Laney Amplification Concept 10 Music Mixer User Manual
Contents
1. Concept Manual Concept MIX NOISE measured 22Hz 22K RMS power amp level max Master Up 1 Channel 0dB All channels 0dB MIC CHANNEL Fader OdB MIC INPUT Gain Max Gain Min Bandwidth 80Bu 78dBu 77dBu 60dB 10dB fader buffer OdB 10dB fader buffer 30Hz 20kHz 1dB E I N Equivalent Input Noise 128dB 150R Source Z Distortion mic to insets typicaly lt 0 007 Maximum input Input Impedance LINE INPUT Gain Max Gain Min Bandwidth ER HI Mid Lo MIC STEREO CHANNELS Stereo Gain Input overload Mic Input Gain Max Gain Min E I N EO HI Mid Lo Faders Buffer 20dB 2K 36dB 10dB fader buffer 26dB 10dB fader buffer 30Hz 20kHz 1dB 12dB 12kHz Shelving 12dB Sweepable from 500Hz 5k5 16dB 80Hz Shelving 24dB gt 50V identical to mic amp on stereo channels 60dB 10dB fader buffer OdB 10dB fader buffer 128dB 150R source Z 12dB 12kHz Shelving 12dB 2KHz 16dB 80Hz Shelving 10dB TAPE INPUTS Ref 4dBu Output Fader 0dB 15dB Gain TAPE OUTPUT LEVEL MAXIMUM OUTPUT LEVELS Variable by user Main Outputs unbalanced 22dBu Aux Output Mon Output POWERAMPLIFIER Power rating Hum and Noise 22dBu 22dBu 2 300W into 4 Ohms R M S 100dBu 22Hz 22KHz Distortion lt 0 01 Slew Rate 20V us Sensitivity 4dB Protection Short Circuit Load Mismatch Thermal D C POWER CONSUMPTION 230V 115V402. 10 and OdB and then increase the masters faders to a level which is a satisfactory volume power amp level control should be about 6db 4 This point is a good time to set the EQ remember if you boost a lot you will have to reset the input gain control as described in 2 FX Certain instruments will benefit from the addition of some form of effect for instance snares can be made sound bigger with the addition of a reverb or maybe a vocal could be thickened up with a bit of delay Concept Manual Concept You can send signals to FX using the Aux 1 and Digifx controls on the channels The Aux 1 master send control adjusts the overall level sent to external FX units via the Aux 1 output socket Signals from external FX units should be returned by the Stereo auxiliary a rotary fader is then used to control the level of FX signal sent to masters enabling a mix to established between FX signal and signal without FX The Digifx control sends signals to the Digifx section The input level control on the DigiFx should be set so the Peak light in the DigiFx section is just prior to it illuminating like the Stereo auxiliary a fader is provided to control the FX signal sent to th masters Time to mix One way to do this is to increase all the input channels to apr ox 10dB to OdB Ask the band to play Increase thesmaster faders for to a sati factory volume level Adjust the input channel faders so there level relative t
3. fuse wherever stated Concept Manual Concept Laney have been established in audio amplification for over twenty five years during which time it has firmly established itself as a benchmark for audio products Feedback from musicians and recording engineers supported by original design ingenuity are the parameters applied by Laney s development engineers to all new products Concept mixers explained within this manual are easy to use but incorporate features which make advanced set ups easy in any role Sub mixing Main PA Monitors The mixerssin this manual have a combination of Mic line inputssand Mic Stereo channels for extra SPECIAL FEATURES 6 or 10 Mic Line channels 2 or 3 Mic Stereo channels 2 300 Watt Output Power 7 Band Graphic EQ OnBoard Digital Reverb Phantom Power 3 Band EQ Mon Aux 1 Digifx sends Pfl and Peak Facilities GRAPHIC EQUALISER Laney RIGHT CHANNEL LEFT MONITOR LL TT te C ATTENUATION RIGHT PFL o flexibility K A 4 e ae AAA 3 A Alea JOD OW
4. 60Hz 1000 Watts DIMENSIONS width depth height Concept 10 477mm 449mm 180mm Concept 16 627mm 449mm 180mm Concept Manual Concept FURTHER NOTES Concept Manual
