G-Stomper User Manual - PLANET
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1. The effect of unison is simply to multiply the signal which is being produced by the synthesizer and to detune each signal against each other just like detuning oscillators This creates a much bigger sound especially by additionally panning the signals against each other Using the Unison with sawtooth waveforms lets you easily create the typical Supersaw sound known from Roland Synthesizers also known as Hypersaw from the Access Virus TI line To make this effect even more significant combine the Unison with the Chord Memory Feature see Chapter Chord Memory When you create a memorized chord with 4 voices C2 C3 C4 and C5 and apply Unison at level 5x to the sound then each piano key plays actually 4x5 20 voices each detuned and panned against each other The result sounds huge and has massive stereo wide effect The only downside of such a setup is the fact that it requires quite a lot of CPU power It s actually nothing less than playing 20 voices at once Important Note Unison eats CPU power A true Unison like the one built into the VA Beast Synthesizer is a CPU intensive effect Since the Unison if enabled creates multiple detuned signals the creation of each signal uses its own CPU time This means in numbers If you use the 5x setting then the creation of the sound requires around 4 times more CPU power than the same sound without Unison enabled 31 10 2015 Page 45 yy G Stomper User Manual V 4 5 22. 14 1 Signal Multiplication Voice Count The VA Beast Unison offers 3 different signal multiplication levels e 2x pans 1 signal slightly to the left of the stereo field and 1 to the right e 3x pans 1 signal fully to the left of the stereo field 1 to the right and keeps 1 in the center e 5x pans 2 signals fully to the left of the stereo field 2 to the right and keeps 1 in the center In Each level all multiplicated signals are detuned against each other to create a massive stereo wide effect Each multiplication level has its own characteristics A higher level does not automatically mean you get a better sounding result Which level is the best for a particular sound depends on many factors waveforms filters modulations etc Higher values are usually ideal for lead sounds while lower values fit very well for bass sounds But at the end it mostly depends on your personal taste 8 2 14 2 Depth Controls the depth of the Unison effect in fact the detune amount of each signal 31 10 2015 Page 46 yy G Stomper User Manual V 4 5 8 2 15 Glide Portamento Legato G Stomper VA Beast comes with a powerful and easy to use Glide Legato feature which is operating monophonic as well as polyphonic to morph complete chords for example ae SEL MENU MODE The Glide Legato section offers 3 main operation modes Off Glide and Legato OFF No gliding is applied Every key press triggers the envelopes On Glid
3. 31 10 2015 Page 54 G Stomper User Manual V 4 5 Attack Controls the Attack time in a range from 0 0ms to 20s the time from pressing a key until the envelope reaches its max level 8 2 19 2 Decay Decay Controls the Decay time in a range from 0 5ms to 20s the time from the moment the attack is finished until the envelope reaches the sustain level 8 2 19 3 Sustain Sustain Controls the Sustain level the level which is kept as long a key is pressed 8 2 19 4 Release Release Controls the Release time in a range from 0 5ms to 20s the time from releasing a key until the envelope reaches the zero level 31 10 2015 Page 55 yy G Stomper User Manual V 4 5 2 19 5 Output Level Level Controls the main output level of the Sound Note The Output Level is at the very end of the VA Beast internal audio chain It defines the level at which the audio signal leaves the Synth before it gets passed to the Mixer Note Regarding the Amplifier Envelope the Output Level defines the Envelopes max level 31 10 2015 Page 56 yy G Stomper User Manual V 4 5 8 3 VA Beast Tracks 8 3 1 VA Beast Track Pads VT0O1 VT12 various screens SEL MENU MODE Track Pads VT are located on the VA Beast Synthesizer VA Beast Poly Grid and VA Beast Full Size Piano Note The number of available enabled Tracks depends on the Number of Synthesizer Tracks setting in the Setup dialog 8 3 2 VA Beast Trac
4. Oscillator s frequency As you change the Shape value you get strong changes in timbre the typical synched sound 31 10 2015 Page 9 Sy G Stomper User Manual V 4 5 8 2 2 3 Triangle The triangle waveform has only odd and not very strong harmonics Shape Cuts off the peaks of the triangle wave As higher the Shape value as more the peaks get cut off Modulate the Shape from an LFO to get a nice sounding soft timbre change Sync In sync mode a hidden sync oscillator is activated and controls the main pitch of the signal In sync mode the Shape fader controls the synched Oscillator s frequency As you change the Shape value you get strong changes in timbre the typical synched sound 8 2 2 4 Sine The sine wave is the simplest waveform there is It has no additional harmonics It is suitable for very soft sounds or for use with FM Shape Controls the amount of harmonics to be added to the sine wave in use of phase distortion As higher the value as more harmonics will be added Simply said the sine wave gets morphed to a sawtooth approximation Sync In sync mode a hidden sync oscillator is activated and controls the main pitch of the signal In sync mode the Shape fader controls the synched Oscillator s frequency As you change the Shape value you get strong changes in timbre the typical synched sound 31 10 2015 Page 10 Sy G Stomper User Manual V 4 5 8 2 2 5 Noise Oscillator 1 Oscillator produces nois
