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1. datavicleo O 9 e oa PO ao on0oags IO og Sere SAMPLING VECTOR SCOPE MONITOR VSM 100 Quick Start Guide www datavideo com Warranty Standard Warranty Datavideo equipment is guaranteed against any manufacturing defects for one year from the date of purchase The original purchase invoice or other documentary evidence should be supplied at the time of any request for repair under warranty Damage caused by accident misuse unauthorized repairs sand grit or water is not covered by this warranty All mail or transportation costs including insurance are at the expense of the owner All other claims of any nature are not covered Cables amp batteries are not covered under warranty Warranty only valid within the country or region of purchase Your statutory rights are not affected Two Year Warranty All Datavideo products purchased after 01 Oct 2008 qualify for a free one year extension to the standard Warranty providing the product is registered with Datavideo within 30 days of purchase For information on how to register please visit www datavideo com or contact your local Datavideo office or authorized Distributors Certain parts with limited lifetime expectancy such as LCD Panels DVD Drives and Hard Drives are only covered for the first 10 000 hours or 1 year whichever comes first Any second year warranty claims must be made to your local Datavideo office
2. is distributed towards the right 100 it can mean the camera 15 over exposed If the pattern is distributed towards the left 0 it can mean the camera 15 under exposed 5 If there are readings below zero the black levels will be crushed or too black Use the master pedestal setting on the camera to set the lowest black level at or slightly above 0 6 Once the first camera is correctly calibrated select TOOLS gt TRACE MEMORY gt SAVE TRACE to save the calibrated matrix levels from the first camera 7 Now connect VSM 100 to the second camera on the set Adjust the white and black balance on the next camera as described earlier 8 Now adjust the grayscale reading from second camera output so that it matches the saved output from first camera to align the cameras The same procedure can be repeated for any remaining cameras 16 Luminance Adjustment WAVEFORM MONITOR 1 Under the same on set lighting conditions aim the camera back to the white background or ideally a grayscale reference chart 2 Select WAVEFORM mode on the VSM 100 using the NEXT MODE option 3 Adjust the camera s IRIS and matrix to reach the desired maximum white level state There may be a pre selected level such as 600mv as a standard for consistency in brightness 4 If aiming at a precise grayscale chart the VSM 100 waveform output may resemble an X shaped matrix The steps in this matrix should be evenly distributed in line with the grayscale chart How
3. 0p50 720p59 97 720 60 Input Standards SD SDI 576i 480i Waveform monitor Vectorscope Parade Histogram Video input display Acquisition and display Single field Whole frame Time zoom Delay Non volatile display storage and recall Sampling Bandwidth 75 color bar scale 100 color bar scale Non volatile display storage and recall Video input in thumbnail format 8 Channel audio meter inputs SD SDI RS 252 emware peace O O O o oooO LIE HD SD HDMI Note external terminal must support 720p50 720p60 and 720 59 5 F W Upgrade Yes thru USB Humidity 10 to 90 non condensing Dimension W x H x D 482 7 x 88 5mm x 221 2mm Power Consumption 12V 15W 23 HD SD SDI Service amp Support It is our goal to make owning and using Datavideo products a satisfying experience Our support staff is available to assist you to set up and operate your system Contact your local office for specific support requests Plus please visit www datavideo com to access our FAQ section Datavideo USA Datavideo Corporation 7048 Elmer Avenue Whittier CA 90602 U S A Tel 1 562 696 2324 Fax 1 562 698 6930 E mail sales datavideo us Datavideo Taiwan Datavideo Technologies Co Ltd 10F No 176 Jian 1st Rd Chung Ho District New Taipei City 235 Taiwan R O C Tel 886 2 8227 2888 Fax 886 2 8227 2777 E mail service datavideo com tw Datavideo Hong Kong Datavideo Hong Kong Ltd G
