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VIRTUALIZER 3D FX2000 - American Musical Supply

1. Psycho Acoustics 39 Exciter 7 08 HZ 1 25 50 Off 50 40 Enhancer W1 0kHz 2 10 50 251Hz 1 40 41 Ultrabass 110 Hz 2596 97 Hz 2596 3 5096 10096 42 Stereo Imager 50 75 Space 1 dB 50 50 100 43 Ultra Wide 4096 75 101kHz 6dB 100 A4 Binauralizer 40 75 Speaker 6 dB 5 70 100 Filter EQ 45 Auto Filter 212 Hz 50 LP 24 38 136 ms 442 ms 100 46 LFO Filter 353 Hz 100 BP 12 1 50 0 38 Hz Tri 9096 4 Param EQ 0 dB 143kHz 2 24 0dB 143kHz 2 24 0 dB 48 Graph EQ 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB 0 dB Distortion Amp Simulation 49 Vocal Distortion 51 2596 0 106Hz 50 3 0 321Hz 100 50 Tube Distortion 26 106 Hz 197kHz 3 83kHz 2 8 dB 100 51 Guitar Amp 60 65 100 51 8 0 dB 100 52 Tri Fuzz 80 51 51 51 80 36 100 53 Speaker Simulation 5 0dB 1 43 kHz 2 24 100 54 Ring Modulator 0 39 Hz 25 179 Hz 2 kHz LFO 100 55 LoFi 7 2828Hz 20 4096 632 Hz 6 19kHz 100 Special FX 56 Vinylizer 45 0upm 75 70 60 25 25 100 57 Sampler Stop Stop 100 Frwd 0 05 5 085 50 58 Vocoder 25 0 24 ms 24 ms 100 59 Voice anceler 116 Hz 55 50 1dB 100 60 Resonator 0 4 Hz 40 298 Hz 80 LFO 100 Combination 61 Chorus amp Reverb 0 285Hz 100 19 8 ms 60 1 65 40 65 62 Flanger amp Reverb 0 509Hz 80 80 40 1 65 40 62 63 Leslie amp Reverb 5 6 Hz 90 50 30 105 40 80 64 Pitch amp
2. Subsequently the product must be returned in its original shipping carton together with the return authorization number to the address indicated by MUSIC Group 3 Shipments without freight prepaid will not be accepted 4 Warranty Exclusions This limited warranty does not cover consumable parts including but not limited to fuses and batteries Where applicable MUSIC Group warrants the valves or meters contained in the product to be free from defects in material and workmanship for a period of ninety 90 days from date of purchase 2 This limited warranty does not cover the product if it has been electronically or mechanically modified in any way If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a national or local level in any country which is not the country for which the product was originally developed and manufactured this modification adaptation shall not be considered a defect in materials or workmanship This limited warranty does not cover any such modification adaptation regardless of whether it was carried out properly or not Under the terms of this limited warranty MUSIC Group shall not be held responsible for any cost resulting from such a modification adaptation 3 This limited warranty covers only the product hardware It does not cover technical assistance for hardware or softwar
3. Connectors XLR and 14 TRS Voltage USA Canada 120 V 60 Hz Europe U K Australia 230 V 50 Hz RF filtered servo balanced input stage Japan 100 V 50 60 Hz Impedance 80 balanced General export model 120 230 V 50 60 Hz Nominal Operating Level 10 dBV or 4 dBu selectable Fuse 100 120 200 mA 250 V Max Input Level 15 dBu at 4 dBu nominal level 200 240V T 100mA L 250V 1 dBV at 10 dBV nominal level Power onsumption 15 Watts max Analog Outputs Mains Connection Standard IEC receptacle Connectors XLR and 4 TRS Type Electronically servo balanced output stage Dimensions HxWxD 134x19x8 Impedance 80 0 balanced K i 1 Max Output Level 15 dBu at 4 dBu nominal level E EE 1 dBV at 10 dBV nominal level Shipping Weight approx 6 4165 3 kg System 5 BEHRINGER is constantly striving to maintain the highest professional standards As a result of these efforts Bandwidth 20 Hz to 20 kHz 3 dB modifications may be made from time to time to existing products without prior notice Specifications and 4 appearance may differ from those listed or illustrated SNR 91 dB unweighted 20 Hz to 20 kHz THD 0 018 96 typ 4 dBu 1 kHz 0 dBu input gain 1 Crosstalk lt 76 dB Type 5 pin DIN socket IN OUT THRU Converters 24 bit Sigma Delta 64 128 times oversampling Sampling Rate 46 875 kHz Type 4 digit 14 segment alpha numeric LE
4. Tab 2 6 Functioning ofthe filter EQ effects parameters behringer com DISTOR 2 7 Distortion effects amp simulations VOCAL DISTORTION This effect is very hip when used on vocals and drum loops and is combined with a delay and flanger TUBE DISTORTION This effect simulates the sound of different tube types When an analog tube as found in a guitar amplifier is overamplified by raising the input signal e g of a guitar the original signal is mixed with the harmonic overtones With rising overmodulation also known as saturation of tubes the original signal is distorted and the sound is fresh and full This is a classic sound in rock music GUITAR AMP This effect simulates the sound characteristics of a complete guitar amplifier You can connect a guitar or bass after appropriate pre amplification directly to the VIRTUALIZER PRO and from there to a mixing console or recording device FUZZ This is a special guitar distortion type Jimi Hendrix was one of the first guitarists to recognize the appeal of this broadband transistor overmodulation The humming distortion of the FUZZ BOX has again become popular with alternative rock and grunge The VIRTUALIZER PRO s fuzz works in three different frequency bands SPEAKER SIMULATION The VIRTUALIZER PRO is able to simulate various types of speakers Typical guitar amplifying speakers as well as multimedia speakers are available You can also use a parametric
5. On Off 34 Kompr Lim x Ratio Threshold M Gain Limiter Thresh Attack Release On Off 35 Ultramizer X Density Range Speed Split Frequency Stereo FX Enhancer Freq Lo Hi Wide 36 Denoiser X LP Freq LP Depth LP Speed Gate Threshold Gate Hold Gate Response On Off 37 De Esser X Ratio Threshold M Gain Frequency Attack Release Lo Hi Wide 38 Wave Designer X Attack L Release L Attack R Release R Gain L Gain R On Off Tab 7 1 Overview of the individual parameters of effects types continued on next page behringer com 23 VIRIUALIZER 3D FX2000 User Manual Nr rue ta Edit E Stereo Psycho Acoustics 39 Exciter X Frequency Filter 0 Harmonics Timbre Harmon Kick Mix 40 Enhancer X Frequency Filter Q Process Bass Gain Bass Freq Bass Q Mix 41 Ultrabass X Subbass Freq Subbass Level Split Freq Harmon Lev Density Bass Level On Off 42 Stereo Imager X Spread MS Balance SpreadMode Gain Stereo Balance Mono Balance On off 43 Ultra Wide X Center Spread XoverFreq Gain On Off 44 Binauralizer X Center Space Spk Head Gain Spk Distance Speaker Compens On Off Filter EQ 45 Auto Filter X Base Freq Depth Type Resonance Attack Release Mix 46 IFOFilter X Base Freq Depth Type Resonance Speed Wave Mix 47 Param EQ X Gain 1 Freq 1 Q1 Gain 2 Freq 2 Q2 Gain 48 Graph EQ X 200 Hz 400 Hz 800 Hz 1 6 kHz 3 2 kH
6. 100 1 15 0 100 0 100 11 Gated Reverb 0 200 ms 1 105 0 100 0 100 0 60 dB 0 02 15 0 100 12 Reverse Reverb 0 200 ms 1 105 0 100 0 100 0 60 dB 0 02 15 0 100 Delay 13 Stereo Delay 0 5400 ms 0 99 ms 0 5400 ms 0 99 ms 0 100 0 100 0 100 14 Tape Echo 0 635 ms 0 635 ms 0 100 0 1 20 kHz 0 02 10kHz 0 1 10 kHz 0 100 15 Ping Pong 0 635 ms 0 635 ms 0 100 0 100 0 635 ms 0 635 ms 0 100 Modulation 16 Stereo Chorus 0 05 5 Hz 0 100 5 50 ms 0 45 90 180d Tri Sine 0 20 0 100 17 Analog Chorus 1 50 1 20 1 20 1 20 0 100 18 Vintage Chorus 1 50 1 20 1 20 0 20 0 100 19 Ultra Chorus 15 50 1 50 1 50 1 20 0 20 0 20 0 100 20 Stereo Flanger 0 05 5 Hz 0 100 0 100 1 10 ms 0 45 90 180d 0 5 20 kHz 0 100 21 Vintage Flanger 1 50 1 20 1 20 1 20 0 100 22 Jet Stream 1 50 1 20 1 20 1 20 0 100 23 Stereo Phaser 0 1 10 Hz 0 100 0 100 0 180d 1 2 3 Tri Sin Squ 0 100 24 Vintage Phaser 1 50 0 100 0 50 1 20 0 20 0 100 25 Dual Phaser 1 50 0 100 0 50 1 50 0 100 26 Rotary 1350 0 100 0 100 0 100 50 0 0 50 0 1 1 kHz 0 100 27 Pitch Shifter 12 12 50 50 c St 12 12 50 50 c 0ff 12 12 50 50 c 0 100 28 Vibrato 0 5 20 Hz 0 100 Sin Tri Opto 0 100 0 100 Sin Tri Opto 29
7. 100 BYP 100 42 Stereo Imager 0 100 0 100 Spread Space 6 6 dB 0 100 0 100 BYP 100 43 Ultra Wide 0 100 0 100 01 10kHz 12 12 dB BYP 100 44 Binauralizer 0 10096 0 100 Phones Speak 12 12 dB 0 18 25 100 BYP 100 Filter EQ LP12 24 45 Auto Filter 0 1 15 kHz 0 100 HP12 24 1 50 5 2000ms 5 2000ms 0 10096 BP12 24 LP12 24 um 46 LFO Filter Base Freq 0 100 HP 12 24 1 50 0 1 20 Hz le P UP o 100 BP12 24 SS 4 Param EQ 16 16 dB 0 2 10kHz 0 5 10 16 416dB 02 10kHz 05 10 16 16 dB 48 Graph EQ 16 16 dB 16 16dB 16 416dB 16 416dB 16 16dB 16 16dB Je 16 dB Distortion Amp Simulation 49 Vocal Distortion 1 100 0 100 0 05 15 0 100 12 3 005 2Hz _ 0 100 50 Tube Distortion 1 100 005 1kHz 1 15kHz 15 1kHz 12 3 16 16dB 0 100 51 Guitar Amp 1 100 1 100 1 100 1 100 1 8 16 16dB 0 100 52 Tri Fuzz 1 100 1 100 1 100 1 100 1 100 1 100 0 100 53 Speaker Simulation 1 8 16 16dB 0 2 10kHz 0 5 10 0 100 0 1 10 Hz mw 54 Ring Modulator 5 500 ms 0 100 0 1 10kHz 0 2 20 kHz diir 0 100 0 100 1 100 Hz RAND SIN 55 Lofi 24 6 20 04kHz 0 100 0 100 0 02 20kHz 04 20KHz 0 100 Special FX 56 Vinylizer 20 80 upm 0 100 0 100 0 100 0 50 0 50 0 100 57 Sampler Rec Stop Play Stop 25 400 e i 0 5045 004 508s 0 100 58 Vocoder
8. User Manual VIRTUALIZER 3D FX2000 High Performance 3D Multi Engine Effects Processor EX behringer com behringer 2 VIRTUALIZER 3D EX 2000 User Manual DIR Table of Contents Thank you 2 Important Safety Instructions 3 Legal Disclaimer eee eere creen eene tenete nnne 3 Limited Warranty cu sorsonssorsonennssonsonsnnnsnnsnnnsnnsanssnnsnnsnnne 3 Te IBRtrOduction e 5 2 Effects Algorithms 7 3 M usya yasyasusa sasa sasussvassawasssssssesasessss 14 4 Applications ccccccsssccssssscssssccsssscssssssssssscssscssees 18 5 Midi functions of the FX2000 20 6 Installation E 20 7 re 22 8 Specifications 29 Thank you In purchasing the BEHRINGER VIRTUALIZER PR0 you have acquired an extremely efficient multi effects processor that offers first class reverberation effects and a number of other algorithms The FX2000 has 71 new effects types and thanks to its logically structured user interface it can be used easily and intuitively behringer com 3 VIRTUALIZER 3D FX2000 User Manual Important Safety Instructions A A Terminals marked with this symbol carry electrical current of sufficient magnitude to constitute risk of electric shock Use only high qual
9. Delay Speed Depth Delay Delay Mix Delay Time Feedback Mix 69 anger amp Delay Speed Depth Feedback Delay Mix Delay Time Feedback Mix 70 Pitch amp Delay Semitones Cents Bandlimit Delay Mix Delay Time Feedback Mix 71 Tremolo amp Delay Speed Depth Auto Mod Delay Mix Delay Time Feedback Mix Tab 7 1 Overview of the individual parameters of effects types continuation behringer com 24 VIRTUALIZER 3D FX2000 User Manual EN 7 2 MIDI implementation MIDI Implementation Chart Function Transmitted Recognized Remarks Basic Default OFF 1 16 OFF 1 16 Channel Changed OFE1 16 OFR 1 16 memorized Default 1 2 3 4 1 2 3 4 Messages X X Altered X X Note Number True Voice Velocity Note ON X X Note OFF X X Key s X X After Touch d X X Pitch Bender X X Control 0 102 116 0 102 116 0 0 99 0 0 99 Progr Change True ti Ee System Exclusive 0 0 Song Pos X X System Common Song Sel X X Tune X X System Clock X X Real Time Commands X X Local ON OFF X X Aux Messages All notes OFF X X Active Sense X X Reset X X Notes 0 YES X NO Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO Tab 7 2 MIDI implementation chart Parameter Name Display Range Control Value Range Bank Select 1 001 100 U 001 100 0 0 ROM 1 RAM Algorithm Algorithm Name 102 0 70 Edit A Depe
10. Set the VIRTUALIZER PRO s MIDI channel to the same number and Switch program change receive mode on see chapter 3 6 1 If your MIDI foot controller can send MIDI controller data you can change parameters while playing For example you can change the effect from 096 to 10096 with the controller while playing Set controller No 116 to the Mix Internal function value 1 and increase the effect value 0 100 with controller No 111 In this way you can provide a guitar solo with chorus and delay before removing the effects for a dry rhythm sound You can even control the bypass function with your controller contr 113 value 0 OUT value 1 IN Bypassing the VIRTUALIZER PRO can be activated this way if you need an unprocessed signal These procedures are generally possible with all MIDI devices which are capable of transmitting controller commands like keyboards sequencers etc The FX2000 can also be used between the outputs of your keyboard and the inputs of your mixer If necessary adjust the operating level with the corresponding switch on the rear panel of the unit 20 VIRTUALIZER 3D CX 2000 User Manual 4 5 Using the VIRTUALIZER PRO in a MIDI setup Thanks to the integrated MIDI interface you can incorporate the FX2000 ina MIDI setup The VIRTUALIZER PRO can receive and send both program changes and controller changes Thus you can use program changes using MIDI with a sequencer or with any other MIDI device Connect the
