Pro-Ject 6 PerspeX
Contents
1. after which it slowly falls to around 1 2dB at 1kHz at which level it hovers until 5kHz after which it rises to 5dB at resonance 18kHz before falling to be 3dB at 20kHz This puts the overall response at 40Hz to 20kHz 3 1dB Note that the lower frequency limit is not that of the cartridge whose response actually extends down below 10Hz but of the particular CBS test LP on which the frequency sweep is recorded Distortion of the phono cartridge is shown in Graph 4 and you can see that it s excellent with a second harmonic distortion component at 30dB 3 0 a third harmon ic at 47dB 0 4 and a fourth harmonic at 68dB 0 04 The fifth sixth and seventh order harmonic distortion components are all around 65dB down 0 05 Note how clean the test signal at 1kHz is as well as the distortion signals which shows the lack of rumble as well as the stability and levelness of the turntable platter The final graph Graph 5 shows the channel separation of the Pro Ject Pick It PU C 1H phono cartridge referenced to 1kKHz at 3 54cm sec You can see that it s 22dB at 1kHz which is a fair but not state of the art result Overall the Pro Ject 6 PerspeX performed exceptionally well on Newport Test Labs test bench with almost perfect speed accuracy extremely low levels of both wow and flutter and very low levels of rumble or to put it another way an excellent set of signal to noise ratio2. there s a final choice to be made with the Pro Ject 6 PerspeX which is whether or not to use the hinged acrylic dust cover that is supplied with it There s no doubt that using such a cover does introduce the possibility that the large surface area of the cover will pick up air pressure variations in the room and transmit these down through the hinges into the turntable base whereupon they could make their way back to the stylus Vvi nyl interface and potentially affect sound quality Conversely if you don t use the cover your LPs will become more dusty than they would if you did use the cover which will mean more ticks and pops dur ing playback and or more record clean ing I found that the Pro Ject 6 PerspeX is so well isolated that I d be happy to fit the cover even allowing that it might have a small effect on sound quality just to reduce my record cleaning time However note that the magnitude of the effect on sound quality will depend on where your turntable is located with regard to your speakers and the volume levels at which you play I used slow piano music to do the usual ear test for wow and flutter and can report that I could hear neither so so far as I m concerned there is no audible wow and flutter I also listened for any background rumble mainly using a Denon test record Again I couldn t hear any background rum ble I also checked for absolute pitch speed accuracy and discovered
3. I would always recommend setting VTA so that at the correct tracking weight the angle formed between the cantilever and the record surface is 22 degrees In most cases you will find this geometry occurs when the top of the cartridge is parallel with the record surface However it s far more important to get Stylus Rake Angle SRA correct and this involves actually examining the stylus itself which should be tilted approximately 2 degrees away from the vertical so that it s slightly forward that is the part of the diamond PRO JECT 6 Perspex BRAND Pro Ject MODEL 6 Perspex CATEGORY Turntable RRP 2 399 Exc Phono Cartridge WARRANTY Two Years DISTRIBUTOR International Dynamics Australasia Pty Ltd ADDRESS 129 Palmer Street Richmond VIC 3121 1800 456 393 7 03 9429 0822 El 03 9429 0833 gt K mail internationaldynamics com au e Perfect pitch _ Superb tonearm S S Dust cover e Manual speed change 55 5 Suspension 55555 not completely gt magnetic Spindle thread LAB REPORT Readers interested in a full technical appraisal of the performance of the Project 6 PerspeX should read the LABORATORY REPORT published on page 105 Readers should note that the results mentioned in the report tabulated in performance charts and or displayed using graphs and or photographs should be construed as applying only
4. dislodge the arm from the rest However if Speaking of counterweights with the Evolution arm you get not one counterweight but four you re looking at preventing stylus wear the Evolution arm does not have any type of au tomatic end of album arm lifter mechanism so you ll need to use the very nice silicon damped manual arm lifter whenever you hear the tell tale clickety click of the stylus entering the LP s lead out track Speaking of counterweights with the Evo lution arm you get not one counterweight but four One 28 is for cartridges weighing between 5 7 5g one 46 is for cartridges weighing between 7 10g one 43 is for cartridges weighing between 9 11g and the last 29 is for cartridges weighing between 11 14g The reason for having four is because the stub end of the tonearm the short end on the other side of the pivot point is much much smaller than usual so you can t move the counterweight as far away from the pivot point as you can with most other tonearms which severely limits the range of adjust ment Why is the stub end so short One rea son is that it reduces the moment of inertia of the arm but it also minimises resonances Pro Ject 6 Perspex even though with this particular style of thin wall conical carbon fibre construction these are miniscule in any case There s a bit of overlap across the ranges because if you have to wind the counterweight out too far it can a
