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1. Screen width x TRF Choose a lens with the required throw ratio from the list below Check from the list that the lens chosen will work at the throw distance required Throw ratios for SX Lens extension 42 Throw distance range IP The throw ratio for a particular lens IS Throw distance calculations are 0 67 1 fixed lens 1 12 1 fixed lens 3 15m 1 12 1 fixed lens 1 2 2m 1 16 1 49 1 zoom lens 1 26 1 61 1 zoom lens 226 mm 8 9 in 1 39 1 87 1 zoom lens 1 5 2 02 1 zoom lens 194 mm 7 6 in 1 87 2 56 1 zoom lens 2 02 2 77 1 zoom lens 159 mm 6 3 in 2 56 4 17 1 zoom lens 2 77 4 51 1 zoom lens 145 mm 5 7 in 4 17 6 95 1 zoom lens 4 51 7 53 1 zoom lens 129 mm 5 1 in 6 93 10 34 1 zoom lens 7 5 11 2 1 zoom lens 179 mm 7 0 in 0 73 1 fixed lens 1 21 1 3 15m fixed lens 1 21 1 1 2 2 0m fixed lens 204 mm 8 0 in 268 mm 10 6 in 268 mm 10 6 in Rev C May 2013 1 1 3 2m 3 6 10 5ft 3 15m 9 8 49 2ft 1 2 2m 3 9 6 6ft 3 15m 9 8 49 2ft 4 24m 13 1 78 7ft 4 24m 13 1 78 7ft 9 1 45m 29 9 147 6ft 12 80m 39 4 262 5ft 12 80m 39 4 262 5ft Notes is fixed but assumes that the image fills the width of the DMD For images that do not fill the width of the DMD the throw ratio is effectively increased To correct for this in these calculations a throw ratio factor T
2. Q Full color image displayed on screen Filtering process Rev C May 2013 Notes 85 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect Ratios Explained The appearance of a projected image on the screen depends on a combination of the following The DMD resolution SX SXGA with a 1400 x 1050 resolution corresponding to an aspect ratio of 4 3 1080p with a 1920 x 1080 resolution corresponding to an aspect ratio of 16 9 e WUXGA with a 1920 x 1200 resolution corresponding to an aspect ratio of 16 10 The aspect ratio of the input signal 4 3 16 9 or 16 10 The value of the Aspect Ratio setting of the projector Source show the image with its original aspect ratio not using the whole screen if the DMD aspect ratio does not match Fill Display fill the screen but force the DMD aspect ratio on the image Fill amp Crop fill the screen without changing the original aspect ratio but cropping the image to fit the DMD aspect ratio Anamorphic force a 16 9 ratio on the source You need this setting to resolve 16 9 images packed into a 4 3 frame otherwise it distorts the image TheaterScope is a special setting used in combination with an anamorphic lens an optional accessory It removes letterboxing from a 2 35 1 source packed into a 16 9 frame Rev C May 2013 Notes 86 Digital Projection Lightning Series ASPECT
3. 41 Digital Projection Lightning Series Edge Blend menu When several projectors are used to create a large tiled image the edges need to be blended to avoid the overlaps appearing brighter than the rest of the image The Edge Blend menu is available only when Setup gt System gt Configuration is set to Edge Blend Array Width and Height Setthis to the total number of projectors in the array None of the other options are available until one of these two settings is greater than 1 The maximum number of projectors is 4 x 4 Array H Position and V Position These two parameters need to be set correctly for each projector in the array so that it can determine which edges are to be blended Sometimes only one edge overlaps sometimes two three or four e Setthis to Off for a lone projector On to enable Edge Blending or Align Pattern to help adjust the physical position of the projectors Segmentation Setthis to On if you want the projector to divide up the image into tiles or Off if you have external equipment to do this Rev C May 2013 A TOUR OF THE MENUS EDGE BLEND Array Width 2 ve Array Height 2 Array H Position D ve Array V Position DES v Blending Segmentation Blend Width Black Level Uplift Reduce Black Level Uplift Width Operating Guide Notes Main Menu Edge Blend X This menu is available only when Setup gt System gt Conf
4. Nudge To position the image correctly on the screen use the Nudge controls Rev C May 2013 Operating Guide Notes Main Menu Lens You can also move the lens focus and zoom using the keypad Press followed by A V and gt to shift the lens up down left and right e Press followed by A and Nf to adjust the focus e Press zev followed by A and V to zoom in and out You can also calibrate zoom and focus using the keypad e Press followed by to calibrate the lens zoom mechanism e Press followed by to calibrate the lens focus mechanism Main Menu Lens Nudge 36 Lens Presets LENS PRESETS Notes This menu allows you to save up to five custom lens presets which you can recall later 2 Main Menu Lens Lens Presets Me 23 pas po z E gt pa gt eet s E z e Digital Projection Lightning Series Image menu Brightness Contrast Gamma Hue and Saturation Set the slider or select from the drop down list as required to improve the quality of the image Black Level Offset Set this to O IRE or 7 5 IRE as required Video Filters Set the sliders or select from the drop down list as required to improve the quality of the image VGA Setup Set the Phase slider to correct for shimmering or poor quality definition on for example fine text Set the Total H Samples slider to match the resolution of the in
5. 20202000 nnne nenne nnn 121 Maximum offset range iuce cue renun inen nnn anno rine 123 INPUT CONNECTIONS rss auus a cena racer ka i 124 teca EE 124 BA Wei 125 Inp t 3 single link DVI D vsisi n e tan nau kenn dead kann anka aka Eug 125 Input 9 dual link DVI D euer 125 Input 10 HDMI compatible DVI D e esee eene enn nennen nnn nnn nnn nnn nnne 125 Input E EE E 125 Digital Projection Lightning Series CONTENTS continued Special considerations when using Inputs 9 11 126 Differences between Inputs 9 11 and Inputs 1 8 eee ecce seen enne 126 Input and processing architecture cesses eee e nennen nen nnn nn nnne nnn nnn 126 EDID on the DVI and VGA Ioputs e eene eee nennen nnn nnn nnne nnne 126 Connection le 127 DVI Input connection eXample c ssanse nnunannaananananaansanananananananaanannanaa 127 3Dconnection Gxamples css kaaa NANANA KNA DAGAN 128 CONTROL CONNECTIONS 202002 naan ane 129 LAN Eeenrim 129 FRO232 COMMEGUOM P rd 130 EDGE BLEND AND BLACK LEVEL UPLIFT 131 KIRICH UI 132 Some 3D settings explained eene 134 DAAC TIME isi vsi S 134 Source DOMINANCE E 134 SVC OSS l eege 134 Frame Rate Multiplier s d oec ac eebe ees eege EE 135 APPENDIX A LENS PART NUMBERS eere 136 APPENDIX B SUP
6. 1 2 3 4 5 6 7 8 9 10 Screen width Notes 102 Digital Projection Lightning Series Positioning the screen and projector For optimum viewing the screen should be a flat surface perpendicular to the floor The bottom of the screen should be 1 2m 4 feet above the floor and the front row of the audience should not have to look up more than 30 to see the top of the screen The distance between the front row of the audience and the screen should be at least twice the screen height and the distance between the back row and the screen should be a maximum of 8 times the screen height The screen viewing area should be within a 60 range from the face of the screen Rev C May 2013 SCREEN REQUIREMENTS AN The projector should be installed ien BI Bi e A k 2H paaaaaasa CITT Y 1 1 1 1 LIT AISLE PRETEPEL ASLE LIT CEET LI Notes as close to the power outlet as possible The power connection should be easily accessible so that it can be disconnected in an emergency Ensure that there is at least 30cm 12in of space between the ventilation outlets and any wall and 10cm din on all other sides Do not install the projector close to anything
7. Cold mirror A mirror that preferentially reflects or transmits infra red light In a projector a cold mirror is used to reflect the visible component of the lamp beam into the illumination optics and transmit the unwanted infrared radiation into an absorber Color difference In S Video or Component Video signals the difference between specified colors and the luminance component Color difference is zero for monochrome images Color gamut The spectrum of color available to be displayed Rev C May 2013 Notes 143 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Color temperature The position along the black body curve on the chromaticity diagram normally quoted in Kelvin It takes into account the preset values for color balance in the service set up to take up the variations in the prism The projector allows you to adjust this temperature i e adjust the picture color temperature Component video A three or four wire video interface that carries the signal split into its basic RGB components or luminance brightness and two color difference signals YUV and synchronization signals Composite video A signal line that carries luminance chrominance synchronization pulses and blanking Contrast electronic control The adjustment of the white point of the image without affecting the black point This increases the intensity range of the displayed image Contrast optical The in
8. 240 horizontal pixels 95 175 4175 vertical frames 40 108 40 408 40 475 0 325 vertical frames 40 176 40 5 0 375 40 5 0 375 vertical frames 40 114 40 362 0 5 0 375 horizontal frames 0 044 0 188 0 125 horizontal frames 0 063 0 125 0 125 horizontal frames 0 068 0 125 0 125 Notes IP For more information on shifting the lens see Lens menu in the Operating Guide 123 Digital Projection Lightning Series INPUT CONNECTIONS Input Connections Inputs 1 8 on the rear of the projector are limited input frame rates up to 60Hz but provide access to the full geometric adjustment capabilities including Blend and Warp The side inputs 9 10 and 11 provide a very direct path to the DMD display with minimal latency and high frame rate capability Inputs 9 10 and 11 therefore provide more limited geometrical adjustment than Inputs 1 8 Inputs 1 8 To get the best possible image from a source it is important to use the highest quality connection The following lists show the inputs sorted by highest quality connection first Computer source HDMI input 2 Receives digital signal from HDMI compliant devices The audio from an HDMI source is available on the SPDIF output e DVI input 3 This is a DVI I input which can receive either analog DVI A or digital DVI D signal from a compatible source See the Connection Guide for instructions on h
9. Digital red link 1 Digital red link 1 DVI pin view of female connector Digital green link 2 Digital green link 2 Digital green link 1 Digital green link 1 Digital blue link 2 Digital blue link 2 Power for monitor when in standby Return for pin 14 and analog sync Digital blue link 1 and digital sync Digital blue link 1 and digital sync Digital red link 2 Digital red link 2 Digital clock links 1 and 2 Digital clock links 1 and 2 Return for R G and B signals Connection Guide Notes X High bandwidth Digital Content Protection HDCP is supported on this input IP For full details of all input settings see the Operating Guide 23 Digital Projection Lightning Series Input 4 3G SDI 75 ohm BNC Input 5 Composite 1 75 ohm BNC Input 6 S Video 4 pin mini DIN 1 Y Ground 2 C Ground 3 Luminance Y 4 Chrominance C Input 7 Component 4 x 75 ohm BNC RGsB RGBS YPrPb Pk B B B Pb Cb YIG G t Sync G Y Pr R R R Pr Cr SYNC Sync Input 8 CVBS RCA Phono Rev C May 2013 WIRING DETAILS 3G SDI connector Composite 1 connector S Video pin view of female connector Component CVBS connector Connection Guide Notes X 3G SDI signals are very high speed digital signals which require better quality coaxial cable than conventional analogue video Th
10. ES gt 10m 20m i30m 40m 50m 60m 70m 80m 90m 33ft 66 ft 98 ft 131 ft 164 ft 197 ft 230 ft 262 ft 295 ft Throw distance Notes L For information about individual lens part numbers see Appendix A at the end of this document 108 Digital Projection Lightning Series CHOOSING A LENS 1080p 1920 x 1080 pixels Full width images Formats that fit the width of the DMD without applying a throw ratio factor TRF include e 2 35 1 Scope 1920 x 817 pixels TRF 1 e 1 85 1 Flat 1920 x 1037 pixels TRF 1 e 1 78 1 16 9 1920 x 1080 pixels native resolution TRF 21 Full height images A throw ratio factor TRF has been applied to the following charts e 1 25 1 5 4 1350 x 1080 pixels TRF 1 42 e 1 33 1 4 3 1440 x 1080 pixels TRF 1 33 e 1 6 1 16 10 1728 x 1080 pixels TRF 1 11 e 1 66 1 Vista 1792 x 1080 pixels TRF 1 07 Rev C May 2013 Notes L For information about individual lens part numbers see Appendix A at the end of this document 109 Digital Projection Lightning Series WUXGA 1920 x 1200 pixels Full width images CHOOSING A LENS Formats that fit the width of the DMD without applying a throw ratio factor TRF include e 2 35 1 Scope 1920 x 817 pixels e 1 85 1 Flat 1920 x 1037 pixels e 1 78 1 16 9 1920 x 1080 pixels e 1 66 1 Vista 1920 x 1156 pixels 2 1 6 1 16 1
11. Q 2 56 4 17 1 zoom lens S S 4 17 6 95 1 zoom lens S 100m 32 8 ft S O 6 93 10 34 1zoomlens 5 M V V O 75m 24 6 ft B V 5 0 m 16 4 ft p p 2 5 m 8 2 ft p nA 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66f 98 131M 164f 197 230ft 262ft 295 Throw distance Rev C May 2013 Notes IP This chart has a TRF of 1 42 for use with the following images 1 25 1 5 4 IP For information about individual lens part numbers see Appendix A at the end of this document iis Digital Projection Lightning Series DMD resolution 1080p 1 33 1 images 1 12 1 fixed lens short 20 0 m 65 6 ft CHOOSING A LENS 0 67 1 fixed lens 1 12 1 fixed lens 17 5 m 57 4 ft O 1 16 1 49 1 zoom lens 15 0 m 49 2 ft 1 39 1 87 1 zoom lens Q 1 87 2 56 1 zoom lens 12 5 m 41 0 ft Q 2 56 4 17 1 zoom lens S 3 O 4 17 6 95 1 zoom lens S 100m 32 8 ft V 3 i 6 93 10 34 1zoomlens S 7 5 m 24 6 ft E V 50 m 16 4 ft p 2 5m 8 2 ft UI A 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66ft 98ft 131 164 ft 197ft 230ft 262ft 295 ft Throw distance Rev C May 2013 Notes IP This chart has a TRF of 1 33 for use with the following images 1 33 1 4 3 IP For information about individual le
12. 500 0 Upper Right Y slider value range 500 500 0 Lower Left X slider value range 500 500 0 Lower Left Y slider value range 500 500 0 Lower Right X slider value range 500 500 0 Lower Right Y slider value range 500 500 0 Rotation Rotation slider value range 90 90 0 Pincushion Barrel slider value range 30 30 0 Warp Map Off 1 2 3 4 5 6 7 8 Notes Las Some of the information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting 55 Digital Projection Lightning Series MENU MAP Main Menu Sub Menus Operating Guide Edge Blend Rev C May 2013 Array Width slider value range 1 4 Array Height slider value range 1 4 Array H Position slider value range 0 3 Array V Position slider value range 0 3 Blending Off On Align Pattern Segmentation Off On Blend Width Top Blend Region slider value range 0 999 Bottom Blend Region slider value range 0 999 Left Blend Region slider value range 0 999 Right Blend Region slider value range 0 999 Apply Blend Regions command Black Level Uplift Unblended Region slider value range 0 63 Upper Left slider value range 0 63 Upper Middle slider value range 0 63 Upper Right slider value range 0 63 Middle Left slider value range 0 63 Middle
13. Crop Rev C May 2013 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution 1080p continued Notes Source 16 9 native resolution Aspect Ratio Source Fill Display Fill amp Crop Rev C May 2013 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution 1080p continued Source 16 10 Q Unused screen areas 2 Cropped parts of the image Aspect Ratio Source Aspect Ratio Fill Display Aspect Ratio Fill amp Crop Rev C May 2013 Notes 92 Digital Projection Lightning Series Aspect ratio examples for DMD resolution WUXGA Source 4 3 Q Unused screen areas 2 Cropped parts of the image Rev C May 2013 a C Aspect Ratio Source IL Aspect Ratio Fill 8 Crop ASPECT RATIOS EXPLAINED IN OP Aspect Ratio Fill Display Notes 93 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution WUXGA continued Notes Source 16 9 Q Unused screen areas 6 Cropped parts of the image IN AL 7 Aspect Ratio Source IN Aspect Ratio Fill Display LLP IAL a j Aspect Ratio Fill amp
14. Front infra red window pA AG remote control Air outlet Lamp compartment Air filter Air inlet Lamp module Rev C May 2013 Installation and Quick Start Guide Notes TS por full details of how to use the controls and the menu system see the Operating Guide Digital Projection Lightning Series Lamp hours meter i i i Hrs 945 LCD meter Display button The LCD Lamp hours meter has two modes of operation When the lamp is switched on the LCD will show lamp run hours When the lamp is switched off the LCD will be blank Press the button and hold for 5 seconds to display lamp run hours Rev C May 2013 GETTING TO KNOW THE PROJECTOR Installation and Quick Start Guide Notes Digital Projection Lightning Series GETTING TO KNOW THE PROJECTOR Installation and Ouick Start Guide Rear and side panels connection and control Remote control Notes Control panel Transmit indicator IS The projector uses the standard Digital Projection infra red remote e DIGITAL PROJECTION control POWER OSD SHUTTER L For full details of how to use the controls and the menu system see the Operating Guide een er ea AON red window D CY remote Frame Rigging frame Input control Pi PES connections P e S nA PONOT GJ connection 7 K I OW COG N P R S MAXA BRI CON SAT MAGNIFY PHASE 0000 Stacking adapter OSD POS KEYST
15. and digital sync Digital red link 2 Digital red link 2 Digital clock links 1 and 2 Digital clock links 1 and 2 Return for R G and B signals Connection Guide Notes X High bandwidth Digital Content Protection HDCP is supported on this input IP For full details of all input settings see the Operating Guide 25 Digital Projection Lightning Series Input 10 SUB HDMI 19 way type A connector 1 TMDS Data 2 2 TMDS Data 2 Shield 3 TMDS Data 2 4 TMDS Data 1 5 TMDS Data 1 Shield 6 TMDS Data 1 7 TMDS Data 0 8 TMDS Data 0 Shield 9 TMDS Data 0 10 TMDS Clock 11 TMDS Clock Shield 12 TMDS Clock 13 CEC 14 not connected 15 SCL DDC Clock 16 SCA DDC Data 17 DDC CEC Ground 18 5 V Power 19 Hot Plug Detect Rev C May 2013 WIRING DETAILS 19 1 b 18 2 HDMI pin view of panel connector Connection Guide IP For full details of all input settings see the Operating Guide Notes 26 Digital Projection Lightning Series Control connections Update port RJ45 socket Service port USB type B socket Pin 1 VCC 5 V Pin 2 Data Pin 3 Datat Pin 4 Ground Wired remote control 3 5mm mini jack Tip Power Ring Signal Sleeve Ground Rev C May 2013 WIRING DETAILS Update port 4 3 Service port pin view of female connector Ring pin
