Behringer 1202FX/1002FX DJ Equipment User Manual
Contents
1. 16 Where the MAINS plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable LEGAL DISCLAIMER TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED BEHRINGER IS PART OF THE MUSIC GROUP MUSIC GROUP COM ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS MUSIC GROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION PHOTOGRAPH OR STATEMENT CONTAINED HEREIN COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR REPRESENTATION THIS MANUAL IS COPYRIGHTED NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS ELECTRONIC OR MECHANICAL INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND FOR ANY PURPOSE WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSIC GROUP IP LTD ALL RIGHTS RESERVED 2012 MUSIC Group IP Ltd Trident Chambers Wickhams Cay P 0 Box 146 Road Town Tortola British Virgin Islands LIMITED WARRANTY 1 Warranty This limited warranty is valid only if you purchased the product from a MUSIC Group Authorized Reseller in the country of purchase A li2. Please mute your playback system before you activate the phantom power supply to prevent switch on thumps being directed to your loudspeakers Please also note the instructions in chapter 2 4 Main section LINE IN Each mono input also features a balanced line input on a connector Unbalanced devices mono connectors can also be connected to these inputs Please remember that you can only use either the microphone or the line input of a channel at any one time You can never use both simultaneously GAIN Use the GAIN control to adjust the input gain This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs The scale has 2 different value ranges the first value range 10 to 60 dB refers to the MIC input and shows the amplification for the signals fed in there 7 XENYX 1202FX 1002FX User Manual The second value range 10 to 40 dBu refers to the line input and shows its sensitivity The settings for equipment with standard line level signals 10 dBV or 4 dBu look like this While the GAIN control is turned all the way down connect your equipment Set the GAIN control to the external devices standard output level If that unit has an output signal level display it should show 0 dB during signal peaks For 4 dBu turn up GAIN slightly for 10 dBV a bit more Tweaking is done using the CLIP LED EQ All mono input channels include a 3
3. 8 QA Ene 8 2 5 Digital effects processor e 9 3 Applications cese crece eene rennen eene eene tena enuuns 10 3 1 Recording studio eere 10 3 2 Live Sound 11 CEMDICIELPIIe 12 4 1 Mains connection ssesneenserssensenssnsssussnernersnssnsennennsensens 12 4 2 Audio CONNECTIONS cssecsesecsseesssecssseessseeesseessneeesneeesseees 12 5 SPECIFICATIONS eorr erinnere eno one eno Sees nane voran E Then EE 13 Thank you Congratulations In purchasing our XENYX 1202FX 1002FX you have acquired amixing console whose small size belies its incredible versatility and audio performance The BEHRINGER XENYX mixing console offers you premium quality microphone preamplifiers with optional phantom power supply balanced line inputs and the ability to connect external effects processors Because of its extensive and carefully thought out routing possibilities your XENYX lends itself equally to both live and studio use behringer com 3 XENYX 1202FX 1002FX User Manual Important Safety Instructions EN CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION RISQUE D LECTROCUTION A NE PAS OUVRIR Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock Use only high quality professional speaker cables with Ya TS or twist locking plugs pre installed All other installation or modification should be performed o
4. If the control is turned all the way counterclockwise no effects signal is present in the sum signal of the mixing console The appendix contains an overview of all presets of the multi effects processor 10 XENYX 1202FX 1002FX User Manual ED 3 Applications 3 1 Recording studio UMX490 MIDI sound module cucowsc OOO coon ooon 9 9 9 O umso TL 0 LL ee o B lo O07 x E gt HPS3000 CD Player Digital Audio Workstation Electric guitar XENYX 1002FX Fig 3 1 The 1002FX in a recording studio Even though most of the tasks in a studio can nowadays be accomplished using a computer a mixing console remains an unavoidable piece of equipment that lets you effectively manage audio inputs and outputs microphone signals need to be pre amplified prior to being recorded and the quality of microphone sound is often worked on recording and playback signals must be routed to the appropriate connectors or integrated into the mix the volume of headphones and studio monitors needs to be adjusted and so on The extensively equipped main section of the XENYX mixing consoles provides concrete benefits to you
5. would be routed back to the computer and would be added to the recording This would not only be undesirable it would also create a feedback loop 11 XENYX 1202FX 1002FX User Manual 3 2 Live sound n ESI BX4500H HPS3000 E REV2496 LO am 000222200 UMX490 xoxo 0000 55505056 T550 O O O umso B1520 PRO m EP2000 4 LE pa SINN gt gt S BEES S ARS Soon 500000 Drum Computer MDX2600 GMX212 Im jm m B Electric guitar XENYX 1202FX CD Player Fig 3 2 Live application of the 1202FX This illustration shows a typical arrangement for a live setup Two vocal microphones and the line outputs of a guitar and a bass amplifier are connected to the mono channels of the 1202FX A keyboard and a drum computer are connected to the stereo channels The power amplifier in your sound system is connected to the main outputs equipment such as compressors equalizers or crossovers are located between the mixer and the amp in the signal path If you wish to makea live recording you can connect yo
