AAM 802/1602 User Manual
Contents
1. AAM 802 13 7 lbs 6 21 kg AAM 1602 19 7 lbs 8 93 kg A ano YY EN Tro VPN 91907 T H vy LHOTY AT MLY Tad 79437 u 1 3dV1 t e vy 1431 33437 7 3NOHdQY3H ollo S3NOHdQV3H 49 ER Md T ollo ollo ollo ollo ollo ollo ollo ojlo SU3L3W oi n e e 1 NO 1HOIN ino 1784 lt 1H9IH 8 Xnv 100 3dvl Es gt 100 VAT lt 1 E A D 49 9 AKA A 139 918 ONOW RON M Ji ONOW e 1NO ONOR x T 73437 E A Wee Z I LI 1 2 2 2 100 2x43 4 LHOTY exa kop 91 SL 13NNVHO 91 EX EE 8 ONY 4 T3NNVHO 8 T TA d PoE og SIMANI 038315 POP vg 1 0 1x43 S 1 QE TNN E 1X33 e 2 E 2 e ONOW 11 M H9IH OIW lt 1 Ej ES 144 915 a 4 A Td NOVC 1H3SNI NY A0 30VId NI S3HOLIMS 8002 3SY3A3Y 3SVHd 3AVH v1 9 ONY EL S STI3NNYHO 3ION X e E 12. Adjusts the level of the Effects 1 mix sent to the Effects 1 Output 5 Unity gain is at the center detent position and 10 dB of gain in maximum EFFECTS 2 SEND Adjusts the level of the Effects 2 mix sent to the Effects 2 Output 5 Unity gain is at the center detent position and 10 dB of gain in maximum 6 31 32 33 34 35 29 LED METERS Two 12 segment LED arrays monitor the levels of the main L R outputs The 0 dB reference level corresponds to 4 dBu at the 1 4 jacks and XLR See 8 30 MONITOR PEAK LED Indicates that the monitor mix level is nearing the overload point It illuminates at 19 dBu and warns that gain or EQ boost should be reduced There is roughly 2 dB of headroom remaining when it lights MONITOR SIGNAL PFL LED Normally indicates that a signal is present in the monitor of 20 dBu or greater If the Monitor PFL switch 32 is depressed it lights continuously to indicate that the monitor mix has been assigned to the PFL mix MONITOR PFL Switch Connects the monitor s pre fader signal to the PFL mix and switches the headphone source from the L R mix to the PFL mix MONITOR 1 FADER Sets the overall level of the monitor signal that is sent to the Monitor 1 Output jacks 6 The optimum setting for this control is the 0 unity gain position MONITOR 2 FADER Sets the overall level of the monitor signal that is sent to the Monitor 2 Output jacks 7 The optimum setting for t
3. cnico cualificado ADVERTENCIA Para evitar descargas el ctricas o peligro de incendio no deje expuesto a la lluvia o humedad este aparato Antes de usar este aparato lea m s advertencias en la gu a de operaci n pouvant tre d amplitude suffisante pour constituer un risque de choc lectrique Ce symbole est utilis dans ce manuel pour indiquer l utilisateur qu il ou qu elle trouvera d importantes instructions concernant l utilisation et l entretien de l appareil dans le paragraphe signal Ce symbole est utilis dans ce manuel pour indiquer l utilisateur la pr sence d une tension dangereuse ATTENTION Risques de choc lectrique NE PAS OUVRIR ATTENTION Afin de r duire le risque de choc lectrique ne pas enlever le couvercle II ne se trouve l int rieur aucune pi ce pouvant tre repar e par l utilisateur Confiez l entretien et la r paration de l appareil un r parateur Peavey agr AVERTISSEMENT Afin de pr venir les risques de d charge lectrique ou de feu n exposez pas cet appareil la pluie ou l humidit Avant d utiliser cet appareil lisez attentivement les avertissements suppl mentaires de ce manuel warnen die von Ausreichender St rke sind um einen elektrischen Schlag verursachen zu k nnen A Dieses Symbol soll den Anwender vor unisolierten gef hrlichen Spannungen innerhalb des Geh uses A Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung
4. gain The optimum setting is the 0 unity gain position Channel Functions 5 amp 6 for AAM 802 and 13 amp 14 for 1602 In these two channels all controls are identical to the previous channels with the exception of the insert jack It is replaced by pad and polarity switches 55 PAD When pressed it attenuates the input signal by 20 dB This will increase the dynamic range to accommodate a higher input level before clipping which may be necessary when close miking loud guitar amplifiers or drum kits 56 POLARITY When pressed it reverses the phase of the input signal This will compensate for an out of phase input that would otherwise cause frequency cancellations in the mix Often needed for drum mics where both sides of the drum head are picked up in multiple mic situations Channel Functions 7 amp 8 for AAM 802 and 15 amp 16 for 1602 The Mic and Line inputs of these stereo channels can be used simultaneously The following features are found only on the the stereo channels 57 STEREO INPUTS 1 4 balanced TRS high impedance input for high level signals The tip is the positive input which should also be used for unbalanced inputs The Left Mono Input supplies signal to both the left and right inputs if there is no input connected to the right input jack If the channel s input is mono the signal should be connected to the Left Mono Input 58 MIC GAIN Varies the input gain of the Mic Input to allow for a
5. 10 dB Stereo Line Input to L R Balance Output 36 dB Max Gain Stereo Line Input Longest Path 46 dB Max Gain Aux Return to L R Balance Output 34 dB Max Gain Frequency Response Mic Input to L R Output 11 Hz to 42 kHz 0 dB 1 dB Total Harmonic Distortion THD 0 00895 20 Hz to 20 kHz Mic to L R Output 10 Hz to 80 kHz BW Hum and Noise meer Residual Noise S N Ratio Test Conditions Ref PE it on dBu Master L R 100 dBu All faders down 88 dBu Master fader nominal Channel faders down All channels muted All controls nominal mic gain min Mono 90 dBu All faders down 88 dBu Master fader nominal Channel faders down All channels muted Monitors 102 dBu All faders down 90 dBu Master fader nominal All channels muted Effects 95 dBu All controls off Sends 82 dBu All channel sends nominal Hum and Noise Measurements 22 Hz to 22 kHz BW Equivalent Input Noise EIN 129 dBu Input terminated with 150 ohms Crosstalk gt 80 dB adjacent input channels 20 Hz 20 kHz gt 70 dB left to right outputs 20 Hz 20 kHz Common Mode Rejection Ration Mic Input 50 dB min 20 Hz to 20 kHz 70 dB type O 1 kHz Meters 12 segment peak reading 0 dB 4 dBu Signal Overload Indicators Red LED lights 2 dB below clipping Dimensions H x W x D AAM 802 5 500 x 15 000 x 16 500 13 97 cm x 38 10 cm x 41 91 cm AAM 1602 5 500 x 23 000 x 16 500 13 97 cm x 58 42 cm x 41 91 cm Weight
6. Adjusts the level of the Tape Input 48V PHANTOM Power signal 10 supplied to the Monitor 1 mix This control is independent of the Tape L R Level 12 TAPE TO MONITOR 2 LEVEL Adjusts the level of the Tape Input signal 10 supplied to the Monitor 2 mix This control is independent of the tape L R level 13 TO L R LEVEL Adjusts the level of the Tape Input signal 10 supplied to the L R mix 14 PHANTOM POWER SWITCH Applies 48VDC voltage to all of the input XLR connectors If phantom power is used do not A connect unbalanced dynamic microphones or other devices to the XLR inputs that cannot handle this voltage Some wireless receivers may be damaged Consult their manuals The line input jacks 38 are not connected to the 48V supply and are safe for all inputs balanced or unbalanced 15 PHANTOM POWER LED This LED illuminates to indicate that phantom power has been switched on by the Phantom Power Switch 14 16 17 18 HEADPHONE OUTPUT This stereo jack TRS provides the signal to drive stereo headphones The level is set by the Headphone Level control 17 Tip Left Ring Right Shield Ground HEADPHONE PFL LEVEL Adjusts the level of the Headphone Output The source changes from the L R output to the PFL mix whenever the PFL is active PFL ACTIVE This LED blinks when the PFL is active and its signal is overriding the standard L R mix in the Headphone and at the L R meters The signa
