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Sony TC-K666ES User Manual (En)
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1. 15 LETTRE a AEAN Dolby NR system Specifications Trouble checks FEATURES Three head system Separate record and playback heads allow optimum gap settings and impedance ratings for distortion free recording and greatly ex tended frequency response For good tape to head contact the heads are mounted in one block and each head is separately ad justed for precise azimuth alignment The three head system also enables you to monitor the recorded tape while actually recording Newly developed LA LaserAmorphous head The record and playback heads are made of a special amorphous magnetic alloy developed by Sony and their cores are solidly weld ed by laser This new highly durable head provides a wider dynamic range and a more extended frequency response especially in the high frequency range The head is designed to take full advantage of the potential of the metal tapes Closed loop dual capstan tape drive system Two pairs of capstans and pinch rollers ensure uniform tape ten sion and stable tape to head contact As a result wow and flutter and modulation noise are greatly reduced Three motor drive The three motor drive system assures accurate and stable tape transport The motors for the capstan and reel drives are linear tor que BSL brushiess and slotless motors with an extremely smooth torque The speed of the capstan motor is regulated by a crystal oscillator The shaft o
2. To protect cassettes from accidental erasure Remove the tab as illustrated so that the record mode does not function when the record button is pressed To protect side A recording Do not expose cassettes to direct sunlight extremely cold temperature or moisture eAvoid fast winding just before storing cassettes as this may stretch the tape edge if the cassettes are left unused over a period of time RECORDING TO RECORD The numbers in this diagram indicate the sequence to be followed 2 Press the button and insert a cassette with the desired side A or B c towards you 1 Press ON For a Sony BHF UCX FeCr or METALLIC cassette set the controls to the center positions For other cassettes see bias recording level calibration on page 9 3 Depress the appropriate TAPE button See the tape list on page 9 GPress to illuminate SOURCE OFF Amplifier URLE K EEMU Set the input selector of the amplifier to the desired program source Select the Dolby i NR system Dolby ON B type tog B TYPE 8 While holding the e REC l i button down press the Dolby i gt button Recording C type ON C TYPE will begin NR ON i i i Gal ed To stop the tape press the m button Dolby NA OFF Sian ee Bee i L OFF PE EN RER i7 Pl
3. SONY STEREO CASSETTE DECK TC K666E OPERATING INSTRUCTIONS Page 2 Before operating the unit please read this manual thoroughly This manual should be retained for future reference MODE D EMPLOI Page 20 Avant la mise en service de l appareil lire attentivement ce mode d emploi Conserver ce manuel pour toute r f rence ult rieure MANUAL DE INSTRUCCIONES _ Pagina 38 Antes de manipular el aparato lea usted este manual detenida mente Cons rvelo para futuras referencias nonon W lt 1982 by Sony Corporation TROUBLE CHECKS The following trouble checks will help you correct the most com mon problems encountered with a tape deck Should any problem persist after you have made these checks consult your nearest Sony service facility Before proceeding with these trouble checks first check these basic points The power cord must be firmly connected Amplifier connections must be firmly made Heads capstans and pinch rollers should be clean The amplifier controls and switches should be set correctly FUNCTION BUTTONS AND TAPE TRANSPORT PROBLEMS The function buttons do not activate right after the POWER switch is turned on Logic controlled function buttons operate approximately 4 seconds after the POWER switch is turned on Recording or playback begins as soon as the POWER switch is turned on The TIMER switch is set at either REC or PLAY
4. The REC button and the amp button do not activate The cassette holder is not fully closed The REC button does not activate No cassette in the holder The tab has been removed from the cassette The automatic shut off mechanism activates before the end of the tape The tape is slack The memory counter function is in operation This situation may also be caused by a deformed cassette shell Tape transport noise seems excessively loud in rewind or fast forward mode This situation depends upon the cassette used and is not a pro blem RECORDING AND PLAYBACK PROBLEMS Recording or playback cannot be made or there is a decrease in sound level Contamination or magnetic build up on the record and playback heads Improper connection improper setting of the amplifier controls The tape is played back with the MONITOR switch set to SOURCE Excessive wow or flutter or drop out e Contamination of the capstans or pinch rollers Incomplete erasure eContamination of the erase head Increase of noise or erasure of high frequencies Magnetic build up on the heads Unbalanced tone in higher frequencies improper setting of the DOLBY NR switches When playing back set the switches to the same position used in recording Improper setting of the TAPE select buttons If recorded with the wrong button pressed adjust the tone controls of the amplifier in playback Hum noise The tape deck is stacke
