TransX User Manual
Contents
1. off The On Off does not shut out the audio in the band but it shuts off the transient processing Transient attacks usually have a wider frequency range than the sustained part of the sound and sometimes shaping the transients can be enhanced by spectrally shaping the transient process For example a certain bass drum needs help at the higher frequencies of its transient in order to cut through the mix especially on small speakers In this case you can insert the Multiband component on the bass drum track and set it so that the two mid bands both react to the bass drum s attacks and specify higher sensitivity and range for the higher of the bands that shape the transient attack Waves Trans X software guide page 5 of 8 Chapter 3 Controls and displays TRANS X CONTROLS RANGE 18 to 24dB Default 6dB Range 12 4 The range control defines the maximum gain adjustment possible When set to 18dB it means that it will boost up to 18dB more and never go over the range limit The range is displayed on the graph as a purple area above or below 0 dB Its boundaries are shown by a light purple color You can adjust the range from the graph by using the grab markers the triangle to the side of the meter in the Wideband component and each of the crosshair markers on the Multiband component SENS SENSITIVITY 10 to 10 Default OdB Sens EZE The Sensitivity defines what the amplitude of the attack should be in order to be de2. Waves Trans X Software Audio Processor User s Guide H murator Range 124 ies E Range 298 Sens S4 a5 7a M fE sens 2050 Release On Off a i E hiaster TE Trans Multi poe TE Sens ms pare Duration FPelease ii 20 50 w Waves Trans X software guide page 1 of 8 Chapter 1 Introduction and Overview The Waves Trans X transient processor is a special breed of dynamics processor designed specifically for detecting and shaping the transient attacks of audio signals This is useful for adding or reducing the punch or pluck of a certain instrument Trans X is also a great tool for shaping the impact of the impulsive transients vs the continuous and sustained components of the sound While normal dynamics processors detect when the level goes over a certain reference level the Trans X detects when gain rises faster than a certain velocity reference hence the signal can be low at times and higher at other times or even fade out gradually and the transient attacks will still be detected and re shaped as required Many times we face a situation where a sound doesn t transparently cut through the mix although its frequency response and dynamic range are satisfactory Other times the opposite happens we need to tame the impact of the attacks of a certain instrument to focus its continuous and harmonic properties and reduce its rhythmic or impulsive attacks Classic examples include a drum set that never s
3. a a E The Trim control is located between the clip indicators and shows the number that is the difference between the peak energy and the full digital scale or 0 0dBfs When you click the Trim control it will adjust the output gain by the indicated value For example if the Trim box indicates 3 2dB below full scale then clicking it will increase the current output gain by 3 2dB This is convenient for setting the best level for the plug in output without clipping it Multiband Only Per band ON OFF Default On not fg 4Y yl gui E LI This will turn the Transient processing on and off for the related band Waves Trans X software guide page 7 of 8 TRANS X DISPLAYS GAIN ADJUSTMENT METERS The Trans X Wide shows a gain adjustment meter where the range is indicated by purple shading and a yellow line represents the gain adjustment within the range The Trans X Multi shows a similar display with a dynamic gain line over the full band spectrum so that you can see how much gain is adjusted per each band OUTPUT METERS Trim ris E ih The output meters measure the top 30dB peak value Beneath each meter is a peak counter that holds its peak value until reset by clicking on the meters Waves Trans X software guide page 8 of 8
4. ar Solo the track whose transients you are processing to hear it on its own Take the Range to the maximum value and fine adjust the duration and sensitivity to make the desired effect If the sound seems grainy try a longer duration and release time Un Solo and review the duration and sensitivity settings Waves Trans X software guide page 4 of 8 Note When boosting the range it is important to anticipate the drop in overall track level You may then use the AutoTrim button to bring the output level back up to just below clipping Moderate the range to fit your needs This is best done by ear while listening to the actual program MULTIBAND CONSIDERATIONS When you have a mixed percussion track or a full drum set it is obviously advantageous to use the Multiband component You will immediately see how each band responds to the excitation of the sounds within its frequency range Typically you will see the dynamic gain line jumping in the low bands for the bass drum kicks the mid high mid for the snare drum and the high band for the hi hat Sometimes you will want to improve the punch of the bass drum and snare while moderating the attacks of the hi hat You can do this by setting the crossovers so that the three lower bands have a positive boosting range and the hi hat gets a negative cutting range Each band has an On Off control so you can easily A B compare between the effect on just one certain band by turning the others
5. oftware guide page 2 of 8 The Multiband plug in splits the program to four bands by engaging three phase compensated crossovers The crossover design is identical to the Waves C4 In the multiband component you can specify a dedicated range and sensitivity for each band This allows you to make better adjustment on a drum group auxiliary or a drum loop that needs improved punch sometimes using the Trans X Multi on a single instrument allows you to design the spectral nature of the transient so you are shaping not only the attack but also the EQ of the transient This process usually requires more careful adjustment but can yield results superior to anything else we have come across during the development of Trans X The Trans X has automatic level padding when the range is extended The reason for this is that a typical application will be to boost the attacks ona signal that is already hot Without the level padding this is sure to produce clipping and distortion instead of the desired punch and impact The output level can be adjusted after the impact is satisfactory and you can use the trim button to bring the output peak gain to the full scale The Trans X can co exist with other dynamics processors such as compressors expanders and limiters and it can work before or after these processors in the signal path It may seem that using a fast attack compressor after the Trans X will destroy all the good work of the Trans X but in reality i
