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1. 1500 ST 1800 ST 1800 system 15 the combination of ST 112 and ST 218 CT 1800 CT 1800 ST 2000 The ST 2000 system 15 the combination of ST 215 and ST 218 CT 2000 Series y ST Manual de Usuario and 57 Series Users Manual 66 These examples only design ideas for typical systems and diverse applications They are in no case the only possible configurations You can also scale them up or down for larger or smaller uses You can combine products from other D A S series to cover needs such as background music and secondary fill systems 6 1 Pub system R 112 Distributed Distribuidas SUB 18R Arrayed on the ground Agrupadas sobre el suelo 6 2 Medium sized theatre system ST 15 ST 15 flown ST 15 colgadas AA SUB 218 Mono subwoofer Sub bajo en mono Mono L amp R
2. ALL DIMENSIONS IN MILIMETERS iY 43 x esp ALL DIMENSIONS IN MILIMETERS 224 128 ALL DIMENSIONS MILIMETERS Series y ST Manual de Usuario 7 and 7 Series User s Manual 112 ALL DIMENSIONS IN MILIMETERS ALL DIMENSIONS IN MILIMETERS 1 o d A 8 7 Ey o 510 224 250 E i 40 ALL DIMENSIONS IN MILIMETERS ALL DIMENSIONS MILIMETERS y z E N E o o LI N 252 252 ALL DIMENSIONS IN MILIMETERS 1 ALL DIMENSIONS IN MILIMETERS 252 319 224 294 719 845 ALL DIMENSIONS IN MILIMETERS ALL DIMENSIONS IN MILIMETERS Series y ST Manual de Usuario and 7 Series Users Manual Appendix A Line connections un
3. 9dB 100 9dB 11dB 90 9dB 11dB 40 360 5dB 6dB 130 9dB 100 8dB 10dB 105 9dB 50 360 5dB 6dB 125 8dB 110 8dB 120 548 7dB SUE Horizontal Nr of elements Splay angle Ix 2x 3x variable Angle Di SPL Angle Di SPL Angle Di SPL 9 9 10dB 0dB 40 5 10 8dB 10 40 14 5 45 1348 6dB 202 45 1 5 90 10dB 4dB 309 70 1248 4 120 2dB 402 85 155 SdB 148 Series y ST Manual de Usuario and 7 Series Users Manual 59 50 105 10dB 3dB 175 SdB 1dB Vertical Nr of elements Splay angle 2 x3 variable Angle Di SPL Angle Di SPL Angle Di SPL 09 65 0dB 25 15dB 548 10 18dB 8dB 10 35 14 4dB 45 1348 5dB 202 55 1248 3dB 80 10dB 4dB 30 65 3dB 120 7 2 40 75 150 6dB 148 50 55 9dB 248 165 SdB 1dB Horizontal Nr of elements Splay angle 2 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 100 9dB 0dB 90 13dB 5dB 537 1688 8dB 25 18dB 10dB 15 194 1 09 959 13dB
4. Series y ST Manual de Usuario and 57 Series Users Manual 67 6 3 Large theatre system lt Colgadas SUB 218 Mono subwoofers Sub bajos en mono Mono L amp R DS 8 2 way 8 system from DAS s Dynamics series sistema de dos vias y 8 de la serie Dynamics de DAS Underbalcony Bajo el anfiteatro Series y ST Manual de Usuario and 57 Series Users Manual 68 6 4 Medium sized disco system ST 15 suspended around the dance floor Horizontal position Horn rotated ST 15 colgadas alrededor de la pista de baile en posici n horizontal con la trompeta girada ST 218 Subwoofer mono ground array Low profile low ceiling use Utilizaci n de bajo perfil para E o de sub bajos sobre el techos bajos ST 15 suspended around the dance floor Horizontal position Horn rotated ST 15 colgadas alrededor de la pista de baile en posici n horizontal con la trompeta girada R 115 DJ monitor R 112 Bar or secondary area fill Refuerzo para la barra o zonas secundarias Series y ST Manual de Usuario and 57 Series Users Manual 69 6 5 Large disco system R 212 suspended around the dance floor Horizontal position R 212 colgadas alrededor de la pista de baile en posici n horizontal Low profile low ceiling use Utilizaci n de bajo perfil para ST 218 techos bajos Subwoofer mono grou
5. 1 Dimensions Hx Wx D 47x64x60cm 71x51x38cm 71 51 73 46x54x62cm 71 55 45 84x55x59cm 103 x 70x 84 101 x 70x 85 cm 18 5x25x23 5 in 28 20 15 28 20 29 in 18 21 24 5 28x22x17 5 in 33x22x23 5 in 40 5 27 5 33 in 40x27 5x33 5 in Rigging eyebolts Ancra Track eyebolts eyebolts Weight 28 kg 62 Ibs 33 kg 73 lbs 50 kg 110 Ibs 28 6 kg 63 Ibs 49 kg 107 8 lbs 62 kg 136 4 lbs 75 kg 165 5 lbs 82 kg 181 Ibs Shipping Weight 31 5 kg 82 lbs 37 5 kg 82 lbs 54 kg 118 lbs 31 8 kg 70 lbs 52 kg 114 4 lbs 70 kg 154lbs 83 183 lbs 90 kg 199 lbs 1 Height includes 1cm corresponding to the rubber feet on the bottom of the enclosures Depth includes wheels if applicable P Conventionally 3 dB higher than the RMS measure although this already utilises a programme signal K Corresponds to the standard 6 dB crest factor F As per IEC 268 5 1989 10 dB Half space anechoic practice cable and connector impedance has to be added to all impedance values For the HF sections of models ST 112 and ST 215 impedance value that complied with IEC 268 5 would be 12 ohms S IEC average B Average of one third octave band measures Computed from polar information measured at two degree angular and 1 24th octave frequency resolution AUTOPOL a platform consisting of custom and cu
6. long throw Transport wheels Series y ST Manual de Usuario and 57 Series Users Manual 43 PRODUCT SUB 18R 5 O 92 90 N E NUS JO Fo p e gt gt FS o FEATURES APPLICATIONS Sub woofer system e Low frequency reinforcement for fixed Rectangular enclosure installations Pubs bands theatres Tripod socket for mid high enclosures 1 x 18 woofer Medium power Medium sensitivity Sub woofer system e Low frequency reinforcement for fixed Rectangular enclosure installations and mobile applications Live 2 x 18 woofers sound theatres discos High power Medium sensitivity Two way mid high full range system e Low profile stage monitor wedge Tripod socket Passive full range use 1 x 15 mid high speaker Neodymium magnet medium format compression driver Medium power Medium sensitivity Short medium throw Left and right shown versions Two way mid high full range system e Sound reinforcement for fixed installations and Low profile multi angle enclosure mobile applications Theatres discos Always Tripod socket use sub woofer complement Bi amplified and passive full range modes 1 15 mid high speaker e High power low profile system for low ceiling N
7. series Z7 MANUAL DEL USUARIO USER S GUIDE 22 Precauciones de Seguridad El signo de exclamaci n dentro de un tri ngulo indica la existencia de importantes instrucciones de operaci n y mantenimiento en la documentaci n que acompa a al producto El doble cuadrado indica equipo de Clase 2 No exponga este equipo a lluvia o humedad No emplace altavoces en proximidad a equipos sensibles a campos magn ticos tales como monitores de televisi n o material magn tico de almacenamiento de datos No existen partes ajustables por el usuario en el interior de este equipo Altura m xima de seguridad desde el suelo a la base de la caja montada sobre tr pode modelo TRD 2 pies a su m xima extensi n R 112 112 cm R 115 99 cm ST 015 115 cm ST 15 112 cm ST 32 107 cm El resto de los modelos no se pueden montar en tr pode Safety Precautions The exclamation point inside an equilateral triangle is intended to alert the users to the presence of important operating and maintenance servicing instructions in the literature accompanying the product The double square indicates Class 2 device Do not expose this device to rain or moisture Do not place loudspeakers in proximity to devices sensitive to magnetic fields such as television monitors or data storage magnetic material No user serviceable parts inside Maximum safety height from floor to bottom of enclosure when mounting on a
8. 1 x 18 woofer High power High sensitivity Folded horn sub woofer system Rectangular enclosure 2 x 18 woofers High power High sensitivity Transport wheels APPLICATIONS Sound reinforcement for fixed installations and mobile applications Touring large scale discos Always use sub woofer complement Vocal system for speech applications and background music in large spaces Sound reinforcement for fixed installations and mobile applications Touring large scale discos Use sub woofer complement Vocal system for speech applications and background music in large spaces Sound reinforcement for fixed installations and mobile applications Touring Use sub woofer complement Sound reinforcement in large spaces Low frequency reinforcement for fixed installations and medium sized mobile applications Pubs bands Low frequency reinforcement for fixed installations and mobile applications Live sound touring discos Series y ST Manual de Usuario and 57 Series Users Manual 45 z CONNECTIONS 2 1 Wiring and ST series enclosures utilise two four pin NL8 eight pin Neutrik Speakon connectors These connectors are specific for speaker use and allow a safe and professional connection Models ST 112 ST 215 ST 18 and ST 218 use NL8 the rest use NL4 For plugging into an enclosure insert the male connector into any of the inputs and rotate it clockwise It will then lock into place and be rea