5. Recording system 4 track 2 channel stereo Fast forward and rewind time with C 60 cassette Approx 60 sec at normal speed Approx 35 sec at high speed Bias frequency 105 kHz Signal to noise ratio NAB at peak level 3 Dolby NR switch ore B TYPE ON C TYPE ON Cassette a D TYPE IV Sony METALLIC 60 dB 67 dB 73 dB TYPE III Sony FeCr 62 dB 69 dB 75 dB TYPE II Sony UGX 59 dB 66 dB 72 dB See Sales ee TYPE Sony BHF or HFX 56 dB 63 dB 69 dB Total harmonic distortion 0 8 with Sony METALLIC and FeCr Frequency response Wow and flutter Inputs Outputs cassettes DOLBY NR OFF e With TYPE IV cassette Sony METALLIC 20 20 000 Hz 25 19 000 Hz 3 dB 25 14 000 Hz 3 dB 0 VU recording 25 19 000 Hz DIN e With TYPE III cassette Sony FeCr 20 20 000 Hz 25 19 000 Hz 3 dB 25 19 000 Hz DIN e With TYPE Il cassette Sony UCX 20 19 000 Hz 25 18 000 Hz 3 dB 25 18 000 Hz DIN With TYPE cassette Sony BHF or HFX 20 19 000 Hz 25 17 000 Hz DIN 0 025 WRMS NAB 0 07 DIN Line inputs phono jacks Sensitivity 77 5 mV 20 dB Input impedance 50 k ohms Line outputs phono jacks Output level 0 435 V 5 dB at a load impedance of 50 k ohms Load impedance over 10 k ohms Headphone output Output level variable from 0 3 to 0 003 mW at a load impedance of 8 ohms General Power requirements Type 1 22
6. a synchro remote control jack using the RM 65 the operation of the cassette deck and the turntable will be synchronized For more details refer to the instruction manuals of the RM 65 and the turntable Amplifier Cassette care Avoid touching the tape surface of a cassette as any dirt or dust will contaminate the heads Speaker TC K666ES to the synchro remote control jack Do not stick thick labels or tape on the cassette as this may af fect proper cassette alignment and prevent the tape from making proper contact with the heads Turntable Power cord A white mark is visible on one lead of the power cord This will help you drive the cassette deck and other components in the system in phase by aligning the ac power cord polarities with ac outlet polarities In most cases the marked plug of the cassette deck s power cord should be inserted into the negative potential of the ac outlet e Keep cassettes away from equipment with magnets such as speakers and amplifiers because their magnets could cause erasures or distortions of your recorded tapes NOTES ON CASSETTES Cassette insertion Before inserting a cassette take up any slack in the tape to prevent it from becoming tangled around the capstan e Protect cassettes from dust by storing them in their cases Even minor dirt or dust could contaminate the heads resulting in noise and sound drop outs
7. level calibration controls iE BIAS control 9 MPX FILTER switch DOLBY NR switches H POWER switch Depress this switch to turn on the power The lamp in the cassette holder the display of the peak program meters and the tape counter will light up The indicator lamp of the PAUSE button will blink for about 4 seconds indicating that the function buttons are inoperative during this period Press this switch again to turn the power off 4 eject button Press this button to open the cassette holder MEMORY button Press to rewind the tape to the 0 00 point on the tape counter The word MEMORY is displayed below the tape counter Press ing the button together with the lt lt button automatically starts playback from 0 00 When you do not use the memory function press this button again The word MEMORY will disappear RESET button Press this button to reset the tape counter to 0 00 Tape counter This counter indicates the tape running time See Using the digital linear counter on page 13 Peak program meters With the SOURCE indicator illuminated the meters show the peak input level of each channel and with the TAPE indicator il luminated the meters show recorded levels They follow the tran sient peaks of high level inputs that are too brief to be followed by conventional VU meters so that the optimum recording level can be accurately set The highest input of eac
8. sure that the tab is intact or that plastic tape covers the tab slot Turn on the tape deck and adjust the recording level 6 Set the timer for the desired time At this point power to the con nected equipment will be cut off Set the tape deck s TIMER switch to REC The tape deck is now ready to start recording at the time set on the timer wo oa N To play back using a timer The connections between equipment are the same as for recording using a timer 1 Set the tape deck s TIMER switch to OFF 2 Turn on the amplifier and set the appropriate switches for play back 3 Turn on the tape deck and insert the recorded cassette 4 Set the timer for the desired time At this point power to the con nected equipment will be cut off 5 Set the tape deck s TIMER switch to PLAY The tape deck is now ready to start playback at the time set on the timer Notes The tape deck s TIMER switch will function properly only if the tape deck is turned on after the switch is set to REC or PLAY If you want to change the setting of the switch turn the power off first After a timer activated recording or playback be sure to set the TIMER switch to OFF If the switch is still set to REC recording will start automatically when the deck is turned on the next time In this case you can cancel the recording by pressing the W button within 4 seconds after the power is turned on 15 MAINTENANCE Cleaning of heads and tape p