16. effectively increased To correct for this in these calculations a throw ratio factor TRF is used The DMD width is 1920 for WUXGA and 1080p projectors and 1400 for SX projectors based on the distance from the outer end of the lens which will vary from lens to lens Once a lens has been chosen the figures can be checked using the lens extension values given in Appendix A at the end of this document 107 Digital Projection Lightning Series Lens charts How to use the lens charts The lens charts on the following pages provide a guick guide to the type of lens needed for a particular projector To use the lens charts you need the following information e The DMD resolution of your projector The distance between the projector and the screen throw distance The maximum width of your screen In the chart for the required DMD resolution find the point where the throw distance corresponds to the screen width as shown in the example below Example For a 1080p projector with throw distance 28 m and screen width 7 m the correct lens would be number 7 in the chart Rev C May 2013 Screen width CHOOSING A LENS 20 0 m 65 6 ft Q Throw distance 9 Screen width Q o 17 5 m 57 4 ft 15 0 m 49 2 ft 12 5 m 41 0 ft 10 0 m 32 8 ft 7 5 m 24 6 ft 5 0 m 16 4 ft 2 5 m 8 2 ft
17. 1 zoom lens Q 1 87 2 56 1 zoom lens 12 5 m 41 0 ft V 96 4 17 E e ET Q 490 4413 Uzoom lens 5 V M IS For information about individual lens m gt P s part numbers see Appendix A at O 4 17 6 95 1 zoom lens g 00 m 32 8 ft the end of this document 6 93 10 34 1z0omlens 7 V ym 24 6 ft 5 0 m 16 4 ft 2 5 m 8 2 ft p mum 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 ft 1 131ft 164ft 197ft 230ft 262ft 295 ft Throw distance Rev C May 2013 116 Digital Projection Lightning Series CHOOSING A LENS DMD resolution WUXGA 1 25 1 images Notes 1 12 1 fixed lens short 0 00 00 Q o 0 IT This chart has a TRF of 1 28 for use 20 0 m 65 6 ft with the following images 0 67 1 fixed lens O 1 12 1 fixed lens 17 5 m 57 4 ft O 1 16 1 49 1 zoom lens 1 25 1 5 4 1 39 1 87 1 zoom lens EE 1 87 2 56 1 zoom lens 12 5 m 41 0 ft Q 2 56 4 17 1 zoom lens S o o 4 17 695 1 V ES For information about individual lens EE EE c 00 m 32 8 ft part numbers see Appendix A at V the end of this document O 6 93 10 34 1zoomlens 5 O 75m 24 6 ft V 5 0 m 16 4 ft p 2 5 m 8 2 ft sud D 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 9
18. Crop Rev C May 2013 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution WUXGA continued Source 16 10 native resolution Rev C May 2013 Aspect Ratio Source Fill Display Fill 8 Crop Notes 95 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio example TheaterScope The TheaterScope setting is used in combination with an anamorphic lens to restore 2 35 1 images packed into a 16 9 frame Such images are projected with black lines at the top and bottom of the 16 9 screen to make up for the difference in aspect ratios Without an anamorphic lens and without the TheaterScope setting applied a 16 9 source containing a 2 35 1 image looks like this Black margin part of the source S Black margin part of the source If we change the setting to TheaterScope the black lines will disappear but the image will stretch vertically to reach the top and bottom of the DMD An anamorphic lens will stretch the image horizontally restoring the original 2 35 ratio IN IL Rev C May 2013 Notes 96 Digital Projection Lightning Series SCREEN REQUIREMENTS Screen Reguirements Fitting the image to the DMD If the source image supplied to the projector is smaller than the DMD resolution the image will not fill the DMD The following exam
19. E ke AA teil Wiel Miscellaneous commands nenennnnnannnnnannananannanaa an nnn nnn nnn Digital Projection Lightning Series CONTENTS continued REFERENCE GUIDE ettet AA AA 81 Izd 84 ASPECT RATIOS EXPLAINED eene nnne 86 Aspect ratio examples for DMD resolution SX SXGA 87 Aspect ratio examples for DMD resolution 1080p 90 Aspect ratio examples for DMD resolution WUXGA 93 Aspect ratio example TheaterScope esee 96 SCREEN REGUIREMENTS L a nennen ene nenne ne nen nnus 97 Fitting the image to the DMD eccseccssseneeeeseeerseeeesnerseeeeeeeeneeeeeenenes 97 SX images displayed full width x ucusunanusususunununnananannnusananusnannnananan 97 SX images displayed full height eee ana esee eee nenne enne enne annue nane nana 97 1080p images displayed full width eee eese e ee eene nenne nnn nnn nnn nnn 98 1080p images displayed full height EEN nnn nnn 98 WUXGA images displayed full width cesse eee eene nennen nnn nnn nnn 99 WUXGA images displayed with a height of 1080 pixels eee ee ee nnne 99 WUXGA images displayed full height e eee esee ee nennen nnn nnn nnn 100 Diagonal screen SIZES ARIA nuin inni n nne a 101 Fitting the image to the screen eeeeee
20. Execute NEM Performs an action No operator is entered for this type of command Examples aspect ratio 4d sets the aspect ratio to TheaterScope aspect ratio od asks what is the current aspect ratio lens stopH commands the projector to stop any lens movement that is currently in progress aspect ratio 4H is an invalid instruction because of the missing spaces before the operator and the value Rev C May 2013 Remote Communications Guide Notes To set the default value of a command simply enter the command name and d without an operator For example aspect ratio will set the aspect ratio to 0 Source The projector response begins with ACK to show your input has been acknowledged For example if you send aspect ratio 1 the projector will return ACK aspect ratio lt 1 and will change the aspect ratio accordingly If your command has not been acknowledged due to a syntax error or another problem the projector response will be NAK 66 Digital Projection Lightning Series Command Guide Input Selection menu Test Pattern menu test pattern continued on next page Rev C May 2013 COMMAND GUIDE 0 CVBS 1 1 CVBS 2 2 S Video 3 Component 4 VGA 5 3G SDI 6 DVI 7 HDMI 8 Test Pattern 9 Main DVI 3D models only 10 Sub HDMI 3D models only 11 Dual Pipe 3D models only 0 Grey V Bars 1 Grey H Bars 2 Aspect Test 3 Alignmen
21. Lightning Series OPERATING THE PROJECTOR Adjusting the image Orientation and On Screen Display settings These can be set from the Setup menu Keystone This can be set from the Geometry menu Picture Settings such as Brightness and Contrast can be set from the Image menu Youcan also set Brightness Contrast or Saturation by pressing Gel or on the remote control GEOMETRY S Orientation Desktop Front Aspect Ratio Source Brightness s Latency Lowest Overscan Dez Contrast ah Input Configuration Size amp Position Gamma 1 0 Network x vc Mode Off Hue OS On Screen Display H Keystone Ou LL Saturation D System V Keystone OS a Black Level Offset 0 IRE Reset Default Settings sv Pincushion Barrel O Video Filters D sv Rotation 0 G VGA Setup Warp Map Off Cornerstone Switching the projector off Press on the remote control or the control panel and hold for 3 seconds to switch the projector OFF The power indicator on the control panel will show amber the lamp will be off and the projector will be in STANDBY mode Switch off at the mains power switch Disconnect the power cable from the projector Mains power switch RA Power connection Rev C May 2013 Installation and Quick Start Guide Notes Main Menu Setup Main Menu Geometry Main Menu Image SS por full details of how to use
22. OSD a globe icon in the OSD and affect amp Overlay i KS H a S aa Resizing 3 2 Modal settings only affect the i CT currently displayed input Multi Standard Inputs H High Bandwidth Analog amp Digital Digital Path 24 60 Hz i H Pixel Mapped Inputs 1 8 Inputs 9 10 and 11 EDID on the DVI and VGA inputs If you are using a computer DVI card or another source that obeys the EDID protocol the source will automatically configure itself to suit the projector Otherwise please refer to the documentation supplied with the source to manually set the resolution to the DMD resolution of the projector or the nearest suitable setting Switch off the source connect to the projector then switch the source back on again Rev C May 2013 126 Digital Projection Lightning Series Connection examples DVI input connection example Single link DVI video source Single or Dual link Input 9 INPUT CONNECTIONS DVI video source Single link Input 10 DVI or HDMI video source Dual Pipe 3D video source Input 11 Input 9 MAIN and Input 10 SUB Rev C May 2013 Notes ES Dual link DVI high bandwidth frame rate 127 Digital Projection Lightning Series INPUT CONNECTIONS 3D connection examples 3D sources up to 60Hz reguiring frame doubling and left right interleaving V
23. OT E 35 Menu Map un C c c I E 53 ld dE pes AA AN 53 RETTEN 36 Z KEES 36 Id lue 53 O E A AV ON NANA 36 E I ART 53 Ce EES AE 36 LED LEE BA Ee EE e ee he ab a ek te 36 ei BA TE DOO MOON 36 Ee EE 55 Ta MEE 37 Edge Bl nd m ie ija 56 PUP e M RS 57 Image WN Ioan eee dni 38 57 Video Filters ENEE AE A VANE VE OE AMO SRE EE 38 3D TETE TETE TE CC cette EO t INN NIN 38 E11 E EE 57 TA oed tereti n Et LE cie capud PE TE O eee 58 Color TUTE 39 camat a 39 Information ion rie AE E iii 59 Biackteveland ONE MM 39 Web Configuration Utility nena 60 CA E PEE EE EEA AE EEE EEE EE Men examiples 5 cernere iret kic aereas retra testa sara ER Rond rasa Fa dn age n ege RR eiin 60 Size amp Position Using the Discovery Tool to view your network eese 62 Tute EE Edge Blend rienl orc Lect dE erae See Zeen deen 42 PIP meng ege 44 xor rij ptc M 45 L mp MENU adi RR e ee AA ANDA AGA a NAINA 46 SISTI m 47 Rev C May 2013 Using The Menus Use the buttons on the projector control panel or on the remote control to access the menu system P CAD To open or close the on screen display OSD press P Menus and sub menus To open a sub menu select it using A
24. PAN ASPECT PRESET SAVE LIGHT Rear infra 40 Rigging frame H 40 H Remote i i F control oot backlight On Off Infra red reception Rev C May 2013 6 Digital Projection Lightning Series Control panel indicators The indicators on the control panel are as follows Power Shutter Error IR Lamp 1 off NO POWER green normal RUNNING mode amber STANDBY mode amber CLOSED green OPEN off NO ERROR flashing ERROR temperature steady ERROR voltage blue flash Remote control command received off OFF flashing red LAMP ERROR green ON 100 amber 60 99 flashing green lt LAMP WARM UP flashing amber COOL DOWN Connection panel indicators The indicators on the rear connection panel are as follows All on Lamp 1 Error Inputs Power On Self Test off OFF green ON 100 amber 80 99 flashing green WARM UP flashing amber COOL DOWN red projector in standby Lamp Comms Error call service red projector on Ballast Comms Error call service flashing red projector in standby Lamp Error on previous operation flashing red projector on Lamp Interlock Error flashing Fan System Error steady Voltage Error blue flash Remote control command received The indicators next to the input connectors on both panels are as follows off not selected green input selected signal detected and in range flashing green
25. PIP and Edge Blend the projector will reboot instantly to enable the new setting The Power On command has no function when seen on the projector OSD However it can be used from the Web Configuration Utility described at the end of this guide Both the keypad and remote control have dedicated buttons allowing access to the Shutter Open Shutter Close Power On and Power Off commands 51 Information menu This menu gives information about lamp operating times software and hardware configuration input sourc INFORMATION CONFIGURATION Notes IS Please note that the values shown in the menus on this page are examples and may differ significantly on your OSD Main Menu Information Main Menu Information Lamps Main Menu Information Configuration X The configuration shown here is for a 3D model Digital Projection Lightning Series MENU MAP Main Menu Sub Menus Operating Guide Input Selection CVBS 1 CVBS 2 S Video Component VGA 3G SDI DVI HDMI Test Pattern Main DVI Sub HDMI Dual Pipe Test Pattern Gray V Bars Gray H Bars Aspect Test Alignment Grid Warp Adjust SMPTE Cheguerboard White Field Black Field Convergence Custom 1 Custom 2 Custom 3 Custom 4 Lens Rev C May 2013 Zoom In command Zoom Stop command Zoom Out command Focus Near command Focus Stop command Focus Far command Calibrate Zo
26. TS WUXGA 1920x1200 is only Notes available at 50 and 60Hz on Input 3 For WUXGA 3D we recommend the use of Input 9 There is no scaler on Inputs 9 11 Images up to and including the native resolution of the display will be displayed pixel for pixel and centred This enables the projector to maximise the image bandwidth and grayscale resolution 125 Digital Projection Lightning Series INPUT CONNECTIONS Special considerations when using Inputs 9 11 Notes Differences between Inputs 9 11 and Inputs 1 8 Inputs 9 and 10 have been designed to offer access to a very high bandwidth digital video path free of the limitations inherent to standard EI then s dio ScslaPon Inputs 9 11 image processing techniques As such the image is pixel mapped directly to each DMD so only a subset of the image settings applies to Inputs 9 11 Images up to and including the native resolution of the display will Global settings such as input selection lens and lamp control are all applicable to Inputs 9 11 but modal settings are not be displayed pixel for pixel and centred Input and processing architecture This enables the projector to Dn Front End Processor AA ia ija NEE maximise the image bandwidth and Frame Doubling Memory grayscale resolution vt vt P O Video i li X Global settings are indicated by Processing
27. This can be corrected by applying a throw ratio factor TRF To choose a lens for your projector you can either apply a lens calculation or use the lens charts provided here for quick reference Rev C May 2013 Notes IS The High Brightness lenses are recommended for the standard models for maximum light output The High Contrast lenses are recommended for the Ultra Contrast models for maximum contrast IP The same lens has different effective throw ratios for WUXGA and 1080p and for SX due to the different width of the DMD AN Each time a new lens is fitted to the projector the calibration procedure must be carried out See Lens menu in the Operating Guide IS For more information about throw ratio factor TRF see Choosing a lens by calculation later in this section IP For information about individual lens part numbers see Appendix A at the end of this document 104 Digital Projection Lightning Series CHOOSING A LENS Choosing a lens by calculation For any screen size not listed above or if you need to be more precise you can use the calculations below 1 2 Throw ratios for 1080p and WUXGA Identify the width of the image in pixels Calculate the throw ratio factor TRF DMD width TRF Image width in pixels Identify the screen width required Identify the throw distance required Calculate the throw ratio required Throw distance Throw ratio
28. Upper Left X DN EE Use this to correct for stray light from the DMD s non addressable border Upper Left Y ss Upper Right X Upper Right Y Lower Left X s Lower Left Y Lower Right X Lower Right Y Apply Uplift Reduce Black Level Uplift Width Main Menu Edge Blend Reduce Black Level Uplift Width OO OO o O O O Rev C May 2013 43 Digital Projection Lightning Series PIP menu Two images can be combined in three different ways using this feature The PIP menu is available only when Setup gt System gt Configuration is set to PIP Option Select PIP PAP or POP mode from the drop down list Input Select an Input from the drop down list The inputs are divided into two groups the main image must be from one group and the sub image must be from the other group Group A CVBS 1 CVBS 2 S VIDEO and 3G SDI Group B COMPONENT VGA DVI HDMI and DVI A Size Select a size for the sub image from the drop down list Position Select one of the preset positions for the sub image from the drop down list Custom Position f you have chosen Custom from the Position drop down list then you can use the sliders to position the image manually i bi TNI d d PIP Picture In Picture PAP Picture And Picture Rev C May 2013 POP A TOUR OF THE MENUS ss Input sn Size v Position Custom H Position 5 m Custom V Position 5 Small Top Le
29. input selected but signal not detected or out of range Rev C May 2013 GETTING TO KNOW THE PROJECTOR Power Ls e lt Shutter a CTRL RPY suit zoom Rear Connection Panel Installation and Quick Start Guide Notes IP For full details of how to use the controls and the menu system see the Operating Guide IP For more information about the connection panels see the Connection Guide X Only the Lamp 1 indicator is active on this projector Side Connection Panel Digital Projection Lightning Series Positioning The Screen And Projector Install the screen ensuring that it is in the best position for viewing by your audience Position the projector ensuring that it is at a suitable distance from the screen for the image to fill the screen Mounting the projector POSITIONING THE SCREEN AND PROJECTOR The projector is designed to be suspended from a lighting truss by its rigging frame However the four adjustable feet under the chassis allow the projector to be lowered onto a flat surface without any danger of hands being trapped between the bottom frame and the surface Adjustment for table mounting If the projector is to be operated from a flat surface such as a projector table then adjustment of projector level should be made by turning the four feet under the chassis Adjusting the rigging frame Before suspending the projector make sure
30. pattern from the Test Pattern menu using the A V and buttons Close the OSD by pressing 7 again Adjusting the lens The lens can be adjusted using the Lens menu or Zoom QUAD TITAN Input Selection Test Pattern Global Settings Test Pattern Grey V Bars Grey V Bars Input Settings Grey H Bars System Aspect Test Information Warp Adjust SMPTE Checkerboard White Field Black Field DIGITAL PRO Press followed by A and V to adjust the size of the image on the screen When the adjustment is finished press ES Focus Press followed by A and V to adjust the focus When the adjustment is finished press B Shift Press followed by A V and to adjust the position of the image on the screen When the adjustment is finished press D Rev C May 2013 Installation and Quick Start Guide Notes IS When any of the three Lens adjustment keys is pressed the blue Transmit indicator on the remote control will light for 10 seconds after 10 seconds if no adjustment has been made the indicator will go out and the Lens adjustment key must be pressed again to resume adjustment to end the adjustment before 10 seconds has elapsed press the key all other adjustments will be locked out until the Lens adjustment is ended IS For full details of how to use the controls and the menu system see the Operating Guide 13 Digital Projection