9. 11dB 6dB 20 95 13dB 5dB 120 11dB 4dB 140 9dB 5dB 160 8dB 4dB 30 110 12dB 4dB 160 8dB 2dB 175 8dB 4dB 215 5dB 3dB 402 1259 11dB 3dB 190 6dB 1dB 200 6dB 3dB 260 3dB 2dB 50 145 10dB 2dB 215 4dB 0dB 240 5dB 3dB 315 2dB 1dB Vertical Nr of elements Splay angle 2 3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 45 13dB 40 1748 5dB 30 20dB 8dB 15 21 10dB 159 23dB 11dB 109 55 16dB 5dB 60 15dB 6dB 759 14dB 6dB 859 13dB 6dB 202 70 14dB 3dB 105 11dB 3dB 120 10dB 4dB 140 8dB 3dB 30 95 12dB 2dB 140 8dB 1dB 155 8dB 2dB 200 5dB 1dB 40 120 9dB 0dB 165 1dB 200 5dB 1dB 250 4dB 1dB 50 145 7dB 2dB 185 6dB 0dB 255 3dB 1dB 280 3dB 1dB Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 90 9dB OdB 85 14dB 5dB 60 16dB 8dB 25 18dB 10dB 15 20dB 11dB 1 09 90 13dB 5dB 95 13dB 6dB 105 13dB 7dB 115 11dB 7dB 20 100 13dB 5dB 120 11dB 5dB 145 9dB 5dB 160 8dB 5dB 3 09 115 12dB 4dB 155 8dB 3dB 175 7dB 4dB 205 4dB 402 125 4dB 195 5dB 1dB 200 7dB 4dB 260 2dB 2dB 50 140 10dB 3dB 225 3dB 0dB 230 6dB 3dB 325 1dB 1dB Vertical Series R y ST Manual de Usuario 7
10. 5dB 1059 1388 6dB 100 13dB 8dB 120 7dB 20 105 13dB 5dB 125 11dB 6dB 145 9dB 5dB 160 8dB 5dB 30 115 1248 4dB 155 8dB 3dB 1757 8dB 4dB 210 4dB 40 130 11dB 4dB 205 5dB 1dB 200 7dB 4dB 280 3dB 2dB 50 145 10dB 3dB 2259 3dB 1dB 245 6dB 3dB 325 2 1dB Vertical Nr of elements Splay angle 2 3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 0 85 9dB 0dB 73 14dB 5dB 35 174 8dB 25 19dB 10dB 159 20dB 11dB 1 0 85 144 5dB 100 13dB 6dB 100 13dB 7dB 120 11dB 7dB 20 100 13dB 5dB 130 11dB 5dB 145 9dB 5dB 175 7dB 4dB 30 120 11dB 4dB 165 8dB 3dB 190 7dB 3dB 210 548 4dB 409 140 104 3dB 200 5dB 1dB 210 3dB 275 3dB 2dB 5 0 160 9dB 2dB 225 4dB 0dB 270 5dB 3dB 325 2dB 1dB Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 360 1dB 0dB 360 4dB 6dB 2759 5dB 10dB 1509 7dB 12dB 110 9dB 14dB 1 09 360 548 6dB 175 10dB DS 9dB 12dB 90 11dB 14dB 20 360 5dB 6dB 140 7dB 9dB 100 10dB 12dB 85 11dB 13dB 309 280 6dB 120 8dB 9dB 90 10dB 11dB 85 9dB 11dB 40 270 6dB 6dB 110 9dB 9dB 90 9dB 9dB 110 5dB 8dB 50 265
11. 65 14dB 5dB 80 14dB 7dB 100 13dB 7dB 110 12dB 7dB 20 80 13dB 5dB 130 10dB 4dB 140 9dB 5dB 175 6dB 3dB 30 115 12dB 4dB 160 7dB 2dB 180 7dB 3dB 210 5dB 3dB 40 135 10dB 3dB 200 5dB 1dB 205 6dB 3dB 270 3dB 2dB 50 155 8dB 2dB 220 4dB 0dB 255 2dB 325 2dB 1dB Horizontal Nr of elements Splay angle 2 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 60 13dB 0dB 45 18dB 5dB 35 204 8dB 20 22dB 10dB 10 24dB 11dB 1 09 55 1748 5dB 60 16dB 5dB 70 154 6dB 859 13dB 6dB 209 65 154 4dB 100 124 3dB 110 11dB 4dB 145 2dB 309 80 13dB 3dB 135 8dB 1dB 1559 8dB 2dB 185 5dB 2dB 40 105 1dB 165 5dB 0dB 185 6dB 1dB 245 3dB 0dB 50 125 9dB 0dB 190 4dB 1dB 220 4dB 0dB 275 2dB 0dB Vertical Nr of elements Splay angle xl x2 x3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 55 13dB 0dB 45 17dB 5dB 30 20dB 8dB 20 22dB 9dB 159 24dB 11dB 1 0 50 17dB 5dB 60 15dB 5dB 70 14dB 6dB 85 13dB 6dB 20 65 15dB 4dB 100 11dB 3dB 145 11dB 4dB 150 2dB 309 85 1348 3dB 135 8dB 1dB 155 7 2 185 5dB 2dB 40 110 11dB 1dB 170 5dB 0dB 190 5dB 1dB 240 3dB 1dB 50 135 8dB 0dB 195 4dB 1dB 235 4dB 0dB 280 1dB 0dB Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variabl
12. Sunset Palmetto Park 6816 NW 77th Court Miami FL Fax 96 134 0607 Fax Intl 34 96 134 0607 33166 U S A Tel 305 436 0521 Fax 305 436 0528 http WWw dasaud 0 SOUND PRODUCTS
13. and 57 Series User s Manual 58 Nr of elements R 215 Splay angle xl x2 x3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 50 12dB 0dB 45 17dB 5dB 30 19dB 7dB 20 21dB 9dB 159 23dB 11dB 109 55 164 4dB 60 154 5dB 70 14dB 6dB 85 13dB 6dB 20 65 14dB 4dB 105 11dB 3dB 125 10dB 4dB 150 8dB 3dB 309 959 12dB 2dB 1459 8dB 1dB 160 7dB 2dB 200 5dB 2dB 40 115 10dB 1dB 170 6dB 0dB 195 6dB 1dB 250 3dB 1dB 50 135 8dB 1dB 195 5dB 0dB 225 4dB 0dB 285 2dB 0dB SUB 18R Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 360 1dB 0dB 360 3dB 6dB 360 5dB 10dB 250 6dB 12dB 110 9dB 14dB 1 09 360 4dB 6dB 360 5dB 9dB 130 7dB 12dB 95 10dB 14dB 20 360 4dB 6dB 260 6dB 9dB 1159 8dB 12dB 90 9dB 13dB 30 360 4dB 6dB 255 9dB 110 8dB 11dB 95 8dB 12dB 40 360 4dB 6dB 255 9dB 1115 10dB 110 10dB 50 360 4dB 6dB 255 6dB 8dB 1258 9dB 130 548 8dB Vertical Nr of elements Splay angle 2 3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 360 1
14. balanced and balanced There are two basic ways to transport an audio signal with microphone or line level Un balanced line Utilising a two conductor cable it transports the signal as the voltage between them Electro magnetic interference can get added to the signal as undesired noise Connectors that carry un balanced signals have two pins such as RCA Phono and 6 35 mm often referred to as jack mono 3 pin connector such as XLR Cannon may also carry un balanced signals if one of the pins is unused Balanced line Utilising a three conductor cable one of them acts as a shield against electro magnetic noise and is the ground conductor The other two have the same voltage with respect to the ground conductor but with opposite signs The noise that cannot be rejected by the shield affects both signal conductors the same way At the device s input the two signals get summed with opposite sign so that noise is cancelled out while the programme signal doubles in level Most professional audio devices use balanced inputs and outputs Connectors that can carry balanced signal have three pins such as XLR Cannon and 6 35 mm stereo The graphs that follow show the recommended connection with different types of connectors to balanced processor or amplifier inputs The connectors on the left hand side come from a signal source and the ones on the right hand side go to the inputs of the processor or amplifier
15. can also be used for applications outside disco club since it is factory shipped with appropriate crossover frequencies which cannot be accidentally modified 4 MID BASS zm 4 Full range 2 62 4 gt MID BASS CT 2000 2 2 bi amp Figures show the block diagram and basic set up The SUB 18R is a bass unit for active systems so an electronic crossover will be required with a crossover frequency set in the range from 80 to 160 Hz One of such units capable of driving two way active systems is the D A S CT 1 which features a mid high stereo output and a monophonic subwoofer output with a crossover frequency of 100 Hz 2 2 H 1 1 1 A SUB 218 Figures show the block diagram and basic set up The SUB 218 is a bass unit for active systems so an electronic crossover will be required with a crossover frequency set in the range from 80 to 160 Hz One of such units capable of driving two way active systems is the D A S CT 1 which features a mid high stereo output and a monophonic subwoofer output with a crossover frequency of 100 Hz H 2 S 2 4 4 1 Figures show the block diagram and basic set up for model ST 015 2 1 1 gt 5 015 Lin 1 2 Lin 1 Figures show the block diagram and basic set up A switch located at the input connector plate allows to change between passive full range and bi amplified u
16. controllers Figures show the block diagram and basic set up for model R 214 4 s TOWN RZ Figures show the block diagram and basic set up A switch located at the input connector plate allows to change between passive full range and bi amplified use In passive use the acoustical high frequency rolloff of the low frequency section is used to crossover to the mid high frequency section which utilises an equalised highpass filter network When using the system Model CT 1 CT 1000 CT 1500 CT 1800 CT 2000 i Type Stereo Mono in active bi amplified Modes Full range 2 way 2 way 3 way 2 way 3 way 2 way 3 way mode use the D A S CT Limiters Variable per way 2000 monophonic Gain Controls Low Low Mid High Low High Low Mid High electronic processor or a Xover freqs 100 Hz 1200 160 2 125 1200 2 1200 125 1200 Hz 125 1200 Hz 24 dB octave electronic The following table shows the controller for each system with or without subwoofer reinforcement Stand alone With subwoofer Model reinforcement SUB 18R 218 ST 18 218 R 112 R 115 R 214 None 1 R 212 R 215 None CT 1 in passive mode R 212 R 215 CT 2000 CT 2000 in active mode CT 1000 CT 1000 ST 15 None CT 1 in passive mode ST 15 CT 1000 CT 1000 in active mode ST 015 ST 32 None Not available ST 110 Not available CT 1
