ENGVivo-16UFX-User-Manual
Contents
1. 6 TECHNICAL SPECIFICATIONS E 7 een Db EE 8 10 STEREO LINE CHANNELS ios ssn iRise Da RE e bapa ibs bii Das 11 AUX SENDS SSE e SS E E E 11 BALANCE 11 CHANNEL ASSIGNMENT 12 GRAPAHIC 12 ZABI DSP 13 AUX MONO 2 TRACK SECTIONS E aE 13 AUX O DEDE E aeaa aaa aa aaar 13 SUB SECTION CONTROL ROOM MAIN SECTION csccccsssssscssssssecsscssssssoessecessssessssaesessesesesssssaecessees 14 WARRANTY SERVICE E E T 15 LEGAL INFORMATION amp CONTACTS UNBOXING When you ll open the box you will find the following items 1VIVO 16 UFX Mixer 1Power Cord User Manual The packaging bag is not a toy Keep out of reach of children Keep in a safe place the original packaging material for future use ACCESSORIES SOUNDSATION can supply a wide range of quality accessories that you can use with the VIVO Mixers Device like Cables Microphones Headphones All the products from our catalogue has been long tested with this device so we recommend to use Genuine SOUND2. ihe corresponding AUX send will be routed to the Ctrl Room Phones MONO 7 a outputs and Meters display STEREO AUX RETURNS They set the level of effects that received from the stereo AUX RETURN connectors which can be varied from to 15dB They are used to provide the further gain for low level effects 3 TO AUX SEND1 Use this knob to assign the signal from AUX RETURN1 to AUX SEND1 bus The adjustable range goes from to 15dB MONO It sets level of MONO output signal The adjustable range goes from to 15dB FX OUT It sets internal effect is intercepted and sent directly to level of DFX output signal The adjustable range goes from to 15dB 21K It sets level of 2TRK output signal The adjustable range goes from to 15 2TK USB TO MAIN The button is used to send 2TRK USB input signal to MAIN MIX output 4 SUB SECTION SUB TO MAIN Through these switches you can operate the subgroup faders as a master control for assigning the subgroups to MAIN MIX Engage the LEFT switch to send the corresponding subgroup signal to MAIN MIX L and the RIGHT switch for MAIN MIX R When engaging the both switches the signal will be sent to L R of MAIN MIX FADERS These faders are used to control the levels of the signal send to the SUB GROUPS OUT the adjustable range goes from to 10dB Any channel that is assigned to the subgroups not muted and not turned down will be assigned to the
3. 000000000000 900000000000 3 3 4 Mas i a Ba 31 d x x if 7 gt 1 mef 7 4 gt 7 3 r gt hs S y 4 poe 8 b 2 g 8 41 1 7 rey Ys 1 4 u 3 i l j b 1 B 8 g gt 111 j i 3 coundcation VIVO 16 TT H EE ey USER MANUAL coundcation Dear customer first of ali thanks far purchasing SOUNDSATION product Our mission is to satisfy all the possible needs of musical instrument and professional audio users offering a wide range of products using the latest technologies We hope you will be satisfied with this item and ifyou want to collaborate we are looking far a feedback from you about the operatian of the product and far passible improvements to introduce inthe next future Goto our website www soundsationmusic com and send an e mail with your opinion this will help us to build instruments ever closer to customer s real requirements One last thing read this manual before using the instrument an incorrect operation can cause damages you and tothe unit Take care The SOUNDSATION Team TABLE OF CONTENTS UNBOXING oui EEE E E o E DS DS a a E 4 ACCESSORIES ae E E e 4 GENERAL WARNIN GS 55 Seon aS E e e 5 OVERVIEW
4. You can connect all type of microphone dynamic microphones do not need phantom power Use phantom power only with condenser microphones but make sure that the phantom power button is disengaged before connect Phantom power will not damage your dynamic microphones so make sure to read the MIC instructions manual before engaging Phantom Power These channels are also equipped with 1 4 TRS balanced unbalanced LINE IN plugs to connect line level instruments such as keyboards drum machines and effect devices INSERT An insert point is available between EQ and fader of corresponding input channel channel 1 8 These inserts can connect graphic EQ compressor noise filter to corresponding channels individually These jacks are TRS tip ring shield headphone insert which can carry sending signal and returning signal simultaneously Tip send output ring return input shield earth line Mic line stereo CHANNELS 9 10 15 16 These are jacks of stereo channel balanced XLR microphone and unbalanced headphone stereo line input You can connect these inputs with electronic piano drum and effect devices Note if some input channel supplies MIC input jack and LINE input jack at thesame time can use any one of the jacks but can t use two jacks simultaneously only connect one jack of each channel each time aS MAIN OUT These stereo output would be supplied by XLR balanced cannon and 1 4 TRS jacks it is controlled by Main Mix level contro