11. Tremolo 0 5 20 Hz 0 100 Squ Sw Up 0 100 0 100 Sw Dw Sin Tri Opto 30 Auto Panning 0 5 20 Hz 0 100 Squ Sw Up 0 100 0 100 Sw Dw Dynamics 31 Compressor 1 25 100 60 0 dB 0 24 dB 0 6 50 200 ms 0 05 15 BYP 10096 32 Expander 1 25 100 60 0 dB 0 24 dB 0 6 50 200 ms 0 05 1s BYP 100 33 Gated Reverb 1 1000 ms 60 0 dB 5 200 ms 5 500 ms M 60 0 dB BYP 10096 34 Ana Kompr Lim 1 5 100 48 0 dB D 24 dB 24 0 dB 1 150 ms 50 977ms A BYP 100 35 Ultramizer 1 100 0 24 dB 1 100 0 05 10 kHz 0 100 2 5 15 kHz LO HI WD 36 Denoiser 0 04 20 kHz 0 100 1 1000 ms 60 0 dB 1 1000 ms 5 200 ms BYP 100 37 De Esser 1 5 100 48 0 dB 0 24 dB 0 5 15 kHz 1 150 ms 50 977 ms A LO WD Auto 24 Auto 24 38 Wave Designer 50 50 50 50 St 50 50 50 50 424 dB 424 dB BYP 10096 Tab 7 4 Parameter range of effects algorithms continued on next page behringer com 28 VIRTUALIZER 3D FX2000 User Manual Nr Edit C Psycho Acoustics 39 Exciter 1 10 kHz 1 20 0 100 0 100 On Off 0 100 40 Enhancer 2 12 1 20 0 100 0 100 50 500Hz 1 20 0 100 41 Ultrabass 80 150 Hz 0 100 30 250Hz 0 100 1 7 0
12. completed as described Let s assume you want to operate the FX2000 in a live situation in connection with a mixing console and use a chorus to enhance the guitar sound Connect the VIRTUALIZER PRO to the aux busses of your mixing console fig 4 1 Make the mains connection and set the operating level if necessary Switch on the unit In SETUP mode output select EXTN to ensure that the Mix External mode is activated Press the EFFECT key and use the JOG WHEEL to select the stereo chorus effect no 16 Turn up the aux busses slowly till you have mixed the desired effect with the guitar signal After this you can start fine tuning You will probably want to specify the chorus modulation Turn the 1st EDIT CONTROL to determine the speed of the modulation To adjust the modulation depth turn the 2nd Edit CONTROL Proceed further following this principle If you want the 1st EDIT CONTROL to change EDIT E you must first press the EDIT key After all the parameters have been changed as you wish you can store the modifications in the original or a different preset 4 3 Using the VIRTUALIZER PRO in the insert path Generally you can use the FX2000 on channel or subgroup inserts using a standard insert cable Connection to a channel insert makes sense when you want to process very specific signals e g vocals with the VIRTUALIZER PRO or when all other options for connecting the FX2000 are already used by other units For compress
13. ground shield 2 hot ve 3 cold ve output For unbalanced use pin 1 and pin 3 have to be bridged Fig 6 1 Different plug types behringer com 6 3 MIDI connections The MIDI connectors at the rear panel of the unit are equipped with internationally standardized 5 DIN sockets You ll need a MIDI cable to connect the VIRTUALIZER PRO with other MIDI devices As a rule standard ready to use cables can be used With a two core shielded cable e g microphone cable and two possible stable 180 deg DIN plugs you can also solder a MIDI cable yourself Pin 2 middle shield pin 4and 5 right and left of pin 2 Inner conductor Pin 1 and 3 both lying outside remain free MIDI cables should not be longer than 15 meters MIDI IN is used for receiving MIDI data The receiving channel is selected in the SETUP menu MIDI THRU At the MIDI THRU socket the MIDI data that arrive at the MIDI IN socket can be looped through Several VIRTUALIZER PROs can be linked using MIDI THRU sockets MIDI OUT Via MIDI OUT you can send data to a connected computer or to other VIRTUALIZER PROs Program data and status information are transmitted for signal processing 6 4 Selecting the operating level The BEHRINGER VIRTUALIZER PRO allows you to switch the internal operating level with the OPERATING LEVEL switches on the rear panel of the unit Thus you can choose between the homerecording level 10 dBV and the profession
14. 0 10096 0 10096 5 200 ms 5 200 ms 0 100 59 Voice Canceler 0 02 1 kHz 0 100 0 100 6 6 dB BYP 100 0 1 10 Hz 60 Resonator 5 500 ms 0 100 02 10kHz 100 100 LFO ENV RAND 0 100 0 100 1 100 Hz Combination 61 Chorus amp Reverb 0 05 5 2 0 100 5 50ms 0 100 0 5 55 0 100 0 100 62 Flanger amp Reverb 0 05 5 Hz 0 100 80 80 0 100 0 5 55 0 10096 0 100 63 Leslie amp Reverb 1 10Hz 0 100 0 100 0 100 0 5 55 0 100 0 100 64 Pitch amp Reverb 200 50 50 0 100 0 100 0 5 55 0 100 0 100 65 Delay amp Reverb 30 665 ms 0 100 Mo St PP Tp 0 100 0 5 55 0 100 0 100 66 Tremolo amp Reverb 1 10 Hz 0 100 0 100 0 100 0 5 55 0 100 0 10096 67 Phaser amp Reverb 0 05 5 Hz 0 100 200 100 0 100 0 5 55 0 100 0 100 68 Chorus amp Delay 0 05 5 Hz 0 100 5 50ms 0 100 30 665ms 0 100 0 100 69 Flanger amp Delay 0 05 5 2 0 100 80 80 _ 0 100 30 665ms 0 100 0 100 70 Pitch amp Delay 4 40 50 50 0 100 0 100 30 665ms 0 100 0 100 71 Tremolo amp Delay 0 05 20Hz 0 100 0 100 0 100 30 665ms 0 100 0 100 Tab 7 4 Parameter range of effects algorithms continuation behrin ger com 29 VIRTUALIZER 3D FX2000 User Manual 8 Specifications Analog Inputs Power Supply
15. 11 12 PREDELAY FILTER REVERB SEC R R IN OUT L DELAY_L L EN d ea 4 7 R DELAY_R R IN OUT L gt DELAY_L gt L 14 a eee LP HP lt eae ear LP HP TT R DELAY K R IN OUT L DELAY L L 15 Mer FEEDBACK DELL lt FEEDBACK DEL R 4 R DELAY_R gt R IN OUT L L 17 19 21 24 26 n R R Fig 3 1 Effects structure part 1 behringer com 15 VIRTUALIZER 3D CX 2000 User Manual Algorithm No Effects structure IN OUT 16 20 22 23 25 L EFFECT_L L 28 30 38 40 45 48 50 53 54 57 60 R EFFECT_R R IN OUT L PITCH_1 M L I 27 PITCH_2 X E R PITCH 3 R R IN OUT L y L 31 34 K SEA DYNAMICS R a gt gt R IN OUT L gt L L E HP N L X U o 35 Ki 1 A M DYNAMICS Dynamics I d I HP gt gt E R R gt LP L R IN OUT L FILTER L G 36
16. Dea T R I x gt C Parallel OUT IN m EQ L L MOD T DELAY X gt EQ R bebe Geck a R REV DELAY x kb es Mix ist hierbei der Parameter Reverb Delay Mix der das Lautst rkeverh ltnis der beiden Effekte regelt Dies hat nichts zu tun mit dem globalen Effekt Wet Dry Mix Fig 3 3 Effects structure part 3 behringer com 17 VIRTUALIZER 3D CX 2000 User Manual 3 2 Calling up presets The VIRTUALIZER PRO has 100 internal presets and 100 user presets that can be overwritten The two memory banks are located one after another The internal presets 1 000 1 100 come first and the user presets U 000 U 100 follow After switching on the unit the last used preset is automatically restored To choose a different preset press the PRESET key then rotate the JOG WHEEL To see the presets in ascending order rotate the wheel clockwise To see the presets in descending order rotate it counterclockwise Please note that it takes the VIRTUALIZER PRO about one second to activate each newly selected preset The activation process is indicated by a blinking light on the display After the new effect s data is loaded the VIRTUALIZER PRO activates the preset and the light fades This brief signal suppression means that during quick selection of presets with the JOG WHEEL not every preset is activated directly Otherwise there could be partial shreds of various
17. Reverb 2 0 0 50 1 65 40 100 65 Delay amp Reverb 220 ms 50 Ster 55 1 65 40 50 66 Tremolo amp Reverb 3 97 Hz 100 10 40 1 65 40 80 67 Phaser amp Reverb 0 318Hz 100 100 40 1 05 40 50 68 Chorus amp Delay 0 318Hz 100 17 8 ms 30 350 ms 40 65 69 Flanger amp Delay 0 318Hz 80 80 30 350 ms 40 70 70 Pitch amp Delay 4 0 0 30 350 ms 40 65 71 Tremolo amp Delay 0 73 Hz 95 25 15 190 ms 40 75 Tab 7 3 Parameter default settings of effects algorithms continuation behringer com 27 VIRTUALIZER 3D FX2000 User Manual 7 4 Parameter range of effects algorithms Nr Reverb 1 Cathedral 0 200 ms 2 0 8 05 0 100 10 10 0 100 1 20 0 100 2 Gold Plate 0 200 ms 12 465 0 100 1 50 0 100 1 20 0 100 3 Small Hall 0 50 ms 50 380 ms 0 100 1 50 0 100 20 400 Hz 0 100 4 Room 0 100 ms 1 0 2 25 0 100 1 50 0 100 1 20 0 100 5 Concert 0 200 ms 1 0 5 05 0 100 10 10 0 100 1 20 0 100 6 Studio 0 50 ms 01 1 05 0 100 20 400 Hz 0 30 dB 0 1 10 kHz 0 100 7 Stage 0 100 ms 0 6 3 05 0 100 1 50 15 0 0 5kHz 0 100 0 100 8 Spring Reverb 0 50 ms 0 8 2 05 0 100 0 100 0 50 1 20 0 100 9 Ambience 0 50 ms 100 640ms 1 20 1 50 0 30 dB 15 0 0 5kHz 0 100 10 Early Reflections 0 200 ms 1 50 0
18. STORE key starts to blink indicating that changes have been made 3 4 Storing programs To store changes to one of the 100 user presets as described in chapter 3 3 you use the STORE key All changes to the FX2000 s parameters can be stored when the STORE key s LED blinks For your changes to be accepted you must press the STORE key twice An example e You call up a program and make changes to it using the four EDIT CONTROLs and the MIX BYPASS CONTROL Each EDIT CONTROL controls two parameters that can be selected by pressing the EDIT key During this process the STORE key blinks indicating that the preset s settings have been changed However your changes are not yet stored If you want to overwrite the original preset simply press the STORE key twice to store your changes If you wish to retain the original preset press the STORE key once The display shows the current preset number and starts blinking Use the Jog Wheel to select another preset which you will overwrite Press the STORE key again and your changes are stored in the selected preset 0 If there is no input for about five seconds after pressing the STORE key the unit goes back to edit mode behringer com Ifyou make changes in a preset and press the STORE key twice all of the preset s original settings are overwritten and your new parameters are stored If you want to retain the old preset you must select another preset using the JOG WHEEL before pressin
19. a high signal resolution for a frequency response of 20 Hz to 20 kHz e 24 bit processor features dual engine software these two sections process audio input independently e As for all BEHRINGER products the highest quality components and controls are used 0 The following instructions will give you a brief run down on the terminology and functions of the VIRTUALIZER PRO After reading please store this manual in a safe place for future reference 1 1 The concept BEHRINGER uses an uncompromising selection of components The heart of the BEHRINGER VIRTUALIZER PRO is a 24 bit DSP which due to its exceptional technical specifications is regarded as one of the finest building blocks With it come the first class 24 bit A D D A converters guaranteeing a precise conversion of audio signals Narrow range tolerance resistances and capacitors high grade switches and other selected components are all very high in quality The VIRTUALIZER PRO was manufactured on the basis of SMD technology Surface Mounted Device The use of sub miniature building blocks known from space flights allows not only an extreme packing density but also ensures an increased dependability The FX2000 was manufactured under IS09000 certified management system behringer com 1 2 Before you get started The VIRTUALIZER PRO was carefully packed in the factory to ensure safe transport Nevertheless if the box shows signs of damage please check the equip
