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Casio Cosmosynthesizer CZ-3000 User's Manual
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1. Model CZ 3000 MIDI Implementation Chart Transmitted Recognized Remarks Function Basic Default 1 1 Channel Changed 1 16 1 16 gt Default Mode 3 Mode 3 Mode Messages x x Altered decor posale uem 0327 11 12 23 2435 3647 Number True voice s amp kkwee 3696 tel up Velocity Note ON X 9n v 64 9n 1 127 64 Note OFF x9nv 0 X9nv 08nv x x X X ignored After Key s x x Touch Ch s x x 3 900 n 8 bits effective Bender 8 0 12 half tones o MODULATION WHEEL 51x o PORTAMENTO TIME 6 MASTER TUNE Control 64 O SUSTAIN PEDAL o o PORTAMENTO ON OFF Change Prog 0 63 063 0 31 preset Change True 31 3263 32 63 memory System Exclusive Timbre data and others System SongPos X x gt Song Sel X x Common Tune x x System Clock x X MIDI mode Real Time Commands x x Aux Local ON OFF X o Notes OFF Xx x Mes Active Sense x x sages Reset x x Notes Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO X No WWW COSMOSYNTHS USERPAGE DE VOLIAGE SELECTOR gt SELECTEUR DE SELECTOR DE SELETTORE DEL yz Spannungswahler DP TENSION 3 tz
2. DELAY 15 WAVE is the parameter that selects the vibrato waveform and is set to a value in the range of 1 through 4 using the VALUE keys The 4 waveforms are as follows Wave 1 AY TRIANGLE Wave 3 SAW DOWN Wave 2 zA SAW UP Wave 4 SQUARE 3 DELAY is the parameter that sets the time from when a key is pressed until the point at which vibrato is applied DELAY is set to a value in the range of 0 through 99 using the VALUE keys after the cursor is moved to the proper position with the CURSOR keys The larger the value the later vibrato is applled RATE is the parameter that sets the period speed of the vibrato RATE is set to a value in the range of 0 through 99 using the VALUE keys after the cursor is moved to the proper position with the CURSOR keys The larger the value the faster the vibrato DEPTH is the parameter that sets the depth of the vibrato DEPTH is set to a value in the range of 0 through 99 using the VALUE keys after the cursor is moved to the proper position with the CURSOR keys The larger the value the deeper the vibrato This parameter is used to raise and lower pitch by one octave and each timbre can be set to a suitable pitch The LCD appears as in Fig 13 when the OCTAVE keys is ON Fig 13 2 Ex RRHGE z B The VALUE keys in the Data Entry Section are used to set the OCTAVE RANGE to a value of 1 one octave up 0
3. 1111111111111 111 OPERATION MANUAL 1 MANUAL DE OPERACION 37 WWW COSMOSYNTHS USER Thank you for purchasing the Casio CZ 3000 The 7 3000 is a totally digital synthesizer under LSI large scale integrated circuit control and is designed using the same principles that apply to analog synthesizers thus eliminating the frequently heard complaint about digital synthesizers that they are too complex This makes the unit actually a hybrid that combines the operational ease of an analog synthesizer with the tonal quality of digital model 3 Modes of the CZ 3000 1 NORMAL MODE Play of preset timbres Modification of timbre data recalled from memory Creation of new sounds Application of various effects to timbres Saving of timbres created to built in memory or optional RAM cartridge RA3 Mixing of any two timbres Independent setting of each timbre level 2 TONE MIX MODE Splitting of the keyboard into UPPER and LOWER portions for independent play of two timbres Independent setting of each timbre level and effect 3 KEY SPLIT MODE e WWW COSMOSYNTHS USERPAGE DE CONTENTS GENERAL GUIDE PERIPHERALS PRESET VOICES MEMORY VOICES EFFECTOVERALL CONTROL PD PHASE DISTORTION SOUND SOURCE 8 STEP EMVELOPES BLOCK CONFIGURATION 15 TIMBRE DATA WRITE SAVE LOAD 25 TONE MIX SETTING E EFFECTIOVERALL CONTROL KEY SPLIT SETTING EFFECTIOVERALL CONTROL
4. MODE KECH 61 61 1 PRG DIS o M MODE Pressing one of the VALUE keys in the Data Entry Section when the cursor is under the mode causes the LCD to change as shown here This display indicates the monophonic mode which means that monophonic data interchange is possible 6 CH 01 1 Basic channel and voice channel setting Indicates the receive channel in the mono mode setting The first value shows the basic channel while the value in parentheses indicates the number of voice channels DIS Timbre data interchange disable Indicates that it is impossible to exchange timbre data This setting changes from DIS to ENA and back again with each press of a VALUE key when the cursor is in this position 32 WWW COSMOSYNTHS USERPAGE DE POLY MODE AND MONO MODE In the poly mode the CZ 3000 is capable of exchanging polyphonic data As previ ously mentioned the send and receive channels must match at this time In the mono mode the CZ 3000 can act as a monophonic synthesizer able to receive and play independent timbres in each channel Using the CURSOR and VALUE keys to change the settings in Fig 6 to CH 01 8 results in 8 voice channels starting with basic channel 1 Similarly in the case of CH 03 3 channels 3 4 and 5 are each equivalent to monophonic synthesizers At this time the remaining sound sources 8 3 5 can be used for keyboard play The timbre from 2
5. 00 RANGE 0 FIRST 1 SECOND 0 Step2 7 stere RATE 5 50 50 LEVEL 06 60 00 ENvPORT sus Tm END RANGE 0 step2 7 stere RATE 99 50 50 LEVEL 99 00 00 ENVPOINT SUS PETI END RANGE 0 step2 7 stere RATE 55 50 50 LEVEL 00 00 ENVPOINT sus END OCTAVE 0 NOTE 00 FINE 00 Data is initialized to values that are the most convenient for the creation of new tones 00 99 or middle 24 WWW COSMOSYNTHS USERPAGE DE WRITE is used to store newly created timbre data in the memory bank SAVE is used to collectively store all timbre data to a RAM cartridge and LOAD is used to reload data to the memory bank from cartridge MEMORY PROTECT FUNCTION of the CZ 3000 is ON Cum WRITE and LOAD operations Keep the switch in the ON position for normal use and SAVE operations Usually left ON eWRITE It is said we WRITE altered or newly created timbres when we store them to memory Data altered in the Parameter Section are temporarily stored after alteration in the COM PAREJRECALL area Notice this is temporary Data stored in the COMPARE RECALL area will be erased the instant other data are altered Therefore it is necessary to WRITE important timbre data from the COMPARE RECALL area to one of the 32 memory areas of the memory bank Before begin
6. Giving the same value to FIRST and SECOND is the same as when SECOND 0 FIRST 1 SECOND 2 produces the same effect as FIRST 2 SECOND 1 DCO ENVELOPE PITCH ENVELOPE DCO controls changes in pitch over time Independent envelopes can be set using the DCO 1 and DCO 2 keys The PITCH envelope sets the change in pitch over time up to 8 levels for pressed keys in accordance with the RATE and LEVEL Now let s set up an actual 4 step envelope as shown in Fig 3 Fig 3 Pitch This pitch maintained el while key is pressed al susan Foner 6 n 51 Time ey xEY J 5 SR 16 WWW COSMOSYNTHS USERPAGE DE O When the ENV key of the DCO 1 DCO 2 is pressed the following appears on the LCD SUS will be displayed if the displayed STEP is a sustain point END will be displayed if it is an end point PITCH STEPI sek RATE m 29 Destination level of step 1 Rate of step 1 Use the E VALUE key to raise the RATE FITCH STEPI value to 99 99 LEVEI Use either one of the CURSOR keys to move the cursor under the LEVEL value FI Use the VALUE key to raise the Prey LEVEL value to 99 This completes setting of STEP 1 Use the ENV STEP key to advance to STEP 2 After ensuring the STEP 2 PITCH STEPZ is displayed follow the same procedures RATE 72 LEM outlined
