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Olympus C-570 Digital Camera User Manual

1. YAMAHA USB MIXING STUDIO WANAWA DAI Owner s Manual Bedienungsanletung d emploi Manual de instrucciones IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT The wires in this mains lead are coloured in accordance with the following code BLUE NEUTRAL BROWN LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED Making sure that neither core is connected to the earth terminal of the three pin plug This applies only to products distributed by Yamaha Kemble Music U K Ltd 2 wires COMPLIANCE INFORMATION STATEMENT DECLARATION OF CONFORMITY PROCEDURE Responsible Party Yamaha Corporation of America Address 6600 Orangethorpe Ave Buena Park Calif 90620 Telephone 714 522 9011 Type of Equipment USB Mixing Studio Model Name MW12CX MW12C This device complies with Part 15 of the FCC Rules Operation is subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undesired
2. The system doesn t work properly Are the USB cable and all necessary audio cables properly connected Are you using a USB hub USB hubs can interfere with proper operation so try connecting the MW mixer directly to a USB port on the computer If the computer has multiple USB ports try a different USB port Are you using other USB devices at the same time If so try removing the other device s and connecting only the Yamaha USB device No sound Are your speaker cables connected properly or are they shorted Are the ON switch ST switch and REC switch for the channels you are using turned on Are the volume controls of your sources audio devices applications software computer operating system etc set at appropriate levels Is the output of your computer operating system muted Do you have several applications running at the same time Be sure to quit all applications you are not using Is the sound output of your computer operating system assigned properly Windows 1 From the START menu click Control Panel then double click the Sounds and Audio Devices icon to open the Sounds and Audio Devices Properties dialog window 2 Click the Audio tab 3 Set Sound playback Default device and Sound recording Default device to USB Audio CODEC 4 Click OK Macintosh 1 Select System Preferences from the Apple menu and then select Sound to open the Sound dialog window 2 Click
3. WAV or AIFF files which can then be recorded to audio CDs I Launch Cubase and open a project file 2 Click the Start button on the Transport Panel 3 While listening to playback drag the chan nel strip level faders up and down to create the desired initial balance then adjust the overall volume using the bus volume fader Start with the Featured Part You can start working on a mix from almost any part but it makes the most sense to start with the main instrument or vocal Set up an initial level for the main part and then build the rest of the mix around it For example if you re mixing a piano trio with a vocalist begin by setting the level of the vocal track at around the nominal level and then gradually add the other instruments Your choices will also be influenced by the type of music you are working on If the song is a ballad you might want to add the piano to the mix after the vocal and then add the bass and drums If it s a more rhythmically oriented piece you could add the bass and drums first and then the piano Whatever best serves the music is right MW12CX MW12C Owner s Manual Mixer Basics Quick Guide 4 Drag the pan controls on the top of the 6 When the final mix adjustments have channel strips left and right to set the ste been made go to the File menu and reo position of each track select Export Audio Mixdown d Enter a file name and select destina tion for the f
4. vwi2cxmwi2c Owners Manual Mixer Basics Quick Guide se 4 Adjusting Level and Tone Level Adjustment Tone Adjustment The MW mixer s compressors and 3 band equalizers make it easy to shape the tone of independent channels to achieve the best possible mix I The first step is to set the level controls on all instruments and other sources appro priately 2 Adjust the channel GAIN controls so that the corresponding PEAK indicators flash Use the High pass Filter for Microphone Input briefly on the highest peak levels GAIN As the name implies a high pass filter allows only signals above a certain frequency to pass Conversely signals below controls are not provided on the stereo that cutoff frequency are attenuated When an MW high channels 9 10 and 11 12 pass filter is turned on signals below 80 Hz are attenuated This can be useful for minimizing low frequency breath noise 3 Engage the ON and REC switches of the from a vocalist as well as handling noise or rumble transmit ted via the microphone stand It is generally a good idea to input channels that you would like to turn the high pass filter on for microphone channels record 4 sure that the PFL switch is off Compression and that the MONITOR switch is set to REC One form of compression known as limiting can when properly used produce a smooth unified sound with no excessive peaks distortion A common example of t
5. 77 ngpi 18 Nundu gie SS H d F i L of x T gd Xnv HO 2 pore uwcuro ANN NIHO 15 ngpor uwureo ANIT NI band Xr 77 eege jens dito werd eld Sea V eege KE SE exnw IXnV 1 am HOLINOW XOZLMIN Aug 193443 aue a NOILONN 9 0 NO asa 103443 g jd ou 91 1 I Ne ee tee A 5 Wvuooud 1 sng 3dO NO 103443 ou napor 7 Sw MS 1003 ya UNS o1 DATES 3 i SI T RR EN Bi Ec E E f a omg wu 1 n i oO 1 103443 asn aar Ssn fend dai Lai ee To toy Ge wns Ar H WA T Mapori TT E POI Ingo We al wns n al ngpo 193329 rO e gt HOLINOW OLIO3H3IS OL ngpo ngpo H L 043 103443 ANI Zi U napi H g U Ag H d va wns Trapo is jf NI 1 ONS sf lt M t bus TI i te H SaNOHd MB A NI gau d E 2 VH S3 U napor T ngpoi 8 l 1 103443 oe Des 8 AM Dro HO LS T E feed ANI wns d wns
6. rare 5 Qa 5 e 1 HOLINOW wm ra t 1 1 fngpo i farsi Sall E H LES ngpo Lo ebuis z VH 1 ANI We De f ER NO o 7 J9pe4 HO HOLINON H Taol ua 1 gr We is uaiaw 0 M tt 4 A 10 kee H id H 29 1 dd ngpo j nd en oad M a va vu d Sm U of 1 103443 Ke tapos o 9 wns Chi WHL NIVO B ot ve boer lo 2 0 wa Taf n A H 8 1 9 SHO Jepej O3H31S i bat e Inapoi fY ANdNI HO 1S Ino 034318 of ES ji d e dd best oe Ferd Se ans fodu 7 Nyanya HO VH ak ba d H Pat EI OIN 18 3d Ingpor a ei lt ASIH LJ1H3SNI Ingpor o ve gpoo 01 91 P 0 LHO NIVO INN H U 1no gro 0 09 1 f amp 1no 93d in eed LE Pu OIN Wa 182 6 Z 93d LACH 934 4034315 1034318 L 193333 1 Xv T 5 gt n O N gt lt e About the accessory disk SPECIAL NOTICE The software included in the accessory disk and the copyrights thereof are under exclusive ownership by Steinberg Media Technologies GmbH Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software pa
7. 81 53 460 2317 OCEANIA AUSTRALIA Yamaha Music Australia Pty Ltd Level 1 99 Queensbridge Street Southbank Victoria 3006 Australia Tel 3 9693 5111 NEW ZEALAND Music Houses of N Z Ltd 146 148 Captain Springs Road Te Papapa Auckland New Zealand Tel 9 634 0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2312 HEAD OFFICE Yamaha Corporation Pro Audio amp Digital Musical Instrument Division Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2445 YAMAHA Yamaha Web Site English only http www yamahasynth com Yamaha Manual Library http www yamaha co jp manual U R G Pro Audio amp Digital Musical Instrument Division Yamaha Corporation 2007 Yamaha Corporation WJ95350 706 02 0 Printed in China
8. Ali Dubai United Arab Emirates Tel 971 4 881 5868 ASIA THE PEOPLE S REPUBLIC OF CHINA Yamaha Music amp Electronics China Co Ltd 25 F United Plaza 1468 Nanjing Road West Jingan Shanghai China Tel 021 6247 2211 HONG KONG Tom Lee Music Co Ltd 11 F Silvercord Tower 1 30 Canton Road Tsimshatsui Kowloon Hong Kong Tel 2737 7688 INDONESIA PT Yamaha Music Indonesia Distributor PT Nusantik Gedung Yamaha Music Center Jalan Jend Gatot Subroto Kav 4 Jakarta 12930 Indonesia Tel 21 520 2577 KOREA Yamaha Music Korea Ltd 8F 9F Dongsung Bldg 158 9 Samsung Dong Kangnam Gu Seoul Korea Tel 080 004 0022 MALAYSIA Yamaha Music Malaysia Sdn Bhd Lot 8 Jalan Perbandaran 47301 Kelana Jaya Petaling Jaya Selangor Malaysia Tel 3 78030900 PHILIPPINES Yupangco Music Corporation 339 Gil J Puyat Avenue P O Box 885 MCPO Makati Metro Manila Philippines Tel 819 7551 SINGAPORE Yamaha Music Asia Pte Ltd 03 11 A Z Building 140 Paya Lebor Road Singapore 409015 Tel 747 4374 TAIWAN Yamaha KHS Music Co Ltd 3F 6 Sec 2 Nan Jing E Rd Taipei Taiwan 104 R O C Tel 02 2511 8688 THAILAND Siam Music Yamaha Co Ltd 891 1 Siam Motors Building 15 16 floor Rama 1 road Wangmai Pathumwan Bangkok 10330 Thailand Tel 02 215 2626 OTHER ASIAN COUNTRIES Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel
9. Cubase System Requirements 6 B Mixer Basics 7 Quick ia 7 1 Installing Cubase 4 7 2 Connecting to the MW mixer 7 3 Powering Up the System 8 4 Adjusting Level and Tone 9 5 Recording with Cubase AIA 10 6 Mixing with Cubase Al4 13 Reference 15 cll e 15 Front amp Rear Panels 16 Channel Control Section 16 Master Control Section 18 Digital Effect 20 Rear Input Output Section 20 Digital Effect Program List 21 Ee BEE 21 Troubleshooting 22 Specifications 90 Electrical Specifications 90 General Specifications 90 Analog Input Specifications 91 Analog Output Specifications 91 Digital Input Output Specifications 91 Dimensional 92 Block Diagram and Level Diagram 93 About the accessory disk 94 SOFTWARE LICENSE
10. NEXT PAGE 1 GRANT OF LICENSE AND COPYRIGHT Yamaha hereby grants you the right to use one copy of the software program s and data SOFTWARE ing this Agreement The term SOFTWARE shall encom pass any updates to the accompanying software and data The SOFTWARE is owned by STEINBERG and is pro tected by relevant copyright laws and all applicable treaty provisions Yamaha has acquired the sublicense right to license you to use the SOFTWARE While you are entitled to claim ownership of the data created with the use of SOFTWARE the SOFTWARE will continue to be protected under relevant copyrights yy vwi2cxmwi2c Owners Manual e You may use the SOFTWARE on a single computer You may make one copy of the SOFTWARE in machine readable form for backup purposes only if the SOFT WARE is on media where such backup copy is permit ted On the backup copy you must reproduce Yamaha s copyright notice and any other proprietary legends that were on the original copy of the SOFTWARE e You may permanently transfer to a third party all your rights in the SOFTWARE only when you transfer this product together provided that you do not retain any copies and the recipient reads and agrees to the terms of this Agreement 2 RESTRICTIONS You may not engage in reverse engineering disassem bly decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever You may not repr