9. to SOURCE L REC CAL R lower level ENN AN ff A i Cr higher level 1 3 XP 3 NF 3 for right channel for left channel The bias current is now adjusted to the optimum level and the tape sensitivity is compensated for In order to erase the recorded program rewind the tape and start recording RECORDING LEVEL ADJUSTMENT Adjust the recording level while monitoring on the peak program meters the input level of the program source to be recorded If the recording level setting is too high the recording will be distorted and if the setting is too low the recording will be noisy The record ing level should be set as high as possible while still avoiding distortion This level will depend on the type of tape being used When the TAPE button is pressed the range above the saturation level of the selected type of tape is indicated by the red line Generally speaking adjust the recording level by making sure that the meters deflect only to the left end of the red line at the highest signal level dB 40 20 10 40 2 4 6 8 R woul De Ben JA JED CDS LT NO Ce o O TAPE brosuouausuusuouau a ovu OC type Saturation level of Range in which Type 1 cassette saturation occurs Since the saturation level of any tape is lower in the higher frequen cies than in the lower frequencies the recording level may still be too high if adjusted in this way if the program to be recorded con tains many high frequency signa
10. 0 V ac 50 60 Hz 240 V ac adjustable by authorized Sony personnel Type 2 240 V ac 50 60 Hz 220 V ac adjustable by authorized Sony personnel Type 3 120 V ac 60 Hz Type 4 110 120 220 or 240 V ac ad justable 50 60 Hz Power consumption 50 watts Dimensions Approx 430 x 105 x 285 mm wihid 17 x 4 x 1114 inches including projecting parts and controls Weight Approx 6 5 kg 14 Ibs 6 oz Supplied accessories Connecting cord 2 Head cleaning tips 1 set While the information given is correct at the time of printing small production changes in the course of our company s policy of im provement through research and design might not necessarily be indicated in these specifications We ask you to check with your appointed Sony dealer if clarification on any point is required Note Appliance conforms with EEC Directive 76 889 regarding inter ference suppression
11. ON position and choose between B TYPE O and C TYPE a 5 es without the Dolby NR process press the ON OFF switch again to release it When playing back set these switches to the same position used in recording For details about the Dolby NR system see page 17 Dolby and the double D symbol are trade marks of the Dolby Laboratories Licensing Corporation Noise reduction system manufactured under license from Dolby Laboratories Licensing Corporation MPX FILTER switch Normally set this switch to OFF O When recording FM stereo broadcasts with the Dolby NR system set it to ON 2 if the 19 kHz pilot signal and the 38 KHZ subcarrier have not been adequately suppressed by the FM tuner or receiver If the tuner or the receiver suppresses such signals adequately most high quality tuners and receivers will you do not have to set this switch to ON BIAS control When recording turn this control to adjust the bias current precise ly depending on the characteristics of the tape being used REC CAL recording level calibration controls When recording turn these controls to adjust the recording level depending on the sensitivity of the tape being used REC LEVEL recording level controls These controls adjust the recording level The knob nearest the panel is for the left channel and the other knob for the right chan nel To adjust the level of the left or right channel only turn the ap propriate kno
12. ath The performance of your unit is dependent on the periodic cleaning of the heads and all surfaces over which the tape travels Dirty heads and a dirty tape path cause Loss of high frequency response Loss of sound volume Sound drop outs The heads and tape path should be cleaned after 10 hours of opera tion We recommend cleaning after every 10 hours of operation To make the best possible recordings however you should clean all sur faces over which the tape travels before every recording 1 Press the 4 button to open the cassette holder Remove the window as illustrated S 2 Push the frame in 3 Wipe the heads the pinch rollers and the capstans with a clean ing tip slightly moistened with the cleaning fluid or alcohol Capstan Cleaning tip slightly moistened with alcohol Capstan Pinch roller Record head Playback head 16 4 Press the 4 button to open the frame and replace the window After cleaning the heads and tape path do not insert a cassette un til the areas cleaned are completely dry Demagnetizing heads After 20 to 30 hours of use enough residual magnetism will have built up on the heads to begin to cause hiss and a loss of high fre quency At this time you should demagnetize the heads and all metal parts in the tape path with a commercially available head demagnetizer Be sure that the tape deck is turned off while you demagnetize Cleaning the cabinet Cl