5. experimented for many years with platters made of MDF metal and acrylic and in various combinations His final word on the matter is that it s not so much the material itself that has the greatest effect on the sound as the combinations of materials used in a turntable s construction and that it can vary depending on where it s used so that an MDF platter on an acrylic base will sound completely different to an acrylic platter on an MDF base On the Pro Ject 6 Perspex Lichenegger has introduced even more variables because although the platter is made from MDE its top surface is made from vinyl which seems a little strange until you realise that it s actually the perfect in terface with a vinyl LP The platter sits on an inverted stainless steel axled bearing tipped with a ceramic ball that rotates on a ceramic bearing plate The bearing plate is let into the suspended sub chassis which is made of Corian which in turn is partially suspended above the Perspex base plate by six magnets formed in such as way as to make three mag netic field isolators When I say partially it s because it seemed to me that although mag nets are used the sub chassis is additionally supported by other more physical means including sorbothane padding However without actually completely disassembling the turntable which I wasn t prepared to do I could not determine the exact nature of the other support mechanism The platte
6. that it was close enough to perfect that I could play along with LPs on my piano without any jarring discords However if you like the idea of play ing along with LPs you should note that many LPs were not pressed at the proper pitch with the recording having been speeded up slightly to ensure the music fitted neatly onto one side of the vinyl While I am speaking of rotational speed I noted that Pro Ject sells an optional 78 rpm pulley that will convert the Pro Ject 6 Perspex for 78rpm operation This is an excellent and very thoughtful gesture on Pro Ject s part Note however that if you do want to play back 78s you ll need to fit a phono cartridge that will accept dedicated 78 rpm styluses Stanton is one of the very few phono cartridge manufacturers still making these and it has a range of 78 rpm styluses specifically designed for its 500 680 and 880 Series cartridges of which I use the 500 series for the purpose If you want to stick with Ortofon models you can use Ortofon s OM78 cartridge I don t like to conclude with a gripe but I will It s that Pro Ject has used quite a coarse thread on the spindle and machined the thread a considerable distance down the spindle Although this means you can quickly attach tighten and remove the supplied record clamp it also means that many after market accessory clamps weights and other acces sories can t be used because they either won t clamp t
7. ON TEST Pro Ject 6 Perspex TURNTABLE ro Ject has been leading the way in budget priced turntables for so long that it s easy to forget the company also manufactures a fine line of higher end turntables such as the Pro Ject 6 PerspeX reviewed here It s only fairly recently that turntable manufacturers have discovered the virtues of acrylics In the case of Perspex which is used extensively in the Pro Ject 6 PerspeX the prime acoustic advantages are that the material is dense and non resonant The cosmetic advantage is ob vious the Pro Ject 6 PerspeX looks great But the most significant technological advance on the Pro Ject 6 PerspeX is that it uses a magnetic suspension to help isolate the plat ter and subchassis from the environment All Pro Ject turntables are manufactured in the European Union using production lines in the Czech Republic and Slovakia Pro Ject says it produces nearly all critical parts including motors chassis bearings and tonearms in its own factories and currently employs around 300 workers THE EQUIPMENT Although Pro Ject is obviously using Perspex in the manufacture of the Pro Ject 6 Perspex I should make it clear that Perspex is simply a brand name that describes one manufac turer s version of a transparent thermoplastic material called polymethyl methacrylate PMMA that s variously known as acrylic glass acrylic or Plexiglas Many other high end turntables also use PMMA i
