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Red Digital Cinema Red One 30.5.0 Operation Guide

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1. ccccsececseeeceeseeceeeeseeeeseees 20 EEE EE 44 Microphone Level Inputs ccccsseeeeeeeseeeeeeees 20 PED COMM RENE 44 Video Monitoring Outputs ccccssseeeeseeeeeeees 21 VE 44 RED LCD and RED EVF i urrnnnnovnnnnnnnvvnnnnnnnevnnnnnnr 22 TOOK EEE ET 45 Record Indicator rrnnnnrrnnnnnronnnnnrnnnnnnennnnnnennnnr 23 0 0 E E E 46 Recording Errors nrvvnnnnnnnvvnnnnnnnvnnnnnnnnennnnn 23 GE E EEE nn 47 Digital Magazines rrrnnnnrennnnnrennnnnrennnnnennnnnrennnnr 24 TORG res seca eet E E E 48 Metadata EE 24 EEE EN EE ewes 49 Clip Naming Conventions rrrrvvnnnrrvnnnnrrennnn 24 Viewfinder Menu rrnnnnnnnnnrennnnnrvnnnnnvennnnnennnnenennn 49 SMPTE Timecode runnnnnonnnnnnnnnnnnnnnnnnnnnnnnnnenn 25 False Color Previously Color anrrnnnnennnnee 49 Power Consumption anrannnrnnnnnennnnennnnrnnnnnennnn 25 ME e 52 BASIC OPERATION vikende 26 PE 56 Power Up DOWN arrevnnarrvvnnnrrennnnnvnnnnnsennnnneennnne 26 ZOOS N E N A A E 57 Operating Camera using RED Charger 27 BLD R E A A eee tye eee 58 Recharging Batteries using RED O 6116 gt EE 59 TAO gt JE EE sudeeeasiee 27 Ge EE A T 59 First Time Use Setting Up Your RED Line Level Inputs roanerernnnrrenonnrnrnnnevernnnune 60 ONE Senne eee ne enn enn A 28 Microphone Level Inputs ccceccseeeeeeees 60 Connecting Media ccccccssseeceeeeseeeeeeeeseeeeees 28 Headphone unnnnnvv
2. 63 l APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE and audio to the digital magazine At the end of the defined pre record duration the first chunk of video and audio is overwritten by newer video and audio information If the RECORD button is pushed while in pre record the pre record mode is terminated and a normal record is enabled The timecode value and clip name are carried over between pre record and record modes A typical clip folder in this scenario looks as follows 3 A001_C001_0519L7 RDC Today 6 35 PM Folder I A001_C001_0519L7_001 R3D Today 6 35 PM 17 9 MB RED RAW R3D I A001_C001_0519L7_002 R3D Today 6 35 PM 17 9 MB RED RAW R3D A001 C001 0519L7 003 R3D Today 6 35 PM 17 9 MB RED RAW R3D A001 C001 0519L7 004 R3D Today 6 35 PM 17 9 MB RED RAW R3D A001 C001 0519L7 005 R3D Today 6 35 PM 17 9 MB RED RAW R3D A001 CO01 0519L7 006 R3D Today 6 35 PM 17 9 MB RED RAW R3D I A001 C001 0519L7 007 R3D Today 6 35 PM 17 9 MB RED RAW R3D I A001 C001 0519L7 008 R3D Today 6 35 PM 17 9 MB RED RAW R3D AQO1_C001_0519L7_009 R3D Today 6 35 PM 17 9 MB RED RAW R3D I A001 CO01 0519L7 010 R3D Today 6 35 PM 17 MB RED RAW R3D A001 CO01 0519L7 O11 R3D Today 6 35 PM 118 4 MB RED RAW R3D A001 C001 0519L7 F mov Today 6 35 PM 64 KB Quick Movie A001_C001_0519L7_H mov Today 6 35 PM 64 KB Quick Movie A001 C001 0519L7 M mov Today 6 35 PM 64 KB Quick Movie a A001_C001_0519L7_P mov
3. 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE STATUS Status menu allows the operator to view the current project settings and save them If project settings were previously saved the operator may also recall the desired settings and set the camera to those set tings to replicate the desired look and feel STATUS T 16 20 25 00 A001 C014 VIEW SAVE RECALL VIEW When VIEW is selected the current project settings for the camera are displayed This allows the operator to ensure the desired project settings have been made Press OK to exit screen RED CODES SAVE Allows the operator to save the project settings to the SD card STATUS T 16 20 40 00 A001 C014 VIEW SAVE RECALL Build 30 v30 5 0 me 67 LL APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE When the project settings are saved successfully to the SD card the following message will be displayed The profile was saved as sdmc PROFILES PROFILE O RPC RECALL When selected the operator will be able to load the desired saved project settings If not project settings have been saved None Available will be displayed as a selection If project setting are available on the SD card they will be displayed as selections T 21 01 50 01 A002 RECALL eR VIEW SAVE RECALL SLATE Slate lets the operator identify the specific camera used for the project Combined with reel numbers and clip numbers assigned
4. USER PROFILE KEYMAP GPIO 3 PLAYBACK Build 30 v30 5 0 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE INPUT A B T 13 48 45 00 A001 FUNCTION RECORD vi INPUT A vi INPUT B OUTPUT A OUTPUT B POLARITY Permits the function of GPI A and B to be defined as RECORD Default starts standard mode video and audio record Subsequent trigger stops record PRE RECORD activates Pre record Subsequent triggers start stop record Refer to SYSTEM MENU CONTROLS gt MEDIA MENU gt PRE RECORD for complete information TIMELAPSE Activates Time lapse Subsequent trigger activates one shot or burst recording RAMP Initiates variable frame rate ramp speed change SHUT DOWN Initiates a controlled camera power down PLAY CLIP Causes the selected Clip to play back at normal speed NEXT CLIP Cues the selected clip to end If at end cues to beginning of next clip FALSE COLOR Enables disables the False Color option Will display whatever the False Color is set at Default is Exposure Refer to AUDIO VIDEO MENU CONTROLS gt VIEWFINDER gt FALSE COLOR for de tailed information OUTPUT A B T13 49 13 00 A001 CRO JE NE INPUT A INPUT B OUTPUT A OUTPUT B POLARITY iA ad Permits the function of GPO A and B to be defined as RECORDING Transitions the output of the GPO at the Start and End of a recording NOTE if in Time lapse mode GPO will maintain status until Time lapse mode has been exited PLAYING Trans
5. 360 degree shutter is not available when operating in Open Gate NOTE When deselecting Open Gate mode it is normal to observe up to a 3 second disruption in the RED EVF display AUDIO Audio is recorded at 24 bit 48KHz which provides high audio fidelity and wide dynamic range VIEWFINDER HEADPHONE Line Level and Microphone Level analog audio input signals are routed via a high quality A D and pre amplifier whose gain stage may be controlled using the Input Level control to achieve the desired audio reference recording level To assist with audio operating reference level setup the camera provides a color coded 3dB per division Peak Level meter with OdBu 20dbFS Witness Mark in the Graphical User Interface Peak Level meter range is 34dBu to 20dBu 54dBFS to OdBFS and provides clip indication 1 To adjust select desired line and MICROPHONE LINE Default is LINE 2 INPUT LEVEL box will highlight to allow you to choose desired dB level 3 Twist joystick to change the highlighted INPUT LEVEL box to the desired setting 4 Move joystick left or right to select and exit Build 30 v30 5 0 59 APRIL 2 2010 O 2007 2010 RED COM ING RATION GUIDE ry M Z M L u AUDIO CH 1 LINE CH 2 LINE CH 3 LINE CH 4 LINE LINE LEVEL INPUTS Line Level audio inputs are designed to operate at unity gain 0dB therefore use OdB and set a Odbu 20dBFS line level output from the production mixer
6. As previously explained Build 30 firmware introduces several new Exposure measuring tools In the fol lowing examples we will show how these tools respond to a reference scene that is under exposed over exposed and then correctly exposed Each scene will have its unique characteristics so the correct ex posure is a matter of judgment balancing the desire to avoid clipping any highlights and also avoiding underexpose of elements in deep shadow which may therefore be prone to noise when developed in post production The following reference scene includes highlight and shadow elements and was shot at ISO 800 at 4 5K resolution UNDEREXPOSURE 2 STOPS 24 FPS 50800 EY vmCLR ISO 800 monitor output In the image above it is fairly obvious the camera is under exposed The initial clues are the monitor is very dark and the histogram is justified to the left Also note that red bar at the left edge of the histogram and the vertical color stack to the right of the histogram is only at grey These indicators are saying a signifi cant amount of the senor s RAW data Is in the noise and that the peak level of the sensor s RAW data is at a very low level in fact less than halfway Build 30 v30 5 0 132 O 2007 2010 RED COM ING APRIL 2 2010 ION GUIDE 24 10800 eel mer VE Ba 5600 Internal 4K 2 1 DANAJ PI Drop Temp Media Power 1 RC36 on MAV j i DC ISO 800 false color Exposure Sel
7. Clips recorded to the media follow similar naming conventions A001 C001 0512A6 001 RDC and A001 C001 0512A6 H mov etc IMPORTANT Media must always be un mounted prior to removal or disconnection from the cam era This ensures power is removed from the digital media and any open data files are closed Fail ure to do so may result in lost data or corrupted files Refer to REMOVE MEDIA FROM CAMERA UNMOUNT This procedure outlines the formatting of REDFLASH Compact Flash CF cards or RED DRIVE and RED RAM magazines using the RED ONE camera Formatting a CF card or RED RAM will take about 10 15 seconds a RED DRIVE formats in less than a minute Build 30 v30 5 0 109 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE 1 Insert or connect media to camera Insert the CF card with the manufacturer s label facing outward away from camera body Push the CF firmly into the CF slot but without using excessive force to prevent damage Or attach a RED DRIVE or RED RAM magazine to the DRIVE connector e SATA port located on the rear of the camera using the 16 pin e SATA cable provided 2 When a CF card is inserted into the camera or a RED DRIVE or RED RAM magazine is connected the camera will recognize the media is unformatted and display DISK UNFORMATTED in the LCD dis play and the lower left corner of the external monitors will display UNFORMATTED Drop Temp Power pe 3 To format
8. T17 33 50 21 APP HD SDI LOOK 720p Video output is 1280 x 720 pixels For 4K images the monitored image width corresponds to 4 096 pixels scaled down to 1280 pixels This signal is available on the HD Preview HD SDI and HDMI HD Program Dual Link HD SDI RED EVF and RED LCD outputs 1080p Video output is 1920 x 1080 pixels For 4K images the monitored image width corresponds to 3 840 pixels scaled down to 1920 pixels This signal is available on the HD Preview HD SDI HD Program Dual Link HD SDI RED EVF and RED LCD outputs RED EVF and RED LCD will display a 1280 x 720 pixel center cut of the larger 1920 x 1080 image Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE LOOK Look permits the look used by the camera on playback to be specified Default is CLIP NOTE When viewing clips recorded on cameras with Build 21 v21 1 0 or later firmware the camera will playback the clip using the LOOK and VIEW parameters used when the clip was recorded T 21 20 37 01 A002 USESETTINGS UP HD SDI LOOK CAMERA forces the camera to use current LOOK values to color process recorded RAW data files when played back on camera CLIP Forces the camera to use recorded LOOK metadata values to color process recorded RAW data files when played back on camera DISPLAY Display permits specific elements of the camera external monitor display to be disabled NOTE Enabling disabling these items
9. A red rectangular box will appear centered on the center cursor of the image The size of this sample box can be adjusted by rotating the joystick and its location can be adjusted by moving the joystick in X and Y directions The speed of movement around the screen will reflect the size of the sample box Push the joystick to fix the sample box The average IRE value of the pixels in the sample box is shown in the lower section of the full camera display 24s 151600 4B ccc 5600 R eg pees A A001 C008 Drop Temp Med Power me O A DC 3 NOTE Histograms are affected by White Balance ISO VIEW and LOOK settings however if VIEW is set to RAW histograms will represent the exposure levels at the sensor i e prior to White Bal ance ISO VIEW and LOOK settings The RAW histogram is the exception to this rule in this case the sensor exposure graph always represents true sensor exposure even though the underlying colorless RGB graph will still be affected by White Balance ISO VIEW and LOOK settings RGB HIST Displays the RGB monitor path values as adjusted by ISO FLUT and LOOK settings Fi Internal 4K2 1 Drop Temp Media Power l 3 4 AG NOTE The RGB Histogram data is complemented by RAW Level and Clip Meters as well as RAW Noise and Clip Level bars RAW LEVEL METER The RAW Level meter is a vertical color bar style meter that indicates peak ex posure levels at the sensor This
10. OPERATION GUIDE WNW HED om RED ONE OPERATION GUIDE TABLE OF CONTENTS DISCLAIMER vorisini 3 ACCOM GING EE 31 2007 2010 Red com INC ccccccseeeeeeeeeeeees 3 AY OAC EN 32 Declaration Of Conformity ernnnrrnnnnnrennnnnvennnnne 3 Back Focus Adjustment rernnrvnnnnrvnnnrennnvennnvren 32 ROHS Compliance rrnnnrennnrrnnnnrnnnnrnnnnnennnnnnn 3 SENSOR MENU CONTROLS nrnnnvennnnennnnvnnnnvennnn 34 EC Declaration of Conformity CE SONS se SATA ROERE ER 34 MAKINO eder 3 SO RAUNO sansene 34 FCC Compliance Statement rrnnnnonnnnrnnnnnnnr 4 SOOM TIMP ronan eai 35 PGC INGU CC ieacsca tei essavediuctmuteteiasncdduesneinlolecuctcnen 4 AUTO WB EE EE 35 BEFORE YOU START i nuvnnnvennnnennnnvnnnnvennnnennnnennnnvennne 5 AIG SUG EEE 35 General USS vessscssscistneuancdendanvsdnemcessaannsexianeweeteoaewsn 5 BE a E E A 35 CAMERA CONTROLS CONNECTORS Manual WB uenspessinssosuiniksanmiteininidteinnitd 35 AND DISPLAYS scesu 7 a aa AAT E N AA EENT EA E T 35 Camera ControlS rrnnnnnnnnnnnnnnnnnvonnnnnnnvnnnnnnnnennnnn 7 Shutter Menu rrnnnnnnnnronnnnnnnronnnnnnnrvnnnnnnnnennnnnnn 36 Left Front of Camera rrnnnnnnnnnnnnonnnnnnonnnnnnennn 7 E 11 0 0 ETE ET NE 36 Rear Of Camera rnnnnnonnnnonnnnnnnnnrnnnnnnnnnnennnnnnnn 8 MOS ET biaversetearesesmeouentcrosenn 36 Joystick Operation rrnnnrrrnnnnrrnnnnnronnnnnrnnnnnn 10 E 81 gt RE E A E AAT 37 Power On Off Switch rrrnnre
11. TIMECODE RAW CLIP PROIECT p HISTOGRAM METER 7 18 08 16 20 74 A004 C004 POWER Internal 4K2 Drop Temp Media Power 1 RC36 23 i DC 3 AUDIO METER MEDIA MEDIA RAW CLIP QUALITY RAW NOISE LEVEL BAR RAW LEVEL TEMPERATURE LEVEL BAR METER DROP Figure 10 RED LCD Display The RED LCD status display elements include e Frame Rate Current frame rate 24 fps in this e False Color Check Mode Displays current example false color check mode video shown e ISO Rating Displays current exposure rating e Shutter Speed Current exposure time e Genlock Displays current Genlock status e White Balance Current color temp Cursors Reference cursors Safe Action Safe Title Picture Center e Jam Sync Displays current Jam Sync status e View Current view settings e Frame Guide Film projection area Build 30 v30 5 0 me 17 l APRIL 2 2010 O 2007 2010 RED COM ING 18 RED ONE OPERATION GUIDE Timecode Current timecode value Next Clip Filename Displays the filename of the next clip that will be shot Media Quality Specifies media location and REDCODE setting Format Current video recording format 4K RAW in this example Project Frame Rate Current project frame rate 23 98 fps in this example Histogram Histogram of current view with un der overexposure bars on ends Raw Level Meter Current sensor RAW peak exposure levels 2007 2010 RED COM INC Raw Clip Meter Current sensor
12. The RED EVF comprises the following components A High resolution color display Provides a 1280 pixel x 848 pixel resolution progressive scan color im age equivalent to viewing a 17 reference color monitor from a distance of approximately 4 ft Build 30 v30 5 0 15 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE Focus ring May be adjusted for optimal subject focus for your eye Available diopter range Is 1 5 to 2 0 Rotary encoder switch Used to adjust a variety of parameters These include the EVF Intensity but also camera parameters such as Ch1 Audio Level or Ch 2 Audio Level and Shutter speed Varispeed frame rate and ISO setting For detailed information on enabling and using this feature go to EVF MENU under DISPLAY in PREFERENCES under SETUP in SYSTEM MENU CONTROLS Two 2 programmable USER KEY 3 and 4 buttons e Default setting of USER KEY 3 turns COLOR TOOLS monochrome or false color On Off e Default setting of USER KEY 4 turns the METER e g WAVEFORM or FOCUS ASSIST On Off e USER KEY 3 and 4 can be programmed Refer to KEY MAP under PREFERENCES in SET UP un der SYSTEM MENU CONTROLS One 1 fixed function button e The fixed function button located closest to the focus ring selects 1 1 FOCUS CHECK mode When selected this shows the central region of the MYSTERIUM sensor in native 4K resolution NOTE This function is not available during RECORD EXTERNAL HD SDI OR HDMI MONITORS
13. 2 StOPS cccseeeeseeeeeeeeeeeees 134 Appropriate EXDOSULEC cccccseceseeeseeeeeeeeeees 136 Adjusting the ISO Rating ccccesseeeeeeeeeeees 138 APPENDIX F POST PRODUCTION 00000 140 Software TOOIS ccccsscccsececeeeeceeseeceeeeseeeeseees 140 RED QuickTime Codec rrrnnnnrnnnnronnnnennnnnnnn 141 REDCINE cemntavantcsonnginetinmeiontcantindageseasied 142 APPENDIX G POSSIBLE ERRORS ISSUES AND SOLUTIONS annennnnvnnnnvnnnnnennnnennnner 143 APPENDIX H MENU MAPS enernanvennnnennnnvnnnnvennn 145 Build 30 v30 5 0 APRIL 2 2010 RED ONE OPERATION GUIDE DISCLAIMER RED has made every effort to provide clear and accurate information in this Operation Guide which is provided solely for the user s information While thought to be accurate the information in this document is provided strictly as is and RED will not be held responsible for issues arising from typographical errors or user s interpretation of the language used herein that is different from that intended by RED All safety and general information is subject to change as a result of changes in local federal or other applicable laws RED reserves the right to revise this Operation Guide and make changes from time to time in the content hereof without obligation to notify any person of such revisions or changes In no event shall RED its em ployees or authorized agents be liable to you for any damages or losses dire
14. 2010 RED ONE OPERATION GUIDE POWER ON OFF SWITCH Power on off switch A is located on the lower rear of the camera Press once to power up power down the camera EN Power ON Off Switch Figure 4 Rear Lower Camera Controls Build 30 v30 5 0 11 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE CAMERA CONNECTORS RIGHT SIDE OF CAMERA This section describes the physical connectors on the RED ONE camera body For detailed description and operation refer to APPENDIX D INPUT OUTPUT CONNECTORS USB Slave Headphone HEN Audio In Ch 1 4 1 2 Upper Preview HD SDI Left Right 3 4 Lower Left Right Video Genlock L Viewfinder for RED EVF HDMI Out M Monitor for RED LCD USB Master N Aux RS232 Figure 5 Right Side Camera Connections The right side of the camera contains all the video audio and time code inputs and outputs From top left to bottom right these comprise a 3 5mm stereo headphone jack A and four DIN 1 0 2 3 video connectors that support Program HD SDI B C Preview HD SDI D and Video Genlock E Next is an HDMI output F a USB 2 master port G to connect the camera to another camera or to connect a USB memory device to update camera firmware a USB 2 slave port H to connect the cam era to another camera or computer based controller a 5 pin mini XLR audio output l a 5 pin timecode input output J and four 4 3 pin mini XLR audio inputs
15. APRIL 2 2010 2007 2010 RED COM INC ATION GUIDE APPROPRIATE EXPOSURE 24 FPS 50800 gt vmMCLR 48 Sec 5600 a zi M w 5i ISO 800 Monitor Output In this image the camera is appropriately exposed for this scene The monitor is neither very dark nor very bright and the histogram is spread evenly given that there are bright highlights on the coin we wish not to blow out Note that there is no red bar on either the left or right edges of the histogram and the vertical color stack to the right of the histogram is at yellow These indicators suggest that there is no significant amount of the sensor s RAW data in the noise or at clip and that the peak level of the sensor s RAW data is about 2 3 stop below clipping i 4 8 Ser 5 6 0 0 ETER ETTE TTE ISO 800 False Color Exposure Select False Color Exposure note the y E icon in the GUI when active This mode allows us to visualize where there is under exposure purple or over exposure red in the image In this case there is a very small area of purple under the cracker box and just a suggestion of red on the highlight on the coin which suggested that the sensor is appropriately exposed for this scene Build 30 v30 5 0 13 b O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE 150 310 0 ang vii VV 48 Sec 5 60 0 L ISO 800 False Color Video Select False Color Video note the v V icon in the GUI when
16. After pushing this key the camera will require re boot as displayed The new parameters will take effect and be visible as TIME CODE on completion of the re boot cycle Power cycle the camera to continue REMOTE Used to enable and reset if necessary the 54 i Lens Data Port Controls include REMOTE PORT and LENS PORT check box SETUP T 20 55 45 01 A004 C004 PREFERENCES MAINTENANCE SET CLOCK REMOTE z PROGRAM Build 30 v30 5 0 10 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE REMOTE PORT Allows you to select between S4 I and AUX 232 default is 54 1 REMOTE PORT S4 i REMOTE T 16 18 06 00 A001 REMOTE PORT i LENS PORT S4 i Select 54 i to enable communication between the RED ONE and an S4 i compatible lens and to enable recording of the lens data as metadata in the RED ONE R3D files Refer to LENS DATA under DISPLAY located in PREFERENCES under SETUP in SYSTEM MENU SETTNGS NOTE S4 i communications requires appropriate hardware to be present in the camera body and P L lens mount Cameras shipped prior to Sept 15 2008 will require a factory installed hardware upgrade to enable this function AUX 232 This setting is reserved for factory use If selected the S4 i port will not be active REMOTE PORT AUX232 REMOTE T 16 19 14 00 A001 REMOTE PORT F LENS PORT LENS PORT When active the check box will automatically be checked by the camera If the camera need
17. External monitors can be connected to the camera through the HDMI and HD SDI 2 ports located on the side of the camera Refer to CAMERA CONNECTORS To aid external monitor alignment the RED ONE camera provides a range of test signals including SMPTE Bars Back and White Fields Luma and Chroma Ramps and a Chip Chart Refer to TEST SIGNAL under MONITOR in SYSTEM MENU CONTROLS NOTE The internal test signals cannot be recorded they are provided to align external video re corders or monitors connected to the camera via the HD SDI or HDMI ports TROUBLESHOOTING EXTERNAL MONITORS If after connecting the camera to an external monitor and the camera display is not shown completely on the monitor display press SYSTEM menu button select MONITOR and try the following 16 Select PREVIEW and change setting between MENUS DVI or VIDEO 7200 Select HD SDI and change setting between 50 00 HZ or 59 94 HZ Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE RED LCD RED EVF HD SDI HDMI DISPLAY ELEMENTS The following is a general representation of elements displayed on RED LCD RED EVF and external moni tor outputs HD SDI HDMI FRAME RATE ISO RATING GENLOCK JAM SYNC SHUTTER SPEED WHITE BALANCE 24 irs 50800 3 9 Vo 4B sce 5600 SD MEMORY CARD r FALSE COLOR CHECK INSTALLED VIEW 0 a Hel ve SAFE TITLE dl SAFE ACTION FRAME GUIDE N PICTURE CENTER NEXT CLIP FILENAME FORMAT
18. K Finally there are two 16 pin push lock LEMO connectors L M that provide video communications and power for a RED EVF L and RED LCD M and a 10 pin push lock LEMO connector N supporting the Aux RS232 port that can interface to a variety of B4 lenses and lens motor control devices One 6 inch length DIN 1 0 2 3 to BNC video adaptor cable and one 9 inch length 3 pin mini XLR to mini XLR cable plus a mini XLR to full size XLR adaptor are provided with the camera Additional video and audio adaptor cables may be ordered online at www RED com store Build 30 v30 5 0 12 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE NOTE Cameras shipped prior to Sept 15th 2008 may have an earlier revision of the audio board and no 84 i pins installed in the P L mount Contact RED customer service about appropriate audio cables to use with these systems and hardware upgrade options REAR OF CAMERA Ei Aux Power GPIO A Camera Power 11 5 17V DC Input e SATA Interface to RED DRIVE or D AUE POWE EN RED RAM digital magazine Figure 6 Lower Rear Camera Connectors On the rear of the camera are the two 4 pin Auxiliary Power GPIO outputs A B 6 pin camera system POWER input C and a 16 pin DRIVE interface E Each Auxiliary Power GPIO connector can supply 1 75 amps of unregulated 11 5 17V DC to accesso ries such as range finders or low power lens motors The upper connector provides a GPI trig
19. PREVIOUSLY PROTECT ENABLE Allows you to set the safe area color to White Black Blue Yellow or Red for maximum color contrast with the scene you are shooting Checked by default T 17 39 24 08 A003 c TV SAFECOLOR es FRAME GUIDE vj ENABLE SAFETY v ENABLE CUSTOM To select safe area color push in or down on joystick to place checkmark in ENABLE checkbox TV SAFE COLOR box will highlight to allow you to choose the desired color Twist joystick to change the highlighted TV SAFE COLOR box to the desired setting Default is WHITE ae D y Move joystick left right or up to select and exit Build 30 v30 5 0 76 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE CUSTOM PREVIOUSLY PROGRAM Custom allows the use to program the specific PROTECT areas to be used FRAME GUIDE T 17 39 33 05 A003 C003 FRAME GUIDE v ENABLE SAFETY V ENABLE CUSTOM v Select CUSTOM to access the CUSTOM sub menu CUSTOM T 17 57 04 20 A003 Ae OPACITY LOOK AROUND CURSORS USER ACTION USER TITLE LOOK AROUND LOOK AROUND allows the OPACITY of the LOOK AROUND area to be set to 0 50 and 100 De fault value is 50 CUSTOM T 17 57 25 12 A003 OPACITY LOOK AROUND CURSORS USER ACTION USER TITLE CURSORS Enables disables image cursors Select Cursors to enable Center Safe Action or Safe Title cursors CUSTOM LEFEVRE NG A003 C004 LOOK AROUND CURSORS USER ACTION USER TITLE CENTER Enables disab
