Campbell Hausfeld WG3060 Microcassette Recorder User Manual
Contents
1. CINEMA EOS LEAVE NO STORY UNTOLD Canon y filmmaker has a story to t CINEM y filmmaker has a story tc a r i On the set of SWORD a short film shot exclusively with the Canon Cinema EOS system FELIX ALCALA If can get a small camera that does everything want it to do with the best quality in the world that s what want And that s what I think we have with the Canon Cinema EOS Co Director and Co Writer of SWORD CINEMA UN THE SET I APTURING THE 5 CINEMA EDS LEAVE NO STORY UNTOLD hat you capture on Set will define how your story unfolds Superb tonal accuracy Brilliant color reproduction Subtle image adjustments Surprising angles and points of view Digital robustness to survive extensive post production For all this Canon has created the Cinema EOS system a definitive HD motion picture system conceived as an extension of the cinematographer The new EOS C300 and EOS C300 PL cameras Canon EF Cinema lenses our comprehensive service and support network and educational resources are all designed to help you tell your story the way you imagined it The powerful EOS C300 and EOS C300 PL cameras centered on Canon s unique Super 35mm CMOS sensor revolutionary Canon DiG C DV Ill Image Processor and 50Mbps 4 2 2 codec writing out to dual CF cards Compact and lightweight modular in design compatibl2. Broad Compatibility with EOS Cameras The versatility of the Canon Cinema EOS approach also makes it compatible with more cinema optics than any other camera system With their large image circle EF Cinema prime lenses are compatible with every Canon EOS DSLR manual operation only including full frame models like the EOS 1D X and the EOS 5D Mark Il as well as cameras like the EOS 7D and EOS 60D that utilize APS C sized sensors SANON LENS CN E 50m Canon 1 afi a wah yi i W f y k CANON LENS CH 24m EF Cinema Zoom Lenses Canon EF Cinema zoom series offer extraordinary optical performance for demanding high end productions available in EF and PL mount configurations With fluorite aspherical lens elements and advanced optical design these unsurpassed EF Cinema lenses are capable of 4K image reproduction The wide angle CN E14 5 60mm T2 6 L S SP provides industry leading breadth of range the telephoto CN E30 300mm T2 95 3 7 L S SP rivals best in class zoom magnification and telephoto focal length Together these lenses cover the range most commonly used in cinema shooting EF Cinema Prime Lenses The brilliant series of EF Cinema prime lenses offer spectacular 4K image quality and a full frame image circle in lightweight compact designs Three models for EF mount cameras CN E24mm 11 5 LF CN E50mm 11 3 LF and CN E85mm 11 3 LF offer consistent form factors and marking optimized fo
3. LIII Canon gt l l MAGN ae S i Sion f DISP i Cano Canon uo ieii Oge da SMa wows ol 1 BATT INFO he aee E p a p a Iry j nii EA TEYA E 1 L HD Fil TER PE AKI NG i a og O g L F 3 j j f T 2 Lo p 7 Fa l MINI n I J jl 2 STATUS u ae 3 E 1 2 Ez z f r ra il j a ir r E 4 i i OM LENS EF amp 8 15mm Ta 1m4 Kij l R 6 6 32 2 9 i ZEBRA Ken SET 1 a r CANON LENS E sa 6 4 30 3 gt Y A Pe eh CAELIS 1 US ia 7 l 3 LUSTOM 7 a k 1 ih lh 2 PICTURE T i aa i E ian erin i k A Canon 2 03 1 m 8 15mn H INDEX E 8 10 1S CANON LENS CN E 24mm HEADPHONE ARGH LENS CN E 5 8 Cc C300 n Actual size shown Capturing the Essence of Your Vision Canon already offers one of the finest and most comprehensive lens lineup available to cinematographers and videographers from any single vendor Over 60 prime and zoom lenses in a variety of configurations from our flagship zooms to compact primes All share Canon s renowned accuracy clarity and optical brilliance to bring fresh perspective to your vision And now with our expanded lineup of 7 EF Cinema lenses exclusively designed for cinematography we ve covered the basics and with more on the way to stimulate your creativity Canon EF Cinema Lenses Canon EF Cinem
4. that are challenging for larger cameras Rugged Durable and Quiet The EOS C300 and EOS C300 PL s dust proof and splash proof design includes sealing gaskets around the edges of all access covers dials fitted with o rings on the axis of rotation and button key tops sealed with rubber The EOS C300 and EOS C300 PL also feature a built in silent cooling system with a heat dissipating duct in the center of the body a graphite sheet that conducts sensor heat towards the heat sink three ventilation holes and a cooling fan that pulls hot air out through an exhaust opening All air is directed through a discrete pathway that keeps dust particles away from sensitive components Your camera runs cool quiet and clean Sealed areas Cooling system Vents at three positions on the sides A highly conductive graphite sheet conducts sensor heat towards the heat sink Additionally cooling fans on top force hot air in the body away from vents and out through exhaust openings Comfortable Ergonomic Controls The moment you pick up the EOS C300 or EOS C300 PL you ll feel right at home The detachable grip rotates 360 in 15 degree increments so the start stop iris control and multi controller buttons are always literally at your fingertips Four separate start stop buttons and 15 other customizable buttons distributed over the camera body mean quiet and intuitive access Large dials positioned in two places can be customi
5. 6 9 frames NTSC 59 94p Selectable between 2 6 12 frames PAL 50i 25p 50p Selectable between 2 6 12 frames Frame Record NTSC 59 94i 23 98p 24 00p Selectable between 1 3 6 9 frames NTSC 59 94p Selectable between 2 6 12 frames PAL 50i 25p 50p Selectable between 2 6 12 frames Pre Record Yes 3 seconds cache Audio and Video Scan Reverse When using a Depth of Field Converter or other lens adapters it flips or reverses the image automatically so it is recorded correctly Time Code Drop Frame DF and Non Drop Frame NDF Drop Frame works with NTSC models only and is not available in 24P Time Code Modes Regen Record Run Free Run and External Source Drop Frame and Non Drop Frame available White Balance Available 2 000K to 15 000K in 100K increments White Balance Presets Daylight 5 400K Tungsten 3 200K Kelvin White balance shift is available within Presets 9 to 9 Custom Picture Settings 23 Custom Picture settings A total of nine 9 Customized Pictures are available in the camera and up to 20 can be saved to an SD card Custom Pictures CP7 CP8 and CP9 ship with the following preset C7 Video C Intended for recording media for playback on consumer TVs The setting minimizes noise in the dark areas and improves contrast by tightening up on black C8 Cine V Suited for giving recorded media a film tone C9 Cine F Used for when recorded media will be transferred to film Custom Functions Available