6. dBV At 10 dBV home recording level the input is more sensitive requires less level to drive it than at 4 dBu studio level 8 XENYX 1202FX 1002FX User Manual 2 3 Connector array of the main section AENITAIOOSFR PREMIUM 10 INPUT 2 BUS MIXER XENYX MIC PREAMPS BRITISH EGS 24 BIT MULTI FK GOE LINE IN MON ee Le IN UNE 7 8 L IN cem behringer CTRLROOM OUT TEDDY OUT hie E IN 3 4 eo Fig 2 3 Connectors of the main section FX SEND The FX SEND connector outputs the signal you picked up from the individual channels using the FX controls You can connect this to the input of an external effects device in order to process the FX bus master signal Once an effects mix is created the processed signal can then be routed from the effects device outputs back into a stereo input Ifthe connected effects processor receives no input signal the FX SEND control is probably too low This also goes for the built in effects processor Adjust your external effects processor to 100 wet effects signal only because the effects signal is added to the main mix along with the dry channel signals Inthis instance the FX control of the channel being used as an effects return should be turned fully counterclockwise otherwise feedback problems can occur PHONES CTRL ROOM OUT The stereo PHONES connector at the top of the connector panel is where headphones are connected
7. granted To assure optimal protection of your XENYX during use or transport we recommend utilizing a carrying case Please always use the original packaging to avoid damage due to storage or shipping Never let unsupervised children play with the XENYX or with its packaging Please dispose of all packaging materials in an environmentally friendly fashion 1 3 2 Initial operation Be sure that there is enough space around the unit for cooling purposes and to avoid overheating please do not place your mixing console on high temperature equipment such as radiators or power amps Never connect the XENYX to the power supply unit when the latter is connected to the mains First connect the power supply unit to the console then connect the power supply unit to the mains Please make sure that all units have a proper ground connection For your own safety never remove or disable the ground conductor from the unit or on the AC power cord The unit should always be connected to a mains socket outlet with a protective earthing connection When installing the product ensure the appliance coupler or power cord is easily accessible for disconnecting the unit from mains 1 3 3 Online registration Please register your new BEHRINGER equipment right after your purchase by visiting http behringer com and read the terms and conditions of our warranty carefully Should your BEHRINGER product malfunction it is our intenti
8. submit a written repair order within 6 weeks after notification MUSIC Group will return the unit C 0 D with a separate invoice for freight and packing Such costs will also be invoiced separately when the buyer has sent in a written repair order MUSIC Group Authorized Resellers do not sell new products directly in online auctions Purchases made through an online auction are on a buyer beware basis Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction 5 Warranty transferability This limited warranty is extended exclusively to the original buyer customer of authorized reseller and is not transferable to anyone who may subsequently purchase this product No other person reseller etc shall be entitled to give any warranty promise on behalf of MUSIC Group 6 Claim for damage Subject only to the operation of mandatory applicable local laws MUSIC Group shall have no liability to the buyer under this warranty for any consequential or indirect loss or damage of any kind In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product 7 Limitation of liability This limited warranty is the complete and exclusive warranty between you and MUSIC Group It supersedes all other written or oral communications related to this product MUSIC Group p
9. DO sleeve 4 ring sleeve lt lt ground shield ring right signal tip left signal Fig 4 4 Stereo plug for headphones connection 13 XENYX 1202FX 1002FX User Manual 5 Specifications Audio Outputs Microphone Inputs FX Send Type XLR electronically balanced Type 14 TRS connector unbalanced discrete input circuit Impedance approx 1200 MIETEN DO E20 Max output level 22 dBu 0 0 source resistance 132 7 dB 137 dB A weighted Main Outputs 50 N source resistance 130 dB 133 9 dB A weighted Type Y4 TRS connector unbalanced 150 0 source resistance 127 1 dB 130 9 dB A weighted Impedance approx 1200 Frequency response lt 10 Hz 200 kHz 1 dB Max output level 422 dBu Gain range 10 to 60 dB Control Room Outputs Max input level 4 12 dBu Q 4 10 dB gain Type eT HS connector unbalanced Impedance approx 2 6 kQ balanced Impedance approx 1200 Signal to noise ratio 107 dB 111 dB A weighted 0 dBu In 22 dB gain Max output level 22 dBu Distortion THD N 0 005 0 003 A weighted Headphones Output Type 14 TRS connector unbalanced Line Input Type 4 TRS connector Max output level 19 dBu 150 Q 25 dBm electronically balanced Impedance approx 20 kQ balanced approx 10 kQ unbalanced Noise Gain range 10 to 40 dB Main mix 105 dB 108 dB A weighted Max inpu