17. each channel of a stereo amplifier or the mid frequency band of an ST 112 Use the four ohm table when connecting two eight ohm speakers to an amplifier channel For instance two R 115 Series y ST Manual de Usuario and 57 Series Users Manual Avoid series or series parallel wiring schemes for ST and R series products since they degrade sound quality and thus we do not recommend them for applications other than background music paging or surround sound 46 2 2 Basic connection This section provides information on the pin assignments and basic set up for the different enclosures The System Configurations section adds stereo system configurations with or without sub woofer reinforcement The Application Examples section adds complete application specific system examples Some models due to the complexities of their electronic processing require the indicated D A S controller for the system to run correctly Others may use generic crossover units with recommended settings although the use of the D A S processors 15 recommended In general we stress the importance of the use of the DAS processors since they are shipped with set energy balances and crossover frequencies and adjustments cannot be made that could endanger system components By using the DAS processors we can ensure the correctness of the sound and the reliability of the systems The following table shows the basic features of the DAS CT
18. for systems that have tripod capability The TRD 4 is a 35 mm pole that raises the top box 51 21 Do not mount systems this way on sloped surfaces 3 4 Stage monitor use Operation angles for boxes capable of monitor use are illustrated below o 52 cm 20 5 45 cm 18 D 7 A 47 18 5 50 A 5077 ST 15 ST 015 3 5 Rotating the horns Models ST 15 and R 212 have rotatable horns This allows maintaining the original horn characteristics wider horizontal coverage than vertical when mounted in horizontal position This feature is particularly useful in low ceiling rooms To rotate the horns you will need to remove the front grille first then the horn Then carefully rotate the horn 90 degrees being careful not to disconnect the wires Then screw the horn back into place and replace the grille T o J5 H o ZF NS 3 6 Weather resistance R and ST series cabinets are manufactured from phenolic plywood finished with a special polyurethane paint that protects the wood from water and humidity Additionally ST series units have an acoustically transparent cloth that will further protect the components from the rain Speaker cones are pr
19. kg 83 6 Ibs 52 kg 114 5 lbs 60 kg 132 lbs 40 3 kg 89 lbs 59 kg 130 Ibs Shipping Weight 28 kg 61 6 Ibs 33 kg 72 6 Ibs 41 2 kg 90 6 lbs 55 kg 122 lbs 66 kg 144 lbs 43 3 kg 95 lbs 64 kg 140 5 Ibs S EC average http www dasaudio com 1 Height includes 1cm corresponding to the rubber feet on the bottom of the enclosures P Conventionally 3 dB higher than the RMS measure although this already utilises a programme signal K Corresponds to the standard 6 dB crest factor F As per IEC 268 5 1989 10 dB Half space anechoic In practice cable and connector impedance has to be added to all impedance values Average of one third octave band measures Computed from polar information measured at two degree angular and 1 24th octave frequency resolution AUTOPOL a platform consisting of custom and customised hardware and software was used for the automated high resolution acquisition and post processing of directivity data The digital storage of the data allows further processing and conversion to other software formats There is currently no standard method of averaging the beamwidth with frequency characteristics into a single meaningful figure which impedes comparisons across manufacturers and very often even product lines This our own criterion weighs the 6 dB coverage angles from one octave bands according to their contribution to speech int
20. of elements Splay angle 2 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 100 8dB 90 13dB 5dB 45 15dB 8dB 25 17dB 10dB 20 19dB 12dB 10 100 12dB 5dB 105 13dB 7dB 105 13dB 8dB 125 8dB 202 110 12dB 5dB 130 11dB 6dB 155 9dB 5dB 170 8dB 5dB 30 1259 11dB 5dB 160 8dB 4dB 185 7dB 4dB 215 4dB 402 135 4dB 210 5dB 2dB 210 4dB 285 3dB 3dB 50 155 10dB 3dB 240 3dB 1dB 265 6dB 4dB 335 1dB 2dB Vertical Nr of elements Splay angle xl x2 x3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 60 11dB 0dB 50 15dB 5dB 30 17dB 8dB 25 19dB 10dB 15 21dB 12dB 10 65 14dB 5dB 60 14dB 6dB 80 14dB 7dB 115 12dB 7dB 20 105 12dB 4dB 130 10dB 4dB 150 9dB 4dB 170 8dB 4dB 3 09 145 10dB 2dB 185 2 190 2dB 200 3dB 402 175 8dB 0dB 220 5dB 0dB 215 5dB 1dB 2859 4dB 2dB 50 190 7dB 1dB 230 4dB 0dB 275 4dB 1dB 325 2dB 1dB Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 859 104 0dB 75 154 5dB 30 174 8dB 20 19dB 10dB 159 21dB 12dB 1 09 859 14dB 5dB 90 14dB 6dB 100 13dB 7dB 115
21. output corresponds to the sum of the two input channels R 212 215 with SUB 218 bi or tri amplified three way systems Use ST 218 bins when a turbulent bass sound with lots of punch is desired and the SUB 18R when a cleaner deeper bass is preferred ST 218 R 2000 is recommended for outdoor use Controller CT 2000 can also be exchanged for CT 1000 for the tri amplified system 1200 Hz 125 Hz CT 2000 1200 Hz 125 Hz CT 2000 the CT 1 s subwoofer output corresponds to the sum of the two input channels ST 1000 in bi or tri amplified modes The ST 1000 system is the combination of ST 15 and ST 18 For bigger systems the ST 18 can be replaced with smaller numbers of ST 218 ST 18 218 can be replaced with SUB 18R 218 1200 Hz 125 Hz CT 1000 1200 Hz 125 Hz CT 1000 the CT 1 s subwoofer output corresponds to the sum of the two input channels Series y ST Manual de Usuario and 57 Series Users Manual 65 ST 1500 ST 1500 system 15 the combination of ST 110 and ST 218
22. 0 1dB 0dB 265 548 6dB 130 8dB 10dB 95 10dB 12dB 75 12dB 14dB 10 260 6dB 110 9dB 9dB 80 12dB 12dB 60 13dB 14dB 20 165 6dB 90 10dB 9dB 70 12dB 11dB 70 11dB 12dB 30 135 8dB 6dB 80 11dB 9dB 70 10dB 10dB 360 7dB 8dB 40 125 8dB 6dB 75 11dB 8dB 215 7dB 7dB 360 1dB 4dB 50 115 9dB 5dB 75 10dB 7dB 360 3dB 4dB 330 1dB 2dB Vertical Nr of elements Splay angle xl x2 x3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 360 2dB 0dB 265 6dB 130 8dB 10dB 90 12dB 75 13dB 14dB 109 185 7dB 6dB 105 10dB 9dB 759 12dB 12dB 60 13dB 13dB 202 155 6dB 90 11dB 9dB 70 12dB 11dB 65 11dB 12dB 3 09 135 8dB 6dB 80 11dB 9dB 70 10dB 9dB 360 7dB 8dB 40 120 8dB 6dB 75 11dB 8dB 215 7dB 7dB 360 2dB 4dB 50 115 9dB 5dB 70 10dB 6dB 360 3dB 3dB 325 1dB 3dB Series y ST Manual de Usuario and 57 Series Users Manual 5 1 Stereo full range R 112 R 115 R 214 R 215 in active or passive mode Controller CT 2000 can also be exchanged for CT 1000 for the active mode CT 2000 CT 2000 ST 15 As a monitor wedge the ST 15 can be use
23. 110 12dB 3dB 160 7dB 2dB 1759 8dB 4dB 210 5dB 3dB 40 125 11dB 2dB 185 6dB 1dB 200 7dB 3dB 2559 3dB 2dB 50 140 9dB 2dB 210 5dB 1dB 230 5dB 2dB 315 2dB 1dB Vertical Nr of elements Splay angle xl x2 x3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 85 10dB 0 759 15dB 5dB 40 174 8dB 25 19dB 9dB 10 21dB 11dB 1 09 80 14dB 4dB 95 124 5dB 959 13dB 6dB 125 104 6dB 202 95 13dB 4dB 125 104 4dB 135 10dB 4dB 160 8dB 5dB 30 110 12dB 3dB 185 8dB 2dB 170 8dB 4dB 205 5 3dB 402 120 11dB 2dB 185 6dB 1dB 200 7dB 3dB 255 2dB 50 135 10dB 2dB 210 5dB 1dB 230 6dB 2dB 315 2dB 1dB Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 80 10dB 0dB 759 15dB 5dB 45 174 8dB 20 194 10dB 10 21dB 11dB 1 09 80 14dB 5dB 859 14dB 6dB 100 13dB 7dB 110 12dB 6dB 20 90 14dB 5dB 120 11dB 4dB 135 10dB 5dB 155 8dB 4dB 30 100 12dB 4dB 145 8dB 2dB 165 8dB 4dB 205 5 3dB 402 120 3dB 185 5dB 1dB 195 7dB 3dB 260 3dB 1dB 50 135 10dB 2dB 210 4dB 0dB 230 6dB 3dB 315 1dB 0dB Vertical Nr of elements Splay angle xl x2 x3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 759 104 0dB 65 14dB 5dB 35 17dB 8dB 25 19dB 10dB 159 21dB 12dB 1 09
24. 500 ST 112 Not available CT 1800 ST 215 CT 2000 CT 2000 If you wish to use a programmable digital processor contact your DAS distributor to get a list of set up parameters for your system R 112 115 Figures show the block diagram and basic set up for models R 112 and R 115 300 to 400 watts of amplifier power are recommended for the R 112 and 350 to 450 W for the R 115 1 1 112 115 Series y ST Manual de Usuario and 57 Series Users Manual crossover unit with the crossover frequency set to 1200 Hz We thoroughly recommend the use of the D A S CT 2000 CT 1000 can also be used for applications outside disco club since it is factory shipped with appropriate crossover frequencies which cannot be accidentally modified CT 2000 bi amp 2 2 Figures show the block diagram and basic set up A switch located at the input connector plate allows to change between passive full range and bi amplified use In passive use the acoustical high frequency rolloff of the low frequency section is used to crossover to the mid high frequency section which utilises an equalised highpass filter network When using the system in active bi amplified mode use the D A S CT 2000 monophonic electronic processor or a 24 dB octave electronic crossover unit with the crossover frequency set to 1200 Hz We thoroughly recommend the use of the D A S CT 2000 CT 1000