7. aufmerksam machen die Handhabung und Wartung des Produkts betreffen VORSICHT Risiko Elektrischer Schlag Nicht ffnen VORSICHT Um das Risiko eines elektrischen Schlages zu vermeiden nicht die Abdeckung enfernen Es befinden sich keine Teile darin die vom Anwender repariert werden k nnten Reparaturen nur von qualifiziertem Fachpersonal durchf hren lassen ACHTUNG Um einen elektrischen Schlag oder Feuergefahr zu vermeiden sollte dieses Ger t nicht dem Regen oder Feuchtigkeit ausgesetzt werden Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen AAM 802 1602 Compact Console The all new AAM 802 1602 Series mixer is a compact unit that can be used in sound reinforcement or recording applications Its low noise design and extensive list of features make it the ideal mixing console for almost any application NOTE This manual covers all AAM 802 1602 Series mixers Differences in the two models are noted where applicable GENERAL DESCRIPTION The AAM 802 1602 Series mixers share the same master section The various models provide different channel configurations in order to suit the needs of the user The following features are found throughout the series FEATURES Balanced XLR and Unbalanced 1 4 Left and Right Outputs mains Balanced XLR and Unbalanced 1 4 Mon 1 and 2 Outputs monitors Balanced XLR and Unbalanced 1 4 Mono Outputs mono mains Two Effects Sends 1 and 2 each with ste
8. damages so the above limitation or exclusion may not apply to you This Warranty gives you specific legal rights and you may also have other rights which vary from state to state If you have any questions about this warranty or service received or if you need assistance in locating an Authorized Service Center please contact the Peavey International Service Center at 601 483 5365 Peavey Canada Ltd at 905 475 2578 Features and specifications subject to change without notice 19 C Leenex o ARCHITECTURAL ACOUSTICS Features and specifications subject to change without notice Peavey Electronics Corporation 711 A Street Meridian MS 39301 601 483 5376 FAX 601 486 1678 http aapeavey com 2001 Printed in the U S A 4 01
9. level is set by the individual channel Monitor 2 send controls and by the master Monitor 2 fader 34 Both outputs can be used simultaneously 8 MAIN LEFT RIGHT OUTPUTS 1 4 TS and a fully balanced XLR output of the Left and Right mixes The output level is set by the Master Left and Right Faders 35 Both outputs can be used simultaneously 9 MAIN MONO OUTPUTS 1 4 TS and a fully balanced XLR output of the mono mix left right summed The output level is set by the Master Mono Fader 36 MASTER SECTION The Master Section contains all the master level controls effects send return controls headphone and tape controls as well as the level meters It is important that this area of the board be set up properly in order to get the most from the Input Channel Section of your AAM 802 1602 A Warning Keep all faders at the lowest position until you are ready to set your final levels Having the master faders in any other position while setting up the Input Channel Section could result in accidental signal overload and or sudden burst of signal at high levels 10 INPUT OUTPUT TAPE LO LEVELS The Tape Input jacks are set up for a TDI dome 10 dBV input from a stereo tape deck 68 s LEFT 6 E 9 CD player The output jacks can 40 10dB provide 4 dBu output signal to e e RIGHT X 3 MON D g LEVEL stereo tape deck This output is the same as the mains 11 TO MONITOR 1 LEVEL
10. 00 ZNOW EA dd N31SVW ENON e y yl 40 1 T3NNVHI at ZNOW d 9 30 1 I3NNVHO 8 1 A 139 915 SINANI OIN 3911 s A e 3 NIV 134 915 HOIH GIN GIW e lt Le 1 1 229 150 NON 183SNI X x EVE 03 M31SVN CH mmzz EIS LNON gc 43222 9 E NS qa ABp e t T 42018 591195 Z091 208 NVV WOLNVHd 15 10 11 12 13 14 15 16 IMPORTANT SAFETY INSTRUCTIONS WARNING When using electric products basic cautions should always be followed including the following Read these instructions Keep these instructions Heed all warnings Follow all instructions Do not use this apparatus near water For example near or in a bathtub swimming pool sink wet basement etc Clean only with a damp cloth Do not block any of the ventilation openings Install in accordance with manufacturer s instructions It should not be placed flat against a wall or placed in a built in enclosure that will impede the flow of cooling air Do not install near any heat sources such as radiators heat registers stoves or other apparatus including amplifiers that produce heat Do not defeat the safety purpose of the polarized or grounding type plug A polarized plug has two blades with one wider than the other A grounding type plug has two blades and a third grounding plug The wide blad