6. Minutes 4 GB 10 Minutes 10 Minutes 20 Minutes 8 GB 20 Minutes 25 Minutes 40 Minutes 16 GB 40 Minutes 55 Minutes 80 Minutes 32 GB 80 Minutes 110 Minutes 155 Minutes 64 GB 160 Minutes 225 Minutes 310 Minutes Recording Media CF Card Type 1 Only 2 Slots Movie Files UDMA supported SD Card Still Images Custom Picture Data Clip Metadata and menu settings SD SDHC SDXC Supported MMC Cards are not supported Custom Picture Data and settings is not compatible with data from others Canon models File Format MXF OP 1a Maximum Clip Number 999 per media AUDIO Recording Format Linear PCM 2 Channel 16 Bit 48 kHz Built in Microphone None External Audio Inputs 2 XLR inputs Auto and Manual level settings Recording Channel Selection Two Channel Recording XLR Mic Trimming Available 12dB 6 dB 0dB or 12dB Recording Level Adjustment Range Infinity to 18dB Phantom Power Available 48V Headphone Adjustment 16 Settings Volume is muted at lowest setting 1KHz Tone Available 12 18 or 20dB FEATURES AND PERFORMANCE Playback Index Displays Index Display Normal OK Mark Index Check Mark Index Shot Mark Index Expand Index Photo Index Clip Playback Forward Search x5 x15 x60 Reverse Search x5 x15 x60 Forward frame Advance Reverse Frame Advance Record Review Clip Jump Forward and Backward Skip Playback Playback Functions Inter media Copy Single Clip All Clips Last
7. Sam Nicholson A S C film XXIT shot in Canon Log mode Canon Log Gamma Shooting in Canon Log mode cinematographers can set the camera exposure value using their customary light meter practices Canon Log is a special nonlinear transfer function embodied within the DiG C DV III RGB video processing system This transfer function is specifically designed to facilitate the post production Normal 1 Canon Log INPUT Canon Log Ensures tonal reproduction for both highlight and lowlight regions during post production of digital images originating in Cinema EOS in a manner akin to the post production of images digitally transferred from motion picture film the contemporary DI process By managing the disposition of quantization bits Canon Log ensures excellent tonal reproduction within both highlight and lowlight regions of a given digital image maintaining a total dynamic range of 800 These sophisticated video grading processes restructure a new digital representation that achieves your sought after creative look on a quality reference display Lens Peripheral Illumination Correction When shooting with Canon EF optics that support Peripheral Illumination Correction the EOS C300 can automatically compensate for the light fall off or vignetting characteristics of each particular lens Correction data specific to each lens model is loaded onto the camera s firmware with future lens data added through firmware
8. Sensor CMOS sensor size comparison not to scale 4 3 sensor 16 9 video capture area EOS 1D X EOS C300and EOS 7D EOS 60D EOS 5D MarkII EOSC300PL EOS Rebel Models Modeled on the Super 35mm 3 perf motion picture film standard Canon s CMOS sensor has an active image size of 24 4 x 13 5mm It utilizes 3840 H x 2160 V photosites to perform the crucial optoelectronic transformation of digital imaging Each photosite is a generous 6 4 x 6 4 micrometers in area and each has a microlens that ensures the highest efficiency in light l Actual siz transfer to the individual photodiode Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode a combination that assures superb dynamic range Signal processing equivalent to that in a 3 chip RGB system The image sensor utilizes an innovative readout technique that delivers full bandwidth individual RGB video components without the need for any debayering algorithms Each of these components has a 1920 H x 1080 V sampling structure at up to 60 frames From these original video components a 1080 line 60i format or a 1280 H x 720 V at 60P format is selectively derived A high speed readout significantly reduces the subjective visibility of vertical skewing on fast moving horizontal subjects that is characteristic of CMOS image sensors a Frame grab from the
9. We spent years studying the film and TV industry and its changing needs before bringing this system to market We learned that HD imaging was still evolving and that a new image sensor advanced digital processing codec and 4K lenses specially created for moviemaking could elevate HD to a new plateau of performance in the 21st century Those were the parameters we gave our optical electronic and mechanical engineers We challenged them to design a new HD system that could provide immediate benefits to working cinematographers Equipment that would fit production budgets already stressed by rising competitive pressure and uncertain economic conditions A system to grow with changing needs adding new lenses camera bodies and enhanced shooting and editing features as technology advances Canon doesn t claim to have all the answers at this point But with the help of industry experts and cinema professionals like you we ll keep learning evolving and innovating as it was meant to A new HD system for a new century Service Support and Education working EOS C300 PL are born to please cinema standard and is compatible with the major We also designed an entire support Canon Hollywood Professional Technology designed from the ground up to serve the right beside you when you need it Seamless tographers Incorporating cutting edge NLE applications The PL and EF mounts offer infrastructure to help you get the most from and Support Ce
10. With everything a cinematographer needs the EOS C300 and EOS C300 PL come ready to produce A logical layout of buttons and dials make operation simple A lock switch turns off terminal have the option for auto Waveform Monitor WFM function that shows the overall matic as well as full manual gain control Infinity to 18dB Additionally a 3 5mm headphone all controls except the recording button and the function buttons Small ridges between the buttons help prevent activating brightness of a scene with RGB Parade Display to view red green functions by mistake The backlit display panel is great for and blue brightness or Spot Display to isolate the luminance distribution of a chosen area The EOS C300 and EOS C300 PL Vectorscope VS display shows real time hue and saturation low light viewing A tally lamp is clearly visible from the side terminal with 16 volume settings or behind the camera The EOS C300 and EOS C300 PL have a offers accurate audio monitoring Canon 30 300 Wireless Control for Remote Shootin Greater mobility when you need it that s the advantage of Canon s optional Wireless File Transmitter WFT E6A The EOS C300 and EOS C300 PL come preconfigured so that camera settings can be viewed and securely controlled on third party devices with common web browsers including computers smartphones and tablets without the need for additional software With the WFT E6A module the camera ca