20. plus audio and metadata Build 30 v30 5 0 31 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE and four QuickTime reference movies which allows a QuickTime Player to display the RAW data at F full _H high M medium or P proxy resolutions Double click on one of the QuickTime reference movies to see a preview of the R3D file Playback frame rate will depend on the processor speed of your computer If the frame rate is too low select a smaller QuickTime movie NOTE To operate with QuickTime under Macintosh OSX install the supplied REDCODE RAW plug in available at www RED com support Windows is not currently supported PLAYBACK Playback of recorded clips is available on camera using the buttons located above the LCD display Refer to CAMERA CONTROLS under CAMERA CONTROLS CONNECTORS AND DISPLAY for complete in formation BACK FOCUS ADJUSTMENT 1 Level the camera on a stable surface or tripod 2 Seta focus chart at a medium distance from the camera 5 to 10 feet 3 Attach a medium length prime lens to the camera 50 to 75mm and set the lens focus to match the appropriate distance the camera is away from the chart 4 Using a 5 32 Allen wrench loosen the two 2 screws on the focus ring near the front of the camera Build 30 v30 5 0 32 I 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE 5 Adjust the camera focus ring until the focus chart is in focus NOTE The digit
21. 20 A004 C004 PREFERENCES MAINTENANCE SET CLOCK REMOTE PROGRAM PREFERENCES Preferences permit the user to define system preferences PREFERENCES T 13 22 52 00 A001 C001 USER PROFILE 5 KEYMAP GPIO PLAYBACK DISPLAY USER PROFILE User profile permits the camera setup to be saved to or recalled from the SD card Choices are CLEAR IMPORT and EXPORT CLEAR Allows a User Profile to be cleared from camera memory USER PROFILE T 13 23 27 00 A001_C001 CLEAR IMPORT EXPORT IMPORT Allows a User Profile to be imported to the camera from the SD card memory USER PROFILE T 13 28 09 00 A001 USER PROFILE E PROFILE 0 CLEAR IMPORT EXPORT EXPORT The current USER PROFILE parameters are exported and stored to the SD Card The camera generates a file name of the format PROFLE_ RPF For detailed information on exporting USER PROFILE files go to APPENDIX C SAVING LOOK USER PROFILE USER PROFILE T 13 24 56 00 A001 C001 CLEAR IMPORT EXPORT Build 30 v30 5 0 a 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE When user profile is exported successfully the following message will be displayed The profile was saved as sdmc PROFILES PROFILE 5 RPF KEY MAP Key Map selects the Key Map Preferences sub menu This menu permits selected menus or functions to be mapped to specific User Keys on the camera body User keys are also referred at as Buttons PREFERENCES T 13 34 42
22. 2007 2010 RED COM ING RED ONE OPERATION GUIDE 4 Select FORMAT and press Joystick in or down to enter Camera LCD will display MAGAZINE FOR MAT T 10 43 23 00 ANN1 C014 ve PRE RECORD UNMOUNT FORMAT CHANGE 5 Camera LCD will display FORMAT CANCEL FORMAT and all external monitors will display The Digital Magazine is not empty The magazine currently contains 2 clips Re formatting the magazine will permanently erase these clips Do you wish to format this magazine If CANCEL is selected camera will return to normal operation If FORMAT is selected camera will display Formatting the INTERNAL digital magazine NOTE If when selecting FORMAT the display indicates FORMAT FAILED refer to MEDIA ERRORS 8 Once re formatting is completed camera LCD displays FORMAT DONE and all external monitors will display The digital magazine is ready for immediate use 9 Press Joystick in or down to select OK Camera will return to normal operation Build 30 v30 5 0 112 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE MEDIA CAPACITY REMAINING STATUS During a recording the rear status screen and monitor outputs will display the of remaining media ca pacity in the MEDIA box 100 is shown A011_C001 Drop Temp Media Battery At 10 remaining capacity the media status box will turn yellow at 5 it will turn red At 2 remaining the camera will cease record
23. 2010 RATION GUIDE UNDER AND OVER EXPOSURE EXAMPLE False Color Zebras and Histogram RAW Level and Clip information may be used to judge ideal exposure The ideal histogram to aim for is fat and right justified with the RAW Level meter indicating Green Yellow or Orange and RAW Clip meter not indicating Red or Blue or Green clip 2 Gres po 48 5600 In the above example the camera is ideally exposed The histogram is justified to the right and the RAW Level and Clip meters indicate the sensor is not clipped When the recorded clip is color corrected in post production sufficient headroom exists for the scene s highlight information to be displayed without clipping and the shadow information can be displayed without significant noise 24 pp 50 er FB sec 5600 Sees raeeee ude art ETT PTE SETTI Ed vernes tt h EEG ied Fu Cer SANE FR VE Internal O In the above example the camera is significantly over exposed The histogram is piled up to the right the RAW Level meter indicates the sensor is clipped and the RAW Clip meter indicates the red and green channels of the sensor are clipped When the recorded clip is color corrected in post production the Build 30 v30 5 0 a 353 l APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE scene s highlight information will be clipped although the shadow Information can be displayed without significant noise 24 108
24. 7 25 Md Email Rleape Hiskary dn Release Hulory A E x Demmlsad for alher Opera tag Semi Doeioad ler pihet Dperabrg Tribe Phe a CAMERA FIRMWARE BETA OPERATIONS GUIDE BETA d pE arsim META Bd iia subject BETA beri fear A l het conte guide D P recommended for ups om Oth Product Tyge in ie amaari f dd bent sil AARHIHG Faded all britres ber Camera contained In the retsistion Mer ea Mutert balore upgrading Belare aayprading bo Build MD ou mauri hare ril uppr ded la Bark 15 17 or 18 Deer thea RED OHE is megraded to Gudld 20 wou vik FOT be able to dl back t Bufd 15 ar carter builds BETA build 20 db n TT AA 1 31 MA Release History MG Balanse Hitory O le Dpi for other Oeerathag Sabrina Doerdced fer other Operating Synth in Cone fl intenet Jat KI Me Build 30 v30 5 0 106 2007 2010 RED COM INC APRIL 2 2010 2 RED ONE OPERATION GUIDE Click on the desired build link and download to your desktop or directory of your choosing NOTE Before the download starts you will be prompted to enter your account and password or the camera s P I N CAMERA FIRMWARE RELEASE BUILD RED ONE cameras currently ship with this firmware build WARNING Read all instructions contained in the installation files before upgrading Before upgrading to Build 17 you must have first upgraded to Build 16 Once the RED ONE is upgraded to Build 17 you will NOT be able to roll back to Buil
25. A001 C001 0502 RDC B001 C001 0502 RDC C001_C001_0502 RDC Build 30 v30 5 0 24 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE A single camera identified as A can have individually recognizable reel numbers such as A001 C001 0502 RDC A002 C001 0502 RDC A003 C001 0502 RDC A single camera identified as A can have individually recognizable clip numbers such as A001_C001_0502 RDC A002_C002_0502 RDC A003_C003_0502 RDC NOTE Even if the same Reel number and or camera name are reused the use of the two random characters generates non duplicate file names such as A001_C001_0502A6 RDC A001_C001_050267 RDC A001_C001_0502F8 RDC Under normal operation the reel number increments each time the camera formats a new piece of digital media up to a maximum value of 999 However the reel number may be manually reset at any time to OO1or other desired value SMPTE TIMECODE As each recording is made the RED ONE camera records two independent timecode tracks Edge Code is a SMPTE timecode track that always starts at 1 00 00 00 on the first frame of each piece of digital media It is a Sequential code that is continuous from frame to frame and also between clips Edge Code is equivalent to RUN RECORD as used on broadcast cameras Time Code is a SMPTE timecode track that syncs to the camera s clock or if operated in Jam Sync mode syncs to an externally supplied SMPTE master timecode signal It is there
26. COM INC RED ONE OPERATION GUIDE TONE The TONE sub menu allows a Tonal Response Curve to be overlaid on the video monitor path The curves parameter values are stored in metadata and may be visualized in REDCINE X Post production software as Curve data T 20 34 58 01 A002 CO10 COLOR GAIN CURVE This checkbox enables the Tonal Response Curve Default setting is enabled To select use joystick to highlight ENABLE checkbox and push in or down on joystick to place checkmark in CURVE checkbox CURVE DEFINE DEFINE Selects the curve control point to be adjusted Black Toe Center Knee or White Each control point comprises two independent values one each for X and Y axis locations TONE CURVE POINT _ CURVE DEFINE TOE X Adjusts the location of a control point along the X axis on the tonal response curve Label will change based on DEFINE selection Default setting is 25 TONE CURVE DEFINE TOE Y Adjust the location of a control point along the Y axis on the tonal response curve Label will change based on DEFINE selection Default setting is 25 TONE __ CURVE DEFINE Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE FLUT FLUT Floating Point Lookup Table adjusts mid range tones up or down from 4 0 to 4 0 Default setting is 0 0 T 20 35 08 16 A002 LOOK COLOR GAIN TONE VIEWFINDER MENU This menu permits the operator to a
27. COM INC APRIL 2 2010 RED ONE OPERATION GUIDE RGB PARADE A corresponding histogram illustrates the exposure distribution in the R G and B channels using the full width of the lower section of the camera display FOCUS ASSIST FOCUS OVERLAY A full screen width red rectangular box will appear centered on the center cursor of the image The vertical position of this sample box can be adjusted by rotating the joystick and its height can be adjusted by moving the joystick left or right Push the joystick to fix the sample box The average focus value of the pixels in the sample box are shown in a full width graph restricted to the lower section of the camera dis play Focus Assist or overlaid in the lower section of the active video Focus Overlay ZEBRAS Zebras enable and adjust the upper and lower values for two independent Zebra indicators One zebra may be used for highlight exposure and the other for mid tone or shadows By default Zebras Confi gure 1 and Configure 2 are disabled VIEWFINDER T 18 00 35 16 A004 C004 FALSE COLOR METERS ZEBRAS v DARK DETAIL __ OPEN GATE CONFIGURE 1 Takes you to ZEBRA 1 sub menu Choose between LOW IRE and HI IRE settings 1 22 12 44 20 A004 C003 CONFIGURE 1 ENABLE 1 CONFIGURE2 _ ENABLE 2 To adjust LO IRE Select LO IRE and twist joystick to change the LOWER IRE box to the desired setting between 75 and 107 default is 99 T 10 37 19 12 A002 eee LO IRE HI
28. DIGITAL MEDIA for detailed information Record Error NO DIGMAG RECORD ERROR INCOMPATIBLE DIGIMAG is displayed if media is not set up properly Reformat media as necessary Refer to FORMATTING MEDIA under APPENDIX B MANAGING DIGITAL MEDIA for detailed information and instructions Record Error INCOMPATIBLE DIGMAG Build 30 v30 5 0 7g l APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE DIGITAL MAGAZINES REDCODE RAW compressed video time code audio and metadata may be recorded to on board or at tached digital media devices including REDFLASH RED speed verified Compact Flash cards of 8 or 16GB capacity RED DRIVE A hard disk media based Digital Magazine of 320 or 640GB capacity RED RAM A solid state flash media based Digital Magazine of 64 or 128GB capacity Each clip is recorded with a unique clip name and with all the appropriate elements of the clip RED CODE RAW files and QuickTime Reference files placed in a clip folder RDC La A011 05013M RDM 2008 12 18 AM Folder 21 A011 CO01 05015C RDC 2008 12 18 AM Folder Lil A011 C002 050167 RDC 2008 12 18 AM Folder i AO11 002 050167 O001 R3D 2008 12 20 AM 2 GB RED RAW R3D i AQ11_C002_050167_002 R3D 2008 12 21 AM 549 4 MB RED RAW R3D A0Q11_C002_050167_F mov 2008 12 21 AM 64 KB Quick Movie AO11 C002 050167 H mov 2008 12 21 AM 64 KB Quick Movie A011_C002_050167_M mov 2008 12 21 AM 64 KB Quick Movie Q A011_C002_
29. HDMI Out M RED LCD G USB 2 peripheral N Aux RS232 TIME CODE INPUT OUTPUT This connector supports SMPTE Timecode input and output Pins 2 and 3 may be used together to re ceive a balance SMPTE 12M serial time code input or pin 2 may be used by itself leave pin 3 open to receive a single ended SMPTE 12M serial time code input Pin 5 is time code output View into camera Timecode connector Mating Connector LEMO FGG 0B 305 CLAD42Z Build 30 v30 5 0 121 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE mm S m beseiptien Diesen 1 Gowd GCameraground 2 2 TIMECODE INP Serial timecode input positive 3 TIMECODE INN Serial timecode input negative 4 2 p sNocommeet 2 gt PB TIMECODE_OUT Serial timecode output Out NOTE Pin 4 is a not used Do not tie in to ground AUX RS232 PORT The Auxiliary RS232 port provides up to 500mA of regulated 12V power to motorized 2 3 B4 mount lenses The two inputs labeled SW1 and SW2 are fixed function inputs that activate Record Start Stop and Playback of the last recorded clip respectively These are typically triggered by the B4 lens or by a controller such as Preston MDR 2 using an appropriate adaptor cable WARNING Do not attempt to power a cinema lens motor from this connector Depending on your maximum current requirement extract power from one of the two Auxiliary Power outputs or the D Tap connector on t
30. INC RED ONE OPERATION GUIDE SD MEMORY CARD USB MEMORY DEVICES SD MEMORY CARD The left front of the camera has a receptacle for an SD memory card refer to CAMERA CONTROLS under CAMERA CONTROLS AND CONNECTORS The SD memory card allows you to upload camera firmware updates refer to APPENDIX A UPGRADING CAMERA FIRMWARE as well as save LOOK USER settings refer to APPENDIX C SAVING LOOK USER PROFILE When an SD memory card is installed in the cam era the camera displays the SD CARD icon at the top of the EVF LCD and all external monitors USB MEMORY DEVICE A USB memory device may be plugged into the USB connector located on the right side of the camera refer to CAMERA CONNECTORS under CAMERA CONTROLS AND CONNECTORS You can use a USB memory device to upload camera firmware refer to APPENDIX A UPGRADING CAMERA FIRMWARE however the camera CANNOT write to the USB memory device When a USB memory device is plugged into the camera the camera displays the USB icon at the top of the EVF LCD and all external monitors 24 s 0 920 ve vmRSP 48 coc 5600 MEDIA ERRORS INCOMPATIBLE PROJECT DIGIMAG The following error may be displayed inserting a CF card or connecting a RED DRIVE or RED RAM the camera LCD will display DISK INCOMPATIBLE T 09 10 53 00 A001_C002 Drop Temp Media Power When this error is present the camera will not record and will display the following message at the top of the screen the ca
31. NDF Drop Frame DF is not supported Audio is captured at 48KHz 24 bit resolution per channel uncompressed Digital media should be treated with equal care as exposed film or a videotape master We recommend storing digital media that contains your footage in a secure location and backing up the data on another digital media such as data tape or a hard disk drive Each clip is recorded to the digital media in a separate folder and with a unique clip name To copy the clip from the digital media to a Macintosh or Windows computer just drag and drop its folder to the com puter s storage device If you open the Clip folder it will look like this E A011 05013M RDM May 1 2008 12 18 AM Folder 3 A011 C001 05015C RDC May 1 2008 12 18 AM Folder LJ A011 C002 050167 RDC May 1 2008 12 18 AM Folder i A011_C002_050167_001 R3D May 1 2008 12 20 AM 2 GB RED RAW R3D i AQ11_C002_050167_002 R3D May 1 2008 12 21 AM 549 4 MB RED RAW R3D A011_C002_050167_F mov May 1 2008 12 21 AM 64 KB Quick Movie A011_C002_050167_H mov May 1 2008 12 21 AM 64 KB Quick Movie a AO011 C002 050167 M mov May 1 2008 12 21 AM 64 KB Quick Movie Q A011_C002_050167_P mov May 1 2008 12 21 AM 64 KB Quick Movie I A011_C003_05016A RDC May 1 2008 12 21 AM Folder The Clip folders RDC are held in a root directory RDM on the digital magazine In each folder there will be one or more REDCODE RAW data files R3D containing RAW sensor data
32. RED EVF to view addition information detail in dark areas of a scene or in dimly illuminated nighttime scenes Range is 0 50 Default is 1 VIEWFINDER T 18 00 52 09 A004 DARK DETAIL FALSE COLOR METERS ZEBRAS YJ DARK DETAIL OPEN GATE Build 30 v30 5 0 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE To select and adjust use joystick to highlight DARK DETAIL checkbox Push in or down on joystick to place checkmark in DARK DETAIL checkbox checkmark is default DARK DETAIL box will highlight to allow you to choose value between 0 and 50 default is 1 Twist joystick to change the highlighted DARK DETAIL box to the desired setting Move joystick left to select and exit a es ie OPEN GATE Open Gate lets the camera preview images at 48Hz 50Hz update rate when operating in 23 98 or 24 00 fos 25 fps Project Frame Rates In record all monitor path images will be viewed at 48Hz but recorded at 23 98 or 24 00 fps viewed at 50Hz recorded at 25 fps T 18 01 05 12 A004 C004 _ FALSE COLOR METERS ZEBRAS vw DARK DETAIL OPEN GATE NOTE Use Open Gate with caution Due to the doubling of sensor frame rate relative to capture rate the following operational restrictions should be noted Open Gate is not available in Varispeed or Ramp modes Open Gate is not available for 50 00 or 59 94 Project Frame Rates Video Genlock may not be available when operating in Open Gate
33. Ta A Dii OLOZ NEE ANEA of o Ref o o 0 PRD MOQVHS ISVHLNOO lt dl IYNSOSXEA lt Q NOLVYNLVS 0g 010 r om oye om 010 om 010 3 NIVS G38 NIVD N33HD NIVO o pO lOi km ind OSGIA 3JAvYHVvd ES lt pargesig gt pejgesig gt SISISSV SISATVNV JHNDIINOD Eu YJ LJN LOG Qo P YILIN SISAIYNY MVE MIIA MalA SASEN H0109 AS 1V4 Eies lt YH3GNI9MHIA IR SNLVLS lt AV 1dSIG lt SJONIYAHAUd lt dNLAS lt NALSAS Japun pa oeas JI SJIUDIG U ped b JAIL 138 OYHONAS X WNIHALSAW 0079 OL OOL NNIHILSAIN 0007 OL 001 JE ONILVY OSI ALIAILLISNAS kon a NJLS NNL aM OLNY dNaL 40109 dINSAL 40109 dINS3L 40109 dNS3LYUOTOD dINIL4OTOD G33dSIHVN nusy q ALIALLISNAS YOSNAS J WAL 40709 p YOSNAS YOSN3AS 10 I 199388 Si NT ET WNNIYILSAN WNNAIYUILSAN 0 Troe INO G1 ONI NOD G484 00O Jauilets IN115AS WLLL I YALLAHS OS te EAN OI I VYEIZ H3JAIN INOHdOHOIN LINN H3LLNHS Z3WNNTOA LINNTOA AISdVIINLL A sd ss nr eA ANNOINNN OSI Z3aWNTOA avHa IZ dAVE AHO03u i lt p jqes q gt lt p jqes q gt lt lt pagesia gt gt lt lt pegesig gt gt M sooo A ET mvuman A PL 40109 al L anon aanovn A amoan TA D L LI Kua LI Le LI 7 TANNVHO TANNVHO Z TANNVHO JANNVHO S u3SN v 4asn L 3SN
34. VOLUME RIGHT Trims volume for Right output E g Volume 6dB Volume Right 1dB 7dB Range is 12dB to 6dB in 1dB steps Default is OdB VOLUME VOLUME VOLUME LEFT VOLUME RIGHT MIX MIX Selects which audio channels feed the left and right side headphone outputs 1L 2R Feeds channel 1 to the left output channel 2 to the right 3L 4R Feeds channel 3 to the left output channel 4 to the right Quad MixFeeds channels 1 plus 2 to the left output and channels 3 plus 4 to the right OUTPUT MIX LHR VOLUME VOLUME LEFT VOLUME RIGHT MIX Build 30 v30 5 0 61 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE SYSTEM MENU CONTROLS This section describes the various controls available to configure the camera These parameters are ac cessed from the SYSTEM menu key located below and left of the RECORD button Options available are SOUND MEDIA PROJECT MONITOR and SETUP SYSTEM T 08 32 01 00 A001_C008 SOUND MEDIA PROJECT MONITOR SOUND MENU Sound menu provides output level adjustment channel configuration and 48V management Options available are REC ENABLE OUTPUT LEVEL and 48V MIC T 07 49 28 00 A001_C014 REC ENABLE OUTPUT LEVEL 48V MIC REC ENABLE Push REC ENABLE to access the channel enable sub menu REC ENABLE T08 36 47 00 A0012 NPUFTPE 4 ivi CHANNEL 1 wi CHANNEL 2 wi CHANNEL 3 oY CHANNEL 4 Once enabled the input type may be selected as either
35. When Ramp is enabled this value specifies the final ending speed of the ramp in frames per second When a ramp transition has been completed the camera will continue to record at the End Rate until the end of the Recording Range is 1 25 fps Default value is 25 fps T 22 24 24 12 A0025 END RATE 25 fps VARISPEED a RAMP FRAMERATE TIME END RATE NOTE When in Varispeed modes the camera maintains the last exposure time selected unless the requested frame rate requires a shorter exposure time to provide a constant exposure If a variable exposure is required set the Shutter Mode to Relative this is a fixed angle setting TIME LAPSE The Time lapse menu supports single frame image capture and step frame recording under the control of an internal Intervalometer side RECORD key or an external GPI trigger ENABLE After making any adjustments in the Time lapse menu check the Enable box to enter these values and enable the Time lapse record mode The UI indicates by changing the top left frame rate display from fps to TL and the lower right audio level display to TIMELAPSE Default is INTERVAL Build 30 v30 5 0 41 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE TRIGGER MODE Specifies if the camera is to use a fixed Interval of time or wait for a side record com mand or external GPI contact closure to initiate the next frame capture TRIGGER MODE INTERVAL vi ENABLE STEP PRINT INTERVAL BURST TYPE
36. active This mode allows us to check the RGB video levels of the scene The two green squares in the upper right corner of the color chart and green in the background indicate that the scene s mid grey and skin tone elements plus peak white and blacks are all at appropriate levels Because the scene was well exposed when the recorded clip is color corrected in post production suffi cient headroom exists for the scene s highlight information to be displayed without clipping and the sha dow information can be displayed without significant noise even if the brightness of the shadow informa tion is pulled up Build 30 v30 5 0 137 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE ADJUSTING THE ISO RATING In the following two examples the image exposed at ISO 800 rating have had the ISO rating adjusted first to ISO 6400 and then to ISO 100 Note the although the image and Histogram both adjust to changes in the ISO rating the sensor RAW meters do not change they always indicate what s happening at the sensor level and hence where the image Is truly in noise or at clipping 24 op 500400 i vmCLR 48 e 5600 ee ee Tal E n I J K Bn MOTTO ET REP NG ON ISO 6400 no exposure adjustment ISO 100 s gt vmMCLR AB coc 5600 Drop Temp Media Power 1 DC ISO 100 no exposure adjustment In these extreme examples it is clear that the RGB domain images are respectively ve
37. again When saving USER PROFILE the following camera configuration information is recorded VIEWFINDER menu Color Enable and overly type setting Meters Enable and meter type setting Zebras Enable and Zebra 1 2 Hi Lo settings SOUND menu Record enable and Line Mic setting KEYMAP menu Enable and User Key settings GPIO menu Enable and GPIO settings PLAYBACK menu Settings DISPLAY menu Enables and Shutter display settings MONITOR menu Settings FRAME GUIDE menu Enable and settings including user defined Action and Title areas IMPORT USER PROFILE To import USER PROFILE perform the following Press the SYSTEM menu button on the rear of the camera Select SETUP menu Select PREFERENCES menu Select USER PROFILE menu Select IMPORT and scroll to the desired file Press Joystick to confirm USER PROFILE file selection DATA NOT SAVED DURING EXPORT The data that is NOT saved when saving LOOK or USER PROFILE is EE DEE es EE a e Project Time Base e Timecode Settings e Shutter Speed e Resolution e White Balance e Varispeed e Quality e ISO e Audio Levels Build 30 v30 5 0 120 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE APPENDIX D INPUT OUTPUT CONNECTORS RIGHT SIDE OF CAMERA A Headphone e USB 2 computer B Program HD SDI A I AudioMonitor Program HD SDI B i Audio Ch 1 4 1 2 Upper Left EN Fever ES Right 3 4 Lower Left Right MEN Video Genlock RED EVF MEN
38. aoa AO ao A ALIYV 10d gt lt 41nNdiNO Y 1NdLNO a LNANI V LNANI 0 f 3 0 3 0 3 nus N SAONVNALNIVIN SADNVNALNIVIN SAONVNALNIVIN SAONVNALNIVIN JONVNALNIVIN i ETAREN 3 AOE 0202 01 2002 A ale Sole Sao fia AVG HLNOW HYJA A A s339493q J1va LAs E J1va 14s Ek je C 7 C 2 lt so gt O 2 as 7 FIVOS A349 lt SYILIN lt 4 NNIN 4A3 VIVA SNIT SNIVIS AV 1dSIG a AV 1dSIG ae AV 1dSIG AV 1dSIG AV 1dSIG ss010 6solo ezcolo ale Saale Pe GNOO4S ALANIA HNOH ENER AWIL LAS z AWIL LAS dogo VHINYO op gt jot e MOOT lt IGS AH MOVEAV Id MOVYAV Id ren S gt lt olem ko JE KJE 39019 LAS 39019 LAS cec XNV A O fel 140d SNI 1 4 1HOd3LON3Y ILONAIU ILONIU 40 I NNAW WALSAS OL 43438 nue AV 1dSIG Movaavld IN KERNER EEE I KERNER KERNER EEE tel KERNER EI KERNER EEE 40 I NNAIW WALSAS OL 43438 WYHDOud S A SONVNALNIVINIS lt N N 4 nuenp NUSA x nue NUAIN ENER ENER dn1as ANER SHOLINON EOE ANNOS TENG TEJO WALSAS TEIG NET RED DIGITAL GINEMA 2007 2010 RED COM INC All trademarks trade names logos and product names used in association with the accompanying product are trademarks or registered trademarks of Red com Inc in the U S and other countries
39. by default 1 Push in or down on joystick to place checkmark in CROSS checkbox 2 MODE box will highlight to allow you to choose between GENERATE or JAM 3 Twist joystick to change the highlighted MODE box to the desired setting Build 30 v30 5 0 72 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE 4 Move joystick left or right to select and exit MODE GENERATE T 14 08 12 08 A004 JAM SYNC OUTPUT Yf CROSS DISPLAY TIMEZONE l GENERATE Cross Gen activates 29 97 from 23 98 fps time code sync The RED ONE camera will generate a 23 98 Time Code signal for use with the camera s 23 98 fps recording and also generates a synchronized 29 97 fos Time Code signal for use by an external device available as an output from the 5 pin timecode I O connector Normally used with JAM SYNC off JAM Cross Jam activates 23 98 from 29 97 fps time code sync The RED ONE camera will accept a 29 97 fps time base external Time Code signal and generate a synchronized 23 98 Time Code signal for use with the camera s 23 98 fps recording Normally used with OUTPUT off DISPLAY Display lets the operator select whether Edge Code or Time Code is displayed in the status displays This selection also determines which of the two recorded timecode tracks will be used in the QuickTime refer ence movies and the primary timecode track in HD SDI outputs 1 To set display select DISPLAY and press in or down on joystick 2 Twist joys