11. ARCHITECTURAL ACOUSTICS AAM 802 1602 USER MANUAL ARCHITECTURAL AC DOUBTICE enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons y Intended to alert the user to the presence of uninsulated dangerous voltage within the product s Intended to alert the user of the presence of important operating and maintenance servicing instructions in the literature accompanying the product CAUTION Risk of electrical shock DO NOT OPEN CAUTION To reduce the risk of electric shock do not remove cover No user serviceable parts inside Refer servicing to qualified service personnel WARNING To prevent electrical shock or fire hazard do not expose this appliance to rain or moisture Before using this appliance read the operating guide for further warnings Este s mbolo tiene el prop sito de alertar al usuario de la presencia de voltaje peligroso sin ais lamiento dentro de la caja del producto y que puede tener una magnitud suficiente como para constituir riesgo de descarga el ctrica Este s mbolo tiene el prop sito de alertar al usario de la presencia de instruccones importantes sobre la operaci n y mantenimiento en la informaci n que viene con el producto PRECAUCION Riesgo de descarga el ctrica NO ABRIR PRECAUCION Para disminu r el riesgo de descarga el ctrica no abra la cubierta No hay piezas tiles dentro Deje todo mantenimiento en manos del personal t
12. ain position PAN Sets the channel s position in the L R stereo field MUTE Mutes all channel bus sends Mon1 Mon2 EFX 1 EFX 2 Left and Right when depressed The PFL signal is independent of this switch and can be used to check the channel and adjust its input gain even when muted The Mute Peak LED will glow red continuously when the corresponding channel is muted MUTE PEAK LED red Normally indicates that the channel signal level is nearing the overload point This circuit monitors the input gain equalization and post fader stages for overload It illuminates at 19 dBu and warns that gain or EQ boost should be reduced There is roughly 2 dB of headroom remaining when it lights If the Mute switch 50 is depressed it lights continuously to indicate that this channel has been muted SIGNAL PFL LED yellow Normally indicates that a signal is present in the channel of 20 dBu or greater If the PFL switch 53 is depressed it lights continuously to indicate that this channel has been assigned to the PFL mix PFL Connects the channel s pre fader signal to the PFL mix and switches the headphone source from the L R mix to the PFL mix It also connects the PFL signal to the L R meters to aid in the setting of the input gain 40 The Signal PFL LED will illuminate when this switch is pressed to identify the PFL source 54 FADER Channel output level control The level of the channel can be adjusted from off to 10 dB of
13. ation International Service Center 412 Highway 11 amp 80 East Meridian MS 39301 or Peavey Canada Ltd 95 Shields Court Markham Ontario Canada L3R 9T5 Include a detailed description of the problem together with a copy of your sales receipt or other proof of date of purchase as evidence of warranty coverage Also provide a complete return address OR 3 All MediaMatrix Frames needing repair should be shipped prepaid to Peavey Electronics Corporation International Service Center 412 Highway 11 amp 80 East Meridian MS 39301 Limitation of Implied Warranties ANY IMPLIED WARRANTIES INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANT Y Some states do not allow limitations on how long an implied warranty lasts so the above limitation may not apply to you Exclusions of Damages PEAVEY S LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT AT PEAVEY S OPTION IF WE ELECT TO REPLACE THE PRODUCT THE REPLACEMENT MAY BE A RECONDITIONED UNIT PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE LOSS OF USE LOST PROFITS LOST SAVINGS DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE OR ANY OTHER DAMAGES WHETHER INCIDENTAL CONSEQUENTIAL OR OTHERWISE EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES Some states do not allow the exclusion or limitation of incidental or consequential
