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Behringer CX3400 User's Manual

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1. User Manual W NEW SUPER X PRO CX3400 High Precision Stereo 2 Way 3 Way Mono 4 Way Crossover with Limiters Adjustable Time Delays and CD Horn Correction behringer com behringer 2 SUPER X PRO CX3400 User Manual KD Table of Contents Thank you ssorsosssnesonennennnennennsnnnsnnennnennennnennnnnnnnnsnnennnene 2 1 Introduction u ueseneenneneenssegesgseneesn 1 1 Multi way speaker systems 1 2 SUPER X PRO the high end frequency CFOSSOVEr nennneennsssennssennunsennnnnsennnnsennnnsesnnnnssnnunnennnnnee 5 2 The Design Concept arssoreossonssossnnennssnnennsonnsnnnnnnnnne 5 2 1 Before you begin esseenesesenessennessennssennssennerssenne 5 2 2 Online registration ussenseenssennesssnnssnnnnessennnersenne 5 2 3 Control elements uunssesenssenssensssensseunsssensssenssennsenne 6 3 Application sesssosssonssonnsnonssnesunnsnnnssnnssonennnnsnnnee 10 Ball TOOS ena e a a n 10 3 2 Setting the input levels sss ssssssesssssssssssssssessssssseossensseess 10 3 3 Setting the output levels ssssssssssssssssssessssssssesssssseeess 10 3 4 Setting the crossover frequencies sssss sssssssssssses 11 3 5 Runtime correetion asnnennn nein 11 3 6 The limiters of the SUPER X PRO sssssssecsssecsseeesnsees 12 3 7 LOW SUM FUMC OM sstssscsssscesscsascscostssaadacasecsassessteetssansasies 12 3 8 CD HORN function unee
2. gt 40 dB typically gt 55 dB at 1 kHz CD Horn Corrects CD horn frequency response C above 3 5 kHz Connectors XLR Limiter Activates the limiter function for all outputs Type Electronically servo balanced RF filtered Rear Panel Impedance Balanced 60 Ohms unbalanced 30 Ohms Xover Frequency Multiplies crossover frequency range by 10 Max Output Level 20 dBm balanced unbalanced Mode Selects stereo mono and 2 3 4 way operation LF Sum Selects normal stereo or mono summed Performance Bandwidth 20 Hz to 20 kHz 0 0 5 dB Frequency Response lt 5 Hz to gt 90 kHz 0 3 dB Signal to Noise Ref 4 dBu 20 Hz to 20 kHz unweighted low frequency operation ON Channel 1 6dB louder Channel 2 the same as before Stereo Mode Mono Mode Input Controls the input gain 12 dB Low Output gt 93 dBu gt 93 dBu Xover Frequency Controls the crossover frequency Lowe Mid Output geri Delay Controls the delay at the low output Mid Output gt 95 dBu 0 to 2 msec High Mid Output gt 94 dBu Gain Controls the output gain 6 dB High Output gt 90 dBu gt 88 dBu Threshold Controls the threshold of the limiter f 6 dB to OFF Dynamic Range gt 106 dB unweighted THD amp Noise Limiter Off Limiter On 0 ee gt Mains Voltages Interchannel Crosstalk High to Low lt 93 dB High to Mid lt 94 dBu USA Canada 120 V 60 Hz Mid to
3. there should be none if the output levels have been set properly as described in paragraph 3 3 However if the frequency response shows some irregularities it can prove useful to correct it by means of the crossover network before using an equalizer EQ Subsequently the crossover frequencies must be corrected with an EQ as far as this is possible 11 SUPER X PRO CX3400 User Manual 3 4 Setting the crossover frequencies The use of extremely high grade potentiometers made it unnecessary to install fixed frequency plug in modules Thus you have a wide range of setting options available that even more expensive crossover networks hardly give you The CX3400 works in two specific frequency ranges 44 though 930 Hz and 440 Hz through 9 3 kHz The Linkwitz Riley filters employed in the SUPER X PRO feature a slope of 24 dB octave High grade components such as 1 tolerance metal film resistors ensure a perfect phase and amplitude response at all crossover frequencies Please consult the manufacturer s specifications of the various speaker components to set the crossover frequencies When polar plots of specific speakers or horns are available use them too Don t set the crossover frequencies around peaks or drop outs in the frequency response but try to find a range that is largely linear When folded woofer horns are used you also need to take the horn length into account see chapter 3 5 Runtime Correction Never operate sp
4. XOVER FREQ control This control governs the crossover frequency between the High Mid and High bands HIGH MID OUTPUT control Controls the output level of the High Mid band from 6 to 6 dB HIGH MID PHASE INVERT button This button reverses the polarity of the High Mid output HIGH MID MUTE button Mutes the High Mid band HIGH OUTPUT control Controls the output level of the High band from 6 to 6 dB HIGH PHASE INVERT button This button reverses the polarity of the High output HIGH MUTE button Mutes the High band THRESHOLD control This control determines the limiter threshold LIMITER button This button activates all limiters Whenever the signal surpasses the limiter threshold the LIM LEDs above the Gain control light up signaling that the CX3400 cuts back the output level So behringer Fig 2 9 Active control elements on the front panel of the SUPER X PRO for mono 4 way operation behringer com 10 SUPER X PRO CX3400 User Manual Fig 2 10 Active control elements on the rear panel of the SUPER X PRO for mono 4 way operation HIGH OUTPUT connector Output for the High band signal HIGH MID OUTPUT connector Output for the High Mid band signal MODE button In mono 4 way mode the right button must be pressed Please observe the labels on the rear panel of t
5. below unless a longer minimum warranty period is mandated by applicable local laws If the product shows any defects within the specified warranty period and that defect is not excluded under 4 MUSIC Group shall at its discretion either replace or repair the product using suitable new or reconditioned product or parts In case MUSIC Group decides to replace the entire product this limited warranty shall apply to the replacement product for the remaining initial warranty period i e one 1 year or otherwise applicable minimum warranty period from the date of purchase of the original product Upon validation of the warranty claim the repaired or replacement product will be returned to the user freight prepaid by MUSIC Group Warranty claims other than those indicated above are expressly excluded PLEASE RETAIN YOUR SALES RECEIPT IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE 2 Online registration Please do remember to register your new BEHRINGER equipment right after your purchase at behringer com under Support and kindly read the terms and conditions of our limited warranty carefully Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently Thank you for your cooperation 3 Return materials authorization To obtain warranty service please contact the retailer from whom th