8. ctually foul the acrylic dust cover in which case you d step up to the slightly heavier counterweight which would correctly bal ance the arm and if you move the counter weight too far inwards it fouls the tonearm base itself which requires stepping down to a lighter counterweight You wouldn t know any of this from reading the Users Manual supplied with the Pro Ject 6 PerspeX because it says there are only two counterweights sup plied with the turntable It appears the Users Manual supplied with my review table was out of date I downloaded the current version from Pro Ject s website and would recom mend you do likewise I found Pro Ject s User Manual a little confusing but perhaps that s just me One issue I had with the instructions is that when installing the motor into the circular cut out in the Perspex base it was obvious that at some point someone had envisaged that the motor would be bolted to the base because there s a hole moulded through the turntable base at the appropriate spot and the motor housing has a threaded hole in its base How ever I could not find any mention of this in the manual nor could I find a bolt that could be used for this purpose in the installation kit of parts Instead Pro Ject supplies a sticky sorbothane pad that should be interposed between the bottom of the motor and the Perspex base Very mysterious The Manual also mentions that if you don t like manually moving th
9. e Complete Clapton on 2 speed 180g vinyl very possibly one of the greatest four disc LP sets ever IMHO The Pick It PU C 1H cartridge body is identical to the one Ortofon uses for its MC 1 Turbo and MC 3 Turbo cartridges so I assumed it s based on one or the other of these or perhaps a mixture of both I was bothered by a slight mechanical noise on my Pick It which turned out to be a loose exterior casing which I solved with a dab of cyano 2 acrylate that s Superglue to you Although I was more than happy with the performance of this cartridge after I d glued the case I thought I should install one that I was more familiar with and would also be even more revealing of the Pro Ject 6 PerspeX s performance so I opted to fit an Ortofon Kontrapunkt A partly because I had one to hand and partly because I d been informed it was an excellent match I confirmed it was certainly an excellent match and it certainly outperformed the supplied Pick It but apart from confirming the Pro Ject 6 PerspeX s speed accuracy and its lack of wow flutter and rumble it didn t tell me much more about the turntable s performance other than the fact that you have no fear of over cartridging the Pro Ject 6 PerspeX it will allow you to extract aa T LE iki i the maximum performance from any phono cartridge that s compatible with the 9cc Evolution arm As if there weren t enough variables when it comes to turntables
10. e belt from one step of the pulley to the other when you want to switch platter speed from 33 to 45rpm you can purchase a Pro Ject SpeedBox or Speedbox SE and instead adjust speed electronically Power for the drive motor is supplied by a wall mounted plug pack a k a wall wart which is rated with an output of 16V at SOOmA IN USE amp LISTENING SESSIONS I wasn t a particularly happy camper after installing the Pro Ject 6 PerspeX on a small side table I d put alongside my main system to save me having to shift my own turntable Despite having unpacked and assembled the Pro Ject 6 PerspeX myself I hadn t realised that the three feet underneath three feet rather than four because three will be stable even if the surface on which you place the turntable is uneven came to such sharp points Such sharp points indeed that I accidentally scratched the expensive French polish finish on my side table All my own fault of course but it puts me in a position to warn you not to do likewise When checking the cartridge alignment of the supplied cartridge I have to say that I personally disagree with the description in Pro Ject s Owner s Manual of how to set Vertical Tracking Angle VTA The manual suggests that VTA will be correct when the tonearm tube is parallel with the LP record beneath it This may certainly be true when using some phono cartridges but it may not be correct for all phono cartridges