25. 6dB 6dB 105 9dB 8dB 100 7dB 7dB 360 3dB 5dB Vertical Nr of elements Splay angle xl x2 x3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 360 1dB 0dB 360 4dB 6dB 275 10dB 145 7dB 12dB 105 9dB 14dB 1 09 360 548 6dB 165 10dB 110 9dB 12dB 85 11dB 14dB 202 285 5dB 6dB 139 8dB 9dB 959 10dB 11dB 80 11dB 13dB 3 09 275 6dB 6dB 115 9dB 9dB 90 10dB 10dB 85 9dB 11dB 40 265 6dB 6dB 105 9dB 9dB 90 9dB 9dB 230 5dB 7dB 50 260 6dB 959 9dB 8dB 959 7dB 360 2dB 5dB Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 85 10dB 0dB 75 15dB 5dB 40 174 8dB 25 19dB 9dB 10 21dB 11dB 1 09 80 14dB 4dB 100 124 5dB 100 13dB 6dB 125 104 6dB 202 959 13dB 4dB 1259 10dB 4dB 140 9dB 4dB 160 8dB 5dB Series R y ST Manual de Usuario A and 57 Series User s Manual 60 ST 32 30
26. B 133 dB 123 dB 137 dB 139 dB MF 143 dB 139 dB HF 128 dB HF 136 dB HF 137 dB 8 Nominal 6 dB Beamwidths 90 x65 85 x70 FULL 360 80 Horizontal 80 Horizontal 55 Horizontal 45 Horizontal 360 coverage angles 500 8k Hz 85 x80 Horizontal 80 Vertical 70 Vertical 50 Vertical 40 Vertical Horizontal BIAMP 360 Vertical 500 8k Hz 500 8k Hz 500 8k Hz nominal 360 Vertical 500 8k Hz 100 Hz 100 Hz Speech Coverage Angles 90 x70 90 x75 FULL 80 Horizontal 85 Horizontal 60 Horizontal 65 Horizontal 90 x85 80 Vertical 85 Vertical 60 Vertical 60 Vertical BIAMP Transducers LF 15BN LF 15B 18G LF 15BCX LF 10B LF 12B LF 2 x 15B 2 x 18G Replacement Parts GM 15B GM 15B GM 18G GM 15B GM 10B GM 12B GM 15B GM 18G HF M 10N HF ND 10 HF 15BCX HF ND 10 HF ND 10 HF ND 8 GM M 10 GM K 8 GM M 5 GM K 8 GM K 8 GM K 8 HF protection capacitance 44 uf Handles Bar handles Hand locations Enclosure Material Composite Wisa birch plywood Finish Black catalysed polyurethane paint Enclosure shape Wedge multi Multi angle Rectangular Wedge multi Trapezoidal Trapezoidal Trapezoidal Rectangular angle angle Connector Speakon NL4 Speakon NL4 Speakon NL8 Speakon NL4 Speakon NL4 Speakon NL8 Speakon NL8 Speakon NL8 1 1 LF FL 1 1 1 1 1 1 2 2 MF 2 2 MF 2 2 1 1 HF 2 2 HF 3 3 HF 3 3
27. Note that on the un balanced connectors on the left hand side two terminals are joined inside the connector If hum occurs with balanced to balanced connections try disconnecting the sleeve ground on the input connector 2 2 G 3 3 Balanced XLR Cannon to Balanced XLR 2 2 Unbalanced XLR Cannon to Balanced XLR 3 5 Balanced 1 4 Jack to Balanced XLR Cannon RCA Phono to Balanced XLR Cannon 5 Unbalanced 1 4 Jack to Balanced XLR Cannon S S Balanced 1 4 Jack to Balanced 1 4 Jack S S Unbalanced 1 4 Jack to Balanced 1 4 Jack S RCA Phono to Balanced 1 4 Jack Series y ST Manual de Usuario and 57 Series Users Manual 11 Appendix Contact details for flying hardware manufacturers ATM Fly Ware ATM provides a wide range of flying hardware and accessories ATM Fly Ware 21000 South Wilmington Ave Carson CA 90810 1247 UNITED STATES OF AMERICA Tel 888 RIG MORE toll free from USA only Tel 1 310 834 5914 Fax 1 310 834 3042 E mail clientservice atmflyware com Web http www atmflyware com In Europe Autograph Sales 102 Grafton Road London 5 UK Tel 44 0171 482 3300 Fax 44 0171 482 4484 E mail sales autograph co uk Web http www autograph co uk ATM has selected from their catalogue the appropriate truss modules for the following enclosures Mode
28. TRD 2 tripod with legs fully open R 112 112 115 99 cm ST 015 115 cm ST 15 112 ST 32 107 cm The rest of the models are not tripod mountable Sicherheitshinweise Das Ausrufezeichen im weist auf inhaltlich besonders wichtige Erkl rungen des nebenstehenden Textes hin Das doppelte Viereck bedeutet daf es sich um der Klasse 2 handelt Dieses Ger t nicht dem Regen oder extremer Feuchtigkeit aussetzen Plazieren Sie Lautsprecher nicht in der N he von Ger ten die empfindlich auf magnetische Felder sind z B Fernsehmonitore magnetische Datenmedien Es sind keine vom Anwender einstellbaren Teile im Ger t enthalten Maximale H he des Unterteils der Box bis zum Boden wenn auf dem St nder TRD 2 mit voll aufgeklappten Gestell montiert R 112 112 cm R 115 99 cm ST 015 115 cm ST 15 112 cm ST 32 107 cm Restliche Typen k nnen nicht auf Lautsprecherstative montiert werden R gles de S curit Le point d exclamation dans un triangle quilat ral alerte signale la pr sence d informations importantes de fonctionnement et de maintenance dans le manuel qui accompagne le produit Le double carr circonscrit indique un appareil de Classe 2 Ne pas exposer l appareil la pluie ou l humidit Ne pas disposer ces enceintes proximit d appareils ou supports sensibles aux champs magn tiques tels que moniteurs vid o t l vision ou diskettes
29. ally loaded with 142 Kg When flying a system the working load must be lower than the resistance of each individual flying point in the enclosure Hanging hardware should be regularly inspected and suspect units replaced if in doubt This is important to avoid injury and absolutely no risks should be taken on this respect It is highly recommended that you implement an inspection and maintenance programme on flying elements including reports to be filled out by the personnel that will carry out the inspections Local regulations may exist that in case of accident may require you to present evidence of inspection reports and corrective actions after defects were found Absolutely no risks should be taken with regards to public safety When flying enclosures from ceiling support structures extreme care should be taken to assure the load bearing capabilities of the structures so that the installation is absolutely safe Do not fly enclosures from unsafe structures Consult a certified professional if needed 4 1 Introduction Flyable ST and R series models feature 4 internal steel angles with 4 mounting threads each so that 16 flying points are available 4 on each side 4 on the top panel and 4 on the bottom panel Eyebolt flying points are factory sealed with M10 screws which are replaced with eyebolts on the flying points as required Flying with eyebolts is very economical and safe and is specially recommended for fixed installa
30. ated to handle the required load When using eyebolts it is important to bear in mind that the rated working load 15 only true for a load applied in the plane of the eye and 15 significantly reduced for other angles The drawing illustrates the concept The table shows the variation of the working load as a function of the load angle In the case of the ANL 2 eyebolt this means that the 200 kg working load becomes 60 kg at 45 degrees Do not use eyebolt flying if the load angle 15 higher than 45 degrees 0 degrees 30 degrees 45 degrees More than 45 degrees z e 100 65 30 25 The following illustrations show different views on eyebolt flying for a single box The length of the back cables or chains determines the vertical angle of the box Series y ST Manual de Usuario and 57 Series Users Manual 52 The following illustrations show different views on eyebolt flying for a two box column ASADAS 7 AS Series y ST Manual de Usuario and 57 Series Users Manual 53 4 3 Flying with AncraTrack 90 gt 225 Kg The optional ANL 3 set comprises one do
31. ation sheets 1 1 Series features High frequency compression drivers with pure titanium diaphragms and Neodymium magnet structures except models with small format HF drivers which use ferrite magnets Rugged enclosures manufactured from Finnish Wisa plywood for rigidity and durability except SUB 18R MDF wood Bar handles or hand locations for easy transport Finished in catalysed polyurethane black paint that provides protection against the elements and abrasion The finish may be painted on to complement the decor Polyamide powder coated front grilles prevent corrosion and maintain good looks On the ST series the grilles are covered with acoustically transparent cloth for protection against rain dust and dirt Dual NL4 or NL8 model dependent Speakon input output connectors Tripod mountable models for which size allows Flying points eyebolt based or AncraTrack eyebolt according to model Except ST 32 ST 015 and SUB 18R Optional flying accessories Series y ST Manual de Usuario and 57 Series Users Manual 42 1 2 Models features PRODUCT FEATURES APPLICATIONS R 112 Two way full range system e Sound reinforcement for fixed installations Pubs Trapezoidal enclosure restaurants discos indoor sport arenas Stand Tripod socket alone or subwoofer reinforced 1 2 Passive full range use 1 12 woofer Secondary area fills Small format compression driver with ASC protection Medium power M