4. AY Display the SDI Input video source VECTOR Applied a 75 or 100 color bar signal PARADE CALIBRATION Parade calibration on RGB or YCbCr mode Aim the camera to take the entire test chart as a sample image This step is necessary to make sure that the color saturation of an image reproduced from the camera is consistent and does not tint to any particular color that can cause color cast X ZOOM To adjust the brightness of an area in detail one can monitor a selected spot by choosing display graph from 20 100 CONFIGURATION 576i THUMBNAIL Set the display monitor at the lower left hand corner to 16 9 or 4 3 when the signal is 576i SDI LOOPTHROUGH Set loop through on off mode CAPTURE Set sampling mode FRAME Capture the entire frame as a sample FIELD1 Capture field 1 as a sample only FIELD2 Capture field 2 as a sample only FIRMWARE REVISION Display current software version X DELA This is used by adjusting the position of the matrix Set delay time from 0 17 0235uS TRACE MEMORY MEMORY This mode is allowed you save trace recall trace or clear trace To recall the saved camera signals the camera signals are consistent when camera signals displaying in various colors are overlapping with the one another MENU Menu dial and push to select button 7 Turn the knob to select the options or adjust the parameter MENU Push the knob to select the options cH 12 3 4 5 5 7 5 AUDIO CHANNEL Settin
5. F 26 Cross Lane Wanchai Hong Kong Tel 852 2833 1981 Fax 852 2833 9916 E mail info datavideo com hk Datavideo Europe Datavideo Technologies Europe BV Floridadreef 106 3565 AM Utrecht The Netherlands Tel 31 30 261 96 56 Fax 31 30 261 96 57 E mail info datavideo nl Datavideo China Datavideo Technologies China Co 101 NO 618 LiuYing Rd Zhabei District Shanghai China Tel 86 21 5603 6599 Fax 86 21 5603 6770 E mail service datavideo cn Datavideo France Datavideo France s a r l Cit Descartes 1 rue Albert Einstein Champs sur Marne 774477 la Vall e cedex 2 33 1 60370246 E mail info datavideo fr Datavideo United Kingdom Datavideo UK Limited Units1 amp 2 Waterside Business Park Hadfield Glossop Derbyshire SK13 1BE UK 44 1457 851 000 Fax 44 1457 850 964 E mail sales datavideo co uk Datavideo Singapore Datavideo Technologies S PTE Ltd No 178 Paya Lebar Road 06 03 Singapore 409030 Tel 65 6749 6866 Fax 65 6749 3266 E mail sales datavideo sg Datavideo India Datavideo Technologies India Pvt Ltd A 132 Sec 63 Noida 201307 Uttar Pradesh UP India Tel 91 0120 2427337 Fax 91 0120 2427338 E mail sales datavideo in Please refer to our website for update the latest version manual ment VSM 100 www datavideo info Test Equi datavicleo www datavideo com All the trademarks are the properties of their respective owners Datavideo Technologies C
6. any post production grading 5 Once the first camera is correctly set for colour select TOOLS TRACE MEMORY SAVE TRACE to save the current parade trace from the first camera 6 Now connect VSM 100 to the second camera on the set Adjust the white black balance and luminance on the next camera as described earlier 7 Now adjust the colour on the second camera output so that it matches the saved Parade from the first camera The same procedure can be repeated for any remaining cameras Set your own standard The colour of the image above is leaning toward red 18 Camera output after adjustments VECTORSCOPE 1 Under the same on set lighting conditions aim the camera at a colour reference chart such as DSC labs Chroma Du Monde 2 Select VECTORSCOPE mode on the VSM 100 using the NEXT MODE option 3 Now the VECTORSCOPE displays the analyzed colour components If the white balance of one camera had been altered the VECTORSCOPE matrix can be used as a check point to ensure all cameras have been correctly aligned 4 Feeding camera output of 75 colour bars into a Video Switcher confirms if the colour image is correct after the switcher too 19 VSM 100 Advanced Application RGB PARADE and White Balance Adjustment i Select PARADE mode on the VSM 100 using the NEXT MODE option Then point the camera at the white background or white reference card ii When the white balance is correctly adjusted The RGB
7. blue In this way two sources can be compared or a single source can be checked to see if its output drifts during extended use SET BANDWIDTH VECTORSCOPE TOOLS This option can be changed between LOW or FULL bandwidth The LOW bandwidth option results in fewer sample points being displayed but still allows a good read of the incoming signals The FULL bandwidth option results in all sample points being displayed SET UP BARS VECTORSCOPE TOOLS This option allows the Vectorscope Graticule targets for each colour to be switched between the 75 and 100 colour bar positions For most TV broadcast situations the Graticule targets should be set for 75 bars SET RGB YCbCr PARADE TOOLS This setting allows the parade displayed to be switched between RGB and component YCbCr values X ZOOM WAVEFORM TOOLS This option allows the waveform display to be zoomed on the X Axis so a specific area can be examined in more detail X ZOOM options are 100 The whole width of the waveform is displayed normal view 60 Only 60 of the whole waveform is shown on the display In this setting X DELAY can be used to scroll left and right across the waveform In this way the rest of the waveform can be viewed at the same level of detail 40 Only 40 of the whole waveform is shown on the display In this setting X DELAY can be used to scroll left and right across the waveform In this way the rest of the waveform can be viewed at the same level of detai