40. by the camera all clips recorded on the digital media may be uniquely identified simplifying post production and media archiving workflows T 16 23 36 00 A001_C014 SLATE CONFIGURE TIMECODE V QT PROXIES CAMERA SET CAMERA ID is a single letter A Z that provides a unique identifier for the camera in a multi camera production environment T 09 55 03 00 A001 ET CAMERA ID CAMERA When you push record the camera names the clip being recorded on the digital media E g A001 C001 0515A6 RDC Where A camera A 001 reel 001 C001 clip 001 and 0515 May 15 and AG is a two digit alphanu meric random number generated by the camera This number helps avoid duplicate file names if two cameras are inadvertently named A on the same project 1 To set camera ID select CAMERA and press in or down on joystick 2 Twist joystick to change the highlighted SET CAMERA ID box reel letter between A and Z default is A Build 30 v30 5 0 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE 3 Move Joystick up to select and exit CONFIGURE Configure defines the operation of the camera in a project T 16 23 46 00 A001_C014 SLATE CONFIGURE gt TIMECODE Vj QT PROXIES RESOLUTION Choose 4 5K 4K 3K or 2K resolutions Do not use 4 5K 4K or 3K for S16mm B4 lenses Default resolu tion is 4K 2 1 1 To set resolution select RESOLUTION and press in or down on joystick 2 Twist joystick to change the
41. complete listing of firmware revisions available for the camera com plementary QuickTime codec postproduction software and Operation Guide Build 30 v30 5 0 ing LL APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE VERIFY CURRENT CAMERA FIRMWARE There are 2 ways to verify the current level of firmware installed on the camera A During camera boot up when turned on the current firmware version will be displayed on the cam era s LCD RED EVF RED LCD and all external monitors 102 47D 638 30 B With the camera ON press and hold the UNDO button then press in on the joystick The camera s unique PIN and current firmware version will be displayed on the camera s LCD UPGRADE PROCEDURE 1 To download the latest firmware Build go to www RED com support RED Support Windows Internet Explorer LOR G pr J red com gr EF p Be Ect vew Favorte Tot Hep i apn P D wm i G RED SUPPORT CATEGORIES CAMERA FIRMWARE RELEASE BUILD OPERATIONS GUIDE RELEASE BUILD REDUSEER met AOD OMG chner i currenthy ihig The complete guide ts PED OME camera RED Faia sigh dri eaae bulld ap alles Relea ate Bulla WARP A Bead all ingirue heng Fr dust Ragistrater Contained in Fs bvicellarker Hiet hefore upp s ng kaini bgr aing io kid 17 pou must bare frit upgraded bo Mid 14 Dres he RID OWE h upgraded bo Builki T7 able fa rell bask t a ar Farber fn Marg information TECH SUPPORT Ma Lat A
42. focus zoom iris data on all external monitors mid upper edge will be displayed Also allows the user to choose if Distance is reported in Feet or Meters Unchecked by default DISPLAY T 18 03 13 20 A003 vj STATUS ivy LENSDATA EVFMENU W METERS _ GREY SCALE 1 To change lens data preferences push in or down on joystick to place checkmark in the LENS DATA checkbox UNITS box will highlight 3 Twist joystick to change the highlighted UNITS box to the desired setting Move joystick right up or push in to set Build 30 v30 5 0 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE EVF MENU When checked activates the rotary switch on the EVF and displays a Gray OFF box on left side of EVF and all external monitors Unchecked by default m T 18 10 11 12 AQ03 C003 w STATUS LENS DATA VEVF MENU W METERS __ GREY SCALE Activating this feature allows adjustment of the following parameters directly using the rotary switch INT Adjusts EVF backlight display intensity CH1 Adjusts Ch 1 microphone audio level CH2 Adjusts Ch 2 microphone audio level SHU Adjusts Shutter speed VAR Adjusts Varispeed frame rate ISO Adjusts Sensitivity rating of monitoring OFF EVF control Active Disabled Build 30 v30 5 0 89 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE To use the rotary switch to make adjustments 1 Push the rotary switch once Rotate the r
43. following shutter modes Normal Syncro or Relative Default selection is Normal For additional information see SPEED section SHUTTER SHUTTER MODE NORMAL a a GENLOCK SYNCRO PHASE Build 30 v30 5 0 3 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE Normal Shutter Speed is defined exclusively by the Shutter Speed setting Syncro Shutter Speed is defined by Shutter Speed but modified by Syncro setting Relative Shutter Speed is defined by Shutter Speed but modified by the capture fps To adjust Select MODE and twist joystick to change the highlighted SHUTTER MODE box to the desired setting 24 FPS A 31010 NOTE If operating in Relative or Syncro modes the shutter speed is reported in yellow text NOTE If the operator requests a shutter speed angle that is outside the capability of the camera in that mode the actual shutter speed angle used will be reported in red text SPEED When operating in Normal mode the Shutter Speed value used by the camera is fixed i e it is indepen dent of the image capture rate This is opposite from a mechanically shutter camera Default is 1 48 sec SHUTTER SPEED 1 48sec __ GENLOCK SYNCRO PHASE Decreasing Shutter Speed will allow more light to fall on the sensor increasing exposure and motion blur on any objects moving within the frame As Shutter Speed increases less light falls on the sensor de creasing exposure and motion blur o
44. or 59 94 HZ NOTE If both a RED EVF and RED LCD are present the HD SDI and HDMI outputs will be forced to 1280 x 720 with Surround View irrespective of the Preview Output parameter setting Menus or frame guides will not appear Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 40 I LASHS ONI NOD Gauorozo OF OE oIan ut 16 az TL AVND ub e o o lt L431 INNIOA IWNNTON ANOHdGVSH erten EEE Jan XIN lt LHOIY SAMOA ANOHdGVSH 3INOHdAV3H AJOL ANOL get INN COCER OI INN EDELT Ol SSIS Mercer STIAITZHO es INN COCER OIN SIN KIT OIN c VYYIZ c VYYIZ sm i sv4ggz SVvYHaIZ L g SvYgsZ i lt NUSA lt 31V9 NadO a MYVA NUSIN JNOHdAVJH NNAW A V K OHS AN EE Fn JEVN ISdVTINIL ASdVTAWIL m ASdVTAWIL ASdVIAWIL gt LN3IA3 Ne A G33dSIYVN lt INVHH G33dSIYUVN Alva ANS G33dSIYVNA JNIL G33dSIYVN NUSN NUSN G33dSI8VN p EEE ISdVTINLL p TAES LA NNJN SVYHIZ SVYH3Z YUJGNIIMIIA YUJANIIMSIIA YJGNI4M3IA HANHIMAA nE pax2240 SI dNVH Yay G33dSIYVA s199 es jEONEUIOINV G33dSIYVN X WNIHILISAN 3 WNNOAIYILSAN LAL TEL ana Tay DEG ER TILIL uon299 9S INIH3G UO paseq aHueyo IM HILNID ALHM 00 J O ZN V 1d a C e ED X EE 7 oO lt 1H0dWNI INOL INOL INOL 4007 ME OOo le 00 L OL 00 L TE
45. or other external signal source Default value is 0dB 10dB Select this value to normalize input levels when receiving a TAPE level line input 10dB INPUT LEVEL MICROPHONE LEVEL INPUTS Choose an Input Level that aligns the input signal to the reference line drawn vertically through the cam era s PPM indicating OdBu This setting provides 18dB headroom above reference level before signal clipping and the digital audio recording will be at maximum Signal to Noise ratio Range is 26dB to 54dB Default value is 360B anes T 18 09 24 00 003 INPUTLEVEL 366 MICROPHONE LINE HEADPHONE The sub menu provides controls for headphone output volume channel mixing AV MENU VIEW VIDEO VIEWFINDER AUDIO HEADPHONE Select desired setting VOLUME box will highlight to allow you to choose desired dB level Twist joystick to change the highlighted VOLUME box to the desired setting Eng Move joystick left or right to select and exit Build 30 v30 5 0 eo 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE VOLUME MASTER Adjusts headphone master volume equally for Left and Right outputs Range is 18dB to OdB in 1dB steps Default is 9dB VOLUME VOLUME VOLUME LEFT VOLUME RIGHT MIX VOLUME LEFT Trims volume for Left output E g Volume 6dB Volume Left 1dB 5dB Range is 12dB to 6dB in 1dB steps Default is OdB VOLUME VOLUME VOLUME LEFT VOLUME RIGHT MIX
46. regarding proper trans port of your battery Do not handle your battery if it is damaged or leaking Disposal of batteries must be in accordance with local environmental regulations For example California law requires that all rechargeable batteries must be recycled by an authorized recycle center ELECTROMAGNETIC INTERFERENCE The use of devices using radio or other communication waves may result in the malfunction or interference with the unit and or with audio and video signals Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE CAMERA CONTROLS CONNECTORS AND DISPLAYS This section describes the physical controls connectors and displays on the RED ONE camera body CAMERA CONTROLS LEFT FRONT OF CAMERA This section describes the physical controls on the RED ONE camera body User Keys 1 and 2 SD Memory Card Figure 1 Left Front Camera Controls A PL Lens mount is provided as standard with the RED ONE camera The mount is compatible with the majority of S35mm 35mm and S16mm cinematography lenses In addition broadcast B4 mount lenses may be used if the camera Is equipped with the optional B4 to PL mount optical converter The PL Lens mount A includes a 4 pin S4 i data interface This allows the camera to gather lens metada ta from lenses supplied by RED and Cooke Optics Ltd using S4 i protocol On the left side of the camera body is a RECORD key B and two User Keys C User Key 1
47. sensor data using wavelet based REDCODE RAW compression to a CF card RED DRIVE or RED RAM digital magazine The compressed RAW data is then transferred from the digital media via FireWire or USB 2 to a Macintosh OSX or Windows XP workstation running REDCINE X post production software These applications do not directly edit or conform the RAW data themselves but prepare the RAW data for editing and conforming by RGB domain post production soft ware applications If you are using CF media copy the clips onto the workstation s hard drive If you are recording to a RED DRIVE it can be directly mounted as an external drive using FireWire if desired which eliminates the me dia copy step In film processing terms REDCINE X act as an integrated film laboratory telecine and one light color cor rector They convert recorded REDCODE RAW data to RGB video and provide basic one light image processing and color correction Using REDCINE X footage can also be cropped resized or repositioned These functions lessen the amount of time required for color correction or re framing of shots after the final cut has been completed REDCINE X can also encode 4K or 2K RAW footage into a variety of uncompressed RGB and com pressed 4 2 2 video formats Provided the appropriate QuickTime codec s are available on the host com puter workstation compressed video choices include ProRes DNxHD DV100 and M JPEG QuickTime movies at 1080p or 720p resolution For fi
48. the media push the SYSTEM menu button 4 Select MEDIA and press Joystick in or down to enter Camera LCD will display MEDIA Menu T 05 49 48 00 AQ09 COO1 MEDIA z PROJECT MONITOR Build 30 v30 5 0 110 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE 5 Select FORMAT and press Joystick in or down to enter Camera LCD will display MAGAZINE FOR MAT ADL C014 ve PRE RECORD UNMOUNT FORMAT CHANGE If the media IS blank camera LCD will display FORMATTING and all external monitors will display Formatting the INTERNAL digital magazine If the media IS NOT blank refer to RE FORMATTING MEDIA NOTE If when selecting FORMAT the display indicates FORMAT FAILED refer to MEDIA ERRORS 6 Once formatting is completed the camera LCD will display FORMAT DONE and all external monitors will display The digital magazine is ready for immediate use 7 Press Joystick in or down to select OK Camera will return to normal operation RE FORMATTING MEDIA Re formatting a previously used CF card or RED DRIVE or RED RAM magazine follows a similar proce dure to formatting 1 Insert or connect media to camera Refer to FORMATTING MEDIA 2 Tore format the media push the SYSTEM menu button 3 Select MEDIA and press Joystick in or down to enter Camera LCD will display MEDIA Menu T 05 49 48 00 AQ09 COO1 SOUND MEDIA 3 PROJECT MONITOR SETUP Build 30 v30 5 0 111 APRIL 2 2010 O
49. upgrade procedure Camera LCD will display Upgrading and all monitor outputs will display Performing System Upgrade This may take several minutes Do not power down during this process 16 After the upgrade completes approx 5 minutes camera LCD will display OK Cycle Power and all monitor outputs will display Power cycle the camera to continue 17 Cycle the camera OFF and back ON to return to normal operation During the camera power up process the camera will display the camera P I N and the upgraded firmware Build and Version num ber 18 Perform a Black Shading Calibration Refer to BLACK SHADING under MAINTENANCE in SETUP un der SYSTEM MENU CONTROLS Build 30 v30 5 0 108 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE APPENDIX B MANAGING DIGITAL MEDIA The RED ONE camera supports two types of media for recording compact flash and external hard disk MEDIA TYPES REDFLASH CF compact flash media is available with capacities of 8GB and 16GB Record duration is dependent on resolution quality and frame rate but a 8GB CF card will typically provide 4 minutes of 24fps 4K RAW 7 minutes of 24fps 3K RAW or 16 minutes of 24fps 2K RAW recording Compact Flash CF media requires a REDFLASH CF module mounted to the left side of the camera body RED DRIVE media is available with capacities of 320GB or 640GB Record duration is dependent on res olution quality
50. 00 A001 C001 USER PROFILE KEYMAP GPIO PLAYBACK SIDE RECORD When checked the side RECORD key is enabled Default is enabled This is the record button located on the left front side of the camera T 22 58 21 04 A002 C003 vg SIDE RECORD USER KEYS USER KEYS SETTING ACTION When selected permits USER KEYS 1 thru 5 to be programmed Multiple keys may be programmed to the same function LU Pte epee F A002 CQ03 v SIDE RECORD USER KEYS 4 1 To change user key preferences push in or down on joystick to place checkmark in the desired user key checkbox FUNCTION box will highlight 3 Twist joystick to change the highlighted FUNCTION box to the desired function Move joystick left right up or push in to set function Build 30 v30 5 0 a 3 l APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE AUTO WB T 13 35 38 00 A001 FUNCTION USER 1 v USER 2 v USER 3 USER 4 Vj USER 5 USER 1 User Key 1 is the upper user key button on the camera side Default is AUTO WB When checked USER 1 key is enabled and its function is defined in the associated list USER 2 User Key 2 is the lower user key button on the camera side Default is MAGNIFY When checked USER 2 key is enabled and its function is defined in the associated list USER 3 User Key 3 is the upper user key button on the RED EVF Default is COLOR When checked USER 3 key is enabled and its function is defined i
51. 00 Gre vmCLR 9B coc 5600 Internal RC36 In the above example the camera is significantly under exposed The histogram is piled up to the left and the RAW Level meter indicates the sensor is exposed at a low level When the recorded clip is color cor rected in post production the scene s highlight information will not be clipped however the shadow in formation will probably be displayed with significant noise ASSISTS Assists allows the operator to choose a signal analysis waveform Selections include WAVEFORM EXPO SURE RGB PARADE HISTOGRAM FOCUS ASSIST and FOCUS OVERLAY Default is FOCUS OVER LAY ANALYSIS ANALYSIS METER FOCUS OVRLAY METER vi ASSISTS 1 To select and adjust use joystick to highlight ASSISTS checkbox Push in or down on joystick to place checkmark in ASSISTS checkbox 3 ANALYSIS METER box will highlight to allow you to choose between WAVEFORM RGB PARADE FOCUS ASSIST or FOCUS OVERLAY 4 Twist joystick to change the highlighted ANALYSIS METER box to the desired setting Move joystick left to select and exit WAVEFORM A color coded waveform illustrates the exposure values using the full width of the lower section of the camera display As exposure reaches maximum waveform color changes to Yellow and then Red At minimum exposure the waveform color changes to Light Blue then Dark Blue These colors match those used in the False Color Meter Build 30 v30 5 0 s 2007 2010 RED
52. 050167_P mov 2008 12 21 AM 64 KB Quick Movie fl A011 C003 05016A RDC 2008 12 21 AM Folder All clips are in turn placed in a root directory RDM The root directory folder contains all the clips rec orded on that specific piece of digital media so copying of clips from the digital magazine to backup me dia may be performed by a single drag and drop operation For additional information refer to APPENDIX B MANAGING DIGITAL MEDIA METADATA RED ONE cameras record Metadata which is data that describes the precise characteristics of the pic ture and sound data in each frame of footage This may include camera specific setup information project and clip management information Edge code Time code date and GMT lens parameters audio settings and any video image processing information CLIP NAMING CONVENTIONS When you push record the camera names the clip being recorded on the digital media The format of the clip name is Camera Letter Reel Number Month Day where is a two digit alphanumeric ran dom number generated by the camera for each file E g AO01_C002_0502A6 RDC Where A camera A 001 reel 001 C002 clip 002 and 0502 May 02 And A6 is a two digit alphanumeric random number generated by the camera This number helps avoid duplicate file names if two cameras are inadvertently named A on the same set Three cameras identified as A B and C can therefore have individually recognizable clips
53. 0913 RDC Q X Render performance of computers will vary based on CPU speed number of cores and disk speed The RED ONE camera REDCINE X offers QuickTime reference movies at _F full H half M medium and P proxy resolution Choose the resolution that is most appropriate to your requirement for playback frame rate on your specific computer If the footage is to be viewed at distant location e g dailies export the footage as a standalone movie using MPEG 4 or other low bit rate codec NOTE The QuickTime reference movies work by partially decoding the wavelet data which means that the original RAW recording must be available on a drive accessible to your computer For re mote use conversion to a standalone movie avoids this issue NOTE If an ANAMORPHIC record mode has been selected 2K ANA 3K ANA 4K ANA any video captured from the camera HD SDI outputs has been stretched 2 1 to illustrate the final 2 40 1 as pect ratio of the final image projection The actual recorded image is 1 2 1 aspect and the Quick Time reference movies will reflect that aspect ratio Build 30 v30 5 0 141 APRIL 2 2010 2007 2010 RED COM INC ry M z M v u RATION GUIDE REDCINE X REDCINE X is available on Intel based Mac OSX and Windows XP platforms In addition to performing white balance and one light color correction REDCINE X provides image pan scan crop and scaling op erations The application can export either a singl
54. 1 To select and adjust use joystick to highlight ENABLE checkbox Push in or down on joystick to place checkmark in ENABLE checkbox 3 TRIGGER MODE box will highlight to allow you to choose between INTERVAL and ONE SHOT default is INTERVAL 4 Twist joystick to change the highlighted TRIGGER MODE box to the desired setting 5 Move joystick right to exit INTERVAL The camera waits for the period of time defined by the Interval parameter See INTERVAL ONE SHOT The camera waits for a side record command or external GPI contact closure SPEED Specifies the shutter soeed to be used during Time lapse This control is the same as is available in the Shutter menu but it provides access to additional shutter soeeds that may be used in Time lapse record ing Default setting is 1 48 sec To adjust Select SPEED and twist joystick to change the highlighted SHUTTER SPEED box to the desired setting The additional exposure time presets are 1 2 1 3 1 4 1 6 1 8 1 12 1 16 second SHUTTER SPEED 1 48 sec l ENABLE STEP PRINT INTERVAL BURST TYPE STEP PRINT Specifies the number of times each single frame captured in Time lapse mode is to be recorded to the digital media Range is 1 to 10 frames Default setting is 1 frames To adjust Select STEP PRINT and twist joystick to change the highlighted NUM FRAMES box to the desired setting default is 1 frame NUM FRAMES _ iframes ia ENABLE STEP PRINT INTERVAL BURST TYPE Bu
55. 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE AUDIO VIDEO MENU CONTROLS This section describes monitor path parameters such as viewfinder and RGB color and gains These pa rameters are accessed from the VIDEO menu access key AV MENU VIEW VIEWFINDER AUDIO HEADPHONE Available sub menus include VIEW VIDEO VIEWFINDER AUDIO and HEADPHONE To access the AV MENU push the VIDEO menu button on the rear of the camera To enter the available sub menus use the joystick to highlight the desired selection and push joystick in or down VIEW The VIEW sub menu allows the user to choose the mode of monitor path image processing Choices are RAW and REDcolor To adjust Select VIEW and twist joystick to change the highlighted COLOR box to the desired setting Default setting is REDcolor AV MENU T 19 09 17 20 A004 Bi VIEW VIDEO VIEWFINDER AUDIO HEADPHONE RAW Monitor path image represents the RAW sensor data bypassing the color matrix The corresponding view will be displayed at the top of the screen 24m 10320 48 4344 REDCOLOR Monitor path image processing uses REDcolor tonal response curve default The corresponding view will be displayed at the top of the screen 24s 10320 484 5600 VIDEO The four available submenus are LOOK COLOR GAIN TONE and FLUT T 20 34 36 12 A002_C010 COLOR GAIN TONE NOTE Color and Gain and Tone values used by the monitor path are stored as metadata
56. 2 A0Q03 C003 BLK SHADING RESTORE UPDATE SW WRITE LOG Select to write camera s LOG file to the REDFLASH CF card RED DRIVE or RED RAM magazine The LOG file is a diagnostic tool that can assist RED with camera troubleshooting After capture upload the LOG file to the RED customer service team contactable at www RED com support After successfully writing log file to media external monitors will display SETTING SYSTEM CLOCK Set Clock allows the camera s real time clock to be adjusted Select SET CLOCK and push joystick in or down to display SET CLOCK menu SETUP T 20 55 35 20 A004 C004 PREFERENCES MAINTENANCE SET CLOCK REMOTE PROGRAM NOTE Current GMT date and time can be found using this web site or equivalent service If camera Date and Time are set to GMT and then set TIMEZONE to 8 for West Coast US Pacific time etc Or set Date and Time to local time and set the TIMEZONE value to 0 To set TIMEZONE refer to TIMEZONE under TIMECODE in NEW PROJECT section under SYSTEM MENU CONTROLS Build 30 v30 5 0 9 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE SET DATE SET CLOCK T 07 56 30 00 A001 C014 DATE TIME SET CLOCK To change date push in or down on joystick to place checkmark in the desired checkbox Box on lower right will highlight Twist joystick to change the highlighted box to the desired setting 1 2 3 4 YEAR Allows the operator to enter a new value
57. 4dB pad to achieve an appropriate input signal level The 48 V Phantom Power source is automatically disabled on each power cycle Low sensitivity phantom powered microphones may exhibit excessive noise so consider an ex ternal 48V phantom power source or use a dynamic microphone Input Level range for Microphone Inputs is 36dB to 54dB Input Level for Line Level inputs may not be adjusted Build 30 v30 5 0 124 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE LINE AUDIO OUTPUT A 5 pin mini XLR connector supports two channels of balanced analog audio output The camera s four audio channels may be monitored in user selectable pairs either channels 1 amp 2 or 3 amp 4 or a quad mix of both pairs based on the Headphone MIX parameter Line Audio Output Signals 5 pin mini XLR Connector Pins Sigma Description ALERT Line output left channel 2 GROUND Camera Ground Oo 3 EF Line output left channel A RIGH Line output right channel PB RIGHT Line output right channel NOTE Maximum output level for the balanced analog audio outputs are 8dBu NOTE The above notes apply to cameras configured with Rev B audio hardware Cameras shipped prior to Sept 15 2008 and not yet upgraded to Rev B were supplied with Rev A audio hardware with the following operational restrictions 7he Camera Ground connection on Pin 2 should be con sidered unreliable floating
58. 56 12 A004 CONTRAST SATURATION EXPOSURE BRIGHTNESS CONTRAST SHADOW Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE SHADOW Shadow adjusts the toe of the FLUT or in other words the image near Black Range is 1 0 to 1 0 De fault is 0 0 Increasing the shadow value raises the video level of near Blacks Lowering the shadow de creases the video level of near Blacks SHADOW COLOR T 18 34 06 12 A004 SATURATION EXPOSURE BRIGHTNESS CONTRAST SHADOW GAIN The Gain sub menu selects various image processing parameters that may be applied to the monitor path RED GAIN BLUE GAIN and GREEN GAIN They do not affect the actual REDCODE RAW data being recorded To adjust Select the desired setting and twist joystick to change the highlighted box to the de sired setting T 20 34 47 08 A002_C010 COLOR DEE TONE RED GAIN Adjusts the gain of the RED channel only Range is 0 0 no Red to 2 0 Default is 1 0 T 20 50 16 05 A001 REPGAN 4 RED GAIN BLUE GAIN GREEN GAIN BLUE GAIN Adjusts the gain of the BLUE channel only Range is 0 0 no Blue to 2 0 Default is 1 0 T 20 50 40 16 A001 BLYEGAIN RED GAIN BLUE GAIN GREEN GAIN GREEN GAIN Adjusts the gain of the GREEN channel only Range is 0 0 no Green to 2 0 Default is 1 0 T 20 50 52 12 AQQ1 GREEN GAIN RED GAIN BLUE GAIN GREEN GAIN Build 30 v30 5 0 of LL APRIL 2 2010 2007 2010 RED