11. TYP MAX UNIT Frequency Response STEREO OUT GAIN min CHs 1 7 8 REC OUT2 20 Hz 20 kHz Nominal output level 1 kHz Deeg Input CHs Ce EE 2TR IN 8 01 00 LER MB MONITOR OUT REC OUT1 Total Harmonic Distor STEREO OUT 14 dBu 20 Hz 20 kHz Input GAIN Control at minimum 04 tion THD Hum amp Noise CH INPUT 1 4 MIC EIN Equivalent Input Noise Rs 150 Q GAIN maximum 128 STEREO OUT STEREO OUT REC OUT fader at nominal level and all chan Hum amp Noise are mea REC OUT2 nels ST and REC switches off 88 EFFECT AUX Master 2 control at nominal level and all pur kHz equivalent to a 20 AUX1 2 SEND CH EFFECT AUX AUX1 2 controls at minimum kHz filter with infinite STEREO OUT STEREO OUT REC OUT fader and one CH fader at nominal dB octave attenuation REC OUT level 64 STEREO OUT Residual Output Noise 98 Crosstalk 1 kHz Adjacent Input CHs 1 4 70 dB Input to Output STEREO 1 4 PAN panned hard left or right 70 Maximum voltage gain Rs 150 Q MIC to CH INSERT OUT 60 1 kHz INPUT GAIN maximum MIC to STEREO OUT e All faders and controls E are maximum when MIC to REC to ST 94 measured MIC to REC OUT1 72 2 PAN BAL panned MIC to MONITOR OUT ST TO MONITOR 84 hard left or hard right MIC to PHONES OUT 83 MIC to AUX AUX1 SEND PRE 76 MIC to AUX AUX1 SEND POST EFFECT AUX2 SEND 86 CH 5 6 7 8 LINE to STEREO OUT 58 dB CH 5 6 7 8 LIN
12. are unbalanced phone jack type line inputs The signal received by these jacks is sent to the STEREO L R bus and the AUX AUX1 bus These jacks are typically used to receive the signal returned from an external effect device reverb delay etc These jacks can also be used as an auxiliary stereo input If you connect to the L MONO jack only the mixer will recognize the signal as monaural and will send the identical signal to both the L and R jacks SEND Jacks AUX AUX1 This is an impedance balanced TRS phone jack that outputs the signals from AUX AUX1 bus You can use this jack for example to connect to an effect unit cue box or other mon itoring system EFFECT AUX2 This is an impedance balanced TRS phone jack that outputs the signal from the EFFECT AUX2 bus You can use this jack for example to connect to an external effect unit STEREO OUT L R Jacks These jacks deliver the mixer s stereo output You can use these jacks for example to connect to the power amplifier driving your main speakers You can also connect these jacks to a recording device when you wish to record mixer s stereo output while using the STEREO OUT Master fader for level control XLR jacks XLR type balanced output jacks LINE jacks TRS phone jack type balanced outputs MONITOR OUT Jacks Connect these impedance balanced TRS phone jacks to your monitor system The signal output by these jacks is determined by th
13. jacks L MONO and R is sent to the AUX AUX2 bus STEREO Control Adjusts the level at which the signal received at the RETURN jacks L MONO and R is sent to the STEREO L R bus If you supply a signal to the RETURN L MONO jack only the mixer sends the same signal to both the L and R Stereo buses Master SEND Master AUX AUX1 Control Adjusts the signal level sent to the AUX AUX1 SEND jack Master EFFECT AUX2 Control Adjusts the level of the signal sent to the EFFECT AUX2 bus If you are using the MW12CX the Master EFFECT control does not affect the level of the signal sent from the EFFECT bus to the internal digital effect processor POWER Indicator This indicator lights when the mixer s power is ON Level Meter This LED meter displays the level of the signal selected by the MONITOR switch B 2TR IN USB switch and PFL switch The 0 segment corresponds to the nominal output level The PEAK segment lights red when the output reaches the clipping level WANGEN Front amp Rear Panels MONITOR PHONES MONITOR Switch If this switch is set to REC the REC L R bus signals sent to the MONITOR OUT jacks the PHONES jack and the level meter If it is set to STEREO the STEREO L R bus signals are sent to these jacks and the level meter MONITOR Control Controls the level of the signal output to the MONITOR OUT jacks PHONES Control Controls the leve
14. operation See user manual instructions if interference to radio reception is suspected This applies only to products distributed by YAMAHA CORPORATION OF AMERICA FCC DoC FCC INFORMATION U S A 1 IMPORTANT NOTICE DO NOT MODIFY THIS UNIT This product when installed as indicated in the instructions contained in this manual meets FCC requirements Modifi cations not expressly approved by Yamaha may void your authority granted by the FCC to use the product 2 IMPORTANT When connecting this product to accessories and or another product use only high quality shielded cables Cable s supplied with this product MUST be used Follow all installation instructions Failure to follow instructions could void your FCC authorization to use this product in the USA 3 NOTE This product has been tested and found to comply with the requirements listed in FCC Regulations Part 15 for Class digital devices Compliance with these require ments provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equipment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference harmful to the opera tion of other electronic devices Compliance with FCC regula This applies only to products distributed by YAMAHA CORPORATION OF AMERI
15. stereo ver as well as to connect the mixer s outputs to a power amplifier or sions Stereo types are also related gear balanced or unbalanced Balanced cables are known as TRS connectors highly resistant to noise and are the best choice for low level sig Tip Ring Sleeve and are nals such as the output from microphones as well as for long used for stereo headphone cable runs Unbalanced cables are generally used for short runs jacks insert jacks and also to from line level sources such as synthesizers carry balanced signals in many cases Unbalanced types are Cable Guidelines used for mono signals guitar r mmon example Microphone cable Balanced is best charac on exampe Short line level cables Unbalanced cable is fine in a relatively noise free environment RCA Pin Connectors Long line level cables Balanced is best This type of unbalanced con nector is most commonly found Connector Types on home audio and video XLR Connectors equipment RCA type pin jacks This 3 pin connector is resistant to are often color coded white for externally induced noise and is left audio channel and red for used primarily for balanced con right audio channel for exam nections With properly designed ple receiving circuitry cables with this type of connector can also be used for unbalanced signals XLR type connectors are the standard for microphone connections as well as most professional audio gear
16. the L input odd channel go to the REC L bus or to the Stereo L bus signals input to the R input even channel go to the REC R bus or the Stereo R bus On channels where this knob provides both PAN and BAL control channels 5 6 and 7 8 the knob oper ates as a PAN control when input is received via the MIC jack or L MONO input only and as a BAL con trol when input is received via both L and R inputs ON Switch Turn this switch on to send the signal to the buses The switch lights orange when on PFL Pre Fader Listen Switch This switch lets you monitor the channel s pre fader signal Press the switch in Le so that it lights to turn it on When the switch is on the channel pre fader f signal is output to the PHONES and MONITOR OUT jacks for monitoring REC Switch This switch assigns the channel s signal to the REC L and R buses To send the signal to the REC bus engage the ON switch ma ST Switch This switch assigns the channel s signal to the Stereo L and R buses To send the signal to the Stereo bus engage the ON switch ma Channel Fader Adjusts the level of the channel signal Use these faders to adjust the balance between the various channels Set the fader sliders for unused channels all the way down to minimize noise MW12CX MW12C Owner s Manual Reference Front amp Rear Panels Master Control Section 2TR IN 10 ANG ek L MONO ON A REC O
17. the licensed SOFTWARE any accompanying written documents and all copies thereof 4 LIMITED WARRANTY ON MEDIA As to SOFTWARE sold on tangible media Yamaha war rants that the tangible media on which the SOFTWARE is recorded will be free from defects in materials and work manship under normal use for a period of fourteen 14 days from the date of receipt as evidenced by a copy of the receipt Yamahas entire liability and your exclusive remedy will be replacement of the defective media if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days with a copy of the receipt Yamaha is not responsible for replacing media damaged by accident abuse or misapplication TO THE FULLEST EXTENT PER MITTED BY LAW YAMAHA EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA INCLUDING THE IMPLIED WARRANTIES OF MERCHANT ABILITY AND FITNESS FOR A PARTICULAR PURPOSE 5 DISCLAIMER OF WARRANTY ON SOFTWARE You expressly acknowledge and agree that use of the SOFTWARE is at your sole risk The SOFTWARE and related documentation are provided AS IS and without warranty of any kind NOTWITHSTANDING ANY OTHER PROVISION OF THIS AGREEMENT YAMAHA EXPRESSLY DISCLAIMS ALL WARRANTIES AS TO THE SOFTWARE EXPRESS AND IMPLIED INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY FITNESS FOR A PARTICULAR PURPOSE AND NON INFRINGEMENT OF THIRD PARTY RIGHTS SPECIFI CALLY BUT WITHOUT LIMITING THE FOREG