20. been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped 15 The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection 16 Where the MAINS plug or an appliance coupler is used as the disconnect device the disconnect device shall remain readily operable Limited Warranty 1 Warranty This limited warranty is valid only if you purchased the product from a BEHRINGER authorized dealer in the country of purchase A list of authorized dealers can be found on BEHRINGER website behringer com under Where to Buy or you can contact the BEHRINGER office closest to you M MUSIC Group warrants the mechanical and electronic components of this product to be free of defects in material and workmanship if used under normal operating conditions for a period of one 1 year from the original date of purchase see the Limited Warranty terms in 4 below unless a longer minimum warranty period is mandated by applicable local laws If the product shows any defects within the specified warranty period and that defect is not excluded under 4 MUSIC Group shall at its discretion either replace or repair the product using suitable new or reconditioned product or parts In case MUSIC Group decides to replace the entire product this limited warranty shall apply to the replacement
21. controller 112 is ignored CAUTION The Store Enable mode is aimed to transfer several presets at once from an external PCto the VIRTUALIZER PRO see also chapter 5 1 In this mode you can very easily overwrite your program locations by unintentionally sending controller 112 values to the FX2000 Therefore we strongly recommend to switch off this mode immediately after use When the FX2000 is switched on this mode is automatically set to off OFF DUMP Select the System Exclusive mode SysEx using the sixth page In this mode the FX2000 is ready to dump its complete storage content including all settings to a MIDI sequencer Start your MIDI sequencer and turn the JOG WHEEL The data transfer is indicated by GO DREN In this mode the FX2000 can receive SysEx data from another MIDI device To load this data turn the JOG WHEEL slightly so that the DISPLAY blinks Start your sequencer and all of your settings including preset parameter settings are received by your VIRTUALIZER PRO Data transfer is interrupted by turning the JOG WHEEL slightly so that appears in the display During a SysEx data transfer all audio functions of the VIRTUALIZER PRO are inactive 3 6 2 INPUT mode With the help of the 2nd EDIT CONTROL you can specify whether your FX2000 works as a mono MONO or a stereo unit STER In mono mode input 1 is used exclusively Since the VIRTUALIZER PRO is a real True
22. equalizer to further refine the sound RING MODULATOR This effect allows a radical alienation of audio signals Similar to the principle of FM radio the signal is multiplied by a carrier frequency so that frequency modulation FM takes place This effect is very well suited for vocal alienation robot voice LO FI For years digital technique has been striving for high quality low noise and brilliant sounds In the recent past there have been increasing calls for a return to the roots to achieve the warmth of the old analog sounds The techno dance group swears by vinyl and some music lovers miss the charm of good old vinyl discs and tape machines This trend is known as Lo Fi instead of Hi Fi We have taken this tendency into account and included the relevant effect in the FX2000 Your recordings sound like 8 bit audio complete with noise and humming like the old days A true drum loop in TR808 TR909 style really gets going when it sounds thick and dusty 12 VIRTUALIZER 3D EX 2000 User Manual Gain Volume Distortion Distortion Drive Degree of tube distortion Tube Distortion amp Guitar Amp distortion at the output circuitry Tri Fuzz Nature of vocal distortion Vocal Distortion Type selection of eight different loudspeakers Speaker Simulation Delay Length of delay Delay Level Degree of delay Flanger Level Degree of flanger Flanger Speed Speed of flanger Pre HP Frequency of
23. groups 6 TI s 5 Fig 1 3 Function keys controls and jog wheel Every preset in the FX2000 allows you to edit at least four effect parameters The EDIT LED CHAIN indicates which parameters are adjusted by the four EDIT CONTROLs If the top LED lights up 6 controls the parameter EDIT A 7 controls EDIT 8 helps in changes of parameter EDIT C and with you change the setting of parameter EDIT D If the middle LED of the EDIT LED CHAIN lights up the four EDIT CONTROLs modify the parameters that are arranged to its left and right The lower LED functions correspondingly behringer com For the exact meaning of the individual effect parameters see chapter 7 1 With the 1st EDIT CONTROL non intermittent rotary control you change the values of the first EDIT A and fifth EDIT E effect parameters You can also select MIDI functions MIDI with the 1st EDIT CONTROL Press the EDIT key switch from EDIT to EDIT E and vice versa You reach the MIDI function by pressing the SETUP key 19 The 2nd EDIT CONTROL allows you to modify the values of effect parameters EDIT B and EDIT F When you select the INPUT parameter with the help of the SETUP key you can specify whether the FX2000 functions mono or stereo mode see chapter 3 6 2 for more information The 3rd EDIT CONTROL modifies the values of ef
24. new kinds of algorithms for virtual acoustics These algorithms will help you calculate all room and reverberation parameters with absolutely professional quality and naturalness In spite of this extensive and calculation intensive work performed by the 24 bit processor in the FX2000 the VIRTUALIZER PRO is very easy to handle Changing parameters to achieve a specific sound is simple There are 100 presets available to store your own programs The FX2000 includes excellent reverb and delay programs but that s not all Besides the classic plate reverb simulations the VIRTUALIZER PRO will impress you with its excellent modulation effects like chorus flanger and phaser which were extended to include special variations like a musical pitch shifter a tremolo and a rotary speaker simulation The FX2000 s dynamic and psycho acoustic effects allow you to do without a number of additional pieces of equipment The FX2000 also offers you a series of distortion and amplification sounds that are combined with a speaker simulation Thus as a guitarist in recording situations you can achieve an excellent sound on tape or hard disk even without a speaker cabinet Besides its logical and simple operation the VIRTUALIZER PRO s technical equipment is also impressive The following points ensure signal processing at a professional level e Extremely low noise and exact 24 bit A D and D A converters Aprofessional sample rate of 46 kHz guarantees
25. passes the reverb effect behringer com 3 7 Restoring the factory presets To restore the FX2000 to its preset factory state press and hold the STORE and PRESET keys while switching on the unit INIT appears in the DISPLAY and counting takes place from R 1 to R 100 0 This overwrites all changes you have made and restores the factory presets 4 Applications The BEHRINGER VIRTUALIZER PRO is a flexible unit that can be used in various applications Prior to a presentation of the FX2000 s many uses please note the following remarks on how to set signal levels correctly 4 1 Level setting Take care to set all levels properly on the FX2000 Low levels deteriorate the dynamics of the music signal which results in a poor weak and noisy sound On the other hand excess levels overdriving the converters in the VIRTUALIZER PRO should also be avoided Digital distortion is unlike its analog counterpart extremely unpleasant since it does not occur gradually but abruptly Please use the OPERATING LEVEL switch and the input level meter of the FX2000 Make sure that the Clip LEDs flickers only rarely Ensure that they never light up all the time 4 2 Using the VIRTUALIZER PRO in the aux bus Using the FX2000 in the aux bus lets you feed signals from one several or all channels of your console into the VIRTUALIZER PRO When miking a drum kit for example you can use the aux controls to adjust the reverberation independently for eac
26. presets at the audio outputs of the FX2000 The VIRTUALIZER PRO gives you the security that unwanted programs are not loaded In addition you can quickly turn the JOG WHEEL and still have enough time to specifically select a preset without activating neighboring programs Please note that various effects algorithms may have different volume levels Reduce the volume of your monitors while selecting new presets to prevent sudden changes in volume 3 3 Editing programs edit mode Programs can be edited easily and quickly with the FX2000 The list on the right side of the LED DISPLAY gives you an overview of the effects algorithms that the VIRTUALIZER PRO can generate To select these basic algorithms press the EFFECT key and rotate the JOG WHEEL By turning the EDIT CONTROLs and the MIX BYPASS CONTROL you can extensively modify the sound of an effects program You select the EDIT CONTROL function using the EDIT key By repeatedly pressing the EDIT key you can for example specify whether parameter EDIT A or EDIT E will be changed with the 1st EDIT CONTROL currently illuminated LED indicates which parameters will be edited By modifying the EQ LO and EQ HI parameters you can put the final touch on an effect As soon as you start editing the LED of the PRESET or EFFECT key depending on whether you have already loaded one of the 200 presets or have selected one of the basic algorithms dies out Simultaneously the LED of the
27. the in series connected high pass filter PreLP Frequency of the in series connected low pass filter Bandlimit of distorted signal Tube Distortion Bandlimit or limitation of high frequency parts Ring Modulator amp Lo Fi Tube Selection Selects between three tube types ED aa EMS 2 8 Special effects VINYLIZER This effect adds clicks and or noise to your audio signal simulating old vinyl records and tape recorders SAMPLER This sampler allows you to record up to five seconds of program material Use Edit A for recording and Edit B for playback of the sampled material clear the contents of the sampler select a different effect VOCODER The vocoder an old acquaintance has become popular again due to the disco renaissance hear it in Around the World by Daft Punk or California by 2Pac A control signal usually a voice is used in the right channel to modulate another signal which lies on the left channel usually a synthesizer sound It sounds as if the synthesizer is talking robot voice VOICE CANCELER The voice canceler is a very effective Karaoke effect It allows removal of mono vocal parts in stereo recordings The bass part however remains untouched RESONATOR A resonator simulates an oscillating system that amplifies a specific Mid EQ Mid equalizer frequency The resonator im
28. which were designed only for a mains voltage of 120 V Connection to the mains is made by means of a mains cable with an receptacle which complies with the required safety regulations 9 Please note that all pieces of equipment must be grounded For your own safety under no circumstances should you remove or deactivate the grounding of the equipment or the mains cable 6 2 Audio connections As standard the BEHRINGER VIRTUALIZER PRO features electronically servo balanced inputs and outputs If possible connect the unit to other devices in a balanced configuration to allow for maximum interference immunity Installation and operation of this equipment must be carried out by competent staff only Both before and after installation the staff using the equipment should make sure that it is properly grounded since otherwise electrostatic discharge etc can lead to an impairment of its operation Unbalanced TS connector lt Strain relief clamp lt 4 Sleeve Sleeve k ground shield 21 VIRTUALIZER 3D EX 2000 User Manual Balanced 1 4 TRS connector lt strain relief clamp T 4 sleeve sleeve k ground shield ring cold ve tip amp hot ve gy For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at the stereo plug Balanced use with XLR connectors input 1