11. events all alignments are double checked by the dealer who sells the turntable and that our review sample had skipped this part of the process since there was no dealer involved I should also point out that the last turntable I reviewed that was supplied from International Dynamics was perfectly aligned in every respect so this is obviously a one off As you can imagine all this aligning re wiring and alignment cross checking took quite a deal of time which reminded me of at least one reason why the CD format was so popular when it was first introduced However alignment generally has to be done only when you fit a new cartridge and I guess that in reality aligning a phono cartridge is no more arduous than the process of correctly position ing a new pair of speakers in a listening room out of the water My demos usually conclude with a lecture some call it my highly politi cised conspiracy theory polemic explaining how certain foreign multinationals made sure CD became the predominant format by shut ting down vinyl pressing plants and telling blatant porkies about the CD format Perfect sound forever is one that springs to mind There was one final decision I had to make and that was whether to use the record clamp supplied or go naked and play LPs without it I trialled this with without scenar io with several LPs but the one I found that highlighted the subtle differences the best was Neil Young s Ha
12. it acrylic The Turntable The pay off comes when you spin up your first slab of vinyl and hear the sound quality which is so supremely gorgeous that you will well have cause to wonder why the CD format became popular at all I play so much vinyl that it s no surprise to me at all but I do just love it when friends come around hear the music and ask What s that great CD you re playing To see their faces when I tell them I m playing vinyl is just unreal It gets even better when there s the time and truth be told the motivation for me to put on a proper CD vs LP demo where they can clearly hear that when it comes to musical ity LP sound quality blows CD sound quality stylus when viewed from the front unlike SRA which is viewed from the side is exactly perpendicular to the record surface As the manual correctly points out you should not make this adjustment while the arm is in the groove Also you should not make the common mistake most audiophiles make which is to adjust SRA and azimuth while the stylus is resting on a mirror in order to make the angles easier to see This is not a good idea because it puts the entire weight of the tonearm and cartridge directly on the tip of the stylus which can damage it In use a phono stylus is suspended by its sides by the sides of the groove walls so the stylus tip ac tually takes very very little of the downwards tracking force Anti skating ad
13. justment is easy because there are only three possibilities when using the 9cc Evolution arm There is one setting to be used when using down forces of 10 14mN another for down forces of between 15 and 19mN and a final setting for down forces in excess of 20mN Note that the use of mil liNewtons for down force is technically cor rect though it s really only used in Europe Australians will have to use a grams to mN conversion table And it might have been nice had Pro Ject supplied one in its Owners Manual During my alignment checking process I discovered that the cartridge in my sample had been incorrectly aligned so I had to do it all myself I prefer to use the Bauerwald geometry when aligning cartridges which Basics protractor is cheap at around 30 RRP but it s not suitable for use with the Pro Ject Evolution arm because there s no sight line to the centre of the tonearm mount Amaz ingly I also found that the cartridge pins had been incorrectly connected to the tonearm wiring loom despite the clear and unam biguous colour coding on the cartridge and the matching colour coded tonearm wires I reported these alignment and wiring issues to the editor who passed the information on to International Dynamics which subsequently advised that the person responsible is no longer employed with the company While regretting this incident International Dy namics also pointed out that in the normal course of
14. n their construction but from different manufactur ers so it s also called Lucite Optix Acrylex Acrylite Acrylplast or one of half a dozen other names depending on who made it In essence however it all appears to be the same stuff however there can be important differences One is that PMMA is quite soft and easy to scratch so some manufacturers add an external scratch resistant coating using a process not dissimilar to that which your optician may offer you when you order a pair of spectacles with plastic lenses For the record I should also note that many audi ophiles tend to treat PMMA as if it s real glass It isn t and the major operational difference here is that whereas glass has an extremely high resistance to most chemicals including strong acids and alkalis PMMA has quite low resistance to many quite ordinary cleaning solutions so you should be extremely careful to use only cleaners that have been approved for use with plastics I d certainly never use any type of solvent for cleaning If you need to clean the surface of the Pro Ject 6 Perspex use only soapy water or a mild cleaner such as Windex I was interested to learn that although the chassis of the Pro Ject 6 PerspeX is made from Perspex the platter itself is made from MDF Why not go the whole hog and make everything from Perspex It appears that this is the subject of ongoing research at Pro Ject with designer Heinz Lichtenegger having