14. e or third prong is provided for your safety When the provided plug does not fit into your inlet consult an electrician for replacement of the obsolete outlet Never break off the grounding Write for our free booklet Shock Hazard and Grounding Connect only to a power supply of the type marked on the unit adjacent to the power supply cord Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point they exit from the apparatus Only use attachments accessories provided by the manufacturer Use only with a cart stand tripod bracket or table specified by the manufacturer or sold with the apparatus When a cart is used use caution when moving the cart apparatus combination to avoid injury from tip over Unplug this apparatus during lightning storms or when unused for long periods of time Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain or moisture does not operate normally or has been dropped If this product is to be mounted in an equipment rack rear support should be provided Exposure to extremely high noise levels may cause a permanent hearing loss Individuals vary considerably in susceptibility to noise induced hearing loss but nearly everyone wi
15. ereo TRS jack which allows an external device to be inserted into the signal path before the tone equalization The tip carries the send signal the ring is the return input A switch in the jack normally connects the send to the return until a plug is inserted When plugged in partway first click the jack can be used as a pre amp output without interrupting the channel o i KOR my eli S o 2 a gt o y y ES RAS o 00 GAIN Varies the input gain to allow for a wide dynamic range It affects both the Line and Mic inputs Channels 1 6 Proper adjustment of the input gain will maximize the signal to noise ratio lt should be set by depressing the PFL switch 53 and adjusting it for a O dB level at the L R meters At this point there is 18 dB of headroom remaining S 1 A a a ke E EI A da E jm Det Yom Bg Lo Me gt jeu GE m 1 ME m a A S RS m JE D 002220 OO Lo HI EQ A shelving type of active tone control that varies the treble frequency levels 15 dB at 10 kHz It is designed to remove noise or to add brilliance to the signal depending on the quality of the source MID EQ A bandpass peak notch type of active tone control that varies the midrange frequency levels 15 dB On the first six channels of the AAM 802 1602 first 14 channels AAM 802 1602 the frequency of the bo
16. his control is the 0 unity gain position MASTER LEFT RIGHT FADERS Master L R level controls Since the tape and headphone outputs come from this mix they will also be affected by its adjustment The output levels are monitored by the left and right meters The optimum setting for this control is the 0 unity gain position MONO OUTPUT FADER Sets the output of the Mono L R signal found at the Mono Output 9 INPUT CHANNELS This section describes the many features found on the input channels The AAM 802 1602 Series mixer you have purchased utilizes multiple channel configurations Some channels do differ from others It is important that you recognize these differences in order to take advantage of each channel s features and avoid confusion Channel Functions 1 6 for AAM 802 and 1 14 for 1602 39 40 41 42 44 37 MIC INPUT XLR balanced low impedance channel input optimized for a microphone or other low impedance source Pin 2 is the positive input Because of the wide range of gain adjustment signal levels up to 10 dBu can be accommodated 38 LINE INPUT 1 4 balanced TRS high impedance input for high level signals The tip is the positive input which should also be used for unbalanced inputs This input is connected through a 20 dB pad to the MIC input 37 The two inputs cannot be used simultaneously INSERT Channels 1 4 for AAM 802 1 4 for 1602 1 4 st