10. In order to help you understand the links between the controls we have arranged them in groups according to their function If you need to know more about specific issues please visit our website at http behringer com Additional information and explanations about various music industry audio technology terminology can be found on individual product pages as well as in the glossary area of behringer com The block diagram supplied with the mixing console gives you an overview of the connections between the inputs and outputs as well as the associated switches and controls For the moment just try and trace the signal path from the microphone input to the FX SEND connector Don t be put off by the huge range of possibilities it s easier than you think If you look at the overview of the controls at the same time you ll be ableto quickly familiarize yourself with your mixing console and you ll soon be making the most of all its many possibilities 6 XENYX 1202FX 1002FX User Manual EN 1 3 Before you get started 1 3 1 Shipment Your mixing console was carefully packed in the factory to guarantee safe transport Nevertheless we recommend that you carefully examine the packaging and its contents for any signs of physical damage that may have occurred during transit Ifthe unit is damaged please do NOT return it to us but notify your dealer and the shipping company immediately otherwise claims for damage or replacement may not be
11. The unbalanced CTRL ROOM OUT connectors carry the summed effects and main mix signals as well as soloed channel signals The PHONES CONTROL ROOM control in the main section adjusts the level of both headphones and main monitor outputs MAIN OUT The MAIN OUT connectors are unbalanced mono connectors The main mix signal appears here at a level of 0 dBu The MAIN MIX fader adjusts the volume of these outputs Depending on how you wish to use your mixer and which gear you own you can connect the following equipment Live PA systems A stereo dynamics processor optional stereo equalizer optional and the stereo power amplifier for full range loudspeakers with passive crossovers If you wish to use multi way loudspeaker systems without an integrated crossover you have to use an active crossover and several power amplifiers Often limiters are already built into active crossovers e g BEHRINGER SUPER X PRO CX2310 and ULTRADRIVE PRO DCX2496 Active crossovers are implemented directly before the power amplifier and they divide the frequency range into several segments that are first amplified in the amplifiers and then passed on to the corresponding loudspeakers behringer com Recording For mastering using a stereo compressor such as the COMPOSER PRO XL MDX2600 can be recommended Use it to custom tailor the dynamic characteristics of your signal to the dynamic range of the recording equipment you are using The signal is in this
12. Wiring Connect your sound sources to the microphone line inputs of the mixing console Connect the master machine DAT minidisk recorder to the main outputs Your monitor speakers are connected to the control room outputs the headphones are connected to the headphone output Now connect the CD tape outputs to the sound card inputs on your DAW Digital Audio Workstation Connect the outputs of the sound card in your computer to the CD tape inputs behringer com Recording and playback Once in the mixing console the recording signal is pre amplified EQ ed and is then routed to the main bus Use the LEVEL control to adjust the recording signal level The overall level of the signal going to the computer is adjusted using the MAIN MIX fader To make sure that the signal is actually being recorded use either the phones bus or the control room bus to monitor not the main mix signal i e the output signal of the mixing console before the recording instead monitor the returns of the sound card that is connected to the CD tape inputs To this end press the CD TAPE TO CTRL switch and adjust the monitoring volume using the PHONES CONTROL ROOM control Doing so you can record additional tracks in addition to a signal already brought in so called overdubs Use the direct monitoring function of your DAW With this application the CD TAPE TO MIX switch should not be pressed otherwise the playback signal from the sound card output
13. band equalizer All bands provide boost or cut of up to 15 dB In the central position the equalizer is inactive The circuitry of the British EQs is based on the technology used in the best known top of the line consoles and providing a warm sound without any unwanted side effects The result are extremely musical equalizers which unlike simple equalizers cause no side effects such as phase shifting or bandwidth limitation even with extreme gain settings of 15 dB The upper HIGH and the lower band LOW are shelving filters that increase or decrease all frequencies above or below their cut off frequency The cut off frequencies of the upper and lower band are 12 kHz and 80 Hz respectively The mid band is configured as a peak filter with a center frequency of 2 5 kHz Unlike shelving filters the peak filter processes a frequency range that extends upwards and downwards around its middle frequency LOW CUT In addition the mono channels are equipped with a steep LOW CUT filter slope at 18 dB oct 3 dB at 75 Hz designed to eliminate unwanted low frequency signal components These can be noises created by hand held microphones subsonic noise or plosive sounds created by highly sensitive microphones FX FX sends enable you to feed signals via a variable control from one or more channels and sum these signals to a bus The bus appears at the console s FX send output and can be fed from there to an external effects device The return