18. 150 ohms The MW12CX feature is described first followed by the MW12C feature in brackets MW12CX MW12C vwi2cxmwi2c Owners Manual Analog Input Specifications BNA Reference n Specifications Input Appropriate mI Nominal Max before Tice Input Connectors Gain Impedance Impedance Sensitivity Clipping Connector Specifications 60 dB 80 dBu 60 dBu 40 dBu CH INPUT MIC 50 6000 0 078 mV 0 775 mV 7 75 mV XLR 3 31 type balanced 1 GND 2 CHs 1 4 ES Mics 36 dBu 16 dBu 4 dBu HOT 3 COLDJ 12 3 mV 123 mV 1 23 V 34 dB 54 dBu 34 dBu 14 dBu CH INPUT LINE 10ko 6000 1 55 mV 15 5 mV 155 mV TRS phone jack balanced Tip CHs 1 4 10 dB Lines 10 dBu 410 dBu 430 dBu HOT Ring COLD Sleeve GND 245 mV 2 45 V 24 5 V 60 dB 80 dBu 60 dBu 40 dBu ST CH MIC INPUT 3ko 50 6000 0 078 mV 0 775 mV 7 75 mV XLR 3 31 type balanced 1 GND 2 CHs 5 6 7 8 16 dB Mics 36 dBu 16 dBu 6 dBu HOT 3 COLD 7 12 3 mV 123 mV 389 mV 54 dBu 34 dBu 14 dBu ST CH LINE 796 6000 1 55 mV 15 5 mV 155 mV INPUT 10kQ Phone jack unbalanced CHs 5 6 7 8 410 Lines 10 dBu 10 30 245 2 45 V 24 5 V ST CH INPUT 10kQ 6009 30 10 10 Phone jack unbalanced CHs 9 10 11 12 Lines 24 5 mV 245 mV 2 45 V RCA pin jack CH INSE
19. 7 358 040 FRANCE Yamaha Musique France BP 70 77312 Marne la Vall e Cedex 2 France Tel 01 64 61 4000 ITALY Yamaha Musica Italia S P A Combo Division Viale Italia 88 20020 Lainate Milano Italy Tel 02 935 771 SPAIN PORTUGAL Yamaha Hazen M sica S A Ctra de la Coruna km 17 200 28230 Las Rozas Madrid Spain Tel 91 639 8888 GREECE Philippos Nakas S A The Music House 147 Skiathou Street 112 55 Athens Greece Tel 01 228 2160 SWEDEN Yamaha Scandinavia AB J A Wettergrens Gata 1 Box 30053 S 400 43 G teborg Sweden Tel 031 89 34 00 DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK 2730 Herlev Denmark Tel 44 92 49 00 FINLAND F Musiikki Oy Kluuvikatu 6 P O Box 260 SF 00101 Helsinki Finland Tel 09 618511 NORWAY Norsk filial av Yamaha Scandinavia AB Grini N ringspark 1 N 1345 ster s Norway Tel 67 16 77 70 ICELAND Skifan HF Skeifan 17 P O Box 8120 IS 128 Reykjavik Iceland Tel 525 5000 OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 49 4101 3030 AFRICA Yamaha Corporation Asia Pacific Music Marketing Group Nakazawa cho 10 1 Naka ku Hamamatsu Japan 430 8650 Tel 81 53 460 2312 MIDDLE EAST TURKEY CYPRUS Yamaha Music Central Europe GmbH Siemensstra e 22 34 25462 Rellingen Germany Tel 04101 3030 OTHER COUNTRIES Yamaha Music Gulf FZE LOB 16 513 P O Box 17328 Jubel
20. AGREEMENT 94 MW12CX MW12C Owner s Manual Introduction Before Turning on the Mixer Besure that the mixer s power switch is in the STANDBY position Use only the included power adaptor PA 20 or an equivalent recommended by Yamaha Use of a CAUTION different adaptor may result in equipment dam age overheating or fire 2 Connect the power adaptor to the AC ADAPTOR IN connector on the rear of the mixer and then turn the fastening ring clockwise to secure the connection E STANDBY _ ON 2 Plug the power adaptor into a standard household power outlet Be sure to unplug the adaptor from the outlet when not using the mixer or when there are CAUTION lightning storms in the area To avoid generating unwanted noise make sure there is 50 cm or more between the power adaptor and the mixer Turning the Power On OFF Press the mixer s power switch to the ON position When you are ready to turn the power off press the power switch to the STANDBY position Note that trace current continues to flow while the switch is in the STANDBY position If you do not plan CAUTION to use the mixer again for a long while please be sure to unplug the adaptor from the wall outlet To prevent loud pops and noises turn on the power to your sound gear starting with the sources instruments CD players etc and ending with the power amplifier or powered speakers Example Instruments microp
21. CA MW12CX MW12C Owner s Manual tions does not guarantee that interference will not occur in all installations If this product is found to be the source of inter ference which can be determined by turning the unit OFF and ON please try to eliminate the problem by using one of the following measures Relocate either this product or the device that is being affected by the interference Utilize power outlets that are on different branch circuit breaker or fuse circuits or install AC line filter s In the case of radio or TV interference relocate reorient the antenna If the antenna lead in is 300 ohm ribbon lead change the lead in to co axial type cable If these corrective measures do not produce satisfactory results please contact the local retailer authorized to distrib ute this type of product If you can not locate the appropriate retailer please contact Yamaha Corporation of America Electronic Service Division 6600 Orangethorpe Ave Buena Park CA90620 The above statements apply ONLY to those products distrib uted by Yamaha Corporation of America or its subsidiaries class B PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING Please keep this safe place for future reference AN WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards These preca
22. E to REC OUT2 CH 5 6 7 8 AUX AUX1 SEND PRE 47 CH 5 6 7 8 LINE to AUX AUX1 SEND POST EFFECT 57 AUX2 SEND CH 9 10 11 12 to STEREO OUT 34 CH 9 10 11 12 to REC OUT2 Rs 150 Q RETURN to STEREO OUT 16 RETURN to EFFECT AUX2 SEND 9 Rs 600 Q 2TR IN to STEREO OUT 27 8 Phantom Voltage MIC no load 48 V General Specifications USB Audio Input Output 44 1 48 kHz Input HPF CHs 1 7 8 80 Hz 12 dB oct Input equalization CHs 1 7 8 HIGH 10 kHz shelving 15 dB maximum able level Turn over roll off frequency of shelving 3 dB blow maximum vari MID 2 5 kHz peaking LOW 100 Hz shelving CH 9 10 11 12 HIGH 10 kHz shelving LOW 100 Hz shelving PEAK Indicator 5 6 7 8 reaches 3 dB below clipping 17 dBu Red LED turns on when post EQ signal either post MIC HA or post EQ signal for Internal Digital Effect Only MW12CX 16 PROGRAM PARAMETER control Foot Switch Digital Effect On Off LED Level Meter Pre MONITOR Level 2x12 points LED meter PEAK 10 6 3 0 3 6 10 15 20 25 30 dB PEAK lights if the signal level reaches 3 dB below the clipping level Power Supply Adaptor PA 20 AC 35 VCT 0 94 A Cable Length 3 6 m Power Consumption 30W Dimensions W x H x D 346 2 mm x 86 1 mm x 436 6 mm Net Weight 3 2 kg MW12CX 3 kg MW12C All faders are nominal if not specified Output impedance of signal generator
23. OING YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET YOUR REQUIREMENTS THAT THE OPERA TION OF THE SOFTWARE WILL BE UNINTERRUPTED OR ERROR FREE OR THAT DEFECTS IN THE SOFTWARE WILL BE CORRECTED 6 LIMITATION OF LIABILITY YAMAHA S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PERMIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF IN NO EVENT SHALL YAMAHA BE LIABLE TO YOU OR ANY OTHER PERSON FOR ANY DAMAGES INCLUDING WITHOUT LIMITATION ANY DIRECT INDI RECT INCIDENTAL OR CONSEQUENTIAL DAMAGES EXPENSES LOST PROFITS LOST DATA OR OTHER DAM AGES ARISING OUT OF THE USE MISUSE OR INABILITY TO USE THE SOFTWARE EVEN IF YAMAHA OR AN AUTHORIZED DEALER HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES In no event shall Yamahas s total liability to you for all damages losses and causes of action whether in contract tort or otherwise exceed the amount paid for the SOFTWARE 7 GENERAL This Agreement shall be interpreted according to and gov erned by Japanese law without reference to principles of conflict of laws Any dispute or procedure shall be heard before the Tokyo District Court in Japan If for any reason a court of competent jurisdiction finds any portion of this Agreement to be unenforceable the remainder of this Agreement shall continue in full force and effect 8 COMPLETE AGREEMENT This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying w
24. ONLY while your power amplifier or powered speakers are switched off It s also a good idea to turn the mixer s output controls STE REO OUT Master fader and REC OUT fader all the way down Although electric guitars and basses can be con nected directly to the mixer s inputs the sound is likely to be thin and possi bly noisy For best results with these types of instru ments use a DI box direct box or amp simulator between the instrument and the mixer 000 ee o 00 0000 ooQ e of 99699 recommend that you set the computer output to the maximum level and mute the computer s internal Speaker For details on how to make the setting refer to the The recorded sound is too low in level in the Trou bleshooting on page 22 The first time you connect to the computer s USB con nector or change the connection to a different USB port a driver installation display may appear after turning the power to the MW mixer on If this occurs wait until the installation is complete before proceeding onoo o ln 0199 loo cm tg D Balanced Cables and Unbalanced Cables Phone Connectors Two types of cables can be used to connect microphones elec Phone connectors are avail tronic instruments and other audio sources to the mixer s inputs able in mono and
25. RT IN 10kQ 6000 20 dBu 0 dBu 20 dBu TRS phone Jack unbalanced Tip CHs 1 4 Lines 77 5 mV 0 775 V 7 75 V Out Ring In Sleeve GND 6002 12 dBu 4 dBu 24 dBu RETURN L R 10kQ Lines 195 mV 1 23 V 12 3 V Phone jack unbalanced 6002 26 dBV 10dBV 10dBV PTEIN L R TS Lines 50 1 mV 0 316V RCA pin jack Where 0 dBu 0 775 Vrms and 0 dBV 1 Vrms Sensitivity The lowest level that will produce an output of 4 dB 1 23 V or the nominal output level when the unit is set to the maximum level All faders and level controls are at their maximum position Analog Output Specifications Output Connectors E ES URS Ae Nominal Level Connector Specifications XLR 3 32 type balanced 1 GND 2 3 COLD STEREO OUT L R 750 6000 Lines 4dBu 1 23 V 24 dBu 12 3 V TRS phone jack balanced Tip HOT Ring COLD Sleeve GND TRS phone jack impedance balanced REC OUT2 L R 1500 10 Lines 4dBu 1 23 V 20 dBu 7 75 V Tip HOT Ring COLD Sleeve GND EFFECT AUX TRS phone jack impedance balanced 2 SEND 1500 10kQ Lines 4 1 23 V 20 dBu 7 75 V Tip HOT Ring COLD Sleeve GN CH INSERT OUT phone jack unbalanced Out CHs 1 4 750 10kO Lines 0 dBu 0 775 V 20 dBu 7 75 V Ring In Sleeve GND REC OUT L 6000 10 Lines 10 dBV 0 316 V 10 dBV 3 16