8. ce feature to white balance against the solid white background or reference white card 5 If necessary adjust Red or B Blue GAIN of the camera to move the shown sample points for white video into the center graticule box of the VSM 100 Vectorscope 7 5ZBRR5 75 5 H 0 4 Mey na E G L g Correctly centered samples Incorrect points towards blue 6 Once white balancing is complete cap the camera lens to produce black video The sample points should only appear in the same center graticule box of the VSM 100 Vectorscope 7 If necessary adjust R Red or B Blue GAIN of the camera to the shown sample points for black video into the center graticule box of the VSM 100 Vectorscope 8 Remove the lens cap and continue to Luminance Adjustment 15 Luminance Adjustment HISTOGRAM 1 Under the same on set lighting conditions aim the camera back to the white background or ideally a grayscale reference chart which includes 100 white and absolute black 2 Select HISTOGRAM mode on the VSM 100 using the NEXT MODE option 3 Adjust the camera s IRIS and Neutral Density Filter to reach the desired maximum white level state If the camera has a Zebra function you can use this to identify areas of under or over exposure too If aiming at a precise grayscale chart the VSM 100 histogram output may resemble evenly spaced vertical sample bars in line with the grayscale chart However if the pattern
9. e camera by showing the positioning of the dots When two cameras have aligned luminance the larger the VECTORSCOPE matrix the more colour saturation it represents TOOLS MODE VIDEO DISPLAY 21 Dimension Specification Monitor Contrast Ratio Top 50 deg Bottom 70 deg Viewing Angle Left 70 deg Right 70 deg Monitor Panel 2U 19 rack mount can support adjustable view angle Tilt 45 degree viewing angle Video Input HD SDI SD SDI HDMI HDMI RGB 720 x 576i x 50 Hz 720 x 480i x 60 Hz 1280 x 720p x 50 Hz 1280 x 720p x 60 Hz 1920 x 1080 x 50 Hz 1920 x 1080i x 60 Hz Support Format SDI 720 x 576i 50 Hz 720 x 480i 60 Hz 1280 x 720p 60 Hz 1280 x 720p 50 Hz 1920 1080i 50 Hz 1920 x 1080i 60 Hz Video System NTSC PAL auto recognition Sampling Vector Scope 1x SDI HD SDI input HD SDI SMPTE 292M 1 5Gbps SD SDI SMPTE 259M C 270Mbps with Interface Embedded Audio 1x SDI HD SDI Loop through output 1x HDMI Output SMPTE 259M C 270Mbps 525 625 Component Video and SMPTE 292M 1 485 1 001 Gbps Connector BNC IEC 169 8 Impedance 75 Return Loss gt 10 dB 1 5 GHz SD gt 15dB 270 MHz Equalization 200 m Belden 8281 cable at 270 Mbps 100 m typical of Belden 1694A at 1 485 Gbps HDM Supports HDMI V1 3 10 bits 1080150 1080159 97 1080160 1080p24 1080p25 1080p30 720p25 Input Standards HD SDI 750 59 97 720p30 72
10. erly grounded by connecting this terminal to an appropriate point When connecting use the socket and be sure to use wire with a cross sectional area of at least 1 0 Menu Options Monitor Picture Press the MENU button into the system Picture setting mode Press button into the Picture setting position Press button moving to the Brightness setting Press button into the Brightness setting position Press DOWN button to setting the Brightness values from 0 100 Press MENU button return to the Picture setting menu Press button exit the setting mode N B To select a different setting Contrast Saturation Tint use the buttons Follow the same procedure to set the others values N B Brightness Contrast and Saturation these three modes the value all the same as 0 100 Func Press the MENU button three times into the Func setting mode Press ENTER button into the Func setting position Press button moving to the Safety Zone setting Press ENTER button to setting Safety Zone range 80 90 or Press button exit the setting mode N B To select a different setting 4 3 Screen Cinema Zone use the buttons Follow same procedure to set the others status Advance Press the MENU button five times into the Advance setting mode Press button into the Advance setting position Press button into the Indicator setting position Press button to setting the Ind