11. at 50Mbps CBR 35Mbps VBR and 25Mbps CBR with a range of settings for resolution color frame rate and recording time Whether you re shooting with the expectation of significant editing and post production recording for compatibility with HDV editing or simply creating the longest possible HD image files the EOS C300 and EOS C300 PL will perform flawlessly Recording Modes 50Mbps CBR 4 2 2 35Mbps VBR 4 2 0 Recording Mode Highest image quality mode optimal for shooting scenes that must meet needs in sophisticated editing such as chroma key compositing and color correction Ideal for the longest possible full HD recording Superb compatibility with HDV editing workflows 1920 x 1080 1280 x 720 1920 x 1080 1280 x 720 1440 x 1080 Frame Rate Recording Time AT Approx 160 min Approx 160 min Approx 225 min Approx 225 min Approx 310 min here re calle KOSHER l m always impressed when we project on a larger scale how little there is to correct and how good it looks TIM SILANO Editor on Max Is Back Non Linear Editing Integration To manage your recorded material more efficiently the EOS C300 and EOS C300 PL offer two solutions direct export to Non Linear Editing NLE programs through a supplied software plug in or file management
12. brightness Custom Pictures To achieve the look and feel you want in less time during post production the EOS C300 and EOS C300 PL have 26 different Custom Picture settings Custom Pictures can include different image quality adjustments including gamma knee color matrix sharpness noise reduction and more Settings can be created in camera and saved to the EOS C300 and EOS C300 PL or to an SD card for transfer to other cameras A number of natural color settings are included with the EOS C300 and EOS C300 PL others include Cinema setting for post production and EOS setting to match images captured by a Canon EOS DSLR Custom Pictures Black Gamma Low Key SAT Sharpness Normal 1 Normal 2 Normal 3 Normal 4 Cine 1 Cine 2 Canon Log EOS Std Master PED Master Black Level Range 5 50 Point Switch 1 50 ON OFF Level ON OFF 50 ON OFF Slope Point 35 50 50 109 Knee SAT Level 10 10 50 H DTL FREQ Level D Ofst Coring D Curve D Depth DTL HV BAL Limit Select Knee APT Gain Slope Level Level Depend Slope Offset Noise Reduction Skin Detail Effective LVL Hue Middle High 16 Chroma 0 31 Area O34 Y Level O 31 Selective NR Color Matrix White Bal Others E
13. 0 PL PL Mount To integrate easily into the working style and equipment array of film crews and production houses the Cinema EOS system begins with two camera bodies The EOS C300 has a Canon EF lens mount and is compatible with all of Canon s EF lenses including compact primes super telephotos specialty Tilt Shift Macro and fisheye over 60 in all It also has communication contacts built into its mount allowing EF lens functions such as focus and iris to be adjusted wirelessly via the optional Canon Wireless File Transmitter WFT E6A unit This offers huge potential for specialty applications where cameras must be controlled remotely such as nature documentaries or reality TV gt Cnn CANO EOS C300 with EF mount EOS C300 PL with PL mount The EOS C300 PL has a PL mount and is compatible both with a new series of Canon EF Cinema lenses PL mount as well as the majority of third party optics available for 35mm motion picture cameras Canon DiG C DV III Image Processor Designed and built by Canon for the highest HD RGB processing the DiG C DV Ill Image Processor uses proprietary circuits and architecture to deliver the highest image quality at the highest speeds It processes the RGB representations originated in the single CMOS sensor into three channels Red Blue and Green to maintain the rich resolution and clean color fidelity formerly possible only in three chip sensor designs Super 35mm Canon CMOS
14. 0 in 1 4 or 1 3 stops SLS 1 4 1 8 1 15 CS 29 97 Hz 250 70 Hz 23 98p 24p 1 24 to 1 2000 in 1 4or 1 3 stops SLS 1 3 1 6 1 12 CS 23 97Hz 250 70 Hz 50i 50p 1 50 to 1 2000 in 1 4 or 1 3 stops SLS 1 3 1 6 1 12 1 25 CS 50 00 Hz 250 70 Hz 25p 1 25 to 1 2000 in 1 4 or 1 3 stops SLS 1 3 1 6 1 12 CS 25 00 Hz 250 70 Hz Shutter Angle Settings 59 94i 59 94p 360 240 216 180 120 90 60 45 30 22 5 15 11 25 29 97p 360 240 216 180 120 108 90 60 45 30 22 5 15 11 25 23 98p 24p 360 345 6 288 240 180 172 8 144 120 90 86 4 72 60 45 30 22 5 15 11 25 50i 50p 360 300 240 180 150 120 90 60 45 30 22 50 15 11 25 25p 360 300 240 180 150 120 90 75 60 45 30 22 50 15 11 25 FOCUS Focus System Manual Autofocus System Not Available RECORDING CODEC Signal System NTSC and PAL Compression 8 Bit MPEG 2 Long GOP Color Space 4 2 2 at 50Mbps recording Maximum Bit Rate 50Mbps CBR Canon Log Gamma Available Recording Options Mode Resolution Frame Rate 50Mbps CBR 4 2 2 422P HL 1920x1080 59 94i 29 97p 23 98p 50i 25p True 24 24 00 1280x720 59 94p 29 97p 23 98p 50p 25p True 24 24 00 35Mbps VBR 4 2 0 MP HL 1920x1080 59 94i 29 97p 23 98p 50i 25p 1280x720 59 94p 29 97p 23 98p 50p 25p 25Mbps CBR 4 2 0 MP H14 1440x1080 59 94i 29 97p 23 98p 50i 25p Recording Time Card Capacity Bit Rate CF Card 50 Mbps 35 Mbps 25 Mbps 2 GB 5 Minutes 5 Minutes 10
15. 9 total functions Custom Display Yes LCD panel and EVF information display can be customized Total of 27 display options can be turned on and off Assign Buttons 15 Can be assigned functions as desired 30 functions Available Color Bars Color bars compliant with SMPTE EBU or ARIB standards can be selected Dynamic Range up to 800 with Canon Log Gamma and ISO 850 2 5dB and above ISO 850 or above gain 2 5dB or above EVF Type 0 52 inch Color 1 555 000 dots Aspect Ratio 16 9 Viewing Angle Adjustment Available Viewing Angle can be adjusted up and down 60 Diopter Adjustment Range 2 0 to 5 5 Field of View Coverage 100 EVF Adjustments Brightness Contrast Color and Backlight Normal or Bright DISPLAY Type Rotating 4 inch Wide Screen Color LCD Display 1 230 000 dots on detachable controller Aspect Ratio 16 9 Field of View Coverage 100 Display Adjustments Brightness Contrast Color Sharpness and Backlight Normal or Bright INPUT OUTPUT HD SD SDI Yes with embedded audio HD 4 2 2 YCbCr 1920 x 1080 60i 50i 1280 x 720 60p 50p SD 4 2 2 YCbCr 640 x 480 60i 50i BNC Connector output only NTSC 480i PAL 576i Compliant with SMTPE 259M Embedded Audio Compliant with SMTPE 272M Time Code Standard VITC LTC SMTPE 12M HD SDI Compliant with SMTPE 292M 1080i 720p Compliant with SMTPE 292M Embedded Audio Compliant with SMTPE 299M Time Code Standard VITC LTC SMTPE 12M Tim
16. Clip Clip Delete Single Clip All Clips Last Clip Still Image Playback index single playback erasure protect Slow and Fast Motion Recording 50 Mbps 1920 x 1080 Playback Rate 29 97p 23 98p 24 00p Record Rate 1 30 Playback Rate 50i 25p Record Rate 1 25 50 Mbps 1280 x 720 Playback Rate 59 94p 29 97p 23 98p 24 00p Record Rate 1 60 Playback Rate 50p 25p Record Rate 1 50 35 Mbps 1920 x 1080 Playback Rate 29 97p 23 98p 24 00p Record Rate 1 30 Playback Rate 50i 25p Record Rate 1 25 35 Mbps 1280 x 720 Playback Rate 59 94p 29 97p 23 98p 24 00p Record Rate 1 60 Playback Rate 50p 25p Record Rate 1 50 25 Mbps 1440 x 1080 Playback Rate 29 97p 23 98p Record Rate 1 30 Special Recording Functions Relay Recording Double Slot Recording Copying between Media Not available during Slow Motion 50 Mbps recording Not available in combination with Slow and fast motion recording Photo Recording Available Images captured to SD Card 1920 x 1080 Waveform Monitor Available Vectorscope Available Exposure Focus Aids Peaking 2 types Zebra Pattern Magnify Edge Monitor Focus Assist Black and White Mode Can be output via the SDI or HDMI Jack HD Only Interval Record Available Interval can be set in 25 levels ranging from 1 second to 10 minutes 15 2s 3s 4s 5s 6s 7s 8s 9s 10s 15s 20s 30s 40s 50s 1m 2m 3m 4m 5m 6m 7m 8m 9m 10m NTSC 59 94i 29 97p 23 98p 24 00p Selectable between 1 3