6. the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level in any country which is not the country for which the product was originally developed and manufactured this modification adaptation shall not be considered a defect in materials or workmanship This limited warranty does not cover any such modification adaptation regardless of whether it was carried out properly or not Under the terms of this limited warranty MUSIC Group shall not be held responsible for any cost resulting from such a modification adaptation This limited warranty covers only the product hardware It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product Any such software is provided AS IS unless expressly provided for in any enclosed software limited warranty This limited warranty is invalid if the factory applied serial number has been altered or removed from the product Free inspections and maintenance repair work are expressly excluded from this limited warranty in particular if caused by improper handling of the product by the user This also applies to defects caused by normal wear and tear in particular of faders crossfaders potentiometers keys buttons guitar strings illuminants and similar parts 6 Damage defects caused by the following conditions are n
7. Hum Positive p Hum Signal Pin 3 Signal X_ N Signal Hum Negative Hum Signal 2 x Signal Signal 6 dB RFI and Hum S Fig 4 11 Fig 4 1 Compensation of interference with balanced connections behringer com 14 SUPER X PRO CX3400 User Manual a Unbalanced 1 4 TS connector strain relief clamp lt sleeve PA e t a Balanced 14 TRS connector lt 4 strain relief clamp 4 sleeve lt 4 ring sleeve ground shield lt _ ring cold ve tip hot ve For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at the stereo plug Balanced use with XLR connectors 2 1 dy input 1 ground shield 2 hot ve 3 cold ve output For unbalanced use pin 1 and pin 3 have to be bridged Z behringer com a Fig 4 12 Different plug types 15 SUPER X PRO CX3400 User Manual 5 Specifications Connectors XLR Front Panel Type Electronically servo balanced RF filtered Low Cut Activates 25 Hz Butterworth Impedance Balanced gt 50 kOhms unbalanced gt 25 kOhms 12 dB Octave high pass filter Mute Mutes the individual output Max Input level 22 dBu typical balanced or unbalanced Phase Invert Inverts the phase at the individual output CMRR
8. ICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION PHOTOGRAPH OR STATEMENT CONTAINED HEREIN COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR REPRESENTATION THIS MANUAL IS COPYRIGHTED NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS ELECTRONIC OR MECHANICAL INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND FOR ANY PURPOSE WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSIC GROUP IP LTD ALL RIGHTS RESERVED 2011 MUSIC Group IP Ltd Trident Chambers Wickhams Cay P 0 Box 146 Road Town Tortola British Virgin Islands LIMITED WARRANTY 1 Warranty This limited warranty is valid only if you purchased the product from a MUSIC Group Authorized Reseller in the country of purchase A list of authorized resellers can be found on BEHRINGER website behringer com under Where to Buy or you can contact the MUSIC Group office closest to you MUSIC Group warrants the mechanical and electronic components of this product to be free of defects in material and workmanship if used under normal operating conditions for a period of one 1 year from the original date of purchase see the Limited Warranty terms in 4
9. Low lt 95 dBu U K Australia 240 V 50 Hz High to High Mid lt 95 dBu u High Mid to Low Mid lt 95 dBu Europe 230 V 30 Hz Low Mid to Low lt 92 dBu General Export Model 100 120 V 200 240 V 50 60 Hz Filter Type Linkwitz Riley 24 dB Octave state variable Power Consumption max 22 W Stereo Mode Frequencies x1 x10 Fuse 100 120 V T 630mA H Low High 44 to 930 Hz 440 Hz to 93 kHz 200E EN Low Mid 44 to 930 Hz 440 Hz to 93 kHz Mains Connection Standard IEC receptacle Mid High 440 Hz to 9 3 KHz Mono Mode Frequencies x1 x10 Dimensions 134x19x81 44 5 x 482 6 x 217 mm Low Low Mid 44 to 930 Hz 440 Hz to 9 3 kHz Net Weight 2 5 kg Low Mid High Mid 440 Hz to 9 3 kHz Shipping Weight 3 5 kg High Mid High 440 Hz to 9 3 kHz behringer com BEHRINGER is constantly striving to maintain the highest professional standards As a result of these efforts modifications may be made from time to time to existing products without prior notice Specifications and appearance may differ from those listed or illustrated We Hear You EN behringer com behringer
10. TPUT connector Output for the High band signal MODE button In stereo 3 way mode both buttons must be out 0 Please observe the labels on the rear panel of the unit Always switch off the entire system before you press this button as it produces heavy interference noise that could damage your speakers and or other equipment 2 LOW SUM button In stereo mode the two Low paths can be summed with the LOW SUM button and routed to the Low output of channel 1 which is particularly useful in systems using additional subwoofers behringer com At amp LOW LF SUM OUTPUT connector Output for the Low band signal XOVER FREQ button This button serves to switch over the control range of the front panel LOW MID XOVER FREQ control from 44 to 930 Hz or 440 Hz to 9 3 kHz Always switch off the entire system before you press this button as it produces heavy interference noise that could damage your speakers and or other equipment INPUT connector Input signal connector 9 SUPER X PRO CX3400 User Manual 2 3 3 Mono 4 way operation First activate mono 4 way mode by means of the two MODE buttons on the rear panel The MONO LED on the front panel above the LOW CUT button in channel 1 lights up MONO ow NOT VALID E STEREO E E 3 WAY STEREO way M Fig 2 8 Proper selection of the two MODE switches for mono 4 way operation Subsequently the LEDs above the active controls on the front panel l