15. o the threaded section of the spindle or can t be fixed so they re exactly central CONCLUSION This is a brilliant turntable It does absolutely everything a turntable should and in a stylish fashion and even better it comes pre fitted with a superb and completely adjustable to nearm that will accommodate an enormously wide range of phono cartridges 4N Tom Hunter 26 Australian hi fi LAB REPORT PAGE 105 SEE REVIEW ON PAGE 22 TEST RESULTS The rumble spectrum of the Pro Ject 6 PerspeX is shown in Graph 1 The problem with measuring mechanical noise at very low frequencies is of course preventing external noise from contaminating the measurement Most people will be familiar with hearing unwanted rumbling sounds on CDs where microphones have picked up trains passing in nearby subways or the trams rumbling by Since it s virtually impossible to remove low frequency events Newport Test Labs instead records the inherent level of background rumble at the exact time the test was made which is shown as the black trace on Graph 1 and then superimposes the measurement of the inherent mechanical noise of the turntable itself the red trace on Graph 1 Whereas it s normally possible to filter out electrical interference this is not possible with rumble measurements so the obvious large peaks visible at 50Hz 150Hz 250Hz and 350Hz are mains hum components caused by induced hum in the phono car
16. ph 2 this is assessed by playing back a test LP with a signal recorded at exactly 3 000Hz and then measuring the frequency So to give the results noted at 33 33rpm the Pro Ject 6 PerspeX played back the test signal at 3006Hz and at 45rpm it played the test signal at 3003Hz The Pro Ject 6 PerspeX performed exceptionally well on Newport Test Labs test bench with almost perfect speed accuracy Wow and flutter was also very low with Newport Test Labs measuring rumble to the CCIR standard as being 0 05 unweighted flutter 0 09 unweighted wow and 0 07 wow and flutter weighted The lab also measured to DIN standard recording figures of 0 045 flutter 0 1 wow with DIN weighted wow and flutter registering just 0 06 These are all excellent results Newport Test Labs also measured the fre quency response of Pro Ject Pick It PU C 1H fitted to the Pro Ject 6 PerspeX The result is dBFS O00 pee a ad ls a aaaea aaaea eect atau naan a ha guna iu Ass i f i i A f H Newport Test Labs 20000 00 0 00 Hz 4000 00 8000 00 12000 00 16000 00 Graph 4 Phono cartridge distortion at 1kHz at 3 54cm sec Pro Ject Pick It PU C 1H mounted in Pro Ject Evolution tonearm fitted to Pro Ject 6 PerspeX Turntable LAB REPORT shown in Graph 3 Note the graph scaling at the left which shows that the total graphing range is just 10dB You can see that the car tridge s frequency response is 2dB at 40Hz
17. r is driven by a synchronous AC motor via a two step pulley The flat edged belt loops around the outside edge of the platter The 9cc Evolution tonearm fitted to the Pro Ject 6 PerspeX is an amazing arm It s almost completely made from carbon fibre and has ball race vertical and horizontal bearings The result is that it s so light weight that moving it with your hand is a little like grasping air Indeed the most significant mass 22 Australian hi fi other than the counterweight is the phono cartridge itself which on the sample supplied to Australian Hi Fi Magazine for review was the curiously named Pick It PU C 1H high output moving coil cartridge that is built specifically for Pro Ject by Danish phono cartridge manufacturer Ortofon It was appar ently originally developed for midrange to nearms such as the Pro Ject 8 6c and Pro Ject 9c It s normally available separately for 329 RRP but distributor International Dynam ics had fitted it specifically for the purpose of this review at the specific request of the Editor A low output version of this cartridge is also available for 269 RRP Phono cartridges are fairly costly items these days so you ll be very pleased to find that the Evolution arm has a magnetic catch that accurately and very effectively locks the arm into the arm rest when it is not being used The magnetic catch is so powerful that you ll need to make a deliberate effort to