14. be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more ofthe following measures e Reorient or relocate the receiving antenna e Increase the separation between the equipment and receiver e Connect the equipment into an outlet on a circuit different from that to which the receiver is connected e Consult the dealer or an experienced radio TV technician for help This device complies with Part 15 ofthe FCC rules Operation is subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undesired operation Important information Changes or modifications to the equipment not expressly approved by MUSIC Group can void the user s authority to use the equipment behringer com We Hear You EN behringer com behringer
15. ber to register your new BEHRINGER equipment right after your purchase at behringer com under Support and kindly read the terms and conditions of our limited warranty carefully Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently Thank you for your cooperation 3 Return materials authorization To obtain warranty service please contact the retailer from whom the equipment was purchased Should your MUSIC Group Authorized Reseller not be located in your vicinity you may contact the MUSIC Group Authorized Fulfiller for your country listed under 4 XENYX 1202FX 1002FX User Manual Support at behringer com If your country is not listed please check if your problem can be dealt with by our Online Support which may also be found under Support at behringer com Alternatively please submit an online warranty claim at behringer com BEFORE returning the product All inquiries must be accompanied by a description of the problem and the serial number of the product After verifying the product s warranty eligibility with the original sales receipt MUSIC Group will then issue a Return Materials Authorization RMA number Subsequently the product must be returned in its original shipping carton together with the return authorization number to the address indicated by MUSIC Group Shipments without freight prepaid will not be accepted 4 Warran
16. case passed on from the compressor into the recorder CD TAPE INPUT The CD TAPE INPUTs are used to bring an external signal source e g CD player tape deck etc into the console They can also be used as a standard stereo line input so the output of a second XENYX or BEHRINGER ULTRALINK PRO MX882 can be connected Alternatively the line or tape output of a hi fi amplifier with source selection switch could also be hooked up here allowing you to easily listen to additional sources e g cassette recorder minidisk player sound card etc TAPE OUTPUT These connections are laid out as RCA connectors and are wired parallel to MAIN OUT Connect the inputs of a computer sound card or a recorder here The output signal level is set up using the highly accurate MAIN MIX fader 2 4 Main section MAX MAIN MIX MAIN SECTION Fig 2 4 Control elements ofthe main section 48 V The red 48 V LED lights up when the phantom power is turned on Phantom power is required to operate condenser microphones and is activated using the 4 48 V switch located above the 48 V LED Connect microphones before you switch on the phantom power supply Please do not connect microphones to the mixer or the stagebox wallbox while the phantom power supply is switched on In addition the monitor PA loudspeakers should be muted before you activate the phantom power supply After switching on wait ap
17. d digital technology The microphone channels feature high end XENYX Mic Preamps that compare well with costly outboard preamps in terms of sound quality and dynamics and boast the following features e 130 dB dynamic range for an incredible amount of headroom e Abandwidth ranging from below 10 Hz to over 200 kHz for crystal clear reproduction of even the finest nuances e The extremely low noise and distortion free circuitry guarantees absolutely natural and transparent signal reproduction e They are perfectly matched to every conceivable microphone with up to 60 dB gain and 48 volt phantom power supply e They enable you to use the greatly extended dynamic range of your 24 bit 192 kHz HD recorder to the full thereby maintaining optimal audio quality British EQ The equalizers used for the XENYX Series are based on the legendary circuitry of top notch consoles made in Britain which are renowned throughout the world for their incredibly warm and musical sound character Even with extreme gain settings these equalizers ensure outstanding audio properties Multi effects processor Additionally your XENYX mixing console has an effects processor with 24 bit A D and D A converters included which gives you 100 presets producing first class reverb delay and modulation effects plus numerous multi effects in excellent audio quality AN Caution We should like to draw your attention to the fact that extreme volumes may dama
18. from the effects unit is then brought back into the console on the stereo channels Each FX send is mono and features up to 15 dB gain As the name suggests the FX sends of the XENYX mixing consoles are intended to drive effects devices reverb delay etc and are therefore configured post fader This means that the mix between dry signal and effect remains at the level determined by the channel s aux send irrespective of the channel fader setting If this were not the case the effects signal of the channel would remain audible even when the fader is lowered to zero With XENYX mixing consoles the channel fader is called LEVEL control In the 1202FX 1002FX the FX send is routed directly to the built in effects processor To make sure that the effects processor receives an input signal you shouldn t turn this control all the way to the left o PAN The PAN control determines the position of the channel signal within the stereo image This control features a constant power characteristic which means the signal is always maintained at a constant level irrespective of position in the stereo panorama LEVEL The LEVEL control determines the level of the channel signal in the main mix Attention Since the FX path for the effect processor is connected post fader the LEVEL control has to be turned up in order to get this channel s signal to the effects processor behringer com CLIP The CLIP LED s of the mono channels ill