5. vents on the rear C s i panel and front edge of your mixer it is then i A blown out by the fan DO NOT OBSTRUCT FAN APERTURE AIR OUTLET DO NOT OBSTRUCT FAN APERTURE 4 OHMS LEFT CHANNEL PIN 1GROUND PIN 1 SIGNAL A Output Power 300W S SPEAKER OUTPUTS IRR Sati RIGHT CHANNEL PIN 1GROUND PIN 1 SIGNAL Output Power 300W MINIMUM LOAD O E mp 3 8 JON 8 a i O l ELECTRIC SHOCK DO NOT EXPOSE THIS APPLIANCE TO RAIN OR TO REDUCE THE RISK OF FIRE OR MOISTURE REFER TO USER MANUAL BEFORE USING THIS MANUAL WARNING CAUTION CAUTI WARNING O NOT OBSTRUCT INLET VENTS J L 000 MASTER LEFT MONITOR INSERT D SEND POWER FUSE RATING 220V 230V 240V TSA 100 120V T10A TO AVOID FIRE HAZARD REPLACE ONLY WITH SAME TYPE AND RATING CAUTION DISCONNECT POWER CORD BEFORE REMOVING TOP COVER Do Not Obstruct Vents Or Fan Aperture Or You Risk Thermal Shutdown Of Your Mixer In the event of thermal failure Do not switch your mixer of as it will automaticaly reset after about 3 10minutes Switching the mixer off switches the fan off thus stopping cooling 1 O QO MADE IN THE UNITED KINGDOM BY BLT Industries Ltd O O O
6. 1 Peak A Peak led is provided which illuminates when the channel level is approaching clipping This also iluminates when the PFL switch is enabled 12 FADER The channel fader sets the output level of the channel sent to the MASTERS The relationship between the fader and the channel gain controls is important and this is explained in detail in the setting up procedure section Concept Manual Concept 10 STEREO AUXILIARY TAPE INPUT ao LEFT MONO RIGHT STEREO AUXILIARY BAL FADER PFL O 48V PHANTOM O POWER O Ki STEREO AUXILIARY ITAPE INPUT TO MON A TO MASTER PFL O 18 19 20 21 22 23 10 24 25 26 AUXILIARY INPUTS STEREO AUXILIARY TAPE INPUT Stereo Auxilliary Tape Input Phono RCA sockets are provided for the connection of tape DAT machines The signal to monitor and master outputs can be 4 independently controlled via the controls labelled Tape to monitor and Tape to master PFL monitoring of the tape to master signal is provided STEREO AUXILIARY A Stereo Auxiliary Input for use as an FX return or as an additional stereo input Stereo signals can be input either on a stereo jack or L R on mono jacks If required the Auxilary can be used as ammono input by inputting on the socket labelled Mono MON The Mon control is set for pr
7. FT AMP switch is enabled MASTER MUTES These turn off the the Master L R signal Red lamps illuminate when muted MASTER FADERS The master faders control the signal level of the left and right masters before it is routed to the power amplifiers via mon to left amp switch graphic equaliser and power amp level POWER AMP LEVEL This is the overall level control for the signal to the power amps This provides input sensitivity matching for external units connected to the insert loops on the rear panel and increases dynamic range by reducing residual mix noise Typical setting is 6dB INPUT LEVEL This controls level of the signal into the built in Effects processor This provides the user the ability to achieve the best signal to noise performance of the effects unit There is peak led near this control to show that the Effects processor is near clipping TIME PROGRAM The above controls allows the selection of 1 of the 127 available programs These programs are arranged into 8 types selectable by the Program control Different program times can then be selected using the Time control MON The Mon control enables the user to send the effects signal to the monitor output PFL In common with all other inputs PFL facilities are provided for the setting up of the effects When PFL is enabled the signal from the effects unit is displayed on the right meter and is played in the headphones FADER The EFFECTS f
8. Laney So ier wr Series Mixing Consoles Concept 10 Concept 16 USER MANUAL Concept Concept 10 Concept 16 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page lo Page 16 Page 17 Page 18 User Manual TABLE OF CONTENTS Contents General Information Concept 10 16 Features Concept 10 16 Quick Start Guide Concept 10 16 Quick Start Guide Concept 10 16 Quick Start Guide Concept 10 16 Quick Start Diagrams Concept 10 16 Quick Start Diagrams Mic Line Channel Information Mic Line channel information cont Mic Stereo channel information Mic Stereo channel Information cont Auxiliary Input information Auxiliary Output information Masters Graphic Equaliser Digital Effects Information Rear Panel Information Concept 10 16 Technical Specifications Concept Manual Concept THANK YOU We at Laney are extremely pleased that you have decided to select a Concept product for your mixing and we wish to reinforce your judgement by ensuring you get off to a flying start by including this comprehensive user manual to assist you in getting to know your equipment Before switching on please read this manual carefully since whilst you may well be an experienced user no two brands are the same and on reading this manual you will become aware of the subtle differences that your Concept mixer offers over its competitors UNPACKING On unpacking you