13. atically when it is rewound to the 0 00 point 3 Press the lt button Why does the tape stop around 0 01 In order to avoid any chance of cutting off the starting point How can the tape be rewound further than 0 00 Press the lt button again RECORD MUTING By pressing the REC MUTE button during recording four seconds interspacing is provided automatically eliminating un wanted program material such as broadcasting commercials While the record muting is operating the incoming signal is not recorded on the tape but it continues to register on the meters and feed to the monitor so that you know exactly what is going on 1 Press the REC MUTE button when the segment you do not want to record begins The tI indicator will blink and the tape path will pause automatically after four seconds Zick n B En flickering p Press Do not keep pressing A blank is made while the tape continues to run The tape pauses after 4 seconds illuminating 14 2 When you want to resume recording press the Il PAUSE but ton goes off rue To insert a blank less than four seconds long Press the REC MUTE button to mute recording Press the I PAUSE button when you want to resume recording To insert a blank over four seconds long Hold down the REC MUTE button for as long as you want the blank segment on t
14. ay the program source and i right channel adjust the recording level for rig for left channel dB o 40 i Q 2544 5 8 a a TAPP ra OWN TYF 1 ENE Erer Adjust the REC LEVEL controls so that the meters deflect only left end of the red line at the highest signal level For details see Recording level adjustment on page 10 Note on the TIMER switch If the power is turned on when this switch is set to the REC or PLAY position recording or playback will start automatically after 4 seconds To avoid accidental erasure of previously recorded material check that the TIMER switch is set to OFF before turning on the POWER switch To cancel the recording or playback press the I button within 4 seconds after the power is turned on Pre end winker When the tape approaches the end during recording the digits on the counter will blink warning that the tape is about to run ae ws call this function the pre end winker The blinking will negn d minutes before the end of the tape for a C 46 or C 60 casse to 5 minutes before the end of the tape for a C 90 cassette Note that the pre end winker may not function if a cassett very thick hub is being used B with RECOMMENDED SETTINGS FOR THE TAPE SELECT BUTTONS Press the appropriate TAPE select mended settings listed below While the settings are optimum for Sony cassett to change them when using cassettes tures Tape list for Canada
15. b while holding the other knob REMOTE control connector on the rear panel Connect the optional RM 50 wired or RM 80 wireless remote con trol unit to operate the tape transport functions from a distance Synchronized operation is also possible with selected Sony turn tables using the optional RM 65 synchro remote control unit Read the instruction manual of your remote control unit before operating it CONNECTIONS Notes Turn the amplifier off before making any connection eBe sure to insert the plugs firmly into the jacks Loose connec tions may cause hum and noise eThe red plug of the supplied connecting cord should be con nected to the red jack R right channel and the other plug to the white jack L left channel _LINE IN LINE OUT J R L 0 OO TC K666ES to tape inputs or auxiliary inputs to recording outputs Bujpiooes 104 Amplifier L to line inputs to line outputs Another tape deck SE yoeq eld 104 to a wall outlet RM 50 or RM 80 remote control unit optional Connection for tape duplication yoep ade sayjoue o uoljesldnp 104 Signal flow Synchronized operation using the optional RM 65 synchro remote To record on a cassette once tabs have been removed simply cover control unit the slot with plastic tape When this cassette deck is connected to a turntable equipped with
16. button referring to the recom es you may want produced by other manufac EE ee Tapes C 46 C 90 Type of tape SONY SHF HFX AMPEX GRAND MASTER MAXELL UD UD XL FUJI FX I TYPE XL I S MEMOREX MRAX 1 NORMAL SCOTCH MASTER TDK AD AD X SONY UCX S UCX AMPEX GRAND MASTER II FUJI FX I TYPE Il MAXELL XLII XL ILS MEMOREX HIGH BIAS II CrO SCOTCH MASTER II TDK SA SA X SONY FeCr BASF PROFESSIONAL III TYPE III SCOTCH MASTER II Fe Cr TYPE IV SONY METALLIC Other metal tapes METAL Tape list for other countries Tapes C 46 C 90 Type of tape SONY AHF BHF AGFA SUPER FERRO DYNAMIC BASF LH X Professional FUJI FX i TYPE MAXELL UD XL I XLI S PHILIPS SUPER FERRO i NORMAL SCOTCH MASTERI TDK AD AD X SONY UCX S UCX AGFA STEREO CHROM BASF Professional II FUJI FX I TYPE Il MAXELL XLII XL Il S PHILIPS CHROMIUM CrO SCOTCH MASTER II TOK SA SA X i FA RAT SONY FeCr AG CA TYPE mi BASF Professional IIl PHILIPS FERRO CHROMIUM Fe Cr e SCOTCH MASTER III TYPE IV SONY METALLIC Other metal tapes METAL BIAS RECORDING LEVEL CALIBRATION There are many different cassettes on the market and their characteristics vary The proper equalization characteristics and bias current will be obtained when the appropriate TAPE button is pressed With this cassette deck you can adjust the recording characteristics much more p