7. w 11 13 14 20 SEND RECEIVE DATA MIDI IN EACH MODE 31 32 CARE OF YOUR UNIT 35 SPECIFICATIONS 36 2 WWW COSMOSYNTHS USERPAGE DE d d di Power Switch OOVERALL CONTROL SECTION TOTAL CONTROL Indicator Tm CONTROL J MASTER TUNE key KEY TRANSPOSE key GLIDE key PORTAMENTO ON OFF key MASTER TUNE key Used to adjust the pitch of the entire key board within the range of 100 cent half tone KEY TRANSPOSE key Transposes selections in half tone incre ments within the range of G through F 4 PORTAMENTO ON OFF key Switches portamento ON and OFF The in dicator above the key lights when ON and portamento is applied according to the por tamento time set using the PORTAMENTO key in the Effect Section Chorus Control Master Volume GLIDE ON OFF key Switches glide ON and OFF The indicator above the key lights when ON and glide is applied according to the NOTE and TIME values set using the GLIDE key in the Effect Section 8 Master Volume Adjusts the volume levels for the head phone and LINE OUT output Chorus Control Adjusts the chorus effect WWW COSMOSYNTHS USERPAGE DE SELECT SECTION The keys in this section are used to selec
8. BEND WHEEL Pitch increases e located to the left of the keyboard f The following appears on the LCD when RANGE the BEND RANGE key in the Effect Sec RRHGEZU3 is ON 00S RANGE 512 The VALUE keys in the Data Entry Section are used to set the pitch bend width at half tone intervals within the range of 00 through 12 1 octave Each increment of the nu value increases the bend width by 100 cent half tone BEND RANGE MODULATION DEPTH The following appears on the LCD when MODULATION the MODULATION DEPTH key in the DEPTH 25 Effect Section is ON E 005 DEPTH s 99 The VALUE keys in the Data Entry Section are used to set the MODULATION WHEEL depth within range of 00 through 99 MODULATION WHEEL When the ON OFF key above the MODULATION WHEEL is ON rotating the wheel away from the front of the unit see illustra tion will gradually increase the depth of vibrato The MODU LATION DEPTH set in the Effect Section will be applied with the wheel is rotated to its full MAX extent MASTER TUNE c The following appears on the LCD when MASTER TUNE the MASTER TUNE key is ON PUSH VALUE KEY Each press of the Jor VALUE key will respectively lower or raise pitch by 1 7 cent Simultaneously pressing the v and keys will return pitch to the standard value A4 442H2 The pitch value can be successively changed at high speed by holding down either VAL
9. DCO selecting 1 2 or 1 1 with the LINE SELECT key results in 5 note polyphonic while 1 DCO selecting 1 or 2 results in 10 note polyphonic Since all sound sources are used as MIDI channels when the voice channel setting is 8 the keyboard becomes inoperable The lamps that are lit on the console of the CZ 3000 do not indicate data received through the MIDI They show the status of 2 3000 timbres and effects data Remaining sound sources 5 10 polyphonic A MULTI TIMBRAL PANDI When using the CZ 3000 as multi timbral expander it is possible to choose the preset memory voice for each MIDI channel To get into the multi timbral mode press the MIDI button and change the mode from P to M with the value key Then move the cursor to the CH 01 indicator and choose the bottom number of consecutive channels you want to receive on Move the cursor underneath the 1 to set the desired number of channels As an example if the is set to 04 and the other setting is 6 the machine will respond to incoming data on channels 4 5 6 7 8 and 9 and there will still 2 voices left over 6 2 B total Now set voices for each MIDI channel by the following method connect a MIDI cable from the MIDI OUT directly into the MIDI IN Set the KBCH to chan nel 4 and choose a preset memory number Switch to KBCH 5 and choose voice and just keep switchin
10. DCW KEY FOLLOW key is pressed Fig 5 The VALUE keys in the Data Entry Section are used to set the RANGE value within a range of 0 through 9 The greater the RANGE value the greater the waveform level vari ance timbre change rate in the upper registers A setting of 9 represents the maximum variance 18 WWW COSMOSYNTHS USERPAGE DE DCW WAVE ENVELOPE This parameter controls the timbre waveform change over time and the DCW 1 and DCW 2 ENV keys are used to independently set the timbre envelopes The timbre enve lope is used to set the timbre waveform change over time for a pressed key in accor dance with the RATE slope and LEVEL destination level Settings can be made to maximum of 8 steps Fig 6 WAVE FORM 1 Sawtooth Basic Sem INCL This umbre T orm sustained while Mey 6 depressed DA mg d RS Sine ay Tme The change of timbre over time is in accordance with the DCW envelope LEVEL A sine wave is attained when L 00 and the basic waveform is attained when L 99 The LCD appears as in Fig 7 when the DCW 1 or DCW 2 ENV key is ON Fig 7 Wave envelope STEP 1 is selected SUS will be displayed here If the dis played STEP is a sustain point END Will be displayed if it is an end point WAVE RATI Rate of STEP 1 Destination level of STEP 1 Operational procedures are identical to those previously explained for th
11. GLIDE NOTE 6 GUDE TIME 7 MODULATION DEPTH 8 LEVEL 8 GLIDE ONOFF PARTA MDI 31 WWW COSMOSYNTHS USERPAGE DE NORMAL MODE The following appears on the LCD when the MIDI key is pressed in the NORMAL MODE P MO DE 11 1 P MODE Polyphonic mode indicates polyphonic data interchange capabilities KBCH 01 Send channel Indicates that Channel 1 is the send channel The CURSOR keys are used to move the cursor to KBCH and the channel is set within range of 01 through 16 using the VALUE keys in the Data Entry Section CH 01 Receive channel Indicates that Channel 1 is the receive channel The Cursor keys are used to move the cursor to CH and the channel is set within a range of 01 through 16 using the VALUE keys in the Data Entry Section PRG ENA Timbre data interchange enable Inc tes that it is possible to exchange timbre data SEND CHANNEL AND RECEIVE CHANNEL When the keyboard is connected to another MIDI keyboard or a rhythm box one end becomes signal send and the other signal receive Correct interchange of data is impossible unless the two channels match This is similar to having to tune radio or television to match the transmission frequency from the broadcasting sta tion Generally if the send channel is 1 the receive channel must also be 1