31. stacking adapters engage fully e Fit a locking pin into each adapter A ball in the end of the pin prevents the pin from falling out to insert or remove a locking pin press the button on the t bar to release the ball Stacking adapter with hole for locking pin Rev C May 2013 Installation and Quick Start Guide Notes N Do not try to stack more than four projectors N When stacking projectors the stack MUST be vertical to ensure that the stresses are distributed to all four stacking adapters A Make sure that the surface ceiling or rigging that is to support the projector is capable of supporting the combined weight of all the projectors and lenses see specification for weights A Do not place heawy objects on top of the projector chassis Only the rigging frame is capable of withstanding the weight of another projector N Separate backup safety chains or wires should always be used for each projector X For information about aligning the images from the projectors see the Operating Guide section A Tour of the Menus Edge Blend 10 Digital Projection Lightning Series Fitting The Lens Turn the lens release lever clockwise so that it is pointing upwards to open the lock fully Remove the rear lens cap from the lens Insert the lens into the lens aperture making sure that the plug on the zoom drive mechanism lines up with the socket on the front of the projector the
32. that might be affected by its operational heat for instance polystyrene ceiling tiles curtains etc The image can be flipped for rear projection see the Operating Guide and displayed without the need for extra mirrors or eguipment However you must ensure that there is sufficient distance behind the screen for the projector to be correctly located Rear installation is generally more complicated and advice should be sought from your local dealer before attempting it 103 Digital Projection Lightning Series CHOOSING A LENS Choosing A Lens A number of lenses are available Which lens you choose will depend on the screen size image aspect ratio projection distance and light output In addition each lens is available in two versions High Brightness and High Contrast The lenses available are listed below Lens WUXGA and 1080p Lens SX 0 67 1 fixed lens 0 73 1 fixed lens 1 12 1 fixed lens 3 15m 1 2 1 fixed lens 3 15m 1 12 1 fixed lens 1 2 2m 1 2 1 fixed lens 1 2 2m 1 16 1 49 1 zoom lens 1 26 1 61 1 zoom lens 1 39 1 87 1 zoom lens 1 5 2 02 1 zoom lens 1 87 2 56 1 zoom lens 2 02 2 77 1 zoom lens 2 56 4 17 1 zoom lens 2 77 4 51 1 zoom lens 4 17 6 95 1 zoom lens 4 51 7 53 1 zoom lens 6 93 10 34 1 zoom lens 7 5 11 2 1 zoom lens If the image does not fill the full width of the DMD this effectively increases the throw ratio of the lens
33. that the three frame adjusters and the yaw adjustment are set roughly midway Centering lines are scribed on the shafts to show the centres of adjustment Coarse frame adjustment Coarse adjustment of projector level should be made by adjusting the length of the supporting wires or chains or by adjusting the position of the truss Once the initial coarse frame adjustment has been made fine adjustment should be made using the three frame adjusters and the yaw handle if fittled on the rigging frame Rev C May 2013 Frame adjuster Centering line Installation and Quick Start Guide Notes N Always allow the projector to cool for 5 minutes before disconnecting the power or moving the projector N Ensure that there is at least 30cm 12in of space between the ventilation outlets and any wall and 10cm 4in on all other sides AN Do not stack more than 3 projectors d Do not place heawy objects on top of the projector chassis Only the chassis corners and the rigging frame are capable of withstanding the weight of another projector A Do not place the projector with its front panel down on a surface as this may damage the lens or the lens release lever A Backup safety chains or wires should always be used with ceiling mount installations Digital Projection Lightning Series POSITIONING THE SCREEN AND PROJECTOR Pitch and Roll adjustment The frame adjusters can provide approximately 10mm of v
34. the controls and the menu system see the Operating Guide A Always allow the lamp to cool for 5 minutes before disconnecting the power moving the projector 14 DIGITAL PROJECTION CONNECTION GUIDE Lightning Series High Brightness Digital Video Projector Rev C May 2013 Digital Projection Lightning Series IN THIS GUIDE Connection Guide Signal Inputs And Outputs EE 17 Wiring Details ccccccssssscssssssssssssssssssessssssssssesssssssessssssssstesssssssessessssenesssssssess Rear Connection Panel orte cce uereg 17 Signal inputs and outputs VGA INPUT DEE 17 DEE HDMI input 2 DVI input 3 17 Input 2 sib 17 Output 3G SDI INPUT maam tete menge etfi rta reet 17 Input 3 IINE 17 Input 4 S Video input 6 RE 17 Input 6 Component URDU T ee e 17 Input 7 CVBS2 DEE iergendee 17 Input 8 Side Connection Pael sssrini nnne nnn tnnt nennen nnn 18 Input 9 SOT 18 STEE mro EE O ET 18 Een Differences between the two Connection Panels 18 Update port 3D sources up to 60Hz requiring frame doubling and left right interleaving 19 IPAG E UE MEE UE 27 3D sources above 60Hz not requiring frame doubling tees 19 Dir 28 Dual Pipe D 19 EAN COMMOCU EE 28 SID SING IER 19 BIR AA aaa 19 Co
35. up to the third octet as shown in the 3 Favorites e Web Configuration Unit Overview example Units on the local network UnitID PV6 UnitID PV6S 00 27 Click on a projector IP address to access the Web Configuration Utility for that projector Rev C May 2013 62 DIGITAL PROJECTION REMOTE COMMUNICATIONS GUIDE Lightning Series High Brightness Digital Video Projector Rev C May 2013 Digital Projection Lightning Series IN THIS GUIDE Remote Communications Guide IN THIS GUIDE T de H AT ME 65 Network Inm 65 SIXEUIIISUIBLE T KAANAK 65 Remote communications commands eese eene enne nnne nnn 66 ERA DESK e AA AA M 66 Command Guide tee NAGIGING ANAN YR RR AA Rang RR 67 Input Selection mernli niea ens send tantura co decane Fa ck INANG 67 Test Pattern ME Cm 67 EX me 68 Image menu aara 69 enl du mee 70 Geometry MENU p e 71 RPRIEILPRERIDIMeT 72 PIP MENU mee 74 3D MENU GAAN BANANA ANNA a 75 Lamp MENU EE 75 Setup MENU NN a NANA RANA ANNA ai 76 information melli haahaha nma TT Miscellaneous commands nana ennt nnne nene 78 Rev C May 2013 Digital Projection Lightning Series INTRODUCTION Remote Commun
36. 0 1920 x 1200 pixels native resolution Full height images A throw ratio factor TRF has been applied to the following charts e 1 25 1 5 4 1500 x 1200 pixels TRF 1 28 2 1 33 1 4 3 1600 x 1200 pixels TRF 1 2 Rev C May 2013 TRF 1 TRF 1 TRF 1 TRF 1 TRF 1 Notes L For information about individual lens part numbers see Appendix A at the end of this document 110 Digital Projection Lightning Series SX 1400 x 1050 pixels Full width images CHOOSING A LENS Formats that fit the width of the DMD without applying a throw ratio factor TRF include e 2 35 1 Scope 1400 x 596 pixels TRF 21 e 1 85 1 Flat 1400 x 757 pixels TRF z 1 e 1 78 1 16 9 1400 x 786 pixels TRF 1 e 1 66 1 Vista 1400 x 843 pixels TRF 1 e 1 6 1 16 10 1400 x 875 pixels TRF 1 e 1 33 1 4 3 1400 x 1050 pixels native resolution TRF 21 Full height images A throw ratio factor TRF has been applied to the following chart 1 25 1 5 4 1312 x 1050 pixels TRF z 1 07 Rev C May 2013 Notes L For information about individual lens part numbers see Appendix A at the end of this document 111 Digital Projection Lightning Series CHOOSING A LENS DMD resolution 1080p WUXGA full width images Notes For 1080p full width images are 2 35 1 Scope 1 85 1 Flat 1 78 1 native For WUXGA full width images are all of the above plus 1 66 1 Vista and 1 6 1 native T
37. 0 59 94 525 15 73 v v v 576i 720 x 576 50 00 625 15 63 v v v EDTV 480p59 720 x 480 59 94 525 31 47 v v v 480p60 720 x 480 60 00 525 31 50 v v v 576p50 720 x 576 50 00 625 31 25 v v v HDTV 720p50 1280 x 720 50 00 750 37 50 v v v 720p59 1280 x 720 59 94 750 44 96 v v v 720p60 1280 x 720 60 00 750 45 00 v v v 1080s23 1920 x 1080 23 98 1125 26 97 v v v 1080p23 1920 x 1080 23 98 1125 26 97 v v v 1080s24 1920 x 1080 24 00 1125 27 00 v v v 1080p24 1920 x 1080 24 00 1125 27 00 v v v 1080p25 1920 x 1080 25 00 1125 28 13 v v v 1080p29 1920 x 1080 29 97 1125 33 72 v v v 1080p30 1920 x 1080 30 00 1125 33 75 v v v 1080i50 1920 x 1080 50 00 1125 28 13 v v v 1080p50 1920 x 1080 50 00 1125 56 25 v v v 1080i59 1920 x 1080 59 94 1125 33 72 v v v 1080p59 1920 x 1080 59 94 1125 67 43 v v v Rev C May 2013 Notes 187 Digital Projection Lightning Series APPENDIX B SUPPORTED SIGNAL INPUT MODES Rev C May 2013 Hd 2 o 3 Slice x EAR 5 5 eF S S 2 S Q S o LI E 9 2 8 9 9 o ZG o 2 IT go a 2 gt E T g o a E o mm o E HDTV continued 1080160 1920 x 1080 60 00 1125 33 75 v v v 1080p60 1920 x 1080 60 00 1125 67 50 v v v COMPUTER VGA59 640 x 480 59 94 525 31 47 v v VGA60 640 x 480 60 00 525 31 50 v v MACI 640 x 480 66 67 525 35 00 v v VGA72 640 x 480 72 81 520 37 86 v v VGA75 640 x 480 75 00 500 37 50 v v DO
38. 13 Notes 148 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Resolution The number of pixels in an image usually represented by the number of pixels per line and the number of lines for example 1920 x 1200 RGB Red Green and Blue An uncompressed component video standard S Video A video signal which has separate Y and C signals Saturation The amount of color in an image Scope An aspect ratio of 2 35 1 SDTV Standard Definition Television An interlaced television system with a lower resolution than HDTV For PAL and SECAM signals the resolution is 576i for NTSC it is 480i SECAM Sequential Color with Memory The television system used in France Russia and some other countries 625 lines transmitted at 50 interlaced fields per second SPDIF Sony Philips Digital Interface A digital audio interface standard SX A display resolution of 1400x1050 pixels with a 4 3 screen aspect ratio Shortened from SXGA stands for Super Extended Graphics Array Plus Rev C May 2013 Notes 149 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Synchronization A timing signal used to coordinate an action TheaterScope An aspect ratio used in conjunction with a special anamorphic lens to display 2 35 1 images packed into a 16 9 frame Throw distance The distance between the screen and the projector Throw ratio The ratio of the thro
39. 1600 x 1200 49 92 1238 61 78 v VA UXGA60 1600 x 1200 60 00 1250 75 00 v v WSXGA 60 1680 x 1050 59 95 1089 65 29 v FHD50 1920 x 1080 49 92 1114 55 62 v v FHD60 1920 x 1080 59 93 1125 66 59 v v WUXGA50 1920 x 1200 49 93 1238 61 81 v v WUXGA60 1920 x 1200 59 95 1235 74 04 VA v Rev C May 2013 Notes 139 Digital Projection Lightning Series 3D input modes APPENDIX B SUPPORTED SIGNAL INPUT MODES X SD may not be present on some gt only the Sub HDMI input supports IS Geometric correction is only v S D 3 o S s o PE z S 5 55 552 5 2 23 25 2 8 D ra e IL o SO a 720p50 Frame Packing 1280 x 720 50 00 1470 37 50 v v 720p59 Frame Packing 1280 x 720 59 94 1470 44 96 v v 720p60 Frame Packing 1280 x 720 60 00 1470 45 00 v v 720p50 Top and Bottom 1280 x 720 50 00 750 37 50 Y v v v v 720p59 Top and Bottom 1280 x 720 59 94 750 44 96 v v v v v 720p60 Top and Bottom 1280 x 720 60 00 750 45 00 v v v v v 1080p23 Frame Packing 1920 x 1080 23 98 2205 26 97 v v 1080p24 Frame Packing 1920 x 1080 24 00 2205 27 00 v v 1080150 Side by Side Half 1920 x 1080 50 00 1125 56 25 v v v v v 1080159 Side by Side Half 1920 x 1080 59 94 1125 67 43 v v v v v 1080160 Side by Side Half 1920 x 1080 60 00 1125 67 50 v v v v v 1080p50 Side by Side Half 1920 x 1080 50 00 1125 56 25 v v v v v 1080p59 Side by Side Half 1920 x 1080
40. 59 94 1125 67 43 v v v v v 1080p60 Side by Side Half 1920 x 1080 60 00 1125 67 50 v v v v v 1080p50 Top and Bottom 1920 x 1080 50 00 1125 56 25 v v v v v 1080p59 Top and Bottom 1920 x 1080 59 94 1125 67 43 v v v v v 1080p60 Top and Bottom 1920 x 1080 60 00 1125 67 50 v v v v v 1080p50 Frame Sequential 1920 x 1080 50 00 1125 56 25 v v v v v 1080p59 Frame Sequential 1920 x 1080 59 94 1125 67 43 v v v v v 1080p60 Frame Sequential 1920 x 1080 60 00 1125 67 50 v v v v v 1080p23 Dual Pipe 1920 x 1080 23 98 1125 26 97 v 1080p24 Dual Pipe 1920 x 1080 24 00 1125 27 00 v Rev C May 2013 Notes models HDMI 1 4 3D formats available when using frame seguential formats on the DVI A VGA Component DVI D HDMI 3G SDI inputs 140 Digital Projection Lightning Series APPENDIX B SUPPORTED SIGNAL INPUT MODES Be c gt v gt t z T S 0 250 HO gt 2 oc a 5 E Sw 52 5su 2 a gt 5 r 83 PO HE se RE Pi iii c LL e IL o a O a 1080p25 Dual Pipe 1920 x 1080 25 00 1125 28 13 4 1080p30 Dual Pipe 1920 x 1080 30 00 1125 33 75 Y 1080p50 Dual Pipe 1920 x 1080 50 00 1125 56 25 v 1080p59 Dual Pipe 1920 x 1080 59 94 1125 67 43 v 1080p60 Dual Pipe 1920 x 1080 60 00 1125 67 50 Y Rev C May 2013 Notes X SD may not be present on some models X Only the Sub HDMI input supports HDMI 1 4 3D formats IS Geometric correction is only av
41. 6 10 5ft 3 15m 9 8 49 2ft 1 2 2m 3 9 6 6ft 3 15m 9 8 49 2ft 4 24m 13 1 78 7ft 4 24m 13 1 78 7ft 9 1 45m 29 9 147 6ft 12 80m 39 4 262 5ft 12 80m 39 4 262 5ft L DM Lxx lens lens 105 607 107 195 105 608 105 608 105 609 105 609 109 236 109 359 105 610 107 196 105 611 107 197 105 612 107 198 105 613 107 199 109 235 109 358 Notes is fixed but assumes that the image fills the width of the DMD For images that do not fill the width of the DMD the throw ratio is effectively increased To correct for this in these calculations a throw ratio factor TRF is used Throw distance calculations are based on the distance from the outer end of the lens which will vary from lens to lens The High Brightness lenses are recommended for the standard models for maximum light output The High Contrast lenses are recommended for the Ultra Contrast models for maximum contrast Lens extension is measured when the lens is focussed at infinity and fully extended At other focus settings the extension could be up to 10mm less 136 Digital Projection Lightning Series 2D input modes APPENDIX B SUPPORTED SIGNAL INPUT MODES Appendix B Supported Signal Input Modes Hd a S iA 8 o 5 3 5 g z o 5 S a E E s5 S 88 22 8 Z Z 27 t 3 8 5 be 0 5 K SDTV 480i 720 x 48
42. 8 ft 1 131ft 164ft 197ft 230ft 262ft 295 ft Throw distance NL Rev C May 2013 117 Digital Projection Lightning Series DMD resolution WUXGA 1 33 1 images 1 12 1 fixed lens short 0 67 1 fixed lens 1 12 1 fixed lens O 1 16 1 49 1 zoom lens 1 39 1 87 1 zoom lens Q 1 87 2 56 1 zoom lens Q 2 56 4 17 1 zoom lens O 4 17 6 95 1 zoom lens 6 93 10 34 1 zoom lens Rev C May 2013 20 0 m 65 6 ft 17 5 m 57 4 ft 15 0 m 49 2 ft 12 5 m 41 0 ft 10 0 m 32 8 ft Screen width 7 5 m 24 6 ft CHOOSING A LENS 5 0 m 16 4 ft 2 5 m 8 2 ft p p 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 ft 1 131ft 164ft 197ft 230ft 262ft 295 ft Throw distance Notes L This chart has a TRF of 1 2 for use with the following images 1 33 1 4 3 IS For information about individual lens part numbers see Appendix A at the end of this document 118 Digital Projection Lightning Series CHOOSING A LENS DMD resolution SX full width images Notes For SXt full width images are 2 35 1 Scope 1 85 1 Flat 1 78 1 16 9 1 66 1 Vista 1 6 1 16 10 and 1 33 1 4 3 native aspect ratio ES This chart has a TRF of 1 0 for use o E BE
43. Cs for inputs 1 to 9 for input 10 and for input 11 Las Test patterns are subject to image controls so brightness contrast etc will affect their appearance on screen Las Do not use the provided test patterns for P7 Las You can upload custom test patterns using a network connection see Web Configuration Utility later in this guide 35 Digital Projection Lightning Series Lens menu Zoom To move the lens in or out 1 Select Zoom In or Zoom Out then press 2 When the image is the desired size select Zoom Stop then press OK Focus To adjust the focus 1 Select Focus Near or Focus Far then press 9K OK 2 When the image is correctly focussed select Focus Stop then press Calibrate Zoom and Calibrate Focus A TOUR OF THE MENUS s Zoom Stop s Zoom Out Focus Near s Focus Stop sm Focus Far s Calibrate Zoom sn Calibrate Focus sm Center Lens Nudge Presets Each time a new lens is fitted into the projector a calibration procedure must be carried out using these commands Before you use a newly fitted lens select Calibrate Zoom and Calibrate Focus in turn and wait until the projector establishes minimum and maximum travel distances Select one command and allow at least 60 seconds for the calibration to take place then select the other command Center Lens To center the lens select Center Lens and press K
44. DIGITAL PROJECTION USER MANUAL INSTALLATION AND OUICK START GUIDE CONNECTION GUIDE OPERATING GUIDE Lightning Series REMOTE COMMUNICATIONS GUIDE REFERENCE GUIDE High Brightness Digital Video Projector Rev C May 2013 113 178C Digital Projection Lightning Series About These Guides Please keep these Guides handy for future reference A serial number is located on the back of the projector Record it here Symbols used in these Guides Many pages in this document have a dedicated area for notes The information in that area is accompanied by the following symbols AN ELECTRICAL WARNING this symbol indicates that there is a danger of electrical shock unless the instructions are closely followed N WARNING this symbol indicates that there is a danger of physical injury to yourself and or damage to the equipment unless the instructions are closely followed IP NOTE this symbol indicates that there is some important information that you should read Product revision Because we at Digital Projection continually strive to improve our products we may change specifications and designs and add new features without prior notice Legal notice Trademarks and trade names mentioned in this document remain the property of their respective owners Digital Projection disclaims any proprietary interest in trademarks and trade names other than its own Copyright 2013 Digital Projection Ltd All rights reserved Rev C M
45. DOE msa ANNA GANA peni poned dd nd GANG 20 Wired remote control a En jani nana Anal nn CERS NEEN 20 lr E AA 20 LAN 20 WIRING DETAILS L kake rumen uana EE NENNEN Kn 21 Signal inputs and outputs INAANAK nennen nhu 21 Eege 21 inputi 2 EE 22 iS E 22 Input 3 DV ine ed geed Crees 23 Input E EE AEA EE E N E A A E 24 Eeer Eddie EE 24 ee 24 ac NONE 24 Input 9 MAIN DVI EE 25 Input 10 SUB HDMI ERAN nnns trate nan 26 Rev C May 2013 Control CONNCCUONS ER E 27 Update por aaa EO ee 27 Wired remote COMIN ee nasaan a GG ANA KA 27 RS p cons 28 LAN GOMMOCHON Go asaan AA a kane eebe 28 OPERATING GUIDE 29 USING THE MENUS 122222282932820 sani eege Eege ege SE EEN See EN Menus and esb menug sessserrerkksekeEESEESSEEEEEEEEEEEEKEEEREEEEREEEEEEEEEEERAEEEEEE 31 Drop dOWwN CT 32 e 33 reni EE 33 20 Al E 34 A TOUR OF THE MENUS esee asana naanakan nakaka 35 Ell 35 Lens MENU NGARAN 36 ET 36 FOCUS aNG See EES KAKANAN 36 Calibrate Zoom and Calibrate FoCUs cesse eee eee nennen nennen nnn nnn 36 GE me v A AE PRTI 36 b E ae oa E A ab Ak ee aa ai 36 EE eege PET PI 37 Image VG UE 38 MTOPIJII 38 ELK 38 iii Digital Projection Light