5. aia racecars crete end eceiada te tanaeeadentaneradaamnceteinGace aaia i 41 Bilo VIDTA pa sece caren ccc cncneceacnasanecnaatantainasacessiecaaea vans anesnnebyedaomeeneanaebeatanmanetennbincaansteaniats 44 Bite UNON OaD aatctcecoanasasecscsasaueseamscusvianicunssasicunepsescansyacscyrapuncesenasia step uniastenaedsaeneeia 45 8 2 15 Glide Portament0o Legato cc ccecceceeeeee eee eee eee eea eee eeeeaeea esa eeesaeeaesasaeeaesaeaeeaenangegs 47 8410 Chord MOI ONY sae inter eters iacccaiancsacsiqiacadesndaceivacesanateavsecaraneccenannscs oreinsaceteansteenedanaceueuscan 49 eels PAD COO aiaa i EAE EE EEA AE 52 8 2 19 Amplifier Envelope Output Level n n nsssnensssssnsnsnssnssnnnsnnnnnsnsnnnsnsnnnsnsnenenenenenenenenenenes 54 8 3 VA Beast Tracks ssssssssennnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn nnna 57 8 3 1 VA Beast Track Pads VTO1 VT12 various screens s sssssssssnsnssnrnnrnnnnnnnnrnnerennnenns 57 8 3 2 VA Beast Track Pad Mode various SCIF GNS cccccceeseeeeceeseseeeeeseeaeeaeeeeaesaeeeeeeeaeeesaeaes 57 8 3 3 Actions for Track Pads in the different MOCES cccccscceeeceeeeeeeeaeeaeeeeaesaeeeeesaeeaesaeaes 58 8 3 4 Actions for the Track Pad Mode Button in the different MOdES ccccseceeceeeeeeeeeeeeeaes 58 8 4 VA Beast Track Menu ssccccssssseeessssseecneensseeenennseeensnsseeenenaseeeoneaseeeensaaseesnenaseneanes 59 8 4 1 T A etre Pret rer eer te re ror tree re rr
6. 31 10 2015 Page 62 yy G Stomper User Manual V 4 5 8 4 7 Automation SAVE Clear Parameter Automation Clear the Automation Steps of a specific Track Parameter The Parameter can be selected in the following Sub Menu Initialize Parameter Automation Initialize all Automation Steps of a specific Track Parameter to the current Value The Parameter can be selected in the following Sub Menu On the efx edit and master screen click on the Mod Menu Button Auto Complete Parameter Automation The Auto Complete Parameter Automation feature is used to create smooth movements just by setting the key steps To use it you just have to define at least 2 Automation steps in use of the Step Edit mode for the desired parameter Then call Auto Complete Parameter Automation and enjoy the magic The number of key steps is not limited The Auto Complete just fills all the gaps between the key steps with a smooth movement Note Keep in Mind that you must set the start step even if it gets the same value as the already set parameter value for details see Chapter Parameter Automation 31 10 2015 Page 63
7. 5 2 16 1 Chord Memory Standard Mode without using any KB hold switch 1 Press the Chord Rec Button once to enable the recording mode 2 Press some Chord on the Piano Keys 3 While holding the Chord press the Chord Rec Button again to save the chord In standard mode the saved chord starts always with the lowest note In other words when you check the tool tip above the Chord Rec Button you can see the chord notes as a comma separated list of numbers which always starts with a O zero independent which note you pressed first e g 0 3 5 For many cases this is the expected behavior and it s the most simple way to save a chord since you can hear the chord directly while you record it Note When you finish a Chord Recording either by pressing the Chord Rec Button the second time or by reaching the max Chord size the memorized Chord gets enabled automatically and you can start playing with it straight away The max Chord size depends on the Number of Synthesizer Voices setting in the Setup dialog 2 up to 10 voices 2 16 2 Chord Memory with KB Hold the one in the ChordMem section 1 Press the Chord Rec Button once to enable the recording mode 2 Press the KB hold Button above the Chord Rec Button to enable the extended mode 3 Press your chord one by one each key separately Every key gets added to the chord 4 Press the Chord Rec Button again to save the chord In the KB hold mode you don t have to hold
8. A Beast offers an on screen keyboard which can be toggled on off using the keyboard switch in the toolbar Acoustic Guitar PH ESC S Gee GEG VTOT SEL MENU Aco rPHA E E MODE STEP EDIT Acoustic Guitar PH SEL MENU MODE STEP EDIT 31 10 2015 Page 4 yy G Stomper User Manual V 4 5 8 1 2 The Panic Button If Notes hang for some reason simply press the Panic button This sends an internal All Notes Off which immediately stops all hanging Notes from being played Ty KEYBOARD _ _ Lee Lew PN NEN NNG VTOl SEL MENU MODE STEP EDIT Note Instead of the Panic button you can also press Stop when the Sequencer is not running to stop all playing sounds While the Panic button is dedicated to the VA Beast Synthesizer the Stop button stops all Sounds from VA Beast and the Sampler KB Hold lt 2 By long pressing the Panic button you can enable the Piano Keyboard to hold all your pressed Keys until you press Panic or Stop again This can be very useful to tweak a sound without having a Sequence running KB Hold ON 31 10 2015 Page 5 yy G Stomper User Manual V 4 5 8 2 Panel Reference 8 2 1 Quick Preset Selector and Info Display ny KEYBOARD ms i Acoustic Guitar PH mE O e seda PN NEN ENG VT01 SEL MENU Aco rPHA a Ge MODE STEP EDIT 8 2 1 1 Quick Preset Selector The Quick Preset Selector is very easy way to select VA Beast Presets wi
9. FM algorithm switch of the particular OSC will be activated You can choose from 5 different FM algorithms Phase Modulation like in DX7 Logarithmic Logarithmic Linear Linear 31 10 2015 Page 21 yy G Stomper User Manual V 4 5 8 2 5 2 FILT SEL MENU MODE STEP EDIT FILT Filter Frequency Modulation or short Filter FM In Filter FM mode the Oscillator 2 modulates the Filter 1 Cutoff frequency Notice that the OSC Mix is fully set to OSC1 which means OSC2 is not directly audible it s only used to modulate the Filter 1 Cutoff As a matter of course Filter FM has only effect if a Filter is applied See screen shot Modulation Depth Filter FM For best results use high Filter Resonance values Depth Controls the depth amount of the Filter 1 Frequency Modulation OSC2 gt Filter 1 Cutoff frequency Note A good practice is to modulate the OSC MOD Depth with one of the Modulation Envelopes as shown in the screen shot above 31 10 2015 Page 22 yy G Stomper User Manual V 4 5 8 2 5 3 FRES SEL MENU MODE STEP EDIT FRES Filter Resonance Modulation In this mode the Oscillator 2 modulates the Filter 1 Resonance Notice that the OSC Mix is fully set to OSC2 which means OSC2 is fully audible but also used to modulate the Resonance of Filter 1 This wiring which is similar to the internal filter setup of the Roland TB 303 allows very high and well controllable resonant peak
