Square I User Manual
Contents
1. 3 Shape This knob allows to select the waveform that the oscillator uses The waveforms are arranged from high to low harmonic content to allow quick real time waveform swapping with a MIDI controller and to expand the Random Wave LFO feature The waveforms available for all oscillators from min to max are Perfect Saw Vintage Saw Perfect Square Vintage Square Harmonics 5 2 Harmonics 3 Harmonics 4 Harmonics 5 Pure Sine OCONOAPWON gt Perfect Saw and Square are mathematically generated waveforms very bright while Vintage Saw and Square are modeled from old vintage generators using very special vintage filters with a warm and dull sound Harmonics 5 2 3 4 and 5 are mathematically generated waveforms containing only N th harmonics For example Harmonics 3 is a wave that have only fundamental 3rd harmonic 6th harmonic 9th harmonic etc All waveforms are fully bandlimited alias free so don t be afraid to play chords using the highest notes on the keyboard 4 Mode This selects the working mode for the oscillators There are 5 modes available Key Sync The phase of the oscillator restarts on key on event No Key Sync The phase of the oscillator does not restart on key on event Sync Inverted Identical to Key Sync but with inverted phase No Sync Inverted Identical to No Key Sync but with inverted phase Fixed Pitch The frequency of the oscillator does not change with the keyboard v1 1 Ol CON2. Default Values Ctrl Left Click on a knob to select the default parameter value ie 2 for PitchBend Range Oscillators Sound Generation Engine Square does have three oscillators with nine waveforms each plus a noise generator Every oscillator has individual settings for Mode Waveform Coarse Fine Phase and Pitch Eg amplitude The Shape Fine and Coarse functions have a double function Clicking on the label below the knob they become Mode Phase and Pitch Eg respectively This double function allows the less used functions to still have their own knobs while keeping the screen usage within confortable limits During playback automation will move the knobs according to the label shown Parameters 1 Osc On Off Clicking the indicator light all oscillators are turned On Off Even single one oscillator programs sounds very fat in Square due its sophisticated waveform generation engine Most complex sounds can be generated using two or three oscillators though TIP Turning off unused oscillators decreases CPU utilization so it s much better to disable the oscillator than setting its level to zero 2 Oscillator Level This is the volume level of every oscillator Adjust them to mix the generated waveforms TIP Like in hardware synthesizers when using the same waveform in two oscillators with a small value in FINE parameter high transient peaks appear Avoid them adjusting the level in one oscillator slightly lower 70
3. 57 PWM Osc2 depth 58 PWM Osc3 depth 59 PWM Phase shift Midi controller 32 LFO1 Shape relocated to 61 Controller 32 is assigned now to bank change Sound Preview click on bottom ribbon Bug fixed An instance of the editor remains loaded under FXpansion VST DX adapter Bug fixed Filter label always is LPF when reopening the instrument even when HPF filter is selected Bug fixed Transpose value does not update when recalling presets Bug fixed FM mode hangs sometimes on first octave notes Version 1 1 A bank now holds 64 presets instead of 32 Two FM frequency modulation modes added to OSC2 Mode selector and graphics New presets to show FM capability Enhanced Voice Allocation Engine Low pass and High pass filter for delay effect Feedback knob now doubles as Delay Cutoff lt 0 5 HPF gt 0 5 LPF New MIDI controllers 50 Filter Attack 13 51 Filter Decay 52 Filter Sustain 53 Filter Release 54 Filter Envelope 60 Delay Filter lt 0 5 HPF gt 0 5 LPF All parameters can be controlled via MIDI now as a custom NRPN 98 parameter number 99 parameter value Random patch generator left click on the Square logo for a new patch right click on it for a new patch with COARSE1 3 set to 0 4 new Pitch Bend Modes Asymetric 12 n High note Low note Hold notes Bug fixed interpolator of OSC3 when transposing to high values Bug fixed step knobs doesn t show the real values