46. E o o 00 5 o o o with the following images 20 0 m 65 6 ft 0 73 1 fixed lens 1 21 1 fixed lens 17 5 m 57 4 ft 1 26 1 61 1 zoom lens y 15 0 m 49 2 ft 1 5 2 02 1 zoom lens O 2 02 2 77 1 zoom lens 12 5 m 41 0 ft Q 277 4 51 1zoomlens S S IS For information about individual lens 9 4 51 7 53 1 zoom lens 3100 m 32 8 ft part numbers see Appendix A at o the end of this document 7 5 11 2 1 zoom lens 5 A 75m 24 6 ft 5 0 m 16 4 ft 2 5 m 8 2 ft p y 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98ft 131ft 164ft 197ft 230ft 262ft 295 ft Throw distance Rev C May 2013 119 Digital Projection Lightning Series CHOOSING A LENS DMD resolution SX 1 25 1 images Notes 1 21 1 fixed lens short Q 0 00 00 Q o 0 IT This chart has a TRF of 1 07 for use 20 0 m 65 6 ft with the following images 0 73 1 fixed lens 1 21 1 fixed lens 17 5 m 57 4 ft 0 1 26 1 61 1 zoom lens 1 25 1 5 4 O 1 5 2 02 1 zoom lens Wee O 2 02 2 8 1 zoom lens 12 5 m 41 0 ft Q 2 77 4 51 1 zoom lens S z V s V O 4 51 7 53 1 zoom lens c 10 0 m 32 8 fi TS por information about individual lens E part numb
47. HDMI 19 way type A connector co AJ O Om RR 0 N zdi et sei 3X ei A ei ch 2X et KO O O NN O Om BR OWN o TMDS Data 2 TMDS Data 2 Shield TMDS Data 2 TMDS Data 1 TMDS Data 1 Shield TMDS Data 1 TMDS Data 0 TMDS Data 0 Shield TMDS Data 0 TMDS Clock TMDS Clock Shield TMDS Clock CEC not connected SCL DDC Clock SCA DDC Data DDC CEC Ground 5 V Power Hot Plug Detect Output SPDIF RCA Phono Digital audio output from the HDMI input stream Rev C May 2013 WIRING DETAILS 19 1 ee 18 2 HDMI pin view of panel connector 9 SPDIF connector Connection Guide L For full details of all input settings Notes see the Operating Guide 22 Digital Projection Lightning Series WIRING DETAILS Input 3 DVI 24 way D type connector Pin 1 Pin 2 Pin 3 Pin 4 Pin 5 Pin 6 Pin 7 Pin 8 Pin 9 Pin 10 Pin 11 Pin 12 Pin 13 Pin 14 Pin 15 Pin 16 Pin 17 Pin 18 Pin 19 Pin 20 Pin 21 Pin 22 Pin 23 Pin 24 C1 C2 C3 C4 C5 TMDS data 2 TMDS data 2 TMDS data 2 4 shield TMDS data 4 TMDS data 4 DDC clock DDC data Analog vertical sync TMDS data 1 TMDS data 1 TMDS data 1 3 shield TMDS data 3 TMDS data 3 5 V Ground Hot plug detect TMDS data 0 TMDS data 0 TMDS data 0 5 shield TMDS data 5 TMDS data 5 TMDS clock shield TMDS clock TMDS clock Analog red Analog green Analog blue Analog horizontal sync Analog ground Rev C May 2013
48. Input Configuration menu to YPbPr CVBS2 input 8 Connect a Composite Video input signal to the RCA phono connector Rev C May 2013 SIGNAL INPUTS AND OUTPUTS Connection Guide Notes IP For a complete listing of pin configurations for all signal and control connectors see Wiring Details later in this Guide IP See the next page for important information about the differences Component DVI VGA HDMI SPDIF CVBS1 CVBS2 S Video 3G SDI Rear Connection Panel between the two connection panels 17 Digital Projection Lightning Series SIGNAL INPUTS AND OUTPUTS Side Connection Panel DVI input 9 e Single or Dual Link DVI D input or e For Twin Link DVI Input 9 DVI is the Main input Input 10 DVI HDMI is the Sub input DVUHDMI input 10 Single HDMI 1 4 input or e Single Link DVI D input or For Twin Link DVI Input 9 DVI is the Main input Input 10 DVI HDMI is the Sub input Differences between the two Connection Panels Inputs 9 and 10 have been designed to give a very high bandwidth digital video path free of the limitations inherent to standard image processing techniques As such the image is pixel mapped directly to the DMDs so not all of the Image Controls available to Inputs 1 8 apply to Inputs 9 and 10 Front End Processor a O o paa Frame Doubling M
49. PORTED SIGNAL INPUT MODES 137 2D input modes TTT 137 SD Bier gie EE 140 APPENDIX C GLOSSARY OF TERMS eere 142 Rev C May 2013 vi This page is intentionally left blank DIGITAL PROJECTION INSTALLATION AND QUICK START GUIDE Lightning Series High Brightness Digital Video Projector Rev C May 2013 Digital Projection Lightning Series IN THIS GUIDE Installation and Quick Start Guide IN THIS GUIDE What s In The Box sees nennen nnne nnn nnnn nnn NA ann sasu raa saa nuna sauna a du 3 Operating The Projector nennen nnne 12 Getting To Know The Projector nn 4 Switching the projector on EEN 12 Chassis lamp lens and filter nana nana 4 Selecting an input signal or test Patten 13 Lamp hours imeter eiii ie cerca ALA 5 Input sigma 13 Rear and side panels connection and control EEN 6 Test AG A TONA 13 Rigging frame ierit reri rrr heh rg une ta PENE na KLEK da aod Us nna dE 6 Adjusting the Ieri etit o ani dr ent iiU tic bd e oeil ota te 13 Remote Controlin AA AA Aaah 6 E 13 Control panel Indicators Aa EENS DEENEN 7 Lc HU 13 Connection panel indicators 7 ENEE E E 13 Positioning The Screen And Projector ene 8 Adjustingthe Im g e 2 12 NA cvs ced ches eaae ceded asocia sd AA 14 M
50. RATIOS EXPLAINED Aspect ratio examples for DMD resolution SX SXGA Source 4 3 native resolution IN IL Aspect Ratio Source Fill Display Fill 8 Crop o Unused screen areas an Aspect Ratio Anamorphic Rev C May 2013 Notes 87 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution SX SXGA continued Source 16 9 an LL Q Unused screen areas A t Ratio 2 Cropped parts of the image Speci Rato Source CIN NY Aspect Ratio Fill Display an IL Aspect Ratio Fill 8 Crop Rev C May 2013 Notes 88 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution SX SXGA continued Source 16 10 an a Q Unused screen areas A t Ratio 2 Cropped parts of the image AROSE RANO SOLNCE IN NY Aspect Ratio Fill Display EE IN II Aspect Ratio Fill 8 Crop Rev C May 2013 Notes 89 Digital Projection Lightning Series ASPECT RATIOS EXPLAINED Aspect ratio examples for DMD resolution 1080p Notes Source 4 3 Q Unused screen areas 6 Cropped parts of the image Aspect Ratio Source Cl mm Aspect Ratio Fill Display Anamorphic Aspect Ratio Fill amp
51. RF is used The DMD width is 1920 for WUXGA and 1080p projectors and 1400 for SX projectors based on the distance from the outer end of the lens which will vary from lens to lens Once a lens has been chosen the figures can be checked using the lens extension values given in the table on this page For information about individual lens part numbers see Appendix A at the end of this document 105 Digital Projection Lightning Series Throw distance and lens extension The throw distance is calculated to the outer end of the lens The nominal distance between the front of the projector and the outer end of the lens is called lens extension Lens extension values will vary from lens to lens Once a lens has been chosen the figures can be checked using the values given on the previous page Rev C May 2013 CHOOSING A LENS ka The throw ratio for a particular lens E E 0 4 o E 3 EHE do D Lens extension measured from front of corner post Notes is fixed but assumes that the image fills the width of the DMD For images that do not fill the width of the DMD the throw ratio is effectively increased To correct for this in these calculations a throw ratio factor TRF is used For informat
52. Right slider value range 0 63 Lower Left slider value range 0 63 Lower Middle slider value range 0 63 Lower Right slider value range 0 63 Apply Uplift command Reduce Black Level Uplift Width Upper Left X slider value range 0 200 Upper Left Y slider value range 0 200 Upper Right X slider value range 200 0 Upper Right Y slider value range 0 200 Lower Left X slider value range 200 0 Lower Left Y slider value range 200 0 Lower Right X slider value range 0 200 Lower Right Y slider value range 200 0 Apply Uplift command Notes Some of the information in this me map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting IS PIP and Edge Blend are mutually exclusive modes of operation When in PIP mode Edge Blend is not available and vice versa nu 56 Digital Projection Lightning Series MENU MAP Operating Guide Main Menu Sub Menus PIP Option Off PIP PAP POP Input CVBS 1 CVBS 2 S Video Component VGA 3G SDI DVI HDMI Size Small Medium Large Position Top Left Top Right Bottom Left Bottom Right Custom Custom H Position slider value range 0 100 50 Custom V Position slider value range 0 100 50 3D 3D Enable Off On Frame Rate Multiplier x1 x2 x3 3D Type Auto Sequential Frame Packing Top and Bottom Side by Sid
53. S This chart has a TRF of 1 0 for use 1 12 1 fixed lens shor 00 O o o o with the following images 20 0 m 65 6 fi 0 67 1 fixed lens For WUXGA 2 35 1 Scope 1 85 1 Flat 1 12 1 fixed lens 17 5 m 57 4 ft d 1 78 1 16 9 1 66 1 Vista and 1 6 1 native O 1 16 1 49 1 zoom lens Q 1 39 1 87 1 zoom lens 19 0 m sse Q 1 87 2 56 1 zoom lens V v 12 5 m 41 0 ft V For 1080p 2 56 4 17 1 zoom lens 2 35 1 Scope 1 85 1 Flat and 1 78 1 native O 4 17 6 95 1 zoom lens 10 0 m 32 8 ft 7 5 m 24 6 ft O 6 93 10 34 1 zoom lens Screen width IP For information about individual lens 5 0 m 16 4 ft part numbers see Appendix A at the end of this document 2 5 m 8 2 ft P 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 ft 131ft 164ft 197 ft 230ft 262ft 295ft Throw distance Rev C May 2013 112 Digital Projection Lightning Series DMD resolution 1080p 1 25 1 images 1 12 1 fixed lens short 20 0 m 65 6 ft 0 67 1 fixed lens 1 12 1 fixed lens 17 5 m 57 4 ft O 1 16 1 49 1 zoom lens 1 39 1 87 1 zoom lens mu O 1 87 2 56 1 zoom lens 12 5 m 41 0 ft CHOOSING A LENS
54. S70 720 x 400 70 09 449 31 47 v v SVGABO 800 x 600 49 92 621 31 00 v v SVGA56 800 x 600 56 25 625 35 16 v v SVGA60 800 x 600 60 32 628 37 88 v v SVGA72 800 x 600 72 19 666 48 08 v v SVGA75 800 x 600 75 00 625 46 88 v v MACH 832 x 624 75 08 1120 49 10 v v XGA50 1024 x 768 49 98 793 39 63 v v XGA60 1024 x 768 60 00 806 48 36 v v XGA70 1024 x 768 70 07 806 56 48 v v XGA75 1024 x 768 75 03 800 60 02 v v XGA 70 1152 x 864 70 01 912 63 85 v XGA175 1152 x 864 75 00 900 67 50 v MAC2 1152 x 870 75 06 915 68 68 v v SUN1166 1152 x 900 66 00 937 61 85 v v Notes 138 Digital Projection Lightning Series APPENDIX B SUPPORTED SIGNAL INPUT MODES Hd gt o 3 Slice x EAR ie lal is i33 i 2 2 3 S o LI E 9 87 F 9 9 v o Z Ic go a 2 gt E T g o a s EI E COMPUTER continued WXGABO 1280 x 720 49 83 744 37 07 v WXGA60 1280 x 720 59 86 748 44 77 v WXGA50 1280 x 768 49 92 793 39 59 v WXGA60 1280 x 768 59 87 798 47 78 v SXGA 60 1280 x 960 60 00 1000 60 00 v SXGA50 1280 x 1024 49 84 1057 52 68 v v SXGA60 1280 x 1024 60 02 1066 63 98 v v SXGA75 1280 x 1024 75 02 1066 79 98 v v HD50 1360 x 768 49 89 793 39 56 VA HD60 1360 x 768 59 80 798 44 72 v SXGA 50 1400 x 1050 49 97 1083 54 12 v v SXGA 60 1400 x 1050 59 98 1089 65 32 v v WSXGA50 1536 x 960 49 93 991 49 48 v WSXGA60 1536 x 960 59 91 996 59 67 v UXGA50
55. ailable when using frame sequential formats on the DVI A VGA Component DVI D HDMI 3G SDI inputs 141 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Appendix C Glossary Of Terms 1080p An HDTV resolution which corresponds to 1920 x 1080 pixels a widescreen aspect ratio of 16 9 3D active glasses Wireless battery powered glasses with LCD shutters Synchronization information is communicated to the glasses by means of an infrared IR or radio freguency RF emitter which is connected to the Sync Out terminal on the projector IR or RF pulses are transmitted by the emitter to signal when the left eye and right eye images are being displayed The glasses incorporate a sensor which detects the emitter s signal and synchronises the left and right eye shutters with the projected image 3D passive glasses Passive glasses do not require a power source to work Light with left hand polarisation can pass through the left lens and light with right hand polarisation can pass through the right hand lens These glasses are used in conjunction with another device which polarizes the image such as a ZScreen Anamorphic lens A special lens which when used with the TheaterScope aspect ratio allows watching 2 35 1 content packed in a 16 9 source Aspect ratio The proportional relationship between the width and the height of the projected image It is represented by two numbers separated by a colon indicatin
56. and V then press e To return to the previous menu press D MENU SUB MENU Drop down List 1 List Item 1 Sub menu 1 Sub menu Notes Las Some menu items may not be available due to settings in other menus These will be grayed out on the actual menu When a globe icon appears next to a setting the setting affects all sources and all inputs otherwise only the current input source will be affected if you change the setting Drop down lists To use a drop down list press 99 select an item using A and V then press again or press B to exit without changing MENU Drop down List 1 List Item 1 MENU Drop down List 1 List Item 1 List Item 1 MENU Drop down List 1 List Item 1 List Item 2 Notes Las Some menu items may not be available due to settings in other menus These will be grayed out on the actual menu IS When a globe icon appears next to a setting the setting affects all sources and all inputs otherwise only the current input source will be affected if you change the setting MENU Drop down List 1 List Item 2 Digital Projection Lightning Series USING THE MENUS Operating Guide Sliders Notes To use a slider press lt and gt to adjust it Las Some menu items may not be available due to settings in other menus These will be grayed out on Drop down List 1 List Item 2 ve Drop dow
57. ation gt lt values gt 1000 to 1000 ato omega SS Ee osme es jo CU k 1 to 100 integer fe 1 to 100 integer 1 to 255 integer 1 to 4 integer 1 to 4 integer 0 to 3 integer 10 to 25 integer corresponding to real values of 1 0 to 2 5 0 Off 1 2 On 2 Alignment Pattern On Off 0 to a value of up to 720 depending on eb bottom integer pixels 0 to a value of up to 720 depending on eb top integer pixels 3 3 Remote Communications Guide Notes X The 4corner operations provide X and Y adjustment for each corner of the image They are identical to the settings within the Geometry Cornerstone menu X warp map is identical to the Warp Map setting in the Geometry menu Set to 0 to switch this off X The array width and array height operations set the width and height of the segmented array respectively X array hset andarray vset set the horizontal and vertical position of the projector within the segmented array X scurve value affects the shape of the S curve which is applied to gradually reduce the brightness in the overlapped regions X eb top and eb bottom are identical to the Top Blend Region and Bottom Blend Region settings from the Edge Blend gt Blend Width menu The maximum value for one region will egual 720 minus the pixels already applied to the other r
58. ay 2013 Notes Digital Projection Lightning Series CONTENTS INSTALLATION AND QUICK START GUIDE 1 WHATS IN THE BOX E 3 GETTING TO KNOW THE PROJECTOR sese 4 Chassis lamp lens and filter nena eren 4 Lamp hours melr EE 5 Rear and side panels connection and control 6 Riggingimame aa na AA AA 6 Remote COMIN ERE 6 Control panel indicators Xa a KA GARA 7 Connection panel indicators nana nena 7 POSITIONING THE SCREEN AND PROJECTOR 8 Mounting the projector eeeeeeeeeeeernn nnnm nnnm 8 Adjustment for table mounting ss 8 Adjusting the rigging frame ee eese eese eene nennen nnn RRE nhanh numm ununi 8 Coarse frame adjustment usasesusunuunauunanananasanasananannananananasanananannanananon 8 Pitch and Roll adjustment se oett ttr eni ira eden 9 Yaw adjustImert AARAL ANA 9 Stacking felroj zicito 10 FITTING THE LENS inrer nun npan tuna mana u RA Ranae aana 11 OPERATING THE PROJECTOR cese 12 Switching the projector ON AA 12 Selecting an input signal or test pattern nena 13 INDUE SIQNAD si 13 Te t ucum 13 Adjusting the lens asa 13 ee 13 FOCUS A PA esi
59. blue x blue y white x white y Rev C May 2013 78 Digital Projection Lightning Series COMMAND GUIDE Remote Communications Guide Notes formatter pattern 0 lt white 1 black 2 green 3 red 4 blue 5 magenta 6 cyan 7 z yellow 8 checker 9 align 10 h ramp 11 z v ramp 12 max lumens 13 native white 14 native black 15 native green 16 native red 17 native blue 18 native magenta 19 lt native cyan 20 native yellow 21 off RII dmd temp Rev C May 2013 79 Digital Projection Lightning Series Remote Communications Guide This page is intentionally left blank DIGITAL PROJECTION REFERENCE GUIDE Lightning Series High Brightness Digital Video Projector Rev C May 2013 Digital Projection Lightning Series IN THIS GUIDE K iere dee 84 Lens charts oun doen BAKA i 108 Aspect Ratios Explained nana 86 How to use the lens charts eie pneter eode eed 108 Aspect ratio examples for DMD resolution SX SXGA 87 1080p 1920 x 1080 pixels ttt 109 Aspect ratio examples for DMD resolution 1080p 90 WUXGA 1920 x 1200 pixels ee 110 Aspect ratio examples for DMD resolution WUXGA 93 SX 1400 x 1050 Gselet EE 111 Aspect ratio example TheaterScope nana 96 DMD resolution 1080p WUXGA full width imag
60. coming video signal or Use Auto Setup to allow the projector to detect the appropriate settings automatically Rev C May 2013 A TOUR OF THE MENUS Brightness Contrast D Gamma 1 0 Hue o Saturation IW le Black Level Offset O IRE Video Filters x VGA Setup VIDEO FILTERS Sharpness Detail Luma Sharpness Chroma Sharpness Recursive NR Mosquito NR 0 4 Cross Color Suppression o o O O je VGA SETUP o Total H Samples Auto Setup Operating Guide Notes Main Menu Image IP You can also press Gel or on the remote control IS Hue applies only to NTSC signals IP When a new input mode is detected eg NTSC HDTV 1080p SVGA etc all the Input Settings are saved so that they can be recalled next time that input mode is displayed Main Menu Image Video Filters Main Menu Image NGA Setup X VGA Setup is not available unless a VGA signal is present 38 Digital Projection Lightning Series A TOUR OF THE MENUS Color menu Gamut Peak gives you the brightest possible image Choose HDTV for high definition standards and SDTV for standard definition standards A value between 3200K and 9000K selects the relevant color temperature You can upload your own gamut using the Projector Manager software and then select it from the User 1 and User 2 settings Black Level and Gain slides Set the slides as reguired R
61. d Set Source Dominance to Left or Right to suit the incoming 3D video signal ET ES F Pi N L R __ L m R N N i NG Sequential L ES L 4 D R Ct Frame Packing Top and Bottom Side by Side Half Rev C May 2013 Operating Guide Notes Main Menu 3D X Set the Dark Time to the value appropriate to the glasses or Z Screen IS Adjust the Sync Offset to eliminate ghosting and achieve a smooth grayscale L For additional information on 3D settings see the Reference Guide 45 Lamp menu Set the slider to vary the Power between 60 and 100 Notes Main Menu Lamp Digital Projection Lightning Series Setup menu Orientation Depending on how the projector is mounted select the appropriate setting from the drop down list Latency Affects interlaced sources only For fastest response the Lowest setting gives minimum frame delay For improved performance with films involving motion sequences the Best Video setting uses adaptive de interlacing and interpolation but takes longer to process Reset Default Settings Orientation Desktop Front sm Latency Lowest Input Configuration Network On Screen Display System Reset Default Settings vvv A TOUR OF THE MENUS S Orientation Latency Input Con