17. cy will vary depending on the type of tape being used This counter has been designed using C 60 cassettes as the stan dard Make sure that the displayed time is greater than the time re quired when using a C 46 cassette Difference between the counter indication and actual running time on one side of a cassette lt gt Sony BHF AHF HFX SHF UCX S UCX and FeCr cassettes Gey Sony METALLIC cassettes 90 C 46 C 60 C 60 90 oe C 46 3 L minutes 2 0 1 2 3 The counter indication is more than the actual tape running time The counter indication is less than the actual tape running time 13 AUTO PLAY AND MEMORY PLAY STOP g Deactivate the memory counter function To start the playback ag des from the beginning i MEMORY indicator will disappear eee At the desired point on 2 Activate the the tape press the RESET button to set the counter to 0 00 Memory play H To start the playback from a particular point after rewinding t will appear Memory stop i To stop the tape at the gt desired point when f rewinding memory counter Press the lt 4 and gt buttons simultaneously After the tape is rewound completely the rewind mode will be disengaged and the tape will automatically replay 3 The tape replays automatically after rewinding to the 0 00 point MEMORY indicator The tape stops autom
18. d on or under the amplifier Separate the units 19 English WARNING To prevent fire or shock hazard do not expose the unit to rain or moisture To avoid electrical shock do not open the cabinet Refer servicing to qualified personnel only For the Customers in the United Kingdom Important The wires in the mains lead are coloured in accordance with the following code Blue Neutral Brown Live As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the ter minals in your plug proceed as follows The wire which is coloured blue must be connected to the terminal which is marked with the letter N or coloured black The wire which is coloured brown must be connected to the ter minal which is marked with the letter L or coloured red TABLE OF CONTENTS Features ssssicsaaape ayers iinan RNE airs Operating voltage PRECAUTIONS s rum semestres de adm Function of controls CONNECTIONS rsrsogenesnte sens Notes on cassettes Recording To record Recommended settings for the TAPE select buttons Bias recording level calibration Recording level adjuStMent sce corse csncmrnnmennrnnmarcnemias 10 Record monitoring To record material onto a specific portion of tape Playback Cueing Dual speed rewind and fast forward Using the digital linear counter Auto play and memory play stop Record muting Erasing bis Timer activated recording and playback
19. e available recording time i 30 min 15 sec TO DETERMINE THE REMAINING RECORDING TIME Stop the tape at the point at which you wish to begin recording later Set the counter to 0 00 and run the tape fast forward to the end The digits on the counter will show the approximate re cording time still remaining l 2 min 30 sec remain eTo rewind the tape to 0 00 and start recording automatically use the memory stop function described on page 14 TO MONITOR THE REMAINING RECORDING TIME WHILE RE CORDING Using the minus display This counter shows the recording or playback time from the 0 00 point with a minus sign in front of the digits when the tape is re wound beyond 0 00 Before recording move the tape fast forward to the end then set the counter to 0 00 and rewind the tape to the beginning The digits on the counter will show the approximate recording time on one side of the cassette 30 min available The digits will change from 30 00 to 29 59 29 58 as the re cording goes on and you can monitor the remaining recording time at any point on the tape Note Do not turn off the power while measuring the time because the numbers will return to 0 00 when the power is turned on again The accuracy of the counter This counter is not actually a digital clock so that the displayed figures are not exactly equal to the actual elapsed time The ac cura
20. e the exact cueing function beginning of the selection while carefully listening to the chat 1 Rewind the tape or move it fast forward to a position approxi tering sound mate to the beginning of the selection you wish to play When the button is released the deck will revert to the cueing 2 While holding the 1f PAUSE button down press the lt 4 or b gt standby mode button cueing standby mode Cueing standby mode Cueing standby mode 4 To play back press the gt button If the lt lt or gt gt button is kept depressed the tape will rewind or fier move forward slowly while a chattering sound will be heard caus ed by the recorded section Playback Cueing 11 DUAL SPEED REWIND AND FAST FORWARD With this cassette deck you can rewind the tape or run it fast forward at two different speeds that is at normal speed also and at a speed which is twice that of normal speed illuminates Fast forward becomes brighter DA High speed fast forward Rewind becomes brighter 4 High speed rewind Press again If the lt lt or gt button is pressed again during high speed rewind ing or fast forward movement the rewind or fast forward speed will revert to normal speed 12 Note High speed rewind and fast forward actions require only half the time as for