4. Aftertouch Breath Controller Modulation Wheel Dedicated Envelope Generator with Attack Time Decay Time Sustain Level Release Time Dedicated Low Frequency Oscillator with 9 cycle Waveforms plus Random S amp H Delay Speed Aftertouch Breath Modulation Wheel Amplifier Amplifier Controls 12 Volume Stereo Spread Velocity Keyboard scaling Aftertouch Breath Dedicated Envelope Generator with Attack Time Decay Time Sustain Level Release Time Dedicated Low Frequency Oscillator with Dedicated LFO with 9 cycle Waveforms On Off Delay Speed Aftertouch Breath Modulation Wheel and Pan Effects of effects 3 Chorus Flanger Stereo Delay Eq Effect controls Chorus On Off Depth Speed Time Feedback Stereo Delay On Off Level Time Left Time Right Feedback Cutoff Eq On Off Low Boost High boost Version History Version 1 2 PWM added to the 3 oscillators with individual depth control Controls are located behind Random Wave LFO and appears clicking the label PWM Phase shift control to spread the modulation in the 3 oscillators The instrument can now hold 6 banks of 128 presets each 768 total presets with MIDI program bank change support Program Banks can be changed from main screen 192 Top Quality Factory Presets Preset selection by right clicking main screen Ctrl right click to get a scrollable menu lo res mode New MIDI controllers PWM section 55 PWM Rate 56 PWM Osc1 depth
5. TIP Pulse Width Adjustment for any waveform mostly used are Square and Saw but not limited to them can be reached setting OSC1 on Sync and OSC2 on Sync Inverted selecting same SHAPE FINE and COARSE settings on both and using the PHASE knob to control the witdth COARSE parameter expands to 48 semitones when Fixed Pitch mode is selected OSC2 has two extra modes that allow it to modulate the frequency of OSC1 and OSC3 FM1 OSC2 is the frequency modulator of OSC1 OSC2 sound can still be heard if it s volume is greater than zero OSC3 is independent in this mode v1 1 FM2 OSC2 is the frequency modulator of OSC1 and OSC3 OSC2 sound can still be heard if its volume is greater than zero v1 1 COARSE parameter expands to 24 semitones when FM1 or FM2 mode is selected 5 Fine Allows to slight detune any oscillator 2 6 Phase When on Sync or Sync Inverted mode sets the initial phase of the waveform when a Key On event is received 7 Coarse Allows to transpose one oscillators in semitone steps 12 semitones 8 Pitch Eg Controls how much the Pitch Envelope Generator affects the sound on every oscillator Oscillators Pitch Eg Main Tune Square does have a Pitch Envelope Generator which can be used to give different characters to the sound during Attack and Release stages The Tune control has a double function Click on the label below the knob and it becomes Transpose This double function allows the less used func
6. particularly transpose Bug fixed wrong attack value on repeated notes with slow attack values Version 1 002 Bug fixed reopening the editor crashes some hosts Version 1 001 First DEMO and commercial version release 14