62. d on the following page may result in an unacceptable level of distortion particularly at the corners of the image due to the image passing through the periphery of the lens optics If the lens is to be shifted in two directions combined the maximum range without distortion will be somewhat less as can be seen in the illustrations below Full horizontal or vertical shift Combined shift is reduced Rev C May 2013 Notes X For more information on shifting the lens see Lens Menu in the Operating Guide 122 Digital Projection Lightning Series Maximum offset range POSITIONING THE IMAGE The maximum offset range available with no distortion or vignetting is dependent on which lens is used Shifting the lens beyond its undistorted limits may be physically possible however you may experience some vignetting or distortion for WUXGA projectors 0 67 1 fixed lens 1 16 1 49 1 zoom lens 1 12 1 fixed lenses and all other zoom lenses for 1080p projectors 0 67 1 fixed lens 1 16 1 49 1 zoom lens 1 12 1 fixed lenses and all other zoom lenses for SX projectors 0 73 1 fixed lens 1 26 1 61 1 zoom lens 1 21 1 fixed lenses and all other zoom lenses Rev C May 2013 vertical pixels 130 490 390 570 390 vertical pixels 190 540 405 540 405 vertical pixels 120 380 525 394 horizontal pixels 85 240 240 horizontal pixels 120 240
63. e Half Dark Time Minimum 650 uS 1300 uS 7500 uS Sync Offset slider value range 15 15 0 Output Sync Polarity Positive Negative Source Dominance Left Right Lamp Rev C May 2013 Power slider value range 60 100 Information Lamp 1 Hours Lamp 1 Starts Notes Some of the information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting IS PIP and Edge Blend are mutually exclusive modes of operation When in PIP mode Edge Blend is not available and vice versa 57 Operating Guide Digital Projection Lightning Series MENU MAP Main Menu Sub Menus Setup Rev C May 2013 Orientation Desktop Front Desktop Rear Ceiling Front Ceiling Rear Latency Lowest Best Video Input Configuration DVI Boost EO Off On DVI HDMI Color Space RGB YPbPr Auto DVI HDMI Range Full Limited Auto DVI I Port Digital Analog DVI Main Sub Operation Single Link A Single Link B Dual Link DVI Main Sub Range Full Limited Component Color Space RGB YPbPr Component Sync Type 3 Wire 4 Wire Auto 3G SDI Level B Stream Stream 1 Stream 2 Network DHCP Off On IP Address numeric input Subnet numeric input Information DHCP Status IP Address Subnet MAC Address On Screen Display Language US English UK English Timeout 5 sec 10 Sec 15 sec 20 sec 25 sec 30 sec infinite Position C
64. e data rate is 3 Gigabits per second In choosing cable length and connectors for any installation the frequency response loss in decibels should be proportional to Nf from 1MHz to 3GHz X For full details of all input settings see the Operating Guide 24 Digital Projection Lightning Series WIRING DETAILS Input 9 MAIN DVI 24 way D type connector Pin 1 Pin 2 Pin 3 Pin 4 Pin 5 Pin 6 Pin 7 Pin 8 Pin 9 Pin 10 Pin 11 Pin 12 Pin 13 Pin 14 Pin 15 Pin 16 Pin 17 Pin 18 Pin 19 Pin 20 Pin 21 Pin 22 Pin 23 Pin 24 C1 C2 C3 C4 C5 TMDS data 2 TMDS data 2 TMDS data 2 4 shield TMDS data 4 TMDS data 4 DDC clock DDC data Analog vertical sync TMDS data 1 TMDS data 1 TMDS data 1 3 shield TMDS data 3 TMDS data 3 5 V Ground Hot plug detect TMDS data 0 TMDS data 0 TMDS data 0 5 shield TMDS data 5 TMDS data 5 TMDS clock shield TMDS clock TMDS clock Analog red Analog green Analog blue Analog horizontal sync Analog ground Rev C May 2013 Digital red link 1 Digital red link 1 MAIN DVI pin view of female connector Digital green link 2 Digital green link 2 Digital green link 1 Digital green link 1 Digital blue link 2 Digital blue link 2 Power for monitor when in standby Return for pin 14 and analog sync Digital blue link 1 and digital sync Digital blue link 1
65. e 3D did Connect to both of the Inputs on the Side Connection Panel Input 9 DVI is the left image and Input 10 DVI HDMI is the right image Together 3D Sync in Dual Pipe 3D Sync input signal 3D Sync out 3D Sync in Sync output signal This may be affected by the Sync Offset and Output Sync Polarity settings in the 3D menu 3D Sync out DVI HDMI x Input 10 Side Connection Panel ane NO 3D glasses or ZScreen Rev C May 2013 19 Digital Projection Lightning Series CONTROL CONNECTIONS Connection Guide Control Connections Update port e The Update Port is used to download via LAN firmware updates issued from time to time by Digital Projection Notes X For a complete listing of pin configurations for all signal and control connectors see Wiring Details later in this Guide X Only one remote connection RS232 or LAN should be used at any one time Service port The Service Port port is used to download via USB firmware updates issued from time to time by Digital Projection I Note that plugging in the remote n control cable will disable the infra Wired remote control red If infrared signals from the remote control cannot reach the projector due to excessive distance or obstructions such as walls or cabinet doors you can connect an external IR repeater to the remote control input and position its IR sensor within range of the operator Port To sync
66. e Back link at the bottom of the menu Commands are represented by Do it buttons as shown here EDGE BLEND sArray Width ka Array Height Ja SYSTEM Configuration ve Shutter Open ss Shutter Close ve Power On ve Power Off Rev C May 2013 Edge Blend WEB CONFIGURATION UTILITY Owe le Web Configuration Windows Internet Explorer 192 168 0 100 sip Favorites web Configuration Unit ID Array Width Array Height Array H Position Array V Position Blending Segmentation educe Black L Back Web Configuration Windows Internet Explorer 192 168 0 100 Qc PV6S 00 27 86 evel Uplift Width Favorites e Web Configuration Unit ID Configuration Shutter Open Shutter Close Power On Power Off Back Edge Blend v Operating Guide Notes qu For full details of how to use the menu system see earlier in this Guide 61 Digital Projection Lightning Series WEB CONFIGURATION UTILITY Operating Guide Using the Discovery Tool to view your network Notes The Discovery Tool allows you to view the IP addresses of all projectors in your network The tool opens the following page in your browser IS The tool will only find projectors Z Web Configuration Unit Overview Windows Interne from the same subnet as the host computer The IP addresses of C Documents and Settings jcritchley Local Settin these projectors will be identical
67. e correct value MAC Address OC 5E 73 00 26 87 IS Any new settings will not be effective until the projector has been power cycled Edit the Subnet to the correct value Rev C May 2013 49 Digital Projection Lightning Series A TOUR OF THE MENUS On Screen Display Select a display Language from the drop down list The menus will disappear if no buttons are pressed within the Timeout selected from the drop down list If you want the menus to stay on screen permanently then select Infinite Select a Position from the drop down list f you do not want projector status messages to be displayed for instance Se then set Messaging to Off Rev C May 2013 ON SCREEN DISPLAY Language US English s Timeout 5 sec v Position Center v Messaging Off Operating Guide Notes Main Menu Setup On Screen Display 50 Digital Projection Lightning Series A TOUR OF THE MENUS System Configuration switch between PIP and Edge Blend The other settings in this menu are provided mainly to allow control from the Web Configuration Utility Use the Shutter Open and Shutter Close commands as required Use the Power Off command to set the projector into Standby mode Rev C May 2013 SYSTEM Configuration s Shutter Open ve Shutter Close ve Power On Power Off Edge Blend Operating Guide Notes Main Menu Setup System X When you switch between
68. e the image on the screen Explained in the Reference Guide Warp Map Using an external Digital Projection computer application up to eight customised warp maps can be created and uploaded to the projector If Warp is selected and any warp maps have been uploaded you can select from the drop down list Rev C May 2013 40 Digital Projection Lightning Series Size amp Position Set Enable to On or Off Use Setting to choose Global in which case these settings will be applied to all signals on all inputs or Per Mode in which case these settings will be applied only to the current input signal Set the H Position and V Position sliders as required Set H Size and V Size When Aspect Lock is set to On the V Size slider is disabled Select Reset and press Cornerstone o K to reset all the sliders If Cornerstone is selected from the main Geometry page you can use the sliders to stretch the image from each of the four corners Rev C May 2013 A TOUR OF THE MENUS Enable Setting H Position V Position H Size Aspect Lock V Size Reset Upper Left X v Upper Left Y Upper Right X Upper Right Y Lower Left X ss Lower Left Y sm Lower Right X sm Lower Right Y SIZE amp POSITION CORNERSTONE oo O o O O O Global Operating Guide Notes Main Menu Geometry Size 8 Position Main Menu Geometry Cornerstone
69. ected on the screen The DMD of a projector has a fixed resolution which affects the aspect ratio of the projected image A Digital Micromirror Device DMD consists of moving microscopic mirrors Each mirror which acts as a pixel is suspended between two posts by a thin torsion hinge It can be tilted to produce either a bright or dark pixel EDID Extended Display Identification Data Information stored in the projector that can be read by the source EDID is used on the HDMI DVI and VGA inputs allowing the source to automatically configure to the optimum display settings EDTV Enhanced Definition Television A progressive digital television system with a lower resolution than HDTV Rev C May 2013 Notes 145 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Frame rate multiplication To stop low frame rate 3D images from flickering frame rate multiplication can be used which increases the displayed frame rate by two or three times Gamma A nonlinear operation used to code and decode luminance It originates from the Cathode Ray Tube technology used in legacy television sets Ghosting An artifact in 3D image viewing Ghosting occurs when an image intended for one eye is partially seen by the other eye Ghosting can be removed by optimizing the dark time and sync delay Global setting A projector setting that affects all inputs In the OSD global settings are indicated with a
70. eeeennneneenen nnn 102 Positioning the screen and projector eere 103 CHOOSING A LENS iei eseu 104 Choosing a lens by calculation eene 105 Throw distance and lens extension ee eee ee enne nnn EEN E ENER 106 Useful lens calculations EE 107 Examples of lens calculations e eee eese n nennen nnne nennen nnn nnn nnn 107 Rev C May 2013 EJIIercct 108 How to use the lens charts 108 1080p 1920 x 1080 pixels ssecscecesesecnseorecerererssnsesnseerererererersrcsnsesrecererers 109 WUXGA 1920 x 1200 pixels eee recen annuum nena nnenanananene nanesena snnt rarus 110 SX 1400 x 1050 Deele 111 DMD resolution 1080p WUXGA full width images e 112 DMD resolution 1080p 1 25 1 images e eee euenire nennen nnn nnn nnn 113 DMD resolution 1080p 1 33 1 images asammnuusuunanauuuuunaunasununnuunanana 114 DMD resolution 1080p 1 6 1 images see sees eee nennen nana nana nana 115 DMD resolution 1080p 1 66 1 images eee eene nennen nnn nennen 116 DMD resolution WUXGA 1 25 1 Images 117 DMD resolution WUXGA 1 33 1 images eese eee eene nennen nnne nn nnne 118 DMD resolution SX full width images e eee eee ee rennen nn nnn nnn nnn 119 DMD resolution SX 1 25 1 images cc cesis eere enean nen nnne naar RKEN 120 POSITIONING THE IMAGE
71. een Inputs 9 11 and Inputs 1 8 Input and processing architecture ccccccceeeeeeeeeeeeeeeeeeeeeceeeeeeseceeeeseceeeseteeeeseeeeees EDID on the DVl and VGA inputs smb aha tede eter SEN Rev C May 2013 Digital Projection Lightning Series IN THIS GUIDE IN THIS GUIDE continued Connection examples iii neo tee ste RE cx a 127 DVI Input connection example ttes 127 SD connection exemples cct re teet t peg reet ort done Henn 128 Control Connections inito enero bav ister 129 LAN connection ama a NAAALAALA 129 RS232 connectI0N La AMAG NA Eh DA a 130 Edge Blend And Black Level Uplift 131 3D TT E 132 Some 3D settings explained an nana nnne 134 Dark TIME girer nn eet ct tec enr ete cca A te tre te mera aided nd 134 Source DOMINANGE AA cst EI Ge 134 ler 134 Frame Rate Multiplier sni iii cerra ende da kajti 135 Appendix A Lens Part Numbers nn 136 Appendix B Supported Signal Input Modes 137 2D input EE 137 BD Bref d E 140 Appendix C Glossary Of Terms nn 142 Rev C May 2013 Digital Projection Lightning Series THE DMD The DMD A DMD Digital Micromirror Device is a true digital light modulator which utilises an array of up to 2 3 million moving aluminium mirrors with each one representing a pixel in the final projected image The outermos
72. egion 72 Digital Projection Lightning Series lt command gt eb left continued on next page Rev C May 2013 lt operation gt COMMAND GUIDE 0 to a value of up to 1280 depending on eb right integer pixels Oto a value of up to 1280 depending on eb left integer pixels 1 z reset width 2 z reset offset 3 z reset width and offset 4 z reset black level uplift 5 reset width and black level uplift 6 lt reset offset and black level offset 7 z reset all Remote Communications Guide Notes eb left and eb right are identical to Left Blend Region and Right Blend Region from the Edge Blend Blend Width menu The maximum value for one region will equal 1280 minus the pixels already applied to the other region eb blu unblended is identical to the Unblended Region setting in the Edge Blend gt Black Level Uplift menu eb blu topl eb blu top and eb blu topr are identical to the Upper Left Upper Middle and Upper Right settings in the Edge Blend gt Black Level Uplift menu eb blu bottoml eb blu bottom and eb blu bottomr are identical to the Lower Left Lower Middle and Lower Right settings in the Edge Blend gt Black Level Uplift menu eb blu midl andeb blu midr are identical to the Middle Left and Middle Right settings in the Edge Blend gt Black Level Uplift menu The eb blu x and y operations are identical to the X and Y settings from the Edge Ble
73. emory d y vt g Video i Processing OSD H n li 8 gt Overlay H payee MUX di 3 d Resizing D S a M Multi Standard Inputs i High Bandwidth Analog amp Digital Digital Path i i 24 60 Hz Pixel Mapped H Inputs 1 8 Inputs 9 and 10 Rev C May 2013 Connection Guide IS For a complete listing of pin configurations for all signal and control connectors see Wiring Details later in this Guide IS For information about 3D video see the next page Notes Side Connection Panel DVI Input 9 together Twin LInk DVI DVI HDMI Input 10 18 Digital Projection Lightning Series SIGNAL INPUTS AND OUTPUTS Connection Guide 3D connections Notes 3D sources up to 60Hz reguiring frame doubling and left right interleaving Connect to any of the Inputs on the Rear Connection Panel X For a complete listing of pin configurations for all signal and control connectors see Wiring e Set 3D Type in the 3D menu to Auto except when the projector has Details later in this Guide problems selecting between Sequential Frame Packing Top and Bottom and Side by Side Half 3D sources above 60Hz not requiring frame doubling Connect to either of the Inputs on the Side Connection Panel Set 3D Type in the 3D menu to Auto except when the projector has problems selecting between Sequential Frame Packing Top and Bottom and Side by Side Half DVI Dual Pip
74. enter Top Left Top Right Bottom Left Bottom Right Messaging Off On System Configuration PIP Edge Blend Shutter Open command Shutter Close command Power On command Power Off command Reset Default Settings command Notes Some of the information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting SS Do NOT reset the settings unless you are sure that you want to restore ALL the current settings to their factory defaults 58 Digital Projection Lightning Series MENU MAP Operating Guide Notes Main Menu Sub Menus Information IR Some of the information in this menu map is summarised See the actual Lamp menu on the projector for full detail Lamp 1 Hours Lamp 1 Starts Configuration Scaler Interface Hardware Firmware Factory ROM OSD Lens 3D Hardware 3D Firmware Seguences Input Standard DHCP Status IP Address Subnet MAC Address Rev C May 2013 59 Digital Projection Lightning Series WEB CONFIGURATION UTILITY Operating Guide Web Configuration Utility Notes The LAN IP Address of the projector can be set by using the Network submenu which can be found in the Setup menu Once the LAN IP Address has been set it is possible to control all the functions available on the OSD by using the embedded Web Configuration Utility Las For full details of
75. ers see Appendix A at O 7 5 11 2 1 zoom lens 8 the end of this document 7 5 m 24 6 ft 5 0 m 16 4 ft 2 5m 8 2 ft y 10m 20m 30m 40m 50m 60m 70m 80m 90m 33 ft 66 ft 98 fi 131ft 164ft 197ft 230ft 262ft 295ft Throw distance Rev C May 2013 120 Digital Projection Lightning Series POSITIONING THE IMAGE Positioning The Image Notes The normal position for the projector is at the centre of the screen However you can set the projector above or below the centre or to one side and adjust the image using the Lens shift feature known as rising and falling front to maintain a geometrically correct image X For more information on shifting the lens see Lens Menu in the Operating Guide Shifting the lens up rising front SS z m NE eer f IS Whenever possible position the I d SC projector so that the lens is centered amp B M for the highest quality image a JE Ci PO 3 Lu E See v Centered lens Shifting the lens down falling front Rev C May 2013 121 Digital Projection Lightning Series POSITIONING THE IMAGE Positioning The Image continued Any single adjustment outside the ranges specifie
76. ertical movement relative to the rear right corner giving approximately 0 65 pitch and 40 85 roll It is not possible however to achieve maximum adjustment in pitch roll and yaw simultaneously ON sak Pp o Pitch Roll Yaw Yaw adjustment The yaw handle uses a ratchet to move the front of the projector from left to right To change the direction of movement push the direction lever on the handle up or down The yaw handle can provide approximately 11mm of left right movement relative to the rear right corner giving approximately 0 75 yaw It is not possible however to achieve maximum adjustment in both tilt roll and yaw simultaneously Wr y Yaw handle Ratchet Direction lever Rev C May 2013 Installation and Quick Start Guide Notes A Do not tilt the projector more than 412 from side to side when in use as this may cause serious lamp failure damage the lamp module and cause extra cost on replacement The projector my be tilted forwards and backwards as necessary Digital Projection Lightning Series POSITIONING THE SCREEN AND PROJECTOR Stacking projectors The rigging frame is capable of supporting the weight of up to three other projectors using the built in stacking adapters The projectors can be stacked on top of each other or suspended below each other Carefully lower each projector down onto the top of the others making sure that all four