19. ge your hearing and or your headphones or loudspeakers Turn the MAIN MIX control and PHONES control in the main section fully counterclockwise before you switch on the unit Always be careful to set appropriate volume levels 1 1 General mixing console functions A mixing console fulfils three main functions e Signal processing Preamplification Microphones convert sound waves into voltage that has to be amplified several fold then this voltage is turned into sound that is reproduced in a loudspeaker Because microphone capsules are very delicate in their construction output voltage is very low and therefore susceptible to interference Therefore mic signal voltage is amplified directly at the mixer input to a higher signal level that is less prone to interference This higher interference safe signal level has to be achieved through amplification using an amplifier of the highest quality in order to amplify the signal and add behringer com as little noise to it as possible The XENYX Mic Preamp performs this role beautifully leaving no traces of noise or sound coloration Interference that could take place at the preamplification level could affect signal quality and purity and would then be passed on to all other devices resulting in inaccurate sounding program during recording or playback Level setting Signals fed into the mixer using a DI box Direct Injection or the output of a sound card or a keyboard often have to be ad
20. ir 4 oS L3 Op NUI Red en m EN ULEEXI ere UD ao MIC MIC UNE EE zs M M d p Pod j OK he nes sce d Ce Yo aa OF DO Ma aa m iB 5 s 45 s 28 sen Gi XXISINT Y 2X 1202FX 1002FX Premium 12 10 Input 2 Bus Mixers with XENYX Mic Preamps British EQs and Multi FX Processor N behringer behringer com 2 XENYX 1202FX 1002FX User Manual KD Table of Contents Thank you 2 Important Safety Instructions eere 3 Legal Disclaimer cursurs0usonnsnsonnsnnsonsnnnsonsonnsonsonnennnnne 3 Limited Warranty 4 eere eere eene e seen een ernannt nana tnue 3 1 Introduction Lees e eese eee eene seen eene eene tn seen enata 5 11 General mixing console functions 5 1 2 The user s manual e eeseeettennttennns 5 1 3 Before you get started 6 1 3 1 ShipMment usa aussen 6 1 3 2 Initial operation 6 1 3 3 Online registration eee 6 2 Control Elements and Connectors 6 2 1 Mono channels eese 6 2 2 Stereo channels e eeeeeettenttttnos 7 2 3 Connector array of the main section
21. justed to the operating level of your mixing console Frequency response correction Using the equalizers found in each channel strip you can simply quickly and effectively adjust the way a signal sounds e Signal distribution Individual processed signals from the channel strips are compiled on busses and are fed into the main section for further processing Connections for recording equipment power amplifiers headphones as well as CD tape connectors are available here The mix is sent to the internal FX processors or external effects processors via aux sends and returns Similarly a mix can be created for the musicians on the stage monitor mix e Mix All other mixing console functions fall under this vital category Creating a mix means primarily adjusting the volume levels of individual instruments and voices to one another as well as giving them the appropriate weight within the overall frequency spectrum Likewise you ll have to sensibly spread individual voices across the stereo image of a signal At the end of this process adjusting the level ofthe entire mix to other equipment in the signal path is required e g recorder crossover amplifier The interface of BEHRINGER mixing consoles is optimized for these tasks enabling you to easily keep track of the signal path 1 2 The user s manual The user s manual is designed to give you both an overview of the controls as well as detailed information on how to use them
22. ng operation This is completely normal 4 2 Audio connections You will need a large number of cables for different applications The illustrations below show how the connectors should be wired Be sure to use only high grade cables Please use commercial RCA cables to connect the CD tape inputs and outputs You can of course also connect unbalanced equipment to the balanced inputs outputs To do this use either mono plugs or stereo plugs with the ring and sleeve bridged pins 1 and 3 in the case of XLR connectors Caution Never use unbalanced XLR connectors PIN 1 and 3 connected on the MIC input connectors when using the phantom power supply Balanced use with XLR connectors input 1 ground shield 2 hot ve 3 cold ve output For unbalanced use pin 1 and pin 3 have to be bridged Fig 4 1 XLR connections Unbalanced 1 4 TS connector strain relief clamp 4 sleeve UU tip Fig 4 2 4 mono plug behringer com Balanced 1 4 TRS connector strain relief clamp sleeve ground shield ring cold ve d i 4 hot ve For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at the stereo plug Fig 4 3 W stereo plug Ya TRS headphones connector 4 strain relief clamp