7. the velocity sensitivity of the instrument Set it to minimum to have no sensitivity 7 AfterTouch The amount of volume variation when receiving Channel Aftertouch MIDI messages 8 Breath The amount of volume variation when receiving Breath Controller MIDI messages Amplifier LFO Parameters 1 LFO On Off Click on the indicator light to turn the amplifier LFO On Off Turning it off saves all CPU usage when the LFO is unused 2 Shape Selects the LFO wave shape among the following from min to max Sine Square Saw Up Saw Down Triangle Step 1 Step 2 Single Cycle Rand 1 Single Cycle Rand 2 OBWNOORWN gt 3 Speed Controls the LFO s frequency 4 Depth Sets the fixed amount of modulation applied to the volume 5 AfterTouch The amount of volume modulation applied when receiving Channel Aftertouch MIDI messages 6 Breath The amount of modulation applied to the volume when receiving Breath Controller MIDI messages 7 Mod Wheel The amount of volume modulation applied when receiving Modulation Wheel MIDI messages 8 Pan This controls the amount of stereo panning effect This is relative to the Depth setting so it s needed to have a Depth different than zero for the AutoPanner to work Effects Section Square sound generation engine is chained to the effects section which keeps the external routing to a minimum saving CPU and enhancing the preset programming experience due to the fact that all effect pa
8. with random parameters To use the Random Patch Generator just left or right click the Square logo Left clicking generates a patch with any COARSE settings while right clicking generates a patch with all three COARSE parameters set to 0 more useful to non effect sounds Following parameters are not changed when using the Random Patch Generator e OSC1 Volume e OSC2 Volume e OSC3 Volume e Noise Generator Volume e Main Volume e Filter Type e Delay Wet e Delay Time L e Delay Time R e Delay Feedback LFO1 On Off Pitch LFO2 On Off Filter e LFO3 On Off Amp e LFO4 On Off Random Wave e LFO4 Sync On Off e Chorus On Off Equalizer On Off e Filter Normalize On Off TIP To get a patch to be used as a sound start with all LFO s off and do a few right clicks while checking the result Add the LFO parameters by hand later The Random Patch Generator is very useful to give creative ideas about how new sounds could be created using Square I MIDI Implementation Basic e Note On Note Off Note On Velocity e Note On with Velocity 0 is interpreted as Note Off All Note Off e Program Change 0 127 e Pitch Bend 0 12 semitones adjustable e Channel Aftertouch Assignable to Pitch LFO Filter LFO Amp LFO Volume and Cutoff with individual settings Controllers 1 Modulation Wheel Assignable to Pitch LFO Filter LFO Amp LFO and Cutoff with individual settings 2 Breath Controller Ass
9. Filter Envelope Generator Parameters ccccccceeeeeeeeeeeeeeeeeceneeeeeeeeeeeeeeeeeeeeeeeeeeeeteeeceeeeeeeesaaeeeeeesenae 6 Filter LEO Parameters ccoo dai loe ea ea da rai da 7 Amplifier Secar a ada 7 Amplifier ParaMeterS cin a redada eii ais dd 8 Amplifier Envelope Generator ParameterS cccccccccccccccceeeeeeeeeeeeeeseeceeceececccaceaeeeeeeeeeaaaeeeeeeeeaaeeeeeees 8 Amplifier LFO Parametersyiz icccacccsiaassaxegvssaancauctaiiiwe naancaavsaaanccechwexaucusugaiteshaassadeliyabins s ae aea a aaa 8 E naa paccah sezanas beecunsnnaadeadeny cs bmn uawenmubbaandacsbnetiwes a uabaciwneannanaeds 9 Chorus Flanger Parameters cunaccoiico ria 9 Stereo Delay Parametros 9 A A ON 9 Random Pateh Generator ieies ia aa a a daauvasbh a Eea D AA Aa 9 MIDI implementati M se aa E AEA A A a a E a 10 A NN 10 Controller vercion a a a ea aaa EA A AAE aaa 10 Techical Spets iisi aa a Aa aaa aa aaa RARA 12 Instr ment asistir aa a a aaa a a aaa a aa a iaaa aaae 12 Sound Generation ENGING sesso concemeidvscon badendianedenedenaanedniveaa and babeneamiadesndanuiabineaies 12 EM it sche cut ae ceuta iaa sawed dt EN EAT id iaa ias 12 AMI tio 12 A A NS dee neo O N T 13 VETSION FUISTORY ci E I snutaad E E E E T 13 Version di ae a E e eaa a a ae 13 A e e eh ae aa A aAA a aoaaa aeaa e Aa ie dean eE aaa 13 AY 1 071 o Tied 0 O P AAE E A eee AS OA ERAS 14 VEO eb 14 Introduction Thank you for using rgcAudio Square Square is a highly intuitiv