5. aS 24 DSP BIT DSP 00 09 Vocal Cancel 50 59 Echo Verb 10 19 Small Room 60 69 Chorus Gtr PROGRAM 20 29 Large Hall 70 79 Tremolo Gtr PUSH 30 39 Plate 80 89 Flange Verb 40 49 Echo 90 99 Rotary Gtr The VIVO 20 UFX is equipped with Genuine 24 BIT DSP with 100 top quality Effects to improve the mix Use the encoder to select your desired effect between echo vocal metal and all kinds of dual effects combination When you select desired effect then press the control to save The switch called MUTE is used to turn on or turn off DSP effect when you push the button the LED indicator will turn on You can use footswitch to operate conveniently The LEDon the left side of the creen display DSP output level to make sure CLIP indicator just blink occasionally to get optimum signal output should control at 0 position AUX MONO FX 2 TRACK SECTION SENOS STEREO TO NUK AUX 1 2 3 4 These controls used to determine the master AUX RETURNS SENDS 1 SEND levels which can be varied from to 15dB When the external effect units which connected to mixer you can get a further 15 dB gain available from these Aux Send outputs As to the AUX4 it can also provide the lovable level adjustment for the internal effect signal F SOLO buttons They are the same as the channel SOLO button they N TI EOE mY can also be affected by the SOLO MODE switch Press the SOLO button _
6. ASSIGNMENT Each channel provides four push buttons SUB1 2 SUB3 4 MAIN L R and SOLO Pressing the SOLO button the corresponding SOLO LED will illuminate and the SOLO signal will replace other signals send to the Headphone Control Room and Meters Usually use the SOLO function in live work to preview channels before they are let into the mix It is useful to set an instrument s input level and EQ and you can also solo any channel that you want to The SOLO switch never affects any mix other than the Control Room The other three buttons can be considered as signal assignment switches Pressing the SUB1 2 will assign the channel signal to Subgroup1 2 can depend on the PAN switch to adjust the amount of channel signal sent to the SUB1versus SUB2 when turns the PAN to completely left then the signal can be only controlled by Subgroup1 and vice versa In the same way pressing the SUB3 4 or MAIN L R will assign the channel signal to Subgroup3 4 or MAIN MIX L R and will also be affected by PAN 9 BAND GRAPHIC EQ 9 band stereo graphic EQ inside console compensates signal with EQ according to performance features Corresponding frequency boost or attenuate 15 dB When all the faders are in the center position the output of the equalizer is flat response OdB BAND GRAPOHIC EQ The On OFF button enable the stereo graphic EQ and add it to the main mix output circuit If the button is on OFF Mode the EQ will be bypassed
7. MANUAL REV 1 01 ad MADE IN CHINA All the Trademarks are property of their respective owners SOUNDSATION is a registered trademark of SPA Via Enzo Ferrari 10 62017 Porto Recanati Italy SOUNDSATION 2013 All rights reserved All total or partial reproduction of this manual by any other company person without express authorization of Soundsation is strictly forbidden 16
8. right of MAIN MIX CTRL ROOM These 1 4 phone jacks can be used for sending control room signal to record room monitor speaker SWITCH The 1 4 phone jacks can be used for connecting external footswitch or turn off built in 24 BIT DSP effect Note the foot switch for DSP on off should be specified as a momentary type FX OUT This 1 4 phone jack is used to output the effect signal that comes from internal 24 BIT DSP module and the signal level can be controlled by the FX OUT control 4 POWER 48V PHANTOM MANUFACTURED IN CHINA AC INPUT TO REDUCE RISK OF FIRE OR ELECTRIC SHOCK 100 240V 50 S0HZ DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE FUSE 16A L7 250V This is the Back Panel of the VIVO 16 UFX here you find the power connection switches and the USB 2 0 Connector AC INPUT Connect mixer to main power AC supply with cable Accessories includes fuse When change fuse please use the fuse of equal specification POWER ON The switch is used to turn off or to turn on main power Note power on need delay 3 seconds PHANTOM POWER It s only used for XLR MIC socket compression microphone When phantom power already starts don t insert microphone Before turning on phantom power please make sure all faders are turned off to protect your stage monitor and main speaker USB 2 0 USB port is connected to computer via USB cable to record or to send a stereo signal when the 2TRK USB TO MAIN switch is e