77. es naaanuuuaa 112 Screen Requirements EEN 97 DMD resolution 1080p 1 25 1 images 113 Fitting the image to the DND anas 97 DMD resolution 1080p 1 33 1 images 114 SX images displayed full width 97 DMD resolution 1080p 1 6 1 images SX images displayed full height sova sa povila noga ee tritis citet 97 DMD resolution 1080p 1 66 1 images asaan 116 1080p images E 98 DMD resolution WUXGA 1 25 1 images c 117 1080p E 98 DMD resolution WUXGA 1 33 1 images Laan 118 WUXGA images displayed full wi 99 DMD resolution SX full width images 119 WUXGA images displayed with a height of 1080 pixels 99 DMD resolution SX 1 25 1 images ul 120 WUXGA images displayed full height 100 Bee 101 a EE Fitting the image to the screen nana 102 Positioning the screen and projector nnns 103 Input e E EE Inputs E EE Choosing A Lens aaa 104 DONDEL a NG NAGA Ne LIN MU IINE Choosing a lens by calculation 3 1 ierit e enne trus 105 Input 3 single link DVI D Throw distance and lens extension 106 npud cual RB Bu ce O O EN Useful lens calculations ee 107 Input 10 HDMI compatible DVI D lla illG kk Examples of lens calculations ama man cette rtg AE 107 ieee E NR NE V RN Special considerations when using Inputs 9 11 Differences betw
78. et cia PE PE NE RE EO ER ENE 13 Rev C May 2013 NOE A ETER LE OLI TET ULE ELE EUL II AY 13 Adjusting the image cuui iu uoti otn tnos ntn tinis 14 Orientation and On Screen Display settings eee eee een nennen nn 14 Keystone xxxi Casas YEAR SEE EDAS EE EE EES 14 EE tust vL ec PE D CR DR DX EE GAS SE EN CER NR NE EK Tn E PE PA LER ER 14 Switching the projector off 14 CONNECTION GUIDE see 15 SIGNAL INPUTS AND OUTPUTS Lee ae 17 Rear Connection Panel conuertit eid unen hari nti annuus 17 VGA ws 17 HDMI input 2 AR e 17 SPDIF PE AE IE ETI LEE EI e SERRA RASEN UR Nr DUX RENE CERE 17 KicE PINO geess 17 CVBS1 ele 17 S Video InpUf B edegee ege eege ava ee oe ax Evae Eyre ex EE ese ija Rr 17 Component IHIDULT E 17 aur Lg ssssiscsissssiissnnin insansan os nrin aaas asmina a naasta pia inaani 17 Side Connection Panglima NGIGING 18 E Lma 18 DUO TRUE eegene 18 ii Digital Projection Lightning Series CONTENTS continued Differences between the two Connection Panels 18 SD sources up to 60Hz requiring frame doubling and left right interleaving 19 3D sources above 60Hz not requiring frame doubling e eee eee 19 Dual Pipe 3D EE 19 SDS VAG M RE 19 SD SNE OU erue dee 19 CONTROL CONNECTIONGS L aaa 20 Update pon 20 Service
79. ev C May 2013 Red Black Level Green Black Level Blue Black Level Red Gain Green Gain Blue Gain ooo o 00 Operating Guide Notes Main Menu Color 39 Digital Projection Lightning Series A TOUR OF THE MENUS Operating Guide Geometry menu Aspect Ratio Aspect Ratio Choose between Source Fill Display Fill amp Crop Anamorphic and TheaterScope Overscan 0s Size amp Position ld Mode Off H Keystone 0 GEOMETRY Notes Main Menu Some devices eg certain DVD players pack a 16 9 image into a 4 3 aspect ratio In such cases Geometry to display the image correctly choose the Anamorphic aspect ratio Overscan sv Keystone Os IS An anamorphic lens optional Set this slider to compensate for noisy or badly defined image edges ss Pincushion Barrel O accessory is used with the Mode Relin 0 TheaterScope setting to ensure Choose from Keystone Cornerstone Rotation Warp Map or Off HE om that for a 2 35 1 image the Cornerstone maximum area of the DMD is used Set the H Keystone and V Keystone sliders to correct for any distortion caused by the projector giving maximum image brightness being in a different horizontal or vertical plane to the screen IP e Set the Pincushion Barrel slider to correct for any distortion caused by the screen being EH kaa a vina Or SONON dimensions see Aspect Ratios Setthe Rotation slider to rotat
80. ffset sharpness detail luma sharpness chroma sharpness recursive nr mosquito nr vga phase continued on next page Rev C May 2013 operation no ll EV COMMAND GUIDE values 50 to 50 integer 50 to 50 integer DN A OH 5 2 Medium 3 High 1 lt Low 2 Medium 3 High 0 Off 1 lt On 15 to 15 integer Remote Communications Guide Notes ka The ccs operation is identical to the Cross Color Supression setting in the Image gt Video Filters menu X The vga phase operation is identical to the Phase setting in the Image VGA Setup menu 69 Digital Projection Lightning Series lt command gt vga samples vga auto gamut red lift green lift blue lift red gain green gain blue gain continued on next page Rev C May 2013 COMMAND GUIDE Ca 0 lt Peak 1 HDTV 2 SDTV 3 3200K 4 5400K 5 6500K 6 8000K 7 9000K 8 User 1 9 User 2 50 to 50 integer 50 to 50 integer 50 to 50 integer 50 to 50 integer 50 to 50 integer 50 to 50 integer Remote Communications Guide IP IS Notes The vga samples operation is identical to the Total H Samples setting in the Image gt VGA Setup menu The vga auto operation is identical to the Auto Setup command in the Image gt VGA Setup menu gamut sends a selection of factory set target data or the two user tab
81. figuration Network On Screen Display System ss Reset Default Settings z Orientation Desktop Front sy Latency Lowest lami Mant mentin RESET DEFAULT SETTINGS Resetting to Factory Defaults WARNING All custom settings will be lost Wait 1 minute then power cycle projector Press OK to confirm Press Exit to cancel Det When you press 9K to restore the factory default settings a warning message appears asking you to confirm or cancel Once the process has begun wait one minute and then power cycle the projector so the restored settings can take effect Rev C May 2013 Desktop Front Lowest Nw SEB i Operating Guide Notes Main Menu Setup IP Do NOT do this unless you are sure that you want to restore ALL the current settings to their factory defaults 47 Digital Projection Lightning Series A TOUR OF THE MENUS Operating Guide Input Configuration INPUT CONFIGURATION DVI Boost EQ DVI HDMI Color Space RGB Notes This menu allows adjustment of various technical parameters specific to each of the signal inputs regardless of which input is being used Main Menu DVI Boost EQ should normally be set to Off except when you are having problems with a long DVI Se deg Jange Ane Setup cable i i 4 Input Configuration DVI Main Operation Single Link A DVI HDMI Color Space should normally be set to Auto except when the projector has problems
82. ft Picture Opposite Picture Operating Guide Notes PIP L PIP PAP and POP are NOT X In these examples the flower is the IS The two images MUST be from X The Position settings apply ONLY This menu is available only when Setup gt System gt Configuration is set to PIP possible when Input is set to Test Pattern main image and the window is the sub image shown at the Medium size setting different Input groups to PIP mode PAP and POP are always as shown in these examples 44 Digital Projection Lightning Series A TOUR OF THE MENUS 3D menu Set 3D Enable to On or Off as required 3D Enable Frame Rate Multiplier x1 Use the Frame Rate Multiplier to reduce flicker when the incoming 3D video signal has a low 3D Type Auto frame rate ve Dark Time Minimum For example a 48Hz frame rate could be tripled to 144Hz Sync Offset 000 u Output Sync Polarity Positive 3D Type should be set to Auto except when the projector has problems selecting between Grava Dominance Left Seguential Frame Packing Top and Bottom and Side by Side Half e Set the Dark Time to reduce the ghosting that can be caused by the images overlapping whilst the glasses are switching Set the Sync Offset to compensate for signal processing delays in the projector Set the Output Sync Polarity to suit the glasses or if the left and right images appear to be swappe
83. g the ratio of image width and height respectively for example 16 9 or 2 35 1 Not to be confused with resolution Blanking projection The ability to intentionally turn off that is set to black areas around the edges of the projected image It is sometimes referred to as curtains since it can be used to blank an area of image that literally falls on the curtains at the side of the screen in a movie theater Usually no image resizing or geometric correction takes place and the blanked part of the image is lost Not to be confused with horizontal and vertical blanking video signal Rev C May 2013 Notes 142 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Blanking video signal The section of the video signal where there is no active video data Not to be confused with blanking projection Brightness electronic control A control which adds a fixed intensity value to every pixel in the display moving the entire range of displayed intensities up or down and is used to set the black point in the image see Contrast In S Video and Component Video signals brightness is the same as luminance Brightness optical Describes how bright an image that is projected onto a screen appears to an observer C See Chrominance Chrominance Also known as C this is the component or pair of components of an S Video or Component Video signal which describes color difference information
84. globe icon HDCP High bandwidth Digital Content Protection An encryption scheme used to protect video content HDTV High Definition Television A television system with a higher resolution than SDTV and EDTV It can be transmitted in various formats notably 1080p and 720p Hertz Hz Cycles per second Horizontal Scan Rate The rate at which the lines of the incoming signal are refreshed The rate is set by the horizontal synchronization from the source and measured in Hertz Rev C May 2013 Notes 146 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Hs Vs Horizontal and vertical synchronization Hue The graduation red green balance of color applicable to NTSC Interlacing A method of updating the image The screen is divided in two fields one containing every odd horizontal line the other one containing the even lines The fields are then alternately updated In analog TV interlacing was commonly used as a way of doubling the refresh rate without consuming extra bandwidth Interleaving The alternation between left and right eye images when displaying 3D IRE A unit used to show the range from black to white in Composite Video signals LED Light Emitting Diode An electronic component that emits light Letterboxing Black margins at the top and bottom of the image Letterboxing appears when a wider image is packed into a narrower frame without changing the origi
85. grayscale 3 Repeat steps 1 and 2 until the best result is obtained 134 Digital Projection Lightning Series Frame Rate Multiplier If the 3D video is available only at low frame rates it will be necessary to multiply the frame rate to obtain a flicker free image For example a 60Hz frame rate can be doubled to 120Hz or a 48Hz frame rate could be tripled to 144Hz Rev C May 2013 3D SETUP HA e e 9 OUT x2 example X SD may not be present on some models Notes 135 Digital Projection Lightning Series Appendix A Lens Part Numbers Throw ratios for 1080p and WUXGA projectors Throw ratios for SX projectors Lens extension Throw distance range APPENDIX A LENS PART NUMBERS Part number for Part number for High Brightness High Contrast IS The Throw ratio for a particular lens 0 67 1 fixed lens 1 12 1 fixed lens 3 15 m 1 12 1 fixed lens 1 2 2m 1 16 1 49 1 39 1 87 1 87 2 56 2 56 4 17 4 17 6 95 6 93 10 34 1 zoom lens Rev C May 2013 0 73 1 fixed lens 1 21 1 3 15m fixed lens 1 26 1 61 1 zoom lens 1 5 2 02 1 zoom lens 2 02 2 77 1 zoom lens 2 77 4 51 1 zoom lens 4 51 7 53 1 zoom lens 7 5 11 2 1 zoom lens 204 mm 8 0 in 268 mm 10 6 in 1 21 1 1 2 2 0m fixed lens 268 mm 10 6 in 226 mm 8 9 in 194 mm 7 6 in 159 mm 6 3 in 145 mm 5 7 in 129 mm 5 1 in 179 mm 7 0 in 1 1 3 2m 3
86. how to use the menu system see earlier in this Guide To access the Web Configuration Utility do one of the following Type the URL http lt LAN IP Address into the address bar of your browser then press ENTER Use the DiscoveryTool V1 0 exe application as described in Using the Discovery Tool to view your network later in this section The embedded webpage shown below right should appear Menu examples The webpages mirror the OSD menus as shown in the following examples e The last 3 bytes of the projector s MAC Address are shown in the Unit ID 00 27 86 in the example shown here e gt E 192 168 0 100 Jp Favorites e Web Configuration The menu name is shown in orange underlined text as in the Main Menu shown here Drop down lists are represented by similar drop down lists as in the Input Unit PV6S 00 27 86 Selection list shown here e Sub menus are represented by yellow underlined links as shown here Test Pattern smete sl LIGHTNING Input Selection Test Pattern SMPTE Lens Image Color Geometry Edge Blend 3D Lamp Setup Information MED ES UN AE DI BA BA Rev C May 2013 60 Digital Projection Lightning Series Examples continued Sliders are represented by similar sliders as in the Array Width and Array Height sliders shown here Items that are not available are shown grayed out as shown here Toreturn from a sub menu to the previous menu click on th
87. hronise the control of multiple projectors connect the Wired Remote Output of one projector to the Wired Remote Input of another ibo dies inis Input RS232 Wired Remote All of the projector s features can be controlled via a serial connection using Output the text strings described in the External Control Protocol Use a null modem cable to connect directly to a computer or a straight cable to connect to a modem LAN All of the projector s features can be controlled via a LAN connection using the text strings described in the External Control Protocol Alternatively for details of how to use the Web Configuration Utility to control the projector see the Operating Guide RS232 Use a crossed LAN cable to connect directly to a computer or an uncrossed cable to connect to a network hub LAN Rear Connection Panel Rev C May 2013 20 Digital Projection Lightning Series WIRING DETAILS Connection Guide Wiring Details Notes Signal inputs and outputs X For full details of all input settings Input 1 VGA see the Operating Guide 15 way D type connector 6 6 ooo R 6 o eo Oils G o o o Oo 11 B VGA pin view of female connector unused Digital Ground H Sync R Ground B Ground G Ground 5V Digital Ground V Sync DDC O DAN DOF 0 MN o 1 unused 12 SDA 13 H Sync 14 V Sync 15 SCL Rev C May 2013 21 Digital Projection Lightning Series Input 2
88. ications Guide Introduction Notes The projector can be controlled by using an external control system or a PC via an RS232 or LAN interface using a terminal emulation program such as Hyper Terminal Network setup 1 Connect the projector to a network via an RS232 or LAN interface See Connection Guide gt Control Connections for details 2 Open the Setup gt Network menu and edit network settings The default IP address is 192 168 0 100 and the TCP port number is 7000 See Operating Guide gt A Tour Of The Menus gt Setup menu gt Network for details on changing network settings Serial Port settings Baud rate 9 600 bps e Data leng 8 bits Stop bits one Parity none Flow control none Rev C May 2013 65 Digital Projection Lightning Series INTRODUCTION Remote communications commands Commands are used to simulate menu operations and determine the settings of the projector and use the following format All commands consist of ASCII text strings starting with an asterisk gt k and ending with an ASCII Carriage Return character code 13 command operator value e The commando string determines which setting the command will affect e Spaces are required before the operator and before the value e The operator string can take one of the following formats Set Makes the setting take the value Get Asks what the current value is The value is returned as an ASCII text string
89. ideo Inputs 1 11 Si Sync p ai Sync in Sync out Nga 3D server ZScreen or IR emitter 3D sources above 60Hz ee Le _ ame Se r Gs a E d j a Video Input 9 d a B HG M 5 at E Sync T3 8 ie L 5 Ges emm 5S5 E d O E ud N gt 3D server ZScreen or IR emitter Rev C May 2013 Notes IP Use inputs 1 8 if the geometry of the image needs to be adjusted IS For more information on 3D settings see the 3D Setup section further in this guide 128 Digital Projection Lightning Series Control Connections LAN connection CONTROL CONNECTIONS The projector s features can be controlled via a LAN connection using a standard internet browser package such as Internet Explorer Computer Projector Hub or LAN Rev C May 2013 ee Un crossed LAN cables Computer Projector J Projector Zeg oj e Rear connection panel an Notes 129 Digital Projection Lightning Series RS232 connection 4 Null modem cable lt gt lt Computer Rev C May 2013 Projector CONTROL CONNECTIONS o OO o BO e 5 amp e O Rear connection panel 5222 Notes 130 Digital Projection Lightning Series Edge Blend And Black Level Uplift The Edge Blend setting is used to improve the appearance of multi projector displays by blend
90. iguration is set to Edge Blend IS None of the other blend options are available until either the Array Width or the Array Height setting is greater than 1 IP Note that the position numbering starts from zero so the top left projector is at position H 0 V 0 IP Which settings are available in these menus depends on e the number of projectors in the array e the position of the projector in the array IP For additional information see the Reference Guide 42 Digital Projection Lightning Series A TOUR OF THE MENUS Operating Guide Blend Width BLEND WIDTH Top Blend Region 100 Bottom Blend Region 100 Left Blend Region 100 s Right Blend Region 100 ve Apply Blend Regions Notes Use this to set the width of the blended regions X To apply the settings in these menus use the command at the bottom of each page IS Main Menu Edge Blend Blend Width Black Level Uplift BLACK LEVEL UPLIFT Unblended Region 0 9 Use this to correct for non zero black levels in the blended regions Upper Left 4 Upper Middle O Main Menu Upper Right DES Edge Blend Middle Left Da Black Level Uplift ss Middle Right NG sz Lower Left O s T 3 IP For additional information see the Pierre ire Reference Guide Lower Right Oo Apply Uplift REDUCE BLACK LEVEL UPLIFT WIDTH
91. ing overlapping edges to present a seamless image When several projectors are used to create a large tiled image the overlapping edges may appear brighter than the rest of the image As it is not possible for any projector to produce an absolute black any black areas in the overlapped edges may appear slightly less dark than those in the rest of the image Black Level Uplift can be used to counteract this effect by raising the black level of the rest of the image The amount of uplift reguired will be either x2 or x4 depending on how many images are overlapped as shown in the examples on this page Rev C May 2013 EDGE BLEND AND BLACK LEVEL UPLIFT x2 uplift area x2 uplift area Two projectors sharing one overlapping edge x4 uplift area x4 uplift area ease Jjijdn zx x2 uplift area x2 uplift area no uplift x4 uplift area x4 uplift area N o 2 8 Four projectors with overlapping edges Notes 131 Digital Projection Lightning Series 3D SETUP In most situations you can use the Auto setting to have the projector automatically detect the format Otherwise consider the notes below to help you set up the 3D input manually The following 3D formats are supported Sequential Main will accept frame rates up to 160Hz Lower frame rates can be multiplied for display An example would be 60Hz 30 frames per eye in Left Right sequence L1 R1 L2 R2 with Frame Rate Multiplier set to 2x re