6. ounds close enough and a bass drum track that kicks nicely when soloed but disappears when the other instruments join in An acoustic guitar track usually presents a very distinct pluck or strum versus its rich continuous harmonics The Trans X is perfect for making it sound as if it were recorded with different microphone placements or pick material A bassline track can enhance its rhythmic drive or tame it to become a Virtual Fretless Bass see the factory presets To control the detection of transient attacks Trans X allows you to specify the Duration of the attacks you want to detect and the Sensitivity to the attacks amplitude Only attacks shorter than Duration will be detected and as the Sensitivity is lower only attacks with higher amplitude will be detected To control the shape of your transient attacks Trans X allows you to specify the Range of gain adjustments and the Release time for the gain to return to unity after the attack has ended shorter attacks naturally have more impact and longer ones have less punch It is necessary to adjust the Duration according to the program material and the nature of the attacks that you want to shape The Trans X comes in two flavors wideband and multiband The wideband consumes fewer process resources than the multiband component It detects attacks in the total program energy so it is especially useful for processing a certain single instrument or single track Waves Trans X s
7. t doesnt necessarily do that and many times a lot of the punch survives post compression with the shortest attacks The reason for this is that normal dynamics compression cant change the attack time of the instrument which defines punch and impact it can only lower its gain when the energy exceeds a certain threshold The secret is that the detail and settings of compressors and similar devices can affect the punch regardless of using transient processing Transient processing can also be quite effective post compression expansion limiting etc The Trans X is the mixing engineer s secret weapon for the articulation of transients as well as a handy tool for reaching the desired balance between the continuous and sustained vs the impulse and transient It is not designed for mastering or for human voice processing although you may find creative uses that are beyond the scope of its intended applications Waves Trans X software guide page 3 of 8 Chapter 2 Using the Trans X Although using the Trans X is easy there are only a few controls to set there is still a range of subtle nuances and general functionality that gives complex results The Trans X comes with a set of factory presets that can serve as good starting points and are usually classified and named according to the application they were designed to carry out SETUP BASICS The recommended technique for adjusting the Trans X is to begin with extreme Range settings to adj
8. tected With a high Sensitivity setting even small attacks will be detected while a low setting ignores small attacks and detects only large amplitude attacks Too much sensitivity will begin to introduce continuous gain adjustment because it will be so sensitive that every upward fluctuation of the waveform will trigger it before it can reach any release DURATION 0 01ms to 500ms Default 4 10ms Duration 2 48 Duration 2 16 The duration control defines the Attack time of the transients that we want to shape or the velocity of the gain changes that we want to detect Here it is usually best to set a value that corresponds to what you would set as the attack time of a compressor As a general rule the longer the duration value the more attacks that will be detected and processed It is best to set this by ear in context and achieve the desired balance between Duration and Sens Waves Trans X software guide page 6 of 8 RELEASE 0 50 to 500ms Default 10 02ms Release 120 50 This is the release time for the gain adjustment Once the detected transient is over this is the time it will take the gain adjustment to settle back to OdB The release is actually not completely linear and in the multiband it is even scaled differently for each band OUTPUT 18dB to 18dB Default OdB The Output fader is located between the output meters and adjusts the gain of the overall output of the Trans X TRIM Click to Trim Trim
9. ust the rough and conceptual picture and then fine tune it by moderating the extreme settings to the desired effect The first step is to identify the element that needs transient processing All elements can benefit from the multiband advantage but in many cases the wide band will simply do the trick The general rule is that single instrument tracks that seem to have good EQ but just need transient extension or moderation can do very well with the Wideband component while mixed percussion full drum kits and also wide range polyphonic tracks will usually require the Multiband Here are some examples of such elements e Bass Drum that sounds good on its own but loses presence when it plays along with other instruments e A snare drum that doesnt sound close enough even when completely dry Or that sounds too punchy and needs to be looser e A Drum loop that sounds somewhat worn out or originating from an old and dull recording e A percussion track that needs focusing e An acoustic guitar that was recorded from too far away and needs to sound closer or vice versa e A Bass guitar or synth that needs to more actively drive the music with its rhythmic pattern e A piano or tuned percussion track i e marimba xylophone vibraphone has overly aggressive attacks The Trans X factory presets include a preset for all of the above elements Once you insert Trans X select the related preset from the Load menu on the Plug in s top toolb
Download Pdf Manuals
Related Search