Fujifilm 1x3 Superia 200 135/24
Contents
1. 13 RESOLVING POWER Chart Contrast LOST pepee 50 lines mm Chart Contrast 1000 1 125 lines mm C 14 CHARACTERISTIC CURVES 15 SPECTRAL SENSITIVITY CURVES 22 Exposure Daylight 1 125 Seo o oak SCNT 3 pl eaess CN 16 es Density 1 0 above D min Densitometry Status M 2 25h e Blue 2 Sensitive 20 2 t Layer H Bo lt 4 d 15 T 1 0 a Cyan lt Sensitive 05 tc Layer 0 0 4 0 3 0 2 0 1 0 0 0 1 0 400 500 600 700 Exposure log H lux seconds Wavelength nm Sensitivity equals the reciprocal of the exposure ergs cm required to produce a specified density d 16 MTF CURVE g 17 SPECTRAL DYE DENSITY CURVES 150 a Typical densities for a mid scale 100 2 0 neutral subject and for D mini 1 70 50 gt fs Mid scale Density 2 30 B1 5 4 pnt D 20 2 Exposure Daylight A Process CN 16 a 2 10 A 1 0 oc 7 a 5 mum Densi 2 0 5 n 5 10 20 50 100 200 Spatial Frequency cycles mm The foregoing data is published on the 0 0 500 500 600 700 basis of 135 size materials Wavelength nm Alozie The data herein published were derived from materials taken from general production runs However as Fujifilm is constantly upgrading the quality of its products changes in specifications may occur without notice 4 Fy FUJ i FI LM DE E aac Tokyo 106 8620 Japan Ref No AF3 OO8E EIGI 98 10 HB 8 3 Printed in2. Fuji Light Balancing Filter 3 FILM SIZES PRODUCTION NUMBER AND BASE MATERIAL Production Sizes Number Rolls 135 12 24 and 36 exp F51 and above 110 0 12 and 24 exp 951 and above Base Material aacr Cellulose Triacetate 4 EXPOSURE GUIDE AND EXPOSURE UNDER VARIOUS LIGHT CONDITIONS Use an exposure meter for exposure determination If a meter is not available refer to the following table Daylight Exposure Guide Table Seashore or Snow Cloudy Light Scenes Bright Hazy Cloudy Day or Conditions Under Sunlight Sunlight Bright Open Bright Shade Sun Aperture 26 me m te 6 Shutter S 1 500 1 250 sec The foregoing settings are for 2 hours after sunrise and 2 hours before sunset Provide lens openings 1 2 stop smaller during the summer and 1 2 stop larger during the winter Excessively bright or dark or backlighted subjects may re quire plus or minus 1 stop lens opening adjustments Low Light Exposure Guide Table Fine Indoor Weather Scenes Daytime under Indoor Fluoresc Scenes ent Light Stage or Show Scenes Light Conditions Evening Scenes Lens Aperture Shutter f 2 8 to 4 1 30 NOTE Since light intensities for indoor and night scenes vary widely from location to location the data above should be used only as a guide FUJIFILM DATA SHEET FUJICOLOR SUPERIA 200 Daylight E
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4. configuration use duration and line voltage as they may affect lamp output and color balance Fluorescent Lamps amp High Intensity Discharge Lamps e For best results the following combinations of color compensating filters are recommended However for exacting work test exposures are advisable High intensity Fluorescent Discharge Lamp Type Cool rite Warm Deluxe Clear White W White Mer CW W W Mercury cury Color Compensat 10C ay ing Filters panes 3 4113 Fuji Color Compensating Filters or Kodack CC Filters Exposure Correction values include filter exposure factors These values are added to unfiltered exposure meter read ings followed by number required increase in lens opening e When the fluorescent lamp characteristics are un known to obtain generally acceptable results use a 30M compensating filter and open the lens one stop 1 NOTE Different compensation may be required accord ing to special lamp types and length of use so test exposures are recommended whenever possible e Shutter speeds of 1 125 second for high intensity discharge lamps and 1 30 second or larger for fluorescent lamps will avoid AC power induced changes in brightness and color being recorded on the film Tungsten Lamps Fuji Light Balancing Filter LBB 12 or Kodak No 80A is recommended along with a 2 lens stop increase when using 3200 K tungsten l
5. filter should render density readings between 0 97 and 1 16 for exposures under recommended lighting and with optimal film processing As with all color dyes those used in this film will discolor or fade with time PROCESSING D JUDGING EXPOSURE RESULT gt FILM STRUCTURE D a Before Processing Protective Layer he oada a AORTE After Processing poetoes oe Or Blue Sensitive Layer Containing Colorless Yellow Coupler Yellow Filter Layer _ RA Green Sensitive Layer Containing Yellow Colored Magenta Coupler Log RT Yellow Negative Image Magenta Negative Image and 5 Yellow Colored Residual Coupler 24 Light Magenta Image Cyan Sensitive Layer tassre Interlayer _ Red Sensitive Layer Containing Red Colored Cyan Coupler Cyan Negative Image and Red Colored Residual Coupler Interlayer Antihalation rn Film Base o y A i Silver Halide O Coupler Processing induced Dye FUJIFILM DATA SHEET FUJICOLOR SUPERIA 200 12 DIFFUSE RMS GRANULARITY VALUE eee 4 Micro Densitometer Measurement Aperture 48 um in diameter Magnification 12X Sample Density 1 0 above minimum density