9. OW Olledis 0 0 Z 0 ororo ADO _ _ _O OL O To o Seer OO O 0 SUGIS ETC OL Ol O LO 1 ollelkelkelkelkellollollelo E Kol O ao k AAPO OJ pae a a 2 oo ikki Loll 13 HUA i t a OO Ok T I K hi aikooko 28 i VU o 1 0 Ooo odB 6 10 16 20 30 40 INPUT KT EAK A O MC MONITOR LEFT O RIGHT Oo EFFECTS Goncept Manual Concept Concept 10 16 Quick Start Guide This is a quick start guide so you can be using you mixer sooner rather than later you can then refer to the detailed description later in this manual when you need 2 diagrams are provided to supplement this information following these tips Plugging in Connect power to your mixer always a good start Switch On Connect all you input signals Mics DI s Keyboards Tape machines to there relevant input channels Connect your condenser Mics before enabling Phantom power Do not connect dynamic Mics or unbalanced sources to mic inputs when Phantom power is enabled otherwise damage may occur to your them or your mixer Itsa good idea to label up each channel strip so you know what is connected where this can be done inichinagraph in the write on areas or use a piece of masking tape along the front edge of the mixer the old fav
10. TO LEFT AMP maa t WO PFL O as i a O MONITOR 3 ees k EEE gt 27 28 29 30 31 32 33 34 35 36 Concept Auxiliary Outputs TAPE OUTPUT Phono RCA sockets are provided for the connection of tape DAT machines for recording The signal level is controlled by the Line out Tape out level control AUXILIARY 1 This is the Aux 1signal output Signal is sent here by all the Channel Aux 1 controls The master control for the Aux 1 output level is the Aux 1 Master Send Control The signal level is a line level signal designed for the connection to external effects processors MONITOR The MONITOR signal output The signal here is a line levekoutput suitable for connection to an external power amplifier The signal level is controlled by the Monitor fader LINE OUT TAPE OUTPUT LEVEL Controls the signal level at the tape out sockets on the facia and the line out sockets on the rear The signal adjusted by this control is the signal taken from the master mutes i e always the L R Masters The Tape Outs are provided for the connection of Tape DAT MD DCC machines for recording purpose but equaly could be used for connection to a Hi Fi amp with Phono RCA type connectors The Line outs are provided for connection of slave amplifiers should additional speakers need to be connected AUXILIARY 1 MASTER SEND Controls the overall signal l
11. ader controls the level of the effects signal sent to the Masters Concept Manual Concept REAR PANEL FACILITIES A SPEAKER OUTPUTS Two jack sockets and 1 speakon connector are provided for the connection to loudspeakers The internal power amplifiers are able to deliver 300W channel into 4 ohms DO NOT OBSTRUCT INLET VENTS EE CTE Under no circumstances should the total load seen by any of the amplifiers be below 4 ohms otherwise thermal shutdown is likely and long term reliability may be impaired B INSERT LOOPS Insert loops are provided before each of the internal power amps These are provided for the connection of speaker controlers dynamics such compressors limiters and feedback eliminators etc 1 jack socket is provided for send and 1jack socket is provided for return for each loop C LINE OUTS Line Outs are provided for the connection of additional speaker power amps active speakers The output level signal is controlled by the line out tape out level control The signal at these connectors is always the Master L R D MAINS INLET Power connection is provided on a 3 pin IEC mains connector Never disconnect the ground from your mixer as this is potentialy al lethal 7 D MAINS FUSE s The mains fuse is a 20mm Time delay fuse See rear panel for fuse rating F MAINS SWITCH F MIXER COOLING Please observe all recomendations on cooling z Air is sucked in through