10. To choose one of the patterns simply tap the pattern selector button Note All operation patterns can be used in a range of 1 4 Octaves see Chapter Octave Range 31 10 2015 Page 52 G Stomper User Manual V 4 5 8 2 17 2 Octave Range Use the Octave range selector to set the Octave range for the Arpeggio 1 4 Octaves 2 17 3 Rate Tempo Rate Sync off Controls the Arpeggio Rate in Hz in a range from 1 0Hz to 60 0Hz Rate Sync on Controls the Arpeggio Rate in Partials 1 1 3 4 1 2 3 8 1 3 1 4 3 16 1 6 1 8 1 12 1 16 1 32 1 64 8 2 17 4 Tempo Sync Sync off The Arpeggio rate is independent Sync on The Arpeggio is synchronized with the tempo Note Depending on the Sync switch the Arpeggio Rate is set in Hz or in Partials see Chapter Rate Tempo 31 10 2015 Page 53 yy G Stomper User Manual V 4 5 8 2 18 8 2 19 Amplifier Envelope Output Level SEL MENU MODE STEP EDIT The Amplifier Envelope is a regular ADSR Attack Decay Sustain Release Envelope which controls the Output Level of a Sound or in other words its basic shape The Amplifier Envelope gives the Sound its main characteristic plucked stopped soft hard etc 8 2 19 1 Attack The Amplifier Envelope provides 2 different Attack Types e Linear e Logarithmic Note Decay and Release are fixed as logarithmic transitions To choose the Attack Type simply tap the Attack Type selector button
11. a Pattern Set Pattern or Sound Set in their original form or with completely changed or tweaked parameter settings Therefore the reference to the original Preset file is not kept other than with audio samples 31 10 2015 Page 7 yy G Stomper User Manual V 4 5 8 2 2 Oscillator 1 amp 2 SEL MENU MODE STEP EDIT Each Oscillator offers 6 different shapable waveforms The characteristics of each waveform will be explained in the following chapters To choose one of the waveforms simply tap the waveform selector buttons 31 10 2015 Page 8 Sy G Stomper User Manual V 4 5 8 2 2 1 Sawtooth The sawtooth wave contains all harmonics and is the richest of the available waveforms Shape Morphs the sawtooth to a pulse wave as higher the Shape value as more the sawtooth gets a pulse wave Sync In sync mode a hidden sync oscillator is activated and controls the main pitch of the signal In sync mode the Shape fader controls the synched Oscillator s frequency As you change the Shape value you get strong changes in timbre the typical synched sound 8 2 2 2 Pulse The pulse wave contains only odd harmonics at 50 pulse width square wave Shape Controls the pulse width from 50 square wave to 1 Modulate the Shape value from an LFO to create synthesized strings Sync In sync mode a hidden sync oscillator is activated and controls the main pitch of the signal In sync mode the Shape fader controls the synched
12. ans OSC2 is not directly audible it s only used to modulate OSC1 Modulation Depth AM RM Depth Controls the depth amount of the Amplitude Ring Modulation OSC2 gt OSC1 With values below 50 you get Amplitude Modulation and with values above 50 you get Ring Modulation in fact it s a smooth transition between AM and RM Note The main difference between Amplitude Modulation and Ring Modulation that in case of Amplitude Modulation the modulator signal in our case OSC2 is unipolar 0 1 while in Ring Modulation the modulator signal is bipolar 1 1 31 10 2015 Page 26 yy G Stomper User Manual V 4 5 8 2 6 Oscillator Mixer SEL MENU MODE STEP EDIT The Oscillator Mixer is used to set the mix level for the Oscillators 1 amp 2 Mixer Noise With the Noise switch you can replace the audible output of Oscillator 2 by white Noise Notice that even if Noise is enabled the output signal of Oscillator 2 is still enabled and internally used for Modulation see Chapter Oscillator Modulation OSC 2 Sine wave 2 Modulator OSC 1 Sine wave 2 Modulator OSC2 Tune2 Sine wave 2 Pitch Shapel FM Depth Shape2 FM Depth OSC 1 Sine wave 1 Carrier Sine wave 1 Carrier Modulation Depth FM DFM OSC2 Tunel Sine wave 1 Pitch Combine the Mixer Noise with a Modulation Envelope attached to the Oscillator Mixer to add some breath to the beginn
13. ator waveform with Sine wave 1 as Carrier and Sine wave 2 as Modulator Note that if FM is enabled both Sine waves are at the same pitch rather than in normal Dual Sine mode one Octave separated With FM enabled you can choose from 5 different FM algorithms Phase Modulation like in DX7 Logarithmic Logarithmic Linear Linear Shapel FM Depth Shape in Dual Sine FM mode Controls the FM depth amount Sine wave 1 Sine wave 2 FM output 31 10 2015 Page 13 yy G Stomper User Manual V 4 5 8 2 3 Oscillator 2 SEL MENU MODE STEP EDIT The main difference between Oscillator 2 compared to Oscillator 1 is the fact that it provides more control over the Tune Pitch of the particular Waveforms Simple Waveforms Sawtooth Pulse Triangle Sine provide Tune and Finetune controls Noise provides detailed Filter controls see Chapter Noise Oscillator 2 Dual Sine provides independent Tune control for each Sine wave see Chapter Dual Sine Oscillator 2 31 10 2015 Page 14 yy G Stomper User Manual V 4 5 Furthermore Oscillator 2 provides 3 different Tune modes Semi Tones default The Tune faders are scaled to semi tones in a range from 63 63 Partial No The Tune faders are scaled to harmonic partials of the current Keyboard pitch in a range from 38 0 38 0 which makes it very easy to find harmonic Pitches e g for Dual Sine FM KB Off Fixed This turns th
14. ble the recording mode 3 Then press your chord one by one each key separately Every key gets hold and so added to the chord 4 Press the Chord Rec Button again to save the chord 5 Finally short press the Panic button to stop the playback As already mentioned above in this standard mode the saved chord starts always with the lowest note e g 0 3 5 12 15 The difference to the standard mode without KB hold is that you can switch the octaves between your key presses This way is very useful if you want to hear the chord while saving it and you want the chord to spread over multiple octaves Note When you finish a Chord Recording either by pressing the Chord Rec Button the second time or by reaching the max Chord size the memorized Chord gets enabled automatically and you can start playing with it straight away The max Chord size depends on the Number of Synthesizer Voices setting in the Setup dialog 2 up to 10 voices 31 10 2015 Page 51 yy G Stomper User Manual V 4 5 8 2 17 Arpeggio The VA Beast provides a simple but powerful Arpeggiator ae oe _ SEL MENU MODE STEP EDIT 8 2 17 1 Operation Pattern The Arpeggio offers 4 basic operation patterns e Up plays the active notes in ascending order e Down plays the active notes in descending order e Up Down plays the active notes first in ascending then in descending order and then starts over e Random plays the active notes randomly