9. this product and this allow you to reach your sound in a fast and easy way The advanced routing of channels and the complete monitoring let you use this unit also in complex Live events All you need is under your hands so you can reach the sound you are thinking about in few steps To reach the best performance VIVO 16 is equipped with a 24BIT DSP FX with up to 99 genuine effects to add to your MIC inputs choosing the amount for each Channel with the related knob integrated in every Channel Strip To let the the VIVO be an advanced Multimedia Station SOUNDSATION introduced in this system the USB 2 0 Port Thanks to this device you can record the Main Mix into a computer or import a stereo track and route it into the Main Mix The rugged construction ensure the best performance even in difficult weather condition and the transportation will be safer After a long period of testing we are sure that VIVO 16 can satisfy at 100 your needs 2 6 TECHNICAL SPECIFICATION MONO INPUT CHANNEL Balance input 10 Hz to 55 kHz 3 dB Mic input Frequency response Distortion THD amp N 0 005 at 4 dBu 1 kHz Gain range 0 dB to 50 dB MIC S N ratio SNR 115 dB Line input Balance input Frequency response 10 Hz to 55 kHz 3 dB Distortion THD amp N 0 005 at 4 dBu 1 kHz 15 dBu to 35 dBu STEREO INPUT CHANNEL Balanced unbalanced 10 Hz to 55 kHz 3 dB Distortion THD amp N 0 005 at 4 dBu 1 kHz Impedance
10. Mic input 1 4kOhm Channel insert feedback 2 5 All other inputs Sensitivity range Line input Frequency response 10 kOhm or more 1kOhm 120 Ohm Radio output All other output EQ SECTION 15 dB 12 kHz 15 dB frequency response100 Hz 8 kHz HI MID 15 3 kHz LOW MID 15 dB 500 Hz LOW 15 dB 80 Hz 75 Hz 18 dB Oct DSP SECTION DSP effect A D amp D A converter sample ratio 24 Bit a 5 Low pass filter vocal small room big hall metal echo reverb chorus guitar Effect type vibe guitar flange reverb rotation guitar Preset control 100 types mute switch with LED indicator GENERAL INFO Noise female line noise Fader OdB all input channel sends and sets unified gain 100dBr standard 4dBu Balanced 27dBu Unbalanced 22dBu 1 4 socket Max output AUX 22 dBu SUB GROUP 22dBu Power 100 240 VAC 50 60 Hz Dimension D W H mm 535x445x105 Net weight 7 2Kg CONNECTION Here following the Input output panel of VIVO 16 UFX All the connection will be shown in this chapter MIC MIC MIC LINE 13 LINE LINE S3 UNE 11 0 0 0 0 4 4 INSERT LINE 105 LINE 12 14 5 Mono Mic line channels 1 8 These are balanced XLR microphone input 1 earth line 2 hot line 3 cold line These channels features 8 low noise microphone preamp with optional phantom power 50dB gain and over 115dB S N ratio
11. Recanati Italy In order to send a product to service center you need RMA number Shipping charges have to be covered by the owner of the product For further information please visit www soundsationmusic com aS 15 WARNING PLEASE READ CAREFULLY EU and EEA Norway Iceland and Liechtenstein only This symbol indicates that this product is not to be disposed of with your household waste according to the WEEE Directive 2202 96 EC and your national law This product should be handed over to a designated collection point e g on an authorized one for one basis when you buy a new similar product or to an authorized collection site for recycling waste electrical and electronic equipment WEEE Improper handling of this type of waste could have a possible negative impact on the environment and human health due to potentially hazardous substances that are generally associated with EEE At the same time your cooperation in the correct disposal of this product will contribute to the effective usage of natural resources For more information about where you can drop off your waste equipment for recycling please contact your local city office waste authority approved WEEE scheme or your household waste disposal service Contents and images shown on this manual can be changed without any notice Please visit our website www soundsationmusic com to check latest version DESIGNED IN ITALY BY SOUNDSATION VIVO 16 UFX USER