32. cessor 15 required use the processor specified for the mid high unit 1 1 ETA TE LANDA Series y ST Manual de Usuario and 57 Series Users Manual D MID BASS 49 3 1 Placement Place the speakers ahead of the microphones Feedback occurs when the microphones pick up the sound that comes out of the speakers and feed it back to the system Feedback can cause damage to the speaker system If space is limited direct the speakers towards areas where there are no microphones to minimise feedback When using a turntable place the speakers far from the turntables If the speaker signal is picked up by the stylus and re amplified low frequency howling will occur The use of a very heavy base for the turntable is recommended Bass output for bass cabinets in general will increase when placed against floors and or walls In this case you may need to attenuate the gain of the low frequency section or use attenuation on the low frequency equalisation 3 2 Tripod use The more portable models feature a tripod socket for use with standard 35 mm tripods such as the D A S TRD 2 Be careful not to raise the units too high on the tripod as they may become unstable Do not use a tripod on sloped surfaces 3 3 Use on SUB 18R 5 18 with TRD 4 SC The top panel of models SUB 18R and ST 18 features a tripod socket for use with standard 35 mm poles This allows pole mounting
33. custom and customised hardware and software was used for automated high resolution array predictions Predictions for the 500 8k Hz band may overestimate the coverage angle which can reach lower values at specific frequencies Horizontal Nr of elements Splay angle 1x 2x 3x 4 5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 100 9dB 0dB 90 13dB 548 65 1648 8dB 30 1888 10dB 15 2048 11dB 10 95 13dB 548 100 I3dB 6dB 100 13dB 848 120 7dB 20 105 13dB 548 125 54 145 9dB 548 160 5dB 30 115 I2dB 448 160 8dB 175 8dB 5 220 5dB 3dB 40 130 448 190 2dB 210 6dB 4dB 275 2dB 50 145 10dB 3dB 220 4dB IdB 255 6dB 3dB 315 2dB 2dB Vertical Nr of elements Splay angle 2 3 4 5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 75 10dB OdB 70 1548 548 30 1748 848 25 1948 10dB 15 2148 11dB 10 80 548 90 13dB 6dB 90 13dB 748 110 6dB 20 90 13dB 448 120 4dB 135 9dB 448 165 7 4dB 309 1059 448 150 8dB 3dB 170 7dB 3dB 205 5dB 3dB 40 125 3dB 185 6dB 2dB 205 6dB 3dB 270 3dB 2dB 50 145 9dB 2dB 210 5dB IdB 245 5dB 2 300 2dB Horiz
34. d as a stand alone enclosure in active or passive modes 1000 ST 015 ST 32 Series y ST Manual de Usuario and 57 Series Users Manual 63 ST 215 ST 215 will normally be used combination with subwoofers However for speech only applications it can be used as a stand alone enclosure CT 2000 2000 5 2 Stereo with subwoofers R 112 R 115 R 214 con SUB 18R the CT 1 s subwoofer output corresponds to the sum of the two input channels R 2000 Bi or tri amplified The R 2000 system is the combination of R 215 and ST 218 The same configurations are possible with R 212 Controller CT 2000 can also be exchanged for CT 1000 for the tri amplified system 1200 Hz 125 Hz CT 2000 1200 Hz 125 Hz CT 2000 Series y ST Manual de Usuario and 57 Series Users Manual 64 the CT 1 s subwoofer
35. dB 0dB 360 3dB 6dB 360 5dB 10dB 250 6dB 12dB 110 9dB 14dB 1 09 360 4dB 6dB 360 5dB 9dB 130 12dB 95 10dB 14dB 202 360 4dB 6dB 260 6dB 9dB 115 8dB 12dB 90 9dB 13dB 30 360 4dB 6dB 255 6dB 9dB 110 8dB 11dB 95 8dB 11dB 40 360 4dB 6dB 255 6dB 9dB 115 7dB 10dB 110 7dB 10dB 50 360 4dB 6dB 255 6dB 8dB 125 6dB 9dB 130 548 8dB SUB 218 Horizontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 360 1dB 0dB 360 4dB 6dB 360 5dB 10dB 135 7dB 12dB 100 10dB 14dB 1 09 360 4dB 6dB 260 9dB 115 9dB 12dB 85 10dB 14dB 20 360 4dB 6dB 199 9dB 105 9dB 11dB 85 10dB 13dB 3 09 360 548 6dB 140 9dB 100 9dB 11dB 90 9dB 11dB 40 360 5dB 6dB 130 7dB 9dB 100 8dB 10dB 105 7dB 9dB 50 360 5dB 6dB 125 8dB 110 8dB 120 548 7dB Vertical Nr of elements Splay angle 2 3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 360 1dB 0dB 360 4dB 6dB 360 5dB 10dB 135 7dB 12dB 100 10dB 14dB 1 0 360 4dB 6dB 260 9dB 115 9dB 12dB 85 10dB 14dB 20 360 4dB 6dB 1559 9dB 105 9dB 11dB 85 10dB 13dB 30 360 5dB 6dB 140
36. dy for use The drawing illustrates the terminal arrangement detail NEUTRIK SPEAKON NEUTRIK SPEAKON units in parallel Also for one four ohm speaker per channel such as for one ST 218 per channel When connecting more than one speaker to an amplifier channel there are two wiring options The first is to run cable from the amplifier s output terminals to each speaker The second is to connect the closest speaker to the amplifier and then connect the two speakers together with a loop through cable that has a Speakon NL8 or NL4 according to the model connector on both ends We ll be paralleling speakers in both cases The latter is the most common and practical option the former providing a higher damping factor Never use a total impedance load that is lower than the lowest impedance that an amplifier will take Virtually all professional amplifiers will accept loads down to four ohms safely in stereo mode Many are rated for two ohm loads but often will run into overheating protection when used this way particularly in high ambient temperature and high output power applications Never connect more speakers to an amplifier s channel than it will take i e do not load a channel with a total impedance that NL4 NL8 is lower than the minimum load specified by the manufacturer The enclosures provide tw
37. e Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 60 13dB 0dB 45 18dB 4dB 25 20dB 7dB 15 22dB 9dB 10 24dB 10dB Series y ST Manual de Usuario and 57 Series Users Manual 57 215 10 55 17dB 4dB 75 154 5dB EE 154 5dB 959 124 5dB 202 65 15dB 3dB 100 12dB 3dB 115 10dB 3dB 140 8 3dB 309 90 13dB 2dB 139 8dB 1dB 1509 8dB 2dB 190 5dB 1dB 40 110 11dB 1dB 160 6dB 0dB 190 6dB 1dB 245 3dB 0dB 50 130 8dB 1dB 179 0dB 225 1dB 2759 3dB 0dB Vertical Nr of elements Splay angle 2 3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 0 53 1448 0dB 45 17dB 4dB 25 20dB 7dB 15 22dB 9dB 102 23dB 10dB 109 50 16dB 4dB 75 14dB 4dB 70 15dB 5dB 95 12dB 5dB 20 70 14dB 3dB 100 11dB 3dB 1152 11dB 3dB 135 8 3dB 30 95 12dB 1dB 140 8dB 1dB 1559 8dB 1dB 200 5 1dB 402 115 10dB 1dB 160 0dB 190 0dB 245 3dB 0dB 50 135 8dB 2dB 170 7dB 1dB 225 24 270 4dB 1dB Horizontal Nr of elements Splay angle 2 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 36
38. eaker 15 8 14 picked determines the vertical angle of the box When using track based rigging it is important to bear in mind that the rated working load 15 only true for a load applied in the plane of the eye and changes for other angles The drawing illustrates the concept The table shows the variation of the working load as a function of the load angle 0 degrees 45 degrees 90 degrees work load 100 80 80 Series y ST Manual de Usuario and 7 Series Users Manual 54 The following illustrations show different views Ancra Track flying for a two box column When flying a single box its vertical angle is determined by the track position from which the speaker 15 picked However when other speakers fly from it the angle varies We can correct for this by moving the upper pick up track position of the box In the example shown on the illustration the column on the left shows the upper box adopting a certain upward angle due to the box underneath flying from it The right hand column shows how the box has been straightened by moving the upper pick up track position on the top box backwa
39. ed If you are frequently exposed to high sound pressure levels it is recommended that you visit your doctor and have you hearing tested periodically Series y ST Manual de Usuario and 57 Series Users Manual 72 R SERIES 9 RMS Average 300 W 350 W 700 W 800 W LF FULL 1200 W LF FULL 700 W 1200 W Power Handling 200 W HI 200 W HI E Programme 600 W 700 W 1400 W 1600 W LF FULL 2400 W LF FULL 1400 W 2400 W Power Handling 400 W HI 400 W HI K Peak 1200 W 1400 W 2800 W 3200 W LF FULL 4800 LF FULL 2800 W 4800 W Power Handling 800 W HI 800 W HI F On axis Frequency Range 40 Hz 15 kHz 50 Hz 16 kHz 45 Hz 15 kHz 45 Hz 20 kHz 40 Hz 20 kHz 32 Hz 300 Hz 35 2 1 kHz usable usable Nominal Impedance 8 ohm 8 ohm 4 ohm 4 ohm LF FULL 4 ohm LF FULL 8 ohm 4 ohm 8 ohm HI 8 ohm HI Minimum Impedance 6 8 ohm 6 5 ohm 3 3 ohm LF 3 8 ohm LF 4 1 ohm 6 2 ohm 3 8 ohm 9 6 kHz 15 kHz 54 Hz HF 7 6 ohm HF 7 5 ohm 37 Hz 44 Hz 3 On axis Sensitivity 98 dB 99 dB 102 dB LF 102 dB LF 102 dB 99 dB 101 dB 1W 1 HF 99 dB HF 101 dB Rated Peak SPL at Full Power 129 dB 130 dB 136 dB 137 dB LF FULL 138 dB LF FULL 133 dB 137 dB 128 dB HI 130 dB HI Nominal 6 dB Beamwidths 95 Horizontal 90 Horizontal 80 Horizontal 90 x40 FULL 80 x55 FULL 360 Horizontal 360 Horizontal coverage angles 80 Vertical 75 Vertica