29. D Display behringer com 30 VIRTUALIZER 3D CX 2000 User Manual FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION FC BEHRINGER VIRTUALIZER 3D FX2000 Responsible party name BEHRINGER USA Inc Address 18912 North Creek Parkway Suite 200 Bothell WA 98011 USA Phone Fax No Phone 1 425 672 0816 Fax 1 425 673 7647 VIRTUALIZER 3D FX2000 complies with the FCC rules as mentioned in the following paragraph This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a residential installation This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee that interference will not occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipment and receiver Connect the equipment into an outlet on a circuit different from that to which the receiver is connected Consul
30. Degree of bass harmonics Ultra Bass Density of harmonics Ultra Bass Sub bass Level Harmonics Split Frequency Harmonics Gain Harmonics Density Bass Gain Degree of original bass signal Ultra Bass Controls the influence on the stereo signal Spread Stereo Imager degree of stereo expansion Ultra Wide Spread Mode Selects between two different spread variations Stereo Imager MS Balance Ratio of middle and side signal Stereo Imager Stereo Balance Mono Balance Center Balance of stereo signal Stereo Imager Balance of mono signal Stereo Imager Degree of center signal Ultra Wide 11 VIRTUALIZER 3D CX 2000 User Manual Parameter Function Fred eti Frequency of the crossover filter for the center signal quency Ultra Wide Space Degree of stereo wideness Binauralizer Selects between headphones and speaker operation Mode Binauralizer Switches between speaker and headphones Speaker Head while Speaker selects the crosstalk compensation Binauralizer Speaker Distance Run time speaker distance Binauralizer Speaker e Degree of crosstalk compensation Binauralizer Compensation Tab 2 5 Functioning of the psycho acoustic effects parameters 1 High pass filter which allows frequencies above a specified cut off frequency to pass and damps the frequencies lying below it Fun 2 6 Filter EQ effects FILTER Filters in gen
31. ER PRO you can use a special form of MIDI communication called system exclusive data SysEx With SysEx the VIRTUALIZER PRO sends information about its manufacturer unit type and all parameter settings for all presets to a sequencer or MIDI file recorder To activate this very practical function press the SETUP key in SETUP mode Turn the 1st EDIT CONTROL to select DUMP Your VIRTUALIZER PRO is now ready to transfer your system exclusive data Select a track on your MIDI sequencer get ready for recording start the recording and turn the JOG WHEEL The data transfer is indicated by a GO in the DISPLAY To load the data back into the FX2000 select DR ENT in SETUP mode see chapter 3 6 1 Turn the JOG WHEEL until DR EN blinks Now start your MIDI sequencer and the preset data is automatically transferred to the FX2000 In this mode information sent from the MIDI sequencer is automatically stored while receiving without asking for confirmation behringer com 6 Installation 6 1 Mains connection Before connecting the VIRTUALIZER PRO to the mains please carefully check that your equipment is set to the correct voltage The fuse holder on the mains socket has 3 triangular markings Two of these triangles are located opposite each other The VIRTUALIZER PRO is set at the operating voltage indicated beside the markings and can be changed by turning the fuse holder by 180 CAUTION This is not applicable for export models
32. FF the MIDI function is switched off e OMNI The second page gives access to omni mode In this case the unit receives MIDI data on all 16 MIDI channels ON appears in the DISPLAY With the JOG WHEEL select OFF to deactivate omni mode e On the third page you can configure the controller commands You can choose between four controller modes Display Mode OFF No controller data are transmitted received RECV Controller data are received but not transmitted SEND Controller data are transmitted but not received BOTH Controller data are transmitted and received Tab 3 1 Controller settings For controller functions see table 7 4 in chapter 7 Appendix e Page four will bring you to the setup for the program changes Once again you have four modes to select from Display Mode OFF Program Changes are not transmitted received RECV Program Changes are received but not transmitted SEND Program Changes are transmitted but not received BOTH Program Changes are transmitted and received Tab 3 2 Program change settings 18 VIRTUALIZER 3D EX 2000 User Manual e STOR On the fifth page you can select the Store Enable mode In the ON mode the VIRTUALIZER PRO receives controller 112 as the direct storage command the current settings are stored on the program location corresponding to the controller value without waiting for a confirmation In the OFF mode
33. FX2000 e g as follows MIDI In 4 z BETZ B MIDI Thru 85558996 OIS o MIDI Out MIDI Out MIDI In 1 MIDI In MIDI In 2 t IDI connection with a sequencer computer and a keyboard LER Fig 4 4 VIRTUALIZER PRO in 5 MIDI functions of the FX2000 Due to the complete implementation of the MIDI interface it is very easy to integrate the VIRTUALIZER PRO in a MIDI System MIDIIN All MIDI data that are sent to the FX2000 sequencer MIDI foot controller etc are received at the MIDI IN port If you want to use the FX2000 as an effects unit in a guitar rack you can connect a MIDI foot controller to the MIDI IN socket and use it to change the program presets If you are simultaneously operating another MIDI device you can transfer the control commands of the MIDI foot controller using the MIDI THRU socket of the VIRTUALIZER PRO e MIDI THRU The MIDI THRU socket allows you to loop through incoming MIDI signals All control commands that arrive at the MIDI IN socket can be passed on to other MIDI devices and instruments using the MIDI THRU socket MIDI OUT Use the MIDI OUT to send data to a connected computer or other VIRTUALIZER PRO 5 1 Saving data via MIDI To store all presets outside the VIRTUALIZ
34. Mn E DYNAMICS L lt FILTER F R IN OUT L FILTER L 37 DYNAMICS L R FILTER R IN OUT L BASS ENHANCER L 41 Ces ee SUBBASS LK R a BASS ENHANCER R IN OUT L L 42 44 59 EFFECT R R Fig 3 2 Effects structure part 2 behringer com 16 VIRTUALIZER 3D EX 2000 User Manual Algorithm No Effects structure IN OUT gt L DIST resi FLANGER Leni eege gt L L i ee gt 49 TL asss a l CROSSDELAY K NER eT R DIST J FLANGER R IN OUT L L 1 52 Zb EFFECT R IN OUT L E EFFECT L 55 56 EES TTT NOISE CLICKS E R EFFECT R IN OUT L E 58 EFFECT R R A Serial 1 MIU 1 IN OUT L 4 F sedi eee X ees EQ L MOD REV DELAY DELAY R re W p EQ R 1 i bebe B Serial 2 M gt IN DEE ES ENEE L L MOD R REV DELAY DELAY 61 71 ee ae OS sss y ree De
35. R PRO the preamp signal is processed and sent back to its amplifier through the amplifier s return jack Power Amp In If you use a stereo rack system for amplification you can also set up the VIRTUALIZER PRO in stereo mode Connect the preamp to the audio inputs of the FX2000 Each of its audio outputs left right is connected to a channel left right of your amplifier Since most guitar amps only feature a serial effects loop you should make sure that the VIRTUALIZER PRO is set to Mix Internal mode In Mix Internal mode you can control the effects intensity that is applied to the guitar signal If however your amp is equipped with a parallel effects loop which allows for adding the effects signal portion similar to an aux bus in a mixing console then you should set the VIRTUALIZER PRO to Mix External mode In this case the effects intensity present at the outputs of the VIRTUALIZER PRO is 100 Instrumentalists can benefit from a variety of advantages offered by the VIRTUALIZER PRO s MIDI implementation With a MIDI foot controller e g the BEHRINGER MIDI FOOT CONTROLLER FCB1010 you can transfer program changes via MIDI Connect the MIDI out port of your foot controller to the MIDI IN port of the VIRTUALIZER PRO If the FX2000 does not respond to your foot controller s program changes check your MIDI channel settings Determine which MIDI channel your foot controller uses to send program changes in most of the cases omni mode
36. Shifter 1 detuning in cents Cents 2 Pitch Shifter 2 detuning in cents Cents 3 Pitch Shifter 3 detuning in cents Drum Depth Ta Sen modulation of the bass Horn Depth Intensity of amplitude modulation of the high pitch horn Rotary Balance Volume ratio between horn and drum Spread Effect intensity Stereo Spread Stereo effect intensity Stereo Phase Phase angle between left and right modulation Bandlimit Frequency band limitation of effect Wideness Parameter variation Ultra Chorus Intensity Intensity of modulation Base Starting point of modulation Drive Intensity of tube distortion Mode Selects various effect modes or between three modes with increasing modulation intensity Stereo Phaser Auto Modulation Influences LFO frequency dependent on input level Feedback LP Low pass cut off frequency of feedback Split Frequency Split frequency of frequency crossover Tab 2 3 Functioning of the modulation and pitch shifter effects parameters 1 Low Frequency Oscillator determines the speed and nature of modulation effects behringer com 2 4 Dynamic effects COMPRESSOR LIMITER When the signal level exceeds the level control limit of the signal processing unit it must be limited dynamically to avoid distortions This is achieved by installing a compressor or a limiter The limiter abruptly limits the signal above a specified threshold while a compressor acts softly over a large range EXPANDER Background nois
37. Stereo device the DSP processes the signal for many effects separately for both channels see chapter 7 1 For effects 13 15 and 38 right and left channel parameters can even be edited separately 0 For effects 42 44 58 and 59 a signal must be present at both inputs for optimal stereo results 3 6 3 OUTPUT mode Use the 3rd EDIT CONTROL to determine the FX2000 s OUTPUT mode The selection of settings depends on your FX2000 s application If you re using the VIRTUALIZER PRO in connection with a mixing console aux bus activate the Mix External EXTN output mode The FX2000 s output signal is then 10096 wet If you re using the FX2000 with a guitar amplifier that has an effects loop select the Mix Internal INTN output mode Then use the MIX BYPASS control to adjust the effect volume For further information see chapters 4 2 and 4 4 3 6 4 Dual engine configuration CONFIG You can use the 4th EDIT CONTROL to decide how the FX2000 s effects combinations presets 61 71 should be structured Since the FX2000 is a true Dual Engine unit you can choose between serial 1 SERT serial 2 SER2 and parallel PARA See fig 3 1 3 2 and 3 3 to understand how these settings influence the composition ofthe effects combinations In the example of preset 61 chorus amp reverb you can decide whether the chorus and reverb effects run separately from each other or whether the signal treated by the chorus
38. al studio level 4 dBu With this adjustment the VIRTUALIZER PRO is adapted to the optimal operating level Use the input level meter on the front panel to find the appropriate operating level 22 VIRTUALIZER 3D FX2000 User Manual EN 7 Appendix 7 1 Parameter overview Nr Edit D Edit E Reverb 1 Cathedral Pre Delay Decay Hi Dec Damp Bass Mul Shv Damp Rev Mod Mix 2 Gold Plate Pre Delay Decay Hi Dec Damp Size Shv Damp Diffusion Mix 3 Small Hall Pre Delay Decay Hi Dec Damp Size Shv Damp Low Cut Mix 4 Room Pre Delay Decay Hi Dec Damp Size Shv Damp Diffusion Mix 5 Concert Pre Delay Decay Hi Dec Damp Bass Mul Shv Damp Reverb Mod Mix 6 Studio Pre Delay Decay Hi Dec Damp Low Cut Shv Damp Shv Freq Mix 7 Stage Pre Delay Decay Hi Dec Damp Size Shv Freq ER Rev Mix 8 Spring Reverb Pre Delay Decay Hi Dec Damp Metal Res High Cut Diffusion Mix 9 Ambience Pre Delay Decay Diffusion Size Shv Damp Shv Freq Mix 10 Reflections X Pre Delay Size Wall Damp Reflections Stereo Width Mix 11 Gated Reverb Pre Delay Decay Hi Dec Damp Shv Damp Gate Threshold Gate Hold Mix 12 Reverse Reverb Pre Delay Decay Hi Dec Damp Shv Damp Threshold Hold Time Mix Delay 13 Stereo Delay X Del L Co Del L Fine Del R Co Del R Fin