23. nly by qualified personnel This symbol wherever it appears alerts you to the presence of uninsulated dangerous voltage inside the enclosure voltage that may be sufficient to constitute a risk of shock This symbol wherever it appears alerts you to important operating and maintenance instructions in the accompanying literature Please read the manual Caution To reduce the risk of electric shock do not remove the top cover or the rear section No user serviceable parts inside Refer servicing to qualified personnel Caution To reduce the risk of fire or electric shock do not expose this appliance to rain and moisture The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids such as vases shall be placed on the apparatus Caution These service instructions are for use by qualified service personnel only To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions Repairs have to be performed by qualified service personnel Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water Clean only with dry cloth MSS W N Do not block any ventilation openings Install in accordance with the manufacturer instructions 8 Donot install near any heat sources such as radiators heat registers stoves or other apparat
24. on to have it repaired as quickly as possible To arrange for warranty service please contact the BEHRINGER retailer from whom the equipment was purchased Should your BEHRINGER dealer not be located in your vicinity you may directly contact one of our subsidiaries Corresponding contact information is included in the original equipment packaging Global Contact Information European Contact Information Should your country not be listed please contact the distributor nearest you A list of distributors can be found in the support area of our website http behringer com Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently Thank you for your cooperation behringer com 2 Control Elements and Connectors This chapter describes the various control elements of your mixing console All controls switches and connectors will be discussed in detail 2 1 Mono channels C 4 j E z m amp 2 8 E E B B HIGH 12 kHz a a E a a B z g i 8 a 8 L R 2e M Fig 2 1 Connectors and controls on the mono channels MIC Each mono input channel offers a balanced microphone input via the XLR connector and also features switchable 48 V phantom power supply for condenser microphones The XENYX preamps provide undistorted and noise free gain as is typically known only from costly outboard preamps
25. ording level of 0 dB is recommended for all signal types MAIN MIX Use the MAIN MIX fader to adjust the volume of the main out PHONES CONTROL ROOM Use the PHONES CONTROL ROOM control to adjust the signal level of the CONTROL ROOM and PHONES outputs CD TAPE TO MIX When the CD TAPE TO MIX switch is pressed the CD tape input is assigned to the main mix providing an additional input for tape machines MIDI instruments or other signal sources that do not require any processing CD TAPE TO CTRL Press the CD TAPE TO CTRL switch if you want to monitor the CD tape input via the CTRL ROOM and PHONES outputs A typical studio application of this function is recording music into a digital audio workstation DAW with simultaneous reproduction see ch 3 1 Ifyou are recording a signal via the TAPE OUTPUT and wish to listen to this simultaneously via the CD TAPE INPUT do not use the CD TAPE TO MIX switch Doing this would create a feedback loop since the signal would be routed via the main mix back to tape via the TAPE OUTPUT To monitor the CD TAPE INPUT use the CD TAPE TO CTRL switch to assign the tape signal to the monitor s or headphones This will avoid the tape signal being routed to the TAPE OUTPUT FX TO CONTROL If you want to monitor only the effects signal in your headphones or monitor speaker s press the FX TO CTRL switch Now the signal of the effects processor can be monitored alone and the main mix and or CD tape
26. prox one minute to allow for system stabilization Caution You must never use unbalanced XLR connectors PIN 1 and 3 connected on the MIC input connectors if you want to use the phantom power supply 9 XENYX 1202FX 1002FX User Manual POWER The blue POWER LED indicates that the console is powered on LEVEL INDICATOR The 4 segment display accurately displays the relevant signal level LEVEL SETTING To correctly set the gains of the channels first set the LEVEL controls of the input channels to their center positions Then use the GAIN controls to increase the input amplification until signal peaks show 0 dB on the level meter When recording to digital recorders the recorder s peak meter should not go into overload While analog recorders can be overloaded to some extent creating only a certain amount of distortion digital recorders distort quickly when overloaded In addition digital distortion is not only undesirable but also renders your recording completely useless When recording to an analog device the VU meters of the recording machine should reach approx 3 dB with low frequency signals e g kick drum Due to their inertia VU meters tend to display too low a signal level at frequencies above 1 kHz This is why for example a Hi Hat should only be driven as far as 10 dB Snare drums should be driven to approx 0 dB The CLIP LED s of your XENYX display the level virtually independent of frequency A rec