12. cept Manual Concept 39 40 ap Laney GRAPHIC EQUALISER _________ 8dB odB 4dB 8dB 8dB 4dB t OdB 4B 8dB RIGHT CHANNEL 8dB 4dB 4dB 8dB 8dB 14dB 4dB 8dB LEFT MONITOR Ae ATTENUATION LEVEL 60B 12dB 12dB 15dB 15dB 18dB 18dB eee O 21dB 3dB E 3dB 0dB 0dB 3dB 3dB 6dB 6dB 9dB 9dB LE MOI 21dB FT RIGHT N PFL MON ACTIVE O PFLACTIVE O MUTE O MUTE O O INPUT LEVEL D T TIME Oo PROGRAM MON PFL 6 O O LEFT RIGHT EFFECTS w w 2J 39 41 x 42 48 GRAPHIC EQUALISER A Graphic Equaliser is provided for fine tuning of mixes and room acoustics Centre frequencies are 80Hz 200Hz 430Hz 1 2KHz 2 2KHz 5 5KHz and 10 5KHz Varying the 80Hz 200Hz filters adjusts bass frequencies Varying the 430Hz 1 2KHz and 2 2KHz adjusts midrange frequencies Varying the 5 5KHz and 10 5KHz adjusts treble frequencies MASTER METERS The master meters show the signal level to the power amplifiers The right meter shows RIGHT or PFL when the PFL switch is enabled gihe left meter shows LEFT or MONITOR when the MON TO LE
13. e fade operation for use a monitor send The signal passes to the feedback filter and monitor fader in the master section before leaving by the jack socket marked Mon BAL Adjusts the stereo signal level to the left and right master outputs the signal being sent equally left and right when set central FADER The fader sets the output level of the Auxiliary to be sent to the MASTERS PFL The pre fade listen switch when depressed directs the pre fader Auxiliary signal to the right hand bargraph VU display and headphones allowing Auxiliary signal to be set and cued This is non destructive so may be used at any time during the performance without effecting the main 48V Phantom 48V Phantom Power is provided for condenser microphones It is globaly switched to all mic XLR sockets via this recessed switch Phantom power must always be switched off when using unbalanced sources connected to mic inputs otherwise the source may be damaged Condenser microphones should be connected to mic inputs before the phantom power is switched on TO MONITOR Controls the level of the Stereo Auxilliary Tape input signal to the monitor TO MASTER Controls the level of the Stereo Auxilliary Tape input signal to the Masters Concept Manual TAPE OUT L o R OO AUX 1 O MON Esi AN Y TAPE OUT LEVEL D AUX 1 MASTER SEND CIN Na HEADPHONES PFLACTIVE MON
14. evel at the Aux 1 output The signal prior to this level control comes from all the Aux 1 controls on the input channels The Aux 1 output is a line level output suitable for connection to external effects processors Their outputs normaly being returned via the Stereo Auxiliary HEADPHONE LEVEL Adjusts the headphone volume level The signal on the headphones is the same signal being sent to the power amplifiers When PEL is enabled the channel channels which have been PFL ed signal is present on the headphones PFL ACTIVE Indicates that a PFL signal is present in the headphones and on the right meter MONITOR TO LEFT AMP Normally the signal to the Power amps comes from the L R Masters If required the Monitor signal can be routed to one of the left power amps by enabling the Monitor to Left Amp switch When the Monitor to Left Amp switch is enabled the Master L R signal is summed to together mono and is sent to the right power amp When this switch is enabled lamps illuminate by the switch and at the base of the left meter Should the Stereo L R Master be needed when Monitor to Left Amp is enabled it available at the Line Outs and Tape Out FREQUENCY CUT These controls form a notch filter for the reduction of feedback on the monitors If feedback occurs apply some cut which should be swept up and down using the frequency control until the frequency is found more cut can be applied to reduce feedback further if required Con