59. C 327F to 104 F Storage range 20 C to 50 C 4 F to 122 F If there are any performance issues with your camera or accessories within this operating range please file a support ticket on www RED com support MOISTURE Avoid exposing your camera to moisture The unit is not waterproof so contact with water could cause permanent damage to the unit as well as electric shock and serious injury to the user Do not use the camera in the rain or under other conditions with high moisture and immediately remove the pow er source If exposed to moisture AVOID SHOCK Do not expose your camera to excessive vibration or impact Be careful not to drop your camera Internal mechanisms may be damaged by severe shock Mechanical alignment of optical ele ments may be affected by excessive vibration CLEANING When cleaning your camera remember that it is not waterproof and moisture can damage electronic circuitry Do not rinse or immerse any element of the camera lens or other accessory keep them dry at all times Do not use soaps detergents ammonia alkaline cleaners and abrasive cleaning compounds or solvents These substances may damage lens coatings and electronic circuitry LASER BEAMS Avoid imaging of laser beams as they may cause damage to the sensor BATTERY Lithium lon batteries may be subject to special handling requirements pursuant to federal and local laws Please refer to specific shipping instructions included with your battery
60. DIA Insert the CF card with the manufacturer s label facing outward away from camera body Push the CF firmly into the CF slot but without using excessive force to prevent damage 28 Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE Or attach a RED DRIVE or RED RAM magazine to the DRIVE connector e SATA port located on the rear of the camera using the 16 pin e SATA cable provided Go to SYSTEM gt MEDIA gt FORMAT to format REDFLASH RED DRIVE or RED RAM For additional information formatting media refer to APPENDIX B MANAGING DIGITAL MEDIA PROJECT SETUP 1 Push the SYSTEM menu button 2 Using the joystick highlight PROJECT Push joystick in or down to select PROJECT T 09 56 12 00 A001_C007 MEDIA PROJECT MONITOR 3 Using the joystick highlight CONFIGURE Push joystick in or down to select T 16 23 46 00 A001 C014 STATUS SLATE CONFIGURE TIMECODE Y QT PROXIES 4 CONFIGURE menu will be displayed T 18 00 13 12 A002 7 RESOLUTION 4K 2 1 RESOLUTION TIME BASE QUALITY VALID SETTINGS 5 Select each item to set up your project using the joystick Push joystick in or down to enter NOTE Leave MAX box checked unless recording 4K HD and needing real time software decode Build 30 v30 5 0 29 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE RESOLUTION Selecting RESOLUTION will highlight the upper right hand menu item and give you the follow
61. ECODE STATUS ISO RATING TIMECODE WHITE BALANCE FORMAT SHUTTER SPEED MEDIA POWER Figure 7 Camera LCD Display The LCD status display elements include e Timecode Status Displays current timecode e Media Displays remaining media capacity in ete TN e Power Displays remaining battery capacity in e ISO Rating Displays current exposure rating as shown or connection to DC power e Project Frame Rate Displays the project frame e Shutter Speed Displays current exposure time rate 23 98 fps in this example e Format Displays video recording format 4K e Timecode Displays timecode lock status RAW in this example e White Balance Displays current color temp NOTE The timecode value reported is Edge Code or Time Code as selected by the user in the TIMECODE menu During recording the Clip Name is reported in this display field Build 30 v30 5 0 14 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE RED LCD DISPLAY Figure 8 RED LCD Two 2 round and two 2 triangular buttons are located on top of the RED LCD e The two triangular buttons A in the center are used to increase or decrease backlight intensity e Right button B switches display between Video plus Frame Guides and Menus to Video plus Frame Guides only e Left button C is User Key 5 and can be programmed Refer to KEY MAP under PREFERENCES in SET UP under SYSTEM MENU CONTROLS RED EVF DISPLAY Figure 9 RED EVF
62. EEEE RE ts EEE RE t EEEE RE t EELE RE t ew Se m l SI ASV SIN A8v SIN A8t SII A8t SAA ER SAA ER PEDER SAA Y3SN SAIM YASN ER YAY INON lt dvI1D LH0dNI 3WsdO0dd YISA gt oa aasn 314d0ud YASN op gt 1338 A ML 4 GYOOsSY JAIS dVIN ASIM i MED G34OG NNIIN WALSAS Ol 43438 EP 0901 AP 0 9 NUSA OIN A8t aNNOS JVNYOH ll 1297 1nd1no Piel EVNS 038 NUSA NUSIN AV 1dSIG MOVEAV ld y 3 1404d YASN SE ONE REE SERDEN EEE U SHON SJONIHUIHIUd SJONIHUIHIUd IQ e af nos 518080 LOOV ejdwex3 4 1338 Aeq yuo 189A JOQUINN 224 18407 Brewed G 40 NN3AIN WALSAS OL 43438 OGNN LIX3 sseUd DIS OG 1NO LHOHS LNNONNN aw I INNONNN lt EZA LI GYH09038 38d SY IONVNSLNIVNIN y SIONIHIHd3Hd lt JVNYOH gt b dnlas 76 6S VNV ME f 00 05 SMAS Y 6 91 ME 2660 YNY MY Lia ME U28405 sbuljes jooloid zu No sAeldsiq IJONWLOIH zv 300038 ce ete 6 91 My WNW MZ 86 Z GH Mt ve 8 000038 MS YAY ME BMG OL gt Ja gt ap JILIL NOILOY HILNIO SHOSYUND SHOSYUND SHOSUND INIL hoe JYUNDIINOO AHNDIANOO IYNDIANOD TIWO38 lt ANVS MIIA SNLVLS SNLVLS SNLVLS NSOd NSOd X LHOISH HLAIM SHH 71 OL SHH ZH 3000 3903 NYT S E nuay S 138440 LND A JILL sunuasn Nouov sasn YISN SHOSHND Em LoL Oy 0 WO LSNS
63. HEADPHONE AUDIO OUTPUT A 3 5mm stereo phone jack provides two channels of adjustable level audio to headphones C B Headphone Output Connector Pin Signal Description Direction A TIP LEFT Left channel audio Out B RING RIGHT Right channel audio Out Gisueevey GND Cameagound The camera s four audio channels may be monitored in pairs either 1L 2R or 3L 4 R or a quad mix of 1 3L 2 4R based on the MIX parameter and the Volume adjusted as follows Volume master volume Adjusts headphone volume equally for Left and Right outputs Range is 18dB to OdB in 1dB steps Default is 9dB Build 30 v30 5 0 125 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE Volume Left Trims volume for Left output E g Volume 6dB Volume Left 1dB 5dB Range is 12dB to 6dB in 1dB steps Default is OdB Volume Right Trims volume for Right output E g Volume 6dB Volume Right 1dB 7dB Range is 12dB to 6dB in 1dB steps Default is 0dB NOTE The above notes apply to cameras configured with Rev B audio hardware Cameras shipped prior to Sept 15 2008 and not yet upgraded to Rev B were supplied with Rev A audio hardware with the following operational restrictions For maximum output signal quality only use high impedance headphones USB 2 MASTER This port permits the camera to operate as the Slave camera in a Master Slave camera pair To establish control plug th
64. IRE To adjust HI IRE Select HI IRE and twist joystick to change the UPPER IRE box to the desired setting between 93 and 109 default is 108 T22471416 0 A004 EPER LO IRE HI IRE Build 30 v30 5 0 me 537 LL APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE ENABLE 1 By selecting this checkbox settings under CONFIGURE 1 are used To select Highlight and push in or down on joystick to place checkmark in ENABLE 1 checkbox Default is Disabled T 22 13 00 04 A004_C003 CONFIGURE 1 ENABLE 1 CONFIGURE2 ENABLE 2 CONFIGURE 2 Takes you to ZEBRA 2 sub menu Choose between LOW IRE and HI IRE settings ZEBRAS T 22 13 24 01 A004 C003 CONFIGURE 1 _ ENABLE 1 CONFIGURE2 7 ENABLE 2 To adjust LO IRE Select LO IRE and twist joystick to change the LOWER IRE box to the desired setting between 0 and 84 default is 44 LOWER IRE HI IRE To adjust HI IRE Select HI IRE and twist joystick to change the UPPER IRE box to the desired setting between 1 and 93 default is 47 UPPER IRE ENABLE 2 By selecting this checkbox settings under CONFIGURE 2 are used To select Highlight and push in or down on joystick to place checkmark in ENABLE 2 checkbox Default is Disabled 1 22 13233 08 A004_C003 CONFIGURE I _ ENABLE 1 CONFIGURE 2 fENABLE 2 Areas of the image exposed within these ranges will be indicated by crosshatched overlays DARK DETAIL Dark Detail allows the
65. LCD will display MEDIA X and the lower left corner of the external monitor will display SAFE TO REMOVE in Red text The White text with the counter and media name at the bottom edge of the display will disappear You may now remove the CF or disconnect the RED DRIVE or RED RAM safe ly Power pe NOTE The camera will display this message until media is removed or disconnected Once media is removed or disconnected the camera LCD will display NO DIGMAG and the lower left corner of the external monitor will display NONE ATTACHED in Red text until media is inserted PROCEDURE B 1 Push the SYSTEM button 2 Select MEDIA push joystick down or in to enter 1 05 49 48 00 AQ09 COO1 SOUND 3 PROJECT MONITOR SETUP 3 Select UNMOUNT push joystick down or in to enter T 10 43 23 00 A001 C014 PRE RECORD UNMOUNT FORMAT CHANGE 4 Camera LCD will display MEDIA X and the lower left corner of all external monitors will display SAFE TO REMOVE in Red text The White text with the counter and media name at the bottom edge of the display will disappear You may now remove the CF or disconnect the RED DRIVE or RED RAM safe ly Drop Temp Power Bie 5 Push EXIT button to exit menu PROCEDURE C Go to SYSTEM MENU CONTROLS gt SETUP gt PREFERENCES gt KEY MAP gt USER KEYS and set one of the programmable user keys as a one touch unmount option COPYING MEDIA For use when media is connected directly to y
66. LL Twist joystick to change the highlighted FRAME GUIDE box to the desired setting al ll eS Move joystick left right or up to select and exit FRAME GUIDE ENABLE Allows you to set the frame guide line color to White Black Blue Red or Yellow for maximum color con trast with the scene you are shooting Checked by default FRAME GUIDE T 17 38 55 16 A003 FRAME COLOR WHITE FRAME GUIDE Yf ENABLE SAFETY y ENABLE Build 30 v30 5 0 l APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE 1 To select frame guide enable color push in or down on joystick to place checkmark in ENABLE checkbox FRAME COLOR box will highlight to allow you to choose the desired color Default is WHITE 3 Twist joystick to change the highlighted FRAME COLOR box to the desired setting Move joystick left right or up to select and exit SAFETY PREVIOUSLY PROTECT Safety displays film projection safe areas with 1 85 or 2 40 aspect ratios and television safe areas with 16 9 14 9 or 4 3 aspect ratios or User Areas T 17 39 10 12 A003 7 SAFETY GUIDE FRAME GUIDE vj ENABLE SAFETY vj ENABLE CUSTOM To change frame guide aspect ratio select PROTECT SAFETY GUIDE box will highlight to allow you to choose from 16 9 to USER AREAS Twist joystick to change the highlighted SAFETY GUIDE box to the desired setting Default is 16 9 a 2 Ys Move joystick left right or up to select and exit SAFETY ENABLE
67. Line Level or Microphone Level To help protect against accidentally enabling 48V Phantom Power for Line Level input sources or microphones that are not capable of operating with 48V Phantom Power 48V selection is provided in a separate sub menu ac cessed from the 48V ENABLE key of the Sound Menu 1 Push in or down on joystick to place checkmark in desired channel checkbox 2 INPUT TYPE box will highlight to allow you to choose between LINE and MIC 3 Twist joystick to change the highlighted INPUT TYPE box to the desired setting 4 Move joystick left or right to select and exit OUTPUT LEVEL The OUTPUT LEVEL parameter permits the line level audio monitor output provided from the 5 pin mini XLR connector to be trimmed to achieve a OdBu 0 775V RMS 20dBFS when receiving or an equiva lent OdBu 0 775V RMS 20dBFS reference level input REC ENABLE OUTPUT LEVEL Build 30 v30 5 0 ez 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE 1 Select OUTPUT LEVEL and push in or down on Joystick 2 VOLUME box will highlight to allow you to choose a volume level between 6 0dB and 6 0dB default is 0dB 3 Twist joystick to change the highlighted VOLUME box to the desired setting 4 Move joystick left right or up to select and exit NOTE The RED ONE camera does not provide a reference level Tone Generator However an ap proximately 1 minute digital recording of a reference level Tone Generator pro
68. MOUNT Refer to APPENDIX B MANAGING DIGITAL MEDIA e Error Message The CF Card has not been Speed Verified for use on this camera Only 2k reso lution recordings are possible There is an unquantifiable risk of drop frames This may occur if you are using Non RED CF cards and or you have a damaged CF card e Error Message Record Error NO MEDIA PATH When you have a card in the camera that is reading unformatted and you should continue by formatting the media Refer to APPENDIX B MAN AGING DIGITAL MEDIA Build 30 v30 5 0 143 APRIL 2 2010 2007 2010 RED COM INC 144 RED ONE OPERATION GUIDE Error Message SATA TRANS FAULT The camera is detecting a communications fault between the camera and drives RED RAM or RED DRIVE The fault it has detected may or may not be severe enough to cause corruptions on the clips so it is highly recommended that you review the RSD files Try to narrow the fault to a specific RED DRIVE or DRIVE CABLE and contact RED Support for further troubleshooting at www red com support Menus displays properly on LCD or EVF but not on external monitors If after connecting the camera to an external monitor and the camera display is not shown completely on the monitor dis play go to MONITOR under SYSTEM MENU CONTROLS and try the following o Select PREVIEW and change setting between MENUS DVI or VIDEO 720p o Select PVW REFRESH FORMERLY HD SDI and change setting between 50 00 HZ
69. NE camera in a failsafe manner The camera operating system will ensure that all files are closed hard disk heads if present are parked and REDFLASH CF card RED DRIVE or RED RAM magazine is properly powered down For detailed instructions go to AP PENDIX B MANAGING DIGITAL MEDIA MEDIA T 10 44 30 00 A001 C014 pal PRE RECORD UNMOUNT FORMAT CHANGE FORMAT Select to format digital media The camera will warn that all data will be erased and formatting require that a sequence of confirm commands are made before proceeding For detailed instructions go to AP PENDIX B MANAGING DIGITAL MEDIA aoe T 10 44 42 00 A001 C014 __ PRE RECORD UNMOUNT FORMAT CHANGE CHANGE Select this function if you wish to change the reel number allocated by the camera when media is format ted MEDIA T 10 44 59 00 A001_C014 _ PRE RECORD UNMOUNT FORMAT CHANGE gt 1 Select REEL and press in or down on joystick 2 Twist joystick to change the highlighted NEW box reel number between 1 and 999 NOTE The default reel number offered by the camera will be the last used value the camera used as the reel number e g if the last used reel number was 56 the change number suggested by the camera will also be 56 CHANGE T 09 36 26 00 A001 FORMAT REEL Build 30 v30 5 0 65 l APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE 3 Move Joystick to the left and select FORMAT If the magazine is n
70. RAW clipping status Raw Noise Level Bar Relative area of pixels in noise at the sensor Raw Clip Level Bar Relative area of pixels in clipping at the sensor Drop Indicates the number of frames that have been dropped during recording of the clip Temperature Current camera temperature sta tus Media Remaining media capacity in Power Remaining battery capacity in or connection to DC power as shown Audio Meter Current audio inputs and levels Build 30 v30 5 0 APRIL 2 2010 RED ONE OPERATION GUIDE THEORY OF OPERATION The RED ONE Digital Cinema camera provides high performance digital imaging over a wide range of frame rates and optical formats including Super 35mm 35mm and Super16mm The camera is supplied as standard with a PL mount and may be configured with 19 mm rods to accommodate most cinemato graphy lenses matte boxes and follow focus systems Adaptors for 15mm offset studio and 15mm lightweight rods are also available In addition to compatibility with existing PL mount cinematography lenses a select range of S35 35mm format PL mount prime and zoom lenses are available from RED DIGITAL CINEMA Other lens mounts including Canon FD and Nikon F are available from RED and 3rd parties permitting the use of Nikkor and Canon photographic lenses To use these mounts the PL mount must be removed It is recommended that this should be done only in a dust free environment as the sensor and optical path will
71. Reticle Vertical Offset 0 Horizontal Offset Aspect Ratio 1 76 0 0 HEIGHT H WIDTH Adjusts the width of the guide Maximum width of the guide is 1280 pixels HEIGHT Adjusts the height of the guide Maximum height of the guide is 720 pixels Build 30 v30 5 0 73 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE NOTE The camera will display the aspect ratio of the guide based on these two values X POSN Adjusts the horizontal center position of the guide Y POSN Adjusts the vertical center position of the guide SET Push SET to save these parameters to non volatile memory exits menu and returns to normal oper ation USER TITLE Enables the user to program a custom Safe Title area Operation is the same as USER ACTION Refer to the previous procedure for USER ACTION to modify settings LEY gh Goi oe A003 C004 LOOK AROUND CURSORS USER ACTION USER TITLE PREVIEW This sub menu selects the operating mode of the HD Preview output T 14 12 09 09 A004 PVWOUTPUT VIDEO 720p FRAME GUIDE PREVIEW a TEST SIGNAL PVW REFRESH EVF REFRESH If only one of either a RED EVF or RED LCD are present the HD SDI and HDMI outputs will support Sur round View frame guides and safe action title overlays waveforms overlaid on a 1280 x 720 pixel video signal Both of these outputs include up to 4 channels of 24 bit 48KHz audio The HDMI output is com patible with HDMI equipped 720p compatibl
72. TINGS Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE 1 To set time base select TIME BASE and press in or down on joystick 2 Twist joystick to change the highlighted TIME BASE box to select between 23 98 and 29 97 3 Move Joystick right or up to select and exit QUALITY Quality allows the user to set the project quality at REDCODE28 REDCODE36 or REDCODE42 Default QUALITY setting is REDCODE36 NOTE REDCODE36 and REDCODE42 will limit maximum frame rate and resolutions available using CF cards T17 41 26 05 400 2 pP0 00 458 RESOLUTION TIME BASE QUALITY VALID SETTINGS 1 To set quality select QUALITY and press in or down on joystick 2 Twist joystick to change the highlighted QUALITY box to REDCODE28 REDCODE36 or REDCODE42 3 Move Joystick right or up to select and exit VALID SETTINGS IMPORTANT Valid combinations of Quality Resolution and Time Base are indicated by the phrase VALID SETTINGS VALID SETTINGS If this is crossed through it indicates the media is too slow to record that combination of resolu tion project frame rate and quality VALID SETTINGS Build 30 v30 5 0 71 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE TIMECODE Select to change displayed timecode track force Jam sync or reset camera clock T 16 23 56 00 A001_C014 STATUS SLATE CONFIGURE TIMECODE 5 w QT PROXIES JAM SYNC Jam Sync instructs the ca
73. Today 6 35 PM 64 KB Quick Movie This specific clip includes eleven R3D files the first ten of which correspond to the pre record and the eleventh file corresponds to the normal record period All have the same clip name NOTE On playback on camera or in REDCINE X or any QuickTime application these eleven indi vidual R3D files are seen as a single continuous video clip T 10 44 13 00 A001 DURATION 10 sec vi PRE RECORD UNMOUNT FORMAT CHANGE 1 To enable PRE RECORD push in or down on joystick to place checkmark in PRE RECORD check box 2 DURATION box will highlight to allow you to choose between 10 sec and 30 sec Default is 10 sec 3 Twist joystick to change the highlighted DURATION box to the desired setting 4 Move joystick right or up to select and exit To activate pre record push both the UNDO key and the RECORD key on the camera The camera will commence prerecord indicated by the record tally light and timecode changing to Yellow To record push the RECORD key This will be indicated by the record tally light and timecode changing from Yellow to Red To terminate pre record push the RECORD key a second time Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE NOTE When using Pre Record the Edge Code written to the digital magazine can become discon tinuous between clips however Time Code is unaffected UNMOUNT Select to un mount digital media from the RED O
74. WOLSNS WO LSNS WOLSNS INOZ SWIL AV 1dsId SSOHO P id LAdLNO pa Wyr JAODINIL AGOOAWIL JAODINIL JAODINIL JAODINIL sind Vadv HISN Et Ar S84 MOTIJA MOVIE Ov c Gb MOTI3A MOVIE 6 91 ov aay 6 91 agy g JEEE E E I D lt JTEVNS lt ALSAVS JTEVN3 lt I3GND AWVYS AqGINS AWVds AqGINS AWVds AGINDANVdS AqGINS AWVds a aqdiN9 JWVH4 OLV OL v VHINVO ALV1S dINVY VINNT NMOGTINA 2 NHALLVd SNOO4 A13IH 3LIHM ZH V6 69 1HVHO dIHO qald Novia A ZH 87 GJON ZH 00 0S dN VNOHHO LAG SANIN A op pl PN gt pf ea HSaudau 4A3 HSAu4au MAd IVNDIS SJL Maud gjj JAN INVES 153rOUd 193rOud 153rOud 193r0ud Loaroud HOLINON YOLINOW HOLINON HOLINON HOLINON Sd GZ 8 YZ 867 ugy JOU O Seve SWE JE PSXI4 nue NUS N NUS N NUSN dNISS PIGS ae aNNOS WALSAS a HOLNON p TERZE IWALSAS NERE IALSAS ommosaauomz OSE TETEN JNO dJa A H dlld A did H01vH3d0 NV310 H add BA Z 4O 7 EET JUN onaw X NNIYILSAIN 7S NNIYILSAN eaw A38 IH 3ALLOV IH 3ALLOV NIN 9 OT 3ALLOv OT 3ALLOV ATIVL lt q G334 p OIAIA 4 4 09 gt INFTIS c LNO Old I LNO Old9 G NI Old9 L NI EETA NvHDOHd WwuDOoHd WYH OHd ONIGVHS YTE ONIGVHS W78 422 gt LAINO 4 98 gt GYVONVIS ALIYV10d ALIHV 10d ALIHV10d ALIYV10d 3 701 OL 4 98 LOH 3 09 gt F1EVIYVA aano do AVId ASdWIAWIL FOT N dI19 LXAN dNy oe TOWINOD NY Ooo ma OL econ fo
75. al zoom function of the camera can aid with visibility and may help achieve more accurate results 6 Allow for an even amount of play on both sides of the lens focus marker There should be a depth of field range of several inches so it is best to allow for good focus on either side of the exact distance marker 7 Tighten the camera focus ring screws and retest focus Screws should be tightened to approx 22 22 In Lb of Torque Some shifting may occur while tightening the focus ring 8 The Edge Highlight option in the viewfinder menu is a handy tool if viewfinder is installed and can serve as a good double check for proper focus Build 30 v30 5 0 33 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE SENSOR MENU CONTROLS This section describes how to set sensor specific menu parameters including Sensitivity Shutter Speed Color Temperature Varispeed and Time lapse To access the Sensor main menu push the SENSOR menu button on the rear of the camera To enter the available sub menus use the joystick to highlight the desired selection and push joystick in or down SENSITIVITY COLOR TEMP SHUTTER VARISPEED NOTE Sensitivity and Color Temperature metadata values are stored as metadata and are also used to modify the RED LCD RED EVF Preview HD SDI and HDMI monitor outputs They do not affect 12 bit REDCODE RAW data recording the stored metadata values may be used by RED CODE RAW compatible NLE and ima
76. and frame rate but a RED DRIVE 320GB will typically provide 160 minutes of 24fps 4K RAW 280 minutes of 24fps 3K RAW or 640 minutes of 24fps 2K RAW recording RED DRIVE media is connected via a custom16 pin SATA interface cable POWER connector located at the rear of the camera body RED RAM media is available with capacities of 64GB or 128GB Record duration is dependent on resolu tion quality and frame rate but a RED RAM 64GB will typically provide 32 minutes of 24fps 4K RAW 56 minutes of 24fps 3K RAW or 128 minutes of 24fps 2K RAW recording RED RAM media is connected via a custom16 pin SATA interface cable POWER connector located at the rear of the camera body IMPORTANT After connecting REDFLASH RED DRIVE or RED RAM to the camera and BEFORE recording you should format the media using the camera even if formatting was previously per formed on a computer Go to SETUP gt MEDIA gt FORMAT to properly format media before record Ing FORMATTING MEDIA Media must be formatted prior to using it for recording Formatting is performed on camera although me dia may be erased on a Macintosh OS X personal computer allowing the camera to just add the neces sary project profile and clip log data NOTE Media formatted on camera will use a name and root volume in the format Camera Letter Reel Number Month Day where is a two digit alphanumeric random number generated by the camera for each file e g A001 0512A6 RDM
77. arts out at the Frame Rate the start of the transi tion to the End Rate occurs only when an external GPI trigger has been received Build 30 v30 5 0 39 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE FRAME RATE Enables the user to choose any single frame rate To adjust Select FRAMERATE and twist joystick to change the highlighted FRAMERATE box to the desired setting Default value is 12fps FRAMERATE d2fp5 p VARISPEED RAMP FRAMERATE TIME END RATE Minimum frame rate is 1 fos maximum frame rate is a function of REDCODE setting REDCODE 28 REDCODE 36 or REDCODE 42 record resolution and media type 4K WS aws os e am Build 30 v30 5 0 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE am mme doms 1008 as 7 mes ve aa fm doms dom am me am em m om am em am om am am am om 26 m am 2m 2 s m aa 2 20 m C asw 2m 2 s ms TIME When Ramp is enabled this value specifies the transition time to be used by the camera between the start Frame Rate and the End frame Rate To adjust Select TIME and twist joystick to change the hig hlighted DURATION box to the desired setting Range is 1 100 seconds Default value is 5 sec DURATION 198880 p VARISPEED ai RAMP FRAMERATE TIME END RATE END RATE
78. aspect ra tio of the final image projection The actual recorded image IS 1 2 1 aspect PREVIEW HD SDI A single DIN 1 0 2 3 connector labeled PVW provides a high definition video preview output Pins Signal Desoription Direction gt HD SDI SMPTE 292M HD SDI Out Shield Sereen GROUND ___Cameraground Preview HD SDI Output NOTE If PREVIEW type is set to MENUS DVI the PVW output is disabled In record the Preview output provides a 1280 x 720p 10 bit 4 2 2 progressive scan video at 59 94 or 50 00 Hz In playback if PLAYBACK is set to 720p the Preview output provides a 1280 x 720p 10 bit 4 2 2 pro gressive scan video at 59 94 or 50 00 Hz If PLAYBACK is set to 1080p the Preview output provides a 1920 x 1080p 10 bit 4 2 2 progressive scan video signals at 23 98 24 00 25 00 or 29 97 Hz NOTE the Preview HD SDI output provides 4 channels of embedded audio plus timecode NOTE The embedded timecode value is equal to the Time Code value of the recorded frame pre viewed by the PVW output l e the timecode sequence will be discontinuous NOTE RED ONE outputs progressive scan video it does not support 1080PsF format NOTE If an ANAMORPHIC record mode has been selected 2K ANA 3K ANA 4K ANA the video visible on the Preview HD SDI output has been stretched 2 1 to illustrate the final 2 40 1 aspect ra tio of the final image projection The actual recorded image is 1 2 1 aspect HDMI An HDMI Type A c