10. IDI message 10 Pitch Bend Mode Allows to select the working mode of Pitch Bend v1 1 1 Normal Pitch Bend affects all notes equally 2 Asymmetric Pitch Bend range is as selected in previous parameter when bending up and fixed to one octave when bending down 3 High Note Pitch Bend only affects the note with highest pitch 4 Low Note Pitch Bend only affects the note with lowest pitch 5 Hold Notes Pitch Bend only affects the notes that are still pressed No effect on notes hold by sustain switch 11 Random Pitch Allows to change the pitch of every note played in a random amount Old synthesizer tune drift recreation 12 Main Tune Adjusts the Main Tune of the instrument 13 Transpose Allows transposing the instrument in a 12 semitones range Oscillators Pitch LFO Random Wave LFO Square features a Pitch Low Frequency Oscillator dedicated to Pitch Modulation and a unique Random Wave Low Frequency Oscillator to randomly change the Oscillators waveform allowing a very rich pallete of animated and in motion sounds The Speed and AfterTouch controls for the Pitch LFO have a double function Click on the label below the knobs and they become Delay and Breath respectively This double function feature allows the less used functions to still have their own knobs while keeping the screen usage within confortable limits During playback automation will move the knobs according to the label shown Pitch LFO Parame
11. Software Sinthesizer Factory Presets 92 Banks 6 a f Presets per bank 128 Total Presets 768 Main Panel of knobs 75 with dual function 18 of switches indicators 11 Sound Generation Engine Synthesis type Band Limited Wavetable Generator Wavetable resolution 32 bit Interpolation type Linear 64 bit Oversampling type Variable factor Max Polyphony 32 voices CPU dependant of oscillators per voice 3 plus Noise Generator White of waveforms per oscillator 9 Perfect Saw Vintage Saw Perfect Square Vintage Square Harmonics 5 2 Harmonics 3 Harmonics 4 Harmonics 5 Pure Sine Oscillator controls On Off Level Waveform Mode KeySync NoKeySync KeySyncinverted NoKeySyncinverted Fixed FM1 FM2 Fine and Coarse Frequency Phase Pitch Eg Dedicated Envelope Generator with Start Level Attack Time Attack Level Decay Time Release Time Release Level Envelope Velocity Dedicated Low Frequency Oscillator with 9 cycle Waveforms plus Random S amp H On Off Delay Speed Aftertouch Breath Modulation Wheel and Pan Main Tune Transpose Random Pitch and Pitch Bend Range Random Wave Low Frequency Oscillator with Speed Osc1 Osc2 Osc3 Sync On Off Sync divider Pulse Width Modulation with Speed Osc1 Depth Osc2 Depth Osc3 Depth Sync Phase shift Filter Type Analog Modeled Vintage Filter Internal resolution 64 bit Modes 2 Low High Pass Filter controls Cutoff Resonance Velocity Keyboard scaling
12. Square User Manual Copyright 2001 rgcAudio Software All rights reserved VST is a trademark of Steinberg Soft und Hardware GmbH Manual original location http web archive org web 20050210093127 www rgcaudio com manuals s1 Manual edited and reformatted to PDF by Norm Bowler August 2010 http www facebook com pages Norm Bowler 122225007820742 http www facebook com normbowler http www normbowler com Square is a VST soft synth available for FREE from Cakewalk http www cakewalk com Products Squarel Default asp http www store cakewalk com b2cus ProductInfo aspx productid 35 CWSQ1 40 20E Table of Contents INMODUCUIOM woes sa vecsssencassaenenhinnssh tena a a aaa lidia Rd aiaa e ia aa decia 2 Oscillators Sound Generation ENQiN ooonnoocccnnnnnnoccccccncnononncnnncnnnononcn canon nn cnc narran rn rra 2 Parade ua dadas 2 Oscillators Pitch Eg Malt TUNG circadiano 4 Para Mete iii iaa desd 4 Oscillators Pitch LFO Random Wave LFO cccceceee cece ee eeeeeeeeceeeaaaaeaaecaeeeeeeeeeeeeeeeeeeeeeeeeettteisneeeeeess 5 Pitch LEO Parameters oro a aaron deal dades 5 Random Wave LFO Parameters ccceceeeeeeeeeeeeeeeeeeeeeeeeeeee eet teaaaaaaaeaeeceaaaaaeaaeaeeceeeeeeeeeeeeeeeenee 6 Pulse Width Modulation PWM Parameters eccceecceeeeeennneeeeeeteenneeeeeeeeeecaaeeeeeeseecaeeeeeeteenaaeeeeeeneenea 6 Filter Settini a a iaiia 6 Filter Parameters e aid a EE a E aE iadaaa 6