17. ill produce nominal output 4 dBu with channel and master level controls set for maximum gain Nominal settings are defined as all controls set a 0 dB or 50 rotation for rotary pots except the gain adjustment pot which is as specified 11 Output Specifications Function Minimum Output Level Bal Load UnBal Ohms Min Max _ _ _ _ Main L R 4 dBu 22 dBu Bal 4 dBu 22 dBu Bal Monitors 4 dBu 22 dBu Bal 4 dBu 22 dBu Bal 4 dBu 22 dBu Bal 4 dBu 22 dBu Bal Effects 4 dBu 22 dBu Unbal Sends Channel 4 dBu 22 dBu Unbal Insert Send Headphone 4 dBu 22 dBu Unbal No load Tape 22k 22 dBu Unbal 0 dBu 0 775 V RMS Connector 1 4 TRS Tip Ring Sleeve Ground XLR Pin 1 Ground Pin 2 Pin 3 Bal 1 4 TRS Tip Ring Sleeve Ground XLR Pin 1 Ground Pin 2 Pin 3 Bal 1 4 TRS Tip Ring Sleeve Ground XLR Pin 1 Ground Sleeve Ground 1 4 TRS Tip Send Ring Return Sleeve Ground 1 4 TRS Tip Left Ring Right Sleeve Ground RCA Phono Gain Mic Input Gain Adjustment Range 10 dB to 58 dB Mic Input to L R Balance Output 78 dB Max Gain Mic Input Longest Path 93 dB Max Gain Line Input Gain Adjustment Range 10 dB to 38 dB Line Input to L R Bal Output 60 dB Max Gain Line Input to longest Path 73 dB Max Gain Stereo Line Input Gain Adjustment Range
18. ll lose some hearing if exposed to sufficiently intense noise for a sufficient time The U S Government s Occupational and Health Administration OSHA has specified the following permissible noise level exposures Duration Per Day In Hours Sound Level dBA Slow Response 8 90 6 92 4 95 3 97 2 100 11 2 102 1 105 1 2 110 1 4 or less 115 According to OSHA any exposure in excess of the above permissible limits could result in some hearing loss Ear plugs or protectors to the ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss if exposure is in excess of the limits as set forth above To ensure against potentially dangerous exposure to high sound pressure levels it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation SAVE THESE INSTRUCTIONS 18 Architectural Acoustics PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY Effective Date July 1 1998 What This Warranty Covers Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U S A and Canada What This Warranty Does Not Cover The Warranty does not cover 1 damage caused by accident misuse abuse improper installation or operation rental product modification or neglect 2 damage occurring during shipme
19. ls that are present in the PFL mix can be located by the individually illuminated channel PFL LEDs II EEEEGIS PR 19 RETURN 1 TO MONITOR 1 30 MON 6 elle G ten 407 5 40 AG AM Ze co 10dB o0 10dB 22 23 24 25 26 27 28 2 Ki lt D y a zi 27 a gt 407 55 40 oo 10 o0 10dB oo 10dB a 6 MON 30 MON 09 13 ada 17 3 e 2 E ss Sets the level of the Return 1 signal effects that is added to the Monitor 1 mix This is a mono mix of the left and right signals n 20 RETURN 1 TO MONITOR 2 Sets the level of the Return 1 signal effects that is added to the monitor 2 mix This is a mono mix of the left and right signals 0 LEVEL m n en 3 3 PAN 0 0 5 25 Fh Jag 28 Ho ay eo 10dB 21 RETURN 1 PAN Sets the Return1 position in the L R stereo field RETURN 1 TO L R Sets the level of the Return 1 signal that is added to the L R mix RETURN 2 TO MONITOR 1 Sets the level of the Return 2 signal effects that is added to the Monitor 1 mix This is a mono mix of the left and right signals RETURN 2 TO MONITOR 2 Sets the level of the Return 2 signal effects that is added to the monitor 2 mix This is a mono mix of the left and right signals RETURN 2 PAN Sets the Return 2 position in the L R stereo field RETURN 2 TO L R Sets the level of the Return 2 signal that is added to the L R mix EFFECTS 1 SEND