12. LEV 1 LEV 2 at which the cursor is located In the situation shown above the cursor is below the level for TONE 1 and so the timbre and volume level can be changed Select 1 timbre using the PRESET and MEMORY BANK keys in the Programmer Section Use the VALUE keys to set the volume level within a range of 1 through 15 A setting of 15 represents maximum volume DUse the CURSOR key in the Data Entry Section to move the cursor under the LEV 2 value Set the timbre and volume level in the same manner as that outlined for LEV 1 EFFECT OVERALL CONTROL The Effect and Overall Control Sections operate just as in the NORMAL MODE for tone mixed timbres Setting procedures are identical and each function is commonly applied to both of the mixed timbres PORTAMENTO TIME and ON OFF GLIDE NOTE and ON OFF PITCH BEND and MODULATION DEPTH MASTER TUNE and KEY TRANSPOSE With the exception of MODULATION effect ON OFF can be independently set in 3 modes NORMAL TONE MIX and KEY SPLIT Each effect data numeric and modulation ON OFF are common for 3 modes Monophonic play of the tone mixed data is possible when the SOLO key is ON Tone mix settings are stored in memory so they not cancelled by changing to another mode and then back to the TONE MIX mode However though TONE 1 and TONE 2 and the volume level are retained all effects are turned OFF when the power of the unit is switched OFF
13. OFF DO Pon Tiam Analog synthesizers usually require the setting of envelopes according to 4 parameters Attack time Decay time Sustain level and Release time hence the name ADSR system With the envelope generator of the CZ 3000 only 3 step settings are required to attain the same effect The PD sound source of the 2 3000 makes it a fully digital synthesizer Actually however the DCO pitch and basic waveform setting DCW timbre control and DCA volume con trol digital circuits of the Parameter Section result in a block configuration that closely resembles an analog synthesizer The block configuration of the CZ 3000 consists of LINE 1 and LINE 2 which make up a dual system DETUNE allows you to create differences between the sounds generated by LINE 1 and 2 to produce subtle nuances With LINE SELECT a single line can be output or combined with the detuned line for a total of 4 line output settings CZ 3000 block configuration 111 Etha xs a even m mea N n iem a VIBRATOis the parameter that oscillates the low frequencies of DCO and applies a vibrato effect Another parameter applied to DCO is OCTAVE DCO DIGITAL CONTROLLED OSCILLATOR DCO corresponds to the VCO of an analog synthesizer and is comprised of WAVE FORM for selection of the basic waveform and ENV pitch envelope for control of the pitch over time for
14. SAVE key in the Data Entry Section co E SAVE CARTRIDGE BANK ALB YH Separate SAVE LOAD operations are performed for A B 16 timbres and C D 16 timbres Here the display shows that are ready for SAVE To save C D first press the NO key LCD NE SAVE CARTRIDGE BANK C D CHANT CONTE Memory banks C D selected 26 WWW COSMOSYNTHS USERPAGE DE Actual SAVE operations will begin when the YES E key in the Data Entry Section After banks are saved lt LCD gt SRUE CRRTRIDGE BANK OK After banks CID are saved AVE CARTRIDGE OK SAVE operations are complete when OK is displayed LOAD D Correctly load a cartridge see Fig 1 2 Set the PROTECT switch located on the rear panel of the unit to the OFF position LOAD cannot be performed and the following will appear on the LCD if the PROTECT Switch is left ON PROTECT SWITCH 8 Press the CARTRIDGE key Press the LOAD 4 key in the Data Entry Section To load C D first press the NO 5 Actual LOAD operations will begin when the YES e key in the Data Entry Section 15 pressed Banks LOAD Banks C D LOAD L RD CRRTRIDGE L RD CRRTRIDGE BANK ALB OK BANE C D DK LOAD operations are complete when is displayed Data passed between the keyboard and RAM cartridge is handled in sets of A B
15. and C D data saved on a cartridge can only be loaded back into memory as A B The following error messages will appear on the LCD if SAVE LOAD operations are attempted when a RAM cartridge is not loaded or if it is improperly loaded SAVE CARTRIDGE LOAD CARTRIDGE ERROR ERROR If such messages should appear reinsert the cartridge as far as it will go and reattempt SAVE LOAD procedures The optional RA 3 RAM cartridges are equipped with a built in battery 882016 that will preserve contents for approximately 1 year longer if the RAM cartridge is inserted in the CZ 3000 If the cartridge is stored outside of the keyboard unit for extended periods the battery should be periodically replaced to avoid altera tion or erasure of data See RA3 OPERATION MANUAL RAM contents are erased when the battery is replaced Load the data from the tridge to the keyboard before changing the battery 27 WWW COSMOSYNTHS USERPAGE DE PART 2 x TONE MIX MODE TONE MIX SETTING With the CZ 3000 two different timbres can be mixed for output The volumes of the individual timbres that make up a tone mix can be independently controlled At this time the keyboard becomes 4 note polyphonic DPress the TONE MIX key TONE MIK 1515 LEU2 15 Volume level of TONE 1 Volume level of TONE 2 2 Tones be selected and the volume be set for the position
16. of 0 through 11 The pitch can be raised or lowered up to 11 100 cents 4 Fine detune Move the cursor under the FINE value and use the VALUE keys to change the value within a range of O through 60 The pitch can be raised or lowered up to 1 60 half tones approximately 1 7 cents Using data 1 through 4 in combination makes it possible to detune within a range of 4 octaves If OCT NOTE and FINE all set to 0 LINE I LINE T and LINE LINE LINE SELECT This function makes it possible to select the best line combination for the type of sound being produced The data settings for each preset and internal memory timbre also in clude LINE settings The line setting changes in the following order each time cae the LINE SELECT key is pressed 22 WWW COSMOSYNTHS USERPAGE DE Line select 16 note polyphonic for creation of simple sounds Line select 16 note polyphonic for monitoring LINE 21 during T 2 tone creation Line select 1 8 note polyphonic for creating sounds with complex harmonics structures Same as T when all detune values OCT NOTE FINE are set to 0 Line select 1 M 8 note polyphonic for ensemble and chorus effects Same as T T when all detune values OCT NOTE FINE are set to 0 When more than 8 keys are pressed in 8 note polyphonic the most recently pressed keys are usually given pri RING MODULATION Pressing the RING key cau
17. or 1 one octave down The initial data settings for each preset and internal memory timbre also include an OCTAVE RANGE setting The pitch between different tones in DCO 1 and DCO 2 can be detuned the DCO 2 timbre pitch only can be detuned or a DCO 1 with detuned pitch can be used in combination with a pitch that has not been detuned for the creation of a chorus effect The result of detuned Line T DCO is referred to as T while that of a detuned Line DCO is 21 WWW COSMOSYNTHS USERPAGE DE The LCD appears as in Fig 14 when the DETUNE key ON The cursor is located below the OCT value Hy Determir hether pitch is detuned rmines whether pitch is det upward or downward freni ied in 4 TES zi DETUNE lt 0 NOTE 1 48 Pitch is detuned in 1 60 halftones Pitch is detuned in halftone units 100 cents 1 Determining the detune direction up down Use the CURSOR keys to move the cursor under the indicator and the VALUE keys to change between plus and minus Set to to raise pitch and to to lower pitch 2 Detuning in 1 octave units Move the cursor under the OCT value and use the VALUE keys to change the value within range of 0 through 3 The pitch can be raised or lowered up to 3 octaves in one octave units 3 Detuning in half tone 100 cents units Move the cursor under the NOTE value and use the VALLIE keys to change the value within a range