6. AGE Unprocessed Film e Storing exposed or unexposed film under high temperature and humidity conditions will cause adverse speed color balance and physical prop erty changes Store film under the following con ditions Ordinary Storage Protect from heat l O Long term Storage Below 0 C 32 F e Building materials finishes used on newly manu factured fumiture and bonding agents may pro duce gases which affect photographic film Do not store film lightproof boxes of film loaded FUJICOLOR SUPERIA 200 FUJIFILM DATA SHEET cameras or film holders under these conditions e Before use allow films to stand at room tempera ture over 1 hour Opening the package box while film is cold may cause harmful condensation Processed Film Exposure to light high temperature and humidity can cause color changes in processed films Therefore place such films in sleeves and store in dark dry cool and well ventilated locations under the following con ditions General Storage 25 C 77 F at 30 to 60 RH O Long term Storage 10 C 50 F at 30 to 50 RH NOTE C This film is intended for processing in Fujifilm Pro cesses CN 16 CN 16Q CN 16FA CN 16L CN 16S or Kodak Process C 41 10 SUPERIA 200 exposure result can be accurately pre dicted by using an electronic densitometer equipped with Status M filters An 18 gray card receiving the same illumination as the subject when read through the RED
7. W FUJIFILM AF3 008E DATA SHEET COLOR NEGATIVE FILMS NEW FUJICOLOR SUPERIA 200 ca 4 FUJ ICOLOR SUPERIA 200 CA is a daylight color negative film with an ISO speed rating of 200 This film yields the best results when used in conjunc tion with FUJ ICOLOR papers FEATURES AND USES Features Results e Color Reproduction Great vividness across of Great Vividness the entire spectrum including vibrant reds blues and yellows Accurate Color Enhanced realism in the Reproduction reproduction of difficult to create colors including violet and various greens e Improved Sharpness Sharp depiction of all aspects of the subject from overall form to textural details e Fine Skin Tone e Beautiful natural skin Reproduction tone rendition e Excellent Grain Fine grain for a medium Quality speed film providing consistently high im age quality even in enlargements e Excellent Exposure e Accurate color repro Suitability even duction even under under Fluorescent fluorescent lights Lighting It requires no color compensating filters when used under daylight conditions or with an electronic flash NOTE The current product will continue to be marketed in the 110 size Light Source Filter Daylight ISO 200 24 None Tungsten Lamps LBB 12 3200K ISO 50 18 or Kodak No 80A Indicates the effective speed resulting from designated filter use
8. ighting 5 LIGHTING EQUIPMENT The conditions of umbrellas reflectors diffusers and like devices may influence photographic light quality Periodically check lighting equipment for deterioration 4 6 LONG EXPOSURE COMPENSATION No exposure or color balance compensation is required for exposures within a 1 4000 to 2 second shutter speed range However for exposures of 4 seconds or longer provide the compensations indicated below Exposure Time sec 1 4000 2 4 16 64 followed by number required increase in lens opening Except for special effects the normal intensity ratio for main to fill subject lighting should remain within 1 4 limits d Th FILM HANDLING 3 e Expose film before the expiration date indicated on the film package and process promptly after ex posure e When loading and unloading roll film avoid direct sunlight If there is no shade tuming one s back toward the sun will shade the film e Camere loaded film should be exposed and pro cessed immediately e X ray equipment used to inspect carry on bag gage at airport terminals can cause film fogging Repeated inspections increase this possibility so both exposed and unexposed films should be re moved for manual inspection e Film fogging may occur near X ray equipment used in hospitals factories laboratories and other locations Always keep film away from possible sources of radiation 8 FILM STOR
9. ven when exposed under moming or evening twilight conditions or when color temperatures are low no special filter use is needed color balancing will be done during printing Electronic Flash e Electronic flash produces light similar to daylight so filters are not needed However the possibility of undesirable effects on color balance due to various factors differences in equipment amount of use etc should be taken into consideration and test exposure made e If shutter speeds slower than 1 60 second are used light from non flash sources such as room lighting may cause color imbalances Make test exposures e The use of a flash meter is advisable but the fol lowing formula can also be used to obtain satisfac tory lens opening Lens _ _1SO 200 Electronic Flash Guide Number Aperture Electronic Flash to Subject Distance f number meters or feet Set the film speed at ISO 200 Since the amount of light reflected onto subjects from surrounding surfaces will differ with the conditions refer to the flash unit instructions Daylight Photoflood Photo Reflector Lamps e Daylight type photoflood or photo reflector lamp output tends to be lower than that indicated by an exposure meter so it is advisable to compensate for this by increasing exposure time or the lens opening Whenever possible test exposures are recommended e Other factors requiring consideration when deter mining the exposure time are lamp
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