15. e Keyboard tracking off for Oscillator 2 In other words in this mode Oscillator 2 runs on fixed Keyboard independent Pitch which is controlled by the Tune fader in a range from 8 66Hz 12544Hz This mode is very useful to create disharmonic FM or ring modulated sounds Note The Finetune fader has a fixed range of 50cents 50cents and is not affected by the Tune mode 8 2 3 1 Sawtooth Pulse Triangle Sine These Waveforms are exactly the same as on Oscillator 1 see Chapter Oscillator 1 amp 2 8 2 3 2 Noise Oscillator 2 Oscillator produces noise rather than a regular waveform see also Chapter Oscillator 1 amp 2 gt Noise Oscillator 1 The Noise of Oscillator 2 is basically the same as on Oscillator 1 but it allows more control over the Noise Filter than on Oscillator 1 ve DUINN W WWE OSC2 Noisefreq Controls the Cutoff frequency of the Noise Filter As higher the value as higher is the frequency OSC2 Noisefilter Type Controls the Filter Type of the Noise Filter 12dB Low Pass Band Pass or High Pass Shape Controls the Resonance of the Noise Filter 31 10 2015 Page 15 yy G Stomper User Manual V 4 5 8 2 3 3 Dual Sine Oscillator 2 The Dual Sine waveform of Oscillator 1 is a combination of two Sine waves Sine wave 1 amp 2 The Dual Sine of Oscillator 2 is basically the same as on Oscillator 1 but it allows more control than the one of Oscillator 1 On Oscillator 2 you can control the pi
16. e ON depending on the Rate value Legato OFF If you play a new key the previous Note even if the key is released already will glide to the new Note The Envelopes get triggered normally If you play a new chord the previous Notes even if the keys are released already will glide parallel to the new Notes The Envelopes get triggered normally Auto Legato Glide ON depending on the Rate value Legato ON If you play a new key before releasing the previous played key legato the previous note will glide to the new Note at the set Glide Rate without re triggering the Envelopes If you play a new key and no previous key is pressed no gliding is applied and the Envelopes get triggered normally like in OFF operation If you play a new chord before releasing the previous played chord legato the previous Notes will glide parallel to the new Notes at the set Glide Rate without re triggering the Envelopes If you play a new chord and no previous chord is pressed no gliding is applied and the Envelopes get triggered normally like in OFF operation Note If you want Legato without Glide applied set the Rate to 4096 semitones sec see Chapter Glide Rate 31 10 2015 Page 47 G Stomper User Manual V 4 5 To choose one of the operation modes simply tap the selector button 8 2 15 1 Rate The glide rate defines the tempo in semitones per second to glide from one note to another The gliding tempo is constant which means as lo
17. e in Hz in a range from 100s to 262Hz Rate Sync on Controls the LFO Rate in Partials 16 1 8 1 4 1 2 1 1 1 3 4 1 2 3 8 1 3 1 4 3 16 1 6 1 8 1 12 1 16 1 32 1 64 8 2 8 5 Tempo Sync Sync off The LFO rate is independent Sync on The LFO is synchronized with the tempo Note Depending on the Sync switch the LFO Rate is set in Hz or in Partials see Chapter Rate Tempo 31 10 2015 Page 31 yy G Stomper User Manual V 4 5 8 2 8 6 Keyboard Sync KB Sync off Within the current Sound or Track the LFOs of each voice are synchronized In other words if you play a chord but you hit the keys one after another with some time in between then the LFOs of all voices of the chord will be synchronized to the first pressed key KB Sync off and Mono If KB Sync is off normally the first pressed key or played note starts re triggers the LFOs If the Synths Mono switch is on see Chapter Glide Legato and KB Sync is off then the LFOs are not restarted when the first Note is played In that special case KB Sync off Mono on the LFOs run in the background without getting re triggered This is very useful for 303 style Loops when you a slow LFO attached to the Filter Cutoff for example while the sequence which usally contains gaps without notes is running KB Sync on The LFOs are independent for each voice Each played Note has it s own LFO cycle which is started re triggered when the Note start
18. e rather than a regular waveform y A ALAM i mV VV YAN Shape Controls the color frequency content of the noise with a 12 dB Low Pass Filter As higher the value as brighter is the noise At maximum you get almost white noise Sync In sync mode a particular range of the noise gets temporary sampled and repeated over and over This produces very special signals with strong body resonance characteristics In sync mode the shape fader works as a Waveform selector which lets you choose from 16 different harmonic variations V UVV V ILIR M W I PWT I 31 10 2015 Page 11 yy G Stomper User Manual V 4 5 8 2 2 6 Dual Sine Oscillator 1 The Dual Sine waveform of Oscillator 1 is a combination of two Sine waves Sine wave 1 amp 2 while Sine wave 2 is pitched 1 octave higher than Sine wave 1 Dual Sine normal mode In normal mode non FM the two Sine waves are simply mixed to one signal while the Shape fader controls the level of Sine wave 2 Sine wave 2 1 Octave higher than Sine wave 1 Shape1 Sine wave 2 Level Shape in normal Dual Sine mode Controls the level of Sine wave 2 the 1 Octave higher one Sine wave 1 Sine wave 2 Mixed output 31 10 2015 Page 12 yy G Stomper User Manual V 4 5 Dual Sine FM Instead of the Sync switch which the other waveforms provide the Dual Sine waveform provides an FM mode With Dual Sine FM enabled you have a 2 operator FM engine as a single Oscill
19. elective Content multiple choice to a Track of your choice in a Pattern of your choice to the same Track in all Patterns in the Pattern Set to the same Track in a selection of Patterns in the Pattern Set to the same Track in all Patterns in a selection of Pattern Banks A B C D in the Pattern Set for details see Chapter Data Copy amp Clear Framework Swap Tracks Selective Content Swap the complete Track or selective Content multiple choice with a Track of your choice in a Pattern of your choice for details see Chapter Data Copy amp Clear Framework Clone current Bar Position to all other Bars Clones the current Bar Position of this Track including Parameter Automations to all other bars in the Pattern 31 10 2015 Page 61 yy G Stomper User Manual V 4 5 8 4 5 Clear SAVE Clear Track Selective Content Clear the complete Track or selective Content multiple choice for details see Chapter Data Copy amp Clear Framework VA Initial Preset Initialize the VA Beast instance of the Track with a pre defined Initial Preset 8 4 6 Export Export Bounce complete Track Export Bounce the complete Track including the Sequence all Track and FX Parameters and all Automations The exported Loop file will be located in the folder gstomper usersamples bounced_tracks and will be loaded automatically at the end of the bounce process for details see Chapter Audio Export amp Bouncing