79. attempting to EXPORT data ensure that an SD card is inserted into the slot at the right front of the camera LOOK and USER PROFILE information can easily be shared between cameras by IMPORTING data from the SD Card NOTE LOOK files may also be created by REDCINE X Refer to the REDCINE X OPERATIONS GUIDE LOOK EXPORT LOOK To export LOOK information perform the following 1 Press the VIDEO menu button on the rear of the camera Select VIDEO menu select LOOK menu Select EXPORT External monitors and camera LCD will confirm profile was exported successfully External monitors will display filename for profile with the extension RLK aA oe SR 6 Press Joystick once to acknowledge and clear the export successful confirmation message The profile was saved as sdmc PROFILES PROFILE_0 RLK NOTE You may edit LOOK filenames on a computer but do not change its extension RLK or the camera will not recognize it It is recommended that you restrict file names to 12 characters as the camera cannot display the last 4 characters of a 16 character name NOTE If a SD Card is not inserted into the slot at front left of camera camera will display Please attach a SD card and try again Build 30 v30 5 0 118 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE When saving LOOK the following monitor path color correction information is recorded COLOR menu Saturation Exposure Brightn
80. be exposed to the elements during this process A B4 mount to PL mount adaptor is also available to permit use of 2 3 HD lenses on the RED ONE cam era The optical coverage it provides is equivalent to S16 mm Hence the maximum recording resolution with these lenses will be 2K RAW 2048 x 1152 pixel progressive scan MYSTERIUM SENSOR The MYSTERIUM sensor has been specifically designed for use with the RED ONE camera and provides variable frame rate imaging over 1 25 fps in 4 5K 1 30 fps in 4K 1 60 fps in 3K resolution and 1 120 fps in 2K resolution record modes Native color balance for the MYSTERIUM sensor is 5 000 degrees Kelvin but may be electronically com pensated for any color temperature in the range 1 700 to 10 000 Kelvin White Balance presets are availa ble for Tungsten 3200K and Daylight 5600K lighting the camera may also calculate a color neutralizing White Balance value using a standard white card technique The MYSTERIUM sensor and associated image processing electronics are capable of delivering approx imately 11 stops of dynamic range and may be operated over an ISO rating range of 100 to 2000 ISO MYSTERIUM X SENSOR The MYSTERIUM X sensor has been specifically designed for use with the RED ONE camera and pro vides variable frame rate imaging over 1 30 fps in 4K 1 60 fps in 3K resolution and 1 120 fps in 2K resolution record modes Native color balance for the MYSTERIUM X sensor is 5 000 de
81. bient temperature is below 72 F 25 C In quiet mode the fan runs at one quarter its maximum speed when in record SILENT This setting is most useful when the ambient temperature is below 60 F 15 C In silent mode the fan runs at its minimum speed when in record BLACK SHADING Black Shading allows the camera to self calibrate sensor output for optimum black levels T 19 05 22 00 A003 C003 BLK SHADING zi RESTORE UPDATE SW WRITE LOG IMPORTANT DO NOT attempt to perform a Black Shading calibration while the camera is in Mag nify mode or an error will occur NOTE Before starting a Black shading calibration ensure that you place a lens cap that blocks all light on your lens Insert a formatted CF card into the camera or attached a formatted RED DRIVE Ideally re format the media before proceeding to ensure sufficient space is available to perform the record task NOTE It is very important that no light reaches the sensor If Black Shading is performed without capping the lens the black level calculation will be incorrect To rectify repeat the Black shading procedure with a lens cap installed Build 30 v30 5 0 92 I 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE START 1 Select BLACK SHADING camera monitoring outputs will display T 15 06 06 00 AQ01 COO1 START RESTORE 2 Select START camera monitoring outputs will display You are about to modify the camera s factory calibration You sh
82. camera Genlock input to the ACL202CT VIDEO WORD output using a BNC cable Pin Signal Description Direction GENLOCK SMPTE 274M 2005 Tri level Sync Shield Screen GROUND GCameraground pm Genlock Input Signal PROGRAM DUAL LINK HD SDI Two DIN 1 0 2 3 connectors labeled HD SDI support progressive scan HD Program signals Signal Description biresten HD SDI SMPTE 292M HD SDI Shield Sereen GROUND Program HD SDI Output each connector Build 30 v30 5 0 APRIL 2 2010 2007 2010 RED COM INC 127 RED ONE OPERATION GUIDE In record the Program output provides two independent outputs of 1280 x 720p 10 bit 4 2 2 progressive scan video at 59 94 or 50 00 Hz In playback if PLAYBACK is set to 720p the Program output provides two independent outputs of 1280 x 720p 10 bit 4 2 2 progressive scan video at 59 94 or 50 00 Hz If PLAYBACK is set to 1080p the Program output provides a 1920 x 1080p 10 bit 4 4 4 RGB progressive scan video signals at 23 98 24 00 25 00 or 29 97 Hz NOTE The Program HD SDI output provides 4 channels of embedded audio plus timecode NOTE When in Varispeed the Program output will be blanked NOTE RED ONE outputs progressive scan video it does not support 1080PsF format NOTE If an ANAMORPHIC record mode has been selected 2K ANA 3K ANA 4K ANA the video visible on the Program HD SDI output has been stretched 2 1 to illustrate the final 2 40 1
83. ck focus and make certain the lens is properly collimated Refer to BACK FOCUS ADJUSTMENT under BASIC OPERATION e Error Message Record Error NO_DIGMAG No media is being detected Reattempt to mount check connection and CF pins in Module power cycle or try another media e Error Message Valid Settings Establish the maximum PROJECT settings for the media you are using and change the settings accordingly Refer to PROJECT SETUP under BASIC OPERATION VALID SETTINGS e Error Message Record Error RE INCOMPATIBLE DIGMAG Make sure that you establish the original time base for the media s project or reformat media Refer to MEDIA ERRORS under APPEN DIX B MANAGING DIGITAL MEDIA e Error Message The Magazine Formatting Failed No digmag found Nothing to format The magazine was not recognized during formatting check your media and connections Refer to AP PENDIX B MANAGING DIGITAL MEDIA e Error Message The Magazine Formatting Failed The magazine isn t fast enough to support the current project Please change the project settings before formatting this media Check to make sure you have the valid PROJECT settings for that particular piece of media Refer to PROJECT SETUP under BASIC OPERATION e Error Message WARNING Media removed prior Unmount Data Integrity Risk Media needs to be removed properly Use the dual key command UNDO EXIT or the menu option SYSTEM gt MEDIA gt UN
84. created black shading adjustment and restore the camera s factory calibration 3 Select OK camera monitoring outputs will display The user created black shading adjustments have been removed Please restart the camera to apply the factory supplied calibration 4 Restart the camera as instructed Build 30 v30 5 0 94 be 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE BLACK SHADING ERRORS CALIBRATION FAILED If the CF card installed in the camera is full or is removed during the Black Shading Calibration the following error will be displayed Calibration Falled Not quite sure what you should do If necessary save media files to computer reformat CF card and perform the Black Shading Calibration again Refer to APPENDIX B MANAGING DIGITAL MEDIA If the camera is in Magnify mode when attempting to perform a Black Shading Calibration the following error will be displayed Calibration Failed Exit Magnify mode and try again Select OK and exit Magnify mode Attempt Black Shading again Build 30 v30 5 0 a 5 LLL APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE UNABLE TO CALIBRATE If there is no CF card installed in the camera when attempting to perform a Black Shading Calibration the following error will be displayed No digital magazine present Unable to calibrate Attach a formatted a CF card or Red Drive and try again Connect f
85. ct or indirect arising from the use of any technical or operational information contained in this document 2007 2010 RED COM INC All trademarks trade names logos and product names used in association with the accompanying prod uct are trademarks or registered trademarks of Red com Inc in the U S and other countries DECLARATION OF CONFORMITY a RoHS This product has been tested according to applicable national and interna 2002 95 EC tional directives and regulations ROHS COMPLIANCE The EU directive 2002 95 EC Restriction of Hazardous Substances ROHS prohibits the use of certain substances in electrical and electronic equipment EC DECLARATION OF CONFORMITY CE MARKING RED herewith declares that the following product s according to the provisions of the mentioned EC Di rectives including their relevant revisions at the time of this declaration is are in conformity with the detailed standards or other normative documents Motion Picture EC Directives Camera System EMC Directive 2004 108 EC Applied Harmonized Standards EN55022 EN55024 Build 30 v30 5 0 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE FCC COMPLIANGE STATEMENT RED herewith declares that the following equipment has been tested in accordance with the applicable valid FCC regulations Motion Picture Camera System FCC NOTICE This equipment has been tested and found to comply with the limits
86. d 15 or earlier builds 4 Release Build 17 v3 4 1 7 06 MB Release History ty K Release Hi Download for other Operating Systems Download OPERATIO BETA test firmware not recommended for use on gt commercial productions k WARNING Read all instructions contained in the installation files before upgrading Before upgrading to Build 20 you After downloading the build you will see the new compressed zipped folder on your desktop Open the new compressed folder and note 2 folders one for Windows it will be the same name as the compressed folder and one for Macintosh OS X MACOSX Open the folder for your operating system for Macintosh OS X you will have to open a second folder with the same as the compressed folder and verify there is a txt read me file containing installation instructions and a UPGRADE folder NOTE If multiple cameras are to be upgraded it is necessary to perform STEPS 6 through 17 of this procedure for each camera 6 10 11 Connect an SD Compact Flash CF card or USB memory device to the computer If using CF card ensure it has been formatted by the camera For detailed instructions on formatting go to APPENDIX B MANAGING DIGITAL MEDIA Open the SD CF card or USB memory device on the computer and copy ONLY the UPGRADE fold er for your specific operating system from the compressed folder onto the card Remove the SD CF card or USB memory device from the c
87. d other RGB color adjustments and provides monitor feeds for the RED EVF RED LCD Preview HD SDI and HDMI outputs If a specific set of RGB image processing values are desired to be repeatable on set a LOOK file may be created either by the camera or the REDCINE X application software AUDIO RECORDING The RED ONE includes four channels of analog audio input processing Peak Level meter headphone monitor and 2 channel balanced analog audio output Audio is digitized at 24 bit depth and 48 KHz and recorded in synchronization with video and timecode to the attached media Digital audio is also embed ded in the HDMI Preview and Program HD SDI outputs Line Level and Microphone Level analog audio input signals are routed via a high quality A D and pre amplifier whose gain stage may be controlled using the Input Level control to achieve the desired audio reference recording level To assist with audio operating reference level setup the camera provides a color coded 3dB per division Peak Level meter with OdBu 20dBFS Witness Mark in the Graphical User Interface Peak Level meter range is 34dBu to 20dBu 54dBFS to OdBFS and provides clip indication LINE LEVEL INPUTS Line level audio inputs are designed to operate at unity gain 0dB Input Level therefore an appropriate line output level should be established by your field production mixer or other external signal source Reference signal level for Line inputs is OdBu 0 775 volt
88. der these last three buttons to provide streamlined camera operations The status display reports key camera status values and is complimented by two LED s I the REC LED provides record status illuminates Red when recording while the OK LED indicates the camera is ready for operation illuminates Green when ready Build 30 v30 5 0 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE UNDO EXIT BUTTONS EXIT will exit the menus SHORTCUTS Press and hold UNDO and SYSTEM menu buttons at the same time to navigate to the last displayed menu before exiting Press and hold UNDO and EXIT buttons at the same time to unmount media from the camera Refer to REMOVE MEDIA FROM CAMERA UNMOUNT under APPENDIX B MANAGING DIGITAL MEDIA Press and hold UNDO and press in on JOYSTICK to display the current camera build version on the camera LCD display Press and hold UNDO and press CLIP START PREVIOUS CLIP button to cycle the HD SDI and HDMI output between VIDEO 720p and MENUS DVI Refer to SYSTEM MENU CONTROLS gt MON ITOR gt PREVIEW JOYSTICK OPERATION Left Right to navigate menu selections Upto go previous screen will exit menu when at top level Down to go to next menu similar to Push to select a menu item Rotate turn twist like a knob changes value in highlighted box Push like a button to enter a selection Build 30 v30 5 0 10 2007 2010 RED COM INC APRIL 2
89. djust operation of the viewfinder EVF VIDEO VIEWFINDER AUDIO HEADPHONE FALSE COLOR PREVIOUSLY COLOR When checked forces the RED EVF and RED LCD outputs to one of three false color modes 1 To select and adjust use joystick to highlight FALSE COLOR checkbox 2 Push in or down on joystick to place checkmark in FALSE COLOR checkbox 3 FALSE COLOR box will highlight to allow you to choose between VIDEO EXPOSURE or FOCUS De fault is EXPOSURE 4 Twist joystick to change the highlighted FALSE COLOR box to the desired setting Move joystick right to select and exit T16 29 15 05 A004 lt Fab S0LOk Yf FALSE COLOR METERS ZEBRAS DARK DETAIL OPEN GATE pA Ad EXPOSURE EXPOSURE displays a 2 color overlay that allows you to check minimum and maximum exposure levels of the RAW sensor data and hence prevent underexposed or overexposed images When selected the icon y E will be displayed at the top of the screen 24 2s 50800 vmMCLR VF 48 5600 The EXPOSURE meter s color bands provide the following information RED Maximum Exposure Build 30 v30 5 0 49 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE At all other sensor exposure values the monochrome image displayed represents the luminance value of the ISO adjusted image PURPLE RED In this image Purple areas represent sensor exposure levels that are likely to be noisy if gained up in post production I
90. e HDTV monitors As a user choice the HDMI but not the three HD SDI outputs can support a 1280 x 848 pixel output with Surround View frame guides and safe action title overlays waveforms and camera status and operation menus This signal is compatible with most DVI equipped SXGA computer monitors but is not compatible with HDMI equipped HDTV displays If both a RED EVF and RED LCD are present the HD SDI and HDMI outputs will be forced to 1280 x 720 with Surround View irrespective of the Preview Output parameter setting NOTE The video format of the HD SDI Preview output will also be affected by the HD SDI refresh rate and PLAYBACK resolution selections described elsewhere in this guide To select between 720p and 848p output options select VIDEO 720p or MENUS DVI The default is VIDEO 720p The Preview output setting will be held in camera memory TEST SIGNAL Permits the video monitor outputs to be replaced with a video test pattern TEST SIGNAL SMPTE Bars FRAME GUIDE PREVIEW vi TEST SIGNAL PVW REFRESH EVF REFRESH Build 30 v30 5 0 79 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE To enable disable a test signal check the box and select the desired test signal to display Available test signals include the following SMPTE BARS To set test pattern push in or down on joystick to place checkmark in TEST SIGNAL checkbox TEST SIGNAL box will highlight Twist joystick to change th
91. e clip or a sequence of clips as 4K or 2K resolution 10 bit DPX or 16 bit TIFF files REDCINE X can also render clips as standalone QuickTime movies using spe cific HD video codecs As RED ONE shoots progressive scan images all QuickTime movies created by REDCINE X are also progressive scan REDCINE X File Edit Settings Window Help 4 CGI Charged Fri Dec 18 10 49AM Q Miist tesa menun Lesern NN ge Ui REDCINE X is available for download at Included with the download is the REDCINE X Operation Guide to assist with understanding the tools available in REDCINE X Build 30 v30 5 0 14 be O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE APPENDIX G POSSIBLE ERRORS ISSUES AND SOLUTIONS For errors or issues beyond those listed below please contact support through our web site at www red com support e Camera shuts down upon movement Battery is not seated properly to the battery plate Disen gage and reengage the RED BRICK to the BATTERY PLATE e Error Message Black Shading Failed Check recording media connections and reattempt Black Shading Refer to BLACK SHADING ERRORS in BLACK SHADING under MAINTENANCE in SETUP under SYSTEM MENU CONTROLS e Error Message Unable to Calibrate Ensure a formatted CF card is installed in the camera when performing a Black Shading If a formatted CF card is not installed this error will be displayed e The image looks soft Re adjust ba
92. e highlighted TEST SIG NAL box to the desired setting Move joystick left right up or push in to select BLACK FIELD WHITE FIELD LUMA RAMP CHROMA RAMP AN He NOTE The RED ONE test signals are not recordable they are provided to help align external video monitors connected via the HD SDI or HDMI outputs Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE PVW REFRESH FORMERLY HD SDI Sets the1280 x 720p HD SDI and HDMI monitor signal update rate to 50 00 or 59 94 Hz T 08 12 56 00 A001 FRAMERATE l 235442 FRAME GUIDE PREVIEW pr TEST SIGNAL PVW REFRESH EVF REFRESH 1 To change frame rate aspect ratio select PVW REFRESH 2 FRAME RATE box will highlight to allow you to choose from 50 00 HZ or 59 94 HZ default is 59 94 720p 59 94 NOTE If in Europe you may wish to select 50 00 720p 50 00 3 Twist joystick to change the highlighted FRAME RATE box to the desired setting 4 Move joystick left right up or push in to select HDMI The camera includes a standard HDMI connector on its right side panel This output provides a HDTV compatible 1280 x 720 video signal or P C monitor compatible 1280 x 848 pixel signal NOTE If the PLAYBACK resolution is set to 1080p in the PLAYBACK menu the HDMI output is 1280 x 720 pixels when in preview and record but switches to 1920 x 1080 pixels in playback If after connecting the camera to an external monitor and the camera d
93. e or below this base frame rate for slow motion effects NOTE 2K and 3K record resolutions also support 50 00 and 59 94 fps Project Time Bases Build 30 v30 5 0 30 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE QUALITY QUALITY allows you to choose between REDCODE28 36 and 42 Default quality is REDCODE36 1 To view options twist joystick T 17 41 26 05 A002 midt SS See RESOLUTION TIME BASE QUALITY VALID SETTINGS 2 Choose between REDCODE28 REDCODE36 and REDCODE42 3 Push joystick in or down to set the selected quality NOTE Choosing REDCODE36 or REDCODE42 limits available frame rates and resolutions to CF cards RECORDING Ensure a RED DRIVE or RED RAM is connected or a REDFLASH Compact Flash card is inserted in the camera To record use either of the RECORD buttons located on the rear and left side of the camera Push once to begin recording push again to stop recording The camera will automatically create a file name for every clip recorded on the digital magazine or media REDCODE RAW data recordings store the Color Temperature and Exposure ISO and any RGB color processing values you use in the monitor path as metadata This metadata is used in REDCINE X or other post production software as initial white balance exposure and color correction points i e you can change these if you wish when you process the RAW footage Time Code and Edge Code values used by the camera are Non Drop Frame
94. e square end of a USB 2 cable into the lower USB port of the RED ONE camera to act as a Slave and the rectangular end of a USB 2 cable into the upper USB port of the RED ONE camera to act as the Master Then power cycle both cameras On boot up the two cameras will automatically establish Master Slave mode Once connected using the USB cable User Interface commands and remote triggers received by the Master camera are transmitted to the Slave camera SUPPORTED COMMANDS Supported commands include TIME BASE ISO SENSITIVITY RECORD QUALITY COLOR TEMP GPI RECORD TRIGGER RESOLUTION TINT PRE RECORD GENLOCK ENABLE PLAY SHUTTER MODE FAST FORWARD SHUTTER SPEED FAST REVERSE SHUTTER SYNCRO NEXT CLIP SHUTTER PHASE PREV CLIP EXIT NOTE When not used in this mode the GUI status of the Slave camera will update to reflect new values transmitted from the Master camera but the GUI menus do not follow NOTE When used in Master Slave mode each of the cameras should still be provided with Gen lock tri level sync and External Timecode signals NOTE Media formatting must be performed independently for each camera The Master Slave mode will not format the media attached to two cameras at the same time USB 2 SLAVE This port permits the camera to operate as the Slave camera in a Master Slave camera pair To establish control plug the square end of a USB 2 cable into the lower USB port of the RED ONE camera to act as a Slave and t
95. e to a precise value Range 10 90 Default is 50 To adjust Select SYNCRO and twist joystick to change the highlighted SPEED ADJUST box to the desired setting E g Setting Syncro to 53 with a 1 60 sec shutter is equal to 1 56 6 sec exposure time SPEED ADJUST GENLOCK SYNCRO PHASE Provides a delay relative to the start of the frame for the exposure time Phase may be adjusted over the range 45 to 45 degrees Default value is 0 To adjust Select PHASE and twist joystick to change the highlighted PHASE ADJUST box to the desired setting PHASE ADJUST GENLOCK SYNCRO To Convert Shutter Speed to Angle Equivalent Equivalent Degrees Shutter Speed x Frame Rate x 360 E g 1 48 x 24 x 360 8640 48 180 snutter Degrees Snutter Degrees we em mo 8 To Convert an Angle to an Equivalent Shutter Speed Equivalent Shutter 1 Frame Rate x 360 Angle E g 1 24 x 360 180 1 8640 180 1 48 Degrees Shutter Degrees Shumer Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE VARISPEED The Varispeed menu supports Variable Frame Rate recording at speeds faster or slower than the Project Frame Rate and Frame Rate Ramping Varispeed recordings can be initiated by pushing the Record key or by GPI trigger NOTE In all Varispeed modes audio recording is disabled NOTE In Varispeed modes timecode is written to digital media at a rate equal
96. ect False Color Exposure note the y E icon in the GUI when active This mode allows us to visualize where in the image underexposure is taking place These areas are indicated in purple It s clear those areas are under the matchbox and coin and between the bottle and cigar holder 24 10800 Sal MCR vv 48sec 5600 ISO 800 false color Video Select False Color Video note the v V icon in the GUI when active This mode allows us to check the RGB video levels of the scene As the peak white chips on the test chart are showing up in green and the underexpose areas are showing up in dark blue this says the monitor path video levels are only ranging between 44 IRE and 1 IRE Build 30 v30 5 0 9733 LL APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE Because the scene is under exposed when the recorded R3D file is color corrected in post production the scene s highlight information will certainly not be clipped however the shadow information will proba bly display with significant noise once pushed to an acceptable brightness OVEREXPOSURE 2 STOPS D4 ec 50800 9 vmCLE AB ccc 5600 joel J Internal REG ISO 800 Monitor Output In the image above it is fairly obvious the camera is over exposed The monitor is very bright and the his togram is justified to the right Note the red bar at the right edge of the histogram and the vertical color stack to the right of the histogram is showin
97. effects selected item on all external monitor outputs Disabl ing the EVF Menu display also disables the EVF menu controls T 18 02 36 08 A003 lt SS Ee MT STATUS LENS DATA EVF MENU METERS GREY SCALE ad x STATUS PREVIOUSLY SHUTTER When checked displays frame rate and sensor status on upper edge of all external monitors Checked by default Status also allows the user to choose if camera shutter value is reported in Degrees or 1 Seconds format The shutter display at the top of the RED LCD RED EVF and all external monitors will change between Degrees or 1 Seconds based on setting Also under SENSOR gt SHUTTER gt SPEED values will also change in relation to settings NOTE Status values are always input in 1 seconds format irrespective of this choice T18 02 36 08 400322 Ee YF STATUS LENS DATA EVF MENU METERS GREY SCALE p p 1 To change status preferences push in or down on joystick to place checkmark in the STATUS check box FORMAT AS box will highlight 3 Twist joystick to change the highlighted FORMAT AS box to the desired setting Move joystick right up or push in to set Build 30 v30 5 0 87 APRIL 2 2010 2007 2010 RED COM INC M RED ONE OPERATION GUID When unchecked the upper edge of all external motors will be blank Hi T 23 00 25 01 A004 C006 Internal 4K 21 R AAN Drop Temp Media Power i 36 i Yo ae V DC 7 am 1 LENS DATA When checked