11. Whether you need to set up a system for small clubs or large halls improve an on stage monitoring system or enhance your studio monitors with an additional subwoofer your SUPER X PRO is the ideal choice for all of these applications behringer com 2 The Design Concept The philosophy behind BEHRINGER products guarantees a no compromise circuit design and employs the best choice of components The operational amplifiers NJM4580 which are used in the SUPER X PRO are exceptional They boast extreme linearity and very low distortion characteristics To complement this design the choice of components includes low tolerance resistors and capacitors high quality potentiometers and several other stringently selected elements The CX3400 uses SMD technology Surface Mounted Device These subminiature components adapted from aerospace technology allow for an extreme packing density to further improve the overall reliability Additionally the unit is manufactured in compliance with the IS09000 certified management system 2 1 Before you begin Your BEHRINGER SUPER X PRO CX3400 was carefully packed in the factory and the packaging is designed to protect the unit from rough handling Nevertheless we recommend that you carefully examine the packaging and its contents for any signs of physical damage which may have occurred during transit Ifthe unit is damaged please do not return it to BEHRINGER but notify your dealer and the shipping compan
12. ate phase correction which can be fine adjusted by applying some delay or shifting the crossover frequency a bit General remarks on runtime correction Only one speaker stack each should be measured and corrected Begin with the highest crossover frequency and work your way downward Once you have completed the runtime correction procedure please make a note of the relative positions of the speaker the adjusted crossover frequencies delay times etc as well as of all level settings limiters included The next time you set up your system you can start from these settings and with a bit of luck you will need to make just a few fine adjustments before you can turn to the EQs Never drive different speakers from the same output The distances which the sound waves travel before they reach the listener will very likely be different and unavoidably lead to phase shifts Additionally the built in drivers may have different efficiencies impedance characteristics or even reversed polarities When the speaker offset is greater than 68 6 cm you can only move the speaker cabinets Runtime correction is not the same as the signal delay applied to offset groups of speakers Here the entire signal must be delayed by a much greater amount a suitable delay circuit is included for example in the BEHRINGER ULTRA CURVE DSP8024 behringer com 3 6 The limiters of the SUPER X PRO Limiting the signal in the crossover network is the last resort
13. crossover frequency between the Low and High bands When the XOVER FREQUENCY button on the rear of the unit is pressed the frequency range is multiplied by the factor 10 5 DELAY control This control delays the Low signal by as much as 2 ms On the rear panel labels above below the connectors refer to the which is useful to align the speaker systems in phase various crossover modes available Please make sure that the two MODE switches and corresponding connectors are configured properly 6 LOW OUTPUT control Controls the output level of the Low band from otherwise you could damage your speakers 6 to 6 dB 7 i 2 3 1 Stereo 2 way operation z n INVERT button This button reverses the polarity of the First activate stereo 2 way mode by means of the two MODE buttons on the rear panel The STEREO LED on the front panel above the LOW CUT button in channel 2 lights up LOW MUTE button Mutes the Low band HIGH OUTPUT control Controls the output level ofthe High band from 6 to 6 dB HIGH PHASE INVERT button This button reverses the polarity of the High output HIGH MUTE button Mutes the High band CD HORN button This button provides a special form of frequency correction in the High band for constant directivity horns B amp a B THRESHOLD control This control determines the limiter threshold STEREO E m w LIMITER button This button activates all limiters W
14. ct Information European Contact Information Should your country not be listed please contact the distributor nearest you A list of distributors can be found in the support area of our website http behringer com Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently Thank you for your cooperation 6 SUPER X PRO CX3400 User Manual amp om S Fig 2 1 The front panel of the SUPER X PRO 2 3 Control elements C INPUT control This control adjusts the input gain from 12 to 12 dB Since the SUPER X PRO boasts a variety of features we highlighted the active see gontrol control elements in the following illustrations On the unit itself these active LOW CUT button This button activates the 25 Hz highpass filter protecting elements are equipped with light emitting diodes helping you to keep track of the woofers against low frequency signals your settings even under poor lighting conditions Additionally all buttons on the front panel are backlit when activated Above the control elements there are two labels in the form of strips which refers to mono 4 way upper or stereo 2 3 way lower configuration The LEDs below these strips show which controls are active in the respective operating mode LOW HIGH XOVER FREQ control This control governs the
15. e Now raise the crossover frequency by a factor of 1 5 and perform the same steps as above Here too the analyzer should read 3 dB e Finally check your setting by raising the crossover frequency by a factor of 1 4 e Here too you can temporarily reverse the phase of one of the bands and check the sound for cancellations If no runtime correction is achieved e Check whether the distance between the two drivers is or could be greater than 68 6 cm If so try to correct it by moving the speaker cabinets e If this still doesn t solve the problem one of the bands could be reversed in polarity Experiment with the front panel PHASE INVERT button Subwoofer Woofer Midrange It is often claimed that phase or runtime correction below 150 Hz is unnecessary because the sound waves feature a spherical dispersion pattern at such low frequencies We disagree with this view Modern systems often use bass reflex cabinets for their woofer or subwoofer systems Consequently when stacking the cabinets the drivers are usually aligned along the vertical axis of the speaker front or can at least be aligned using the available control range of the SUPER X PRO Here runtime correction follows the same principle as in midrange high midrange tweeter systems 12 SUPER X PRO CX3400 User Manual Problems will be encountered only with unconventional setups e g when the woofers are placed underneath the stage while the midrange tweeter sy