26. UT1 FOOT SW 109 4dBu 4dBu PHONES YAMAHA USB MIXING STUDIO MIA Tec usa MI DECH rower CH1 7 8 MIC PEAK 0 6 E 3 4 3 cL Elact 8 15 20 25 30 L R 1 2 LTO STEREO 4 TO MONITOR 1 2 STEREO OUT MW12CX impedance balanced Since the hot and cold terminals of impedance bal anced output jacks have the same impedance these output jacks are less affected by induced noise MW12CX MW12C Owner s Manual 2TR IN Jacks These RCA pin jacks can be used to input a stereo sound source Use these jacks when you want to connect a CD player directly to the mixer Select where you want to send the signal using the 2TR IN USB switch and adjust the signal level using the 2TR IN USB control in the Master Control section A signals input via both the 2TR IN input and the USB input are mixed REC OUT 1 L R Jacks These are RCA pin jacks that can be used to connect to an external stereo recorder The signal processed by the REC OUT fader is output via these jacks REC OUT 2 L R Jacks These are impedance balanced TRS phone jacks that can be used to connect to an external stereo recorder The signal processed by the REC OUT fader is output via the these jacks RETURN L MONO R Jacks These
27. V RCA pin jack TRS phone jack impedance balanced MONITOR OUT L R 1500 10kQ Lines 4 dBu 1 23 V 20 dBu 7 75 V Tip HOT Ring COLD Sleeve GND PHONES OUT 1000 40 Phones 3 mW 75 mW TRS phone jack Where 0 dBu 0 775 Vrms and 0 dBV 1 Vrms The MW12CX feature is described first followed by the MW12C feature in brackets MW12CX MW12C Digital Input Output Specifications Connector Format Data Length Connector Specification USB USB Audio 1 1 16 bit USB B type MW12CX MW12C Owner s Manual __Reference Specifications E Dimensional Diagrams x 86 1 gt 79 6 Ls ae A E t3 Q st EI EI Y MW12CX Unit mm Specifications and descriptions in this owner s manual are for information purposes only Yamaha Corp reserves the right to change or modify products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale please check with your Yamaha dealer MW12CX MW12C Owner s Manual E LI tc NN Specifications Block Diagram a
28. Yamaha service personnel e Do not use the device or headphones for a long period of time at a high or uncomfortable volume level since this can cause permanent hearing loss If you experience any hearing loss or ringing in the ears consult a physician lt gt e Do not rest your weight on the device place heavy objects on it and avoid use excessive force on the buttons switches or connectors MW12CX MW12C Owner s Manual XLR type connectors are wired as follows IEC60268 standard pin 1 ground pin 2 hot and pin 3 cold Insert TRS phone jacks are wired as follows sleeve ground tip send and ring return Yamaha cannot be held responsible for damage caused by improper use or modifications to the device or data that is lost or destroyed Always turn the power off when the device is not in use Even when the power switch is in the STANDBY position electricity is still flowing to the device at the minimum level When you are not using the device for a long time make sure you unplug the power cord from the wall AC outlet The performance of components with moving contacts such as switches volume controls and connectors deteriorates over time Consult qualified Yamaha service personnel about replacing defective components The MW mixer may heat up by as much as 15 to 20 while the power is on This is normal Please note that the panel tem
29. are shown in the Port System Name field and check the Visible column in the Device Setup window Click OK to close the window If the Port System Name field does not change close and restart the Cubase then open the Device Setup window ut OORT Tul DEST 2 see CORE 1 Du ham COE 3 6 Select New Project from the File menu to create a new project file The new project dialog window will open For this example select CAI4 4 Stereo 8 Mono Audio Track Recorder and click OK Recorded Cubase data is stored as a project file New Project 7 When the directory selection dialog win dow appears select the folder to which the project and audio files for the project are to be stored and click OK An empty project window with 4 stereo and 8 monaural tracks will appear Project window Mixer window Transport panel MW12CX MW12C Owner s Manual Mixer Basics Quick Guide Preparing to Record Play the instrument to be recorded and adjust the MW mixer s GAIN control chan I Click in the track list the area in which the nel faders and REC OUT fader so that the track names are displayed to select a Clipping indicator never light track to record on The various settings for the selected track are available Transport panel 4 Clipping indicat in the Inspector on the left side of the display Record Enable button Track l
30. ckaging Please read carefully the Software Licensing Agreement at the end of this manual before installing the applica tion Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer e Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software This disk is NOT for audio visual purpose Do not attempt to play the disk on an audio visual CD DVD player Doing so may result in irreparable damage to your player For information about the minimum system requirements and latest information of the software in the disk check the web site below lt http www yamahasynth com gt e Note that Yamaha does not offer technical support for the DAW software in the accessory disk About the DAW software in the accessory disk The accessory disk contains DAW software both for Win dows and Macintosh Make sure to install DAW software under the Adminis trator account order to install the software in the accessory disk you ll need a working Internet connection Make sure to fill in all required fields when installing If you are using a Macintosh computer double click the file to start installation For information about the minimum system requirements and latest inf
31. d descriptions in this owner s manual are for information purposes only Yamaha Corp reserves the right to change or modify products or specifications at any time without prior notice Since specifications equipment or options may not be the same in every locale please check with your Yamaha dealer vwi2cxmwi2c Owners Manual Introduction Thank you for choosing a Yamaha MW12CX MW12C USB Mixing Studio The MWI2CX MWI2C includes an audio mixer equipped with a USB interface for digital audio data transfer and Cubase 14 DAW Digital Audio Workstation software for Windows and Macintosh computer operating sys tems With the MW12CX MW 12 USB Mixing Studio and your personal computer you have the basic elements of a high performance computer recording system that is easy to set up and operate Please read through this manual carefully before beginning use so that you will be able to take full advantage of your mixer s superlative features and enjoy trouble free operation for years to come After reading the manual please store it in a safe place Connect To Your Computer via a Single USB Cable page 7 The MW mixer connects to your computer via the supplied USB cable Stereo audio data is transferred in both direc tions from the mixer to the computer and vice versa via the USB connection 44 1 kHz or 48 kHz sampling fre quency No Driver Installation Required page 7 The MW system uses the standard drivers include
32. d in your computer s operating system so there s no need to install any extra driver software Cubase AI4 DAW Software Supplied page 7 Cubase Al4 software included in the MW package offers versatile high performance hard disk recording capability Compression page 9 Compression increase the overall level without introducing distortion by compressing excessive peaks in the signals from microphones and guitars Mixer Functions page 16 The MW mixer can handle up to 12 simultaneous inputs mixing them to STEREO OUT or REC OUT You could con nect four microphones and four stereo sources or six microphones and two stereo sources for example AUX SEND connectors are provided for convenient connection to external signal processors or other equipment 48V Phantom Power page 19 A PHANTOM switch supplies 48 phantom power to the mixer s microphone inputs so you can use high quality phantom powered condenser microphones for superior recording quality Accessories Cubase Al4 DVD ROM Power adaptor PA 20 USB cable e Owner s Manual this book May not be included depending on your particular area Please check with your Yamaha dealer MUA UU oot aua 5 Feature AA MAA NATA WA aaa WAA 5 Contents ei RE Rene 5 Before Turning on the 6 Turning the Power On4OETF 6 Computer System Heouiremente 6
33. damage to your DVD player 4 Visit the web address below for the latest in http www yamahasynth com ormation on supplied software and operating system requirements The illustrations and LCD screens as shown in this owner s manual are for instructional purposes only and may appear somewhat different from those on your instrument This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights Such copyrighted materials include without limitation all computer software style files MIDI files WAVE data musical scores and sound recordings Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws Any violation of copyright has legal consequences DON T MAKE DISTRIBUTE OR USE ILLEGAL COPIES Copying of the commercially available musical data including but not limited to MIDI data and or audio data is strictly prohibited except for your personal use e Windows is the registered trademarks of Microsoft Corporation Apple and Macintosh are trademarks of Apple Computer Inc registered in the U S and other countries e Steinberg and Cubase are the registered trademarks of Steinberg Media Technologies GmbH The company names and product names in this Owner s Manual are the trademarks or registered trademarks of their respective companies Specifications an
34. e MONITOR switch B the 2TR IN USB 8 and the PFL switches on the input channels PHONES Jack Connect a pair of headphones to this TRS phone jack The PHONES jack outputs the same signal as the MONITOR OUT jacks PHANTOM 48 V Switch This switch toggles phantom power on and off When the switch is on the mixer supplies 48V phantom power to all channels that have XLR mic input jacks CHs 1 4 5 6 7 8 Turn this switch on when using one or more phantom pow ered condenser microphones When this switch is on the mixer supplies DC 48 V power to pins 2 and 3 of all XLR type MIC INPUT jacks Be sure to leave this switch off HL if you do not need phantom power CAUTION o When tuning the switch mm be sure that only condenser mics are connected to the XLR input jacks CHs 1 to 7 8 Devices other than condenser mics may be damaged if connected to the phantom power supply Note however that the switch may be left on when connecting to balanced dynamic microphones To avoid damage to speakers be sure to turn off amplifiers or powered speakers before turning this switch on or off We also recom mend that you turn all output controls STE REO OUT Master Fader REC OUT Fader etc to their minimum settings before operating the switch to avoid the risk of loud noises that could cause hearing loss or device damage RETURN AUX AUX1 Control Adjusts the level at which the L R signal received at the RETURN