20. from one oscillator to restart another oscillator Oscillator Synchronization also means you only get an output signal from one Oscillator even though you use two Since the VA Beast provides an extra hidden sync Oscillator in each Oscillator unit you don t need to sacrifice a regular Oscillator just to sync another one This means you can have 2 synced Oscillators running at the same time OSC 2 Tune Z A V S OSC 2 Finetune Shape2 4 OSC 2 Pitch Z Eg ep When synchronizing an Oscillator with its Sync Oscillator the Oscillator cycle gets restarted every time the Sync Oscillator starts with a new cycle If the Oscillator runs at a higher frequency than the Sync Oscillator then it ll result in a new Waveform which depends on both on its own and in the Sync Oscillator pitch 31 10 2015 Page 18 yy G Stomper User Manual V 4 5 8 2 5 Oscillator Modulation Le SEL MENU MODE STEP EDIT The VA Beast offers 7 different Oscillator Modulation types To choose one of the Modulation modes simply tap selector buttons Use the Depth fader to change the depth amount of the selected Modulation mode 31 10 2015 Page 19 yy G Stomper User Manual V 4 5 8 2 5 1 FM DFM SEL MENU MODE FM DFM Frequency Modulation Differential Frequency Modulation The VA Beast Oscillator section supports two main types of Frequency Modulation In FM mode the modulation depth is fully under control of the dep
21. ing of a Sound 31 10 2015 Page 27 yy G Stomper User Manual V 4 5 8 2 7 Octave Shift The Octave Shift switch is used to roughly tune a particular Sound 1 or 2 Octaves up or down 1 2 Oo SEL MENU MODE STEP EDIT Transpose 2 Octaves down Transpose 2 Octave down No transposing Transpose 2 Octave up Transpose 2 Octaves up 31 10 2015 Page 28 yy G Stomper User Manual V 4 5 8 2 8 LFO1 3 The VA Beast synthesizer provides 3 LFOs Low Frequency Oscillators per voice and track SEL MENU MODE STEP EDIT 8 2 8 1 Waveform Each LFO offers 6 different waveforms e Triangle e Sawtooth e Pulse Square wave fixed at 50 pulse with e Random similar to Pulse but with randomized amplitude e Smooth Random similar to Triangle but with randomized amplitude e Triple Peak a combination a smooth Sawtooth approximated Sine and a 3 times faster running Sine wave To choose one of the waveforms simply tap the waveform selector button 31 10 2015 Page 29 yy G Stomper User Manual V 4 5 8 2 8 2 Destination assign to Parameter For each LFO you can choose 1 of 12 different parameter routings To choose one of the parameters simply tap the parameter selector button SHAPE 1 8 2 8 3 Depth Depth Controls the modulation depth amount of the assigned parameter 31 10 2015 Page 30 yy G Stomper User Manual V 4 5 8 2 8 4 Rate Tempo Rate Sync off Controls the LFO Rat
22. is pressed it runs through the Attack phase then stays at max position until the Note Key is released and then runs through the Release phase e AD Repeat Repeating Attack Decay With this type you can use an envelope like an LFO but with different waveform characteristics The AD Repeat type repeats the Attack Decay cycle over and over To choose the Envelope Type simply tap the Envelope Type selector button 31 10 2015 Page 34 yy G Stomper User Manual V 4 5 8 2 9 2 Destination assign to Parameter For each Modulation Envelope you can choose 1 of 18 different parameter routings SHAPE 1 Note A very powerful function of the VA Beast is the fact that the Modulation Envelopes can control the Rate and Depth of the 3 LFOs see Chapter LFO 1 3 This alows very complex and asynchronous modulation curves 8 2 9 3 Depth Depth Controls the modulation depth amount of the assigned parameter 31 10 2015 Page 35 yy G Stomper User Manual V 4 5 8 2 9 4 Attack For each Modulation Envelope you can choose 1 of 3 different Attack Types e Linear e Logarithmic e Offset this simply delays the Attack and then raises it in zero time to the max position Offset is very useful to create Clap sounds for example which require multiple hard Attack peaks Note Decay and Release are fixed as logarithmic transitions To choose the Attack Type simply tap the Attack Type selector button Attack Controls the A
23. k Pad Mode various screens Depending on the selected Track Pad Mode the VT Buttons have different actions applied Tap the Track Pad Mode Button to switch between the different modes MODE Select the Mode for the Track Pads the lt click gt lt long click gt actions Select Menu Hint You can switch to Click through Track Pad Mode Navigation without Dialog using the Setup Dialog Each Mode is defined with two terms The term before the is the short click action The term after the is the long click action 31 10 2015 Page 57 yy G Stomper User Manual V 4 5 8 3 3 Actions for Track Pads in the different Modes The following list describes the actions which are applied to the Track Pads VT in the different modes SEL MENU MODE Select Menu Click gt Select Track Long Click gt Show up the Track Menu Select Mute Click gt Select Track Long Click gt Track Mute ON OFF Mute Select Click gt Track Mute ON OFF Long Click gt Select Track Solo Select Click gt Track Solo ON OFF Long Click gt Select Track 8 3 4 Actions for the Track Pad Mode Button in the different Modes VTOl All Modes Click Select Menu Long Click Select Mute Long Click Mute Select Long Click Solo Select Long Click SEL MENU MODE gt Select Mode gt Multi Mute ON OFF see Chapter Programmable Multi Mute gt Multi Mute ON OFF see Chapter Prog
