BM-1000 Professional studio recording microphone User manual
Contents
1. DEVINE BM 1000 Professional studio recording microphone O DANIE BM 1000 User manual Any information and illustrations shown in this user manual are subject to change without further notice User manual version 1 0 Creation date author initials 27 01 2014 RV Revision date author initials 27 01 2014 RV Introduction Thank you for purchasing this Devine BM 1000 broadcasting and recording microphone Before you unpack all the received items carefully read this manual to become familiar with the functions of the microphone Also check the contents of the box to make sure all necessary parts are included If the microphone fails to operate properly or if you have any problems while using it disconnect it and contact your local dealer for more information and help Any information and illustrations shown in this user manual are subject to change without further notice User manual version 1 0 Creation date author initials 27 01 2014 RV Revision date author initials 27 01 2014 RV Box contents Box contents 1x Devine BM 1000 microphone 1x metal popshield 1x shockmount 1x XLR 3 5 mm jack cable for direct computer recording Unit and accessory inspection If the unit is not going to be used for a longer period of time disconnect it and store it in a dust free environment Always check the unit for possible damage before use If you suspect that something is wrong with the unit do not connect it When2. 1 0 Creation date author initials 27 01 2014 RV Revision date author initials 27 01 2014 RV Be Sn ace vd sx tae Close up of the mode switch to change from dynamic mode condenser mode and vice versa Protect your microphone This Devine microphone is equipped with very sensitive electronics to provide optimal audio performance Make sure the microphone is not exposed to severe shocks collision drops from high altitude or any situations that may cause permanent damage Improper use of the microphone is not covered by warranty Always transport the microphone in the original package or in a flightcase with proper foam inlay Transporting the microphone without proper protection may cause permanent damage and will not be covered by warranty Positioning and using the included accessories The BM 1000 includes a shock mount and metal pop filter for optimal audio performance Devine recommends to always use the included shock mount to prevent audio distortion and background or handling noise The metal pop screen is optional and is mostly used when recording vocals The windscreen breaks up airflow caused by vocal expressions which prevents distortion Connect your microphone to a mixer or audio interface This microphone comes with a XLR 3 5mm TRS jack cable for direct connection with a computer microphone input It is also possible to use a 3 pin XLR cable for connection with your mixer or audio interface XLR XLR cable
3. the speakers or change the position to prevent the microphone to be aimed directly at the speakers Check if the cable is plugged into the microphone correctly If that does not solve the problem try to change the cable Use the pop screen included Use a windscreen sold separately Any information and illustrations shown in this user manual are subject to change without further notice User manual version 1 0 Creation date author initials 27 01 2014 RV Revision date author initials 27 01 2014 RV Technical specifications small diaphragm condenser recording microphone cardioid polar pattern high sensitivity for clear and detailed recordings low self noise wide dynamic range patended pure aluminum plating diaphragm solid construction modern appeal reflective nickel plated parts for a stylish appearance in every setup Details frequency response 20 Hz 20 kHz sensitivity 37 dB 2 dB at OdB 1V Pa on 1 kHz output impedance 200 Ohms 30 on 1 kHz load impedance 2 1000 Ohms self noise level 16 dBA max SPL 136 dB at 1 kHz 1 T H D S N ratio 78 dB power requirements 5V or 48V phantom power switch Physical dimensions 50 x 50 x 230 mm microphone without shock mount weight 0 455 kg Included accessories nickel plated shock mount metal pop filter with mounting hardware XLR to 3 5 mm jack cable 2 5 m Any information
4. and illustrations shown in this user manual are subject to change without further notice User manual version 1 0 Creation date author initials 27 01 2014 RV Revision date author initials 27 01 2014 RV