12. SATION Accessories and Spare Parts Ask your SOUNDSATION dealer for any accessories you could need to ensure best performance of the product 2 4 GENERAL WARNINGS RISK OF ELECTRICAL SHOCK DO NOT REMOVE THE COVER To prevent possible damages read the following list of actions Do not place the instrument in wet or dirty environments Do not remove the protective coverings Do not cover any of the instrument s ventilation holes Air must circulate freely around the instrument Do not set the instrument on a surface with excessive vibration Do not expose the instrument to electro magnetic interference Do not expose the instrument to heat cold wet or dust Do not leave the instrument in direct sunlight Do not expose the instrument to electrostatic forces Do not place items with flames such as candles or lighters on the instrument Do not place the instrument on anything containing water or other fluids If any foreign objects enter the instrument please contact your dealer or an authorized SOUNDSATION center The serial number electrical features and international standards are printed on a label located in the back panel In case of problems remember to give the serial number to the responsible of the technical assistance aS OVERVIEW The VIVO 16 UFX is designed to be a powerful resource for Live and Studio purpose The friendly user interface is one of the best features of
13. SUB OUTS CTRL ROOM SECTION 9 ROUTING BUTTONS You can choose to monitor any combination of MAIN MIX SUB1 2 SUB 3 4 and 2TK IN via these Matrix switches Engaging these switches the stereo signals will be delivered to the Phones Control Room and Meters display Note When any SOLO switch was engaged the SOLO signal will replace other signals and also be sent to the Control Room Phones and Meters PHONES Rotate these knobs to adjust the output level of PHONES which can be varied from to MAX n 7 I n Y Q o CTRL ROOM Adjust the knob to control output level of monitor room which can be varied from to MAX AUX RETURNS SOLO The function of AUX RETURN SOLO is like the channel SOLO button Engaging it sends the signal from AUX RETURN 1 2 to the CTRL ROOM PHONES outputs and Meters display It can also be affected by SOLO mode button and the LED next to the button will illuminate Dy lt N Bee el m 29 2 i gt 09 SOLO MODE L ZI OUTPUT MAIN SECTION SOLO MODE This button provides two modes up for PFL Pre Fader Listen mode down for AFL After Fader Listen mode Engage the button the soloed signal will output after the Level control otherwise release the button will output the soloed signal before the Level control Note The SOLO function can never affect the mix at main recording ou
14. This control gives you up to 15 dB boost or cut at 80 Hz You will give more punch to bass drum and bass guitar and make the vocalist deeper Turn it down you will cut all the frequencies below 80 Hz In this way you can avoid low frequency vibrations and resonance thus preserving the life of your woofers AUX SENDS These four controls are used to adjust the level of the respective signal sent to AUX bus AUX1 and AUX2 can be switched to PRE POST FADER via the PRE POST button so generally they can be used for monitor application and effects amp sound processors input AUX3 and AUX4 are configured as POST Faders In this typical compact unit excluding sending out the signal directly to the external effect or processor equipment AUX SEND4 can also be assigned to the internal onboard effect module PAN BAL Abbreviation of PANORAMA control for mono channels or the stereo channels always says BALANCE control Keep this control in center position then the signal will be positioned in the middle of the stereo scene aS 11 CHANNEL ASSIGNMENT MUTE SECTION Each channel is equipped with a MUTE button which can mute the corresponding channel output except for the channel INSERT send and SOLO in PFL mode And the MUTE LED will illuminate FADER This fader will adjust the overall level of this channel and set the amount of signal send to the main output Note adjust fader of unused channel to minimum to decrease noise CHANNEL
15. Turn it down you will cut all the frequencies below 80 Hz In this way you can avoid low frequency vibrations and resonance thus preserving the life of your woofers 2 10 STEREO LINE CHANNELS GAIN AND EQ Adjust input signal level to get optimum balance of S N ratio and dynamic range for optimum operation you shall set this control in a way that the CLIP LED blinks only occasionally in order to avoid distortion on the input channel Line input gain adjusts range stereo channel from 20 to 20 dB LO CUT FILTER This switch turn on off hi pass filter you will activate a 75 Hz low frequency filter with a slope of 18 dB per octave You can use this facility to red hum noise infected by the mains power supply or the stage rumble while using a microphone EQ SECTION At all mono channel input channel 1 12 features sweepable MID 3 band EQ HI MID and LO HI If you turn this control up you will boost all the frequencies above 12 kHz shelving filter You will add transparency to vocals and guitar and also make cymbals crispier Turn the control down to cut all frequencies above 12 kHz In such way you can reduce sibilances of human voice or reduce the hiss of a Tape player MID This control gives you up to 15 dB boost or cut at 3 kHz It is useful for controlling voice It can accurately polish your performance via adjusting this knob LO MID This control gives you up to 15 dB boost or cut at 500 Hz LO