92. ion about lens extensions and individual lens part numbers see Appendix A at the end of this document Lens extension is measured when the lens is focused at infinity and fully extended At other focus settings the extension could be up to 10mm less 106 Digital Projection Lightning Series CHOOSING A LENS Useful lens calculations Throw distance DMD width Throw ratio TRF Screen width x TRF Image width in pixels Throw distance Screen width lt Throw distance Screen width x Throw ratio x TRF Throw ratio x TRF Examples of lens calculations Use the information in Appendix A at the end of this Reference Guide to identify the exact lens needed for WUXGA and 1080p Image size 1024 x 768 pixels screen width 6 5m throw distance 18m from the outer end of the lens Throw ratio factor TRF 1920 1024 1 875 Throw ratio required 18 6 5 x 1 875 1 48 Choose the 1 39 1 87 1 zoom lens for SX Image size 1024 x 768 pixels screen width 6 5m throw distance 18m from the outer end of the lens Throw ratio factor TRF 1400 1024 1 37 Throw ratio required 18 6 5 x 1 37 2 02 Choose the 2 0 2 77 zoom lens Rev C May 2013 X The throw ratio for a particular lens L Throw distance calculations are Notes is fixed but assumes that the image fills the width of the DMD For images that do not fill the width of the DMD the throw ratio is
93. les defined by tcgd1 data and tcgd2 data See Miscellaneous commands below 70 Digital Projection Lightning Series COMMAND GUIDE Remote Communications Guide lt eommand gt Notes Geometry menu aspect ratio 7 0 Source 1 Fill amp Display 2 Fill amp Crop 3 Anamorphic EE X sizepos enable is identical EE to the Enable setting in the Geometry gt Size amp Position menu to the Setting setting in the sizepos setting E Global Modal Geometry gt Size 8 Position h position 50 to 50 integer menu v position 50 to 50 integer T sizepos aspect is identical to the Aspect Lock setting in the h size i 50 to 400 integer Geometry gt Size amp Position v size 50 to 400 integer geometry engin 0 Off 1 Keystone 2 4 Corner 3 Rotation 4 Warp X pin barrel sets pincushion EE i 40 to 40 integer barrel distortion when geometry v keystone 30 to 30 integer engine is set to 1 keystone or 3 rotation pin barrel 20 to 20 integer continued on next page Rev C May 2013 d Digital Projection Lightning Series lt command gt 4corner 4corner 4corner 4corner 4corner 4corner 4corner 4corner blanking right Edge Blend menu array width array height array hset array vset scurve value blending segmentation eb top eb bottom continued on next page Rev C May 2013 COMMAND GUIDE lt oper
94. light modulator which polarizes the projected image for 3D viewing It normally reguires that images are projected onto a silver screen The ZScreen is placed between the projector lens and screen It changes the polarization of the projected light and switches between left and right handed circularly polarized light at the field rate Rev C May 2013 Notes 151
95. n List 1 List Item 2 ve Drop down List 1 List Item 2 Drop down List 2 List Item Drop down List 2 List Item Drop down List 2 List Item the actual menu Sub menu Sub menu Sub menu b IP a H lobe teon Ap pears next lt to a setting the setting affects all sources and all inputs otherwise only the current input source will be affected if you change the setting S Slider 1 Slider 2 f S Slider 1 Slider 2 Qo Slider 2 v Command sm Command s Command Commands To use a command press ox In the example below press to confirm or press ES to cancel ve Drop down List 1 List Item 1 Drop down List 1 List Item 1 Drop down List 2 List Item Drop down List 2 List Item Drop down List 1 List Item 1 Drop down List 2 List Item RESET DEFAULT SETTINGS Sub menu gt Sub menu La WARNING All custom settings will be lost sz Slider 1 o dis m SCH sa Slider 1 o Slider 2 dien e cis Slider 2 o TC S Command Rev C May 2013 33 Digital Projection Lightning Series USING THE MENUS Editing fields Some features reguire a text or numeric field to be edited e To edit a field first select it using A and V then press ox Use and to move the green highlight to the digit or character which is to be changed then use A and V to adjust it Use and to select the next digit or character Press to accept the new value or
96. n be caused by the left and right images overlapping during the time that the ZScreen or 3D glasses are switching Dark Time allows you to minimize this effect Source Dominance The outgoing 3D frames are in pairs the dominant frame being presented first You can determine which frame should be the dominant one By convention the default setting is Left Sync Offset Fully on ice Fully off 3D SETUP Mon mm re e PA Dark Dark Dark time time time Dominance Left LEFT 1 RIGHT 1 LEFT 2 RIGHT 2 LEFT 3 RIGHT 3 Dominance Right RIGHT 1 LEFT 1 RIGHT 2 LEFT 2 RIGHT 3 LEFT 3 The sync signal from the 3D server will be in phase with the frames generated by its graphics card However to compensate for processing delays in the projector Sync Offset introduces a delay to the sync output signal sent to the ZScreen or 3D glasses Incoming Incoming sync signal video Jj Lj L Rev C May 2013 Video signal with processing delays and dark time adjustment Sync output signal after delay adjustment UU J Lo Notes X SD may not be present on some models IS In order to achieve maximum light output and a smooth grayscale whilst eliminating ghosting the following procedure is recommended 1 Set the Dark Time to a value appropriate to the glasses or ZScreen say 650 US or 1300 US 2 Adjust the Sync Offset time to eliminate ghosting and achieve a smooth
97. n push the lens in firmly as far as it will go Lens release lever pointing upwards Rev C May 2013 FITTING THE LENS Turn the lens release lever anti clockwise to the mid position The lens can now be pushed in further Push the lens in firmly as far as it will go Lens release lever in mid position Turn the lens release lever fully anti clockwise so that it is pointing downwards to close the lock fully Lens release lever pointing downwards Installation and Quick Start Guide Notes AN Always allow the lamp to cool for 5 minutes before disconnecting the power moving the projector N The lens release lever should always be set to the locked position to prevent the lens from falling out A Do not place the projector with its front panel down on a surface as this may damage the lens or the lens release lever 11 Digital Projection Lightning Series OPERATING THE PROJECTOR Operating The Projector Switching the projector on Make sure the main power switch is off then connect the power cable between the mains supply and the projector depending on your location USA power input Rest of the world power input Firmly push in the Hubbell connector Lift the lid of the C form connector then turn clockwise to lock then firmly push in the connector Push the main power switch upwards to switch the power ON Wait until the self test has completed and the standby indica
98. nal aspect ratio Lumen A photometric unit of radiant power For projectors it is normally used to specify the total amount of emitted visible light Rev C May 2013 Notes 147 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Luminance Also known as Y this is the part of an S Video or Component Video signal which affects the brightness i e the black and white part Modal setting A projector setting that only affects the currently displayed input Noise Electrical interference displayed on the screen NTSC National Television Standards Committee The United States standard for television 525 lines transmitted at 60 interlaced fields per second OSD on screen display The projector menus allowing you to adjust various global and modal settings PAL Phase Alternate Line The television system used in the UK Australia and other countries 625 lines transmitted at 50 interlaced fields per second Pillarboxing Black margins at the left and right of the image Pillarboxing appears when a narrower image is packed into a wider frame without changing the aspect ratio Pr Pb Color difference signals used with Y for analog Component Video inputs They provide information about the signal color Not to be confused with Cr Cb Progressive scanning A method of updating the image in which the lines of each frame are drawn in a sequence without interlacing Rev C May 20
99. nd fw version3d work with 3D projectors only TS poard id3d is identical to the 3D Hardware field in the Information gt Configuration menu IS fw version3d is identical to the Firmware 3D field in the Information gt Configuration menu IP seq version returns the formatter sequences version identical to the Sequences field in the Information gt Configuration menu 77 Digital Projection Lightning Series COMMAND GUIDE Remote Communications Guide command Notes Miscellaneous commands model name QC Too lamp1 serial IS red dmd enables and disables the blue dmd red DMD Likewise the green mcgd data green x green y dmd andblue dmd operations red x red y control the other two DMDs seri lamp1 status 0 Off 1 Pre cooling 2 Ignition 3 Ignition confirm 4 Enable communication 5 Delay cooling 6 Warm up eco mode 7 Warm up 8 Cool down no restrike 9 Cool down ok restrike 10 Normal 11 Error 12 Ignition retry 13 Re strike delay 14 Enable CSI 15 Deferred shutdown 16 Shutdown confirm 17 Error shutdown 18 Lamp warmup stage 1 19 Lamp warmup stage 2 Woran un X mcgd data tcgd1 data and tcgd2 data allow for MCGD data or user TCGD data to be sent as comma separated x and y co ordinates in the specified order Must be preceded by leading 0 e g continued on next page 0 663 0 332 tcgdl data green x green y tcgd2 data red x red y
100. nd gt Reduce Black Level Uplift Width menu 1 is top left 2 is top right 3 is bottom left 4 is bottom right 3 Digital Projection Lightning Series lt operation gt lt command gt pip input pip position continued on next page Rev C May 2013 COMMAND GUIDE lt values gt 0 CVBS 1 1 CVBS 2 2 S Video 3 Component 4 VGA 5 3G SDI 6 DVI 7 HDMI 0 small 1 medium 2 large 0 Top Left 1 Top Right 2 Bottom Left 3 Bottom Right 4 Custom 0 to 100 integer 0 to 100 integer Remote Communications Guide Notes 74 Digital Projection Lightning Series COMMAND GUIDE command 3d frmultiplier 3d format auto seq fpack tab sbs 3d darktime 0 Ous 1 650 us 2 1300 us 3 7500 us 3d syncoffset 15 to 15 integer lamp power 1 to 100 integer lampl strikes continued on next page Rev C May 2013 Remote Communications Guide Notes X 3d commands are applicable to 3D models only AX The values 15 to 15 represent 1500 us to 1500 us X The lamp power operation has an active value range between 60 and 100 Any value lower than 60 will be interpreted as 60 by the projector X The lamp1 hours operation returns the lamp hours in HH MM format 75 Digital Projection Lightning Series COMMAND GUIDE Remote Communications Guide commands Notes orientation 0 Desktop Fro
101. ning Series CONTENTS continued eege ET 39 Lu 39 Black Level and Galn slides cec a een oro X ER eU RR NE vo ne EUER ERAN ve kan Skl vnesi 39 Geometry MENU 40 E m 41 COITBISIOn EE 41 Edge Blend Mu 42 PIP MENU siio uie cue anuo uu ineo roce geesde eessen 44 SD MENU C 45 Lamp MENU nG 46 SOLU P MON M 47 Reset Default Setilgs EE 47 Input CONT UratiOn EE 48 Lame qe E 49 EE M PR 50 CIC Qu MEE 51 Information EE 52 MENU MAP aen ics ed dek EE aix e dax geed dM nega ren naris 53 WEB CONFIGURATION UTILITY 60 E IN Tue 60 Using the Discovery Tool to view your network eese 62 Rev C May 2013 REMOTE COMMUNICATIONS GUIDE INTRODUCTION einig ANG KANAN exe Ra NRnE X cub Ku ENEE MIeLe Ion E Serial Portsetlings aa NAAN NAGANA Remote communications commands eese eene rennen I3Csc COMMAND GUIDE eni oe eene rrp SEENEN SEN RR RYE Input Selection Menu esee RENE enne nennen nnn nnn nnn nn TestPattem Bn CC UE Lens menu nEeiEnIM Color MENU Mee Ced Geometry MENU Edge Blend Mun EE PIP menu 3D MeNU E T E Lag un STUD
102. ns part numbers see Appendix A at the end of this document 114 Digital Projection Lightning Series DMD resolution 1080p 1 6 1 images 1 12 1 fixed lens short 0 67 1 fixed lens 1 12 1 fixed lens O 1 16 1 49 Q 1 39 1 87 4 17 6 95 6 93 10 34 1 zoom lens 1 zoom lens 1 zoom lens 1 zoom lens 1 zoom lens 1 zoom lens Rev C May 2013 20 0 m 65 6 ft CHOOSING A LENS 17 5 m 57 4 ft 15 0 m 49 2 ft 12 5 m 41 0 ft E d l i S100 m 32 8 ft o 7 V o O 25 24 6 ft 5 0 m 16 4 ft 2 5 m 8 2 ft p V W i 10m 20m 30m 40m 50m 60m 70 m 80 m 90 m 33f 66ft 98ft 131ft 164ft 197ft 230ft 262ft 295ft Throw distance Notes IP This chart has a TRF of 1 11 for use with the following images 1 6 1 16 10 IP For information about individual lens part numbers see Appendix A at the end of this document 115 Digital Projection Lightning Series CHOOSING A LENS DMD resolution 1080p 1 66 1 images Notes 1 12 1 fixed lens short 6 0000 Q 0 0 IT This chart has a TRF of 1 07 for use 20 0 m 65 6 ft with the following images 0 67 1 fixed lens O 1 12 1 fixed lens 17 5 m 57 4 ft O 1 16 1 49 1 zoom lens 1 66 1 Vista 15 0 m 49 2 ft 1 39 1 87
103. nt 1 Ceiling Front 2 7 Desktop Rear 3 Ceiling Rear latency 0 Low Latency 1 Best Video digital colspace 0 RGB 1 YPbPr 2 Auto digital range 2 0 full 1 limited 2 auto dvi port 0 digital 1 analog 0 lt RGB 1 lt YPbPr component colspace 0 Stream 1 1 lt Stream 2 configuration 0 PIP 1 Edge Blend 3gsdi stream shutter on or open off or close ir address 0 to 255 continued on next page T component synctype Rev C May 2013 76 Digital Projection Lightning Series COMMAND GUIDE lt command gt lt operation gt lt values gt Information menu Sw version board id fw version from version lens version board id3d fw version3d continued on next page sw version poardid o fw version lo rom version e S lens version board idsd fw version d seg version e Rev C May 2013 Remote Communications Guide Notes IS sw version returns the software release version identical to the Interface field in the Information gt Configuration menu TS board id is identical to the Hardware field in the Information gt Configuration menu IS fw version returns the firmware version IS from version returns the factory ROM version IS lens version returns the lens mount version identical to the Lens field in the Information gt Configuration menu L board id3d a
104. ntrol Connections 1 1 1 00000000004 4084008200 AEEEEEESKKN KAN essen ANA nnnennrnnnn nnn nnne nnn 20 Update pon iii siti ie mg NG Ga BAG Gn aaa 20 Service pon S ii iu Viki Santen 20 Wired remote control inier eege Zoe accu debe vd deal EES 20 RS 23 KE 20 LEAN BEE 20 Rev C May 2013 Digital Projection Lightning Series Signal Inputs And Outputs Rear Connection Panel VGA input 1 Use Auto Setup in the Image VGA Setup menu For more settings see the Operating Guide HDMI input 2 DVI input 3 Analog or Digital DVI I Set DVI I Port in the Setup Input Configuration menu to choose between Analog and Digital For more settings see the Operating Guide SPDIF Compatible audio sample packets on the HDMI input stream are decoded by the projector and output on the SPDIF connector This is a digital output 3G SDI input 4 f two video streams are being transmitted set 3G Level B Stream in the Setup Input Configuration menu to choose between the two streams CVBS1 input 5 Connect a Composite Video input signal to the BNC connector S Video input 6 Connect to the 4 pin mini DIN connector Component input 7 RGsB or RGBS Set Component Colour Space in the Setup Input Configuration menu to RGB Set Component Sync Type to Auto except when the projector has problems selecting between 3 Wire RGsB and 4 Wire RGBS YPbPr Set Component Colour Space in the Setup
105. om command Calibrate Focus command Center Lens command Nudge Up command Down command Left command Right command Lens Presets Save 1 command Save 2 command Save 3 command Save 4 command Save 5 command Recall 1 command Recall 2 command Recall 3 command Recall 4 command Recall 5 command Notes Las Some of the information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting 53 Digital Projection Lightning Series MENU MAP Main Menu Sub Menus Operating Guide Image Brightness slider value range 50 50 0 Contrast slider value range 50 50 0 Gamma 1 0 1 8 2 0 2 2 2 4 2 6 2 8 Hue slider value range 50 50 0 Saturation slider value range 50 50 0 Black Level Offset 0 IRE 7 5 IRE Video Filters Sharpness slider value range 50 50 0 Detail slider value range 0 3 Luma Sharpness slider value range 0 2 Chroma Sharpness slider value range 0 2 Recursive NR slider value range 0 3 Mosquito NR slider value range 0 3 Cross Color Supression Off On VGA Setup Phase slider value range 50 50 0 Total H Samples slider value range 50 50 0 Auto Setup command Color Rev C May 2013 Gamut Peak HDTV SDTV 3200k 5400k 6500k 8000k 9000k User 1 User 2 Red Black Level slider val
106. ounting the projector n Orientation and On Screen Display Settings aaa 14 Adjustment for table mounting Keystone Adjusting he rigging fralme ec cnr rrr rere renati aNd radain yel TE AO Coarse frame adjustment nena 8 Switching the projector oft EEN 14 Pitch and Roll adjustment 11er NAA 9 Vaw AGjUStMe EE 9 Stacking projectors eiiis LINA ANAKAN Dno da a Fina poa aUe aaa da e usa 10 Fitting The Lens 1 oce enar RANO asada Enae EENS EE 11 Rev C May 2013 Digital Projection Lightning Series WHAT S IN THE BOX What s In The Box IS Remote control 105 023 4x AAA batteries User Guides on CD 106 267 Important Information 113 182 Remote cable 102 162 n Power cable USA LA00098 Power cable Rest of World LA00097 Rev C May 2013 Installation and Quick Start Guide Notes X Make sure your box contains everything listed If any pieces are missing contact your dealer X You should save the original box and packing materials in case you ever need to ship your projector IS The projector is shipped without a lens X Only one power cable dependent on the destination territory will be supplied with the projector Digital Projection Lightning Series GETTING TO KNOW THE PROJECTOR Getting To Know The Projector Chassis lamp lens and filter Rear infra red window remote control N s LE Lens