13. e software synthesizer so probably you ll never need to read this manual There are some tips inside of it though so we suggest to take a quick look at it at any time Square does have a lot of factory presets for instant music 192 of them but of course the greatest potential of this instrument is in the tweakability of its sound Here is a brief list of things that will make the track preset construction experience more comfortable Sound Bank Selection Square does have 6 banks with 128 presets each All banks are saved together in most hosts so all presets will be ready after opening the instrument Banks can also be selected with the main screen bank selector letters a f Preset Selection Right click anywhere on the screen and a complete list of all presets available for the selected bank will appear all together for instant recall In low resolution screen modes ie 800x600 there is no enough space to show all presets so Ctrl Right click will show a scrollable preset list Ctrl Right click will toggle between full scrollable modes Sound Preview Click and drag horizontally on the bottom wood ribbon on main screen to preview your sound while editing It acts like a keyboard but without the valuable screen space and with full note 0 127 range plus a glissando action useful to adjust release times to save CPU Circular Linear Knob movements Alt Clicking a knob turns the movement from Circular to Linear mode
14. ignable to Pitch LFO Filter LFO Amp LFO Volume and Cutoff with individual settings 7 Volume Volume 20 OSC1 Shape 21 OSC2 Shape 22 OSC3 Shape 23 OSC1 Fine 24 OSC2 Fine 10 OSC3 Fine OSC1 Coarse OSC2 Coarse OSC3 Coarse OSC1 Phase OSC2 Phase OSC3 Phase Bank Change 0 5 0 a 5 f Pitch LFO LFO1 Speed Pitch LFO LFO1 Depth Filter LFO LFO2 Shape Filter LFO LFO2 Speed Filter LFO LFO2 Depth Amplifier LFO LFO3 Shape Amplifier LFO LFO3 Speed Amplifier LFO LFO3 Depth Amplifier LFO LFO3 Pan OSC1 Level OSC2 Level OSC3 Level Noise Level Random Wave LFO Random Wave LFO Random Wave LFO LFO4 Random Wave LFO LFO4 Filter Attack Time v1 1 Filter Decay Time v1 1 Filter Sustain Level v1 1 Filter Release Time v1 1 Filter Envelope v1 1 PWM Rate v1 2 PWM Osc1 depth v1 2 PWM Osc2 depth v1 2 PWM Osc3 depth v1 2 PWM Phase shift v1 2 Delay Filter Cutoff lt 0 5 HPF gt 0 5 LPF v1 1 Pitch LFO LFO1 Shape Sustain Switch Sustain Switch Eq High Boost Eq Low Boost Filter Resonance Amp Release Time Amp Attack Time Cutoff Frequency Delay Level Amplifier LFO LFO3 Depth Chorus Depth Chorus Speed Chorus Delay Time Chorus Feedback Custom NRPN SetParameterNumber v1 1 Custom NRPN SetParameterValue v1 1 LFO4 LFO4 Speed OSC1 OSC2 OSC3 aan xw Ww Technical Specs Instrument Type VST 2 0 Performance Oriented Virtual
15. nd appears clicking on the Random Wave LFO label The width of the Perfect Square and Vintage Square can be modulated with this LFO 1 Speed Controls the PWM LFO frequency the rate of the modulation 2 3 4 Osc1 Osc2 Osc3 The amount of modulation for every oscillator 5 Sync Adjusts the phase shift for every oscillator When this setting is zero all oscillators start the modulation at the same time When is maximum the phase for the modulation is 120 degrees shifted for each oscillator Filter Section Square features a high quality very musically crafted analog modeled filter High quality oscillators together with this incredibly sounding filter makes the warm and powerful sound of this instrument The Speed and AfterTouch controls have a double function Click on the label below the knobs and they become Delay and Breath