11. ever if the matrix is not evenly distributed it means that the Gamma is not correctly set and will lead to further adjustment of the camera 5 Once the first camera is correctly calibrated select TOOLS gt TRACE MEMORY gt SAVE TRACE to save the calibrated matrix levels from the first camera 6 Now connect VSM 100 to the second camera on the set Adjust the white and black balance on the next camera as described earlier 7 Now adjust the grayscale matrix reading from second camera output so that it matches the saved matrix from first camera to align the cameras The same procedure can be repeated for any remaining cameras The grayscale matrix image above is not evenly stepped and shows there are four over exposed white areas 17 Colour Hue Adjustment PARADE RGB YCbCr 1 Under the same on set lighting conditions aim the camera at a colour reference chart such as DSC labs Chroma Du Monde 2 Adjust the colour level of the camera to give its image the required warmer or colder look according to your preference 3 Select PARADE mode RGB or YCbCr on the VSM 100 using the NEXT MODE option 4 PARADE displays the characteristic colour levels on a scale If the camera is pointed at the Chroma Du Monde reference chart the operator can now set the camera to standardised colour levels such as R 650mv G 600mv B 600mv These adopted set reference points can then ensure image consistency in future production runs and
12. g amp display the audio channels 1 2 3 4 5 6 or 7 8 CH CHANNEL CHANNEL X Push the button and then turn the MENU d knob to select audio channels STEREO MINI JACK PLUG 3 5mm jack socket for audio monitoring Rear Panel LLLALLLDLLLLLLLLLLLLLL LIV Bg ESSE S A Vector Scope Area Monitor Area ector Scope Area REMOTE REMOTE Switch to REMOTE for control VSM 100 mode LOCAL For firmware update mode if you want upgrade VSM 100 firmware please switch to LOCAL and via USB cable connect to PC for firmware update F W UPGRADE Mini USB CJ USB interface for firmware update SDIIN HD SD SDI INPUT BNC connector for SDI input 7 SDI OUT HD SD SDI OUTPUT BNC connector for SDI output HDMI OUT HDMI OUTPUT HDMI digital signal output connecter Monitor Areal HD SD SDI IN gt PASS THRU HD SD SDI input BNC connector for SDI Input HD SD SDI loop through output BNC connector for HD SD SDI with a loop through output HDMI in interface HDMI digital signal input connecter Support HDMI 1 1 DC in socket Connect the supplied 12V PSU to this socket The connection can be secured by screwing the outer fastening ring of the DC In plug to the socket Grounding Terminal When connecting this unit to any other component make sure that it is prop
13. g the Time Code ON OFF on the screen Press button moving to the TC Position setting Press ENTER button to setting the Time Code Position on the screen Left Up Middle Down Right Down Right Up Press button moving to the TC Font Size setting Press ENTER button to setting the time code font size on the screen Large or Small Press MENU button return to the Setup setting menu Press SOURCE button exit the setting mode 10 VSM 100 Output Display euquinu p ooplA SJOJESIPU OIPNY Aejdsig 5 F J 4 4 Lr m aH ae amp 1 11 AN 14410 LX 5499252 TL TI ES9Jgy NU WwW 9poIwN 2 jEUullo Menu Control and Options The VSM 100 is a menu driven unit The menu is viewed as part of the output display when it has been connected to a HDMI SDI monitor The menu options are scrolled by turning the Menu Dial to the left or right See item 1 on page 8 A pointer gt to the left of the menu options indicates which item is currently selected To change select a value gently press the Menu Dial in towards the VSM 100 case like a button If there are more options in the current menu then an arrow up or down may be displayed to the right of the Menu Area To go back to an earlier me
14. icator ON OFF Press button moving to the Reset setting Press ENTER button which will return all the settings of the monitor to the factory defaults Press button moving to the Version setting Press ENTER button the version information will display on screen Press SOURCE button exit the setting mode Press button moving to the Backlight setting Press ENTER button into the Backlight setting position Press button to setting the Backlight values from 0 100 Press MENU button return to the Advance setting menu Press SOURCE button exit the setting mode Setup Press the MENU button four times into the Setup setting mode Press ENTER button into the Setup setting position Press button moving to the OSD Timer setting Press button into the OSD Timer setting position Press UP DOWN button to select the OSD display on screen time value from 5 60 SEC Press button to setting the OSD display on screen time Press button moving to the OSD Blending setting Press ENTER button into the OSD Blending setting position Press button to select the OSD blending display on screen value from 0 7 Press ENTER button to setting the OSD blending display on screen Press button moving to the Color Temp setting Press ENTER button to setting the Color Temp 9300 7500 6500 5400 USER Press button moving to the Timer Code setting Press ENTER button to settin