21. ean the cabinet panel and controls with a soft cloth lightly moistened with a mild detergent solution Do not use any type of abrasive pad scouring powder or solvent such as alcohol or ben zine DOLBY NR NOISE REDUCTION SYSTEM There have been until recently just two types of Dolby NR system the A type for professional use and the B type a simplified version of the A type employed by most consumer grade cassette decks Now a third type of Dolby NR system is available the C type The C type system reduces tape noise much more effectively than the B type system The basis of the Dolby NR system During recording low level high frequency signals which tend to be obscured by tape hiss are boosted so that they are substantial ly higher in level than any tape noise When these signals are played back the level is lowered to the original input level while simultaneously the level of any tape noise is reduced to the same extent The Dolby B type NR system thus reduces tape noise by 10 dB at5 kHz The C type system reduces noise by 20 dB at 5 kHz The Dolby C type NR system also begins to take effect at frequencies lower than the B type system Fig 1 Encoding characteristics T Dolby B type NR conventional type HEMI Response in dB A
22. ect the peak program meters or the output level of the LINE OUT jacks at the rear Function buttons It is possible to switch directly from one mode to another lt lt rewind button Press this button to rewind the tape This button is also used for Auto play page 14 and Cueing page 11 E stop button To stop the tape press this button The tape will stop automatically when it is completely wound in either direc tion gt forward button Press this button to play the tape back To record press this button while holding the REC button down gt gt fast forward button Press this button to advance the tape rapidly This button is also used for Cueing See page 11 REC record button Press this button together with the but ton to start recording 11 PAUSE pause button To pause for a moment during record ing or playback press this button This button is also used to control more precisely the start of recording to release the record muting mode and to iniciate the cueing REC MUTE record muting bution Press this button to elimi nate unwanted materia and to insert a blank space during re cording See Record muting on page 14 DOLBY NR switches The left switch turns the Dolby NR Noise Reduction system on and off and the right switch selects either the B type or C type Dolby NR system To record with the Dolby NR process depress the ON OFF switch to the
23. f the capstan motor drives the tape directly to eliminate any fluctuation in the tape speed which might be caused by belts or idlers Bias and recording level calibration Bias current can be precisely adjusted to the optimum level for any tape on the market assuring the flattest possible frequency response Furthermore the sensitivity of the tape can be compen sated for permitting optimum performance of the Dolby NR system Electronic back tension control The electronic back tension control system detects the reel motor rotations and adjusts the torque to the motor properly at all times during tape transport in order to obtain even back tension Stable and optimum tape to head contact is ensured with this system Vibration free diecast chassis The chassis of the tape transport mechanism is diecast in aluminum and zink alloy which suppresses resonance of the chassis and greatly reduces the transmission of vibration to the tape High quality amplifier section The recording section and the playback section of the right and left channels are physically separated with the signal paths of the right and left channels parallel using the symmetric Dolby NR ICs The channel circuits themselves are well separated by a busbar to eliminate interference Useful functions The automatic monitor system automatically selects the source sound when recording or the recorded sound when the tape is played back The cueing function facilitate
24. h channel is held about 4 seconds on the scale except when a higher peak occurs before 4 seconds have passed in which case that peak is immediately in dicated TAPE select buttons Depress one of the TAPE select buttons according to the type of tape to be used When the appropriate button is depressed the op timum equalization and bias current settings are obtained for recording and the optimum equalization setting is obtained for playback MONITOR switch and indicator This cassette deck s automatic monitor system automatically selects the source sound when the REC button is pressed to start recording and the SOURCE indicator is illuminated on the MONITOR switch When the gt button is pressed to start playback the recorded sound will be selected automatically and the TAPE indicator will be illuminated During recording you can change the monitor sound manually by pressing the MONITOR switch TIMER switch You can set the unit to record or play back at a predetermined time by connecting any commercially available timer To record set this switch to REC To play back set it to PLAY See Timer activated recording and playback on page 15 HEADPHONES jack and level control Headphones may be inserted either to monitor the input signals to be recorded or to listen to a recording in the playback mode Headphone volume is adjustable with the level control The HEADPHONES level control setting does not aff