98. en push in on the joystick once AUTO WB may also be assigned to a User Key TUNGSTEN Preset to 3 200K DAYLIGHT Preset to 5 600K MANUAL WB Allows you to manually set Color Temperature in the range from 1 700 to 100 000 degrees Kelvin To ad just Select MANUAL WB and twist joystick to change the highlighted COLOR TEMP box to the desired setting default is 5 600K 5600 K T21 39 00 12 A004 EE AUTO WB TUNGSTEN DAYLIGHT MANUAL WB TINT TINT Color Temperature calculations assume a pure light source that may not be true in the specific scene the camera is imaging To compensate for any residual colorcast the TINT parameter can adjust the RGB color balance with a compensating Magenta Green color component Default is 0 To adjust Select TINT and twist joystick to change the highlighted TINT box to the desired setting Range is 100 to 100 TINT AUTO WB TUNGSTEN DAYLIGHT MANUAL WB NOTE Pushing AUTO WB calculates a new Tint value This is maintained if the Color Temp is ad justed via the Manual WB parameter If you select the Tungsten or Daylight presets Tint will be re set to zero which is the default value Build 30 v30 5 0 35 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE SHUTTER MENU Adjusts exposure time of each frame captured by the MYSTERIUM sensor Shutter speed presets are available for all common speeds and corresponding angles at 24 25 fps and 50 60 fps Preset sh
99. ennnrnnnnennnenn 119 User dN OTN EE 119 Export User Profile c ccccseccseeeseeeseeeees 119 Import User Profile ccccccseceeeeeseeeeeeees 120 Data Not Saved During Export rrrrennnnrvvnnnnne 120 APPENDIX D INPUT OUTPUT CONNEC FORS ciiiscsescndcc csticceccnncceeneusttccecteceatiecieaees 121 Right Side of Camera cccccccecssseeeesseeeeneeeeees 121 Time Code Input Output rrrnnnronnnrennnnnnnn 121 AUG RE POM pest edskpidenern 122 Viewfinder RED EVP Interface 123 Monitor RED LCD Interface 000 123 Line Level Microphone Level Audio MUS oen 123 Line Audio Output arrrnnnnennnnrrnnnrennnnennnnnnnn 125 Headphone Audio Output arrrnnnrennnnrnnnnnnnn 125 USB 2 Master rrnnnrnnnnnonnnnvnnnnrnnnnnnnnnnnnnnnnenn 126 USB SIAVC iani 126 Genlock INDUt cccscccsseeeceeeeseeeeceeeessaeees 127 Program Dual link HD SDI 008 127 Preview HD SD1 cccccseeeeceseeeeeeeeeeeeenes 128 PMA N E E E E 128 Rear Of Camera rrnnnrnnnnrnnnnnrnnnnennnnennnnnnnnnnennnner 129 DC Power Input rrnnnronnnnonnnnrnnnnnennnnennnnnnnn 130 Drive Interface ranrnnnnennnrnnnnnnnnennnrnnnnnnnnenn 130 Auxiliary Power Outputs ccccccseeeeeeeeees 131 APPENDIX E EXPOSURE TIPS USING FALSE COLOR AND ISO i uennnnennnnnnnnnvnnnnnennnnennnner 132 Underexposure 2 StOPS sscceseeeeeeeeeees 132 Overexposure
100. ess Contrast VIDEO menu Master Red Gain Blue Gain Green Gain TONE menu Enable X and Y values for Black Toe Center Knee and White IMPORT LOOK To import LOOK information perform the following 1 Press the VIDEO menu button on the rear of the camera Select VIDEO menu Select LOOK menu Select IMPORT and scroll to the desired file Press Joystick to confirm LOOK file selection USER PROFILE ae a PY EXPORT USER PROFILE To export USER PROFILE perform the following Press the SYSTEM menu button on the rear of the camera Select SETUP menu Select PREFERENCES menu Select USER PROFILE menu Select EXPORT External monitors and camera LCD will confirm profile was exported successfully External monitors will display filename for profile with the extension RPF aS ee IY a 7 Press Joystick once to acknowledge and clear the export successful confirmation message The profile was saved as sdmc PROFILES PROFILE 2 RPF NOTE You may edit USER PROFILE filenames on a computer but do not change its extension RFP or the camera will not recognize it It is recommended that you restrict file names to 12 cha racters as the camera cannot display the last 4 characters of a 16 character name Build 30 v30 5 0 119 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE NOTE If SD Card is not inserted under left front of camera camera will display Please attach a SD card and try
101. essive video display with Surround View frame guides and safe action title overlays zebra and false color exposure overlays waveforms camera status and operation menus RED LCD 1024 x 600 resolution RGB 4 4 4 progressive video display with Surround View frame guides and safe action title overlays zebra and false color exposure overlays waveforms camera status and operation menus HD SDI 2 Also referred to as Program HD SDI When in record mode these connectors provide two extra copies of the HD SDI PREVIEW signal When in playback mode these connectors provide a dual link 10 bit RGB 4 4 4 video signals conforming to SMPTE 372M PREVIEW HD SDI 1280 x 720 resolution 10 bit 4 2 2 video output 720p 50 00 59 94 Hz PREVIEW HDMI 1280 x 720 resolution 10 bit 4 2 2 video output 720p 50 00 59 94 Hz NOTE If a RED EVF or RED LCD is connected the PREVIEW HD SDI and HDMI outputs will provide Surround View frame guides safe action title and timecode clip name If both a RED EVF and RED LCD are connected PREVIEW HD SDI and HDMI outputs only support Surround View NOTE Only if a RED EVF or RED LCD is connected the HDMI output can also support a 1280 x 848 resolution video output with Surround View frame guides safe action title timecode clip name waveform and camera status and operation menu overlays This signal should be compatible with the majority of DVI based SXGA computer monitors To select between these m
102. for a Class A digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment This equipment generates uses and can radiate radio frequency energy and if not installed and used in accordance with the instruc tion manual may cause harmful interference to radio communications Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense NOTE Connecting this device to peripheral devices that do not comply with Class A requirements or using an unshielded peripheral data cable could also result in harmful interference to radio or television reception The user is cautioned that any changes or modifications not expressly ap proved by the party responsible for compliance could void the user s authority to operate this equipment To ensure that the use of this product does not contribute to interference it is neces sary to use shielded I O cables Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE BEFORE YOU START Congratulations on your purchase of a RED ONE camera This operation guide covers cameras equipped with MYSTERIUM and MYSTERIUM X sensors Please read the attached safety instructions then careful ly unpack the camera body any accessories If there i
103. for the year between 2007 and 2020 Move Joystick up or push in to set V YEAR MONTH _ DAY MONTH Allows the operator to enter a new value for the monthbetween 1 and 12 SET DATE T 01 02 28 00 A001 7 GMT MONTH _ YEAR Y f MONTH _ DAY DAY Allows the operator to enter a new value for the day between 1 and 31 SET DATE T01 02 40 00 A001 GMT DAY YEAR MONTH y PN SET TIME SET CLOCK T 07 56 40 00 A001 C014 DATE TIME SET CLOCK To change time push in or down on joystick to place checkmark in the desired checkbox Box on lower right will highlight Twist joystick to change the highlighted box to the desired setting sl ee o Move Joystick up or push in to set Build 30 v30 5 0 I 9 LLL APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE HOURS Allows the operator to enter new value for hours 24 hour format between 0 23 T 01 02 59 00 A001 GMIHOUR 9 ivy HOUR _ MINUTE SECOND MINUTES Allows the operator to enter new value for minutes between 0 59 T01 03 10 00 A0012 SMTMINUTE 4 __ HOUR ivi MINUTE _ SECOND SECONDS Allows the operator to enter new value for seconds Range 0 59 T 01 03 26 00 A001 SECOND DEE __ MINUTE vf SECOND SET CLOCK Set Clock loads the selected Date and Time parameters into the camera s system memory SET CLOCK T 07 56 58 00 A001 C014 DATE TIME SET CLOCK NOTE
104. for use in REDCODE RAW compatible image processing applications They can be used to visualize a specif ic color look but do not affect the REDCODE RAW recorded data Build 30 v30 5 0 44 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE LOOK The LOOK menu permits Video Gain and Tone values to be exported or imported from an SD Card Look files may be read by another camera and may be created by the camera or the REDCINE X application Push joystick down or in to select desired change Lies UE SL A002 CO10 COLOR GAIN TONE CLEAR Resets the settings for Color Gain and Tone menu parameters to their default values When selected camera will display SUCCESSFULLY RESTORED SETTINGS look settings restored to Factory Default Values Select OK IMPORT EXPORT IMPORT The current settings for Color and Gain parameters will be overwritten by the values stored on the SD Card The available LOOK files will be listed in alphabetical order e g e PROFILE 0 e PROFILE 1 e MAGENTA TINT T 20 43 34 01 A002 LOOK PROFILE IE PROFILE OI CLEAR IMPORT EXPORT To adjust When IMPORT is selected the LOOK PROFILE box will be highlighted Twist joystick like a knob to select push joystick down or in to set NOTE If no profiles are available NONE AVAILABLE will be displayed in the LOOK PROFILE box NOTE LOOK profile can be imported from REDCINE X to the camera Refer to REDCINE X Opera t
105. fore a sequential code that is continuous from frame to frame but discontinuous between clips NOTE Time Code and Edge Code are only output from the 5 pin timecode connector if OUTPUT is enabled in the TIMECODE setup menu but are always embedded in HD SDI When in Varispeed or Time lapse recording modes the timecode counters are updated at the same frame rate as the recording This means valid SMPTE timecode is created without count jumps that would affect clip playback or editing If using an external timecode source with Jam Sync enabled the clip s master time reference point is the first frame of the recorded clip When in Loop Record mode the Edge Code will become discontinuous between clips because frames copied into the cache memory are discarded This may lead to problems with applications that assume a continuous timecode sequence It is therefore recommended that Time Code be selected when operating in this recording mode POWER CONSUMPTION A Mysterium sensor based RED ONE camera draws approximately 75 Watts with Mysterium X sensor approximately 80 Watts in a typical accessory configuration At this power consumption a RED BRICK 140Wh battery will run the camera for about 90 minutes The camera is normally cooled by passive con vection from the camera body assisted as required by a fan Build 30 v30 5 0 25 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE BASIC OPERATION This section describes poweri
106. g red plus the three traffic lights to the right of that are all illu minated These indicators are suggesting that a signification portion of the sensor s RAW data is at clip and this clipping is occurring on Red Green and Blue channels 24 FPS 50800 rr wCLR VE U 48 na 5 600 AE i i s L Drop Temp Media DC ISO 800 False Color Exposure Build 30 v30 5 0 134 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE Select False Color Exposure note the y E icon in the GUI when active This mode allows us to visualize where in the image over exposure is taking place These areas are indicated in red It s clear those areas are on the highlight on coin and at the top right edge of the color chip test chart 244 s 50800 s gt CR vy 48 5600 Internal REG ISO 800 False Color Video Select False Color Video note the v V icon in the GUI when active This mode allows us to check the RGB video levels of the scene As all the white chips on the test chart are yellow this suggests that a sig nificant portion of the monitor path video is at the maximum legal 100 IRE value Because the scene is over exposed when the recorded R3D file is color corrected in post production the scene s highlight information will almost certainly be clipped however the shadow information will probably display cleanly once pulled back down to an acceptable brightness Build 30 v30 5 0 135
107. ge processing applications if desired SENSITIVITY The sensitivity sub menu allows you to adjust the camera s ISO Rating ISO RATING The sensitivity value is adjustable in 1 3rd stop increments When sensitivity is adjusted the camera me tadata logs the change and the monitor path reacts accordingly ISO 800 T 20 35 23 12 A002 ISO RATING 1 To adjust twist joystick to change the highlighted RATING box to the desired setting 2 Push up on the joystick to set and return to the previous menu SENSOR main menu or push the EXIT button to exit the menu completely MYSTERIUM Adjustable in 1 3rd stop increments from ISO 100 to ISO 2000 Default ISO RATING is ISO 320 MYSTERIUM X Adjustable in 1 3rd stop increments from ISO 100 to ISO 6400 Default ISO RATING is ISO 800 Build 30 v30 5 0 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE COLOR TEMP The Color Temperature sub menu adjusts the purity of white reproduction of the RGB monitoring paths at different Color Temperatures of ambient light Factory default is 5 600 degrees Kelvin AUTO WB TUNGSTEN DAYLIGHT MANUAL WB AUTO WB The Automatic White Balance AUTO WB function allows the camera to calculate a Color Temperature that will render a white object as white AWB mode analyzes the central 25 of the image visible in the monitor To use AUTO WB place a white or gray object under the ambient light select the AUTO WB parameter and th
108. ger user programmable but defaulted to Record Start Stop and a Record Tally output The lower connector pro vides a GPI trigger user programmable but defaulted to Record Start Stop for Time lapse set to TIM LAPSE in GPIO preferences and a Frame Recorded Tally output The DRIVE interface supplies power and data over e SATA protocols to record REDCODE TM RAW compressed video data metadata and audio to RED DRIVE or RED RAM digital media Build 30 v30 5 0 13 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE CAMERA DISPLAYS The LCD status display mounted at the rear of the RED ONE camera provides a snapshot of the camera setup RED LCD and RED EVF monitors are factory preset digital displays There are no saturation peaking or contrast adjustments as found on analog monitors to correct color reproduction Monitor outputs on the RED ONE camera are set up for REDcolor gamma and color space Image intensity can be adjusted to compensate for ambient lighting conditions For the RED LCD use the Up Down keys on top of the display For the RED EVF use the rotary encoder To assist with exposure all monitor outputs can display a dual Zebra pattern and a False Color exposure meter overlaid on the video In addition the RED EVF and RED LCD outputs can display a RGB histogram and RAW sensor data exposure meter with individual R G B channel clip stop lights CAMERA LCD STATUS DISPLAY PROJECT FRAME RATE TIM
109. grees Kelvin but may be electronically compensated for any color temperature in the range 1 700 to 10 000 Kelvin White Balance presets are available for Tungsten 3200K and Daylight 5600K lighting the camera may also calculate a color neu tralizing White Balance value using a standard white card technique The MYSTERIUM X sensor and associated image processing electronics are capable of delivering ap proximately 13 stops of dynamic range and may be operated over an ISO rating range of 100 to 6400 ISO Build 30 v30 5 0 19 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE IMAGE PROGESSING The digital images received from the MYSTERIUM or MYSTERIUM X sensors are formatted as pixel de fect corrected but not color processed RAW data similar to digital RAW stills cameras The sequence of RAW images received from the sensor is compressed using proprietary 12 bit RED CODE RAW compression The REDCODE RAW data recorded is independent of the RGB signal moni tored in the monitoring path ISO White Balance and other RGB color adjustments made to the RGB monitoring path are not burned into the recorded 12 bit REDCODE RAW data REDCODE RAW images can be stored on Compact Flash RED DRIVE or RED RAM media The camera s RGB monitoring path independently converts the sequence of RAW images received from the sensor to white balanced 10 bit 1280 x 720 pixel RGB 4 4 4 video This signal may be modified using ISO White Balance an
110. he battery V Plate View into camera Auxiliary RS232 connector Mating connector LEMO FHG 1B 310 CLAD62Z Pins Signal Description Direction 1 GND S Cameraground 2 mx Ou 3 iv Regulated 12V output S00mA max Out 4 dd Reserved do not connect ss sm 6 Reserved do not connect sw 8 ar Te Reserved do not connect 10 Reserved donot connect NOTE Pins 4 6 9 and 10 are reserved for future use Build 30 v30 5 0 122 c 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE VIEWFINDER RED EVF INTERFACE The RED EVF interface is a custom digital video and power interconnection between the camera and a RED EVF Due to the requirement for absolute data integrity that requires custom cable construction the pin out of this interface is not published Contact RED technical support for available RED EVF cable lengths MONITOR RED LCD INTERFAGE The RED LCD interface is a custom digital video and power interconnection between the camera and a RED LCD Due to the requirement for absolute data integrity that requires custom cable construction the pin out of this interface is not published Contact RED technical support for available RED LCD cable lengths NOTE The Aux RS232 RED EVF and RED LCD connectors use the same shell size Do not attempt to force fit a 10 pin Aux RS232 cables into a 16 pin RED EVF or RED LCD connect
111. he rectangular end of a USB 2 cable into the upper USB port of the RED ONE camera to act as the Master Then power cycle both cameras On boot up the two cameras will automatically establish Master Slave mode Build 30 v30 5 0 126 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE GENLOCK INPUT A single DIN 1 0 2 3 coaxial connector accepts a Tri Level Sync signal for video genlocking When operating at 23 98 24 00 25 00 or 29 97 Project Time Bases set the genlock signal generator to SMPTE 274 progressive scan format at the same frame rate as the project TIME BASE Do not use PsF or interlaced signals Using an Ambient ACL202CT set dip switches as follows D down U up R right L left NOTE After changing any of the above dip switch settings power cycle the Ambient ACL202CT Lockit Box timecode unit Dip Switch Settings 23 98 fos 1D 2U 3D 4D 5U 6U 7U AR BR 24 00 fps 1D 2U 3U 4D 5U 6U 7U AR BR 25 00 fps 1U 2U 3U 4D 5U 6U 7U AR BR 29 97 fps 1D 2D 3U 4D 5U 6U 7U AR BR When operating at 50 00 or 59 94 Project Time Bases set the genlock signal generator to SMPTE 296 progressive scan format at the same frame rate as the project TIME BASE Using an Ambient ACL202CT set dip switches as follows D Down U up R right L left Dip Switch Settings 50 00 fps settings not verified at this time 59 94 fps 1D 2D 3U 4D 5U 6D 7U AR BR Connect the
112. highlighted RESOLUTION box to the desired resolution 3 Move Joystick right or up to select and exit T18 00 13 12 A002 gt RESOLUTION TIME BASE QUALITY VALID SETTINGS The maximum available time base supported by each media type for each resolution is Build 30 v30 5 0 69 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE am m om om as m 2 om Caws om om om am omw om mem as som om oe am om om os am ms om oe as som me me am ms om oe am e om 2 am e 2 2 am es 2 mes askws f 2 2 NOTE Frame rates of 30 and 60 should be read as 29 97 and 59 94 respectively NOTE An individual project should only use one Time Base as it defines the frame rate used for timecode and editing To vary the capture frame rate above or below the base frame rate defined by the project s time base enable VARISPEED in the SHUTTER menu NOTE When in 2K 3K or 4K ANA mode RED EVF RED LCD and PVW HD SDI and HDMI outputs will be stretched 2 1 horizontally to provide a 2 40 1 aspect ratio image display TIME BASE Time base allows the user to set the project time base the playback amp editing frame rate Default is 23 98 T 18 00 24 16 A002 2 HME BASE RESOLUTION TIME BASE QUALITY VALID SET
113. ild 30 v30 5 0 42 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE INTERVAL Specifies the number of seconds the camera will wait before the next image is captured Range is 1 to 1024 seconds Default setting is 5 sec To adjust Select INTERVAL and twist joystick to change the hig hlighted PERIOD box to the desired setting default is 5 seconds PERIOD DE 00 el ENABLE SPEED STEP PRINT INTERVAL BURST TYPE BURST TYPE Burst type specifies the type of burst recording To adjust Select BURST TYPE and twist joystick to change the highlighted FRAMES ARE box to REPEATED or UNIQUE Default setting is REPEATED FRAMES ARE REPEATED ES ENABLE STEP PRINT INTERVAL BURST TYPE REPEATED Specifies that each frame captured during the burst record be repeated That is for each Time lapse event a single frame is repeated N times where N is the Step print value UNIQUE Specifies that each frame captured during the burst record is unique That is for each Time lapse event N frames are captured and recorded where N is the Step print value NOTE When recording in Time lapse mode the RECORD tally lamp will remain illuminated Each successive event uses the next available Edge Code and Time Code value and uses the existing clip name This results in a complete Time lapse sequence with a single clip name and correct timecode se quence To exit Time lapse mode push the RECORD button Build 30 v30 5 0 43 APRIL
114. ing This reserves a small amount of capacity for ancillary data to be written to the media REMOVE MEDIA FROM CAMERA UNMOUNT IMPORTANT Media must always be un mounted prior to removal or disconnection from the cam era This ensures power is removed from the digital media and any open data files are closed Fail ure to do so may result in lost data or corrupted files Removing a CF card or disconnecting a RED DRIVE or RED RAM without first un mounting it will not physically damage the media however it does increase the risk of file corruption so it s good operational practice to un mount the media if possible before removing or disconnecting IMPORTANT Un mounting the digital media takes a few seconds protects the integrity of your recorded data and helps clips mount instantly to your workstation once in postproduction so it s a recommended habit to develop If you don t un mount the media the camera will offer a warning your files may not be damaged but you will have been warned NOTE The camera will respond to physical removal of the media without un mounting and display the following warning Media removed prior to Unmount Data Integrity Risk UNMOUNTING of digital media can be performed in one of two ways PROCEDURE A 1 Push and hold the UNDO button 2 While holding the UNDO button push the EXIT button Build 30 v30 5 0 113 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE 3 Camera
115. ing options e 2K 2 1 e 2K ANA e 3K 16 9 e 4K 2 1 e 4K 16 9 e 4 5K WS e 2K 16 9 e 3K 2 1 e 3K ANA e 4K HD e 4K ANA Default resolution is 4K 2 1 1 To view options twist joystick T 18 00 13 12 A002 7 RESOLUTION 4K 2 1 RESOLUTION TIME BASE QUALITY VALID SETTINGS 2 Choose 4 5K 4K 3K or 2K or 2 1 variants Use 2K or 2K 2 1 for S16mm B4 lenses 3 Push joystick in or down to set the selected resolution NOTE A project can only support one project Time Base as this defines the frame rate to be used for timecode and for clip playback It is also the primary frame rate for acquisition but variable speed over crank and under crank recordings can be made above and below this base frame rate On playback these recordings will be displayed at the Project Frame Rate NOTE If operating on a multi camera production enter a different Camera I D for each camera us ing the SLATE menu otherwise skip this step the camera is ready to shoot TIME BASE Selecting TIME BASE will highlight the upper right hand menu item and give you the following fps options e 23 98 e 25 00 e 50 00 e 24 00 e 29 97 e 59 94 1 To view options twist joystick T 18 00 24 16 A002 TIME BASE RESOLUTION TIME BASE QUALITY VALID SETTINGS 2 Choose desired time base 3 Push joystick in or down to set the selected time base NOTE The time base establishes the base frame rate for a project and so should not be adjusted Use Varispeed if shooting abov
116. ion Guide for complete information EXPORT The current settings for Color and Gain parameters are stored to the SD Card The camera generates a file name of the format PROFILE_ RLK For detailed information on exporting LOOK files go to APPEN DIX C SAVING LOOK USER PROFILE IMPORT Build 30 v30 5 0 gg LL APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE COLOR The Color sub menu selects various image processing parameters that may be applied to the monitor path SATURATION EXPOSURE BRIGHTNESS CONTRAST and SHADOW They do not affect the ac tual REDCODE RAW data being recorded To adjust Select the desired setting and twist joystick to change the highlighted box to the desired setting T 20 34 36 12 A002_C010 GAIN TONE SATURATION Adjusts color saturation Range is 0 0 monochrome to 2 0 Super color Default is 1 0 EEE T 18 33 16 13 4004 a SATURATION EXPOSURE BRIGHTNESS CONTRAST SHADOW EXPOSURE Adjusts exposure compensation Available exposure range is 2 0 to 4 0 Default is 0 0 SATURATION EXPOSURE BRIGHTNESS CONTRAST SHADOW BRIGHTNESS Adjusts brightness without crushing highlights Available range is 10 to 10 Default is 0 0 COLOR T 18 33 43 05 A004 BRIGHTNESS SATURATION EXPOSURE BRIGHTNESS CONTRAST SHADOW CONTRAST Adjusts the overall contrast of the image Range is 1 00 flat to 1 00 max contrast Default is 0 00 COLOR T 18 33