15. n be boost or cut by this control such as bass guitar kick drums deep vocals and keys below middle C on a keyboard Concept Manual Concept A O I3 O STEREO LEFT E MONO AN RIGHT DN e MIC GAIN D LINE GAIN AUX 1 FX A DIGI FX BAL PFL q PEAK Ps 6 OdB 6 20 30 mic stereo channel continued 6 Mon The Mon control is set for pre fade operation for use a monitor send The signal passes to the feedback filter and monitor fader in the master section before leaving by the jack socket marked Mon 7 AUX1 The AUX tis set for post fade operation it traditionaly being usedrassan effects send The signal passes to the Aux 1 master send control before leaving by the socket marked Aux 1 Output 8 DIGI FX The DIGIFX control is a post fade FX send It controls the amount of signal sent to the built in digital effects board The signal can then the sent 16 BAL Adjusts the stereol signal level to the left and right master outputs the signal being sent equally left and right when set central 10 PFL The pre fade listen switch when depressed directs the pre fader channel signal to the right hand bargraph VU display and headphones allowing channel Gain to be set and cued This is non destructive so may be used at any time during the performance without effecting the main mix output 1
16. ne here for recording connect Keyboards Synths etc here LINE LINE LINE LINE LINE LINE L ame INSERT ronk MAS i O ww ae MG a 7 ae ee Connect FX units compressors for Cat individual channels here Insert stereo jack wired tip send to FX Connect FX units here ring return from FX Aux 1 output to FX unit input FX unit output to Stereo Auxiliary Input EFFECTS UNIT Input EFFECTS UNIT Om Output Input B O O O O O FXPROCESOR fe L Outputs Concept Manual Concept Concept 10 16 Quick Set Up Guide Connect Effects or Loudspeaker controller here Slave out to more Amps Speakers here Mixer Sends to FX controller Inputs Mixer Returns to FX controller Outputs Hot Air Outlet Do Not Obstruct Concept Manual AUX 1 FX DIGI FX PAN PFL Q O PEAK 1 2 3 4 5 Mic Line channel MIC INPUT XLR The input socket has been designed to accept both balanced and unbalanced signals from microphones with an XLR input con
17. nector Good quality low impedance condenser or dynamic mic s should preferably be used for best effect these will ensure the best possible results from hand held vocals or closely mic d instruments PHANTOM POWER Phantom powering is available to all mic inputs for use with condenser microphones WARNING Phantom power must always be switched off when using unbalanced sources since the voltage present on the connector may damage you microphones The phantom power switch is above the Power lamp on the front panel Always connect your condenser microphones before switching the 48V Phantom Power On LINE INPUT JACK The balanced line inputs are for all balanced unbalanced line level signals from keyboards drum machines tape machines and DI boxes eg from guitars and basses INSERTS Each mono channel has an insert via a stereo jack socket wired to the tip send ring return convention Effects units can be inserted here and enter the signal path post gain but pre eq Reverbs compressors feedback eliminators etc can be inserted here GAIN Adjusts the level of the input signal into the channel It should be set so that the input signal is not buried in noise but not too high so that clipping ocurrs the peak lamp will illuminate to indicate this EQUALISATION On Mic Line channels there is a three band EQ system with a swept mid control Cut and boost is provided in each band and a variable frequency control for the mid c
18. nes WARNING Phantom power must always be switched off when using unbalanced sources since the voltage present on the connector may damage you microphones The phantom power switch is above the Power lamp on the front panel Always connect your condenser microphones before switching the 48V STEREO LINE INPUTS Each stereo channel has two input jack sockets one stereo left and the other mono right and each will accept unbalanced line level sources such as keyboards tape machines and any line level source MIC GAIN Adjusts the level of the Microphone input signal into the channel It should be set so that the input signal is not buried in noise but not too high so that clipping ocurrs the peak lamp will illuminate to indicate this LINE GAIN Adjusts the level of the Stereo input signal into the channel It should be set so that the input signal is not buried in noise but not too high so that clipping ocurrs the peak lamp will illuminate to indicate this EQUALISATION On Mic Stereo channels there is a three band EQ system Cut and boost is provided in each band HI High Treble frequencies can boosted or cut by this control Sources that fall in this range are cymbals high pitch vocals and keys above top C ona keyboard MID Mid range frequencies can be boosted or cut by this control Music sources which fall in this range are most Vocals lead rythmn guitar keyboard parts and brass sections LO Low Bass frequencies ca