24. king off The Cutoff frequency is constant independent which Note you currently play in other words it is under exclusive control of the Cutoff fader Keyboard Tracking on The Cutoff frequency is controlled by the Cutoff fader but also by the played Note When playing higher Notes the Cutoff frequency will be higher when playing lower Notes the Cutoff frequency will be lower The Base Note for the frequency calculation is C2 at this Note the Cutuff frequency is the same with and without KBT 31 10 2015 Page 39 yy G Stomper User Manual V 4 5 8 2 11 Filter 2 E SEL MENU MODE STEP EDIT Filter 2 is basically the same as Filter 1 But in addition it offers a switch to change the internal routing of Filter 2 in relation to Filter 1 between serial and parallel 31 10 2015 Page 40 yy G Stomper User Manual V 4 5 8 2 12 Filter 1 amp 2 Envelope SEL MENU MODE STEP EDIT The Filter Envelopes are regular ADSR Attack Decay Sustain Release Envelopes which control the particular Filter Cutoff frequency depending on the Depth value 8 2 12 1 Depth Depth Controls the modulation depth amount of the Filter Cutoff frequency 31 10 2015 Page 41 yy G Stomper User Manual V 4 5 8 2 12 2 Attack The Filter Envelope provides 3 different Attack Types e Linear e Logarithmic e Offset this simply delays the Attack and then raises it in zero time to the max position Note Decay and Release are fixed a
25. nger the distance between two Notes as longer takes the glide Rate Controls the Glide Rate in a range from 4096 semitones sec to 1 12 semitones sec 2 15 2 Monophonic Operation In mono mode you can only play one note at a time like on a classic monophonic synthesizer If you play one key and hold it and then a second key without releasing the first one the second note will sound If you now release the second key while still holding the first one the first one will retrig and start sounding again Note You can combine the monophonic operation with the all Glide Legato operation modes Off On and Auto Legato To simulate a typical 303 behavior for example enable Mono and Auto Legato Mono off Normal polyphonic mode Mono on Monophonic operation mode 31 10 2015 Page 48 yy G Stomper User Manual V 4 5 8 2 16 Chord Memory The Chord Memory feature of the VA Beast allows you to map complete chords to single keys Once a chord is memorized it will be transposed with every key you play CM 0 4 CHORD REC E ARAL BAA VTOl SEL MENU MODE STEP EDIT Chords can be memorized recorded in 3 main ways e Chord Memory Standard Mode without using any KB hold switch e Chord Memory with KB Hold the one in the ChordMem section e Chord Memory Standard Mode with audible KB Hold the one on the Panic button see next Chapters for detailed descriptions 31 10 2015 Page 49 SS G Stomper User Manual V 4
26. r errr Tee 59 8 4 2 AG EEE E E EE O EE E ET E A E E A E E E E 60 8 4 3 INO etn tate ga ene ee eee eee ate cneigiataee nec aterepaeenseniancteteuncecedenee ate 60 8 4 4 OOD se assets E E E EEEE E EE 61 8 4 5 E T E EA T AE EEEF T E T T TT 62 8 4 6 0 0 ene E EE E eee eee eee 62 8 4 7 PLEO Rie OM E T 63 31 10 2015 Page 1 Sy G Stomper User Manual V 4 5 8 VA Beast Synthesizer G Stomper VA Beast is a polyphonic virtual analog Synthesizer to produce complex synthetic sounds of any variety designed for experienced sound designers as well as for complete beginners The idea behind the VA Beast Synthesizer is to offer a flexible sound engine that features classic subtractive waveforms as well as very powerful FM synthesis Each Oscillator offers 6 different shapable waveforms These waveforms can also be synched using the additional sync Oscillator of each Oscillator unit Having an extra sync Oscillator means you don t need to sacrifice one of the regular Oscillators just to sync another one You always have at least two Oscillators per voice even when using Oscillator sync Each Oscillator provides an internal FM mode when using the Dual Sine Waveforms In this mode each Oscillator forms a 2 operator FM engine which means you get a total of 4 operators per voice In addition the Oscillator modulation section offers a number of powerful modulation types including OSC FM Filter FM Filter Resonance Modulation and Distortion RM Furthermo
27. rammable Multi Mute gt All Track Mute OFF gt All Track Solo OFF 31 10 2015 Page 58 yy G Stomper User Manual V 4 5 8 4 VA Beast Track Menu The VA Beast Track Menu provides all operations for a particular Synthesizer Track SEL MENU MODE Make sure that the Track Pad mode is set to Sel Menu which is the default Long click a Track Pad to open to the Track Menu 8 4 1 VIL SAVE Shuffle Mute Track Mute ON OFF Solo Track Solo ON OFF Shuffle Track Shuffle Swing ON OFF MIDI Instrument Internal Sound Off Enable this option to control an external MIDI Instrument with this Track rather than the internal Audio Source Using a Track as MIDI Instrument means the internal Sound will be disabled and only MIDI events will be fired from the Track Be sure to configure the MIDI Channels IN OUT Interfaces in the G Stomper Setup before you enable this option 31 10 2015 Page 59 yy G Stomper User Manual V 4 5 8 4 2 Load Load VA Factory Preset Load a Factory Preset into the VA Beast instance of the Track this includes also Presets from installed Add On Packs Load VA User Preset Load a User Preset into the VA Beast instance of the Track 8 4 3 Save SAVE ee Save VA User Preset Save a User Preset from VA Beast instance of the Track 31 10 2015 Page 60 yy G Stomper User Manual V 4 5 8 4 4 Copy SAVE Copy Track Selective Content Copy the complete Track or s
28. re you re always able route the Oscillator signals through two high quality Filter sections for further processing 8 1 Overview G Stomper Studio provides up to 12 Synthesizer Tracks where each is powered by its own VA Beast Synthesizer instance The VA Beast Synthesizer has 12 main sections per track to tweak modulate the sound in real time e Quick Preset Selector and Info Display e OSC1 OSC 2 OSC Mod 2 Oscillators Oscillator Modulation e LFO 3 Low Frequency Oscillators e Mod Env 3 Modulation Envelopes e Filter 1 Multi Filter with 8 Filter types a dedicated Filter ADSR Envelope e Filter 2 Multi Filter with 8 Filter types a dedicated Filter ADSR Envelope e Amp Env Output Level dedicated ADSR Envelope for the amplification level e Vibrato e Unison multiplies and detunes the signal up to 5x for a massive stereo wide effect e Glide Legato e ChordMem Chord Memory e Arpeggio 31 10 2015 Page 2 yy G Stomper User Manual V 4 5 When you edit VA Beast related parameters then you always act on the currently selected VA Beast Track the highlighted one If you want to change the OSC1 Shape on VTO1 for example first select VTO1 and then change the OSC1 Shape Parameter Note Use the bar at the right side to scroll up down through all the parameter sections SEL MENU MODE STEP EDIT SEL MENU MODE STEP EDIT 31 10 2015 Page 3 yy G Stomper User Manual V 4 5 8 1 1 The On Screen Keyboard The V