15. l 20 Only 20 of the whole waveform is shown on the display In this setting X DELAY can be used to scroll left and right across the waveform In this way the rest of the waveform can be viewed at the same level of detail 13 X DELAY WAVEFORM TOOLS This feature allows the waveform display to be panned right or left at the chosen level of X ZOOM detail A low delay value relates to the left hand side of the vision raster and a high delay value relates to the right hand side of the vision raster AUDIO VOLUME Audio embedded into the SDI HD SDI signal can be monitored by plugging headphones into the 3 5mm jack socket on the VSM 100 front panel Using the AUDIO VOLUME option the Menu Dial can be used to increase or reduce the volume at the connected headphones so it is monitored at a comfortable level AUDIO CHANNEL The first 8 audio channels embedded into an SDI HD SDI signal can be monitored by the VSM 100 Using the AUDIO CHANNEL option allows selected stereo pairs to be chosen for monitoring with the headset socket The chosen pair is underlined on the VSM 100 output display also CONFIGURATION This option in the VSM 100 Main Menu allows set up of Video Thumbnail SDI loopthrough Capture setting and confirmation of the VSM 100 firmware revision VIDEO THUMBNAIL Allows the option to switch the video thumbnail on the scope display between 4x3 4 3 or 16x9 16 9 aspect ratio when working with Standard Definition inputs A HD i
16. nput should be viewed in its native 16x9 aspect ratio SDI LOOPTHROUGH Allows the SDI output of the VSM 100 to be used as ON clean video loop through SD or HD OFF A secondary scope output HD SDI 1280x720 OFF is the default option at power on NOTE This setting can be over ridden by the VIDEO DISPLAY setting in the VSM 100 main menu CAPTURE The VSM 100 scope displays can be set to sample FIELD1 FIELD2 or FRAME depending on the users requirement This choice is confirmed in the top right hand corner of the current scope display DSC labs camera alignment tools Camera alignment tools such as DSC labs Cam Align Books and Chroma Du Monde can help speed up the camera alignment process by introducing known calibrated constants into the sampled video that should produce a standard VSM 100 Waveform Parade or Vectorscope pattern The live lighting and camera settings can then be adjusted to produce a VSM 100 pattern that matches a calibrated pattern For more information on these tools visit http www dsclabs com 14 VSM 100 Quick Start Guide Black and White Balance Adjustment VECTORSCOPE 1 Aim the camera at a solid white background or white reference card 2 Turn on any set lights and ensure any coloured filters are removed We want an evenly lit white reference card or background with only true white light 3 Select VECTORSCOPE mode on the VSM 100 using the NEXT MODE option 4 Use the camera s auto white balan
17. nu select EXIT from the current options list The Main Menu options are TOOLS NEXT MODE VIDEO DISPLAY AUDIO VOLUME AUDIO CHANNEL CONFIGURATION NEXT MODE When first switched on the VSM 100 will display in the Vectorscope mode Selecting NEXT MODE and pressing in the Menu Dial will cause the unit to display the next mode in the following order VECTORSCOPE PARADE WAVEFORM MONITOR HISTOGRAM NOTE All scope views are displayed at 1280 x 720 regardless of input video format VIDEO DISPLAY When this option is selected the VSM 100 will display only the incoming video All audio and video scope views will be hidden when this option is active This option affects both the SDI loop through and the HDMI output To return to a scope view once more press in or rotate the Menu Dial on the VSM 100 12 TOOLS The TOOLS option is only available with certain VSM 100 output displays These are VECTORSCOPE PARADE and WAVEFORM MONITOR VECTORSCOPE related TOOLS TRACE MEMORY SET BANDWIDTH SET UP BARS PARADE related TOOLS TRACE MEMORY SET RGB YCbCr WAVEFORM related TOOLS TRACE MEMORY X ZOOM X DELAY TRACE MEMORY This option allows the current VSM 100 scope trace to be saved recalled or cleared within the units memory saved or recalled trace will be displayed in green sample points and the live or current signals will be displayed in white sample points Where the saved and current traces match sample points are displayed in
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19. olled by the Audio Level button N B Audio source from HDMI or SDI audio embedded audio Source Button Select Input source between HD SDI SDI and HDMI MENU Calls up the on screen adjustment menu See Menu Options for more details UP Audio Level Button Navigate the on screen menu and set the functions amp levels Allow you to control the headphones volume Down Audio Level Button Navigate the on screen menu and set the functions amp levels Allow you to control the headphones volume BLUE ONLY The BLUE ONLY button is set blue only enable Press this button to eliminate the red and green component of input signals Only the blue component of an input is displayed on the screen This facilitates adjustments of chroma and phase Phase adjustment is effective only for NTSC signals ENTER Confirms the new settings or return to the default state Aspect Ratio Button Sets the LCD aspect ratio to 16 9 or 4 3 Vector Scope Areal DLY POWER SWITCH Switches the power On Off HISTOGRAM HISTOGRAM is used to detect the overall brightness of a location Through VSM 100 to detect light sources from all directions reading by the camera one can individually adjust each camera to the desired state WAVEFORM MONITOR Waveform monitor is used as a reference to adjust the brightness of a camera One can accompany grayscale chart to better distinguish the color level of the adjusting camera VIDEO DISPL