19. o other instruments sounds good e g the keyboard player does not sound Ic ider than the lead vocalist You can also adjust the position of an ir strument in the stereo image e g to bring a vocalist out in the mix you could pan all other signals Left or Right by varying amounts A graphic equaliser ts provided allowing the overall sound of your mix to be fine tuned Feedback As you set up your mix you will probably have problems with feedback This occurs when microphones pick up sound from the loudspeakers creating a loud whistling howling sound very disturbing Here are a few ways to prevent this 1 make sure the sound from the speakers connected to your Mixers speaker outs cannot be picked up by microphones speakers are best in front facing away from the band 2 Keep the faders down on microphones which are not needed 3 Try to cut rather than boost when using any EQ 4 f feedback does occur use the channel EO graphic EQ to stop it this can be done by cutting at the freguency which the feedback occurs A feedback filter is provided on the monitor send Recording If you want to record your mix a tape out is provided to connect to tape DAT MD DCC machines The line out tape out level controls the level sent to the tape machine Mon to left Amp There may be a time when you want to provid 3 the main PA and m itors from you mixer You can do this by enabling the Mon to Left Amp witch When you enabl his swi
20. ontrol 5A HI High Treble frequencies can boosted or cut by this control Sources that fall in this range are cymbals soprano vocals and keys above top C on a keyboard 5B Mid gain freq Mid range frequencies can be boosted or cut by this control The frequency of cut is adjustable from approx middle C and up 3 octaves Music sources which fall in this range are most Vocals lead rythmn guitar keyboard parts and brass sections 5C LO Low Bass frequencies can be boost or cut by this control such as bass guitar kick drums deep vocals and keys below middle C on a keyboard Concept Manual Concept A INSERT GAIN A LO MON AUX 1 FX DIGI FX PAN PFL PEAK Mic Line channel continued 6 7 8 9 10 11 12 Mon The Mon control is set for pre fade operation for use as a monitor send The signal passes to the feedback filter and monitor fader in the master section before leaving by the jack socket marked Mon AUX1 The AUX tis set for post fade operation it traditionaly being usedrassan effects send The signal passes to the Aux 1 master send control before leaving by the socket marked Aux 1 Output DIGI FX The DIGIFX control is a post fade FX send It controls the amount of signal sent to the built in digital effects processor The signal can then be PAN Assigns Pans the channel signal across the left and right ma
21. ourite Its always good practice to start work on mixer with all gain controls at minimum all faders at minimum and all EQ set flat Input Channel Do not be intimidated by the input channels on your mixer as it s function is very simple 1 The gain control makes little signals big so they are as far above noise as possible but not so high that the signal is clipped the peak led illuminates when clipping is near 2 The EQ section tonally changes the input signal this is just like the tone controls on your Hi Fi but with more knobs The controls are labelled Hi Mid gain Frequency and Lo controls 3 It lets you send the signal to places of use e g A Monitor send for a vocalists Musician Aux 1 and Digifx if you want to add echo reverb to a signal These send controls are labelled Mon Aux 1 and Digifx 4 You can adjust the signals position in the stereo image using the Pan control 5 Fader this controls the signal level being sent to Masters Setting the gain on an Input Channel By now you will have connected your input signals to your mixer and be ready to set your input gain controls 1 Enable PfI on the channel which you wish to set up the right meter shows the signal level in that channel and the channels signal appears on the headphones 2 Tell the vocalist musician to play while he plays you should set the channel gain control so that OdB to 6dB will illuminate on signal peaks 3 Increase the channel fader to between