17. EOS C300 or EOS C300 PL Body with Grip Camera cover R F 3 e Monitor unit e Handle unit e Battery Pack BP 955 e Battery Charger CG 940 e Compact Power Adapter CA 940 e Eye Cup e Viewfinder Cap e Thumb rest EF Cinema Zoom Lenses Available in EF and PL Mount EF Cinema Prime Lenses Available in EF mount only Bee oS EF Lenses XF Utilities Disc Ver 3 0 Shoulder Strap S 1200 e Tripod base TB 1 e WFT Attachment e Measuring Hook e AC Cable x2 e DC Cable for CA 940 e Shoulder Strap SS 1200 e XF Utilities Disc Ver 3 0 Also available as optional accessory Not responsible for typographical errors Availability and specifications subject to change without notice EOS C300 EOS C300 PL CN E24mm 71 5 LF CN E50mm 11 3 LF CN E85mm 11 3 LF EOS 1D X Wireless File Transmitter WFT E6A have not been authorized as required by the rules of the Federal Communications Commission These devices are not and may not be offered for sale or lease or sold or leased until authorization is obtained Canon DIGIC and EOS are registered trademarks of Canon Inc in the United States and may also be registered trademarks or trademarks in other countries IMAGEANYWARE is a trademark of Canon Some of the images and effects are simulated Products not shown to scale All other products and brand names are registered trademarks trademarks or service marks of their respective owners in the Unit
18. The EOS C300 and EOS C300 PL use versatile MPEG 2 compression saving files in the Material eXchange Format MXF The MXF format folds video and audio into a single file together with important metadata for seamless integration with top NLE systems and post production tools for compos iting color correcting grading and more The EOS C300 and EOS C300 PL codec supports HD 1920x1080 resolution a class leading 50Mbps bit rate and 4 2 2 component sampling 4 2 2 sampling give EOS C300 and EOS C300 PL image files double the color vertical resolution of 4 2 0 color sampling minimizing jagged edges between red and blue and ensuring ample quality for chroma key compositing with green screens Conforming to industry HD standards is another definitive advantage of the EOS C300 and EOS C300 PL Non standard technologies require extra time and money that few productions can afford Canon standards and specs make post production seamless and simple the world over it H racticality Compatibility Simplicity And excellence in HD imagery With the Cinema EOS system Canon helps working professionals make HD the superb creative medium of the present Make it new Give it impact And make it work within your budget No matter what you re shooting Hollywood movies indie documentaries episodic TV series commercials music videos the Cinema EOS system will raise your game without compromising your productivity
19. a lenses are designed and engineered to meet or exceed the exacting standards of working professionals Every Canon EF Cinema lens is designed to fulfill contem porary 4K production standards surpassing the performance requirements of any HD imaging system Zoom lenses feature large aspherical lens elements to achieve sharp consistent images in virtually every shooting situation Geared inner focusing minimizes focus induced changes in the angle of view reducing focus breathing virtually to zero The 11 blade aperture diaphragms ensure beautiful bokeh and innovative glass construction counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies Uncompromising Design for Working Professionals EF Cinema lenses provide markings on angled surfaces on both sides of the barrel making it easy to read focus and aperture settings from behind or either side of the camera Focus markings can be switched from standard labeling to metric Control rings are designed to maintain the proper amount of resistance with consistent operating torque For zoom lenses a covered flange back adjustment mechanism is included Each EF Cinema zoom lens or EF Cinema prime lens shares uniform gear position diameter 9136mm vo 160 and rotation angle as well as front lens diameters enabling the film crew to quickly change lenses without adjustment of the rig setup 4 a P Ba g136mm mer 400 160
20. at 14 5mm at 14 5mm 226 x 128 207 KAGE at 60mm at 60mm 11 BSS PSO 44 6 x25 9 at 30mm at 30mm 4 6 x 2 6 MIP DIS at 300mm at 300mm il image sensor 1 78 1 1 78 1 Diameter WxHxD Object Dimensions at M 0 D M O D from Front Approx Size Approx Mass 24 6 x 13 8mm 24 0 x 13 5mm 5 35x6 42x 12 52 in 65 2 x 36 7cm 66 9 x 37 5cm 136 0 xX 163 1 x 318 0mm at 14 5mm at 14 5mm 15 0x8 dcem 15 4x8 6cm 2136mm at 60mm at 60mm 5 35 X 6 42 x 12 83 in 136 0 x 163 1 x 326 0mm 0 70m 2 4 5 67 X 6 58 x 13 47 in 98 8 x 55 6cm 101 3 x 56 8cm 144 0 x 167 1 x 342 1mm at 30mm at 30mm 9 6 x 5 4cm 9 9 x 5 6cm at 300mm at 300mm 12 79 lb 0136mm 5 8kg 5 67 X 6 58 xX 13 78 in 144 0 x 167 1 350 1mm Canon EF Cinema Prime Lenses Angle Of View 1 531 1 78 1 36 0 x 24 0mm 24 6 x 13 8mm TOTOE 54 3 x 32 1 39 6 x 27 0 DHSS KM yf 23 9 x 1651 16 52 x 953 image sensor 1 5 1 1 78 1 Diameter WxHxL Object Dimensions at M O D M O D from Front Approx Size Approx Mass 36 0xX24 0mm 24 6x13 8mm 4 66 x 4 66 x 4 0 in 2 65 lb 0 30m 12 28 8 x 19 2cm 19 7x11 0cm 114mm Te ein Ga 1 2kg 4 66 X 4 66 x 4 0 in 2 43 b 0 45m 18 24 9 x 16 6cm 17 0x 9 5cm 0114mm Tis e184 x 100Smm 1 1kg 4 66x 4 66 x 4 0 in 2 87 b 0 95m 3 2 34 3 x 22 9cm 23 4x13 1cm 114mm 134x18 AA ah Gain 1 3kg Monitor unit O Tripod base TB 1 po Compact Power Adapter CA 940 e
21. ctor and Director of Photography of Max Is Back On the set of the short film Max Is Back shot exclusively with the Canon Cinema EOS system Te POST PRODUCTION UNLEAS HING THE VISION Compositing on the set of the short film XXIT shot exclusively with the Canon Cinema EOS system CINEMA EUS oi gt LEAVE NO STORY UNTOLD ost is where your vision becomes reality With the EOS C300 and EOS C300 PL your image files can accommodate just about anything post production can throw at them A unique CMOS sensor rivals 3 chip performance breaking out clean HD bandwidth RGB signals without the algorithmic distortions associated with a debayering process Canon s robust XF Codec supports HD 1920x1080 resolution harnessing MPEG 2 4 2 2 compression at 50 megabits per second All to realize the aesthetic look you seek Whether making rough cuts from clips recorded on one camera or integrating time coded shots from a number of synched cameras professionals are completely dependent on the image quality coming off the camera to achieve the final look they envisioned With NLE digital special effects and post production processes image files need to hold up to multiple changes and multiple saves multiple times The Canon EOS C300 and EOS C300 PL deliver incredibly high quality images with its full 4 2 2 XF Codec creating digital files robust enough for major post production