40. edium sensitivity Short medium throw fF NO 5 Two way full range system e Sound reinforcement for fixed installations Pubs Trapezoidal enclosure restaurants discos indoor sport arenas Tripod socket Passive full range use e Secondary area fills 1 x 15 woofer Small format compression driver with ASC protection Medium power Medium sensitivity Short medium throw Two way full range system e Sound reinforcement for fixed installations Trapezoidal enclosure Pubs live music bars Passive full range use 2 x 15 woofer e Medium power side fill Small format compression driver with ASC protection Medium high power Medium sensitivity Short medium throw Two way mid high full range system e Sound reinforcement for fixed installations Live Trapezoidal enclosure sound theatres discos Always use sub woofer Bi amplified and passive full range modes complement 2 x 12 mid high speakers Neodymium magnet large format compression driver High power Medium high sensitivity Medium throw Rotatable horn Two way full range system e Sound reinforcement for fixed installations and Trapezoidal enclosure mobile use Live sound theatres discos Stand Bi amplified and passive full range modes alone or sub woofer reinforced 2 x 15 woofers Neodymium magnet large format compression driver Side fill High power Medium high sensitivity Medium
41. elligibility Product improvement through research and technology is a continuous process at D A S Audio All specifications subject to change without notice Architectural Specifications detailed specification sheets as well as data for EASE and other electro acoustic prediction tools are available from Series y ST Manual de Usuario and 57 Series Users Manual 13 ST SERIES RMS Average 500 W 400 W 600 W 300 W 400 W 400 W MF 800 W MF 1200 W Power Handling LF FULL 200W HF 200W HF 200W HF E Programme 1000 W 800 W 1200 W 600 W 800 W 800 W MF 1600 W MF 2400 W Power Handling LF FULL 400W HF 400W HF 400W HF K Peak 2000 W 1600 W 2400 W 1200 W 1600 W 1600 W MF 3200 W MF 4800 W Power Handling LF FULL 800W HF 800W HF 400W HF F On axis Frequency Range 56 Hz 17 kHz 40 Hz 20 kHz 40 Hz 300 Hz 60 Hz 18 kHz 175 Hz 19 kHz 90 Hz 19 kHz 70 Hz 18 kHz 35 Hz 300 Hz usable usable Nominal Impedance 8 ohm 8 ohm 8 ohm 8 ohm 8 ohm MF 8 ohm MF 8 ohm 4 ohm HF 8 ohm HF 8 ohm Minimum Impedance 6 8 ohm LF 6 3 ohm 7 6 ohm 6 0 ohm 7 0 ohm MF 7 3 ohm MF 3 2 ohm 3 8 ohm 295 Hz HF 7 6 ohm 73 Hz 195 Hz 8 kHz HF 10 5 ohm HF 10 4 ohm 73 Hz S On axis Sensitivity 101 dB LF 100 dB 99 dB 98 dB 105 dB MF 107 dB MF 108 dB 102 dB 1W HF 99 dB HF 107 dB HF 108 dB Rated Peak SPL at Full Power 134 dB LF 132 d
42. eodymium magnet large format compression driver applications Medium high power Medium sensitivity e High power stage monitor wedge Medium throw Rotatable horn Two way full range system e Stage monitor wedge Tripod socket Passive full range use e Multi purpose system 1 x 15 coaxial speaker Small format compression driver with ASC protection Medium power Medium sensitivity Short medium throw Uniform directivity helps fight feedback Series y ST Manual de Usuario and 57 Series Users Manual 44 PRODUCT ST 110 5 218 FEATURES Two way mid high system Trapezoidal enclosure Passive use 1 x 10 mid range speaker Neodymium magnet large format compression driver Medium high power High sensitivity Medium long throw Two way mid high system Trapezoidal enclosure Bi amplified use 1 12 mid range speaker Neodymium magnet large format compression driver Medium high power High sensitivity Medium long throw Two way mid high system Trapezoidal enclosure Bi amplified use 2 x 15 mid range speakers Neodymium magnet large format compression driver High power High sensitivity Long throw Transport wheels Folded horn sub woofer system Rectangular enclosure Tripod socket for mid high enclosures
43. et cassettes vid o audio Aucune pi ce est r parable par l utilisateur interieur Distance maximum du sol la base des enceintes mont es sur le tripode TRD 2 ouverture maxi des pieds R 112 112 cm R 115 99 cm ST 015 115 cm ST 15 112 cm ST 32 107 cm Les autres modeles ne sont pas montables sur tripode NDICE Precauciones de seguridad 1 gt o Introducci n 1 1 Caracter sticas de las series 1 2 Caracter sticas de los modelos Conexiones 2 1 Cableado 2 2 Conexiones b sicas Montaje y colocaci n 3 1 Colocaci n 3 2 Utilizaci n sobre tr pode 3 3 Utilizaci n sobre SUB 18R ST 18 con TRD 4 3 4 Utilizaci n como monitor de escenario 3 5 Resistencia a la intemperie Colgado 4 1 Introducci n 4 2 Colgado con c ncamos 4 3 Colgado con AncraTrack 4 4 Formaciones Configuraciones de sistemas Ejemplos de aplicaciones Uso Especificaciones Dibujos de l nea 10 Ap ndices 10 1 Conexiones de l nea no balanceadas y balanceadas 10 2 Datos de contacto de fabricantes de herrajes para colgado CONTENTS Safety Precautions 1 Introduction 1 1 Series Features 1 2 Models Features 2 Connections 2 1 Wiring 2 2 Basic connection 3 Mounting and placement 3 1 Placement 3 2 Tripod use 3 3 Use on SUB 18R ST 18 with TRD 4 3 4 Stage monitor use 3 5 Weather resistance 4 Flying 4 1 Introduction 4 2 Flying with eyeb
44. ity information for different tight packed array combinations separately for horizontal and vertical 6 dB coverage angle 0 227 bc To find out the coverage of such array we go to the horizontal directivity index an expression of the directivity of an array section of the ST 112 table and look for the 40 3x cells and the more directive the higher and on axis SPL relative to a 4 the 30 x2 cells on the vertical section The results cells have single box results are provided a grey background show coverage angles of 165 degrees horizontal and 85 degrees vertical and an on axis SPL of 0 dB horizontal and 3 dB vertical for total on axis level of 3 dB 0 dB horizontal 3 dB vertical above the level for a For every model results are provided for a number of array boxes from 1 to 5 with splay angles from 0 to 50 degrees in 10 degree intervals Results are for the 500 to 8kHz band 8 single box except for subs where a one octave 100 Hz band 15 used The results are calculated from polars with two degree angular and 1 24th octave frequency resolution Coverage angles from a single box may differ from those in the specifications section Active mode was used in active passive boxes AUTOPOL a platform consisting of
45. l 45 Vertical 100 60 BIAMP 85 x50 BIAMP 360 Vertical 360 Vertical 500 Hz 8 kHz 500 Hz 8 kHz 500 Hz 8 kHz 500 Hz 8 kHz 500 Hz 8 kHz 100 Hz 100 Hz Speech Coverage Angles 100 Horizontal 90 Horizontal 90 Horizontal 90 50 FULL 85 x60 FULL 80 Vertical 80 Vertical 45 Vertical 105 65 BIAMP 95 x60 BIAMP Transducers LF 12P LF 15P LF 2 x 15P LF 2 x 12B LF 2 x 15G 18G 2 x 18G Replacement Parts GM 12P GM 15P GM 15P GM 12B GM 15G GM 18G GM 18G HF M 3 HF M 5 HF M 5 HF ND 10 HF ND 10 GM M 5 GM M 5 GM M 5 GM K 8 GM K 8 Handles Bar handles Hand locations Bar handles Hand locations Enclosure Material Composite Wisa birch plywood Finish Black catalysed polyurethane paint Enclosure shape Trapezoidal Rectangular Connector Speakon NL4 1 1 Speakon NL4 1 1 Speakon NL4 1 1 Speakon NL4 LF FULL 1 1 HF 2 2 Speakon NL4 LF FULL 1 1 HF 2 2 Speakon NL4 1 1 Speakon NL4 1 1 Dimensions H x W x D 69 x 44 x 36 cm 27 5x17 5x14 5 in 71x51x38 cm 28x20x15 in 105 x 48 x 39 cm 42x19 5x15 5 in 99 x 51x41 cm 39x20x16 5 in 112 55 x 50 44 5x22x20 in 64 x 55 x 53 cm 25 5x22x21 in 112 55 x 48 44 5x22x19 in Rigging eyebolts eyebolts Weight 24 8 kg 54 6 lbs 29 2 kg 64 3 lbs 38
46. l Truss module connecting bar ST 110 MEGS 356 T MEGS 356 TB ST 112 MEGS 356 T MEGS 356 TB ST 215 MEGS 575 T MEGS 575 TB ST 218 MEGS 575 T MEGS 575 TB connecting bar interconnects every two trusses Thus for each array we will need one bar less than trusses For example a three wide array will need three truss modules and two connecting bars Depending on the array requirements pull strap bars AMFS 3X4 30 BAR may be needed to achieve proper down angles Polar Focus Manufacturers of universal systems and truss modules for flying speaker enclosures Web http www polarfocus com Worldwide distribution by Allen Products Company 1635 E Burnett Street Signal Hill CA 90806 UNITED STATES OF AMERICA Tel 800 4APC INC toll free from USA only Tel 1 562 424 1100 Fax 888 FAX 2 APC toll free from USA only Fax 1 562 424 3520 Web http www allenproducts com Sound Manufacturing Inc Manufacturers of accessories for speaker flying 869 Knickerbocker Rd 0 Box 1907 Big Bear Lake CA 92315 1907 UNITED STATES OF AMERICA Tel 909 878 9104 Fax 909 878 4248 E mail srmsmi aol com Web www smirigging com Series y ST Manual de Usuario and 57 Series Users Manual 78 Series R y ST Manual de Usuario and ST Series User s Manual 79 D A S AUDIO S A 0 46988 Fuente del Jarro Valencia SPAIN Tel 96 134 0525 Tel Intl 34 96 134 0860