25. he tape to be After four seconds the I im dicator will blink more rapidly When you release the Q REC MUTE button the tape deck will be in the pause mode When you want to resume recording press the I PAUSE button to release the pause mode ERASING When the tape deck functions in recording mode the erase head automatically erases any previously recorded material To erase without recording 1 Make sure that the safety tab of the cassette is in place or that the tab slot is covered with plastic tape 2 Set the REC LEVEL controls fully to 0 Disconnecting all in puts will result in a more complete erasure 3 Press the appropriate TAPE select button according to the type of tape to be erased The TYPE IV button assures good erasing for any type of tape 4 While holding the REC button down press the gt button TIMER ACTIVATED RECORDING AND PLAYBACK By connecting any commercially available timer to the tape deck the deck can be set to play back or record automatically at any desired time As timers work in different ways be sure to read the timer s instruction manual carefully To record a broadcast using a timer 1 Connect the tape deck amplifier tuner and timer Set the timer so that power is supplied to the connected equipment 2 Turn on the amplifier and tuner and tune in the station which will broadcast the program you want to record Set the tape deck s TIMER switch to OFF 4 Insert a cassette Make
26. itch setting and signal flow Tape REC LEVEL Record LINE IN MONITOR uuu head SOURCE OUR J LINE OUT MONITOR Playback TAPE head REC LEVEL MONITOR Record LINE IN Tr head a Al Le LINE OUT 3 TAPE amp ZAM MYM Playback head TO RECORD MATERIAL ONTO A SPECIFIC PORTION OF TAPE When you want to re record a specific portion of tape or to insert new material between two points on a tape you will find it handy to be able to change directly from the playback to the record mode by pressing the REC button while holding the button down PLAYBACK The numbers in this diagram indicate the sequence to be followed i EAE 1 Press ON 2 ee ay button and insert k 3 Depress the appropriate TAPE button ie a See the tape list on page 9 D RE ie eles Geon 0 W To stop the tape press the button wait until the IE indicator goes out We Ph Set the input selector of Pa j the amplifier to TAPE A pe anim d s finan me Simran aaa dr f Di J 5 Press the button The logic controlled function buttons do 4 Select the same Dolby Playback will begin inot activate until 4 seconds after the NR system used when POWER switch is turned on recording L CUEING You can accurately locate the beginning of the selection using this 3 Press the lt 4 and gt gt buttons alternately and locat
27. ls Consideration has to be given to the program source to be recorded as well as to the character istics of the cassette to be used since each cassette even casset tes using the same type of tape may have different characteristics The following table will provide you with a starting point in setting the recording level of various kinds of programs when using Sony cassettes Type of Sony Low and mid freq Mid and high freq tape cassettes range programs range programs vocal etc piano guitar etc l BHF 3dB 1dB AHF 4dB 2dB Il UCX 3dB 2dB Re 5dB 1dB IV METALLIC 6dB 6dB 10 RECORD MONITORING As this cassette deck has separate record and playback hea can easily compare the source and the recorded sounds in the re cording mode by using the MONITOR switch You can check the re cording level and whether there is any contamination on the heads that is affecting the recording This cassette deck s automatic monitor system automatically selects the source sound SOURCE when the REC button is pressed to start recording To monitor the recorded sounds in the recording mode press the MONITOR switch or the REC button to illuminate the TAPE indicator elf the connected amplifier has a tape monitor selector source tape comparison is possible with the amplifier monitor selector In this case set the cassette deck deck MONITOR switch to TAPE ds you MONITOR sw
28. normal speed rewind and fast forward actions when the tape is wound from one end to the other However near the end of the tape it will slow down to avoid causing excessive jerk to the tape when it stops Note that the high speed rewind or fast forward action cannot reduce the time effectively when it starts from the middle of the tape Do not use the high speed rewind of fast forward function With the following types of tapes Those with a playback time of less than 5 minutes on one side The tape might break when it is wound to the end by using the high speed rewind or fast forward action Those which make excessive noise when using the normal re wind or fast forward action Those with very thick hubs USING THE DIGITAL LINEAR COUNTER The first two digits of this tape counter show the approximate recording or playback time in minutes and the last two digits show the seconds TO INDEX THE WHOLE TAPE Before recording or playback set the counter to 0 00 by pressing the RESET button As the tape runs the figures of the counter change Note the numbers and the program being recorded or played back Any point of the tape can thus be readily located later by reference to these numbers TO VERIFY THE AMOUNT OF RECORDING TIME POSSIBLE ON ONE SIDE OF A CASSETTE At the beginning of the tape set the counter to 0 00 and run the tape fast forward to the end The digits on the counter wili show the approximat