35. e Cubase software refer to the pdf format manual provided with the software Cubase 14 Setup Launch Cubase Windows Click Start Program Steinberg Cubase AI 4 gt Cubase AI 4 to launch the program If the ASIO Multimedia dialog window appears click Yes ASIO Multimedia The audio card configuration appears to have changed This test can check the sync reliability of all the currently selected audio input and output ports with their current options This test is the definitive check to see if your current configuration supports effective audio communication and therefore MIDI to audio sync If the test fails you will have to either select fewer simultaneous audio input and output ports or adjust their buffer sizes or options Should this new configuration be tested Macintosh Double click the Application Cubase AI 4 If you specified a file destination when installing the Cubase software launch the applica tion from that location Create a Cubase 4 shortcut or alias on your desktop so you can easily launch the program when required 2 Select Device Setup from the Device menu to open the Device Setup window Windows Select VST Audio System in the Device field on the left side of the window Select ASIO DirectX Full Duplex Driver in the ASIO Driver field on the right side of the window A dialog box will appear asking Do you want to switc
36. e be sure to turn the 2TR IN USB control STEREO OUT Master fader canon way Disconnect the USB cable when using the MW mixer without the computer MW12CX MW12C Owner s Manual Mixer Basics Quick Guide 3 Connecting Microphones and or Instru ments se 3 Powering Up the System For details on making connections refer to the Setup section on page 15 and the Front amp Rear Panels sec To prevent loud pops and noises turn on the tion on page 16 power to your sound gear starting with the sources instruments CD players etc and end ing with the power amplifier or powered speakers Example Instruments microphones and CD players first then the mixer and finally the power amplifier or powered speakers Be sure to turn the MW mixer PHANTOM switch on when using phantom powered con denser microphones Observe the following precautions when turning on phantom power Make sure that the PHANTOM switch is off when phantom power is not needed CAUTION When turning the switch on be sure that only con denser microphones are connected to the XLR input jacks Other devices may be damaged if connected to phantom power This precaution does not apply to balanced dynamic microphones however as these will not be affected by phantom power To minimize the possibility of speaker damage turn phantom power on
37. e pdf manual pro progress window When the progress window closes the vided with the Cubase AI4 software mixdown is complete It s a good idea to lower the channel fader a Wave files created by mixdown can be directly bit before adding an effect since the effect played back using the Windows Media Player CAUTION cause an increase in the overall channel or iTunes on a Macintosh computer level MW12CX MW12C Owner s Manual a di Setup Guitar 37 Powered Speakers Synthesizer Foot Switch YAMAHA 5 Recorder CD Player ON A STANDBY REC OUT OOT sw STEREO OUT i0dBV INSERT OdBu Geck L OUT IN UNBAL ois code s p Effect Processor exciter 66f8 666 0 00 0209 Cole O00 Powered Monitor Powered Monitor Speaker Speakers Personal Computer eg ole ee 9995 ee ee III 3 JE 9 OSS Sf SSES 18 I gf o 1 Je es MW12CX MW12CX MW12C Owner s Manual Front amp Rear Panels The foll
38. ect the MW mixer to your computer gear that is to be connected to the MW using the supplied USB cable mixer off standby except the computer and set the channel faders STEREO OUT USB Connection Precautions Master fader and REC OUT fader to their Be sure to observe the following points when connecting to minimum settings the computer s USB interface Failure to observe these rules can result in computer freezes hang ups and possibly data loss or corruption If the MW OOOOGOO mixer or computer does hang up turn the power to both devices off and then again and restart the computer 00 00 Be sure to wake the computer from sleep sus o oo o o o OOOO pended standby mode before making a con soforo caution nection to the computer s USB connector Connect the MW mixer the computer before 1 turning the MW mixer power O0 00 0 Always quit all applications running on the 6 0 00 SA computer before turning the MW mixer s power on or off or connecting or disconnect ing the USB cable Wait at least 6 seconds between turning the MW mixer on or off and between connecting or disconnecting the USB cable Channel fader When connecting or disconnecting the USB REC OUT fader cabl
39. g 2 5 kHz 15 dB LOW Shelving 100 Hz AUX AUX1 Control Adjusts the level of the signal sent from the channel to the AUX AUXI bus The knob should generally be set close to the position On stereo channels the signals from the L odd and R even channels are mixed and sent to the AUX AUXI bus To send the signal to the buses set the ON switch to on am n Front amp Rear Panels AUX Switch Selects whether the pre fader or the post fader signal is fed to the AUX AUX1 bus If the switch is on el the mixer sends the pre fader signal the signal immediately prior to the Channel fader Q9 to the AUX AUXI bus so that AUX AUX1 output is not affected by the fader If the switch is off IL the mixer sends the post fader signal to the AUX AUX1 bus EFFECT AUX2 Controls Adjusts the level of the signal sent from the channel to the EFFECT AUX2 bus Note that the signal level sent to the bus is also affected by the Channel fader On stereo chan nels 5 6 7 8 9 10 or 11 12 the signals from the L odd and R even channels are mixed and then sent to the EFFECT AUX2 bus PAN Control 1 to 4 PAN BAL Control 5 6 and 7 8 BAL Control 9 10 and 11 12 The PAN control determines the stereo positioning of the channel signal on the REC L and R buses or on the Stereo L and R buses The BAL control knob sets the balance between left and right channels Signals input to
40. h the ASIO driver Click Switch MW12CX MW12C Owner s Manual Deep zs Setup Macintosh Select VST Audio System in the Device field on the left side of the window Select USB Audio CODEC 2 in the ASIO Driver field on the right side of the win dow and click OK Skip ahead to step 6 below Under Mac OS X you can select either USB Audio CODEC 1 or USB Audio CODEC 2 in the ASIO Driver field Normally you should select USB Audio CODEC 2 but if you will only be playing back and mixing previously recorded data you can select USB Audio CODEC 1 to lighten the load on the com puter s CPU On a Windows computer select ASIO DirectX Full Duplex Driver in the Devices field on the left side of the Device Setup window and click Control Panel on the right side of the window Mixer Basics Quick Guide 4 The ASIO Direct Sound Full Duplex Setup dialog box will be displayed Check only the input port and output port USB Audio CODEC checkbox 98 4510 Die Seerd Setup Version 1 0 1 2 DirectX Version 9 3 2600 2100 D Gale en Oha Asto iex 1 USB deste CODEC Fire Reimersa Direct Saad mwa Pos Bate Zen Che as an pe Lapis Sargia Zeie M n e Maas xut 2 LI a mu 2 wei Ter rop m houfu 5 Make sure that USB Audio CODEC 1 2
41. he use of compression is to tame a vocal that has a wide dynamic 5 Raise the REC OUT fader to the 0 dB posi range in order to tighten up the mix Compression can also tion be applied to guitar tracks to add extra sustain Too much compression can be a cause of feedback however so use it 6 Set the channel faders to create the sparingly desired initial balance while monitoring via headphones or monitor speakers The OUTPUT overall headphone level is adjusted by the Q Min PHONES control D 10 MONITOR switch PEAK indicator Equalizer Tips The best advice that can be given regarding equalization while recording is simply to use as little equalization as possi ble If you want a little more presence you can turn the HIGH ON switch end up a bit Or you can boost the bass a little if you feel the low end is lacking During recording it s better to use EQ PFL switch sparingly for compensation only REC switch Channel fader REC OUT fader PHONES control MW12CX MW12C Owners Manual WEE Mixer Basics Quick Guide 5 5 Recording with Cubase Al4 This section describes the procedure for recording to the Cubase software we installed earlier via the MW mixer For details on operation of th
42. hones and CD players first then the mixer and finally the power amplifier or powered speakers When turning off the power to the system reverse the order described above vwi2cxmwi2c Owners Manual Computer System Requirements Windows Vista Computer Lo Mo computer with built in USB inter ace OS Windows Vista 1 GHz or higher Intel Core Pentium Celeron proces CPU sor Memory 1 GB or more Windows XP Computer SE computer with built in USB inter ace OS Windows XP Professional XP Home Edition CPU 750 MHz or higher Intel Core Pentium Celeron pro cessor Memory 96 MB or more 128 MB or more recommended Macintosh Computer Macintosh computer with built in USB interface OS MacOS X 10 3 3 or higher CPU Macintosh G3 300 MHz or higher Intel processor Memory 128 MB or more Cubase System Require ments Windows OS Windows Professional XP Home Edition CPU 1 4 GHz or higher Intel Pentium processor Memory 512 MB or more Audio Windows DirectX compatible Interface Hard Disk 400 MB or more Macintosh OS MacOS X 10 4 or higher CPU Power Mac G4 1 GHz Core Solo 1 5 GHz or higher Memory 512 MB or more Hard Disk 400 MB or more A DVD driver is required for installation To activate your software license install the application while the computer is connected to the internet Mixer Bas