respectively This double function feature allows the less used functions to still have their own knobs while keeping the screen usage within confortable limits During playback automation will move the knobs according to the label shown Filter Parameters 1 Type Click on the Filter label to switch between the two possible filter types Low Pass and High Pass 2 Cutoff The filter cutoff frequency 3 Reso The filter resonance setting Filter Envelope Generator Parameters 1 Attack Time The time it takes for the cutoff frequency to reach maximum 2 Decay Time The time it takes to go from maxim
16. rameters are stored together with the sound data Three effects are included Chorus Flanger Stereo Delay and Two Band Equalizer Chorus Flanger Parameters 1 Chorus On Off Click on the Chorus indicator light to turn the effect On Off Turning it off saves all CPU usage while the effect is not used TIP Turn the Chorus effect off instead of setting Depth to zero to save CPU 2 Depth The amount of effect applied 3 Speed The frequency of the Chorus 4 Delay The Delay Time of the Chorus Flanger effect Low values generates a Flanging effect high values generates a Chorus effect 5 Feedback The amount of regeneration applied to the effect Stereo Delay Parameters 1 Delay On Off Click on the Delay indicator light to turn the effect On Off Turning it off saves all CPU usage while the effect is not used TIP Turn the Delay effect off instead of setting Level to zero to save CPU 2 3 Time Left Time Right The Delay Time for both stereo channels 4 Feedback The amount of regeneration applied to the effect 5 Cutoff If the value is less than 50 then the repeated echoes will pass through a HPF If the value is higher than 50 the echoes will pass through a LPF v1 1 Equalizer Parameters 1 Low Amount of Bass reinfocement 2 High Amount of Treble reinfocement Random Patch Generator Square has a built in Random Patch Generator v1 1 which can be used to easily generate new patches like effects and sounds
17. ters 1 LFO On Off Click on the LFO indicator light to turn the LFO On Off Turning it off saves all CPU usage when the pitch LFO is unused 2 Shape Selects the LFO wave shape among the following from min to max 1 Sine 2 Square 3 Saw Up 4 Saw Down 5 Triangle 6 Step 1 7 Step 2 8 Single Cycle Rand 1 9 Single Cycle Rand 2 10 Random 3 Speed Controls the LFO s frequency 4 Delay Adjust the time after the LFO will affect the oscillators MIDI controllers ignore this setting 5 Depth Sets the fixed amount of modulation applied to the oscillators The modulation will start after the time set with Delay 6 AfterTouch The amount of modulation applied when receiving Channel Aftertouch MIDI messages 7 Breath The amount of modulation applied to the oscillators when receiving Breath Controller MIDI messages 8 Mod Wheel The amount of modulation applied to the oscillators when receiving Modulation Wheel MIDI messages Random Wave LFO Parameters 1 Speed Controls the LFO s frequency the speed the waveform changes 2 3 4 Osc1 Osc2 Osc3 The amount of change for every oscillator 5 Sync On Click the indicator light and the waveform change will be synced to host BPM setting 6 Sync Divider Adjusts the LFO speed according to a divider rangin from 1 to 8 Pulse Width Modulation PWM Parameters Pulse Width Modulation is a new feature for Square v1 2 Controls are behind the Random Wave LFO a