39. als Vintage Flanger simulates a guitar flanger effect pedal and Jet Stream Flanger sounds like a classic analog flanger CHORUS This effect slightly detunes the original signal A very pleasant detune effect is created in connection with the pitch variation The chorus effect is quite often and extensively used for dispersing signals Analog Chorus simulates a guitar chorus effect pedal while Vintage Chorus imitates a classic analog studio chorus Ultra Chorus creates the sound of an eight person vocal chorus PHASER With the phaser a second phase shifted signal is added to the original audio signal The resulting sound is thicker and above all livelier This effect is often used for guitar sounds and keyboards In the 70s it was also extensively used for other instruments like electric pianos Here Vintage Phaser represents a guitar phaser effect pedal Dual Phaser processes the left and the right channels separately ROTARY The simulation of a classic effect that is normally generated with a very heavy enclosure with a slow or fast rotating speaker The bass speaker drum is covered by a partly opened rotating cap while both of the high pitch horns horn displaced by 180 revolve around the same perpendicular axis Here the physical principle of the Doppler effect for modulation of signals is used PITCH SHIFTER This effect changes the pitch of the input signal You can generate musical intervals and harmonies or simply a singl
40. ct by MUSIC Group shows that the defect in question is not covered by the limited warranty the inspection costs are payable by the customer E Products which do not meet the terms ofthis limited warranty will be repaired exclusively at the buyer s expense MUSIC Group or its authorized service center will inform the buyer of any such circumstance If the buyer fails to submit a written repair order within 6 weeks after notification MUSIC Group will return the unit C 0 D with a separate invoice for freight and packing Such costs will also be invoiced separately when the buyer has sent in a written repair order 0 Authorized BEHRINGER dealers do not sell new products directly in online auctions Purchases made through an online auction are on a buyer beware basis Online auction confirmations or sales receipts are not accepted for warranty verification and MUSIC Group will not repair or replace any product purchased through an online auction 8 5 Warranty transferability This limited warranty is extended exclusively to the original buyer customer of authorized retail dealer and is not transferable to anyone who may subsequently purchase this product No other person retail dealer etc shall be entitled to give any warranty promise on behalf of MUSIC Group 6 Claim for damage Subject only to the operation of mandatory applicable local laws MUSIC Group shall have no liability to the buyer
41. d point of the gate Gated Reverb ZONE CO Io Reverb Mod Modulation intensity of the reverb tail s ER Rev Intensity ratio between initial reflections and reverb tail 2 3 Modulation and pitch shifter effects Tab 2 1 Functioning of the reverb effects parameters High pass filter allows the below that Upper or lower cut off fre requencies above a specific cut off frequency to pass and damps the frequencies uency of an equalizer 2 2 Delay algorithms STEREO DELAY A delay of the input signal Different tempo settings allow interesting delay effects TAPE ECHO Similar to the stereo delay with the difference being that the repetitions have less presence This simulates the character of the original tape echo that was used before the digital era and can be thought of as a Vintage Sound The tape echo s reflections include high and low pass filters PING PONG A delay effect with changing stereo positioning where the time intervals between the repetitions can be changed behringer com FLANGER The word flange means tape spool and this explains the characteristics of the effect Originally the flanger effect was generated with two tape recorders which ran synchronously The same audio signal was recorded on both machines If you put a finger on the left spool of one of the machines the spool and the playback speed are slowed down The generated delay results in phase shifting of the sign
42. d to remove strong hissing sounds from the audio signal WAVE DESIGNER Using this effect you can influence the envelope of a signal by specifying its volume A Attack indicates the time a tone needs to reach its full volume R Release determines how long it takes before a tone dies away 10 VIRTUALIZER 3D EX 2000 User Manual Degree of compression Compressor EN Parameter Function Ex Ratio expansion Expander 2 5 Psycho acoustic effects Threshold Threshold point of Compressor Expander Gate See me EXCITER An exciter works with psycho acoustic principles to add artificially Limiter Threshold Threshold point of Limiter eatin Ep k generated overtones to the original signal thereby increasing its presence and M Gain Make up gain loudness the subjective volume impression without any significant increase of Gain L Make up gain for left channel the signal level Gain R Make up gain for right channel qina ofthe characteristic EE ENHANCER The enhancer works like a dynamic pitch equalizer Its effectiveness Soft Knee ee depends on the associated high frequencies and the intensity of the input signal Attack Response time ULTRA BASS This awesome combination of sub harmonic processor Attack L Response time of left channel Wave Designer bass exciter and limiter adds a final touch to your music pro
43. designed e g for 120 V operation Connection to the mains is made by a mains cable with an IEC receptacle that complies with the required safety regulations Please make sure that the unit is grounded at all times For your own protection you should never tamper with the grounding of the cable or the unit itself The unit shall always be connected to a mains socket outlet with a protective earthing connection Installation and operation of this equipment must be carried out by competent staff only Both before and after installation the staff using the equipment should make sure that it is properly grounded since otherwise electrostatic discharge etc can lead to an impairment of its operation For more information see chapter 6 Installation The BEHRINGER VIRTUALIZER PRO is equipped with electronically servo balanced inputs and outputs The circuit design features automatic hum suppression for balanced signals and thus ensures trouble free operation even at the highest operating levels Externally induced mains hum etc can therefore be effectively suppressed The automatic servo function recognizes the presence of unbalanced connectors and adjusts the nominal level internally to avoid level differences between the input and output signals 6 dB correction The MIDI connectors IN OUT THRU are standard DIN plug connections The data communication is isolated from ground by opto couplers 6 VIRTUALIZER 3D FX2000 User Man
44. duction Attack R Response time of right channel Wave Designer STEREO IMAGER This effect is used to process stereo main signals The signal is Release right stop activates auto mode for first subdivided into middle and side signal MS Matrix Both parts can then be EEE Compr Lim amplified when desired and placed on the stereo image Release L Release of left channel ULTRA WIDE This effect is suitable to pep up speaker systems with an especially Release R Release of right channel broad stereo image Hold Time until Li process sets in BINAURALIZER The binauralizer also extends the stereo image Additionally Range Degree of damping Gate dynamic limitation it compensates for inter channel cross talk of both speakers left loudspeaker on Ultramizer right ear and vice versa Density Degree of compression Ultramizer Split Frequency Split point between high and low band Gain Gain correction Stereo FX Intensity of the stereo enhancer Cut off frequency of the side chain high pass filter Frequency Enhancer Frequency Frequency of the HE enhancer Exciter Enhancer Separates low high band amp wide Filter Q Resonance of the high pass filter emphasizes cut off Ultramizer De Esser frequency for Exciter Enhancer LP Frequency Basic frequency Denoiser Timbre Ratio of straight and unstraight harmonics LP Depth Controls the amount of influence on the signal Exdter Enhancer p level Denoiser Harmonie Kid Activates an a
45. ducts are sold through authorized dealers only Distributors and dealers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation This manual is copyrighted No part of this manual may be reproduced or transmitted in any form or by any means electronic or mechanical including photocopying and recording of any kind for any purpose without the express written permission of Red Chip Company Ltd ALL RIGHTS RESERVED 2010 Red Chip Company Ltd Trident Chambers Wickhams Cay P 0 Box 146 Road Town Tortola British Virgin Islands To obtain warranty service please contact the retailer from whom the equipment was purchased Should your BEHRINGER dealer not be located in your vicinity you may contact the BEHRINGER distributor for your country listed under Support at behringer com If your country is not listed please check if your problem can be dealt with by our Online Support which may also be found under Support at behringer com Alternatively please submit an online warranty claim at behringer com BEFORE returning the product All inquiries must be accompanied by a description ofthe problem and the serial number of the product After verifying the products warranty eligibility with the original sales receipt MUSIC Group will then issue a Return Materials Authorization RMA number 4 VIRTUALIZER 3D FX2000 User Manual
46. e long reverberation of a large cathedral which is appropriate for solo instruments or vocals in slow pieces Gold Plate simulates the sound of plate reverberators and hence is a classic for drums snare and vocals Small Hall simulates a small lively strongly reflecting hall With Room you can clearly hear the walls of the room Studio represents a small to middle sized room With Concert you can select between a small theater and a large hall Stage is well suited to dissipating the sound of a keyboard or an acoustic guitar Spring Reverb simulates a classic spring reverberation Ambience reproduces a room impression without late reflections With Early Reflections the initial reflections of a room are clearly audible GATED REVERB This effect synthetically cuts off reverberation after a period of time It is famous in the song In the Air Tonight by Phil Collins REVERSE REVERB This is a reverberation in which the envelope is reversed it slowly gets louder 8 VIRTUALIZER 3D FX2000 User Manual Parameter Function Parameter Function Pre Delay Time until arrival of first reflection s Delay Left Length of left delay Tape Echo Ping Pong Decay Duration until the reverb tail is damped Delay Left Coarse Length of delay time left in 100 ms steps Hi Decay Damping Damps high frequencies in the reverb tail Delay Left Fine Length of delay time le
47. e Feedback L Feedback R Mix 14 Tape Echo X Delay Left Delay Right Feedback Bandlimit Feedback HP Feedback LP Mix 15 Ping Pong X Delay Left Delay Right Feedback Feedback R Feedb Del L Feedb Del R Mix Modulation 16 Stereo Chorus X Speed Depth Delay Stereo Phase LFO Wave Bandlimit Mix 17 Analog Chorus Speed Depth Delay Spread Mix 18 Vintage Chorus Speed Depth Delay Bandlimit Mix 19 Ultra Chorus Speed Depth Delay Wideness Stereo Spread Bandlimit Mix 20 Stereo Flanger X Speed Depth Feedback Delay Stereo Phase Feedback LP Mix 21 Vintage Flanger Speed Depth Feedback Delay Mix 22 Jet Stream Flanger X Speed Depth Feedback Delay Mix 23 Stereo Phaser X Speed Depth Feedback Stereo Phase Mode LFO Wave Mix 24 Vintage Phaser X Speed Depth Feedback Intensity Stereo Phase Mix 25 Dual Phaser X Speed Depth Feedback Base Mix 26 Rotary Speed Drum Depth Horn Depth Drive Balance Split Frequency Mix 27 Pitch Shifter X Semitones 1 Cents 1 Semitones2 Cents2 Semitones 3 Cents 3 Mix 28 Vibrato X Speed Depth Wave Auto Modul Mix 29 Tremolo X Speed Depth Wave Auto Modul Mix 30 Auto Panning X Speed Depth Wave Auto Modul Mix Dynamics 31 X Ratio Threshold M Gain Soft Knee Attack Release On Off 32 Expander X Ratio Threshold M Gain Soft Knee Attack Release On Off 33 Gated Reverb X Hold Threshold Attack Release Range