20. nt 3 damage caused by repair or service performed by persons not authorized by Peavey 4 products on which the serial number has been altered defaced or removed 5 products not purchased from an Authorized Peavey Dealer Who This Warranty Protects This Warranty protects only the original retail purchaser of the product How Long This Warranty Lasts The Warranty begins on the date of purchase by the original retail purchaser The duration of the Warranty is as follows Product Category Duration MediaMatrix DPU Excluding Frames Cinema Processors Power Amplifiers Pre Amplifiers Mixers Electronic Crossovers and Equalizers 5 years Loudspeakers 5 years Microphones 2 years Frames 1 year Speaker Components incl speakers baskets drivers diaphragm replacement kits and passive crossovers and all Accessories 1 year What Peavey Will Do We will repair or replace at Peavey s discretion products covered by warranty at no charge for labor or materials If the product or component must be shipped to Peavey for warranty service the consumer must pay initial shipping charges If the repairs are covered by warranty Peavey will pay the return shipping charges How To Get Warranty Service 1 Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center OR 2 Ship the defective item prepaid to Peavey Electronics Corpor
21. ost or cut is set by the Mid Frequency control 43 The other channels have a fixed frequency of 850 Hz FREQUENCY Not found on Stereo Mic Channels Sets the frequency affected by the Mid control 42 The range is 200 Hz to 6000 Hz 45 46 47 48 49 50 51 52 53 54 LOW EQ A shelving type of active tone control that varies the bass frequency levels 15 dB at 70 Hz It will add depth to thin signals or clean up muddy ones MON 1 Adjusts the level of the channel signal pre EQ that is added to the Monitor 1 mix This is a mono mix of the left and right signals in the stereo channels The center detent is the unity gain position MON 2 Adjusts the level of the channel signal pre EQ that is added to the Monitor 2 mix This is a mono mix of the left and right signals in the stereo channels The center detent is the unity gain position EFFECTS 1 Adjusts the level of the channel signal that is added to the Effects 1 mix It is post fader designed for use as an effects send that can also be used for another monitor send This is a mono mix of the left and right signals The center detent is the unity gain position EFFECTS 2 Adjusts the level of the channel signal that is added to the Effects 2 mix It is post fader designed for use as an effects send that can also be used for another monitor send This is a mono mix of the left and right signals The center detent is the unity g
22. reo Returns L and R Mic XLR and Line 1 4 Inputs for all input channels Insert jacks 1 4 on all input channels except Super and Stereo input channels Pad and Polarity switches on Super Mic input channels Stereo L and R line inputs 1 4 on Stereo input channels PFL function on all input channels and on Monitor 1 and 2 Low noise mic preamps on all input channels Mute Peak and Signal PFL indicators on all input channels and on Monitor 1 and 2 Stereo LED level indicators for L R mains Mute switch and 3 band EQ on each input channel Sweepable mid EQ control on all input channels except Stereo channels Seperate Mic and Line Gain controls on Stereo Channels Stereo RCA Tape In Out Jacks Stereo Headphone Output with level control Switchable global 48 V Phantom Power with LED indicator POWER This section describes the application of power to your AAM 802 1602 mixer Please note all caution signs for your safety as well as your equipment The following features are found on the rear panel of the unit unless otherwise noted 1 Removable AC Power Cord A This receptacle is for the IEC line cord included 1 which provides AC power to the unit Connect the line cord to this connector and to a properly grounded AC supply Damage to the equipment may occur if an improper line voltage is used See voltage marking on unit Never remove or cut the ground pin of the line cord plug This unit is supplied