18. read at a constant speed from 0 through 2s What would happen if we in crease the phase angle read speed from 0 through and decrease it from x through 2x than linear and the output co sine wave takes on what is close to saw tooth pattern What would happen now if we further increase the phase angle read speed from 0 through and decrease it from s through 2x sawtooth pattern 13 WWW COSMOSYNTHS USERPAGE DE The revolutionary PD sound source system thus makes it possible to output waveforms that differ from cosine waves by simply distorting the cosine or sine wave read from ROM Figs through 3 illustrate the patterns produced by increasing the phase angle read speed from 0 through x while decreasing the speed from x through 27 This is the pattern effect ed when the SAWTOOTH waveform is selected in the DCO parameter Read phase angles are also distorted in accordance with the selection of the other DCO parameter WAVE FORMs thus making a variety of waveform outputs possible The magnitude of the read phase angle distortion corresponds to the momentary value change over time of the DCW envelope When the DCW envelope is set as shown in Fig 4 an undistorted cosine wave is output at point 8 distortion reaches its peak at point and saw tooth pattern as shown in Fig 3 is output Distortion is reduced modulation become shallower at point b and a pattern that is somewhere between a cos
19. to control the in the Effect Section 9 itch according to the variation set using the BEND RANGE key KEYBOARD The CZ 3000 is not equipped with built in speakers A keyboard amp is required except when using headphones Connection Diagram 3 FOOT VOLUME terminal LINE OUT terminal R L SUSTAIN terminal 8 PHONES terminal Cartridge slot Power terminal DPROTECT switch i casi de MIDI terminals ja AC outlet Accessory power cord S Sustain pedal Foor volume Keyboard AS 3000 AS 2000 ete Headphones WWW COSMOSYNTHS USERPAGE DE POWER TERMINAL For connection of accessory power cord LINE OUT TERMINAL RIGHT LEFT For connection of a speaker with a built in keyboard amp such as the optional AS 3000 Stereo output is only possible when both the RIGHT and LEFT terminals are connect ed to speakers Connecting only one of the two terminals will result in monaural output PHONES TERMINAL For connection of headphones MIDI TERMINALS For connection of another keyboard or a computer equipped with MIDI terminals FOOT VOLUME TERMINAL For connection of a foot volume pedal optional VP 2 which allows fine adjustments of volume during keyboard play No sound is heard when the foot volume pedal is not pressed or when the main volume of the keyboard is set to MIN SUSTAIN TERMINAL For connec
20. EEE 2B WWW COSMOSYNTHS USERPAGE DE PART x KEY SPLIT MODE With the CZ 3000 two timbres can be assigned to the upper and lower ranges of the key board The split point of the keyboard and the individual volumes of the two timbres can be freely set and effects can be set to ON and OFF KEY SPLIT SETTING 1 Press the KEY SPLIT key in the Mode Select Section ET gt LONER 15 1 1 SPLIT POINT 30 T LOWER timbre level UPPER timbre level 1 15 1 15 2 Use the CURSOR keys to move the cursor to the SPLIT POINT value Use the VALUE keys to set the value within a range of 1 through 60 This determines the split point Wt owen Use CURSOR key to move the cursor to the LOWER LEVEL value Here the LOW ER timbre and volume level are set Select one of the timbres from the PRESET or MEMORY banks in the Programmer Section The timbre selected will be playable to the left of the split point VALUE keys in the Data Entry Section are used to set the volume level within a range of 1 through 15 A setting of 15 represents maximum volume Use the CURSOR key to move the cursor to the UPPER LEVEL value Select the timbre and set the volume in the same way as for the LOWER LEVEL Now the keyboard is split for simultaneous separate play of two timbres 29 WWW COSMOSYNTHS USERPAGE DE The Effect and Overall Con
21. OM PARE RECALL area of memory and the COMPARE RECALL function is automati cally turned ON indicator lights above key The original voice is recalled when OFF and the modified timbre is recalled when ON m WWW COSMOSYNTHS USERPAGE DE LIQUID CRYSTAL DISPLAY LCD Such information as voice numbers voice names parameters and data appears on the LCD as the keyboard is being used DATA ENTRY SECTION LeD CURSOR keys ENVELOPE STEP keya EE ENVELOPE POINT keys VALUE keys Changes the data displayed on the LCD Pressing v decreases the value by 1 while pressing 4 increase the value by 1 Hold ing down either key will cause the value to continuously increase decrease Also used for SAVE and LOAD operations with a RAM cartridge RA 3 See page 26 CURSOR key Moves the cursor blinking mark below the data on the LCD Basically each press of the key moves the cursor one position to the left while each press of the key moves the cursor one position to the right when multiple data are being displayed The and NO cursor keys are also used for SAVE and LOAD operations using a RAM cartridge RA 3 page 26 8 Cartridge key INITIALIZE of the timbre data page 23 ENV STEP keys Used to adjust the envelope steps of each DCO DCW and DCA envelopes provided in the Parameter Section Each press of the v lowers the step while each press of the 4 raises the step EN
22. S 2 TRUMPET 5 srana ensem swm voun ELA Pano AGCORDON FANTASTIC ORGAN BLUES HARMONICA DOUBLE REED BL ross SYNTH BASS ELEC GUITAR weme BENI svumu 6 06 8 8 onus 26 onum sv percussion 9 VOCE FAIRY TALE CARILLON TYPHOON SOUND 16 tone polyphonic 1 DCO Unmarked are 8 tone polyphonic 2 DCO MEMORY VOICES The memory bank is composed of 32 memory areas to which original timbre data creat ed using the Parameter Section can be written MEMORY BANK keys A through D and VOICE selectors 1 through 8 of the Programmer Section are used to select a memory voice for recall 10 WWW COSMOSYNTHS USERPAGE DE MEMORY BANK keys A D gt 5 ETE D MEMORY BANK selection VOICE selectors 1 8 gt LI 11 VOICE selection memory bank and voice number are displayed on the LCD The 32 memories of the MEMORY BANK are set at the factory with sample tones includ ed in the separate DATA BOOK Portamento time The following appears on the LCD when the PORTAMENTO key in the Effect Section is ON PORTAMENTO c TINE 25 00 5 TIME 5 99 The VALUE amp keys in the Data Entry Section are used to set the portamento time within ran
