND Phone 662 271 3040 Ext 310
5. PPP abana PTaetaenrivava tPpevapdeats if rearawat its popeedee 290D 5205 7205 Give your story more detail in any light KODAK VISION2 250D Color Negative Film 5205 7205 is an advanced medium speed film that delivers superior imaging in natural daylight artificial daylight and a variety of mixed lighting situations Expect beautiful fleshtones accurate color reproduction and thanks to its wider latitude increased detail in shadow and highlight areas Add seamless intercutting with other KODAK VISION2 Films and you have a versatile addition to your storytelling toolkit The VISION2 Film family is the first line of products created specifically for both film and digital postproduction What s more all VISION2 Films provide excellent tone scale and flesh to neutral reproduction With superior shadow and highlight detail and very fine grain VISION2 Films also maintain neutrality through the full range of exposure So you can convey exactly the look you intended all the way from capture to post KODAK VISION2 250D Color Negative Film 5205 7205 www kodak com go motion Lens 11 1 PANAVISION Primo Zoom 26 mm Filter None Aperture T2 8 8 10 Incident Light Levels Key 64fc Color temperature 5350K Base Color Balance Acetate safety base with rem jet backing This film is balanced for exposure with daylight illumination 5500 K For other light sources use the co
6. e the more sine waves per millimetre that can be resolved with a high degree of sharpness and the sharper the film DIFFUSE RMS GRANULARITY CURVES gt To find the rms granularity value for a given density find the density on the left vertical scale and follow horizontally to the sensitometric curve and then go vertically up or down to the granularity curve At that point follow horizontally to the Granularity Sigma D scale on the right Read the number and multiply by 1000 for the rms value SPECTRAL SENSITIVITY CURVES gt These curves depict the sensitivity of this film to the spectrum of light They are useful for determining modifying and optimizing exposure for blue and green screen visual effects work SPECTRAL DYE DENSITY CURVES gt These curves depict the spectral absorptions of the dyes formed when the film is processed They are useful for adjusting or optimizing any device that scans or prints the film NOTE Cyan Magenta and Yellow Dye Curves are peak normalized f DENSITY RESPONSE DENSITY LOG SENSITIVITY 3 0 T T 2 0 o LOG EXPOSURE lux seconds 4 3 2 2 1 0 2 Camera Stops 1 LLLI puis 1 1 10 100 SPATIAL FREQUENCY cycles mm 1000 Granularity SIGMA D 0 0 0 1 0 2 0 3 0
7. llow dye forming layer Sensitivity of the magenta dye forming layer Sensitivity of the cyan dye forming layer Spectral Dye Density Curve Key Midscale Neutral Cyan Dye Magenta Dye Yellow Dye Minimum Density Note Sensitometric and Diffuse RMS Granularity curves are produced on different equipment A slight variation in curve shape may be noticed KODAK VISION2 250D Color Negative Film 5205 7205 ADDITIONAL INFORMATION STANDARD PRODUCTS AVAILABLE mae FORMAT AND LENGTH IN PERFORATION PITCH To order the publications below call SPECIFICATION NO METRES FEET CORE DESCRIPTION METRIC IMPERIAL 1 800 233 1650 between 8 a m and 7 p m 35 mm SP417 30 100 S 83 100 ft spool BH 4740 BH 1866 Eastern Time 35 mm SP718 61 200 U BH 4740 BH 1866 j 35 mm SP718 122 400 U BH 4740 BH 1864 Outside the United States please contact 35 mm SP718 305 1000 U BH 4740 BH 1866 your Kodak representative 16 mm SP449 30 100 R 90 100 ft spool 2R 7605 2R 2994 16 mm SP451 122 400 T 2R 7605 2R 2994 16 mm SP445 61 200 A Winding A 1R 7605 18 2994 bee 16 mm SP455 30 100 R 90 100 ft spool Winding B 1R 7605 1R 2994 Visit us online at 16 mm SP457 122 400 T Winding B 1R 7605 1R 2994 Z 16 mm SP458 244 800 Z Winding B 1R 7605 1R 2994 www kodak com go motion 65 mm SP332 305 1000 P Emulsion In KS 4740 KS 1866 FILMS Cinematographer s Field Guide KODAK Publication
8. rrection filters in the table below Darkroom Recommendations Do not use a safelight Handle unprocessed film in total darkness Processing ECN 2 Storage Store unexposed film at 13 C 55 F or lower For storage of unexposed film longer than 6 months store at 18 C 0 F Process film promptly Exposure Index Daylight 5500 K 250 Tungsten 3200 K 64 with KODAK WRATTEN Gelatin Filter No 80A Laboratory Aim Density Time negative originals relative to Laboratory Aim Density LAD Control Film supplied by Eastman Kodak Company Postproduction information When you transfer this film directly to video set up the telecine using negative Telecine Analysis Film TAF SENSITOMETRIC CURVES gt 0 on the x axis represents normal exposure of an 18 percent gray card in the red green and blue layers of this film A white card is 2 1 3 stops higher than normal exposure and there are at least 2 1 2 stops above that for capturing specular highlight detail A 3 percent black card is 2 2 3 stops below normal exposure There are at least 2 1 2 stops of latitude below that for capturing shadow detail MODULATION TRANSFER CURVES gt This graph shows a measure of the visual sharpness of this film The x axis Spatial Frequency refers to the number of sine waves per millimetre that can be resolved The y axis Response corresponds to film sharpness The longer and flatter the lin
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