43. ics This quick setup and operation guide covers everything from installing the Cubase software to using Cubase AI4 for recording and mixdown While going through this section you might find it useful to also refer to the Front and Rear Panels section on page 16 as well as the pdf manual supplied with the Cubase Al4 software 1 Installing Cubase 14 Since the End User Software License Agreement EUSLA shown on your PC display in your installing the DAW software is replaced by the agreement at the end of this manual you should disregard the EUSLA Read the Software License Agreement at the end of this man ual carefully and install the software if you agree to it Start the computer and log on to the Administrator account Insert the included DVD ROM into the computer s DVD ROM drive Open the Cubase Al 4 for Windows folder and double click on the CubaseAl4 msi Follow the on screen instructions to install the Cubase AI4 software e When installing Cubase you will need a working internet connection to register your Cubase Make sure to fill in all required fields for user registration If you do not register the product you will be unable to use the application after a limited period of time expires e For a Macintosh computer double click the CubaseAl4 mkpg icon for installation se 2 Connecting to the MW mixer I Turn the power to the MW mixer and all 2 Conn
44. ile as well as a file type If you intend to use the file to create an audio CD select the WAV file type AIFF on Macintosh OS X Stereo Out stereo 16 bit and 44 1 kHz Export Audio Mixdown Pan Effectively Panning creates the illusion of stereo space by changing the relative levels of each track s signal sent to the left and right speakers If a signal is sent only to the left speaker the sound will appear to come from the far left side of the stereo sound field If it sent with equal level to both left and right speakers our ears tell us the sound is located in the center of the stage Judicious panning can also help to create cleaner sounding mixes by spreading the instruments out across the sound stage so that they don t get in each other s way There are no hard and fast rules but the bass and kick drum are usually placed in the center of the mix as is the lead instrument or vocal Other instruments should be evenly bal anced throughout the sound stage in a well balanced man ner Ar this point you can begin to use EQ to refine your mix and add effects As an example let s try adding reverb Click the Edit button on the left side of the channel strip to open the VST audio channel settings window Click Insert 1 and select Earlier VST Plug ins Reverb 8 Click Export RoomWorks SE Progress of the mixdown operation will be shown in a For further details refer to th
45. ist J2 EH Ep 5 Specify the point at which you want to start recording via the ruler at the top of the project window Click the black area of the ruler to move the project cur sor the vertical black line to that position Ruler FTTEECCHECCEE B D Le Le Le gt gt Recording and Playback Inspector 1 Click the Transport panel Record button to begin recording When recording is started the project cursor will begin Input routing You will normally use a stereo track when moving to the right and a box that displays the recording recording synthesizers and a monaural track results will be created when recording vocals or guitar 2 Click the Input Routing field in the Inspec tor to select the audio input source Select Stereo In 1 for a stereo track and Left Right Stereo In 1 for a monaural track 3 Make sure the Record Enable button for the track to be recorded is turned on If the Record Enable button is off click it to turn it on Transport panel Forward Recording results Play the part QN When you finish recording the track click the Transport panel Stop button MW12CX MW12C Owner s Manual Mixer Basics Quick Guide 4 To hear playback of the track you have just recorded use either the Transport panel Rewind button or the ruler to rewind to the beginning of the recorded section then click the Transport panel S
46. l of the signal output to the PHONES jack D 2TR IN USB 2TR IN USB Switch If this switch is set to TO MONITOR m the signals input via the 2TR IN jacks and the USB connector are sent to the MONITOR OUT jacks the PHONES jack and the level meter If it is set to TO STEREO ML the signals are sent to the STEREO L R bus 2TR IN USB control Adjusts the level of the signal sent from the 2TR IN jacks and the USB connector to the STEREO L R bus The following illustration shows how the switch settings cor respond to the signal selection Switches Signals output via the MONITOR PHONES jacks PFL PHONES 2TR IN USB j ON e PFL TOSTEREO STEREO 2TR IN USB STEREO TOMONITOR STEREO 2TRIN USB OFF REC TO MONITOR REC 2TR IN USB When overdubbing you can adjust the levels of the mon itor playback signal and the signal being recorded separately For MONI TOR MIX turn on the REC and ST switches of the corresponding channels MONITOR MIX Signal Flow 2TRIN IN USB control MONITOR USB PHONES Playback 5 A controls signal MONITOR STEREO ST gt OUT PHONES jacks bus switch Recording CO YA signal STEREO OUT Master fader switch YA gt REC OUT USB REC bus REC OUT fader If the input channel PFL switch is am then only the PFL output from that channel is
47. lation produces a cyclical phasing effect LFO Frequency The PARAMETER control adjusts the frequency of the LFO that modulates the 15 AUTO WAH delay time A wah wah effect with cyclical filter modulation LFO Frequency The PARAMETER control adjusts the frequency of the LFO that modulates the 16 DISTORTION DRIVE Adds a sharp edged distortion to the sound LFO stands for Low Frequency Oscillator LFO is normally used to modulate another signal determining the modulation speed and waveform shape Jack List Input and Output Jacks Polarities Configurations INPUT OUTPUT Pin 1 Ground MIC INPUT STEREO OUT Pin 2 Hot Pin 3 Cold XLR Connector LINE INPUT CH1 to 4 Tip Hot REC OUT STEREO OUT MONITOR OUT Ring Cold AUX AUX1 EFFECT AUX2 Sleeve Ground Ring Tip Output mE INSERT Ring Input Sleeve Ground Sleeve Tip Tip L PHONES Ring R Sleeve Ground TRS Phone Connector RETURN Tip Hot EIOS Y LINE INPUT CH5 6 to 11 12 Sleeve Ground Sisave Tip Phone Connector These jacks will also accept connection to monaural phone Connectors If you use monaural phone connectors the connection will be unbalanced MW12CX MW12C Owner s Manual Troubleshooting The MW mixer won t turn on Is the included adaptor properly plugged into both the mixer and an appropriate AC wall outlet
48. n The HPF cuts frequencies below 80 Hz the HPF does not apply to the line inputs of stereo input channels COMP Control Adjusts the amount of compression applied to the channel As the knob is turned to the right the compression ratio increases while the output gain is automatically adjusted accordingly The result is smoother more even dynamics because louder signals are attenuated while the overall level is boosted Avoid setting the compression too high as the the higher average output level that results may lead to feedback PEAK Indicator The peak level of the post EQ signal is detected and the PEAK indicator lights red when the level reaches 3 dB below clipping For XLR equipped stereo input channels 5 6 and 7 8 both the post EQ and post mic amp peak levels are detected and the indicator lights red if either of these levels reaches 3 dB below clipping Equalizer HIGH MID and LOW This three band equalizer adjusts the channel s high mid and low frequency bands Channels 9 10 and 11 12 have two bands high and low Setting the knob to the position pro duces a flat response in the corresponding band Turning the knob to the right boosts the corresponding frequency band while turning to the left attenuates the band The following table shows the EQ type frequency and maximum cut boost for each of the three bands Band Type Frequency ett HIGH Shelving 10 kHz MID Peakin
49. nd Level Diagram napo9 napoo xew ureo IW NI HO LS Fosse gut POS j napos 8 _ xnv asa napre xewureo ANT 15 Ingpye xewureo napos eu a il ngpoz lapo puwon S2NOHd EEN EEN Tap9 eujwon dir T a Dee 19007 HO 15 napor napoz mwe SINOHd 1n0 934 e N 1 ONIS xnv MOL gni vi amy e uz Ingi HO NI HO 18 Tani Tuwe OIN NIHO 18 b s NI HO 1 11 HOLINOW gt Z gt 7 ngpo pe AP E 110 5
50. nd fader of the corresponding monaural input channel CHs 1 to 4 The INSERT jacks are ideal for con necting devices such as graphic equalizers compressors or noise filters into the corresponding channels These are TRS tip ring sleeve phone jacks that carry both the send and return signal tip send out ring return in sleeve ground Patching external devices via an INSERT jack requires a special insert cable such as illustrated below insert cable sold separately To the input jack of the external processor gt To the INSERT I O jack Tip OUT m Sleeve Ground Tip IN Tip OUT gt To the output jack of the external processor The signal output from the INSERT jacks is reverse phased This should not be a problem cAuTION When connecting to an effect unit but please be aware of the possibility of phase conflict when connecting to other types of device A reversed phased signal may result in degraded sound quality or even complete sound cancella tion Control Adjusts the input signal level To achieve the best balance between S N ratio and dynamic range adjust the level so that the PEAK indicator lights only occasionally and briefly on the highest input transients The 60 to 16 scale is the MIC input adjustment range The 34 to 10 scale is the LINE input adjustment range 80 Switch High Pass Filter This switch toggles the HPF on or off To turn the HPF on press the switch i