23. UE key KEY TRANSPOSE The following appears on the LCD when 5 the KEY TRANSPOSE key is ON rw KEY TRAN 12 WWW COSMOSYNTHS USERPAGE DE Each press of the v or VALUE key will respectively lower or raise the key by half tone steps The key is displayed at the cursor position Initial value G A A B B C C D E E FF SOLO key ON SOLO key OFF dioit Volume REY ON KEY ON KEY KEY ON KEY deletes note Note remains even at KEY ON Illustration shows a non sustained tone The CZ 3000 employs a unique CASIO developed PD Phase Distortion sound source system This system is capable of producing a variety of wave forms by distorting the read phase angles of sine and cosine waves that are written in ROM The pattern of the read phase angle distortion is determined by the specification of the DCO VCO of analog syn thesizer WAVE FORM The magnitude modulation depth of the read angle distortion corresponds to the momentary value of the DCW VCF of analog synthesizer envelope Fig 2 Fig 3 Phase angle Polarity cos reversed for sake of example Fig 1 illustrates output of a non distorted cosine wave when a co 5 shown in Fig 2 the phase angle read is distorted rather Fig 3 shows that the output co sine wave is almost a perfect sine wave in ROM is read with a linear phase angle The phase angle is
24. V POINY keys Used to specify the SUSTAIN POINT and END POINT of each DCO DCW and DCA envelope provided in the Parameter Sec tion 10 The cartridge key is used in connection with an optional RAM cartridge RA 3 for saving or loading timbre data of MEMORY BANK Press as the initial step for performing SAVE and LOAD operation between the keyboard and an optional RAM cartridge See page 26 WWW COSMOSYNTHS USERPAGE DE SECTION The keys in this section are used to set data for applying four types of effects to all timbres using the ON OFF keys and PITCH BEND MODULATION wheels Any data modification is performed using the Data Entry Section PORTAMENTO key BEND RANGE 55 FE MODULATION DEPTH key PORTAMENTO key BEND RANGE key Used to set the portamento time Por Used to set the PITCH BEND 8 variation tamento is applied according to the set range value when the PORTAMENTO ON OFF key of the Overall Control Section is ON MOD DEPTH key Used to set the MODULATION variation GLIDE key range The MODULATION WHEEL 12 oper Used to set the glide time Glide is applied ates in the range of the set value when the according to the set value when the GLIDE MODULATION ON OFF key i is ON ON OFF key of the Overall Control Sec tion Dis ON 10 PARAMETER SECTION All parameters of timbre data are set using the keys in this section All data modifications except for l
25. VEL means the volume nv WWW COSMOSYNTHS USERPAGE DE Even if the ENV STEP key is pressed it will be impossible to advance from the present step if END POINT is specified In this case press the ENV POINT END key again to cancel the END point and then press the ENV STEP 2 key If an END point is cancelled within STEP 1 through 7 an END POINT is automatically desig nated in STEP 8 and previously set data is automatically restored The LEVEL for a STEP that includes an END POINT is fixed as 00 and cannot be changed When a SUSTAIN POINT is designated in a STEP SUSTAIN POINTS set in other STEPs are cancelled DCW DIGITAL CONTROLLED WAVE DCW corresponds to the VCF of an analog synthesizer and is comprised of KEY FOL LOW for control of the waveform corresponding to the keyboard range and ENV wave envelope The dual system line provides an independent DCO 1 and DCO 2 which can be used as desired KEY FOLLOWDCW This parameter applies a difference change in the DCW envelope level in accordance with the pitch of the key played The DCW 1 and DCW 2 KEY FOLLOW keys are used to in dependently set each key follow Key follow can be set to levels ranging from 0 through 9 The higher the note played the closer the waveform comes to being a sine cosine wave See Fig 4 Fig 4 Key follow DCW for saw tooth pattern basic waveform The LCD appears as in Fig 5 when the
26. a pressed key The dual system line provides an independent DCO 1 and DCO 2 which can be used as desired 285 WWW COSMOSYNTHS USERPAGE DE WAVE FORM Determines the basic waveform of a timbre Independent settings can be made using the DCO 1 and DCO 2 keys can be seen in fig a there are eight types of basic waveforms from SAW TOOTH to RESONANCE IIl Any one of these eight waveforms can be combined as shown fig b to produce a total of 33 waveforms suitable for virtually any application fes m a TL AL menm ri pp wn ws The three RESONANCE waveforms cannot be used in combination with each other When the WAVEFORM key is ON the LCD appears as shown in Fig 1 Fig 1 indicator lights WAVE FORM 1851 1 550 0 8 Fig 1 indicates that only the saw tooth pattern is selected Only the FIRST waveform is applied when SECOND 0 is displayed At this time the VALUE keys can be used to set FIRST the current position of the cursor to value from 1 through 8 to select the required waveform Then the CURSOR keys can be used to move the cursor under the value of SECOND and the another waveform can be set using the VALUE keys see Fig 2 This procedure is used to select one of the 33 combinations of basic waveforms Fig 2 Either of the CURSOR keys is used to move the cursor HAYE FORM The VALUE keys are used to change the WAVE FORM
27. ances chemicals when cleaning this 6 Insert and remove cartridges only after power has been turned off Be sure to turn off power when inserting or removing cartridges to protect the RAM 35 WWW COSMOSYNTHS USERPAGE DE Z3000 Keyboard 61 keys 5 octaves Sound source PD phase distortion system Voices 16 1 DCO or 8 2 DCOs Modes NORMAUTONE MIX KEY SPLIT Programmer 32 preset voices fixed 32 memory voices exchangeable WRITE COMPARE RECALL Parameters DCO 1 DCO 2 Waveform 33 types Pitch envelope STEP 1 8 RATE 00 99 LEVEL 00 99 SUSTAIN END DCW 1 DCW 2 Key follow RANGE 0 9 Wave envelope STEP 1 8 RATE 00 99 LEVEL 00 99 SUSTAIN END DCA 1 DCA 2 Key follow RANGE 0 9 Amp envelope STEP 1 8 RATE 00 99 LEVEL 00 99 SUSTAIN END Vibrato WAVE 1 4 DELAY 00 99 RATE 00 99 DEPTH 00 99 Octave RANGE 1 0 1 Detune OCT 0 3 NOTE 00 1I FINE 00 60 Line select 1 2 1 271 1 Ring modulation Noise modulation Initialize Tone mix Tone 1 LEVEL 00 15 Tone 2 LEVEL 00 15 Key split Split point 01 60 LOWER LEVEL 00 15VUPPER LEVEL 00 15 Effect Overall control Portamento time 00 99 Portamento ON OFF Glide note 24 24 Glide time 00 99 Glide ON OFF Pitch bend Bend range 00 12 Modulation depth 00 99yModulati
28. e CAUTION 9 Before connecting the AC cord to the AC source be sure to check whether the vol cation on the bottom of the un retailer nearby dealer sebene Spannung mit Ihrer Stromnetz dies nicht der Fall sein so wenden Sie sich bitte an das Inst n oder an Ihren n chsten Kunden nt Si Fachgeschiift in dem Sie d dienst ATTENTION Avant de brancher le cordon CA la prise CA controler si la tension indiqu e au bas de l appareil correspond la tension de votre secteur Si ce n est pas le cas contacter le revendeur chez qui vous avez effectu votre achat ou le distributeur le plus proche PRECAUCION up Antes de conectar el cord n de indicado en la parte inferior de la uni trario ponerse en contacto con el isegurarse de verificar si el voltaje de la localidad De lo con ATTENZIONI Prima di collegare il cordone c voltaggio scritto sul fondo dell In caso contrario prendere cont ontrollare che il col voltaggio della rete a disposizione iutorizzato oppure col dettagliante pi e 2 4 100 IETS k E RR Ct AME RE ab we ERS B DE