47. liver a cleaner signal to the speakers that will result in amore reliable system Avoid using too small an amplifier AMPLIFIER CLIP The clip light of your amplifiers should never be on continuously This will distort the signal and may damage the speakers In fact severe clipping is an easy way to burna speaker s voice coil At most the clip light could blink occasionally When clipped signals sound distorted and produce listening fatigue quickly If you cannot get the desired level without overloading the amplifier use a larger amplifier or consider expanding your system AMPLIFIER LEVEL CONTROLS Although related to output power an amplifier channel s level control it is not a direct representation of it Thus we can have maximum output power with the level at mid position Similarly we may have the level controls at maximum and not have maximum output if our source signal is not hot enough One way to use an amplifier s volume controls particularly for fixed installations is to set them such that when the 5 faders are at their maximum level we are just below clipping level on the amplifier or clipping very occasionally EQUALISATION D A S enclosures do not need extreme EQ settings to produce quality sound Avoid high levels of gain on the equalisers We do not recommend the use of gain values above 6 dB On graphic type equalisers avoid gain to bands that are below the systems working frequency range fo
48. nd stack Grupo de sub bajos sobre el suelo R 212 suspended around the dance floor Horizontal position R 212 colgadas alrededor de la pista de baile en posici n horizontal R 112 Bar or secondary area fill Refuerzo para la barra o zonas secundarias F 5T 5 music monitor with transformer from DAS s Factor series monitor musical de 5 con transformador de la serie Factor de DAS Entrance and access areas Zonas de entrada y acceso Series y ST Manual de Usuario and 57 Series Users Manual 70 6 6 Live sound system R 215 Drumfill R 215 R 215 Sidefill Sidefill 26 0 26 29 5 015 Stage monitor Monitor de escenario Series y ST Manual de Usuario and 57 Series Users Manual 7 us amp E OE SWITCH ON OFF Switch your sound system on from back to front Thus switch on the amplifiers last Switch sound sources CDs turntables first then your mixer then your processors and crossovers and finally the amplifiers If you have more than one amplifier switch them on sequentially one at a time Follow the reverse order when powering down and switch off the amplifiers before any other element on your sound system AMPLIFIER POWER In general it is recommended that you use an amplifier with an output that is 100 to 150 of the speaker s average RMS power rating That way we have headroom for the dynamics of real music and vocal signals and at the same time de
49. o paralleled connectors This 8 ohm per amplifier channel allows for easy loop through Cable length Minimum cable thickness from one speaker to the next metres feet mm Gauge no AWG Unused connector pins are 2 5 8 0 3 22 also paralleled Both 5 16 0 5 22 connectors can be used as 7 5 25 0 8 18 either inputs or outputs 10 33 1 31 16 15 50 2 1 14 To ensure quality sound and 20 66 3 3 12 minimum power loss the 50 164 5 3 10 speaker cable needs to have 75 250 8 35 8 a large enough cross section 100 328 13 3 6 depending on the cable 200 656 20 8 4 length number of speakers 400 1312 33 3 2 per channel and speaker 4 ohm per amplifier channel impedance The total Cable length Minimum cable thickness impedance for a number of metres feet mm Gauge no AWG speakers in parallel is equal 2 5 8 0 8 18 to the impedance of one 5 16 1 31 16 divided by the number of 7 5 25 2 1 14 speakers For instance two 10 33 3 3 12 R 112 in parallel total 4 ohms 15 50 5 3 10 8 ohms divided by 2 boxes 20 66 8 3 10 equal 4 It is particularly 50 164 13 3 6 important to use a large 75 250 20 8 4 enough gauge with those 100 328 33 3 2 speakers that carry deep 200 656 52 9 0 bass such as ST 18 218 A00 1312 80 2 000 SUB 18R 218 o R 215 The tables show the minimum size for different runs of cable and four or eight ohms connected per channel Use the eight ohm table when connecting a single eight ohm speaker per channel For instance one R 115 in
50. olts 4 3 Flying with AncraTrack 4 4 Arraying 5 System configurations 6 Application examples 7 Use 8 Specifications 9 Line drawings 10 Appendices 10 1 Balanced and unbalanced line connections 10 2 Contact details for flying hardware manufacturers Series y ST Manual de Usuario and 57 Series Users Manual Thank you for purchasing a D A S product The ST and series represent more than 30 years of expertise in transducer and enclosure design achieving a series of systems that utilise the most advanced sound reinforcement technology to deliver outstanding audio performance and maximum reliability Engineered from real world experience in system design with exceptional efficiency pattern control and intelligibility these series provide designers with the primary tools to solve the problems of sound reinforcement For those systems that require enclosures featuring different configurations or smaller size ST and R series may be combined with other series from D A S For instance a main theatre system based around R or ST could use a compact 8 model from our Dynamics Series for distributed fills This manual contains the required information to make the best use of the system you have purchased Please take the time to read it Our Web site at www dasaudio com contains further support information such as enclosure and system drawings data for modelling software architectural specifications and specific
51. ontal Nr of elements Splay angle 1x 2x 3x 4x 5x variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL 09 95 9dB 0dB 90 1448 548 55 1648 8 20 1888 10dB 15 2048 11dB 10 95 13dB 548 100 13dB 64 105 748 120 6dB 20 100 13dB 548 130 1048 4dB 145 9dB 5 165 5dB 30 110 I2dB 448 160 8dB 3dB 170 8dB 448 215 5dB 3dB 40 125 185 6dB 2dB 205 7dB 4dB 260 2dB 50 145 10dB 348 215 4dB IdB 250 5dB 3dB 315 2dB 1dB Vertical Nr of elements Splay angle 2 x3 x4 x5 variable Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Angle Di SPL Series y ST Manual de Usuario and 57 Series Users Manual 57 09 75 11dB 0dB 60 154 5dB 30 18dB 8dB 20 20dB 10dB 10 22dB 11dB 10 70 15dB 5dB 85 14dB 6dB 95 13dB 7dB 105 124 209 85 14dB 4dB 125 10dB 3dB 135 10dB 4dB 165 3dB 309 110 124 3dB 150 8dB 2dB 175 7dB 3dB 205 5dB 3dB 40 125 10dB 2dB 175 6dB 1dB 205 2dB 255 4dB 2dB 50 140 9dB 2dB 205 4dB 0dB 2459 2dB 300 2dB 1dB Horizontal Nr
52. otected against humidity at the factory with a fine coat of varnish If the speakers will be exposed to the elements you may additionally treat the paper cones with a water repelling spray or by applying a coat of varnish Always bear in mind that any coating should be very light so as not to change the weight of the cone significantly In fixed installations do not expose the components to direct rain For open air applications place the speakers under some form of canopy or cover Series y ST Manual de Usuario and 57 Series Users Manual 50 FLYING Warnings Only experienced installers should fly speaker boxes Consult a certified professional if needed Local regulations may apply with regards to overhead suspension The working load limits in this manual are the results of tests by independent laboratories It is the user s responsibility to stay within safe limits Working load data for auxiliary hardware mentioned in this manual have been obtained from their manufacturers who are responsible for the compliance to their specifications To this date there is no international standard regarding the flying of acoustic systems However it is common practice to apply 5 1 safety factors for enclosures and static elements and 7 1 for slings and elements exposed to material fatigue due to friction and load variation Thus an element with a breaking load limit of 1000 kg may be statically loaded with 200 kg and dynamic