117. is pre assigned to AUTO WB and User Key 2 is pre assigned to 1 1 FOCUS CHECK Focus check zooms in the image to allow for precise focus adjustment These assignments can be changed in the KEYMAP prefe rences menu Refer to KEY MAP under PREFERENCES in SET UP under SYSTEM MENU CONTROLS NOTE If User Key 2 assignment is changed FOCUS CHECK is still available through the EVF but tons Refer to RED EVF DISPLAY under CAMERA DISPLAYS for additional information Build 30 v30 5 0 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE An SD Memory Card slot D is located below User Key 2 which supports most SD Cards of up to 1GB capacity It is not possible to store video or audio data to the card SD card however it may be used for camera firmware upgrades and to store USER PROFILE and LOOK files REAR OF CAMERA A Clip Start Previous Clip ical Clip Play Pause pasta g Clio End Next Cli ip En ext Up B Play Reverse D FastForward Fast Forward Figure 2 Rear Upper Playback Camera Controls A Cues the Clip to its Start Frame If already at the Start Frame pushing this key again will cue to the Start Frame of the previous clip recorded on the digital media if one exists B FRW Plays the clip back in reverse Each push of this key cycles clip playback between 1 x 2 x and 8 x speed playback C PLAY PAUSE Used to enter PLAYBACK mode and to initiate playback of the last recorded clip Push once t
118. isplay is not shown completely on the monitor display try the following e Select PREVIEW and change setting between from VIDEO 720p to MENUS DVI e Select PVW REFRESH and change setting between 50 00 HZ or 59 94 HZ EVF REFRESH EVF Refresh permits the operator to select the display refresh rate used by the RED EVF T 08 13 06 00 A001 MODE FIXED FRAME GUIDE PREVIEW TEST SIGNAL PVW REFRESH EVF REFRESH FIXED The default mode is FIXED which uses 2 3 or other appropriate pull down as required to display images at a fixed frequency of 59 94 Hz or 50H2 at all image capture frame rates This mode minimizes display flicker but will exhibit a 2 3 motion stutter on 24fps images SYNCED The alternative mode is SYNCED This avoids 2 3 pull down and instead doubles the capture frame rate for example displaying 24fps images at 48Hz 50Hz for 25 00 fps The display may exhibit luminance flicker due to the lower frame update rate but it will not stutter NOTE When in SYNCED mode EVF display may blank for up to 3 seconds e When existing OPEN GATE mode e After exiting MAGNIFY mode when in 4K record resolution e After changing between certain Varispeed frame rates Build 30 v30 5 0 81 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE SETUP This menu permits a variety of system maintenance tasks to be accomplished Options available are PREFERENCES MAINTENANCE SET CLOCK and REMOTE SETUP T 20 55 11
119. itions the output of the GPO when a Clip is playing in Playback mode CUED Transitions the output of the GPO when a Clip is cued for Playback POLARITY T 13 49 40 00 A001_C001 vj INPUT A vj INPUT B OUTPUT A OUTPUT B POLARITY This menu permits the signal polarity of GPIO IN 1 and 2 and GPIO OUT 1 and 2 to be defined as either ACTIVE_LO or ACTIVE_HI Build 30 v30 5 0 85 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE GPIO IN ACTIVE LO is the default which means the GPIO IN command will be activated on a high to low edge of an external control pulse Set to ACTIVE HI to use a low to high edge T 13 49 55 00 A001 SIGNAL ts HL GPIO IN 1 GPIO IN 2 GPIO OUT 1 GPIO OUT 2 GPIO OUT ACTIVE_HI is the default which means the GPIO OUT tally output will be high when in nor mal burst or ramp record modes and low when not Set to ACTIVE_LO to reverse this T21 12 21 05 A002 SIGNAL amen GPIO IN 1 GPIO IN 2 GPIO OUT 1 GPIO OUT 2 PLAYBACK Playback selects the Playback Video Format sub menu This menu permits the video format and look used by the camera on playback to be specified HD SDI HD SDI sets the video format to be used by the HD SDI output when camera is in PLAYBACK mode to 720p or 1080p Default is 720p NOTE When 1080p is selected the HDMI output will not be compatible with the majority of DVI or HDMI based computer monitors therefore it should be considered as deactivated
120. les image center cursor Check or uncheck to select Default is checked CURSORS E 01 02 35 05 Z001_C001 v CENTER v ACTION vi TITLE ACTION Enables disables outer guides Style may be specified as a corner marker or a rectangle De fault is checked with CORNERS selected CURSORS E 01 02 35 05 Z001 CORNERS v CENTER Vf ACTION y TITLE Build 30 v30 5 0 77 l APRIL 2 2010 O 2007 2010 RED COM ING GUIDE TITLE Enables disables inner guides Style may be specified as a corner marker or a rectangle Default is checked with CORNERS selected CURSORS E01 02 35 05 Z001 __ CORNERS Vj CENTER v ACTION Wut 1 To set ACTION or TITLE push in or down on joystick to place checkmark in ACTION or TITLE checkbox STYLE box will highlight to allow you to choose between CORNERS or RECTANGLE 3 Twist joystick to change the highlighted STYLE box to the desired setting Move joystick left right or up to select and exit USER ACTION Push to program a custom Safe Action area Area may be adjusted for width height and center offset User Action values may be saved in USER PREFERENCE files CUSTOM T 17 57 45 03 A003 C004 LOOK AROUND CURSORS USER ACTION 1 To adjust select desired setting to modify 2 Twist joystick to change the highlighted the desired setting 3 Push up or in on Joystick or push EXIT button to set and exit you cannot go back to the menu User defined Safe Action
121. lm out multi media or special effects applications REDCINE X may export a sequence of 2K or 4K image files in TIFF Open EXR DPX JPEG or Photoshop PSD file formats Creating 4 2 2 at 1080p or 720p resolution QuickTime movies provides compatibility with the majority of non linear editing systems Depending on the QuickTime movie resolution material may be taken directly to a broadcast delivery vi deotape format or after the editorial decisions have been made video can be conformed at full image resolution by replacing the lower resolution edit proxy e g 720p at 8 bit quality with a high resolution 4K 2K or 1080p image file SOFTWARE TOOLS RED DIGITAL CINEMA provides a variety of software tools to aid postproduction For proper color rendi tion using a Macintosh OSX computer your monitor should be set to Adobe 1998 or to SMPTE C display profile If you use the HD Cinema display profile adjust the gamma to 2 2 Build 30 v30 5 0 140 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE RED QUICKTIME CODEC Use V3 9 0 or higher for Build 30 footage NOTE V3 9 0 is currently not compatible with Build 30 camera color matrix therefore camera foo tage should be white balanced before editing or other image processing The RED QuickTime codec permits REDCODE RAW footage to be displayed on Macintosh OSX personal computers running QuickTime Player V7 4 5 or higher PUR A002 C003 070913 P mov A002 C003 07
122. lume Format Name RED_ONE Carefully choose the drive from the list on the left Select the Erase tab Choose MS DOS FAT as the Volume Format You can add a Name if desired however the camera will overwrite this IMPORTANT BEFORE PERFORMING THE NEXT STEP DOUBLECHECK THAT THIS IS THE COR RECT CF CARD OR RED DRIVE OR RED RAM THAT YOU WISH TO ERASE DATA FROM 6 Select Erase When the pop up window appears click on the Erase button 7 When the media is erased drag its icon to the trash can and physically disconnect it 8 The media will need to be formatting by the camera before use Refer to FORMATTING ERASING MEDIA USING WINDOWS 1 Connect the CF card via a CF card reader or the RED DRIVE or RED RAM via a standard FireWire 400 800 cable or USB cable and power supply 2 Open Windows Explorer go to my computer icon right click and select EXPLORE 3 Double click on the dive you wish to erase files from 4 Select all the files on the drive you wish to erase IMPORTANT BEFORE PERFORMING THE NEXT STEP DOUBLECHECK THAT THIS IS THE COR RECT CF CARD OR RED DRIVE OR RED RAM THAT YOU WISH TO ERASE DATA FROM 5 Press the DELETE key on the keyboard select FILE gt DELETE or right click on selected file and choose DELETE When the pop up window appears click YES 6 The media will need to be formatting by the camera before use Refer to FORMATTING MEDIA Build 30 v30 5 0 115 APRIL 2 2010 2007 2010 RED COM
123. ma and RGB histograms System information including instantaneous frame rate sensitivity shutter soeed color temperature re cording format clip name timecode battery and media remaining is provided in the RED LCD or RED EVF monitor outputs and the rear status display on the camera back For applications where a RED LCD or RED EVF are not desired for example working on a crane the Surround View video frame guides and exposure overlays are also available on the Preview HD SDI out put providing remote camera monitoring up to 200 ft away 24 10320 E2 RSP AB sec 4344 ANALYSIS METER FOCUS ASSIST INTENSITY vi METER EFFECTS Build 30 v30 5 0 22 l 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE RECORD INDICATOR When recording the RED ONE camera provides a variety of record indications tallies Timecode normally displayed in white colored text will turn Red Asmall Red dot will appear in the top left corner of any video monitoring outputs RED LCD etc The REC LED on the rear of the camera will turn Red If using an EVF the LED on the front will turn Red when the Tally is set to TALENT Refer to SYSTEM MENU CONTROL gt SETUP gt PROGRAMS TALLY 50800 vmCLR 48 SEC 5600 R Internal 4 2 1 KAMA rs 23 08 RAW i Jk RECORDING ERRORS RECORD ERROR NO_DIGIMAG is displayed if media is not present for recording Connect media to camera Refer to APPENDIX B MANAGING
124. mera LCD will display INCOMPATIBLE_DIGMAG This may be caused by one of the following e The camera settings were changed while the media was removed and or disconnected e The media was formatted on a different camera with different settings To resolve this error connect the CF card or RED DRIVE RED RAM to a computer and save the files from the media to the computer Then you can either erase the CF card or RED DRIVE RED RAM using the computer or format the CF card or RED DRIVE RED RAM using the camera for which you want to use the media P Build 30 v30 5 0 116 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE MAGAZINE FORMATTING FAILED If when selecting FORMAT camera LCD displays FORMAT FAILED and the external monitors display the message below The active drive INTERNAL is unmounted Please re connect to Format Select OK and try again If error continues unmount media install again and repeat format procedure OUT OF SPACE Record Error OUT_OF SPACE displays when 2 percent or less media is available for recording Media is full and files should be downloaded and formatted or different formatted media should be connected Build 30 v30 5 0 117 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE APPENDIX C SAVING LOOK USER PROFILE The following information lists the specific camera information stored when saving a LOOK or USER PROFILE file Before
125. mera to replace its internal Time of Day value with external timecode read from the 5pin LEMO connector This value is updated at the first frame of each recording provided a valid ex ternal timecode source is present If the external source is not present the camera auto increments the timecode until the external source is re connected Unchecked by default T 14 04 50 08 A004 C008 E JAM SYNC F OUTPUT F CROSS DISPLAY gt s TIMEZONE CHAIN LINK ICON When JAM SYNC is checked and an external timecode generator source is connected to the TIMECODE connector refer to TIME CODE INPUT OUTPUT under APPENDIX D INPUT OUTPUT CONNECTORS and set to the same frame rates as the camera s project TIME BASE a CHAIN LINK icon will be displayed at the top of the EVF LCD and all external monitors This indicates a valid timecode signal is available to the camera 24 FPS 50800 Q vMCLR 4B sec 5600 NOTE Once Jam Synced the camera will maintain Sync even if the external timecode source is removed until the next power cycle OUTPUT Unchecked by default when checked timecode is enabled on the 5 pin LEMO timecode I O connector If checked the current Time Code value is provided on the 5 pin LEMO timecode I O connector Time Code is always embedded in HD SDI irrespective of this setting T 14 05 03 20 A004 C008 _ JAMSYNC OUTPUT _ CROSS DISPLAY TIMEZONE CROSS Cross allows user to select between Cross JAM and Cross GEN Unchecked
126. meter is unaffected by White Balance ISO VIEW or LOOK settings and therefore represents a true measurement of the exposure levels of the sensor at all times The meter is coded in stops with red indicating that some portion of the sensor is at or near clipping Build 30 v30 5 0 53 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE RAW CLIP METER The RAW Clip meter looks a traffic light style meter and indicates if either of the Red Blue or Green channels of the RAW sensor data are clipping This meter is unaffected by White Balance ISO VIEW or LOOK settings and there fore represents a true measurement of the exposure levels of the sensor at all times RAW NOISE LEVEL BAR The RAW noise level bar displays the amount of pixels in the image that are in noise For example if the bar is about 1 8 of the total height this would indicate approximately 1 8 of the total pixels in the image are at an exposure level at risk of displaying noise when pushed at higher ISO or FLUT values in post pro duction RAW CLIP LEVEL BAR The RAW clip level bar displays the amount of pixels in the image that are clipping For example if the bar is about 1 4 of the total height this would indicate approximately 1 4 of the total pixels in the image are at an exposure level at risk of clipping and may not be recoverable by lowering ISO or FLUT values in post production Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2
127. n objects moving within the frame To adjust Select SPEED and twist joystick to change the highlighted SHUTTER SPEED box to the desired setting Exposure times in 1 Second presets 1 24 1 25 1 30 1 382 1 33 1 40 1 48 1 50 1 60 1 96 1 100 1 120 1 125 1 192 1 200 1 250 1 384 1 400 1 500 1 696 1 800 1 1 000 1 1 200 1 2 000 sec NOTE If SYSTEM gt SETUP gt PREFERENCES gt DISPLAY gt STATUS is set to DEGREES the shutter speed values will be displayed in degrees A001 SHUTTER SPEED 180 A GENLOCK MODE SYNCRO PHASE Exposure time in degree presets 360 345 288 270 262 216 180 173 144 90 86 72 69 45 43 35 22 22 17 12 11 9 7 4 When operating at 23 98 or 24 00fps these equal common shutter angles of snutter Degrees Ster Degrees When operating in Relative mode the Shutter Speed values are proportionately reduced or extended to correspond to changes in the instantaneous capture frame rate Build 30 v30 5 0 37 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE This mode is analogous to use of a fixed shutter angle on a mechanically shuttered camera E g Enabling Relative mode with 1 48 sec shutter at 24fps will mean 1 96 sec for 48fps and 1 16 sec for 8fps This achieves the same visual result as setting a180 degree shutter SYNCRO When operating in this mode the Shutter Speed values may be proportionately reduced or extended to tune exposure tim
128. n the associated list USER 4 User Key 4 is the lower user key button on the RED EVF Default is VIEW RAW When checked USER 4 key is enabled and its function is defined in the associated list USER 5 User Key 5 is the left hand side key button on the RED LCD Default is COLOR When checked USER 5 key is enabled and its function is defined in the associated list NOTE To reset keys to default settings go to RESTORE A reboot of the camera may be necessary to restore defaults Available functions that may be allocated to the User Keys are Description Function Description Record Initiates camera record start stop Volume 1 EAE EOE E AE ERE phone mode Magnify Initiates camera monitor path magnify Somme Decreases volume of Channel 1 when in micro function phone mode Auto WB Initiates camera Auto White Balance Volume 2 NE VE OE rei I Cho phone mode Color Toggles the EVF Color selection On Off Volume 2 PE NE phone mode Toggles the EVF Meter Assist selection D S On Off ecreases camera Sensitivity Initiates Variable Speed Ramp Shutter Increases camera Shutter Speed Initiates Timelapse Record Mode Decreases camera Shutter Speed Allows un mounting of media Ei RT Unmount Refer to MEDIA gt UNMOUNT Allows cycling through False Color settings Re Toggles Zebra 2 On Off fer to AUDIO VIDEO gt VIEWFINDER gt FALSE GPIO COLOR GPIO selects the GPIO preferences sub menu T 13 43 02 00 AQ01 COO1
129. n this image Red areas represent sensor exposure levels that are at clipping agmacbeth NOTE As EXPOSURE meters sensor RAW information it is not affected by any RGB domain ad justments such as ISO rating FLUT White Balance Video Gain or other LOOK information NOTE Because the RAW data represents a wider color space than RGB provided that the Red clip color is not present in EXPOSURE view even if Red clip color is present in VIDEO view the apparently clipped RGB highlights can be recovered in post production by adjustment of ISO FLUT or changing the KNEE and WHITE values of the CURVE box Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE FOCUS PREVIOUSLY EDGE HIGHLIGHT FOCUS displays a Blue color overlay that outlines the edges of objects that are in sharp focus By adjust ing your lens zoom and focus you can see which objects are coming into and falling out of focus When selected the icon y F will be disphyed at the top of the screen 24 0s 50800 s gt vMCLR V 48 5600 VIDEO PREVIOUSLY FALSE COLOR VIDEO displays a multi color color overlay that allows you to check the video level of the RGB monitor path calibrated to the SMPTE test signal and any outputs driven from that path such as HD SDI and HDMI When selected the icon y V will be displayed at the top of the screen PL 50800 ver vMCLR NAV 48 5600 Purple represents Super Black Dark Blue rep
130. ng up down and basic controls of the RED ONE camera and how to initiate a project POWER UP DOWN Power is supplied to the camera via a RED BRICK battery connected through a RED BATTERY PLATE RED QUICKPLATE or RED CRADLE or RED CHARGER connected to the POWER connector located at the rear of the camera To power the camera up turn on push the power on off switch once To power the camera down turn off push the power on off switch once During power up PIN Build and Version will display on the camera LCD display and all external monitors N od 13 sl INITIALIZING 102 47D 638 30 When powering the camera through direct DC power such as RED CHARGER status is displayed on the camera s LCD Display and any external monitoring outputs as Power DC Power 1 dl DC 4 When powering camera through RED BRICK batteries battery status is displayed on the camera s LCD Display as well as any external monitoring outputs as Battery with battery power percent remaining AOQ11 COO1 Drop Temp Media Battery Build 30 v30 5 0 26 I 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE OPERATING CAMERA USING RED CHARGER 1 Plug the RED CHARGER into an AC power source between 120 240V Plug one end of the supplied 6 pin power cable into the AUX power output connector of the charger Plug the other end of the power cable into the POWER connector on the rear of the came
131. nnanrnnnnrennnnennanee 11 NN EE a a 38 Camera ConnectorsS rrwnnnnnnnnnnnnvnnnnnvennnnnvennnnne 12 PHASE ssdri 38 Right Side of Camera wnnnnnnnnnnnronnnnnvnnnnnnennn 12 Varispeed r rnenernanernnnrnnnevennunernnnvrnnnvennenennunenen 39 Rear of Camera rrannnannnnnnnnnnnnnnnnnnnenuvennennnennne 13 Varispeed sainscccamenrcaianenswnsinestansonieennsentatgaienemods 39 Camera DisplaysS rrrrnnnronnnnnvnnnnnnennnnnrennnnnvennnnne 14 PAG Oe EE EE 39 Camera LCD Status Display errnnnrrennnnnnnnr 14 Frame Rate rerrenronnenvennonnnvernnnnunvernnnnnneenenne 40 RED LCD Display ccccccsseeeeeeeeeeeeeeeeeees 15 EE 41 RED EVF Display rrrnnnrronnnnrornnnnronnnnnvnnnnnnennn 15 1110 FRANC EE 41 External HD SDI or HDMI Monitors 16 Time Lapse rrannnnnrenanennnrnnnnennnennnrnnnnennnennusennsen 41 RED LCD RED EVF HD SDI HDMI ENADO EE EE 41 Display Elements rrrnnnnnnrornnnnnnnonnnnnnnnennnnn 17 Sal e E E 42 THEORY OF OPERATION uvnnnnnvvvnnnnnnvevnnnnnnnernnnnnnr 19 Step PrNI sisssssrsdiainsiii resinen 42 Mysterium SENS OF swiciccisnnicaaceenasnenteassauncosssnentewsians 19 MEN ve 43 Mysterium X Sensor rrrrnnnnnnennnnnnnnvnnnnnnnnennnnnnnr 19 Ses UAC EE 43 Image Processing rrvnnnnnvvvnnnrennnnnrennnnrennnnnnennnnr 20 AUDIO VIDEO MENU CONTROLS annevvnnnvevnnnnn 44 Audio Recording ernnnnvnnnnnnvvnnnnvennnnnvnnnnnnennnnenennn 20 Nr 44 Line Level INDUtS
132. nnnnnvnvnnnrennnnnrennnnnvnnnnnsennnnnvennn 60 Project Set p ssawacivsenienvasionneeacevnizundkenineaneswenaateauns 29 Volume Marve 61 Resolution ecceecacscnnneatnencnestensddascentsvenianactanaeces 30 ea COT EE eee 61 Time BASE uumnirnadduendeisksdfeeniedkeasbdae 30 Volume Rig Miesies 61 SEE 31 MN 61 Build 30 v30 5 0 1 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE SYSTEM MENU CONTROLS nnsnnnnevnnnvnnnnvennnnennnner 62 Sound Men uuvssvsekeee eee 62 REG Enable Luusanemvduenmenoblemdnagnedkei 62 Output LEVE uisnemaksmtedkseannukventedr 62 ASV MIC cccnsicansansundtancersiamuas e hennir hennak 63 Media Menu rrnnnrnnnronnnnnnnrnnnnennnnnnnrnnnnennnnnnnnennr 63 Pre RECcord u senn psenidisskar 63 Ga 4016 0 EE E E E E P 65 FO a E 65 GAA OS OA A S E A E TT 65 KE EE E E 66 Project Menu rrrnnrnnnnnnnnrnnnrnnnnnnnnennnrnnnnennnnnnnnnnnr 66 AU eee decanter samadiuedeaeietbcenanen 67 NAR EE MM 68 COMO arresterer 69 EE eee 72 PE 74 Mee 74 Frame GUd uurungrseniesmnvs skrapes 75 EN weceniesencnssatimssencesdnwsiatsecnisensecnstsanteeneases 79 Test Signal rrnrrnnnnnnrrnnnnnennnnnrennnnnvnnnnnnvnnnnnne 79 PVW Refresh Formerly HD SD 0 81 EVF Refresh cccccccecccseecesecesecseeseeeseeseeaees 81 UP oer esse E E EEA inst iew AE E kere 82 Preferences cccceecceeecceeeceeeceeeeeseesseeseeeeeaees 82 Maintenance anrnnnnennnrnnnnnnnnennnnnnnnennnrnnnnnnnr 91 Setting Sy
133. nput is pro tected against reverse polarity connection ESD under voltage and over current DO 05O View into camera Power Input connector Mating Connector LEMO FGG 2B 306 CLAD62Z Pin Signal Description VBATT Power input 11 5 to 17VDC SCL BATT Battery pack I2C bus clock SDA_BATT Battery pack I2C bus bi directional data WARNING It is very important that both pairs of VBATT and GROUND pins are wired up DO NOT fabricate power cables with just one each of VBATT and GROUND pins wired as this will cause damage to the camera s power supply this is not covered by Warranty 1 my 2 Ground Power Return Camera Ground 5 6 DRIVE INTERFACE The Drive Interface B is a custom e SATA and power connection for RED DRIVE and RED RAM media Due to the requirement for absolute data integrity that requires custom cable construction the pin out of this interface is not published Contact RED technical support for details of available drive interface cable lengths NOTE The Drive Interface and D C Power Input connectors use the same connector shell size It is very important you do not try to force a 16 pin Drive Interface cable into the 6 pin D C Power con nector or 6 pin D C Power cable into the 16 pin Drive Interface connector Build 30 v30 5 0 130 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE AUXILIARY POWER OUTPUTS The camera provides two auxiliary power output connecto
134. o enter Playback mode a second time to start playback Once in clip playback this key acts as a Play Pause toggle D FFW Plays the clip at higher speeds Each push of this key cycles clip playback between 1 x 2 x 8 x and 32 x speed playback E Cues the Clip to its End Frame If already at the End Frame pushing this key again will cue to the Start Frame of the next clip recorded on the digital media if one exists Rotating the joystick allows cycling through available clips while in playback mode Refer to JOYSTICK OPERATION NOTE It is not necessary to exit Playback mode prior to the next recording To exit playback mode either push the RECORD key or push the EXIT key to the left of the joystick When in playback all cursors will be disabled and the camera provides a clean feed of the recorded vid eo signal at 1280 x 720 resolution on the Preview HD SDI and HDMI outputs Depending on the capture frame rate pull down will be added to create a standard 1280 x 720 progres sive scan 59 94Hz or 50 00 Hz high definition video signal SMPTE timecode is embedded on the Preview HD SDI output and both Preview HD SDI and HDMI outputs provide up to 4 independent channels of 24 bit 48KHz audio NOTE If PLAYBACK MODE preference is set to 1080p HD Preview HD SDI and HDMI outputs will switch to 1920 x 1080p progressive scan 10 bit 4 2 2 at 23 98 24 00 25 00 or 29 97 fps NOTE If PLAYBACK LOOK preference is set to CLIP the color adju
135. odes perform the following 1 Push the SYSTEM menu button 2 Using joystick select MONITOR Push the joystick in or down to select T 09 30 38 00 AQ01 C008 MEDIA PROJECT MONITOR Using the joystick select PREVIEW 4 Twist joystick to select MENUS DVI or VIDEO 720p in the PVW OUTPUT box above the EVF RE FRESH box default is VIDEO 720p T08 12 30 00 A001 PVWOUTPUT MENUS DVI FRAME GUIDE PREVIEW cal TEST SIGNAL PVW REFRESH EVF REFRESH Build 30 v30 5 0 21 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE 5 To set selection and exit the menu push the EXIT button or move the joystick up two times x2 The Preview Output setting will be held in camera memory Once it is set it will not need to be re set when power cycling the camera RED LCD AND RED EVF The optional RED LCD and RED EVF are specialized video monitors that may be attached to the camera body and provide a variety of user tools to assist framing focus and exposure Surround View which is an additional visible area outside the actual recorded image Frame guidelines show common film presentation and television formats such as 2 40 1 and 1 85 1 pic ture center and or television aspect ratios such as 16 9 14 9 and 4 3 Focus is aided by the high resolution of the displays 1 1 Focus Check function and two user selectable waveform based focus assist meters Exposure is aided by dual zebras a false color meter and Lu
136. omputer There are 2 different ways to upgrade camera firmware One while the camera is already on the second requires turning the camera off e To upgrade the camera firmware with the camera ON go to next step e To upgrade the camera by turning off go to STEP 12 With the camera on insert the SD CF card into its corresponding slot on the camera Connect the USB memory device to the USB port on the side of the camera Go to SYSTEM gt SETUP gt MAINTENANGE and click on UPDATE SW Go to STEP 14 Build 30 v30 5 0 107 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE 12 With the camera OFF insert the SD CF card into its corresponding slot on the camera Connect the USB memory device to the USB port on the side of the camera 13 Turn the camera ON 14 If there is valid upgrade firmware build version on the SD CF card or USB memory device all monitor outputs will display A software update is available for your system Would you like to upgrade Upgrade NOTE If you choose to upgrade later the camera will continue to operate on the current firmware version NOTE If the camera does not automatically display the upgrade to manually upgrade the camera go to SYSTEM gt SETUP gt MAINTENANCE gt UPDATE SW and the upgrade will be identified and the upgrade message will be displayed Refer to UPDATE SW in MAINTENANCE under SETUP in SYS TEM MENU CONTROLS 15 Push joystick in or down to begin