16. e equipment was purchased Should your MUSIC Group Authorized Reseller not be located in your vicinity you may contact the MUSIC Group Authorized Fulfiller for your country listed under 4 SUPER X PRO CX3400 User Manual Support at behringer com If your country is not listed please check if your problem can be dealt with by our Online Support which may also be found under Support at behringer com Alternatively please submit an online warranty claim at behringer com BEFORE returning the product All inquiries must be accompanied by a description of the problem and the serial number of the product After verifying the product s warranty eligibility with the original sales receipt MUSIC Group will then issue a Return Materials Authorization RMA number Subsequently the product must be returned in its original shipping carton together with the return authorization number to the address indicated by MUSIC Group Shipments without freight prepaid will not be accepted 4 Warranty Exclusions This limited warranty does not cover consumable parts including but not limited to fuses and batteries Where applicable MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety 90 days from date of purchase This limited warranty does not cover the product if it has been electronically or mechanically modified in any way If
17. e markers and can be set to another voltage by turning the fuse holder by 180 CAUTION this instruction does not apply to export models exclusively designed e g for 115 V operation The mains connection of the CX3400 is made by using the enclosed mains cable and a standard IEC receptacle It meets all of the international safety certification requirements Please make sure that all units have a proper ground connection For your own safety never remove or disable the ground conductor of the unit or of the AC power cable 4 3 Audio connections As a standard the BEHRINGER SUPER X PRO CX3400 is equipped with electronically servo balanced inputs and outputs The circuit design features automatic hum and noise reduction for balanced signals and thus allows for trouble free operation even at highest operating levels Externally induced mains hum etc will be effectively suppressed The automatic servo function recognizes the presence of unbalanced connectors and adjusts the nominal level internally to avoid level differences between the input and output signals 6 dB correction Please ensure that only qualified persons install and operate the X3400 During installation and operation the user must have sufficient electrical contact to earth Electrostatic charges might affect the operation of the SUPER X PRO N output Cable input Pin 1 Shield Ground Pin 2 Signal be to Signal
18. e pre EQ for CD horns that ensures a flat frequency response even before equalization is applied This pre EQ raises the signal gain by 3 dB at 3 5 kHz which then increases by 6 dB oct up to 22 5 kHz 13 SUPER X PRO CX3400 User Manual 4 Installation Your SUPER X PRO CX3400 was carefully packed in the factory and the packaging was designed to protect the unit from rough handling Nevertheless we recommend that you carefully examine the packaging and its contents for any signs of physical damage which may have occurred in transit Ifthe unit is damaged please do not return it to us but notify your dealer and the shipping company immediately otherwise claims for damage or replacement may not be granted Shipping claims must be made by the consignee 4 1 Rack mounting The BEHRINGER SUPER X PRO fits into one standard 19 rack unit of space Please allow at least an additional 4 depth for the connectors on the back panel Be sure that there is enough air space around the unit for cooling and please do not place the CX3400 on high temperature devices such as power amps etc to avoid overheating 4 2 Mains connection Before you connect your SUPER X PRO to the mains please make sure that your local voltage matches the voltage required by the unit The fuse holder on the female mains connector has 3 triangular markers with two of these triangles opposing each other Your CX3400 is set to the operating voltage printed next to thes
19. e registration option available on the Internet at behringer com behringer com tad dd tit 2 3 2 Stereo 3 way operation First activate stereo 3 way mode by means of the two MODE buttons on the rear panel The STEREO LED on the front panel above the LOW CUT button in channel 2 lights up Fig 2 5 Proper selection of the two MODE switches for stereo 3 way operation Subsequently the LEDs above the active controls on the front panel light up signaling which controls are active in the operating mode you just selected The functions of these controls can be seen from the second strip label In stereo mode both channels perform the same functions 8 SUPER X PRO CX3400 User Manual O behringer O Fig 2 6 Active control elements on the front panel of the SUPER X PRO for stereo 3 way operation and 16 INPUT control This control adjusts the input gain from 12 to 12 dB LOW CUT button This button activates the 25 Hz highpass filter protecting the woofers against low frequency signals LOW MID XOVER FREQ control This control governs the crossover frequency between the Low and Mid bands When the XOVER FREQUENCY button on the rear of the unit is pressed the frequency range is multiplied by the factor 10 MID HIGH XOVER FREQ control This control governs the cross
20. eaker horn drivers below the frequency range specified by the manufacturer 3 5 Runtime correction 3 5 1 Background The ideal transducer would be a point source of sound i e a speaker of infinitely small dimension which could still reproduce the entire frequency spectrum Unfortunately such a sound source is impossible in reality so that we have to accept some compromises If the drivers in a multi way system i e the diaphragm set in motion by the voice coil but not e g the opening of a horn are not exactly aligned ona vertical axis the varying distances between sound source and listener result in phase errors and cancellations also called comb filter effect In particular in the high frequency range it is imperative due to the shorter wavelengths that the drivers be positioned one above the other not side by side The old fashioned horizontal rows of radiators follow this principle while the speaker power is summed up in the horizontal plane the signals cancel each other on a vertical axis Thus unwanted reflections from the ceiling can be reduced Consequently a speaker stack whose systems radiate towards the same area should have all speakers arranged in a vertical line And even if the front sides of all systems are perfectly aligned runtime differences still occur due to the different speaker designs horns bass reflex cabinet etc The BEHRINGER SUPER X PRO allows you to delay the Low bands by up to 2