51. nizaci n Marbella Calle 47 y Aquilino de la Guardia Ciudad de Panam Panam Tel 4 507 269 5311 EUROPE THE UNITED KINGDOM Yamaha Kemble Music U K Ltd Sherbourne Drive Tilbrook Milton Keynes MK7 8BL England Tel 01908 366700 IRELAND Danfay Ltd 61D Sallynoggin Road Dun Laoghaire Co Dublin Tel 01 2859177 GERMANY Yamaha Music Central Europe GmbH SiemensstraBe 22 34 25462 Rellingen Germany Tel 04101 3030 SWITZERLAND LIECHTENSTEIN Yamaha Music Central Europe GmbH Branch Switzerland Seefeldstrasse 94 8008 Ziirich Switzerland Tel 01 383 3990 AUSTRIA Yamaha Music Central Europe GmbH Branch Austria Schleiergasse 20 A 1100 Wien Austria Tel 01 60203900 CZECH REPUBLIC SLOVAKIA HUNGARY SLOVENIA Yamaha Music Central Europe GmbH Branch Austria CEE Department Schleiergasse 20 A 1100 Wien Austria Tel 01 602039025 POLAND Yamaha Music Central Europe GmbH Sp z 0 0 Oddzial w Polsce ul 17 Stycznia 56 PL 02 146 Warszawa Poland Tel 022 868 07 57 SY41 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgef hrten Niederlassung und bei Yamaha Vertragsh ndlern in den jeweiligen Bestimmungsl ndern erh ltlich Para detalles sobre productos contacte su tienda Yamaha m s cercana o el distribuidor autorizado que se lista debajo THE NETHERLANDS BELGIUM LUXEMBOURG Yamaha Music Central Europe GmbH Branch Benelux Clarissenhof 5 b 4133 AB Vianen The Netherlands Tel 034
52. oduce modify change rent lease or distribute the SOFTWARE in whole or in part or create derivative works of the SOFTWARE You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers You may not use the SOFTWARE to distribute illegal data or data that violates public policy You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation Copyrighted data including but not limited to MIDI data for songs obtained by means of the SOFTWARE are subject to the following restrictions which you must observe Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner Data received by means of the SOFTWARE may not be duplicated transferred or distributed or played back or performed for listeners in public without permission of the copyright owner The encryption of data received by means of the SOFT WARE may not be removed nor may the electronic watermark be modified without permission of the copy right owner 3 TERMINATION This Agreement becomes effective on the day that you receive the SOFTWARE and remains effective until termi nated If any copyright law or provisions of this Agreement is violated the Agreement shall terminate automatically and immediately without notice from Yamaha Upon such termination you must immediately destroy
53. oid setting all equalizer controls and faders to their maximum Depending on he condition of the connected devices doing so may cause feedback and may damage the speakers Do not expose the device to excessive dust or vibrations or extreme cold or heat such as in direct sunlight near a heater or in a car during the day to prevent he possibility of panel disfiguration or damage to the internal components Do not place the device in an unstable position where it might accidentally fall Over Do not use the device in the vicinity of a TV radio stereo equipment mobile phone or other electric devices Doing so may result in noise both in the device itself and in the TV or radio next to it e Before connecting the device to other devices turn off the power for all devices Before turning the power on or off for all devices set all volume levels to minimum Handling caution e When turning on the AC power in your audio system always turn on the power amplifier LAST to avoid speaker damage When turning the power off the power amplifier should be turned off FIRST for the same reason Do not insert your fingers or hands in any gaps or openings on the device e Avoid inserting or dropping foreign objects paper plastic metal etc into any r openings on the device If this happens turn off the power immediately and unplug the power cord from the AC outlet Then have the device inspected ified
54. ormation on the software in the disk check the web site below http www yamahasynth com About software support Support for the DAW software in the accessory disk is pro vided by Steinberg on its website at the following address http www steinberg net You can visit the Steinberg site also via the Help menu of the included DAW software The Help menu also includes the PDF manual and other information on the software ATTENTION SOFTWARE LICENSE AGREEMENT PLEASE READ THIS SOFTWARE LICENSE AGREEMENT AGREEMENT CAREFULLY BEFORE USING THIS SOFTWARE YOU ARE ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE TERMS AND CONDITIONS OF THIS AGREE MENT THIS AGREEMENT IS BETWEEN YOU AS AN INDIVIDUAL OR LEGAL ENTITY AND YAMAHA CORPORATION YAMAHA BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING TO BE BOUND BY THE TERMS OF THIS LICENSE IF YOU DO NOT AGREE WITH THE TERMS DO NOT INSTALL COPY OR OTHERWISE USE THIS SOFTWARE THIS AGREEMENT PROVIDES YOUR USE CONDITIONS ABOUT THE DAW SOFTWARE OF STEINBERG MEDIA TECH NOLOGIES GMBH STEINBERG WHICH IS BUNDLED WITH THIS PRODUCT SINCE THE END USER SOFTWARE LICENSE AGREEMENT EUSLA SHOWN ON YOUR PC DISPLAY IN YOUR INSTALLING THE DAW SOFTWARE IS REPLACED BY THIS AGREEMENT YOU SHOULD DISREGARD THE EUSLA THAT IS IN THE INSTALLING PROCESS YOU SHOULD SELECT AGREE WITH THE EUSLA WITHOUT YOUR JUDGMENT THERETO SO AS TO PROCEED TO THE
55. owing applies to both the MW12CX and MW12C In cases where different features need to be described for each model the MW12CX feature will be described first followed by the MW12C feature in brackets MW12CX MW12C Channel Control Section Channels Channels Channels 1104 5 6 7 8 9 10 11 12 Monaural Stereo Stereo MC 1 MC 5 6 RES 9 10 2 Qo 2 L gt lt 3 eo gt gt EFFECT lt gt lt gt PRE EFFECT gj MW12CX MW12CX MW12C Owner s Manual MIC Input Jacks CHs 1 to 4 5 6 7 8 These are balanced XLR type microphone input jacks 1 Ground 2 Hot 3 Cold LINE Input Jacks CHs 1 to 4 These are balanced TRS phone jack line inputs T Hot R Cold S Ground You can connect either balanced or unbalanced phone plugs to these jacks Q LINE Input Jacks CHs 5 6 to 11 12 These are unbalanced phone jack stereo line inputs LINE Input Jacks CHs 9 10 11 12 These are unbalanced stereo RCA pin jacks Where an input channel provides both a MIC input jack and a LINE input jack or a LINE input jack and an RCA pin jack you can use either jack but not both at the same time Please connect to only one jack on each channel INSERT Jacks CHs 1 to 4 Each of these jacks provides an insert point between the equalizer a
56. perature may exceed 50 C in ambient temperatures higher than 30 C and use caution to prevent burns This Owners Manual applies to both the MW12CX and MW12C The main difference between the two models is that the MW12CX includes digital effects while the MW12C has no internal effects In this manual the term MW mixsers refers to both the MW12CX MW12C In cases where different features need to be described for each model the MW12CX feature will be described first followed by the MW12C feature in brackets MW12CX MW12C SPECIAL NOTICES The owner s manual is the exclusive copyright of Yamaha Corporation The included software is the exclusive copyright of Steinberg Media Technologies GmbH Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon breaking the seal of the software packaging Please read carefully the Software Licensing Agreement at the end of this manual before installing the application Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer e Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software e This disk is a DVD ROM Do not attempt to play the disk on a DVD player Doing so may result in irreparable
57. perties dialog window 2 Click the Volume tab and click Advanced in Speaker settings The Advanced Audio Properties dialog window will open 3 Click the Performance tab Set Hardware acceleration to Full and Sample rate conversion quality to Good Don t change these settings if you are not familiar with your computer s operating system Check that the file system is set properly and make sure that you have a plenty of free memory more than 128 megabytes If the wave files you are recording or playing are not too large changing the virtual memory settings can sometimes improve audio perfor mance In some cases it might be necessary to update your hard disk controller device drivers or BIOS Refer to your computer s support center or support page on the web for more infor mation Try adding memory Adding more RAM memory can significantly increase your computer s audio performance Refer to your computer s owner s manual for information on installing and setting up extra memory There is a delay Check the URL listed below for the latest information when playing a soft lt http www yamahasynth com gt ware synthesizer via a MIDI keyboard latency MW12CX MW12C Owner s Manual au Specifications Electrical Specifications MIN
58. r to this connector see page 6 USB Connector Connects to the computer via the included cable The USB connector outputs the same signal as the REC OUT jacks When connecting or disconnecting the USB cable be sure to turn the 2TR IN USB conirol all caution the way down Digital Effect Program List n Front amp Rear Panels No Program Parameter Description 1 REVERB HALL 1 REVERB TIME Reverb simulating a large space such as a concert hall 2 REVERB HALL 2 REVERB TIME 3 REVERB ROOM 1 REVERB TIME Reverb simulating the acoustics of a small space room 4 REVERB ROOM 2 REVERB TIME 5 REVERB STAGE 1 REVERB TIME Reverb simulating a large stage 6 REVERB STAGE 2 REVERB TIME 7 REVERB PLATE REVERB TIME Simulation of a metal plate reverb unit producing a more hard edged sound 8 DRUM AMBIENCE REVERB TIME A short reverb that is ideal for use with kick drum 9 KARAOKE ECHO DELAY TIME Echo designed for karaoke sing along applications 10 VOCAL ECHO DELAY TIME Echo suitable for vocals 11 CHORUS 1 LFO Frequency Creates a thick sound by modulating the delay time The PARAMETER control adjusts the frequency of the LFO that modulates the 12 CHORUS 2 LFO Frequency delay time 18 FLANGER delay time A sweeping pitched effect LFO Frequency The PARAMETER control adjusts the frequency of the LFO that modulates the 14 PHASER delay time Phase modu