29. e DCO enve lope page 17 Data is set using the VALUE CURSOR ENV STEP and ENV POINT SUS TAIN END keys DCA DIGITAL CONTROLLED AMPLIFIER DCA corresponds to the VCA of an analog synthesizer and independent volume enve lopes can be set using the DCA 1 and DCA 2 ENV keys KEY FOLLOW DCA This is the parameter that applies a variance to the DCA envelope in accordance with the pitch of the key played The DCW 1 and DCW 2 KEY FOLLOW keys are used to in dependently set each key follow The higher the note played the shorter the time of the volume envelope Fig 8 Volume envelope DCA Time becomes shorter mmm 19 WWW COSMOSYNTHS USERPAGE DE The LCD appears as in Fi Fig 9 9 when the DCA KEY FOLLOW key is pressed FOLLOW RANGE Pensa The VALUE keys are used to set the RANGE value within a range of 0 through 9 The greater the RANGE value the greater the time variance in the upper registers A setting of 9 represents the largest variance DCA AMP ENVELOPE This is the parameter that controls volume change over time and the DCW 1 and DCW 2 ENV keys used to independently set the volume of the envelopes The volume change over time of a pressed key 15 set in accordance with the RATE slope and LEVEL desti nation level Settings can be made to a maximum of 8 steps Fig 10 Piano amp envelope Volume m This is an exam
30. ed and used properly that is in strict accordance with the manufacturer s instructions may cause interference to radio and television recep tion t has been type tested and found to comply with the limits for a Class computing device in accordance ith the specifications in Subpart J of Part 15 of FCC Rules which are designed to provide reasonable protec tion against such interference in a residential installation However there is no guarantee that interference will not occur in a particular installation If this equipment does cause Interference to radio or television reception Which can be determined by turning the equipment off and the user is encouraged to try to correct the inter ference by one or more of the following measures reorlent the receiving antenna relocate the equipment with respect to the receiver move the equipment away from the receiver r plug the equipment into a different outlet that equipment and receiver are on different branch circuits H necessary the user should consult the dealer or an experienced radiovtelevision technician for additional sug gestions The user may find the following booklet prepared by the Federal Communications Commission help ful How to Identify and Resolve Radio TV Interference Problems This booklet is avallable from the Government Printing Office Washington D C 20402 Stock No 004 000 00345 4 38 WWW COSMOSYNTHS USERPAGE DE CASIO DIGITAL SYNTHESIZER
31. for STEP 1 to set the RATE to SS 72 and the LEVEL to 66 SUSTAIN POINT 8 Press the ENV POINT SUSTAIN key to FITCH STEP2 8l designate STEP 2 as a SUSTAIN POINT RRTEzTZ2 LEVEI Use the ENV STEP 4 key to advance vr to STEP 3 and set the RATE to 60 and PITEH STEP the LEVEL to 24 RATE Use the ENV STEP E key to advance END POINT to STEP 4 and set the RATE to 20 Then 2 press the ENV POINT END key to set PITCH STEP4 EHD the END POINT and the LEVEL will au RATE 28 LEVEL 99 tomatically be set to 00 LEVEL of the last step is 00 It is not necessary to press the END key if the END POINT is already set RATE The RATE indicates the slope interior angle in relation to horizontal of each step in the envelope R 99 indi cates nearly 90 while R 0 indicates nearly 0 Since the value used is an absolute value the slope increases and decreases in direct proportion with the value of R regardless of whether the pattern shows a rise or fall This means that a steep incline results in a quick level change while a gentle incline results in a slow level change LEVEL The LEVEL indicates up to what point each step rises falls destination level and the range is from 00 through 99 For the DCO envelope LEVEL means the pitch height and a value of 00 is the pitch of a pressed For the DCW envelope L 99 results in basic waveform see page 20 for details For the DCA enve lope LE
32. g the KBCH number until a voice is selected for each channel desired 33 WWW COSMOSYNTHS USERPAGE DE It is sometimes desireable to keep the timbre of one of two connected musical instruments fixed The example here will use two CZ 3000s 5108 RG ENA PRG DIS In this example the timbres of unit are fixed and are unaffected when timbres in unit are changed If unit were set to PRG ENA changes of unit timbres would result in corresponding changes in unit amp TONE MIX AND KEY SPLIT MODE The following appears on the LCD when the MIDI key is pressed in the TONE MIX or KEY SPLIT mode In this case data exchange is only possible in the poly mode and the mono mode cannot be specified The cursor will not move to the PMODE position Settings for the send channel KBCH receive channel CH and timbre exchange able dis able PRG ENA DIS mode are made in the same manner as those for the NORMAL mode see page 32 When timbre change data or volume level change data is received from an external source in the TONE MIX or KEY SPLIT mode the indicators on the CZ 3000 change for the settings corresponding to the position of the cursor WWW COSMOSYNTHS USERPAGE DE 1 Please be careful of extreme temperatures moisture and direct sunlight Please avoid using or storing your CZ 3000 in place
33. ge of 00 through 99 The portamento time increases portamento becomes slower as the numeric value PORTAMENTO ON OFF Portamento is switched ON and OFF using the PORTAMENTO ON OFF key in the Over all Control Section Portamento is only applied for legato subsequent keys are pressed while previously pressed keys are held down when portamento is switched ON while the SOLO key is ON Portamento and glide mutually cancel each other GLIDE NOTE TIME The following appears on the LCD when the GLIDE key in the Effect Section is ON 005TIME 599 NOTE indicates the pitch divergence from standard of the key pressed Settings are made in half tone units in the range of 2 octaves up and down 24 half tones When the key board is pressed the pitch successively changes from the set pitch to standard thus producing a glide effect The difference in pitch becomes greater as the numeric value increases TIME indicates the glide time and is set within the range of 00 through 99 Glide time becomes longer glide becomes slower as the numeric value increases The cursor is moved to TIME using the cursor keys in the Entry Section and the numeric value is set using the VALUE keys zm WWW COSMOSYNTHS USERPAGE DE GLIDE ON OFF Glide is switched ON and OFF using the GLIDE ON OFF key in the Overall Control Section Portamento and glide mutually cancel each other PITCH BEND Pitch is controlled by turning the PITCH