21. formity of the product and any hidden defect 9 Amendment Warranty service conditions are subject to change without notice For the latest warranty terms and conditions and additional information regarding MUSIC Group s limited warranty please see complete details online at behringer com MUSIC Group Macao Commercial Offshore Limited of Rue de Pequim No 202 A Macau Finance Centre 9 J Macau including all MUSIC Group companies 5 SUPER X PRO CX3400 User Manual 1 Introduction This manual first describes the terminology used so that you can fully understand the CX3400 and its functions Please read the manual carefully and keep it for future reference 1 1 Multi way speaker systems Multi way speaker systems can be found almost everywhere today not only in stereo systems cinemas discotheques and concert halls As customers become more and more demanding even such simple products as TV sets have them installed Why With the same sound pressure level low frequency sound waves have a much greater amplitude than high frequency signals When a single loudspeaker is to produce both bass and treble frequencies so called intermodulation distortion will occur Don t worry about unfamiliar terminology Everybody knows the effect that the sound of a fire engine s siren seems to become lower in frequency once it has passed you So the perceived frequency is affected by the motion of the sound source or t
22. he listener This phenomenon is called Doppler effect thanks to Mr Doppler who discovered it and can also be found in loudspeakers as the speaker diaphragm is displaced by low frequencies the treble frequencies seem to be raised in loudness or lowered when the diaphragm reverses its direction Quite similar in sound to a vibrato it is precisely this effect that we call intermodulation distortion As a consequence we cannot expect a single loudspeaker to reproduce signals with the same quality over the entire audio spectrum Therefore 2 3 or 4 way systems have become the standard today Speakers that need to reproduce only a limited range of the audio spectrum can accomplish this task with much greater accuracy i e they produce a more regular frequency response and dispersion pattern To operate a speaker system that consists of several loudspeakers for the various frequency ranges you have to provide a variety of input signals for the single speakers For this purpose crossover networks split up the input signal into several frequency bands You can use passive crossovers wired between amplifier and speaker or active systems placed before the amplifier in the signal chain Passive crossovers are usually employed in hi fi speaker boxes 1 2 SUPER X PRO the high end frequency crossover The BEHRINGER SUPER X PRO CX3400 is a high quality active crossover network that can be used for 2 3 or even 4 way sound reinforcement systems
23. he unit Always switch off the entire system before you press this button as it produces heavy interference noise that could damage your speakers and or other equipment LOW MID OUTPUT connector Output for the Low Mid band signal LOW OUTPUT connector Output for the Low band signal 8 XOVER FREQ button This button serves to switch over the control range of the front panel LOW LOW MID XOVER FREQ control from 44 to 930 Hz or 440 Hz to 9 3 kHz Always switch off the entire system before you press this button as it produces heavy interference noise that could damage your speakers and or other equipment 8 INPUT connector Input signal connector 3 Application 3 1 Tools The following tools are indispensable for a perfect system alignment You should by all means try to obtain the speaker specifications from the manufacturer in order to operate the systems in their proper frequency and level ranges Use the manufacturer s documentation to adjust the operating mode and crossover frequencies BEHRINGER does not assume any responsibility for speaker damage caused by improper handling of the SUPER X PRO 3 1 1 Measuring microphone For making measurements you need a high grade microphone with a frequency response that should be as linear as possible over the entire frequency range e g BEHRINGER measuring microphone ECM8000 or at least between 90 Hz and 15 kHz Place the microphone about 5 m in front of the
24. henever the signal pr See E E surpasses the limiter threshold the LIM LEDs above the Gain control light i up signaling that the CX3400 cuts back the output level Fig 2 2 Proper selection of the two MODE buttons for stereo 2 way operation Subsequently the LEDs above the active controls on the front panel light up signaling which controls are active in the operating mode you just selected The functions of these controls can be seen from the second strip label In stereo mode both channels perform the same functions ara aa a aa oe v RE gt O an Fe a at tod alo Fig 2 3 Active control elements on the front panel of the SUPER X PRO for stereo 2 way operation behringer com 7 SUPER X PRO CX3400 User Manual SERIAL NUMBER DATE CODE Fig 2 4 Active control elements on the rear panel of the SUPER X PRO for 2 way stereo operation OY Use the enclosed power cord to connect the unit to the mains FUSE HOLDER VOLTAGE SELECTOR Please make sure that your local voltage matches the voltage indicated on the unit before you attempt to connect and operate the CX3400 Blown fuses may only be replaced by fuses of the same type and rating Some models allow for inserting the fuse holder in two different positions in orde
25. ight up signaling which controls are active in the operating mode you just selected The functions of these controls can be seen from the first strip label INPUT control This control adjusts the input gain from 12 to 12 dB LOW CUT button This button activates the 25 Hz highpass filter protecting the woofers against low frequency signals LOW LOW MID XOVER FREQ control This control governs the crossover frequency between the Low and Low Mid bands When the XOVER FREQUENCY button on the rear of the unit is pressed the frequency range is multiplied by the factor 10 LOW MID HIGH MID XOVER FREQ control This control governs the crossover frequency between the Low Mid and High Mid bands DELAY control This control delays the Low signal by as much as 2 ms which is useful to align the speaker systems in phase J 5 B n Ne S a N o Ww Ww Ne gt Ss LOW OUTPUT control Controls the output level of the Low band from 6 to 6 dB LOW PHASE INVERT button This button reverses the polarity of the Low output LOW MUTE button Mutes the Low band LOW MID OUTPUT control Controls the output level of the Low Mid band from 6 to 6 dB LOW MID PHASE INVERT button This button reverses the polarity of the Low Mid output LOW MID MUTE button Mutes the Low Mid band CD HORN button This button provides a special form of frequency correction in the High band for constant directivity horns HIGH MID HIGH