48. e usage and it does not cover any software products whether or not contained in the product Any such software is provided AS IS unless expressly provided for in any enclosed software limited warranty gt This limited warranty is invalid if the factory applied serial number has been altered or removed from the product 5 inspections and maintenance repair work are expressly excluded from this limited warranty in particular if caused by improper handling of the product by the user This also applies to defects caused by normal wear and tear in particular of faders crossfaders potentiometers keys buttons guitar strings illuminants and similar parts a Damage defects caused by the following conditions are not covered by this limited warranty improper handling neglect or failure to operate the unit in compliance with the instructions given in BEHRINGER user or service manuals connection or operation of the unit in any way that does not comply with the technical or safety regulations applicable in the country where the product is used damage defects caused by acts of God Nature accident fire flood etc or any other condition that is beyond the control of MUSIC Group behringer com 7 Any repair or opening of the unit carried out by unauthorized personnel user included will void the limited warranty 8 Ifan inspection of the produ
49. e voice Detuning by several semitones upward alienates voices and is used often in cartoons Here you can choose among a stereo two and three vocal pitch shifter At the left stop of Edit C the pitch shifters 1 and 2 are synchronized to a stereo pitch shifter Pitch shifter 3 can be switched off by turning Edit E fully counterclockwise 9 VIRTUALIZER 3D EX 2000 User Manual VIBRATO For this effect the peak frequency of a tone is periodically and uniformly changed quickly or slowly It is often used for guitar playing TREMOLO This effect was originally found on guitar amplifiers and is once again trendy It is fast or slow periodic variation of the volume AUTO PANNING This sound effect which was very popular in the beginnings of stereo technique is achieved by allowing a sound source often the lead guitar or a synthesizer to wander from one end of the stereo image to another or by just letting it wander repeatedly Parameter Function Speed Speed of modulation LFO Wave 7 ipi a Depth Modulation depth L amp R Delay Length of delay Feedback Routes back the processed signal to the input stage Sets the curve of the LFO Sine Tri Opto Square Wave Saw Up Saw Down Semitones 1 Pitch Shifter 1 detuning in semitones Semitones 2 Pitch Shifter 2 detuning in semitones Semitones 3 Pitch Shifter 3 detuning in semitones Cents 1 Pitch
50. elay 350 ms 0 ms 450 ms Oms 35 25 50 14 Tape Echo 190 ms 205 ms 50 2402 Hz 176 Hz 5 32kHz 50 15 Ping Pong 320 ms 380 ms 45 40 190 ms 255 ms 50 Modulation 16 Stereo Chorus 0 247Hz 50 20 2 ms 180 d Tri 0 5096 7 Analog Chorus 33 20 6 20 5096 18 Vintage Chorus 13 20 20 4 50 19 Ultra Chorus 21 21 40 12 20 0 50 20 Stereo Flanger 0 247Hz 90 80 3 02 ms 45d 4 54kHz 50 21 Vintage Flanger 1 16 20 11 50 22 Jet Stream Flanger 16 6 20 11 50 23 Stereo Phaser 1526Hz 100 6096 180 d 2 Sin 10096 24 Vintage Phaser 28 10096 38 20 4 100 25 Dual Phaser 28 100 38 23 10096 26 Rotary 50 1096 2096 1596 50 50 316 Hz 10096 27 Pitch Shifter 2 0c Ster 0c Off 0c 10096 28 Vibrato 127Hz 8596 Sin 2596 10096 29 Tremolo 2 2 Hz 50 Opto 15 100 30 Auto Panning 3 21 Hz 80 Sin 0 100 Dynamics 31 Compressor 4 30 dB 3 dB 3 37 ms 106 ms 100 32 Expander 3 25 9 dB 3 dB 2 49 ms 167 ms 100 33 Gated Reverb 54ms 12 dB 37 ms 37 ms Mute 100 34 Ana Kompr Lim 3 00 24 dB 9 5 dB 0 0 dB 20 ms Auto 100 35 Ultramizer 36 9 dB 38 190 Hz 096 12 5kHz Wide 36 Denoiser 916 Hz 7596 604 ms 48 dB 33 ms 37 ms 100 37 De Esser 3 00 36 dB 6 dB 2 78kHz 33 ms Auto Wide 38 Wave Designer 25 25 Ster 0 Auto 0 dB 10096 Tab 7 3 Parameter default settings of effects algorithms continued on next page behringer com 26 VIRTUALIZER 3D FX2000 User Manual
51. er Clean only with dry cloth N Op b WN N Do not block any ventilation openings Install in accordance with the manufacturer instructions 8 Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat behringer com 9 Donot defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Use only attachments accessories specified by the manufacturer 12 Use only with the cart stand tripod bracket or table specified by the e manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid E gt injury from tip over 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has
52. eral influence the frequency response of a signal A low pass filter allows low frequencies to pass and suppresses high frequencies while a high pass filter allows high frequencies to pass and suppresses low frequencies PARAMETRIC EQ The parametric equalizer is the most highly developed form of equalization You can control the three parameters which define the so called gauss equalizer curve bandwidth frequency and amplitude boosting or lowering GRAPHIC EQ Eight filter bands are arranged next to each other for this graphic equalizer In contrast to the parametric equalizer frequency and bandwidth are pre determined here Parameter Function Base Frequency Cut off frequency Depth Degree of influence Resonance Resonance of the filter Type Operating mode of the filter Attack Response time of the envelope follower Release Release time of the envelope follower Speed Speed of the LFO Wave Sets the curve of the LFO Gain 1 2 Boost cut param EQ Freq 1 2 Mid frequency param EQ Q1 2 Q factor param EQ 200 Hz Boost cut at 200 Hz graph EQ 400 Hz Boost cut at 400 Hz graph EQ 800 Hz Boost cut at 800 Hz graph EQ 1 6 kHz Boost cut at 1 6 kHz graph EQ 3 2 kHz Boost cut at 3 2 kHz graph EQ 6 4 kHz Boost cut at 6 4 kHz graph EQ Bass Boost cut at 100 Hz graph EQ Treble Boost cut at 12 kHz graph EQ Mix Gain correction param EQ graph EQ
53. es of all types noise humming etc limit the dynamic range of the actual signal As long as the level of the actual signal lies significantly above the background noise the noise is inaudible The interference signal in this case is masked by the actual signal The expander is used to effectively expand the dynamic range of signals Signals with small amplitudes such as background noise can be weakened thereby reducing the background noise GATE On stage and in studios there are diverse applications where a noise gate is needed For example microphones that tend to cause feedback can be defused In addition you can use a gate to eliminate unwanted noise When used on vocals for example the signal is simply masked during pauses thus eliminating all noise Needless to say a gate used on vocals has to open very quickly otherwise the first syllables of soft or whispered passages would not be audible ULTRAMIZER The ultramizer function divides the sound spectrum into two frequency bands and as a result allows inaudible but extremely effective compression This is especially helpful during mix down The FX2000 analyses the received audio material and automatically adjusts input gain and compression parameters DENOISER The denoiser is used to eliminate or reduce noise and other interference DE ESSER A problem often encountered in recording situations is the sibilant 5555 sound of the human voice The de esser is use
54. f delay amplitude or phase modulation Doppler Intensity of Doppler effect Bandlimit Damping of high frequencies Type Delay amp Reverb Selects among mono Stereo and ping pong delay or a filter in the feedback chain Delay Time Length of the delay Delay Mix Chorus amp Delay Ratio of chorus and delay Feedback Degree of feedback Semitones Detuning in semitones Cents Detuning in cents Auto Mod Influence on LFO frequency dependent on the input level Hi Damp Damps the high frequencies of the reverb programs Tab 2 9 Parameter functions of multi effects programs Foran overview of the parameters available in the individual programs refer to chapter 7 1 14 VIRTUALIZER 3D EX 2000 User Manual K 3 Operation 3 1 Effects structure Algorithm No Effects structure IN OUT Kee RET 1 6 8 9 PREDELAY FILTER REVERB R R IN OUT L M L 7 PREDELAY FILTER ER REVERB X E R R R IN OUT L EL 10 PREDELAY REVERB R R IN OUT L
55. fect parameters EDIT C EQ LO and the global OUTPUT parameter see chapter 3 6 3 Here as well you select among them using the EDIT and SETUP keys With the 4th EDIT CONTROL you modify the values of effect parameters EDIT D EQ HI and the global parameter CONFIG see chapter 3 6 4 Use the EDIT and SETUP keys to choose between the parameters During editing you can rotate one of the four EDIT CONTROLs minimally to display a brief description of the current parameter active This can help you know that for example EDIT A controls the pre delay for all reverb effects of the VIRTUALIZER PRO After approximately one second the name is erased and the parameter s current value is displayed This function can be used only by operating one of the controls that has not yet been selected By turning the MIX BYPASS CONTROL the effect levels of most effect algorithms are set in the range from 0 to 10096 If you select 096 the signal at the inputs of FX2000 is transferred directly to the outputs without adding any effects the signal is completely dry If you select 10096 only the effected signal is sent to the outputs the signal is completely wet If you use the FX2000 in the aux bus with your mixing console you should always set this value at 10096 if you re using the FX2000 with a guitar amplifier in a serial effects loop we suggest settings between 20 and 5096 depending on the amplifier type Please note that for
56. ft in 1 ms steps Size Size of the plate reverb the room impression Delay Right Length of right delay Tape Echo Ping Pong Diffusion Degree of wall diffusion reverb density Delay Right Coarse Length of delay time right in 100 ms steps Wall Damp Degree of damping of the wall material Delay Right Fine Length of delay time right in 1 ms steps Bass Mul Amplification damping of low frequencies in the Feedback Repetition s for both channels reverb tail Feedback Left Repetition s for the left channel Low Cut Frequency of Low Cut Filter at the input stage Feedback Right Repetition s for the right channel Metal Resonance Intensity of metal resonances Feedback Delay Left Delay of the left feedback Reflections Number of initial reflections Feedback Delay Right Delay of the right feedback Shelver Damp Damps Shelving Filter at the input stage Feedback HP High pass cut off frequency of repetition s Shelver Frequency Frequency of Shelving Filter at the input stage Feedback LP Low pass cut off frequency of repetition s High Cut Frequency response of spring reverb Spring Reverb Bandlimit Frequency response input low pass Stereo Width Stereo depth of the effect Tab 2 2 Functioning of the delay effects parameters Threshold Threshold point Reverse Reverb f arpas Adds additional time until process starts Baza the frequency below a particular cut off frequency to pass and damps the frequencies Reverse Reverb Gate Threshold Threshol
57. g the STORE key for the second time 3 5 Comparing an edited preset with the corresponding factory preset compare function When you have made changes in a preset but have not yet stored your changes the COMPARE Function allows you to load the original factory preset and compare it with your changes To do so press the COMPARE key while in edit mode As long as the COMPARE key s LED blinks further editing is temporarily not possible Press the COMPARE key again to return to your edited preset Here you have the choice to either store your changes see chapter 3 4 or continue editing see chapter 3 3 3 6 SETUP mode In SETUP mode you can make global adjustments to the VIRTUALIZER PRO as described in the sub sections below Among these are MIDI INPUT mode OUTPUT mode and dual engine configuration CONFIG To enter SETUP mode press the SETUP key The red LED below the EDIT CONTROLS lights up The four EDIT CONTROLs can now be used to adjust the SETUP parameters To exit this mode press the SETUP key again 3 6 1 MIDI control The FX2000 s MIDI editing options are shown on seven pages Enter SETUP mode see chapter 3 6 With the help of the 1st EDIT CONTROL you can select seven different MIDI functions Data input is always carried out with the JOG WHEEL the following pages can be selected e HAN You can set the MIDI channel on the first page With the JOG WHEEL the channel can be set from 01 to 16 If you select O