22. d Canon is committed to the future of the Cinema EOS system As it is the Cinema EOS system is just the beginning With more camera bodies lenses and accessories already in development Canon will prove the best is yet to come because better stories are always waiting to be told EOS C300 EOS C300 PL SPECIFICATIONS IMAGING SENSOR Effective Pixels 3840 x 2160 pixels Approx 8 29 megapixels Total Pixels 4206 x 2340 pixels Approx 9 84 megapixels Sensor Type CMOS single panel equivalent to Super 35mm Sensor Size 24 6 x 13 8 mm effective screen size 6 4 x 6 4 um pixel pitch Scanning System Progressive Number of Sensors 1 Filter RGB Primary Color Filter Bayer Array Imaging Processor DIGIC DV III LENS SYSTEM Interchangeable Lens System Choice of PL or EF mount camera bodies for compatibility with a wide variety of lens systems ND Filter Mechanical ND filter system with option of clear 2 stops 4 stops and 6 stops Iris Ring Iris Dial located on camera body for use with EOS EF Lenses with electronic Iris control Peripheral Illumination Correction Available on EOS C300 EF Mount only EXPOSURE AND METERING Exposure Modes Manual Manual Gain Normal Setting 6dB to 30dB ISO 320 to 20000 Shutter Modes OFF Speed Angle Slow Shutter Clear Scan Shutter Speed Range 59 94i 59 94p 1 60 to 1 2000 in 1 4 or 1 3 stops SLS 1 4 1 8 1 15 1 30 CS 59 94 Hz 250 70 Hz 29 97p 1 30 to 1 200
23. d Weight EOS C300 Approx 5 6 lb 2520g EOS C300 PL Approx 6 0 lb 2720g EOS C300 Approx 6 0 lb 2700g EOS C300 PL Approx 6 4 lb 2900 Weights for both models include the grip monitor unit BP 955 2x CF cards Weights for both models include the grip monitor unit Handle Unit BP 955 2x CF cards Temperature and Humidity Performance requirements 0 C to 40 C 85 relative humidity Operating requirements 5 C to 45 C 60 relative humidity Language Support English Japanese Chinese German Spanish French Italian Polish Russian Time and Date Automatic Calendar range January 1st 2010 through December 31 2031 selectable in American Japanese and European Date formats World Clock World Clock support UTC time setting Setting range from 14 00 to 12 00 CANON EF CINEMA LENS SPECIFICATIONS Canon EF Cinema Zoom Lenses CN E14 5 60mm T2 6 LSP 14 5 60mm 4 1x CN E14 5 60mm T2 6LS CN E30 300mm 12 95 3 7 ESP Max Relative Aperture T Number 1 2 6 at 14 5 60mm 112 65 ait 30 300mm 10x 30 240mm CN E30 300mm 12 95 3 7 ES CN E24mm 11 5 LF EF CN E50mm 11 3 LF EF CN E85mm 11 3 LF EF ak AN HAT Thumb rest TZ Wooo A S Pe R T Battery Charger CG 940 1 3 7 at 300mm Max Relative Aperture T Number iil 5 Battery Pack BP 955 Angle Of View 1 78 1 1 78 1 24 6X13 8mm 24 0x13 5mm 79 2 x 49 9 HEP 8 7 3
24. ds Cinematographers production companies film schools and other industry professionals can take advantage of optional service programs tailored for their specialized needs Service partnerships for full service dealers as well as rental houses are also available providing additional flexibility to Canon s industry partners We tailor our custom training packages to the needs of your specific production with expert staff available to deliver training at our new Hollywood Service Center or on location throughout the USA Whether you require expedited repair turnaround times loaner equipment or equipment maintenance Canon has a program to keep your business and equipment up and running And we ll expand these service offerings as the Cinema EOS production community expands Unsurpassed Educational Resources Education is another cornerstone of Canon s commitment to professional cinematographers Whether online on your lot or as part of a destination activity Canon is here to provide you with the resources you need to stay current and keep your creative passion alive Canon Live Learning CLL a CANON A LIVE LEARNING usa canon com canonlivelearning seminars and workshops are conducted nationwide with classes taught by industry experts and Canon s renowned Explorers of Light staff Covering the gamut of still and cinematic topics from technique to gear selection to in depth system configuration CLL events offer pros and
25. e SD card DC IN socket plus MIC and XLR connectors CH1 amp CH2 when using the Canon Monitor Controller unit The camera also includes a dedicated connection port for the optional Canon Wireless File Transfer WFT E6A unit 0 i eH Perfect for Mixed Shoot Editing The tremendous dynamic range of the EOS C300 and EOS C300 PL with Canon Log gamma can be easily converted to industry standard 10 bit Cineon cin Log format which assures smooth integration with industry standard post workflow and finishing The EOS C300 s and EOS C300 PL s 24 00p mode matches the exact frame rates of film cameras so there s no need for time consuming frame rate conversion And you ll have plug ins for leading NLE systems from Adobe Apple Avid and Grass Valley Whether your entire production is digital or your EOS C300 and EOS C300 PL are used as an A B or C camera on a primarily film based shoot the integrity of your image and sound is assured through the editing process and beyond CF Card Slots and Terminals The EOS C300 and EOS C300 PL record to CF cards through dual slots and for both cost and reliability CF cards have no equal Easy to find anywhere your work takes you two reusable and hot swappable 32 GB CF cards let you record up to 2 hours of 4 2 2 footage at 50Mbps The EOS C300 and EOS C300 PL can even record to two CF cards simultaneously or relay record a
26. e code In Out Yes BNC Connector Input and Output Genlock Yes BNC Connector Adjustment range 1023 to 1023 Synch Out Yes BNC Connector HD tri level signal HD Sync HD Y signals HD Y Black Burst signal Composite HDMI Yes Type A Audio Input Terminal 2 Balanced 3 pin XLR Mic Level Mic Level with phantom power and Line Level 3 5mm Microphone terminal Headphone Jack Available 3 5mm stereo mini jack Remote Terminal Available Fully LANC Compatible POWER Power Terminal DC in on camera no need for Dummy Battery Battery BP 9 Series Compact Power Adapter CA 940 ACCESSORIES Tripod Adapter Canon TA 100 Tripod Adapter Base Canon TB 1 Wi Fi Adapter Canon WFT E6A OTHER Dimensions W x H x D EOS C300 Body plus Thumb Rest Approx 5 2 x 7 0 x 6 7 in 133 x 179 x 171mm EOS C300 Body plus Grip Approx 6 9 x 7 0 x 6 7 in 174 x 179 x 171mm EOS C300 PL Body plus Thumb Rest Approx 5 2 x 7 0 x 7 0 in 133 x 179 x 177mm EOS C300 PL Body plus Grip Approx 6 9 x 7 0 x 7 0 in 174 x 179 x 177mm The following is the same for both models EOS C300 Monitor Unit Approx 7 3 x 9 8 x 7 4 in 185 x 249 x 187mm EOS C300 Handle Unit Monitor Unit Approx 7 3 x 11 2 x 11 9 in 185 x 284 x 301mm Main Unit Weight EOS C300 Body Approx 3 2 lb 1430g EOS C300 PL Body Approx 3 6 lb 1630g Grip Approx 8 1 oz 230 g Handle Unit Approx 6 3 oz 180g Total Equippe