18. tions to still have their own knobs while keeping the screen usage within confortable limits During playback automation will move the knobs according to the label shown Parameters 1 Start Level The point where the tune starts respect the final sustain tune Center point is zero normal pitch below center are negative values start pitch will be lower and above center are positive values start pitch will be higher The amount of this setting and how it affects every oscillator is regulated with the Envelope setting and the individual Pitch Eg for every oscillator When both settings for envelope generator are maxed the Envelope Generator range is 1 octave 12 semitones 2 Attack Time The time it takes to go from Start Level to Attack Level Higher settings are longer times 3 Attack Level The pitch that the oscillator reachs after Attack Stage 4 Decay Time The time it takes to go from Attack Level to standard tune setting 5 Release Time The time it takes to go from standard tune setting to Release Level setting after a Key Off event is produced 6 Noise Level The volume setting for the Noise Generator 7 Envelope This controls how much the Pitch Envelope Generator affects all oscillators 8 Velocity This control regulates how much the Note Velocity MIDI message affects the Pitch Envelope Generator Higher Settings means higher variation 9 Pitch Bend Range Fixes the pitch variation when receiving a Pitch Bend M
19. touch MIDI messages 7 Breath The amount of modulation applied to the filter when receiving Breath Controller MIDI messages 8 Mod Wheel The amount of modulation applied to the filter when receiving Modulation Wheel MIDI messages Amplifier Section The amplifier section in Square features a Stereo Spread control a dedicated Envelope Generator and a Low Frequency Oscillator LFO with AutoPan capability The AfterTouch controls have a double function Click on the label below the knobs and it becomes Breath This double function feature allows the less used functions to still have their own knobs while keeping the screen usage within confortable limits During playback automation will move the knobs according to the label shown Amplifier Parameters 1 Volume The main volume of the instrument 2 Stereo Spread Allows the sound to spread in the stereo field TIP Higher settings works better in pads and comping sounds lower spread settings in leads and basses Amplifier Envelope Generator Parameters 1 Attack Time The time it takes for the volume to reach maximum 2 Decay Time The time it takes to go from maximum volume to Sustain Level 3 Sustain Level The volume sustain setting 4 Release Time The time it takes to go from Sustain Level to zero volume 5 Keyb The volume variation with the Key Note received keyboard scaling Higher settings means higher volume for higher notes 6 Velocity This controls
20. um cutoff to Sustain Level 3 Sustain Level The cutoff sustain setting 4 Release Time The time it takes to go from Sustain Level to Cutoff setting 5 Envelope The amount of the envelope modulation to cutoff filter 6 Keyb The cutoff variation with the Key Note received Higher settings means the filter cutoff higher for higher notes 7 Velocity This controls how much the envelope affects the cutoff setting 8 AfterTouch The amount of filter cutoff variation when receiving Channel Aftertouch MIDI messages 9 Breath The amount of filter cutoff variation when receiving Breath Controller MIDI messages 10 Mod Wheel The amount of filter cutoff variation when receiving Modulation Wheel MIDI messages Filter LFO Parameters 1 LFO On Off Click on the indicator light to turn the filter LFO On Off Turning it off saves all CPU usage when the LFO is unused 2 Shape Selects the LFO wave shape among the following from min to max 1 Sine 2 Square 3 Saw Up 4 Saw Down 5 Triangle 6 Step 1 7 Step 2 8 Single Cycle Rand 1 9 Single Cycle Rand 2 10 Random 3 Speed Controls the LFO s frequency 4 Delay Adjust the time after the LFO will affect the filter cutoff MIDI controllers ignore this setting 5 Depth Sets the fixed amount of modulation applied to the oscillators The modulation will start after the time set with Delay 6 AfterTouch The amount of filter modulation applied when receiving Channel After
Download Pdf Manuals
Related Search