53. r instance do not bring up the 30 Hz band when using an RF 115 HIGH PASS SUBSONIC FILTER It is good recommended practice to use a high pass filter for the lowest frequency component in your system i e the full range enclosure or the subwoofer if using subwoofer reinforcement This way we avoid problems derived from excess excursion bottoming out when trying the reproduce frequencies that go beyond a system s band pass and we able to put that power to use instead of it going to waste Thus appropriate high pass filtering maximises acoustic power and makes systems more reliable We recommend enabling a high pass filter frequency that is equal or higher than the system s lower usable frequency as found in the Specifications sections of this manual For instance for an R 215 used as a full range box set the high pass frequency to 40 Hz or higher 35 Hz or higher if reinforced with SUB 218 D A S processors provide high pass filtering HEARING DAMAGE ST and R series systems can produce high sound pressure levels Exposure to these may cause permanent hearing damage The amount of loss varies from person to person but any person can get hearing loss if exposed to enough noise level for a long enough periods of time Check the local safety at work regulations in your country or state for specific exposure levels and durations To prevent exposure to dangerous levels the use of hearing protectors is encourag
54. rds Series R y ST Manual de Usuario A and 57 Series User s Manual 55 Occasionally larger vertical splay may be looked for particularly for the bottom box of a column If this is the case we can increase the vertical splay angle by pulling from the bottom box as seen on the illustration In this case we have joined the two lower pick up points of the bottom box with a nylon strap for a single pull up point The illustration shows flying of an arc of boxes using the lower flying points of the bottom box as our pull up point to obtain the arc The pull up point needs to be behind the column s centre of gravity Series y ST Manual de Usuario and 57 Series Users Manual 56 4 4 Arraying Example A 3x2 ST 112 array 3 columns and 2 rows with 40 degree horizontal and 30 degree vertical splay shown on the Ideally only a super high powered variable coverage speaker illustration would be used per channel for covering any room This not achievable in real life so one must resort to arrays or clusters Speakers are arrayed for two reasons To extend the coverage of a system that has too narrow directivity increase the sound pressure level The tables that follow offer directiv
55. se In passive use the acoustical high frequency rolloff of the low frequency section is used to crossover to the mid high frequency section which utilises an equalised highpass filter network When using the system in active bi amplified mode use the D A S CT 1000 monophonic electronic processor or a 24 dB octave electronic crossover unit with the crossover frequency set to 1200 Hz We thoroughly recommend the use of the D A S CT 1000 since it is factory shipped with appropriate crossover frequencies which cannot be accidentally modified MID BASS Full range 1 1 gt MID BASS CT 1000 2 2 bi amp Figures show the block diagram and basic set up The ST 18 is a bass unit for active systems so an electronic crossover will be required with a crossover frequency set in the range from 80 to 160 Hz One of such units capable of driving two way active systems is the D A S CT 1 which features a mid high stereo output and a monophonic subwoofer output with a crossover frequency of 100 Hz If used in conjunction with a mid high D A S unit for which a specific processor is required use the processor specified for the mid high unit L 1 1 tatt LALKOSAE ST 32 Figures show the block diagram and basic set up for model ST 32 Hi and low frequency units are mounted coaxially but are shown separately for clarity g Fig
56. stomised hardware and software was used for the automated high resolution acquisition and post processing of directivity data The digital storage of the data allows further processing and conversion to other software formats There is currently no standard method of averaging the beamwidth with frequency characteristics into a single meaningful figure which impedes comparisons across manufacturers and very often even product lines This our own criterion weighs the 6 dB coverage angles from one octave bands according to their contribution to speech intelligibility Product improvement through research and technology is a continuous process at D A S Audio All specifications subject to change without notice Architectural Specifications detailed specification sheets as well as data for EASE and other electro acoustic prediction tools are available from http www dasaudio com Series y ST Manual de Usuario and 57 Series Users Manual 74 ALL DIMENSIONS IN MILIMETERS 112 136 e ALL DIMENSIONS IN MILIMETERS o o 2 221 101 1 1 ALL DIMENSIONS IN MILIMETERS ALL DIMENSIONS IN MILIMETERS SUB 218
57. tions where the boxes are permanently fixed The illustration shows the internal metal hardware of an enclosure with eyebolt flying In addition to the eyebolt flying points some models provide two aeronautic type AncraTracks on the top panel and two on the bottom panel This system allows fast system flying using two or four rigging points The illustration shows the internal metal hardware and hanging of an enclosure with eyebolt and track based flying X IH Truss modules and accessories are available for flying DAS boxes Consult your distributor for information Series y ST Manual de Usuario and 57 Series Users Manual 51 4 2 Flying with eyebolts The Allen head screws must be removed and replaced by M10 eyebolts on one side of the enclosure Each rigging point has 200 Kg 440 Ib working load limit Then choose the slings or chains of required load resistance and length bearing in mind that the length difference between the front and back slings or chains will determine the vertical orientation Alternatively the back bottom eyebolt points can be used to provide vertical orientation The ANL 2 set is an optional set of four eyebolts and four carabiners Dimensions are in millimetres ANL 2 x4 Each ANL 2 eyebolt has a rated working load of 200 kg 440 Ibs Each ANL 2 carabiner has a working load of 330 kg 726 Ibs If using other hardware make sure it is r
58. uble stud track o 222 459 gt 180 Kg connector with lifting ring and one carabiner that is available separately 0 gt 180 Kg ANL 3 When using AncraTrack the following vertical angles for the cabinet are obtained when connecting to the different track positions The position relates to the hole number above which the ring 15 found Position 1 15 the closest to the front of the enclosure Note that positions 1 and 9 mean that only one connector stud attaches to the track as opposed to two for all angles in between Use positions 1 and 9 for single enclosure flying only or for flying the bottom speaker out of a column typically for downfill applications Negative angles denote downward pitch Positive angles denote upward pitch Track hole number ST 110 ST 112 ST 215 2 13 5 6 3 8 1 3 4 3 2 0 5 0 6 3 6 5 10 6 Each ANL 3 track connector has a rated working load of 225 7 10 14 9 kg 495 Ibs Each ANL 3 carabiner has a working load of 330 8 13 17 12 kg 726 lbs If using other hardware make sure it is rated to 9 17 20 handle the required load Always ensure that the double stud connector 15 well connected to the track by shaking the piece The following illustrations show different views AncraTrack firmly flying for a single box The track position where the sp
59. ures show the block diagram and basic set up The use of the D A S CT 1500 a two way active monophonic system processor for driving the ST 110 in conjunction with bass units is required for this system 2 2 gt ST 110 Series y ST Manual de Usuario and 57 Series Users Manual 48 Figures show the block diagram and basic set up Due to the complexities of its electronic processing it requires the use of the D A S CT 1800 a three way active monophonic system processor for driving the ST 112 in conjunction with bass units Y S 2 2 CT 1800 3 3 Figures show the block diagram and basic set up Due to the complexities of its electronic processing it requires the use of the D A S CT 2000 a two three way active monophonic system processor for driving the ST 215 in conjunction with bass units or standalone 1 1 DH men CT 2000 2 2 rio Figures show the block diagram and basic set up The ST 218 is a bass unit for active systems so an electronic crossover will be required with a crossover frequency set in the range from 80 to 160 Hz One of such units capable of driving two way active systems is the D A S CT 1 which features a mid high stereo output and a monophonic subwoofer output with a crossover of 100 Hz If used in conjunction with a mid high D A S unit for which a specific pro

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