5. de This mode is for use with mixers and audio interfaces which do not have the ability to supply phantom power No separate phantom power needed Less dynamic capturing of sound quality loss 2 Condenser mode 48V mode This mode is for use with mixers and audio interfaces which are able to supply phantom power or for use with external phantom power supplies Better sound quality and more dynamic sound requires 48V phantom power to work To change the status of the microphone an internal switch is provided to change settings Pressed in Phantom power mode Pressed out Dynamic mode Do not change the status during use as this might damage your microphone and speaker system as the switch creates a short circuit during switching This may permanently damage your speaker system and doing so will void any warranty Always unplug the microphone when switching modes To switch to a different mode loosen the bottom cap of the microphone bottom chrome piece surrounding the XLR connector After this detach the black body housing while holding the head of the microphone firmly You will see all internal components of the microphone and the white switch which is used to change the setting Press the switch gently and select the desired working mode After this re assemble the microphone in reverse order Any information and illustrations shown in this user manual are subject to change without further notice User manual version
6. e is equipped with a 5 8 thread suitable for most microphone stands If your microphone stand has 3 8 thread adapters can be purchased separately For easy positioning mount the shockmount with the thread mount before mounting the microphone Any information and illustrations shown in this user manual are subject to change without further notice User manual version 1 0 Creation date author initials 27 01 2014 RV Revision date author initials 27 01 2014 RV Troubleshooting Problem No sound or very low sound signal Rattling and cracking sounds Loud high frequencies coming from the speakers Interruptance of the microphone signal Distortion and or noise in the captured sound Possible Cause No phantom power Volume set too low Microphone positioned too far away Moist inside the microphone Microphone positioned too close to the speakers which causes feedback Loose cable or broken cable Too much airflow caused by vocal airflows Too much airflow caused by wind outdoor use Solution Connect or activate phantom power supply Increase incoming volume and gain on your mixer interface or other sound processing device Place the microphone closer to the sound source Let the microphone dry on room temperature and avoid use of the microphone in humid or moist environments Do not let the microphone come in contact with water or liquids Move the microphone further away from
7. not included It is recommended to check the settings on your audio equipment before connecting the microphone regardless of the selected working mode Check your equipment for the following settings Mixer Audio interface Gain set to the 0 point in the most final counter clockwise position Compression lowcut settings positioned in the off or most neutral position EQ settings on the most neutral position Pan Balance settings on the most neutral position Volume fader or potentiometer set to the lowest possible position Phantom power in the on position when used in this mode mostly a button per channel or a group of channels Microphone Steady positioning on a microphone stand sold separately with the included shock mount Make sure the audio source vocalist or instrument is positioned as close as possible to the microphone After you checked the settings above you may start recording the audio source Placing the audio source as near to the microphone as possible provides the best audio quality and grants you the ability to reduce overall gain settings which prevents audio feedback and noise Turn the volume parameter potentiometer or fader on the 0 dB position for the best audio performance and slowly increase the gain until slight clipping mostly indicated with a LED VU meter or LED or distortion is noticed Placement on a microphone stand or boom arm The shockmount of the BM 500 microphon
8. you suspect that your unit is broken or damaged contact your local dealer or a certified technician to inspect the unit Note Illustrations shown in this manual may vary from the actual product Any information and illustrations shown in this user manual are subject to change without further notice User manual version 1 0 Creation date author initials 27 01 2014 RV Revision date author initials 27 01 2014 RV Use of the microphone The Devine BM 1000 studio microphone is suitable for most recording applications in your studio The Devine BM 1000 has an unidirectional cardioid polar pattern This is the most used polar pattern for most vocal and instrument recording applications Most of the sound is captured at the front of the microphone while reducing pickup of sound at the sides and especially the rear This is the best choice when you use studio monitors directly behind the microphone to avoid feedback problems when using live monitoring The BM 1000 microphone is equipped with a special capsule with pure aluminum plating patented to improve the sound to a warm pleasant character The polar pattern and frequency response of the microphone are visible in the figures below The BM 1000 microphone has a slight boost in the higher frequencies around 10 kHz for clear vocal recording IMPORTANT Phantom power The BM 1000 microphone is equipped with a dual working system as described below 1 Dynamic mode 5V mo
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