27. rovides no other warranties for this product 8 Other warranty rights and national law This limited warranty does not exclude or limit the buyer s statutory rights as a consumer in any way The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws This warranty does not detract from the seller s obligations in regard to any lack of conformity ofthe product and any hidden defect 8 9 Amendment Warranty service conditions are subject to change without notice For the latest warranty terms and conditions and additional information regarding MUSIC Group s limited warranty please see complete details online at behringer com MUSIC Group Macao Commercial Offshore Limited of Rue de Pequim No 202 A Macau Finance Centre 9 J Macau including all MUSIC Group companies 5 XENYX 1202FX 1002FX User Manual 1 Introduction The XENYX Series represents a milestone in the development of mixing console technology With the new XENYX microphone preamps including phantom power as an option balanced line inputs and a powerful effects section the mixing consoles in the XENYX Series are optimally equipped for live and studio applications Owing to state of the art circuitry your XENYX console produces a warm analog sound that is unrivalled With the addition of the latest digital technology these best in class consoles combine the advantages of both analog an
28. signal is no longer present on the phone and control room outputs behringer com 2 5 Digital effects processor Va A SERES e ER DLY Masa 20 58 PROGRAM PUSH Mop E ei 420 MULTI FX TO MAIN 80 89 Fig 2 5 Effects section 100 FIRST CLASS EFFECTS The XENYX 1202FX 1002FX features a built in digital stereo effects processor This effects processor offers a large number of standard effects such as Hall Chorus Flanger Delay and various combination effects Using the FX control you can feed signals into the effects processor The integrated effects module has the advantage of requiring no wiring This way the danger of creating ground loops or uneven signal levels is eliminated at the outset completely simplifying the handling SIGNAL and CLIP LED The SIGNAL LED on the effects module shows the presence of a signal whose level is high enough This LED should always be on However make sure that the clip LED lights up only sporadically If it is lit constantly you are overdriving the effects processor which leads to unpleasant distortion If this occurs turn the FX controls down somewhat PROGRAM The PROGRAM control has two functions by turning the PROGRAM control you dial the number of an effect The number ofthe preset you just dialed up blinks in the display To confirm your selection press the PROGRAM control the blinking stops FX TO MAIN The FX TO MAIN control feeds the effects signal into the main mix
29. st of authorized resellers can be found on BEHRINGER website behringer com under Where to Buy or you can contact the MUSIC Group office closest to you MUSIC Group warrants the mechanical and electronic components of this product to be free of defects in material and workmanship if used under normal operating conditions for a period of one 1 year from the original date of purchase see the Limited Warranty terms in 4 below unless a longer minimum warranty period is mandated by applicable local laws If the product shows any defects within the specified warranty period and that defect is not excluded under 4 MUSIC Group shall at its discretion either replace or repair the product using suitable new or reconditioned product or parts In case MUSIC Group decides to replace the entire product this limited warranty shall apply to the replacement product for the remaining initial warranty period i e one 1 year or otherwise applicable minimum warranty period from the date of purchase of the original product Upon validation of the warranty claim the repaired or replacement product will be returned to the user freight prepaid by MUSIC Group Warranty claims other than those indicated above are expressly excluded PLEASE RETAIN YOUR SALES RECEIPT IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE 2 Online registration Please do remem
30. t all channels on main mix channels 1 3 as far left as possible channels 2 4 as far right as possible Reference 6 dBu BEHRINGER is constantly striving to manintain the highest professional standards As a result of these efforts modifications may be made from time to time to existing products without prior notice Specifications and appearance may differ from those listed or illustrated behringer com 15 XENYX 1202FX 1002FX User Manual FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION FC BEHRINGER XENYX 1202FX 1002FX Responsible Party Name MUSIC Group Services US Inc Address 18912 North Creek Parkway Suite 200 Bothell WA 98011 USA Phone Fax No Phone 1 425 672 0816 Fax 1 425 673 7647 XENYX 1202FX 1002FX complies with the FCC rules as mentioned in the following paragraph This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to part 15 ofthe FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can
31. t level 20 dBu 0 dB Gain Channel a Fade Out Attenuation Crosstalk Attenuation Main mix 0 dB 34 dB 97 dB A weighted Channel fader co Mairi tader closed po Main Mix 0 dB 83 dB 85 dB A weighted Channel fader closed 88 dB Channel fader 0 dB FX Section Converter 24 bit Sigma Delta Microphone Input to Main Out Sampling rate 40 kHz 10 Hz 80 kHz 0 dB 1 dB Mains Voltage SUN TERME aoe USA Canada 120 V 60 Hz MXUL6 adapter Stereo Inputs Type 14 TRS connector electronically balanced Impedance approx 20 KQ bal 10 KQ unbal 4 dBu operating level approx 20 kQ bal 5 kQ unbal 10 dBV Max input level 422 dBu EQ Mono Channels Low 80 Hz 15 dB Mid 2 5 kHz 15 dB High 12 kHz 15 dB behringer com U K Australia 240 V 50 Hz MXUK6 adapter Europe 230 V 50 Hz MXEU6 adapter China Korea 220 V 50 Hz MXCN6 adapter Japan 100 V 60 Hz MXJP6 adapter Output 2x 14 8 V 2x 500 mA 14 XENYX 1202FX 1002FX User Manual Dimensions H x W x D 156x915 x 82 47 x 220 x 242 mm Weight Net approx 4 6 lbs 2 1 kg Dimensions H x W x D 156x 72 x 87 47 x 189 x 220 mm Weight Net approx 3 5 lbs 1 6 kg Measuring conditions 1 1KHzrel to 0 dBu 20 Hz 20 kHz line input main output unity gain 2 20Hz 20kHz measured at main output Channels 1 4 unity gain EQ fla