18. rvest Moon on Reprise If you listen to the track Unknown Legend you ll hear a whole lot of fading echoes With the clamp in place these echoes sounded a little forced and artificial whereas without it there was a far more dreamy quality to the sound Which is correct I m not 100 per cent sure but there sure is a difference The same effect was also present on Brian Eno s Ambi ent 4 Polydor but again although I heard differences and preferred the sound without the clamp I couldn t be absolutely certain I was hearing what the record producer intended I hate to leave this one up in the air but I really couldn t decide and I did feel that the differences although audible were subtle enough that it probably doesn t really matter sacrilegious though that may sound Of course if any of your LPs is even slightly warped the answer then becomes a no brain er use the clamp 24 Australian hi fi Pro Ject 6 PerspeX Turntable As it was I happily played my way through my favourite vinyl rediscovering great sounding LPs that for some reason had fallen from my playlist inevitable I suppose there s lots of music out there For example I d forgotten just how good the Classic LP version of Crosby Stills amp Nash s self titled LP really sounds on vinyl partic ularly the harmonies Ditto Anna Netrebko and Rolando Vilazon s incomparable Duets on Clearaudio via DG Then there s Th
19. s 4N Steve Holding 50 00 60 00 70 00 80 00 4 dBFS 0 00 p 1 ee ee eee ki t eo rs 10 00 p 4 fone aeeennndnnenseennendeeeeneeeneebeeseenenees ewe eee memes coerce 00 00 chess 2esetset de cess merci aroaren h aerer at eometesas cy Oo Se SSB ee Aer oe E ee 30 00 40 00 2500 00 Hz 2700 00 2900 00 3100 00 3300 00 3500 00 Graph 2 Wow and flutter profile including speed accuracy at 33 33rpm Turntable runs 0 02 fast at this speed playing back a 3kHz test signal at 3006Hz At 45rpm turntable runs 0 01 fast playing back a 3kHz signal at 3003Hz CCIR Flutter 0 05 unweighted CCIR Wow 0 09 unweighted Total wow and flutter 0 07 CCIR weighted Pro Ject 6 PerspeX Turntable t i 20000 00 T T t t t t 0 00 Hz 4000 00 8000 00 12000 00 16000 00 Graph 5 Channel separation of Pro Ject Pick It PU C 1H phono cartridge re 1kHz re 3 54cm sec with cartridge mounted in Pro Ject Evolution tonearm fitted to Pro Ject 6 PerspeX Turntable avhub com au_ hifi 105
20. to the specific sample tested a wm Lab Report on page 105 avhub com au_ hi fi 23 Pro Ject 6 PerspeX Turntable stylus that s fixed to the cantilever should be slightly further away from the tone arm pivot than the tip of the diamond stylus This isn t exactly a revelation it s an alignment developed by Maier and Risch way back in the 80s which they proved sounded superior to any other alignment methodology Editor s Note See the article More than one VTA in Aus tralian Hi Fi Magazine Volume 12 Number 5 However Pro Ject s Owners Manual is much better when it comes to advising about adjusting for azimuth angle and it s great that it s so easy to do on the Evolution tonearm All you have to do is adjust a small screw at the bearing end of the arm until the is the alignment that will result if you use a tool such as the Turntable Basics Clearaudio or Align It Protractors The Clearaudio and Align It protractors are fairly expensive tools 425 and 199 respectively but I would expect that any hi fi dealer who is in the business of selling turntables and cartridges would have at least two of these three and be able to use them to demonstrate that your cartridge has been correctly aligned Any Pro Ject dealer should certainly have a tool because the Align It is made by Pro Ject itself It is almost identical to Clearaudio s align ment tool except that the Align It is made from wait for
21. tridge itself as well as by hum in the test set up The smaller peaks at 100Hz 200Hz and 300Hz are also hum related and so all should be ignored As you can see the rumble level of the Pro Ject 6 PerspeX is only just higher than the level of background rumble so that it s about 55dB unweighted below reference below 50Hz increasing to 80dB above 70Hz and to around 90dB above 125Hz Rotational accuracy was outstandingly good with the Pro Ject 6 PersPex s platter running just 0 02 fast at 33 33rpm and improving even more at 45rpm where it was just 0 01 fast As you can establish from dBFS 0 00 20 00 40 00 4 60 00 80 00 4 100 00 0 00Hz 50 00 100 00 150 00 200 00 250 00 300 00 350 00 400 00 Graph 1 Rumble profile Black trace shows inherent background noise at time of test measured by placing phono stylus in groove of non rotating LP Red trace is same measurement but with the LP rotating at 33 33rpm The major peaks in the traces are the result of mains powered induced hum in the phono cartridge itself and in the test set up and should be ignored ProJect6 PerspeX Newport Test 40 00 Hz 100 00 1000 00 10000 00 Graph 3 Frequency response of Pro Ject Pick It PU C 1H mounted in Pro Ject Evolution tonearm fitted to Pro Ject 6 PerspeX Turntable 10 00 20 00 30 00 40 00 50 00 60 00 70 00 80 00 Pro Ject 6 PerspeX Turntable Gra
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