26. mations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction 5 Warranty transferability This limited warranty is extended exclusively to the original buyer customer of authorized reseller and is not transferable to anyone who may subsequently purchase this product No other person reseller etc shall be entitled to give any warranty promise on behalf of MUSIC Group 6 Claim for damage Subject only to the operation of mandatory applicable local laws MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect loss or damage of any kind In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product 7 Limitation of liability This limited warranty is the complete and exclusive warranty between you and MUSIC Group It supersedes all other written or oral communications related to this product MUSIC Group provides no other warranties for this product 8 Other warranty rights and national law This limited warranty does not exclude or limit the buyer s statutory rights as a consumer in any way The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws This warranty does not detract from the seller s obligations in regard to any lack of con
27. milliseconds In this way you can virtually push back a specific speaker cabinet by as much as 68 6 cm which is quite useful for example when you place a constant directivity horn CD on top of a closed speaker cabinet Runtime correction is not the same as phase correction Speaker systems that have the same run times are also in phase unless the polarity of one speaker is reversed However the opposite is not true 3 5 2 Basics of electronic runtime correction It is important to know how the dimensions of time and space are connected with each other e g by using a tape measure and a pocket calculator Example a delay of 2 ms corresponds to a distance of 68 6 cm when you measure an offset of 30 cm you can calculate the necessary delay as follows 2 ms x 30 68 6 0 87 ms If it is impossible to measure the offset with an accuracy of at least 1 cm you can perform the runtime correction with the help of a measuring microphone and tunable sine generator using the SUPER X PRO s feature of variably adjustable crossover frequencies More on this below behringer com The speed of sound is 343 m s or 34 3 cm ms approximately hence 2 ms of delay correspond to a virtual speaker offset of 68 6 cm Frequency is measured in oscillations per second 1 s the unit of measurement is Hertz Hz For example when you adjust a crossover frequency of 3 kHz between the horn and midrange systems the wavelength is calculated as follow
28. n stereo the human ear cannot locate the source of low frequencies By combining all woofer cabinets in one single cluster the closer the better you can optimize their efficiency Two woofer cabinets positioned next to each other produce an SPL that is 3 dB higher than that of two cabinets placed at a certain distance Four cabinet give you as much as 6 dB because low frequency sound waves feature a spherical dispersion pattern When the cabinets are positioned separately the sound waves they radiate interfere with each other while cabinets placed next to each other create one common wave front compare two stones that are thrown into the water either separately or together In stereo mode the SUPER X PRO can be switched to mono bass mode using the LOW SUM button When the LOW SUM button is pressed the low frequency signal portions in the left and right channels are summed up The output signal is routed to the Low output of channel 1 from where it can be used to drive for instance a subwoofer cabinet 3 8 CD HORN function When a driver radiates into open space via a horn its efficiency increases Over the past few years so called constant directivity horns have gained widespread popularity as they offer the advantage of producing a very regular dispersion pattern over their frequency range however the higher the frequency the lower their efficiency To make up for this drawback the SUPER X PRO includes a switchabl
29. ot covered by this limited warranty e improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals behringer com e connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used e damage defects caused by acts of God Nature accident fire flood etc or any other condition that is beyond the control of MUSIC Group Any repair or opening of the unit carried out by unauthorized personnel user included will void the limited warranty If an inspection of the product by MUSIC Group shows that the defect in question is not covered by the limited warranty the inspection costs are payable by the customer 2 Products which do not meet the terms of this limited warranty will be repaired exclusively at the buyer s expense MUSIC Group or its authorized service center will inform the buyer of any such circumstance If the buyer fails to submit a written repair order within 6 weeks after notification MUSIC Group will return the unit C 0 D with a separate invoice for freight and packing Such costs will also be invoiced separately when the buyer has sent in a written repair order MUSIC Group Authorized Resellers do not sell new products directly in online auctions Purchases made through an online auction are on a buyer beware basis Online auction confir
30. over frequency between the Mid and High bands DELAY control This control delays the Low signal by as much as 2 ms which is useful to align the speaker systems in phase LOW OUTPUT control Controls the output level of the Low band from 6 to 6 dB LOW PHASE INVERT button This button reverses the polarity of the Low output LOW MUTE button Mutes the Low band MID OUTPUT control Controls the output level ofthe Mid band from 6 to 6 dB MID PHASE INVERT button This button reverses the polarity of the Mid output MID MUTE button Mutes the Mid band 2 HIGH OUTPUT control Controls the output level of the High band from 6 to 6 dB HIGH PHASE INVERT button This button reverses the polarity of the High output HIGH MUTE button Mutes the High band B amp B CD HORN button This button provides a special form of frequency correction in the High band for constant directivity horns THRESHOLD control This control determines the limiter threshold w LIMITER button This button activates all limiters Whenever the signal surpasses the limiter threshold the LIM LEDs above the Gain control light up signaling that the CX3400 cuts back the output level Lh Fig 2 7 Active control elements on the rear panel of the SUPER X PRO for stereo 3 way operation and CD MID OUTPUT connector Output for the Mid band signal and C0 HIGH OU