20. or one of its authorized distributors before the extended warranty expires Disposal For EU Customers only WEEE Marking This symbol on the product indicates that it will not be treated as household waste It must be handed over to the applicable take back scheme for the recycling of electrical and electronic equipment For more detailed information about the recycling of this product please contact your local Datavideo office Introduction This newly created VSM series from Datavideo the VSM 100 is a sophisticated system that allow users to easily ensure the stability of incoming video signals and recorded video quality from connected recorder and cameras thru two 4 3 monitors to display and monitor high quality images By equipped with sampling vector scope the VS 150 at the rear it can accurately assist camera calibration ensure precise Black White Balance calibration supports color saturation and enable luminance adjustment Features Monitor e Each monitor has a HD SDI video input with loop through output e Individual adjustments of Brightness Contrast Color Saturation and Backlight Level for each monitor e Front panel Headphone Jacks e Audio indicator e Support embedded audio on SDI amp HDMI e HD SD SDI and HDMI Input e 4 3 amp 16 9 display mode switching PAL NTSC auto switching Sampling Vector Scope e Rugged and compact single unit that requires only an HD SDI or HDMI monitor e Menu choice of Vec
21. torscope Histogram Waveform and Parade displays as well as clean Video Display output SDI to HDMI conversion e SDI HD SDI loop through can provide clean pictures or video scope view e Automatically detects and locks to NTSC PAL or HD signals Embedded SDI audio peak meter with selectable monitoring for four stereo pairs e Switchable 4 3 16 9 video thumbnail when input signal is SD SDI e Headphone jack audio monitoring socket with menu based volume control e Save and Recall trace menu options for quick and easy overlay comparison of video traces e Parade Display can be toggled between RGB and YCbCr e Vector scope can be toggled between 75 and 100 graticules bars e Waveform detail can be zoomed 20 40 60 and 100 various parts of the waveform can then viewed by changing the X Delay value e Capture sampling can be by Field1 Field 2 or Frame e DC 12V operation makes the unit ideal for field or studio operation Whats in the box 4 X Rack Screws M5 10 1 X User s Manual 1 X 12V power supply Front Panel Connections amp Control Monitor Area POWER COD 9o ut zu O m f j f m z c E ait gt a Fi e lt ASPECT A Monitor Area Vector Scope Area Power Switch Switches the monitor power On Off Stereo mini jack plug Monitor For stereo headphones The headphone volume is contr
22. traces should be flat balanced and parallel to one another in a straight line iii When White balance is not correctly adjusted the PARADE will show unbalanced trace iv When the lighting is not evenly spread out the PARADE will show traces which deviate from the straight line v If one of the RGB trace has one end higher than another it means that the colour has lost its fidelity This undesired situation will occur if the camera is not adjusted correctly or you have an uneven colour temperature lighting on the background during white balancing 20 Camera Noise Adjust the IRIS of the camera to minimum or cap the lens li Select PARADE mode on the VSM 100 using the NEXT MODE option iii The noise value will be displayed on the chart The thicker the value on the line chart the greater the noise level The thinner the trace on the chart the less the noisy it is v JECTURS OPE PTOOLS PIRACE MEMORY EXIT SAVE TRACE RECALL TRACE Hi Comparing colour saturation among cameras Aiming the camera at Chroma Du Monde Set camera to AUTO ii Select VECTORSCOPE mode on the VSM 100 using the NEXT MODE option iii The VECTORSCOPE matrix displaying VSM 100 represents the colour components from the camera iv Use the SAVE TRACE feature under TOOLS to compare the colour components between cameras v The matrix indicates the current colour components of th
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