34. ine select parameters are performed using the Data Entry section 7 WAVE FORM key amp DCO envelope key Press this key when you want to select the This key lets you set the pitch envelope for basic wave form for Line 1 An indicator Line 1 An indicator lights above this key lights above this key when ON when ON WWW COSMOSYNTHS USERPAGE DE DCW KEY FOLLOW key Press to make the wave form of the Line 1 DCW approach a pure sine wave accord ing to the pitch of the keys being played DCW envelope key Press to set the wave envelope for Line 1 An indicator lights above this key when ON DCA KEY FOLLOW key Used to set the time variance between the upper and lower registers of the keyboard for DCA 1 DDCA envelope key Press to set the parameters of the Line 1 amplifier envelope An indicator lights above this key when ON p WAVE FORM key Press to select the basic wave form for Line 2 An indicator lights above this key when ON DCO envelope key Sets the pitch envelope for Line 2 An in dicator lights above this key when ON DCW KEY FOLLOW key Press to make the wave form of the Line 2 DCW approach a pure sine wave accord ing to the pitch of the keys being played D DCW envelope key Press to set the wave envelope for Line 2 indicator lights above this key when ON amp DCA KEY FOLLOW key Used to set the time variance between the upper and lower registe
35. ine wave and a saw tooth wave as illustrated in Fig 2 is output When WAVE FORM is set to sawtooth DCW envelope Me 1 The pattern of the read phase angle distortion corresponds to the WAVE FORM setting of the DCO parameter 2 The magnitude of the read output phase angle distortion modulation depth cor responds to the momentary value of DCW envelope The 2 3000 features a dual system DCO DCWIDCA and each system has own indepen dent envelope generator for control of changes in notes timbres and volume over time The envelope generators can set up to eight steps including setting of the sustain point the level at which a note is sustained while a key is depressed This provides greater ver satility than the conventional ADSR generator and makes sound creation possibilities vir tually unlimited Fig 1 n R through Ry indicate the RATE slope of each various steps while L through La in dicate the LEVEL des tination level Li is reached at a slope of Ri in STEP 1 La is reached at a slope of Ri in STEP 2 ete 14 WWW COSMOSYNTHS USERPAGE DE Fig 1 shows an example of an envelope employing 8 steps There are two attacks before the sustain point as well as a third attack after the key is released resulting in an after Fig 3 Ls 622600 analog synthesizers A D Pm n susan Pont us ae EST 555 Key ov ey
36. ning WRITE operations confirm that the COMPARE RECALL key is ON Set the PROTECT switch on the back panel of the unit to the OFF position The following will appear on the LCD when the Ta f 3 WRITE key is pressed while the PROTECT switch is PROTECT M I left ON 2 While holding down the WRITE key press in order the MEMORY BANK key D and then the Voice Selector 1 that corresponds to the area to which the data is to be written Example WRITE to memory bank D 5 When the WRITE key is pressed all indicators in the Programmer Section go out and the following is dis E played in the LCD e WRITE HOLDING DOWN THE VITE KEY ELECT MEMORY Press first MEMORY bank key D and then Voice Selector key 5 Indicators will light above the respec tive keys and the following will appear on the LCD WRITE OK This display indicates that WRITE operations are complete so the WRITE key can be released MEMORY D 5 will appear on the LCD 25 WWW COSMOSYNTHS USERPAGE DE 3 Return the PROTECT switch to the ON position Securely insert RAM cartridge RA3 optional into the cartridge slot located on the back panel Fig 1 ig 1 7 3000 panel SS SS 3 Conr ctors 2 RAM cartridge RA optional SAVE D Correctly load a cartridge see Fig 1 Press the CARTRIDGE key lt LCD gt CARTRIDGE SAVE OR LOAD Press the
37. on ON OFF Master tune 4 100 cents Key transpose G F4 Master volume Chorus control Data entry Value Y SAVEY amp J LOAD Cursor 3 NOV EVES Envelope step C E Envelope point SUSTAIN END LCD Dot matrix 32 character Data SAVE LOAD Cartridge RA 3 option Timbre data SAVE LOAD 32 timbres Other Solo 36 WWW COSMOSYNTHS USERPAGE DE Rear panel LINE OUT jacks R L Headphone jack stereo Sustain jack Foot volume control jack MIDI jacks IN OUTTHROUGH Protect switch ON OFF Car tridge slot Power jack Power supply AC 100V 120V 220V 240V Memory back up 3 size AA dry cells Battery life Approximately 1 year 26W Power consumption Dimensions 1025 W x 341 D x 125 H 403 8 W x 137 16 D x 415 16 Weight 11 7 kg 25 8 Ib including batteries Accessories power cord Plug 6 cord set Dust cover 3 size AA dry cells Design and specifications are subject 10 change without notice 37 WWW COSMOSYNTHS USERPAGE DE WARNING CHANGING THE VOLTAGE SELECTOR MAY REQUIRE THE USE OF A DIFFERENT LINE CORD OR ATTACH MENT PLUG OR BOTH TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK REFER SERVICING TO QUALI FIED SERVICE PERSONNEL GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U S A not applicable to other areas This equipment generates and uses radio frequency energy and not install
38. ple of a piano envelope where the sound produced by a pressed key gradu ally decreases If the key is released before the sound is completely attenuated the sound quickly decreases If the key is released before the SUSTAIN POINT is reached the enve lope jumps to the last step in which the END POINT is specified The LCD appears as in Fig 11 when the DCA 1 or DCA 2 ENV key is ON 1 SUS will be displayed here if the di played STEP is a sustain point Amp envelope STEP 1 END will be displayed if it is an end is selected point ANP STEFI RATESem n Rate of STEP 1 Destination level of STEP 1 25 58 008 63 5 Operational procedures are identical to those previously explained for the DCO envelope page 17 Data is set using the VALUE CURSOR ENV STEP and ENV POINT SUS TAIN END keys This completes the explanation of the DCO DCW and DCA blocks The most important point to remember is that these three blocks interract with each other to form a single timbre Actual tone creation examples are given in the SOLIND DATA BOOK 20 WWW COSMOSYNTHS USERPAGE DE aVIBRATO OCTAVE DETUNE VIBRATO corresponds to the LFO of an analog synthesizer and it oscillates the low fre quencies of the DCO to apply a vibrato effect This key is used to set 4 parameters WAVE DELAY RATE and DEPTH The LCD appears as in Fig 12 when the VIBRATO key is pressed Fig 12
39. rs of the keyboard for DCA 2 envelope key Press to set the parameters of the Line 2 amplifier envelope An indicator lights above this key when ON VIBRATO key Press to set the vibrato effect independent ly for each tone Data setting itself is per formed in the Data Entry section OCTAVE keys Press to shift the pitch range of each tone up or down in one octave steps Data set ting itself is performed in the Data Entry section DETUNE key Press to detune the pitch of Line 1 or Line 2 without changing the tone for Line 1 or Line 2 LINE SELECT key Changes line select in the order T 2 2m m mse The indicator above the selected line combination lights up 4 RING key Causes Line 1 or Line 2 to be ring modu lated by Line 1 An indicator lights above this key when ON NOISE key Causes Line 1 or Line 2 to be modulated by noise An indicator lights above this key when ON SINITIALIZE key Initializes the settings of the various parameters sets the respective data to 0 thus making it easier to start creating sounds right from the beginning Press the INITIALIZE key and simultaneously press the key of the parameter to be initialized WWW COSMOSYNTHS USERPAGE DE 0 MODULATION ON OFF KEY 02 MODULATION WHEEL Turned to adjust the vibrato depth according to the variation range set using the MOD DEPTH key in the Effect Section 9 PITCH BEND WHEEL Turned