27. e with Canon s new EF Cinema lenses and legendary line of EF lenses as well as third party accessories the EOS C300 and EOS C300 PL are reliable in the studio and rugged on location no matter how far your assignment or imagination takes you A family of Canon EF and PL mount lenses designed specifically for cinematography applications including fast primes and wide tele zooms with the optical performance controls and usability you need And Canon Service Support and Education working right beside you when you need it With an established infrastructure to support and educate troubleshoot and repair to listen and to innovate Canon is set on a path to grow and evolve with the industry providing professionals with the tools and support they need to tell their stories E I grew up in the film era I think what has prevented most cinemato graphers from whole heartedly embracing the digital side has been that they dont feel that the digital technology has delivered everything they re used to on film believe we ve actually reached that point now We ve got something now that s a major league tool tha s available to virtually anyone who can get their hands on it This opens up the field to everyone everyone can have access to this camera which I think hopefully will lead to a renaissance of filmmaking MA HS A u RICHARD CRUDO A S C Producer Dire
28. ed States and or other countries Canon image ANYWARE 855 CINE EOS pro usa canon com Canon U S A Inc One Canon Plaza Lake Success NY 11042 U S A Canon Hollywood Professional Technology and Support Center 6060 Sunset Boulevard Los Angeles CA 90028 U S A Canon Canada Inc 6390 Dixie Road Mississauga Ontario L5T 1P7 Canada Canon Latin America Inc 703 Waterford Way Suite 400 Miami FL 33126 U S A Canon Mexicana S de R L de C V Blvd Manuel Avila Camacho No 138 Piso 17 Col Lomas de Chapultepec C P 11000 M xico D F M xico 0160W557 11 11 2011 CANON U S A INC PRINTED IN U S A
29. endently of Frame grab from the Sam Nicholson A S C technologies such as Ultra low Dispersion UD glass fluorite the lens aperture Shift movements slide the lens s optical axis film XXIT Shot with the EOS C300 and EF 8 15mm f 4L Fisheye USM and aspherical elements and Super Spectra Multi Coating along the plane of the image sensor enabling photographers Canon L series lenses have earned their place on the cameras of to correct or alter perspective to almost any angle and add serious photographers across the globe unimagined drama to a scene Fisheye and Fisheye Zoom Lenses Cinematographers may now expand their i A World of Creative Options boundaries with the extensive selection of over Super wide angle and special effects Compatibility your key to creativity productivity and profit advanced optical microelectronic and manufacturing technologies E E 7 0 milion 60 Canon EF EF S lenses a robust line with over photography captures each subject from a i The lenses you already own and trust The optical elements and Many lenses make use of Canon s advanced Peripheral Illumination POEUN ON PICU unique perspective The Canon EF 8 15mm f 4L Fisheye USM coatings that render every nuance of every scene The systems made Correction feature rendering beautiful pe is the world s first fisheye zoom lens to create circular images famous by generations of the world s finest still photographers consistent color and bright
30. enthusiasts alike the opportunity to sharpen their skills in immersive hands on settings Schedules are available at usa canon com canonlivelearning pita E i 3 E F m w CANON DIGITAL The Canon Digital Learning Center Canon s web based LEARNING CENTER education and knowledge portal for imaging professionals is learn usa canon com equally recognized for the depth of information available presented in a compelling format The comprehensive online resources include tutorials interviews QuickGuides and downloadable white papers and it continues to grow with additional information in support of Cinema EOS Comprehensive system FAQs technical articles by professional cinematographers interactive menu and button simulators footage tests tutorials sample videos behind the scenes and much more are available 24 7 anywhere in the world And the Canon Digital Learning Center is tablet friendly ensuring Canon s encyclopedic online resources are always accessible think of it as the anytime anywhere resource for professionals enabling them to hit the set running with the confidence and know how to make the most of the Cinema EOS system Learn more at learn usa canon com Commitment to the Future Needs change Technologies advance Professionals must keep abreast of evolving technologies to stay ahead of the competition Cinema EOS delivers a more comprehensive system right from the start an
31. fessionals and with Canon you can count ona proven creative partner Our service is world class Our support programs are customized to your needs And our educational commitment spans the range of live and online resources Dedicated Service for Professionals Professional SERVICEs SUPPORT This year the Canon Hollywood Professional Technology amp Support Center was established to bring Canon s world class service directly to the motion picture and television industries Located in the heart of Hollywood our new Service Center is staffed with expert technicians fully prepared to take care of your full Cinema EOS product line adjust cameras and lenses repair both cinema and still photography equipment and meet the needs of working professionals on tight deadlines With industry leading Ingoing Commitment to Service Support turnaround times and substantial service parts inventories we ll get you back in action fast If you re on location you can count on Canon s nationwide service centers for factory quality repairs and available 24 7 Call Center support And it s a two way relationship Canon not only makes certain our equipment is functioning perfectly but also uses your feedback and suggestions to help develop new and better products The Cinema EOS system itself is the direct result of that feedback Learn more at pro usa canon com support and Education Support Programs Customized for Your Nee
32. ffect Level Off Low Middle High Hue 0 31 Chroma Area 0 31 0 31 Y Level Select 0 31 Normal 1 Normal 2 Normal 3 Normal 4 Cine 1 Cine 2 Canon Log EOS Std Color Gain 50 Color Phase R G Matrix R B Matrix G R Matrix G B Matrix B R Matrix B G Matrix B Gain G Gain R Gain Correct A Area Select Phase Chroma Area Y Level A Area Revision Color Level Color Phase B Area Select Color Phase Chroma Area Y Level B Area Revision Setup LVL Color Level Color Phase Level Press 50 ON OFF 100 Clip ON OFF Black Balance Adjustment In ambient conditions that cause the black in the video signal to shift out of alignment the EOS C300 s and EOS C300 PL s black balance can be easily adjusted to bring it back A simple process with the lens cap on the camera black balance adjust ment is especially useful the first time you use the EOS C300 or EOS C300 PL when your camera has been on the shelf for an extended period when you ll be shooting in a wide range of temperatures or when the ISO sensitivity or gain settings have been changed Recording Modes With the realities of production in mind the EOS C300 and EOS C300 PL let you record in a number of different modes resolutions and frame rates You can shoot in both PAL and NTSC modes