31. placement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Use only attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid LA injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection 16 Where the MAINS plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable LEGAL DISCLAIMER TECHNICAL SPECIFICATIONS AND APPEARANCE ARE SUBJECT TO CHANGE WITHOUT NOTICE THE INFORMATION CONTAINED HEREIN IS CORRECT AT THE TIME OF PRINTING ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS MUSIC GROUP ACCEPTS NO LIABILITY FOR ANY LOSS WH
32. r to switch over from 230 V to 115 V operation and vice versa Please note that for 115 V operation outside Europe you need to use a fuse of a higher rating see chapter 4 Installation and C0 HIGH OUTPUT connector Output for the High band signal and 2 LOW LF SUM OUTPUT connector Output for the Low band signal and 3 XOVER FREQ button This button serves to switch over the control range of the front panel LOW HIGH OVER FREQ control from 44 to 930 Hz or 440 Hz to 9 3 kHz Always switch off the entire system before you press this button as it produces heavy interference noise that could damage your speakers and or other equipment MODE button In stereo 2 way mode the first button must be pressed the second released Please observe the labels on the rear panel of the unit Always switch off the entire system before you press this button as it produces heavy interference noise that could damage your speakers and or other equipment LOW SUM button In stereo mode the two Low paths can be summed with the LOW SUM button and routed to the Low output of channel 1 which is particularly useful in systems using additional subwoofers INPUT connector Input signal connector SERIAL NUMBER Please take the time to have the warranty card filled out completely by your specialized dealer and return it within 14 days after the date of purchase so as to be entitled to benefit from our extended warranty Or use our onlin
33. s c f c speed of sound f frequency So the wavelength at 3 kHz is 34 3cm ms _ 34300 cm ms 300015 300017 11 43cm With a virtual distance of 68 6 cm the control range of the potentiometer will provide at least six positions that ensure phase coincidence Perhaps none of these positions will correct the runtime differences completely for example if the offset between the drivers is greater than 68 6 cm Is that important It is because only a system whose runtime differences have been corrected will be capable of 1 reproducing pulse peaks correctly 2 maintaining phase coincidence when the signal frequency moves away from the crossover frequency 3 5 3 Runtime correction in a P A system using the SUPER X PRO midrange high midrange tweeter range Before you perform the following steps to correct both runtime and phase you should measure the offset between the drivers in cm and move the cabinets or delay their bands until you think they are aligned correctly This will save you a lot of time later on Now do the fine adjustment as follows Using an analyzer e Use pink noise as your sound source and connect the measuring microphone to the measuring input of the analyzer e Adjust the bands below above the crossover frequency so that each one alone produces a 0 dB reading at the crossover frequency mute the remaining bands If both bands together produce a 3 dB reading they can be considered in phase
34. speaker system to be measured in a height where it is on axis with the drivers of the two frequency bands you wish to measure When setting the levels for the individual frequency bands delay times and crossover frequencies by means of a measuring microphone you should operate only one speaker stack each Usually the measuring microphone needs to be repositioned between two specific measurements behringer com 3 1 2 Generator Analyzer In combination with a measuring microphone and a generator producing pink noise that is fed into a channel of your P A console an analyzer gives you a graph that shows how the acoustic energy is distributed among the various frequency bands usually 1 3 of an octave The equalizer analyzer BEHRINGER ULTRA CURVE PRO DSP8024 is the ideal tool for this application 3 1 3 Your ears When you listen to the overall sound of your system you should walk around in the audience area and try to detect resonance frequencies or cancellations The sound should be optimized for the position where most of the audience will be gathered however without neglecting other areas This often means that the system must be operated in mono Whenever you use technical aids such as analyzers measuring microphones etc you should check the results with your ears 3 2 Setting the input levels Both inputs provide a gain boost cut of up to 12 dB Normally the output level of the mixing console and the input sensitivity of
35. ssessensssennssensssnnssennnsennnssunnssnnnen 12 4 Installation u ecssssonsssnsssnssnnnenensnnnennorsnnnennnennnenner 13 4 1 R ck MOUNN Gneo 13 4 2 Mains connection unseseneensensensennsenssnnsensensensennsensennenn 13 4 3 Audio CONNECTIONS ssscsesscssessseeceseceeseeesseecsnecesneeesseees 13 5 Specifications euesssssonssonnssnnessnssnnnsnnnnsnnnsnnssnnnnennne 15 Thank you Thank you very much for expressing your confidence in BEHRINGER products by purchasing the SUPER X PRO CX3400 behringer com 3 SUPER X PRO CX3400 User Manual Important Safety Instructions rN EN CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock Use only high quality commercially available speaker cables with 14 TS plugs pre installed All other installation or modification should be performed only by qualified personnel ATTENTION RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR gt This symbol wherever it appears alerts you to the presence of uninsulated dangerous voltage inside the enclosure voltage that may be sufficient to constitute a risk of shock gt This symbol wherever it appears alerts you to important operating and maintenance instructions in the accompanying literature Please read the manual gt Caution To reduce the risk of electric shock do not remove the top co