40. s subject to direct sunlight excessive ly moist places or near air conditioning and heating appliances where temperatures and moisture tend to be extreme 2 Please do not drop this instrument or subject it to strong shocks Subjecting this precision instrument to strong shocks may cause malfunctioning so please be very careful When carrying the CZ 3000 with you or transporting it please protect it properly with shock absorbant packaging in particular the keyboard and switches 3 Make sure no foreign matter gets into the inside of this instrument Please take care that no foreign objects especially metal objects such as hair pins sewing needles or coins gets into the instrument e g through the gaps between the keys Also make sure no water or other fluids get in Any metal objects or water entering the instru ment can cause malfunctioning as well as an electric shock hazard 4 Customizing may cause malfunction and accidents The CZ 3000 uses many high precision electronic components Converting It in any man ner or carelessly touching the internal parts may cause malfunction and accidents and should therefore be avoided under all circumstances 5 Please do not use thinner and simi instrument When cleaning your CZ 3000 use a soft cloth dampened with a neutral detergent solu tion which has been wrung out completely to wipe the keyboard etc Use of thinner alcohol benzene and similar chemicals should be avoided under all cir cumst
41. ses an indicator to light above the key and LINE IT and LINE output is ring modulated by LINE 0 Pressing the RING key again will turn the func CFT Bi i only whan LINE SELECT Merlo t oc m y Ring modulation is used when creating bell type sounds ivi NOISE MODULATION Pressing the NOISE key causes an indicator to light above the key and LINE f or LINE IZ output is modulated by noise Pressing the NOISE key again will turn the function OFF Noise modulation is only possible when LINE SELECT is set to 1 or D t Noise modulation is used when creating wind or percussion sounds The RING and NOISE keys mutually cancel each other ms INITIALIZE This function returns parameters to their initial settings Press the key that corresponds to the parameter to be initialized while holding the INITIALIZE key down The LCD will then show the initialized status of the parameter Example 1 Initializing the VIBRATO values Press and hold down the INITIALIZE key Simultaneously press the VIBRATO key MRUE 1 D RRTE B DEPTH 23 WWW COSMOSYNTHS USERPAGE DE Example 2 initializing the values of the DCA 1 Press and hold down the INITIALIZE key Simultaneously press the 1 ENV key ico STEP1 RATE 92 LEUEL 93 SUS The following table shows each parameter s initialized values WAVE 1 DELAY 00 RATE 00 DEPTH
42. t of the three modes 8010 KEY 9 MIDI KEY Switches between monophonic ON and polyphonic OFF play An indicator will light above the key when ON Set to the ON position to specify the send receive status when a MIDI instrument or sonal computer is connected to the MIDI terminal on the back panel of the keyboard 5 PROGRAMMER SECTION A total of 64 timbres are contained in memory 32 PRESET and 32 MEMORY The keys in this section are used to select one of these timbres and to write timbres to memory COMPAREJRECALL key PRESET BANK keys MEMORY BANK keys Indicator PRESET BANK keys sed to select one of the four preset banks An indicator will light above the key pressed MEMORY BANK keys Used to select one of the four memory banks An indicator vill light above the key pressed Voice Selectors Used to select one of the eight timbre memories in the selected bank indica tor will light above the key pressed and a message will appear on the LCD as shown the following illustration PRESET BANK C tone number 2 EMORY A 4 MEMORY BANK A tone number 4 Voice Selectors WRITE key Records timbres created using the Parameter Section f in the MEMORY BANK COMPARE RECALL key Compares a timbre created by modifying voice recalled from memory with the original unmodified voice The modified timbre is temporarily stored in the C
43. tion of a sustain pedal optional SP 1 Sustain effect applied when pedal is pressed PROTECT SWITCH Used to protect against erasure of timbre data from the Programmer section or data played using the Sequencer Section PROTECT WRITE is impossible and data LOAD from an optional RAM cartridge is Impossible when the PROTECT switch is in the ON position This protects against inadvertently erasing data see page 25 The switch should usually be kept ON and only be set to OFF for WRITE and LOAD operations Usually left ON CARTRIDGE SLOT For loading separately available RAM cartridge RA 3 See page 26 ee 9 WWW COSMOSYNTHS USERPAGE DE PART 1 NORMAL MODE PRESET VOICES First turn power ON by pressing the power switch located to the right of the keyboard The display will appear as shown here when power is switched ON Bs At this time the keyboard is set to the NORMAL mode and the Programmer Section auto matically recalls PRESET A 1 BRASS ENSEMBLE 32 preset voices selected using the PRESET BANK keys and VOICE selectors can be used for keyboard play Display when power is switched ON preser BANK ke s el PRESET BANK selection VOICE selection The name of the preset voice selected will be shown on the LCD PRESET VOICE TABLE IE a G o XR owes RAS
44. trol Sections operated just as in the NORMAL MODE for key split timbres Setting procedures are identical but each function is independently set for the IPPER and LOWER timbres PORTAMENTO TIME and ON OFF GLIDE NOTE and ON OFF PITCH BEND and MODULATION DEPTH MASTER TUNE and KEY TRANSPOSE PORTAMENTO and GLIDE effects are applied to the timbre at which the cursor is locat ed when the respective control key is pressed 5010 key ON OFF setting can also be applied independently to the timbres the same as for PORTAMENTO and GLIDE 30 WWW COSMOSYNTHS USERPAGE DE PART 4 MIDI MIDI MUSICAL INSTRUMENT DIGITAL INTERFACE is a standard interface that allows the connection of two electronic musical instruments The CZ 3000 is capable of trans mitting the following data SEND RECEIVE DATA NORMAL TONE MIX KEY SPLIT SEQUENCER Message Send Receive Send Receive Send Receive Send Receive Key pitch ON OFF data MODULATION WHEEL data PORTAMENTO TIME MASTER TUNE PORTAMENTO ON OFF SUSTAIN PEDAL ON OFF Timbre number data PITCH BEND date LOCAL CONTROL OFF END OF SYSTEM EXCLUSIVE SYSTEM EXCLUSIVE MESSAGE TABLE Message NORMAL TONE MIX KEY SPuT SEQUENCER Send Receive Send Receive Send Receive Send Receive SEND REQUEST 1 2 RECEIVE REQUEST 1 3 BEND RANGE 4 KEY TRANSPOSE 5
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