58. h channel Thus you are able to assign a strong reverb to the snare rather than the toms Cabling the VIRTUALIZER PRO in the aux bus should be carried out as follows o EO o Le LT R o aa O L In InR Out L AUX Send i 1 amp 2 AUX Return 00000000 m i 00000000 m D G 0 0 G G 0 0 m m 00000000 m m 00000000 m li 00000000 m 00000000 m li 00000000 m H 600000000 m H 00000000 m 00000000 m li 00000000 m 00000000 Fig 4 1 Wiring aux busses 19 VIRTUALIZER 3D CX 2000 User Manual Connect both inputs ofthe VIRTUALIZER PRO to the aux send outputs of your mixer The FX2000 s output socket is connected to the aux return inputs of your mixer If you want to operate the BEHRINGER VIRTUALIZER PRO in mono connect one of its channels left or right to an aux bus As a matter of principle effects processors should always be connected to post fader aux busses If your mixing console has aux busses that feature one jack for the aux send use audio channel 1 on the FX2000 In this case you must choose the mono mode see chapter 3 6 2 9 To avoid damage to your equipment turn down the volume level your amplifier when making connections Switch off the devices that you want to connect to one another until plug connections have been
59. ify is then processed with a reverb effect This effect works especially well with keyboards and guitars PITCH amp REVERB The pitch shifter can be detuned in semitone or cent steps The reverb on the other hand can be controlled in time and mixing ratio DELAY amp REVERB Delay and reverb are the most common combinations for vocals solo guitars etc The reverb used here is a gold plate a room that features a distinctive brilliance and can be used in many ways TREMOLO amp REVERB The intensive variation in volume ofthe tremolo gains more depth and wideness with the reverb PHASER amp REVERB The combination of a classic stereo phaser and a reverb effect CHORUS amp DELAY While the chorus can contribute to a wideness of the signal interesting repetition effects can be adjusted with the delay Vocals can be given a distinctive effect without making the voice sounding blurred behringer com FLANGER amp DELAY This effect is just right for creating a modern slightly spacey vocal sound PITCH amp DELAY A repetition of the audio signal with an oscillatory effect added by the pitch shifter TREMOLO amp DELAY A fast or slow intensive variation of volume which is additionally processed with a panorama effect Parameter Function Speed Modulation speed Reverb Mix Nea is Pur delay and reverb effects Decay Room size duration of reverb tail Depth Intensity o
60. ity commercially available speaker cables with Ya TS plugs pre installed All other installation or modification should be performed only by qualified personnel This symbol wherever it appears alerts you to the presence of uninsulated dangerous voltage inside the enclosure voltage that may be sufficient to constitute a risk of shock This symbol wherever it appears alerts you to important operating and maintenance instructions in the accompanying literature Please read the manual Caution To reduce the risk of electric shock do not remove the top cover or the rear section No user serviceable parts inside Refer servicing to qualified personnel Caution To reduce the risk of fire or electric shock do not expose this appliance to rain and moisture The apparatus shall not be exposed to dripping or splashing liquids and no objects filled with liquids such as vases shall be placed on the apparatus Caution These service instructions are for use by qualified service personnel only To reduce the risk of electric shock do not perform any servicing other than that contained in the operation instructions Repairs have to be performed by qualified service personnel EN CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION RISQUE DE CHOC ELECTRIGUE NE PAS OUVRIR Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near wat
61. ment immediately for any signs of external damage Damaged units should NEVER be sent directly to us Please inform the dealer from whom you acquired the unit immediately as well as the transportation company from which you took delivery of the unit Otherwise all claims for replacement repair may be rendered invalid To assure optimal protection of your FX2000 during use or transport we recommend utilizing a carrying case Please always use the original packaging to avoid damage due to storage or shipping 9 Never let unsupervised children play with the FX2000 or with its packaging Please dispose of all packaging materials in an environmentally friendly fashion The BEHRINGER VIRTUALIZER PRO requires one standard 19 rack unit of space 134 Please leave an additional 4 installation depth to allow connections at the rear side Make sure that there is adequate ventilation and do not place the VIRTUALIZER PRO on top of an amplifier which could cause overheating Before connecting the VIRTUALIZER PRO to the mains carefully check that your equipment is set to the correct voltage The fuse holder on the female mains connector has 3 triangular markings with two of these triangles opposing each other The VIRTUALIZER PRO is set to the operating voltage printed next to these markers and can be set to another voltage by turning the fuse holder by 180 CAUTION This instruction does not apply to export models exclusively
62. mplification of harmonics dependent on LP Speed Recovery time of low pass modulation Denoiser the input level Exciter Gate Hold Time until the gate process sets in Denoiser Bass Frequency Frequency of the bass Gate Response Gate recovery time Denoiser Mix Controls amount Ee Exciter Enhancer Lower cut off frequency of compression process Process Degree of synthetic harmonics Enhancer requency De Esser Bass Gain Degree of the bass enhancer Tab 2 4 Functioning of the dynamic effects parameters Bass Frequency Cut off frequency of the bass enhancer f f mu f f f Bass Q Q factor of the bass enhancer Ratio determines the relation of input to output level for all signals which exceed the threshold point Cut off frequency of the sub bass low pass filter 4 gt original level 5 threshold point High frequency behringer com The Soft Knee characteristic curve prevents a high compression rate high ratio from sounding unnatural Attack determines the time which the processor requires to react to signals which exceed the threshold point lease determines the time that the processor needs after falling below the threshold point to reach the old determines the time before the release process sets in release sets in after the signal falls below the Sub bass Frequency Ultra Bass Degree of sub harmonics Degree of synthetic harmonics Exciter Cut off frequency of the bass exciter Ultra Bass
63. nds on effect 103 Depends on effect Edit B Depends on effect 104 Depends on effect Edit C Depends on effect 105 Depends on effect Edit D Depends on effect 106 Depends on effect Edit E Depends on effect 107 Depends on effect Edit F Depends on effect 108 Depends on effect EQ Low 16 16 dB 109 0 32 EQ High 16 16 dB 110 0 32 Mix Depends on effect 111 Depends on effect Store U 001 U 100 112 0 99 In 0ut BYP 0 100 113 0 BYP 1 MIX Combination Mode SER 1 SER 2 PARA 114 0 S1 1 S2 2 PA Input Mode MONO STER 115 0 MONO 1 STER External Internal Mix EXTN INTN 116 0 EXTN 1 INTR Tab 7 2 Controller functions with MIDI behringer com 25 VIRTUALIZER 3D FX2000 User Manual 7 3 Default settings Edit C Reverb 1 Cathedral 30 ms 5 115 10 0 15 7 50 2 Gold Plate 10 ms 2 365 5 10 33 32 20 50 3 Small Hall 2ms 0 113 s 10 23 15 53 Hz 50 4 Room 15s 15s 1096 25 096 20 5096 5 Concert 10 ms 19s 1096 1 0 15 7 50 6 Studio 2ms 0 2525 10 77Hz 0 dB 437 Hz 50 7 Stage 40 ms 2s 40 50 10 7kHz 50 50 8 Spring Reverb 0 ms 1 465 s 25 60 5 6 50 9 Ambience 2ms 0 2545 15 28 9 dB 9 kHz 5096 10 Early Reflections 20 ms 38 5096 15 10096 5096 1 Gated Reverb 10 ms 3195 1096 4096 21 dB 0 209 5 5096 12 Reverse Reverb 10 ms 3 195 10 40 21 dB 0 376 s 5096 Delay 13 Stereo D
64. ors expanders and gates the channel insert is the best choice EU messes ol o Channel Insert Subgroup Insert H H 00000000 H m 00000000 mM 00000000 H 00000000 RIll 00000000 H m 00000000 Fig 4 2 Wiring the VIRTUALIZER PRO in the insert path behringer com 4 4 Using the VIRTUALIZER PRO as an effects device for instruments Due to its MIDI implementation the VIRTUALIZER PRO can also be used as multi effects unit in a guitar rack Naturally the VIRTUALIZER PRO can be cabled both as mono and as stereo unit The following examples show how to use the FX2000 with a guitar setup d EH mmm LLY ISL Je ut Send Effects Loop Fig 4 3 Connecting the VIRTUALIZER PRO to a guitar amp send return mono Fundamentally the following applies The VIRTUALIZER PR0 should be connected between preamp and output stage of your amplifier For this purpose most of the guitar amplifiers offer an effects loop which allows the preamp signal of your amplifier to pass on to the audio input stage of the FX2000 Then in the VIRTUALIZE
65. ot in the LED display disappears and the program is loaded Use the POWER switch to power up your FX2000 The POWER switch should always be in the Off position when you are about to connect your unit to the mains To disconnect the unit from the mains pull out the mains cord plug When installing the product ensure that the plug is easily accessible If mounting in a rack ensure that the mains can be easily disconnected by a plug or by an all pole disconnect switch on or near the rack FUSE HOLDER VOLTAGE SELECTION Before connecting the FX2000 confirm that the voltage display matches your local mains voltage When replacing the fuse you must always use the same type In many units the fuse holder can be installed in one oftwo positions allowing you to switch between 230 V and 120 V If you wish to operate a unit outside Europe at 120 V then a stronger fuse must be used For more information see chapter 8 SPECIFICATIONS The mains connection is made via the IEC receptacle An appropriate mains cable is included The FX2000 has wide ranging MIDI implementation MIDI IN MIDI OUT and MIDI THRU connectors are available for transmitting MIDI commands SERIAL NUMBER Please complete and return the warranty card within 14 days of the date of purchase Otherwise you will lose your right to the extended warranty Alternatively you can register online at our website under behringer com The FX2000 s balanced OUTPUTS are designed a
66. plemented here has a resonance frequency that can In Gain Input gain be modulated with positive and negative feedbacks of up to 100 Low Fuzz Distortion of low frequencies Mid Fuzz Distortion of mid frequencies Hi Fuzz Distortion of high frequencies Rotations per minute Vinylizer playback speed Cabinet Type Selects between eight speaker types Speed Sampler speed of LFO resonator Presence Presence Clicks Level Volume of clicks Hi Damp Damping of high frequency parts Scratch Level Volume of cracks in the record Peak Gain Raising or lowering of EQ Noise Level Volume of noise Peak Frequency Frequency of EQ Noise Frequency Frequency response of noise Peak Q Q factor of EQ Bandlimit Bandlimit of input signal Speed Speed of LFO Record Stop Start stop recording Depth Modulation depth Play Stop Start stop playback Carrier Frequency Modulation frequency Forward backward playback number of repetitions Ring Modulator LFO The LFO modulates Mode Sampler Resonator LFO modulates LFO ENV Modulation through envelope follower modulation through envelope follower ENV Mode RAND Modulation through random generator modulation through random generator RAND SINE The input signal is replaced by a sine tone and Start Point Playback starting point modulated by a random generator Stop Point Playback stop point Slewing Smoothing of modulation signal for RAND and SINE Sensitivity Modulation intensity input sensitivity Ring Modula