16. l INSERT The two 1 4 phone jacks are stereo insert points is used for connecting processor such as compression and EQ when you insert to an external processor main stereo signal would be brought out after EQ and would be return to MAIN MIX before MAIN MIX fader SUB OUT These 1 4 phone jacks are used to connect the inputs of deck or secondary in an advanced PA live sound system You will find it is the best tool when you operate the SUBGROUPS OUT easy to select thanks to the switches positioned in the right side of each Channel Fader The signal of each Sub Out is controlled by AUX SENDS These 1 4 phone jacks can be used to send signal from AUX bus signal to external devices such as effect device or stage monitor AUX RETURNS Use these stereo 1 4 phone jacks to return the stereo signal of an effect unit to the Main Mix Alternatively you can also use them as an extra auxiliary input via using the AUX RETURN level control as volume control The signal will be sent directly to MAIN MIX control 2 TRK TAPE IN Use the Tape input if you wish to listen to your mix from a Tape Recorder or DAT 2 TRK TAPE OUT These RCA jacks will route the main mix into a tape recorder 2TRKIN PHONES L SWITCH PHONES These jacks will be used to send the signal to a pair of headphone 1 4 phone jack is unbalanced mono mix output connector It be regarded a sum output of the left and
17. nabled MONO CHANNELS GAIN AND EQ Adjust input signal level to get optimum balance of S N ratio and dynamic range for optimum GAIN operation you shall set this control in a way that the CLIP LED blinks only occasionally in order es to avoid distortion on the input channel Microphone input gain adjusts range mono channel re T from 50 dB Line input gain adjusts range mono channel from 35 to 15 LO CUT FILTER This switch turn on off hi pass filter you will activate a 75 Hz low frequency filter with a slope of 18 dB per octave You can use this facility to red hum noise infected by the mains power supply or the stage rumble while using a microphone EQ SECTION At all mono channel input channel 1 12 features sweepable MID 3 band EQ HI MID and LO HI If you turn this control up you will boost all the frequencies above 12 kHz shelving filter You will add transparency to vocals and guitar and also make cymbals crispier Turn the control down to cut all frequencies above 12 kHz In such way you can reduce sibilances of human voice or reduce the hiss of a Tape player MID This is band pass filter It affects MID frequency range in center frequency from 100Hz 8KHz Q value sets at 1 8 all frequency boost and cut down to be 15dB LO This control gives you up to 15 dB boost or cut at 80 Hz You will give more punch to bass drum and bass guitar and make the vocalist deeper
18. tput and also can t be affected by channel s MUTE switch LED VU METERS 12 band stereo LED of VU Meter of console indicates accurately output level To reach optimum signal output control should be set around 0 and send individually to Ctrl Room and Phones output MAIN FADER This fader sets the amount of signal send either to the Main Mix Output or to the Tape Output WARRANTY amp SERVICE All SOUNDSATION products feature a limited two year warranty This two year warranty is specific to the date of purchase as shown on your purchase receipt The following cases components are not covered from the above warranty Any accessories supplied with the product Improper use Fault due to wear and tear Any modification of the product effected by the user or a third party SOUNDSATION shall satisfy the warranty obligations by remedying any material or manufacturing faults free of charge at SOUNDSATION s discretion either by repair or by exchanging individual parts or the entire appliance Any defective parts removed from a product during the course of a warranty claim shall become the property of SOUNDSATION While under warranty period defective products may be returned to your local SOUNDSATION dealer together with original proof of purchase To avoid any damages in transit please use the original packaging if available Alternatively you can send the product to SOUNDSATION SERVICE CENTER Via Enzo Ferrari 10 62017 Porto
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ENGVivo 16UFX User Manual