36. stems are flown above it or when long woofer horns are used The latter are the subject of the following discussion First measure the horn length In the case of folded woofer horns this is anything but easy Use a design drawing or open the cabinet usually a flap or cabinet side wall can be opened easily for instance to replace a defective speaker We use a horn length of 1 mas an example It will make no sense to delay the signal because the woofer signal arrives with a 3 ms delay at the mouth of the horn So you cannot achieve a correct runtime unless you would delay the runtime of the remaining systems in the stack The pulse response the main reason for runtime correction however is mainly determined by the mid and tweeter ranges What you can and should achieve though is phase coincidence at the crossover frequency Which is exactly what the SUPER X PRO gives you free adjustability of the crossover frequency Calculate the frequency whose wavelength corresponds to twice the horn length At this frequency the output signal will be reversed by 180 in phase when it comes out from the horn The frequency can be calculated as follows gt f see chapter 3 5 2 Use the known values speed of sound in m s horn length in m to calculate the frequency 343 m s 2x1m 171 5 1 s 171 5 Hz Now using a crossover frequency of 171 5 Hz and reversing the polarity of the woofer output will result in an approxim
37. the power amp are the same i e 0 dB in the console correspond to 0 dB in the amplifier In this case the power amp is fully driven and the SUPER X PRO should have no influence on the system level as all input output controls are set to 0 dB However ina home recording or discotheque environment using operating levels of 10 dBV the power amp would still need 4 dBu which requires some additional gain of 12 dB If so the SUPER X PRO s INPUT control must be set to maximum 3 3 Setting the output levels The output levels of the single bands can be raised lowered by as much as 6 cB To achieve a linear frequency response in the system all output levels should be adjusted with the help of an analyzer Then mute all outputs except for one to check the crossover frequencies and levels play back pink noise over the system at an appropriate volume level Now when you switch on the adjacent band the level measured around the crossover frequency should go up by 3 dB Repeat this process for all crossover frequencies 3 3 1 Finding drop outs in the frequency response Check the entire frequency response of the system Rooms have quite an impact on the frequency response of speaker systems due to resonance and various reflections So you cannot expect to achieve a linear frequency response right from the start Use an equalizer such as our ULTRA CURVE PRO DSP8024 or ULTRA GRAPH GEQ3102 Look for drop outs around the crossover frequencies
38. to protect the system against overloading Otherwise improper handling by the user could lead to serious damage in several drivers Each frequency requires its own limiter compressor control times The higher the frequency the shorter the control times In the SUPER X PRO the control times for the single bands have been determined after long listening tests in order to achieve inaudible gain adaptation instead of hard limiting The limiter threshold can be set from 6 dB to OFF and acts on all six limiters at the same time Still each limiter band works independently with the LIM LEDs lighting up as soon as the associated limiter is activated Please note that the limiters in the SUPER X PRO are no hard ratio limiters i e signal peaks can surpass the adjusted threshold by as much as 6 dB Please make sure that your system provides enough headroom 3 6 1 Limiter setup On condition that you are using power amps and speakers that are compatible in terms of power rating you should drive your amps under full load i e 0 dB Use pink noise from your analyzer as a sound source turn the limiter THRESHOLD control to maximum and press the LIMITER button Then gradually cut back the threshold until just a few LIM LEDs start flashing Now the entire system gain is limited to 0 dB 3 7 LOW SUM function To produce a very loud and deep bass response the lowest band should be summed in a mono signal while the remaining bands remain i
39. ver or the rear section No user serviceable parts inside Refer servicing to qualified personnel gt Caution To reduce the risk of fire or electric shock do not expose this appliance to rain and moisture The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids such as vases shall be placed on the apparatus gt Caution These service instructions are for use by qualified service personnel only To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions Repairs have to be performed by qualified service personnel gt Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth SS Soe WON om Do not block any ventilation openings Install in accordance with the manufacturer s instructions 8 Do notinstall near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat behringer com 9 Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for re
40. y immediately otherwise claims for damage or replacement may not be granted Shipping claims must be made by the consignee Be sure that there is enough space around the unit for cooling and please do not place the CX3400 on high temperature devices such as radiators etc to avoid overheating Before you connect your SUPER X PRO to the mains please make sure that your local voltage matches the voltage required by the unit The mains connection of the CX3400 is made by using the enclosed mains cable and a standard IEC receptacle It meets all of the international safety certification requirements Please make sure that all units have a proper ground connection For your own safety never remove or disable the ground conductor of the unit or of the AC power cable Further information can be found in chapter 2 Installation 2 2 Online registration Please register your new BEHRINGER equipment right after your purchase by visiting http behringer com and read the terms and conditions of our warranty carefully Should your BEHRINGER product malfunction it is our intention to have it repaired as quickly as possible To arrange for warranty service please contact the BEHRINGER retailer from whom the equipment was purchased Should your BEHRINGER dealer not be located in your vicinity you may directly contact one of our subsidiaries Corresponding contact information is included in the original equipment packaging Global Conta

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