29. nti saturation network Normally recording tape will saturate more easily at the higher fre quencies The Dolby C type NR system incorporates a high frequen cy anti saturation network During recording the anti saturation network automatically reduces high level high frequency signals When these signals are played back the level is automatically boosted to the original input level At 10 kHz the tendency of the tape to saturate is reduced by 4 dB by the use of this network Playback of Dolby NR encoded tapes For the best sound lowest distortion and most effective noise reduction it is essential that a tape recorded using either the B type or the C type Dolby NR system be played back using the same system that was used during the recording process We recommend that you label the cassettes you record as being either non Dolby NR Dolby B NR or Dolby C NR Dolby C type NR JHE Ei AH LH Response in dB 100 aK Frequency in Hz Fig 2 Noise improvement Dolby NR OFF Level in dB 100 1K Frequency in Hz 10K 20K Fig 3 Saturation level improvement OFF NY Dolby C type NR ON more than 4 dB Response in dB T T T T T 500 1k 5k 10k Frequency in Hz T 100 1k 10k Frequency in Hz 17 SPECIFICATIONS
30. recisely using the bias and recording level calibrating function Bias calibration Too high a bias level gives a rolled off high frequency response and too little bias reduces the signal to noise ratio and increases distortion To adjust the bias current to the level which gives the best possible frequency response proceed as follows 1 Insert the cassette to be recorded 2 Press the appropriate TAPE button according to the type of tape 3 Play the program source For easier bias calibration choose a monotone as a source pro gram such as the calibration tone generated by the oscillator built in the FM AM tuner if provided 4 Press the REC and gt buttons to start recording 5 While recording press the MONITOR switch to TAPE and adjust the BIAS control so that the recorded sound heard is as identical as possible to the source sound BIAS Sa Y Bias reduced 4 a Bias increased high frequencies boosted iD high frequencies suppressed Y Ww 20 UF 20 Recording ievel calibration The Dolby NR function is most effective when the recording level and the playback level are the same After completing the bias calibration calibrate the recording level as follows Tape sensitivi ty will be compensated for automatically 6 Adjust the REC CAL controls so that the peak program meters deflect to the same point and the recorded sound heard is as close as possible to the sound heard when the MONITOR switch is pressed
31. s locating the very beginning of the selection while the recorded sound is being heard in rewind or fast forward mode The dual speed rewind and fast forward functions allows you to rewind and advance the tape more rapidly than by the normal re wind and fast forward speed A digital linear counter indicates the elapsed recording or play back time in minutes and seconds and also indicates the remain ing recording time with a minus sign The pre end winker system gives warning that the tape is nearing the end during recording in which case the digits displayed on the tape counter flash on and off The FL display peak program meters follow the transient peaks of the music and maintain the peak readings for about 4 seconds OPERATING VOLTAGE Before connecting the unit to the power source check that the operating voltage of your unit is the same as the local power line voltage The Continental European model Type 1 operates on 220 V ac or 240 V ac adjustable by authorized Sony personnel The United Kingdom model Type 2 operates on 240 V ac or 220 V ac adjustable by authorized Sony personnel The Canadian model Type 3 operates on 120 V ac The model for other countries Type 4 operates on either 110 120 220 or 240 V ac The voltage selector is located on the rear panel If the selector must be reset disconnect the ac power cord and turn the selector with a coin so that the arrow on the selector points to the appropria
32. te voltage PRECAUTIONS On safety Before operating the unit check that the operating voltage of your unit is identical with that of you local power supply Should any solid object or liquid fall into the cabinet unplug the unit and have it checked by qualified personnel before operating it any further Unplug the unit from the wall outlet if it is not to be used for an extended period of time To disconnect the cord pull it out by the plug Never pull the cord itself On installation Good air circulation is essential to prevent internal heat build up in the unit Place the unit in a location with sufficient air circula tion Do not install the unit near heat sources such as radiators or air ducts or in a place subject to direct sunlight excessive dust or mechanical vibration e lnstall the unit with the front panel facing toward you Do not in stall the unit in an inclined position On operation If the cassette holder is not closed completely the function but tons will not operate FUNCTION OF CONTROLS The numbers in the photo are keyed to the following explanations MEMORY button RESET button A eject button 2 POWER switch 2 sfan snoron s d lt TIMER switch HEADPHONES jack and level control Function buttons fl Ky Tape counter D Peak program meters TAPE select buttons MONITOR switch and indicator b REC LEVEL recording level controls 15 REC CAL recording
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