33. n be controlled from up to 150 feet away over an 802 11 b g n a wireless network The WFT E6A lets you start and stop recording and also adjust focus white balance gain and other parameters as well as adjust the aperture of Canon EF lenses It also gives you input marking for metadata and offers a live view of the composition It even supports incorporating GPS information into the file metadata useful for general cinematic applications and essential for expedition filmmakers Canon mA Compact Modular Design The EOS C300 and EOS C300 PL are surprisingly small 5 24 x 6 73 x 7 05 and easily hand held at just over 3 lbs They have a bright 1 55 megapixel electronic viewfinder and come bundled with a removable combination 4 1 23 megapixel monitor and control panel They also have a rotatable and removable hand grip with a control dial and function buttons for hand held shooting in DSLR style or remove it and use the supplied thumb rest for completely stripped down shooting The EOS C300 and EOS C300 PL S have a manually operated built in Neutral Built in ND filter Density glass filter offering 2 4 and 6 Modular design With monitor unit lens only and handle Camera and With monitor unit With matte box follow focus and monitor unit stops of filtering Hand held or using a tripod on location or in the studio the EOS C300 and EOS C300 PL fit shooting situations
34. nd copy from one card to another For accurate file transfer and communication during multi camera shoots involving switchers VTRs and NLE systems with SDI inputs the EOS C300 and EOS C300 PL have profes sional GenLock Time Code HD SDI and Linear PCM audio recording terminals XF Codec Image Quality E CE A i T To create digital files robust enough for major post production the EOS C300 and EOS C300 PL deliver the highest image quality with its XF Codec the same codec used by Canon XF series professional camcorders With 4 2 2 color sampling EOS C300 and EOS C300 PL image files have double the vertical resolution of color components created with 4 2 0 color sampling minimizing jagged edges between red and blue and ensuring ample quality for chroma key compositing with green screens Thanks to the Canon XF Codec and the EOS C300 s and EOS C300 PL s superb resolution your color quality and cinematic look will hold up through post production and your result will match your expectations XF Codec Quality Chart These illustrations representa color image converted to RGB after which each component signal is converted to monochrome Since B Y and R Y signals lack a brightness component and only indicate saturation images produced from them look quite unnatural to the human eye To avoid confusion the illustrations are produced by conversion to monochrome and then for convenience conversion of saturation to
35. ness ii with a 180 angle of view on full frame DSLRs With its ability to All coming together in Cinema EOS to give professionals every across the entire image plane when P Fr z focus as close as 8 inches 0 2m the Canon EF 15mm f 2 8 opportunity to leave no story untold used with compatible cameras such l N E 7 Fisheye lens can realize exceptionally as the EOS C300 Their compatibility W H E Ten a i sharp images throughout its EF Lenses for Cinema EOS with the EF mount of the EOS C300 a By g E m 7 i broad focus range Perfected in Canon laboratories and proven in the field not only gives the Cinema EOS Canon s EF lenses incorporate a rare array of the world s most system access to the finest optics on the market it also opens up new creative possibilities with Canon specialty lenses including Tilt Shift Macro and Canon s amazing EF 8 15mm f 4L Fisheye USM zoom lens EOS C300 with EF 8 15mm f 4L Fisheye USM during filming of XXIT High Definition Exceptional Quality Technology but never for its own sake Always to simplify your shoot Increase your options Advance your art Accelerate your project turn time And lower costs The technology behind Canon s Cinema EOS system draws on everything we ve learned about digital image capture and every innovation that truly serves your creative effort Canon EOS C300 EF Mount and EOS C30
36. nter in Los Angeles evolving needs of the cinematography world compatibility with a wide range of accessories technology it is scalable for any project compatibility with virtually every cinema lens in your equipment before during and after Cinema EOS is ready to go to work One revolutionary EOS C300 camera in two and production tools Unrivaled versatility and affordable even for independent production today With seamless integration production With in depth telephone technical versions industry standard PL lens and limitless potential for growth This is the productions on shoestring budgets into existing workflows and sophisticated file support a national network of carefully selected Presenting the Canon Cinema EOS System mount or Canon s EF mount A family of Canon Cinema EOS system The EOS C300 and EOS C300 PL adhere delivery it makes post production easy And it s Canon dealers and rental houses numerous Canon EF Cinema lenses designed specifically Lightweight compact and stunningly to SMPTE HD production standards Its modular design and compatibility with existing web based resources frequent Canon Live for cinematography applications And Canon simple to operate the EOS C300 and MPEG 2 codec is also an international equipment helps keep a lid on bottom line costs Learning events and repairs completed at the S EF 7O 200mm 1 28 ULTRASONIC CAMERA OFFs gt a too MEDIA
37. onfigurable and customizable For instance when we do hand held work there s two ways that we set it up one is with an over the shoulder rig which is a little bit bigger and then when we get into compact spaces like inside cars and what not we break the rig in half and just use the chest piece ERIC ROIZMAN Camera operator on Max Is Back a 5 In Post Production Taking It to the Screen Digital Workflow but to most of us it s just called work Canon s Cinema EOS system works the way you do Integrates with file based standards Can match the exact frame rates of film cameras Offers plug ins for leading NLE programs And adds every essential professional facility slots terminals tools modes and adjustments Accommodating File Based Production The Cinema EOS system creates files in the internationally standardized Material eXchange Format MXF wrapping video and audio with metadata in a single file that maintains access to critical information throughout the production process The EOS C300 and EOS C300 PL record to inexpensive and easy to find 50 mbps Industry standard terminals CF cards in dual card slots giving you unlimited hot swappable storage on reliable solid state media And for industry standard peripherals the EOS C300 and EOS C300 PL have all the right terminals Remote 2 5mm Sync out BNC HDMI type A out GenLock BNC Time Code BNC HD SDI BNC Headphon