107. ow to configure this input for your source VGA input 1 Receives analog signal from a computer When using this input it is best to use a fully wired VGA cable to connect the source to the projector This will allow the source to determine the projector s capabilities via DDC and show an optimized image Such cables can be identified as they have a blue connector shell Video source 3G SDI input 4 Uses a BNC connector to receive uncompressed unencrypted digital video e Component input 7 RGsB or RGBS or YPbPr e S Video input 6 Uses a 4 pin mini DIN connector e CVBS1 input 5 Uses a BNC connector to receive composite video e CVBS2 input 8 Uses an RCA phono connector to receive composite video Rev C May 2013 Notes 124 Digital Projection Lightning Series INPUT CONNECTIONS DVI inputs Input 3 single link DVI D Sources up to 1920x1200 resolution 24 60Hz up to 12 bits per color Supports HDCP Input 9 dual link DVI D An input with increased frame rate Sources up to 1920x1200 resolution 24 160Hz Supports HDCP Input 10 HDMI compatible DVI D Sources up to 1920x1200 resolution up to 12 bits per color 24 60Hz Input 11 Dual Pipe 3D Two single input connections Sources up to 1920x1200 resolution at frame rates consistent with up to 148 5 Megapixels sec pipe including blanking Use MAIN for left eye video stream and SUB input for right eye video stream Rev C May 2013
108. ples show how a number of common formats may be displayed depending on your DMD resolution SX images displayed full width 596 pixels 1 85 1 757 pixels 1 78 1 787 pixels 843 pixels 1 6 1 875 pixels 2 35 1 Scope 1 66 1 Vista 16 9 full width 1400 pixels SX images displayed full height full height 1050 pixels 4 3 1 33 1 native 1400 pixels Rev C May 2013 Notes X The images are shown here scaled automatically by the projector The image may be scaled differently if the aspect ratio is set differently in the Geometry menu 97 Digital Projection Lightning Series SCREEN REQUIREMENTS 1080p images displayed full width Notes X The images are shown here scaled automatically by the projector The image may be scaled differently if the aspect ratio is set differently in the Geometry menu 1 85 1 1037 pixels 1 78 1 1080 pixels native resolution 16 9 full width 1920 pixels 1080p images displayed full height full height 1080 pixels 4 3 1 33 1 1440 16 10 1 6 1 1728 pixels 1 66 1 Vista 1792 pixels 16 9 1 78 1 1920 pixels native resolution Rev C May 2013 98 Digital Projection Lightning Series SCREEN REQUIREMENTS WUXGA images displayed full width Notes A B x x IP The images are sho
109. press M to exit without changing Field 1 V EE Field 2 192 Ca U The highlighted digit is being edited Rev C May 2013 Operating Guide Notes Las Some menu items may not be available due to settings in other menus These will be grayed out on the actual menu 34 Digital Projection Lightning Series A Tour Of The Menus Main menu Input Selection Select an input source from the drop down list Test Pattern Set Input Selection to Test pattern and then select a test pattern from the drop down list Lens Image Color and Geometry Open these sub menus to access various picture and screen settings Edge Blend PIP PIP and Edge Blend are mutually exclusive modes of operation When the projector is in Edge Blend mode as shown in the picture PIP is not available and vice versa e 3D Access 3D settings Lamp Adjust lamp power Setup Adjust Input Configuration Network On Screen Display and System settings Information View your current configuration Rev C May 2013 A TOUR OF THE MENUS LIGHTNING Input Selection Test Pattern Lens Image Color Geometry Edge Blend 3D Lamp Setup Information SMPTE NA BA S AS NAR RA GIA RA Operating Guide Notes See also Using the Menus earlier in this guide and Menu Map later in this guide Main Menu You can also select an input source by pressing the following buttons on the remote control 1 to
110. s DVI Main Range Full identifying the correct colour space s Component Color Space RGB e DVI HDMI Range should normally be set to Auto except when you are having contrast problems Component Syne Type E with some DVI sources 3G SDI Level B Stream Stream 1 Set DVI I Port to choose between the Analog and Digital signals from a DVI I source e DVI Main Operation Select between single and dual link DVI reception e DVI Main Range Select between Full and Limited range Set Component Colour Space to choose between RGB and YPbPr Component Sync Type should be set to Auto except when the projector has problems selecting between 3 Wire RGsB and 4 Wire RGBS f two video streams are being transmitted use 3G SDI Level B Stream to choose between the two streams Rev C May 2013 48 Digital Projection Lightning Series A TOUR OF THE MENUS Network Operating Guide NETWORK Notes s DHCP Off P Address 192 168 000 000 sv Subnet 255 255 255 000 New settings effective after reboot The fields at the bottom of the menu show the current settings Set DHCP to On if the IP Address is to be assigned by a DHCP server or Off if it is to be set here f DHCP is set to On Main Menu Setup Network It will not be possible to edit either IP Address or Subnet DHCP Status Off f DHCP is set to Off IP Address 192 168 000 000 Subnet 255 255 255 000 Edit IP Address to th
111. spect ratios 2 35 1 Scope W Dx0 92 H Dx0 39 1 85 1 W Dx0 88 H D x 0 47 16 9 1 78 1 native aspect ratio for 1080p projectors W D x 0 87 H D x 0 49 1 66 1 Vista W Dx0 86 H Dx0 52 16 10 lt 1 6 1 native aspect ratio for WUXGA projectors W Dx0 85 H Dx0 53 4 3 1 33 1 native aspect ratio for SX projectors W Dx0 8 H Dx0 6 Rev C May 2013 SCREEN REQUIREMENTS W width height H Notes 101 Digital Projection Lightning Series Fitting the image to the screen It is important that your screen is of sufficient height and width to display images at all the aspect ratios you are planning to use Use the conversion chart or the sample calculations below to check that you are able to display the full image on your screen If you have insufficient height or width you will have to reduce the overall image size in order to display the full image on your screen Q 4 3 1 33 1 native aspect ratio for SX projectors W H x 1 33 H W x 0 75 16 10 1 6 1 native aspect ratio for WUXGA projectors W H x 1 6 H W x 0 625 1 66 1 Vista W Hx 1 66 H Wx0 6 O 16 9 1 78 1 native aspect ratio for 1080p projectors W H x 1 78 H W x 0 56 Q 1 85 1 Flat W Hx 1 85 H W x 0 54 2 55 Scope W Hx 2 35 H W x 0 426 Rev C May 2013 Screen height SCREEN REQUIREMENTS 10
112. sulting in a displayed sequence at 120Hz L1 R1 L1 R1 L2 R2 L2 R2 Sub can accept frame rates up to 60Hz and frame multiply in a similar manner Frame Rate Multiplier should never be set to result in a displayed frame rate above 160Hz doing so will result in an image error For sequential 3D an external sync is required to identify left and right frames If no sync is available from the sequential source the projector will generate an output sync but it may then be necessary to manually reset the dominance each time the player is started Sequential Dual Pipe MAIN and SUB The left and right eye images are delivered on two separate DVI links which the projector will interleave for 3D display L E io MAIN input X t R E da o ON SUB input x Dual Pipe Rev C May 2013 X SD may not be present on some models Notes 132 Digital Projection Lightning Series 3D SETUP Frame Packing This format will be detected re synchronised frame multiplied and displayed at 144Hz with the left eye right eye dominance automatically extracted from the video data You need to optimize Dark Time and Sync Offset manually to suit your chosen switching glasses You also need to set an appropriate frame rate multiplication for Frame Packing we recommend 3x Top and Bottom Sets the projector to reformat the video frames and map them to the display
113. t Grid 4 Warp Adjust 5 SMPTE 6 Checkerboard 7 White Field 8 Black Field 9 Screen Layout Remote Communications Guide Notes X The test pattern operation is only accessible if the input operation is set to 8 Test Pattern input lt 8 CR 67 Digital Projection Lightning Series COMMAND GUIDE command operation values zoom in xecute zoom out xecute focus near xecut focus far xecut D D calibrate zoom xecut D D xecute Nudge time 0 shortest 3 longest Nudge time 0 shortest 3 longest Nudge time 0 shortest 3 longest calibrate focus D D I I I I I aja lens centre D nudge up nudge down nudge left nudge right Nudge time 0 shortest 3 longest lensmemory save 0 9 integer lensmemory recall 0 9 integer lens up 0 3 integer lens down 0 3 integer lens left 0 3 integer lens right 0 3 integer continued on next page Rev C May 2013 Remote Communications Guide Notes X The lens stop operation stops all lens movement All lens commands except nudge will continue to move until this command is sent or the limit is reached Use nudge fo produce a brief movement of the lens in the specified direction 68 Digital Projection Lightning Series lt command gt Image menu brightness contrast gamma en G 0 saturation blacklevel o
114. t micromirrors in the array remain inactive and are not used in constructing the image Q Casing 1 gt SI N Light shield 6 gt o Inactive mirrors n O Array O gt Z N DMD Each mirror element is suspended over address electrodes by a torsion hinge between two posts o Support posts 2 Mirror element O Torsion hinges 4 O Offset address electrode Mirror element with tilt mechanism Rev C May 2013 Notes 84 Digital Projection Lightning Series THE DMD The DMD continued Depending on the voltage polarity applied each mirror will either tilt to the left to produce a bright pixel or to the right for a dark pixel When light is applied to the complete DMD only the light redirected from a mirror tilting to the left is projected Q Projection lens 2 Incoming light from the lamp o Mirror element tilted to the right O Mirror element tilted to the left lt Q Reflected light left tilt O Light dump Reflected light right tilt The projector optically filters white light from the lamp into its constituent red green and blue Each color illuminates a separate DMD whose modulated output is then recombined with the other two to form the projected full color image Q Lamp P 6 Optical filtering of light into red green and blue o white light white light N RG B Projection lens PAN O DMD devices Light flow
115. tensity difference between the darkest and lightest areas of the screen Cr Cb Color difference signals used with Y for digital Component Video inputs They provide information about the signal color Not to be confused with Pr Pb Crop Remove part of the projected image Alternatively fit an image into a frame with a different aspect ratio by removing part of the image The image is resized so that either its length or its width equals the length or width of the frame while the other dimension has moved outside the frame the excess area is then cut out Rev C May 2013 Notes 144 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Dark time The time inserted between frames when using 3D active glasses to avoid ghosting caused by switching time between left and right eye DDC Display Data Channel A communications link between the source and projector DDC is used on the HDMI DVI and VGA inputs The link is used by the source to read the EDID stored in the projector Deinterlacing The process of converting interlaced video signals into progressive ones DHCP Dynamic Host Configuration Protocol A network protocol that is used to configure network devices so that they can communicate on an IP network for example by allocating an IP address DMD Digital Micromirror Device M The optical tool that transforms the electronic signal from the input source into an optical image proj
116. tor on the projector control panel shows amber The lamp will be off and the projector will be in STANDBY mode Press on the remote control or the control panel and hold for 3 seconds to switch the projector ON The power indicator on the control panel will show green the lamp will light and the shutter will open Power connection Rev C May 2013 Installation and Quick Start Guide Notes 12 Digital Projection Lightning Series Selecting an input signal or test pattern Input signal Connect an image source to the projector The signal should be automatically detected by the projector and should be displayed within two or three seconds If more than one signal is connected then select the image you want to display Press one ofthe Input buttons to or Co dual pipe on the remote control or Open the On screen display OSD by pressing 7 Select an input signal from the Input Selection menu using the A Vv and buttons OPERATING THE PROJECTOR LIGHTNING Input Selection Test Pattern CVBS 1 S Video Lens Component Image VGA Color 3G SDI Geometry Sech Edge Blend Da Main DVI Lamp Sub HDMI Setup Dual Pipe Information Test pattern If you have no image source connected to the projector then you can display a test pattern instead Open the OSD by pressing p Select Test Pattern from the Input Selection menu using the A V and buttons Selecta
117. ue range 50 50 0 Green Black Level slider value range 50 50 0 Blue Black Level slider value range 50 50 0 Red Gain slider value range 50 50 0 Green Gain slider value range 50 50 0 Blue Gain slider value range 50 50 0 Notes qu Some of the information in this menu map is summarised See the actual menu on the projector for full detail The underlined text represents the factory default value for each setting 54 Operating Guide Digital Projection Lightning Series MENU MAP Main Menu Sub Menus Geometry Rev C May 2013 Aspect Ratio Source Fill Display Fill amp Crop Anamorphic TheaterScope H Position slider value range 50 50 0 V Position slider value range 50 50 0 Overscan slider value range 0 3 Size amp Position Enable Off On Setting Global Per Mode H Position slider value range 100 100 0 V Position slider value range 100 100 0 H Size slider value range 25 400 100 Aspect Lock On Off V Size slider value range 25 400 100 Reset command Mode Off Keystone Cornerstone Rotation Warp Keystone H Keystone slider value range 50 50 0 V Keystone slider value range 50 50 0 Pincushion Barrel slider value range 30 30 0 Cornerstone Upper Left X slider value range 500 500 0 Upper Left Y slider value range 500 500 0 Upper Right X slider value range 500
118. view of female connector Connection Guide Notes X For full details of all network settings see the Operating Guide X Note that plugging in the remote control cable will disable the infra red 27 Digital Projection Lightning Series RS232 9 way D type connector 1 unused 2 Received Data RX 3 Transmitted Data TX 4 unused 5 Signal Ground 6 unused 7 unused 8 unused 9 unused LAN connection RJ45 socket Rev C May 2013 WIRING DETAILS RS232 pin view of female connector LAN connection Connection Guide Notes IP Only one remote connection RS232 or LAN should be used at any one time X For full details of all network settings see the Operating Guide 28 DIGITAL PROJECTION OPERATING GUIDE Lightning Series High Brightness Digital Video Projector Rev C May 2013 Digital Projection Lightning Series IN THIS GUIDE Operating Guide IN THIS GUIDE Using The MENU ANAN ANNA NAG 31 Reset Default Settings cun eras ret ee tee elem aes eed 47 Menius and sub m enls rice rici rentrer paca EENS EENEG n ax READS 31 EON EI NNI RR 48 Drop down lists ieri eege Eesen Eed ao De oti ease Dasha 32 CO C ER EEN 49 SIBI C e P 33 DT AA 50 eru EE 33 aa OE ON EN BAAL cess 51 Editing Bilal RR TD 34 Information MENU eec 52 A Tour Of The Menus nana nana 35
119. w distance to the screen width TRF Throw ratio factor A special number used in calculating throw distances and throw ratios when the image does not fill the width of the DMD The throw ratio for a particular lens is fixed but assumes that the image fills the width of the DMD For images that do fill the full width of the DMD TRF 1 For images that do not fill the DMD TRF is effectively increased UXGA A display resolution of 1600x1200 pixels with a 4 3 screen aspect ratio Stands for Ultra Extended Graphics Array Vertical Scan Rate The rate at which the frames of the incoming signal are refreshed The rate is set by the vertical synchronization from the source and measured in Hertz Vignetting Optical cropping of the image caused by the components in the projection lens This can happen if too much offset is applied when positioning the image using the lens mount Rev C May 2013 Notes 150 Digital Projection Lightning Series APPENDIX C GLOSSARY OF TERMS Vista An aspect ratio of 1 66 1 Warp A set of projector functions that allow you to intentionally distort the image for example to fit an arbitrarily shaped screen WUXGA A display resolution of 1920 x 1200 pixels with a 16 10 screen aspect ratio Stands for Widescreen Ultra Extended Graphics Array Y This is the luminance input brightness from an S Wideo or Component Video signal YUV See Pr Pb ZScreen A special kind of
120. with the left eye right eye dominance automatically extracted from the video data You need to optimize Dark Time and Sync Offset manually to suit your chosen switching glasses You also need to set an appropriate frame multiplication for a GOHz Top and Bottom source Frame Rate Multiplier should be set to 1x because the two halves of the image will automatically be extracted to create a displayed rate of twice the input rate Side by Side Half interlaced and progressive 50 and 60Hz The side by side image will be de interlaced if appropriate resized and then sequentially displayed at 100 or 120Hz The left eye right eye dominance will be automatically extracted from the video data however you will need to optimize Dark Time and Sync Offset manually to suit your chosen switching glasses When 3D is disabled 1080i will be treated conventionally For a 60Hz Top and Bottom source Frame Rate Multiplier should be set to 1x because the two halves of the image will automatically be extracted to create a displayed rate of twice the input rate Dark Time and Sync Offset need to be set only once to optimize the image for the glasses in use Rev C May 2013 Pal Top and Bottom ka Side by Side Half models Notes X SD may not be present on some 133 Digital Projection Lightning Series Some 3D settings explained Dark Time Ghosting ca
121. wn here scaled automatically by the projector pa 4 Ng gt S x 3 The image may be scaled differently 8 3 ni NP EE if the aspect ratio is set differently in o2 wb m2 9 2 M SI e Sig the Geometry menu suje TIS als SIN o ke lS Sv nij van v y v v full width lt 1920 pixels WUXGA images displayed with a height of 1080 pixels TS The images shown here cannot fil the full height of the DMD and will be scaled to a height of 1080 pixels full height 1200 pixels max possible image height 1080 pixels 4 3 1 33 1 1440 pixels 16 10 1 6 1 1728 pixels 1 66 1 Vista lt 1792 pixels full width lt 1920 pixels Rev C May 2013 99 Digital Projection Lightning Series WUXGA images displayed full height UXGA 4 3 1 33 1 1600 pixels WUXGA 16 10 1 6 1 1920 pixels Rev C May 2013 full height 1200 pixels lt 4 SCREEN REQUIREMENTS Notes IS only WUXGA or UXGA images can fill the full height of the DMD using all 1200 pixels 100 Digital Projection Lightning Series Diagonal screen sizes Screen sizes are sometimes specified by their diagonal size D When dealing with large screens and projection distances at different aspect ratios it is more convenient to measure screen width W and height H The example calculations below show how to convert diagonal sizes into width and height at various a

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