23. t to the following jacks while the AAM 802 1602 and its associated eguipment are turned off It is also recommended to turn the Master and Monitor Faders see Master Section completely down before the unit is turned on to ensure that any signal being applied to the AAM 802 1602 mixer is defeated before the outputs 4 RETURN INPUTS 1 4 balanced TRS high impedance input for high level signals These are designed for effect returns a qe a WP aS a but can be used for additional stereo inputs The tip CH e is the positive input which should also be used for e We VFC unbalanced inputs The Left Mono input supplies re signal to both the left and right inputs if there is input connected to the right input jack eme gt 5 EFFECTS OUT 1 4 unbalanced TS output jack of the corresponding Effects mix It can be used to feed an external monitor system or effect unit BAL ea BAL BAL EN pa ee Oen A e Zen 6 MONITOR 1 OUT 1 4 unbalanced TS and a fully balanced XLR output of the Monitor 1 mix designed to feed an external monitor system The tip is positive The output level is set by the individual channel Monitor 1 send controls and by the master Monitor 1 fader 33 Both outputs can be used simultaneously re MONITOR 2 OUT 1 4 unbalanced TS and a fully balanced XLR output of the Monitor 2 mix designed to feed an external monitor system The tip is positive The output
24. wide dynamic range Proper adjustment of the input gain will maximize the signal to noise ratio It should be set by depressing the PFL switch 53 and adjusting it for a 0 dB level at the L R meters At this point there is 18 dB of headroom remaining 59 LINE GAIN Varies the input gain of the Line Input to allow for a wide dynamic range Proper adjustment of the input gain will maximize the signal to noise ratio It should be set by depressing the PFL switch 53 and adjusting it for a O dB level at the L R meters At this point there is 18 dB of headroom remaining AAM 802 1602 COMPACT CONSOLE Specifications Input Specifications Function Input Z Input Gain Input Levels Bal Connector ohms Settings Nominal UnBal Min E EE AA Microphone Max Gain 74 dBu 54 dBu 37 dBu XLR Pin 1 Gnd 150 ohms 58 dB Pin 2 Min Gain Pin 3 10 dB 27 dBu 6 dBu 10 dBu Line Input Max Gain 54 dBu 34 dBu 17 dBu 1 4 TRS Tip 10 k ohms 38 dB Ring Sleeve Ground Min Gain 6 dBu 14 dBu 31 dBu 10 dB Insert N A 16 dBu 4 dBu 22 dBu Unbal 1 4 TRS Tip Send Return 0 dB Ring Return Sleeve Ground Stereo Line Max Gain 26 dBu 4 dBu 22 dBu Unbal 1 4 TS Tip Input 30 dB Sleeve Ground Aux Returns N A 26 dBu 4 dBu 22 Unbal 1 4 TS Tip 0 dB Sleeve Ground 10 dB 0 dBu 0 775 V RMS Min input level sensitivity is the smallest signal that w
25. with a properly rated line cord When lost or damaged replace this cord with one of the proper ratings NOTE FOR UK ONLYAs the colors of the wires in the mains lead of this apparatus may not correspond with the colored markings identifying the terminals in your plug proceed as follows 1 The wire which is colored green and 3 yellow must be connected to the terminal which is marked by the letter E or by the earth symbol or colored green or green and yellow 2 The wire which is colored blue must be connected to the ter minal which is marked with the letter N or the color black 3 The wire which is colored brown must be connected to the terminal which is marked with the letter L or color red 2 POWER This is the mixer s main power switch To turn the power on place the switch in the position Place the switch in the O position to turn the power off The power on LED indicator will light when the unit is on 3 POWER LED This LED illuminates to indicate that power has been applied to POWER the unit C INPUTS AND OUTPUTS You must first connect your AAM 802 1602 to outboard equipment in order to better understand the remaining functions This section describes the inputs and outputs found on the rear of the AAM 802 1602 mixer The channel inputs are found in the Input Channels section of this manual in order to help you understand the internal signal flow of your AAM 802 1602 mixer A Warning Always connec
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