67. product for the remaining initial warranty period i e one 1 year or otherwise applicable minimum warranty period from the date of purchase of the original product 3 Upon validation ofthe warranty claim the repaired r replacement product will be returned to the user freight prepaid by MUSIC Group e 4 Warranty claims other than those indicated above are expressly excluded PLEASE RETAIN YOUR SALES RECEIPT IT IS YOUR PROOF OF PURCHASE COVERING YOUR LIMITED WARRANTY THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF OF PURCHASE 2 Online registration Please do remember to register your new BEHRINGER equipment right after your purchase at behringer com under Support and kindly read the terms and conditions of our limited warranty carefully Registering your purchase and equipment with us helps us process your repair claims quicker and more efficiently Thank you for your cooperation 3 Return materials authorization Legal Disclaimer Technical specifications and appearance are subject to change without notice The information contained herein is correct at the time of printing All trademarks are the property of their respective owners MUSIC Group accepts no liability for any loss which may be suffered by any person who relies either wholly or in part upon any description photograph or statement contained herein Colors and specifications may vary slightly from product BEHRINGER pro
68. s 4 TRS and XLR sockets behringer com 3 To switch between 10 dBV home recording level and 4 dBu professional studio level use the OPERATING LEVEL SWITCH When you switch between the two the level displays are automatically changed to the nominal level and the VIRTUALIZER PRO operates in its optimal working range 24 Both of the VIRTUALIZER PRO s INPUTS are also available as balanced 14 TRS and XLR sockets 2 Effects Algorithms All effects of digital effects equipment are based on various algorithms An algorithm for a reverb effect for example is programmed differently than a chorus algorithm Each effect has a certain algorithm with which the digital input signal is processed The processing takes place within the digital signal processor DSP After the effect is generated and the input signal is mixed the digital signal is converted back into an analog signal with a D A converter You can edit up to seven parameters for each preset in the VIRTUALIZER PRO The changes you make will influence the sound in different ways An overview of the FX2000 s various effects algorithms follows 2 1 Reverb algorithms REVERB As the term suggests a reverb is a reverberation effect The reverb can be considered as the most important effect in a mix down or a live event The FX2000 offers 12 different reverberation programs so that you have a suitable reverb for every situation Cathedral simulates the dens
69. t the dealer or an experienced radio TV technician for help This device complies with Part 15 ofthe FCC rules Operation is subject to the following two conditions 1 this device may not cause harmful interference and 2 this device must accept any interference received including interference that may cause undesired operation Important information Changes or modifications to the equipment not expressly approved by BEHRINGER USA can void the user s authority to use the equipment behringer com 31 VIRTUALIZER 3D FX2000 User Manual behringer com imagine music EX behringer com behringer
70. the effects parametric and graphic EQ the MIX BYPASS CONTROL allows a gain correction by rotation To bypass the FX2000 s effects press the MIX BYPASS CONTROL This allows you to compare between the original and the effected signals Press the MIX BYPASS CONTROL again to deactivate the bypass and return to your chosen effect When the MIDI IN LED below the control flickers it indicates that MIDI data is arriving at the MIDI IN port Both the MIX BYPASS CONTROL and the four EDIT CONTROLS react dynamically This means that depending how fast you rotate the wheels the present parameter is changed in steps of 1 2 5 or 10 The faster the rotation the greater the change in the parameter value To select one of the 200 presets press the PRESET key once then rotate the JOG WHEEL 7 To select one ofthe 71 basic effect algorithms press the EFFECT key once then rotate the JOG WHEEL For information on the parameter values that are set for the basic effect algorithms see chapter 7 4 7 VIRTUALIZER 3D FX2000 User Manual gu BEHRINGER SG 9 GA Ld E our THRU IN SERIAL NUMBER DATE ODE dioe p M gt OUTPUTS 2 INPUTS 2 Fig 1 4 VIRTUALIZER PRO rear panel 13 lim To select the EDIT CONTROL function see 6 97 press the EDIT key When
71. tor Attack Response time of envelope follower Bit Resolution Resolution of D A converter Release Release time of envelope follower p Buzz Level Intensity of the buzz level U n pper cut off frequency of bass frequencies that Noise Level Volume of the noise Bass Frequency are not effected Noise HP Lower cut off frequency of the noise MS Balance Degree of mid elimination Noise LP Upper cut off frequency of the noise Treble Pan Panorama of high frequencies Tab 2 7 Parameter functions of distortion effects and amplification simulations Gain Gain correction Depth Modulation depth Carrier Frequency Modulation frequency Feedback Degree of feedback Slewing Resonator Smoothing of modulation signal for RAND and SINE behringer com Tab 2 8 Parameter functions of special effects 13 VIRTUALIZER 3D CX 2000 User Manual EMT 2 9 Effects algorithm combinations multi effects programs Effects 61 to 71 are multi effects algorithms which allow different effects to be used simultaneously Effect 61 for example can make a solo guitar wider with chorus and simultaneously add a room reverb Please note that you can modify the structure of a multi effect see chapters 3 1 and 3 6 4 CHORUS amp REVERB This algorithm combines the popular chorus with a gold plate effect as in algorithm 2 FLANGER amp REVERB The combination of flanger and reverb effects ROTARY amp REVERB The input signal modulated to a degree that you spec
72. ual EN 1 3 Control elements VIRTUALIZER Fig 1 1 VIRTUALIZER PRO front panel The BEHRINGER VIRTUALIZER PRO s front panel includes five edit controls non intermittent rotary controls a jog wheel big rotary control six parameter keys an LED display and a mains switch Each of the two fully independent channels can be monitored with an 8 digit LED meter 1 gt Fig 1 2 Display section of the VIRTUALIZER PRO Both the LED chains display the intensity of the input signal in dB in relation to the nominal level which is selected on the rear panel with the OPERATING LEVEL switch After you switch on the VIRTUALIZER PRO you can read the name of the last used effect on the LED display When editing the LED display shows the parameter s name along with a 4 digit alpha numeric display that shows the absolute parameter s value To the right of the LED display are four STATUS LEDs which indicate the type of value you are working with You may do any of the following set the absolute value of an effect parameter increase or decrease the amplitude or determine the threshold point of the compressor dB modify a frequency Hz or modify a time parameter sec The ALGORITHM GROUPS LED CHAIN indicates which category the selected effect belongs to Altogether the FX2000 offers eight different algorithm
73. under this warranty for any consequential or indirect loss or damage of any kind In no event shall the liability of MUSIC Group under this limited warranty exceed the invoiced value of the product 7 Limitation of liability This limited warranty is the complete and exclusive warranty between you and MUSIC Group It supersedes all other written or oral communications related to this product MUSIC Group provides no other warranties for this product 8 Other warranty rights and national law This limited warranty does not exclude or limit the buyer s statutory rights as a consumer in any way M The limited warranty regulations mentioned herein are applicable unless they constitute an infringement of applicable mandatory local laws w This warranty does not detract from the sellers obligations in regard to any lack of conformity of the product and any hidden defect 9 Amendment Warranty service conditions are subject to change without notice For the latest warranty terms and conditions and additional information regarding MUSIC Groups limited warranty please see complete details online at behringer com MUSIC Group Macao Commercial Offshore Limited of Rue de Pequim No 202 A Macau Finance Centre 9 J Macau including all MUSIC Group companies 5 VIRTUALIZER 3D FX2000 User Manual 1 Introduction In order to generate an extremely natural reverberation we at BEHRINGER have developed
74. you make changes to a user preset the STORE key s LED begins to blink The FX2000 comprises 100 user presets for your own settings and 100 factory presets see separate preset sheet To save your changes press the STORE key Select a storage space number with the Jog Wheel and confirm it by pressing the STORE key again If you have made changes to a preset and the LED of the STORE key is blinking you can press the COMPARE key to temporarily restore the preset s original settings While these settings are loaded the COMPARE key s LED blinks and COMP appears in the LED display Press the COMPARE key again to return to edit mode and store your changes To enter SETUP mode press the SETUP key In setup mode you can access the parameters shown below the four EDIT CONTROLs For more information about SETUP mode see chapter 3 6 To change a parameter s value rotate the JOG WHEEL To increase the value turn the wheel clockwise To decrease the value turn the wheel counterclockwise If none of the edit functions is selected you can select a program directly with the Jog Wheel When you do so a spot lights up in the LED display As long as the spot is illuminated a program can be selected without making the corresponding settings immediately audible This brief signal suppression means that during quick selection of presets with the Jog Wheel not every preset is activated directly If the Jog Wheel is not turned for a second the sp
75. z 6 4 kHz Gain Distortion Amp Simulation 49 Vocal Distortion X Distortion Delay Level Delay Flanger Level Type Flanger Speed Mix 50 Tube Distortion X Drive Pre HP Pre LP Bandlimit Tube Selection Mid EQ Mix 51 Guitar Amp In Gain Drive Presence Gain Cabinet Type Mid EQ Mix 52 TriFuzz In Gain Low Fuzz Mid Fuzz Hi Fuzz Drive Hi Damp Mix 53 Speaker Simulation x Type Peak Gain Peak Freq Peak Q Mix 54 Ring Modulator X Speed Depth Carrier Bandlimit Mode Slewing Mix 55 Loi X Bit Resolution Bandlimit Buzz Level Noise Level Noise HP Noise LP Mix Special FX 56 Vinylizer X Speed Clicks Level Scratch Level Noise Level Bandlimit Noise Freq Mix 57 Sampler X Record Stop Play Stop Speed Mode Start Point Stop Point Mix 58 Vocoder Sensitivity Noise Attack Release Mix 59 Voice Canceler X Bass Freq 5 Balance Treble Pan Gain On Off 60 Resonator X Speed Depth Carrier Freq Feedback Mode Slewing Mix Combination 61 Chorus amp Reverb Speed Depth Delay Reverb Mix Decay HiDamp Mix 62 Flanger amp Reverb Speed Depth Feedback Reverb Mix Decay HiDamp Mix 63 Leslie amp Reverb Speed Depth Doppler Reverb Mix Decay HiDamp Mix 64 Pitch amp Reverb Semitones Cents Bandlimit Reverb Mix Decay HiDamp Mix 65 Delay amp Reverb Delay Feedback Type Reverb Mix Decay HiDamp Mix 66 Tremolo amp Reverb Speed Depth Auto Mod Reverb Mix Decay HiDamp Mix 67 amp Reverb Speed Depth Feedback Reverb Mix Decay HiDamp Mix 68 Chorus amp

VIRTUALIZER 3D FX2000 - American Musical Supply

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