32. ty Exclusions This limited warranty does not cover consumable parts including but not limited to fuses and batteries Where applicable MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety 90 days from date of purchase This limited warranty does not cover the product if it has been electronically or mechanically modified in any way If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level in any country which is not the country for which the product was originally developed and manufactured this modification adaptation shall not be considered a defect in materials or workmanship This limited warranty does not cover any such modification adaptation regardless of whether it was carried out properly or not Under the terms of this limited warranty MUSIC Group shall not be held responsible for any cost resulting from such a modification adaptation This limited warranty covers only the product hardware It does not cover technical assistance for hardware or software usage and it does not cover any software products whether or not contained in the product Any such software is provided AS IS unless expressly provided for in any enclosed software limited warranty This limited warranty is invalid if the factory applied serial number has been altered or remo
33. uminate when the input signal is driven too high which could cause distortion If this happens use the GAIN control to reduce the preamp level until the LED does not light anymore 2 2 Stereo channels LINE IN 374 LINE IN 576 UNE IN 778 UNE IN 9710 MONO Mong L Mong L L Mono ik OR OR OR BAL Fig 2 2 Connectors and controls on the stereo channels LINE IN Each stereo channel has two balanced line level inputs on 4 connectors for left and right channels If only the connector marked L left is used the channel operates in mono The stereo channels are designed to handle typical line level signals Both inputs will also accept unbalanced connectors FX The FX send of the stereo channels functions similar to that of the mono channels However since the FX send bus is mono a mono sum is first taken from the stereo input before it is sent to the FX bus BAL The BAL ANCE control determines the levels of left and right input signals relative to each other before both signals are then routed to the main stereo mix bus Ifa channel is operated in mono via the left line input this control has the same function as the PAN control used in the mono channels LEVEL The LEVEL control determines the volume of the channel being sent to the main mix 4 10 The stereo inputs of the XENYX have an input sensitivity switch which selects between 4 dBu and 10
34. ur recording equipment in this case a minidisk recorder to the CD tape outputs A CD player that is playing during intermissions is connected via the CD tape inputs If you connect behringer com a recorder player combo e g a tape deck recorder the CD tape to Mix switch should not be pressed during a recording because this way the signal intended for recording would be directly re routed back to the mixing console and then back to the recorder this would cause a feedback loop as soon as you hit the record button A loud unpleasant even painful sound would result If you are using an external effects processor wired as shown in the illustration please make sure that the FX SEND control in channel 11 12 is turned all the way down counterclockwise to avoid creating a feedback loop 12 XENYX 1202FX 1002FX User Manual 4 Installation 4 1 Mains connection AC POWERIN Connect the power supply to the 3 pin mains connector on the rear of the console Use the AC adapter supplied to connect the console to the mains The adapter complies with all applicable safety standards Please use only the power supply unit provided with the console Never connect the XENYX to the power supply unit while the latter is connected to the mains First connect the console to the power supply unit then connect the power supply unit to the mains Please note that both the power supply unit and the mixing console heat up considerably duri
35. us including amplifiers that produce heat behringer com 9 Donot defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Use only attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the e manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid LA IX injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods oftime 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection
36. ved from the product Free inspections and maintenance repair work are expressly excluded from this limited warranty in particular if caused by improper handling of the product by the user This also applies to defects caused by normal wear and tear in particular of faders crossfaders potentiometers keys buttons guitar strings illuminants and similar parts 6 Damage defects caused by the following conditions are not covered by this limited warranty e improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals behringer com e connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used e damage defects caused by acts of God Nature accident fire flood etc or any other condition that is beyond the control of MUSIC Group Any repair or opening of the unit carried out by unauthorized personnel user included will void the limited warranty If an inspection of the product by MUSIC Group shows that the defect in question is not covered by the limited warranty the inspection costs are payable by the customer 3 Products which do not meet the terms of this limited warranty will be repaired exclusively at the buyer s expense MUSIC Group or its authorized service center will inform the buyer of any such circumstance If the buyer fails to
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