22. r Concept mixer please check carefully for any signs of damage that may have occurred whilst in transit from the Laney factory to your dealer In the unlikely event that there has been damage please repack your unit in its original carton and consult your dealer We would strongly advise you to store away your original transit carton since in the unlikely event that some time in the future your unit should develop a fault you will be able to return it to your dealer for rectification securely packed IMPORTANT SAFETY INFORMATION Your mixer is Supplied with a three pin grounded or earthed mains lead Please make sure that the mixer is powered from a grounded earthed outlet WARNING Never disconnect the earth from your mixer as this is potentialy lethal If changing or fitting a plug yourself ensure that the applicable wiring code is adhered to for example in the UK the cable colour code is as follows EARTH OR GROUND GREEN YELLOW NEUTRAL ees BLUE LIVE BROWN p The mixer should never be exposed to moisture or wetness under any circumstances since this would represent a possible shock or fire hazard and may cause expensive damage to your valuable possession In the unlikely event that a fuse should blow it is imperative that you or your engineer use a correctly rated replacement Details of the fuse required is printed on the rear panel of the mixer please take special care to use a time delay
23. ster outputs the signal being sent equally left and right when set central PFL The pre fade listen switch when depressed sends the pre fader channel signal to the right hand bargraph VU display and headphones allowing channel Gain to be set and cued This is non destructive so may be used at any time during the performance without effecting the main mix output Peak A Peak led is provided which illuminates when the channel level is approaching clipping This also illuminates when the PFL switch is enabled FADER The channel fader sets the output level of the channel sent to the MASTERS The relationship between the fader and the channel gain controls is important and this is explained in detail in the setting up procedure section Concept Manual oncept D meen OI amp 3 STEREO L_ LEFT MONO L RIGHT AUX 1 DIGI FX ES mic stereo channel 1 MIC INPUT XLR 12 13 14 15 5 5A 5B 5A The input socket has been designed to accept both balanced and unbalanced signals from microphones with an XLR input connector Good quality low impedance condenser or dynamic mic s should preferably be used for best effect these will ensure the best possible results from hand held vocals or closely mic d instruments PHANTOM POWER Phantom powering is available to all mic inputs for use with condenser micropho
24. tch the signal from the monitor fader is sent via the left gra ic to the left poweram _ the Left and Right masters are summed and sent to the right power amp via the right gr hic Concept Manual Concept The Left and Right stereo mix are still available on the line outs should wish to connect additional power amps and speakers Advanced Set up s The flexible routing facilities on you Concept 10 16 allow advanced set ups to be achieved The line outs tape outs have a separate level control this allows a slave amplifier to be connected and its volume level be controlled from the your mixer This slave amp could be used for the connection of a subwoofers active loudspeaker o speakers in another room The line outs always have the left and right masters on them tl is could enable you to still have the main PA in stereo when mon to left amp is enabled provic 3d you have an additional p wer amp Finally2 Following this section follows more soi 1e quick set up diagrams and more detailed information about your Concept mixer s facilities Good luck with your mixing Goncept Manual Conceot Concept 10 16 Quick Set Up Guide connect your active powered monitor here AMP MIKED UP Connect more Vocals here Connect Vocals here connect tape DAT CD here for playback connect mic d up guitar Bass cabinet here DA CES connect tape DAT machi
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