59. ritten materials and supersedes all prior or contemporaneous understandings or agreements writ ten or oral regarding the subject matter of this Agreement No amendment or revision of this Agreement will be bind ing unless in writing and signed by a fully authorized repre sentative of Yamaha MW12CX MW12C Owner s Manual For details of products please contact your nearest Yamaha representative or the authorized distributor listed below Pour plus de d tails sur les produits veuillez vous adresser Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante NORTH AMERICA CANADA Yamaha Canada Music Ltd 135 Milner Avenue Scarborough Ontario MIS 3R1 Canada Tel 416 298 1311 U S A Yamaha Corporation of America 6600 Orangethorpe Ave Buena Park Calif 90620 U S A Tel 714 522 9011 CENTRAL amp SOUTH AMERICA MEXICO Yamaha de M xico S A de C V Calz Javier Rojo G mez 1149 Col Guadalupe del Moral C P 09300 M xico D F M xico Tel 55 5804 0600 BRAZIL Yamaha Musical do Brasil Ltda Rua Joaquim Floriano 913 4 andar Itaim Bibi CEP 04534 013 Sao Paulo SP BRAZIL Tel 011 3704 1377 ARGENTINA Yamaha Music Latin America S A Sucursal de Argentina Viamonte 1145 Piso2 B 1053 Buenos Aires Argentina Tel 1 4371 7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES CARIBBEAN COUNTRIES Yamaha Music Latin America S A Torre Banco General Piso 7 Urba
60. roubleshooting The level meter Are the PFL switches for the channels you are not using turned on doesn t show the output signal level The sound is inter Is the PEAK indicator flashing read mittent or distorted You might have to lower GAIN control or channel fader levels to avoid distortion Q Are you applying the effects and compressor at an appropriate level You might have to lower EFFECT RTN fader ETTECT control and COMP control levels Does the computer you are using meet the listed system requirements Refer to Computer System Requirements on page 6 for details Are any other applications device drivers or USB devices scanners printers etc run ning at the same time Be sure to quit all applications you are not using Are you playing back a large number of audio tracks The number of tracks you can play at the same time will depend on the performance of the computer you are using You may experience intermittent playback if you exceed your computer s capabilities Are you recording or playing long continuous sections of audio The audio data processing capabilities of your computer will depend on a number of fac tors including CPU speed and access to external devices On Windows computers changing some settings as outlined below can improve perfor mance 1 Click Control Panel from the START menu and double click the Sounds and Audio Devices icon to open the Sounds and Audio Devices Pro
61. sent to the C R OUT jacks PHONES jacks and level meter B REC OUT Fader Adjusts the signal level sent to the REC OUT jacks and the USB connector ST Switch If this switch 15 on as the signals are sent to the STEREO L R bus via the REC OUT fader The REC L signal goes to Stereo L and the REC R signal goes to Stereo R STEREO OUT Master Fader Adjusts the signal level sent to the STEREO OUT jacks MW12CX MW12C Owner s Manual Reference Front amp Rear Panels Digital Effect FOOTSW EFFECT ON OFF RETURN 4dBu EFFECT gt 1 DIGITAL EFFECT PROGRAM Kl nEvERB 1 EliREvERB HALL2 EJREVERB 1 Roov2 5 REVERB STAGE 1 6 REVERB STAGE2 7 REVERB PLATE 8 DRUM AMBIENCE ECHO vocal chorusi 2 13 a 15 16 FLANGER PHASER AUTO WAH DISTORTION EFFECT RTN MW12CX Only the MW12CX has digital effects FOOT SWITCH Jack A Yamaha 5 foot switch sold separately can be connected to this jack and used to toggle the digital effects ON and OFF PROGRAM Dial Selects one of the 16 internal effects See page 21 for details about the internal effects PARAMETER Control Adjusts the parameter depth speed for the selected effect The last value used with each effect type is saved When you change to a different effec
62. sonnel e this device or the AC power adaptor should be dropped or damaged immediately turn off the power switch disconnect the electric plug from the outlet and have the device inspected by qualified Yamaha service personnel Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the device or other property These precautions include but are not limited to the following Power supply Power cord e Remove the electric plug from the outlet when the device is not to be used for extended periods of time or during electrical storms e When removing the electric plug from the device or an outlet always hold the plug itself and not the cord Pulling by the cord can damage it To avoid generating unwanted noise make sure there is adequate distance 50 cm or more between the AC power adaptor and the device Do not cover or wrap the AC power adaptor with a cloth or blanket Before moving the device remove all connected cables When setting up the device make sure that the AC outlet you are using is easily accessible If some trouble or malfunction occurs immediately turn off the power switch and disconnect the plug from the outlet Even when the power switch is turned off electricity is still flowing to the product all the minimum evel When you are not using the product for a long time make sure to unplug he power cord from the wall AC outlet Av
63. t type the mixer automatically restores the value that was previously used with the newly selected effect regard less of the current position of the PARAMETER Control knob These parameter values are reset when the power is turned off AUX Control Adjusts the level of the signal sent from the internal digital effect unit to the AUX bus The EFFECT RTN fader does not affect the level of the signal sent to the AUX bus ON Switch Switches the internal effect on or off The internal effect is applied only if this switch is turned on The switch lights orange when on An optional Yamaha FC5 foot switch sold separately can be used to toggle the digital effects ON and OFF The ON switch lights and the internal effect unit is active by default when the power is initially turned on PFL Switch Turn this switch on to send the effect signal to the PFL bus EFFECT RTN Fader Adjusts the signal level sent from the internal digital effect unit to the STEREO bus Rear Input Output Section ___ AC ADAPTOR IN USB MW12CX MW12C Owner s Manual POWER Switch Use this switch to turn the mixer s power ON or to STANDBY mode Note that a small current continues to flow while the switch is in the STANDBY position If you do CAUTION hot plan to use the mixer for a while be sure to unplug the AC adaptor from the wall outlet AC ADAPTOR IN Connector Connect the supplied power adapto
64. tart button The overall playback level will be displayed via the mas ter section bus level meter on the right side of the mixer window and the channel level will be displayed via the channel strip level meter Click the Narrow Wide button in the upper left corner of the mixer window to increase the width of the mixer s channel strips The output signal from Cubase Al4 is routed to the MW mixer s 2TR IN inputs To hear the play back sound via a pair of headphones plugged into the MW mixer set the bus select switch to TO MONITOR and adjust the volume with the 2TR IN USB control and the PHONES con trol Narrow Wide button Narrow Wide button Level meter Bus level meter 5 To save the project file select Save from the File menu and enter a file name before actually saving the file Save your project file frequently to insure against losing large amounts of data if a problem occurs DN Repeat steps 1 through 5 to record further material on the same track 7 To record additional material on different track select a new track and repeat the record procedure You can monitor the sound being recorded and a previously recorded sound simultaneously while recording MONITOR MIX Refer to 2TR IN USB page 19 for details Mixing with Cubase 14 In this section we ll try mixing down multiple recorded audio tracks to stereo and creating a wav file Mixes can be stored as
65. the Input tab and under Choose a device for sound input select USB Audio CODEC 3 Click the Output tab and under Choose a device for sound output select USB Audio CODEC Is the sound output of the Cubase AI4 application assigned properly For setup details refer to page 7 of the Quick Guide The recorded sound is too low in level Is the computer s output level setting too low We recommend that you set the computer output to the maximum level and mute the com puter s internal speaker Windows 1 From the START menu click Control Panel then double click the Sounds and Audio Devices icon to open the Sounds and Audio Devices Properties dialog window 2 Click the Volume tab 3 Set Device volume to High 4 Click the Sound tab 5 Select sound in the Sound scheme Macintosh 1 Select System Preferences from the Apple menu and then select Sound to open the Sound dialog window 2 Click the Output tab and set the volume slider at the bottom of the window to its maxi mum level 3 Click the Sound Effect tab and set the volume slider of the Alert volume slider to its minimum level Have you connected or disconnected the USB cable while Cubase AI4 is running Doing so can sometimes cause the Windows output level to be reset to its default level Check and raise the output level if necessary MW12CX MW12C Owner s Manual WANGEN T
66. utions include but are not limited to the following Power supply Power cord e Only use the voltage specified as correct for the device The required voltage is printed on the name plate of the device Use only the included AC power adaptor PA 20 or an equivalent recommended by Yamaha Do not place the power cord near heat sources such as heaters or radiators and do not excessively bend or otherwise damage the cord place heavy objects on it or place it in a position where anyone could walk on trip over or roll anything Over it Do not open Do not open the device or attempt to disassemble the internal parts or modify them in any way The device contains no user serviceable parts If it should appear to be malfunctioning discontinue use immediately and have it inspected by qualified Yamaha service personnel N CAUTION Water warning Do not expose the device to rain use it near water or in damp or wet conditions or place containers on it containing liquids which might spill into any openings e Never insert or remove an electric plug with wet hands If you notice any abnormality e f the power cord or plug becomes frayed or damaged or if there is a sudden loss of sound during use of the device or if any unusual smells or smoke should appear to be caused by it immediately turn off the power switch disconnect the electric plug from the outlet and have the device inspected by qualified Yamaha service per

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