38. r motion picture production Whether you shoot with a Canon EOS C300 or EOS DSLR you will appreciate the compact and consistent lens design and your audience will love the results from the 11 blade aperture diaphragms fast t stops and proven Canon lens elements Additional lenses are already under development reflecting Canon s commitment to offer the broadest range of professional cinema lenses to meet your needs now and in the future EF Specialty Lenses Macro Lenses In revealing the finest detail and achieving extraordinary edge to edge accuracy at very shallow depth of field macro photography can be the ultimate test of optical performance Canon s superb lens line includes six ultra precise macro lenses and three screw on close up lenses Accompanied by the Life Size Converter EF and two Extension Tube accessories Canon s macro lens array provide valuable imaging options for the EOS C300 Ie Tilt Shift Lenses L Series Lenses Ae a ppa TS E Lenses incorporate tilt and shift Canon L series lenses a a movement capabilities to bring shooting are highly regarded by professionals advantages of technical view cameras to the EOS system Tilt who demand uncompromising optical performance in specialized movements alter the angle of the focal plane between the lens situations These specialty lenses incorporate innovative Canon and image sensor modifying depth of field indep
39. through Canon s supplied Easy Browser Software Developed in concert with companies like Adobe Apple Avid and Grass Valley Canon software High Speed Slo Mo Time Lapse and Stop Motion Beyond the advantages of file based recording the EOS C300 and EOS C300 PL offer you more creative possibilities in post plug ins give you simple lossless transfer You ll also have Windows Mac compatibility for cross platform versatility For professional editing or file management outside of NLE production By capturing fewer frames per second the EOS C300 programs Canon s Easy Browser software offers basic play and EOS C300 PL can transform normal action into intense back backup metadata management and much more ina high speed motion up to 60x By capturing more frames per second the EOS C300 and EOS C300 PL can slow down motion to 1 2 5x at 720p You can also program your EOS C300 and simple logical package that doesn t require extensive training EOS C300 PL to record a set number of frames at defined inter vals for amazing time lapse photography and its frame recording feature is perfect for stop frame animation Recording Frame Rate fps 1 30 fps NTSC 1 25 fps PAL 1920 x 1080 1440 x 1080 1 60 fps NTSC 1280 x 720 1 50 fps PAL Cinema is an art It s also a business Profits Budgets Deadlines Professionals want to know they re dealing with pro
40. updates High Image Quality for Post Production Benefits Whether showing dailies to producers or beginning the edit process professionals demand images of the highest quality pictures that look great and hold up during post production Canon developed the EOS C300 and EOS C300 PL sensor to capture images with a wide pixel pitch for detailed low noise blacks and impressive dynamic latitude even at higher sensitivities The EOS C300 and EOS C300 PL can also record different frame rates including 23 98 true 24 00 if you re also shooting with a film camera plus 25P 50i and 30P 60i Capturing high quality images ready for post the EOS C300 and EOS C300 PL benefit everyone involved in the cinematic process from capture to post Frame grab after color grading DARIMARC ls Wide Latitude Even in Low Light The EOS C300 and EOS C300 PL incorporate the first Canon CMOS sensor designed specifically for high frame rate mo tion pictures offering not only high resolution and shallow depth of field but also high sensitivity with low noise Working together Canon s Super 35mm sensor and DiG C DV III Image Processor achieve a remarkably high signal to noise ratio that lets you record with great detail and dynamic range even in minimal light A dark and stormy night With the EOS C300 and EOS C300 PL no problem You see things that you never saw before in the frame while shooting with the EOS C300 So suddenl
41. y youre thinking Wow I ve never seen the back kick off the filter but then again I ve never shot at 16000 either SAM NICHOLSON A S C Director of XXIT levels For sharp focus the EOS C300 and EOS C300 PL have two peaking modes and a magnified focus assist function An Camera b Sorstion Mo Out of the box and ready to go In action the Canon EOS C300 H all and EOS C300 PL may be today s most versatile and powerful Vie I Edge Monitor Focus Assist provides both a waveform representing the overall degree of focus and a red waveform that represents L amp Third Party el focus in three specific areas displayed on the camera s 4 LCD monitor It s all in the camera Rich Audio Controls When mounted to the EOS C300 or EOS C300 PL cameras the included control unit provides two XLR audio inputs with HD creative tool Every control you need exactly where you expect it to be Industry standard interfaces for Time Code Genlock HD SDI audio and wireless remote operational control Tilt viewfinder Even Pre Rec to buffer memory Ina 48V phantom power A 3 5mm package so compact you ll never want to put it down microphone terminal is also built in to the camera Audio is recorded Designed with Filmmakers in Mind uncompressed in 16 bit PCM format at 48 kHz for high fidelity sound Both XLR inputs as well as the mic
42. zed for different functions and are easy to operate from all angles The viewfinder tilts up toa convenient 60 angle The 4 control panel and 1 23 megapixel monitor rotates 135 left right or 270 down and can be mounted directly on the camera body or the handle unit Top behind from either side on either shoulder the EOS C300 and EOS C300 PL operate from any angle Pre Rec for Shooting in a Single Take For situations where there is no second take and action shoots when things can happen with little warning the EOS C300 s and EOS C300 PL s Pre Rec feature continually record approximately three seconds of full motion imaging to buffer memory When you press the record button these seconds are automatically added to the shot and you ll have a welcome margin of insurance to capture the unexpected ie l E a a r j GB ce EE Compatibility with Third Party Accessories AE iy td U Sgi Wi i h i N Cinema EOS is designed to fit seamlessly into your existing workflow Not only is the EOS C300 series compatible with an extraordinary range of PL and EF lenses it s also compatible with major third party shooting accessories like matte boxes flags and support rods geared control rings marking disks and knobs for follow focus You can step up to the Cinema EOS system and not worry leaving your favorite equipment behind What I like about the camera is that it is small enough to be c
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