29. s As a matter of course Filter Resonance Modulation has only effect if a Filter is applied see screen shot For best results use Filter Resonance values between 50 and 100 and high OSC MOD values Modulation Depth Filter Res Depth Controls the depth amount of the Filter 1 Resonance Modulation OSC2 gt Filter 1 Resonance 31 10 2015 Page 23 yy G Stomper User Manual V 4 5 8 2 5 4 DIST oO SEL MENU MODE STEP EDIT DIST Distortion In Distortion mode the mixed signal of Oscillator 1 amp 2 is routed through a Distortion processor Modulation Depth Distortion Depth Controls the amount of the Distortion effect 31 10 2015 Page 24 yy G Stomper User Manual V 4 5 8 2 5 5 DRM SEL MENU MODE STEP EDIT DRM Distortion Ring Modulation In DRM mode the mixed signal of Oscillator 1 amp 2 is Amplitude Ring modulated or in other words mulplied with the signal of a third hidden Modulation Oscillator and finally routed through a Distortion Processor Modulation Depth OSC Pitch Depth Controls the Pitch of the Modulation Oscillator from 63 63 semitones 31 10 2015 Page 25 yy G Stomper User Manual V 4 5 8 2 5 6 RM SEL MENU MODE STEP EDIT RM Ring Modulation In RM mode the signal of Oscillator 1 is Amplitude Ring modulated or in other words mulplied with the signal of a Oscillator 2 Notice that the OSC Mix is fully set to OSC1 see screen shot which me
30. s logarithmic transitions To choose the Attack Type simply tap the Attack Type selector button Attack Controls the Attack time in a range from 0 0ms to 20s the time from pressing a key until the envelope reaches its max level 8 2 12 3 Decay Decay Controls the Decay time in a range from 0 5ms to 20s the time from the moment the attack is finished until the envelope reaches the sustain level 31 10 2015 Page 42 8 2 12 4 Sustain Sustain Controls the Sustain level the level which is kept as long a key is pressed 8 2 12 5 Release Release Controls the Release time in a range from 0 5ms to 20s the time from releasing a key until the envelope reaches the zero level 8 2 12 6 Invert Invert off Normal Envelope mode Invert on The amplitude of the Envelope is inverted turned upside down 31 10 2015 G Stomper User Manual V 4 5 Page 43 yy G Stomper User Manual V 4 5 8 2 13 Vibrato Use the Vibrato function to add Vibrato to your sound SEL MENU MODE STEP EDIT The Vibrato is technically an additional independent LFO with a limited frequency range which is applied to the Oscillator s Pitch 8 2 13 1 Rate Controls the Vibrato Rate in a range from 4Hz to 8Hz 8 2 13 2 Depth Controls the Vibrato Depth in a range from Ocents no vibrato to 100cents 1 semitone yy G Stomper User Manual V 4 5 8 2 14 Unison Stereo SEL MENU MODE STEP EDIT
31. s to play In other words if you play a chord but you hit the keys one after another with some time in between then the LFOs of the different voices will not be in sync with each other Note The Single Cycle Envelope mode requires to the KB Sync to be enabled Turning KB Sync off automatically turns the Single Cycle Envelope mode off as well if enabled see Chapter Single Cycle Envelope Mode 8 2 8 7 Single Cycle Envelope Mode Env off Normal LFO mode the LFO cycles over and over Env on The LFO runs in Single Cycle Envelope mode The LFO gets triggered when Note starts to play then runs once to its end and then stays at that position Note The Single Cycle Envelope mode requires to the KB Sync to be enabled Turning Env on automatically turns the KB Sync on as well if disabled see Chapter Keyboard Sync 31 10 2015 Page 32 yy G Stomper User Manual V 4 5 8 2 8 8 Invert Invert off Normal LFO mode Invert on The amplitude of the LFO is inverted turned upside down 31 10 2015 Page 33 yy G Stomper User Manual V 4 5 8 2 9 Modulation Envelope 1 3 The VA Beast synthesizer provides 3 Modulation Envelopes per voice and track SEL MENU MODE STEP EDIT 8 2 9 1 Envelope Type Each Modulation Envelope offers 3 different Envelope Types e AD Attack Decay When a Note Key is pressed it runs through the Attack and Decay phase e AHR Attack Hold Release When a Note Key
32. tch of both Sine waves independently OSC2 Tunel Controls the pitch of Sine wave 1 OSC2 Tune2 Controls the pitch of Sine wave 2 Dual Sine normal mode In normal mode non FM the two Sine waves are simply mixed to one signal while the Shape fader controls the level of Sine wave 2 OSC2 Tune2 Sine wave 2 Pitch Shape2 Sine wave 2 Level Modulation Depth Sine wave 1 Pitch Shape in normal Dual Sine mode Controls the level of Sine wave 2 Sine wave 1 Sine wave 2 Mixed output 31 10 2015 Page 16 yy G Stomper User Manual Dual Sine FM Instead of the Sync switch which the other waveforms provide the Dual Sine waveform provides an FM mode With Dual Sine FM enabled you have a 2 operator FM engine as a single Oscillator waveform with Sine wave 1 as Carrier and Sine wave 2 as Modulator Phase Modulation like in DX7 Logarithmic Logarithmic Linear Linear Sine wave 2 Modulator OSC2 Tune2 Sine wave 2 Pitch Modulation Depth OSC2 Tunel Sine wave 1 Pitch Shape in Dual Sine FM mode Controls the FM depth amount A AO A AA ULL IV VVUVVVVVV VV VAY VEY Sine wave 1 Sine wave 2 WM NAA WY VV VV FM output 31 10 2015 With FM enabled you can choose from 5 different FM algorithms Page 17 yy G Stomper User Manual V 4 5 8 2 4 Oscillator Sync Simply said Oscillator Synchronization means that you use the signal
33. th a single click rather than going through the regular file browser Acoustic Guitar PH lt and gt Select the previous or next Sample within a particular sample folder Note Since a VA Beast Preset does not always refer to an actual Preset file the Quick Preset Browser cannot adopt the folder of the current Sound Therefore the Quick Preset Selector always keeps the currently selected Preset folder even if you select another track This means you can switch between the tracks and step up and down within the currently selected Preset folder regardless what Preset was prevously loaded or set at the tracks More or short click to the display Shows up the Load VA Preset menu for the currently selected track which lets you browse your presets using the regular file browser loading a Preset with the regular file browser updates the current Quick Preset Selector folder location 31 10 2015 Page 6 yy G Stomper User Manual V 4 5 8 2 1 2 Preset Info Display The Info Display shows the name of the actual Sound Short click to the display Shows up the Load VA Preset menu for the currently selected track which lets you browse your presets using the regular file browser loading a Preset with the regular file browser updates the current Quick Preset Selector folder location Note The name which is shown on the display does not necessarily refer to a Preset file VA Beast Presets can be part of
34. th parameter FM is the rawer and more aggressive mode In DFM mode the modulation depth stands in direct relation to the played note which makes it more controllable In other words it is easier to create perfectly tonal playable sounds over the complete frequency spectrum Notice that the OSC Mix is fully set to OSC1 see screen shot which means OSC2 is not directly audible it s only used to modulate OSC1 Modulation Depth FM DFM Depth Controls the depth amount of the Frequency Modulation OSC2 gt OSC1 Note A good practice is to modulate the OSC MOD Depth with one of the Modulation Envelopes as shown in the screen shot above 31 10 2015 Page 20 yy G Stomper User Manual V 4 5 SEL MENU MODE STEP EDIT By running both Oscillators in Dual Sine FM mode while using FM DFM you can create a 4 Operator FM Engine which makes it very easy to create complex FM sounds OSC 1 Sine wave 2 Modulator OSC 2 Sine wave 2 A Modulator OSC2 Tune2 Sine wave 2 Pitch Gy Shapel Pi Shape2 f FM Depth A FM Depth osc 1 Sine wave 1 Fy Carrier OSC 2 Sine wave 1 fg Carrier Modulation Depth FM DFM QO OSC Mix 1 2 OSC2 Tunel Sine wave 1 Pitch Depth Controls the depth amount of the Frequency Modulation OSC2 gt OSC1 Note As soon as an OSC gets frequency modulated either when FM DFM is enabled in the OSC MOD section or when using Dual Sine Waveforms the
35. the chord and sometimes it s easier to record it that way pressing each key one by one But there is an another big difference to the standard mode Try to press first a note then press an another one below the first note Now you can see in the tool tip that the list is no longer starting with a O zero e g 15 12 0 3 5 In other words the master key of the chord is not the lowest key it s always the key that you pressed first This is very useful if you want to create chord with a range over multiple octaves and you want the base key not at the lowest position Of course the same chords can be achieved using the standard mode in combination with the audible KB Hold function the one on the panic button see next Chapter but then you always have to start with the lowest key which is not always the most intuitive way Note When you finish a Chord Recording either by pressing the Chord Rec Button the second time or by reaching the max Chord size the memorized Chord gets enabled automatically and you can start playing with it straight away The max Chord size depends on the Number of Synthesizer Voices setting in the Setup dialog 2 up to 10 voices 31 10 2015 Page 50 Sy G Stomper User Manual V 4 5 2 16 3 Chord Memory Standard Mode with audible KB Hold the one on the Panic button 1 Long press the Panic button in the toolbar on top of the screen to enable the main KB Hold 2 Press the Chord Rec Button once to ena
36. ttack time in a range from 0 0ms to 20s the time from pressing a key until the envelope reaches its max level 8 2 9 5 Decay Release Decay and AD AD Repeat Envelope Type Controls the Decay time in a range from 0 5ms to 20s the time from the moment the attack is finished until the envelope reaches the zero level Decay and AHD Envelope Type Controls the Release time in a range from 0 5ms to 20s the time from releasing a key until the envelope reaches the zero level 31 10 2015 Page 36 yy G Stomper User Manual V 4 5 8 2 9 6 Invert Invert off Normal Envelope mode Invert on The amplitude of the Envelope is inverted turned upside down 31 10 2015 Page 37 yy G Stomper User Manual V 4 5 8 2 10 Filter1 amp 2 The VA Beast provides two Multi Filters per voice with 8 Filter types SEL MENU MODE STEP EDIT 8 2 10 1 Filter Type Each Filter offers 8 different Filter Types e LP12 12dB Low Pass Filter e HP12 12dB High Pass Filter e LP24 24dB Low Pass Filter e HP24 24dB High Pass Filter e BP 12dB Band Pass Filter e NP 12dB Notch No Pass Filter e MGLP 24dB Moog Low Pass Filter e MGHP 24dB Moog High Pass Filter Cutoff Controls the Filter Cutoff Frequency in a range from 1Hz to 14000Hz Res Controls the Filter Resonance Bandw BP NP Filter only Controls the Bandwidth 31 10 2015 Page 38 yy G Stomper User Manual V 4 5 2 10 2 Filter Keyboard Tracking Keyboard Trac
37. yy G Stomper User Manual V 4 5 G Stomper Studio G Stomper Rhythm G Stomper VA Beast User Manual App Version Date Author Official Website 4 5 31 10 2015 planet h com http www planet h com Contents 8 MA BCaSEe SYNNE SIZET oriin E O 2 8 1 OVEFVICW sciuttnieiwiasdetsaveier cisataveutienietninniadeeninndeinnierednietie iaaa 2 8 1 1 The On Screen KEV Odi Cocesinsaecetasansateseuasnccacspanievesaeascansasaiaxes bean caeybeatensseauncunseseionieeecsons 4 8 1 2 TUC HUG BUO rasta caeuseecaeences ees ntecenctnsie va castauecanense ean vesunen tne aceasienssinneeaeensaneuaes 5 8 2 Panel RererenCE srusio 6 8 2 1 Quick Preset Selector and Info Display sssnsnsnsnsnsnnnsrsrsnrrnnrnnnnnnnnnnnnnnnnnnnnnrnrnrnrnrnenene 6 8 2 2 P O 1 O a canubatsvecutaisdevsnasicuteteviaumeraticreanerecane 8 8 2 3 OSCINGUOR Z eraasi rinra A RAEE EEA E RAAEN REEE 14 8 2 4 OS CIINAROR VG eea rane coacenawscyasanauesacaisinseraaatiascninutsetesmucaeigare 18 8 2 5 Oscillator Modulation acts execccesetaneatconececedcuictetsunsaensatabsahsesecincesesdatatcansecedananeateeusascecatess 19 8 2 6 OS CIAO MEOT ss she ansiasneneuicssiteeassneasabnengeecs 27 8 2 7 Bareko i T A E E E E E E T T 28 8 2 8 PO Te S T ETA 29 8 2 9 Modulation Envelope 1 3 ccccccccecceceeceeeeeeeeeee eee eeeeeee aes eeeesesa eee eseea esa esesaesaesaeaesaesangess 34 ze FO abe Ot aA tea ssabouscenseatiauntanua 38 Secale FIIT 2 eree RE AAE A EEA 40 8 2 12 Rlter 1 amp 2 Envelope
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