137. onnector provides an HDTV compatible 720p video and audio signal or a DVI SXGA compatible 1280 x 848 progressive scan video signal at 50 00 or 59 94 Hz Build 30 v30 5 0 128 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE Selection between these two modes is made in SYSTEM gt MONITOR gt PREVIEW The default setting is VIDEO 720p In this mode the HDMI output replicates the HD Preview video output The alternative mode is MENUS DVI In this mode the HDMI output is compatible with most DVI based SXGA or higher resolution computer monitors Use is as an external Viewfinder NOTE HDMI output is not active when PLAYBACK is set to 1080p i e no output is available when the RED ONE camera is placed into playback NOTE If an ANAMORPHIC record mode has been selected 2K ANA 3K ANA 4K ANA the video visible on the HDMI output has been stretched 2 1 to illustrate the final 2 40 1 aspect ratio of the final image projection The actual recorded image is 1 2 1 aspect REAR OF CAMERA Camera DC Power Input a 11 5 147V Aux Power GPIO A e SATA Interface to RED DRIVE or RED RAM digital Aux Power GPIO B magazine Build 30 v30 5 0 129 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE DC POWER INPUT The POWER input connector A accepts a DC voltage between 11 5 and 17V DC When used with a RED BRICK 140 battery the camera also receives battery status information The power i
138. or or force fit a 16 pin RED EVF or RED LCD cable into a 10 pin Aux RS232 connector LINE LEVEL MICROPHONE LEVEL AUDIO INPUTS A three pin mini XLR connector is provided for each of the camera s Line Microphone inputs Audio is recorded at 24 bit 48KHz which provides high audio fidelity and wide dynamic range The Line Level and Microphone Level analog audio input signals are routed via a high quality A D and pre amplifier whose gain stage may be controlled using the Input Level control to achieve the desired audio reference re cording level To assist with audio operating reference level setup the camera provides a color coded Peak Level meter with OdBu 20dbFS Witness Mark in the Graphical User Interface Peak Level meter range is 34dBu to 20dBu 54dBFS to OdBFS and provides clip indication Pin Signal Description Direction pt GROUND Gameraground gt ME 1 Mic Line input 48V phantom power ME 8 O IN Mic Line input 48V phantom power Line Level Audio Inputs Line Level audio inputs are designed to operate at unity gain 0dB Input Level therefore an appropriate line output level should be established by your production mixer or other signal source Build 30 v30 5 0 123 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE Reference signal level for Line inputs is OdBu 0 775 volts RMS 20dBFS when operating at OdB Input Level The maximum input signal that can be a
139. ormatted CF card to the camera and perform the Black Shading Calibration again RESTORE Restore permits camera configuration and setup data to be reset to factory default values T 19 05 13 09 A003 C003 BLK SHADING RESTORE UPDATE SW WRITE LOG NOTE A reboot of the camera may be necessary to restore defaults RESTORE T 08 38 56 00 A001 CO01 LOOK USER SYSTEM Build 30 v30 5 0 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE LOOK Allows all image processing parameters to be reset to the factory default values When selected and reset the external monitors will display look settings restored to Factory Default Values USER Allows all user preference parameters to be reset to the factory default values When selected and reset the external monitors will display user settings restored to Factory Default Values SYSTEM Allows all camera configuration parameters to be reset to the factory default values When selected and reset the external monitors will display system settings restored to Factory Default Values Build 30 v30 5 0 97 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE UPDATE SW Update SW initiates a camera software firmware update T 19 04 56 20 A003 CQ03 BLK SHADING RESTORE UPDATE SW WRITE LOG For complete detailed procedure go to APPENDIX A UPDATING CAMERA FIRMWARE WRITE LOG T 19 04 38 1
140. ot empty a warning and conforma tion screen will appear push FORMAT or CANCEL as appropriate CHANGE T 09 36 15 00 A001 C008 FORMAT REEL RESET Select this function if you wish to reset the reel number counter used by the camera to allocate reel num bers when the media is formatted NOTE To protect against duplicate magazine and file names the camera inserts a random two di git alphanumeric number in the file and or directory names MEDIA T 10 45 50 00 A001 C014 EF PRE RECORD UNMOUNT FORMAT CHANGE 1 Select REEL and press in or down on joystick 2 Twist joystick to change the highlighted RESET box reel number between 1 and 999 NOTE The default reel number offered by the camera will be 1 The camera no longer resets this value each time the Project Time Base formerly Frame Rate is changed T 09 45 14 00 A001 RESET FORMAT REEL 3 Move Joystick to the left and select FORMAT If the magazine is not empty a warning and conforma tion screen will appear push FORMAT or CANCEL as appropriate For additional information go to APPENDIX B MANAGING DIGITAL MEDIA T 09 45 40 00 A001_C008 FORMAT REEL PROJECT MENU The project menu sets the operating parameters the camera will use for a given project Options available are STATUS SLATE CONFIGURE TIMECODE and QT PROXIES PROJECT T 16 23 23 00 A001 C014 STATUS gt SLATE CONFIGURE TIMECODE vi QT PROXIES Build 30 v30 5 0 eo
141. otary switch until the white selection box overlays the parameter you wish to adjust Push the switch to lock that selection in Rotating clockwise increases the parameter value counterclockwise decreases the parameter value ae RD Push the switch once more to lock the parameter and exit the parameter adjust mode METERS PREVIOUSLY STATUS When checked displays media exposure and audio status on lower edge of all external monitors Checked by default DISPLAY T 18 03 37 01 A003 C003 vj STATUS _ LENSDATA EVF MENU vi METERS _ GREY SCALE When unchecked lower edge of all external motors will be blank 24 10800 S gt CIR 448 5600 FS A T 23 01 34 11 A004 C006 Build 30 v30 5 0 I g9 b 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE GREY SCALE When checked displays an 11 step grey scale on right edge of all external monitors Unchecked by de fault vmCLR 48 sec 5600 24 10800 Fite R T 23 02 01 01 A004 C006 Drop Temp Media Power DC MAINTENANCE The maintenance sub menu defines how the cooling fan behaves adjusts Black level resets user settings to factory defaults and enables software updates T 19 05 22 00 A003 COQ03 BLK SHADING RESTORE UPDATE SW WRITE LOG FAN Fan specifies how long the cooling fan operates The camera s fan speed can be changed depending on the ambient air temperature and recording application The default
142. ould take this step only when advised to do so by a factory representative Before continuing make sure the lens cap is securely in place The sensor must remain unexposed to light for the duration of this process 3 Select OK camera monitoring outputs will display 4 The camera records 100 frames of sensor data that is used to analyze the precise black level of each pixel This will take about 2 minutes During this time the camera will display camera LCD will display Calibrating CALIBRATION ANALYZING SENSOR 88 5 After analyzing sensor the camera will display BLACK SHADING ANALYZING BLACK SHADING MERGING BLACK SHADING CALCULATING CORRECTIONS BLACK SHADING WRITING 6 As the last step in the process the camera will display BLACK SHADING INSTALLING Build 30 v30 5 0 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE 7 Installation of the new data takes about 3 minutes The camera will confirm process is complete Please reboot the camera for the new settings to take effect 8 Select OK and restart the camera as instructed RESTORE Restore will reset any user defined black shading data to factory default values 1 Select BLACK SHADING camera monitoring outputs will display BLK SHADING T 15 07 11 00 AQ01 COO1 START RESTORE 2 Select RESTORE camera monitoring outputs will display You are about to delete your owner
143. our computer When copying media it is recommended that you drag the complete RDM folder on the digital magazine to the archive storage media This copies all the media and metadata files You won t need to copy the log and magazine profile files but if you do so It will do no harm CAUTION REDFLASH 16GB Compact Flash cards transfer data at extremely high rates RED re commends a high performance professional UDMA reader from a reputable manufacturer when Build 30 v30 5 0 114 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE downloading from 16GB CF Cards Using inexpensive or low quality readers may cause damage to the cards and or corruption loss of media files stored on them ERASING MEDIA USING MACINTOSH OS X 1 Connect the CF card via a CF card reader or the RED DRIVE or RED RAM via a standard FireWire 400 800 cables 2 Open the Disk Utility First Aid Erase RAID Restore 93 2 GB 5T91002 LAS Media Laptop Mac 4 7 5 GB Generic STORAG a Erasing a disk erases all data and volumes on a disk leaving the disk empty Erasing a _ RED_ONE selected volume erases that volume only leaving other volumes on the disk unchanged To securely erase data click Security Options and select an option before clicking Erase To help prevent recovery of deleted files click the Erase Free Space button To erase a disk or volume select its icon specify a format and name and click Erase Vo
144. p information and frame guides on the HDMI or HD SDI outputs CLEAN DOES NOT display camera clip information or frame guides on the HDMI or HD SDI outputs Build 30 v30 5 0 103 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE TALLY Allows you to select between TALENT and OPERATOR Default setting is TALENT TALENT 1 21 25 23 22 A002 VIDEO FEED TALENT When camera is recording the red LED indicator light on the EVF will illuminate along with the red LED on the rear of the camera OPERATOR When camera is recording ONLY the red LED on the rear of the camera will illuminate Build 30 v30 5 0 104 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE APPENDIX A UPGRADING CAMERA FIRMWARE RED ONE camera functionality may be upgraded by installing the latest firmware Camera firmware and software are identified by the build and version number This is displayed by the camera on the LCD display and all external monitors during power up Refer to POWER UP DOWN un der BASIC OPERATION A higher number reflects a later release The current RED ONE release available for download and upgrade is shown on the home page of the web site jo RED Index Windows Internet Explorer H red cam Fie Edt Vew Favorite Tool Help Farsoribei RED de CAMERAS LENSES ACCESSORIES SHOT ON RED SUPPORT FAQ STORE WELCOME TO RED COM RED SCARLET INFO REDUSER NET RSS RSS Go to for a
145. pplied before the onset of input signal clipping is 18dBu 6 5 volts RMS 2dBFS This provides a guaranteed minimum of 18dB of input signal headroom above reference in combination with maximum Signal to Noise Ratio for the resulting 24 bit digital recording Drop Temp Media Power ia 2 L ii IE DC EE 4 OFF Peak Level Meter response to OdBu 20dBFS Reference Level NOTE If sending the camera a TAPE level line output 10dBu adjust the Input Level to 10dB MICROPHONE LEVEL AUDIO INPUTS The 24 bit digital recording level of each Microphone Level input is affected by the sensitivity of the at tached microphone and the Input Level setting applied to each of the audio pre amplifiers Pre amplifier Input Level range is 36dB to 54dB with a default value of 36dB Choose an Input Level that aligns the input signal to the reference line drawn vertically through the cam era s PPM which indicates OdBu This setting provides a guaranteed minimum of 18dB of input signal headroom above reference in combination with maximum Signal to Noise Ratio for the resulting 24 bit digital recording NOTE The above notes apply to cameras configured with Rev B audio hardware Cameras shipped prior to Sept 15 2008 and not yet upgraded to Rev B were supplied with Rev A audio hardware with the following operational restrictions You should always use a RED DIGITAL CINEMA XLR to mini XLR adaptor cable which provides a
146. ra Turn on the charger oe oe E When the LED above the RED CHARGER AUX power output connector turns green you can turn on the camera Refer to POWER UP DOWN NOTE The maximum sustainable power load of the RED CHARGER is 100W 13 8V The output of the charger is over current protected and will shut down if an excess load condition occurs If the output trips for any reason remove any external loads from the camera such as lights motors etc turn off the RED CHARGER and repeat the above procedure RECHARGING BATTERIES USING RED CHARGER When using the RED CHARGER recharge time for a single RED BRICK battery is 200 minutes The bat tery can also be partially charged to approximately 80 capacity in 120 minutes This RED CHARGER can sequentially charge two batteries with charging currents of up to 4A NOTE When a cable is plugged into the 6 Pin LEMO auxiliary output connector of the charger the battery charging process will suspend pause The AUX LED will illuminate and the LEDs on the charger will blink Green Once the cable is unplugged the charger will continue the previous charging sequence from the point of interruption 1 Plug AC power cord into charger AC input and power source 2 Turn the charger power switch ON 3 Insert a battery into one of the two V plate adapters Insert second battery if desired 4 Observe the charger LED In addition the charge status will read in 20 steps through the RED BRICK batter
147. resents Black Teal represents 3 stops under 18 Gray Green represents 18 Gray Pink represents Skin Tone Straw represents White and Yellow Orange and RED represent various degrees of signal clipping in RGB space By adjusting ISO FLUT and Shadow while looking at VIDEO check the operator can ensure that Black White and 18 Gray values conform to the desired levels on the HD SDI and or HDMI outputs The VIDEO bands provide the following information Super Black IRE 1 0 Black IRE 1 3 Dark Gray IRE 9 12 GREEN Typical Level for 18 Gray Card IRE 44 47 RINK O Typical level for Caucasian Skin IRE 54 57 White IRE 96 98 Super White IRE 101 104 ORANGE Super White IRE 105 107 RED Super White IRE 108 109 Build 30 v30 5 0 51 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE At all other values the monochrome image displayed represents the luminance value of the ISO adjusted image PURPLE TEAL PINK YELLOW RED BLUE GREEN STRAW ORANGE METER Meters allow the operator to verify camera exposure independently of False Color overlays Selections include SPOT METER and RGB HIST a composite of Red Green and Blue Default is RGB HIST To adjust Select METER and twist joystick to change the ANALYSIS METER to the desired setting ANALYSIS METER RGB HIST _ ASSISTS Build 30 v30 5 0 52 O 2007 2010 RED COM ING APRIL 2 2010 RED ONE OPERATION GUIDE SPOT METER
148. rs C D on its back panel Each output sup plies un regulated 11 5 to 17V battery pass through power between pins 1 and 4 Maximum sustained current draw is 1 5 Amp per output These power output pins are over current protected and are only ac tivated by the camera on boot up If the over current circuits trip power cycle the camera to re activate the outputs O OJO View into camera Auxiliary Power Output connector Mating Connector LEMO FGG 0B 304 CLAD42Z Pin Signal Description a GROUND Auxiliary power return Camera Ground L2 GPI Input Trigger s co Taly 4 VOUT Auxiliary power output Each connector also provides a low voltage trigger input GPI and tally output GPO on pins 2 and 3 whose functions can be configured in the GPIO preferences menu The upper connector contains GPI A and GPO A the lower connector contains GPO A and GPO B The default setting for both GPI A and B is Record Start Stop and for GPO A and B is Record Tally 1 To activate a GPI trigger momentarily short pin 2 to 1 2 When active the GPO tallies present 3 3 V 0 04 amps maximum between pins 1 and 3 WARNING If creating a GPI trigger cable it is very important not to short pin 4 to pin 3 as this could cause damage to the camera s power supply this is not covered by Warranty Build 30 v30 5 0 131 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE APPENDIX E EXPOSURE TIPS USING FALSE COLOR AND ISO
149. ry bright and very dark The histogram data reflects that however you can also see that the sensor RAW meters are un changed The exposure at the sensor at this point in time is the same If you choose to close the iris to reduce the brightness of the first image you will be reducing exposure at the sensor this biases expo sure in favor of protecting the scene highlight Alternatively if you choose to open the iris to increase the Build 30 v30 5 0 138 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE brightness of the image of the second image you will be increasing exposure at the sensor this biases exposure in favor of minimizing noise in the scene shadows The technique is similar in principle to re rating a film stock With practice the ISO rating can be used as a tool to assist ideal exposure based on the dynamic range identified within the scene Build 30 v30 5 0 139 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE APPENDIX F POST PRODUCTION RED workflow is quite easy to understand especially if you have experience with photographic RAW im age processing or shoot 16mm or 35mm film followed by a telecine transfer to a non linear video editor and on line conform RAW data has a wide dynamic range and color space so you can freely change the white balance of the footage adjust exposure and alter highlight and shadow tonality in post production The RED ONE camera records RAW
150. s RMS 20dBFS when operating at OdB Input Level The maximum input signal that can be applied before the onset of input signal clipping is 18dBu 6 5 volts RMS 2dBFS l e this setting supports a guaranteed minimum of 18dB of input signal head room above reference plus the maximum available Signal to Noise Ratio for the resulting 24 bit digital recording MICROPHONE LEVEL INPUTS The recorded signal levels of Microphone inputs are affected by the sensitivity of the microphone and the Input Level setting Range is 36dB to 54dB with a default value of 36dB The camera operator should choose an Input Level that aligns the input signal to the reference line drawn vertically through the camera s PPM indicating OdBu Build 30 v30 5 0 20 I 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE This setting supports a guaranteed minimum of 18dB of input signal headroom above reference plus the maximum available Signal to Noise Ratio for the resulting 24 bit digital recording VIDEO MONITORING OUTPUTS In its default configuration the RED ONE camera can simultaneously support a RED EVF RED LCD 3 HD SDI outputs and one HDMI output with two of these outputs supporting full GUI overlay graphics Default setting for GUI support is RED EVF and RED LCD However if either one of these is not present full GUI overlay support is automatically enabled on HD SDI and HDMI outputs RED EVF 1280 x 848 resolution RGB 4 4 4 progr
151. s any physical damage or missing components for your camera body and any accessories please file a Support ticket at www RED com support am RED ONE Camera IMPORTANT INFORMATION READ BEFORE USING YOUR CAMERA GENERAL USE DO NOT MODIFY OR DISMANTLE Do not attempt to open your camera lens or other accessory as doing so may expose you to electric shock and serious injury There are no user serviceable parts inside Alteration or repairs made to the camera lens or other accessory except by a RED authorized service fa cility will void the Limited Warranty Users are not permitted to make design changes or otherwise modify the operation of the camera lenses or other accessories without the express written approval of RED DIGITAL CINEMA STORAGE Store in a protected level and ventilated place Avoid exposure to temperature extremes damp severe vibration strong magnetic fields direct sunlight or local heat sources during storage Re move any batteries from the camera before storage Note that storing batteries fully charged or in high temperature conditions may permanently reduce the life of the battery Available battery capacity may also be temporarily lessened after storage in low tempera ture conditions Build 30 v30 5 0 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE The recommended storage and usage temperatures for your camera lenses and other accessories are Operating range 0 C to 40
152. s to de activate the lens data port for any reason this menu will indicate by unchecking the LENS PORT check box The lens data port may then be re activated by checking the checkbox REMOTE T 16 18 57 00 A001 C014 REMOTE PORT LENS PORT PROGRAM Allows the camera s HDMI and HD SDI and Tally outputs to be optimized for a variety of applications Parameters include VIDEO FEED and TALLY PROGRAM T21 24 25 20 A002 fjer nat VIDEO FEED Build 30 v30 5 0 101 L APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE VIDEO Allows you to select between NORMAL FLIP H Horizontal FLIP V Vertical and FLIP H V monitor path video orientation Default setting is NORMAL Flipping the monitor path video maybe desirable when working with 3D beam splitter rigs or when the camera is mounted inverted on a crane NORMAL LO eo Pa A0Q02 VIDEO FEED NORMAL Displays the live or playback image in normal orientation Sitti FLIP H Flips the live or playback image horizontally aie TT Build 30 v30 5 0 102 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE FLIP V Flips the live or playback image vertically FLIP H V Flips the live or playback image horizontally AND vertically FEED Allows you to select between MENU and CLEAN output on HD SDI Default setting is MENU T 21 25 10 20 A002 VIDEO FEED MENU Displays camera cli
153. setting is AUTO FAN CONTROL T 15 05 39 00 A001 7 FAN MODE FAN 1 FAN MODE box will highlight to allow you to choose from between AUTO VARIABLE HOT STAN DARD QUIET and SILENT default is AUTO 2 Twist joystick to change the highlighted FAN MODE box to the desired setting Move joystick left up or push in to select Build 30 v30 5 0 I 4 LLL APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE AUTO This setting combines VARIABLE speed fan operation while not recording with SILENT mode when in record This mode is recommended for extended duration dialog recordings VARIABLE This setting is most useful when the ambient temperatures are below 50 F 10 C In variable mode the fan runs at a continuously variable speed in both preview and record At low ambient temperatures the fan will run at minimum speed At higher ambient temperature the fan will run faster to maintain the camera body within its operating temperature limits HOT This setting is most useful when the ambient temperature is between 86 F 32 C and 104 F 40C In hot mode the fan runs at its maximum speed Other camera cooling precautions may be necessary Such as shading the camera from sunlight and use of a cold gel pack STANDARD This setting is most useful when the ambient temperature is below 86F 32C In standard mode the fan will run at half its maximum speed when in record QUIET This setting is most useful when the am
154. st metadata will be read from the recorded clip If set to CAMERA the metadata used are the current camera settings Build 30 v30 5 0 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE UNDOQ r User Menus Select DEN UNDO Alternate Action ree Record Start Stop EXIT Menu Record Ready OK LED Figure 3 Rear Center Camera Controls On the rear of the camera several buttons surround a daylight readable LCD status display J To the left of the status display are three User Menu buttons A which by default provide direct access to SENSITIVITY A SHUTTER B and COLOR TEMPERATURE C menus The specific function of these keys may be re programmed by the user to provide quick access to other functions Refer to KEY MAP under PREFERENCES in SET UP under SYSTEM MENU CONTROLS NOTE For quick programming of the keys navigate to the desired menu you wish to program the A B or C key to then push and hold the desired key until external monitors display User button A B C has been assigned to this menu The selected key will now be programmed to the new menu destination To reset keys to default settings go to RESTORE A reboot of the camera may be ne cessary to restore defaults Below the LCD status display are the Joystick E Exit D Undo Alternate Action F and RECORD H buttons plus the SENSOR B AUDIO VIDEO C and SYSTEM G menu buttons The camera control menus are logically grouped un
155. stem CIlock rrrrrnnnnnrvnnnnnrennnnrrennnnr 98 3 100 RE 100 POOE EE EE 101 APPENDIX A UPGRADING CAMERA FIRMWARE Lane 105 Verify Current Camera Firmware rnnrrnnnnnnnnnn 106 Upgrade Procedure rrnnarennenennnnnrnnavennevennnnenen 106 APPENDIX B MANAGING DIGITAL MEDIAN ne 109 Media TY DGS Lunde vannedrknsmnddede 109 Formatting Media rrnnrrnnnvrvnnnrennnrennnvennnvennnvrene 109 Re formatting Media rrrrvnnnrennnrennnrennnvrrnnvren 111 Media Capacity Remaining Status 00 113 Remove Media from Camera 18 La 0101 10 EEE 113 Procedur susamesmussneaikammenieeibddeunn 113 Procedure Bi rrnnnennnrnnnnnnnnvnnnrnnnnennnvnnnnnnnnenn 114 Proced re 1 OE rR niEes 114 Copying Media rrrennnnnrnnnnnnrrnnnnnvnnnnnrennnnnvennnnr 114 Erasing Media Using Macintosh OS X xrxexns 115 Erasing Media Using Windows 0cceseeeeees 115 RED ONE Operation Guide Camera Build 30 Version 30 5 0 April 2 2010 2007 2010 RED COM INC SD Memory Card USB Memory DEviCes rrrnarennnrnnnrnnnnennnrnnnrnnnnennnrnnnnnnnnennnnnnnee 116 SD Memory Card rrnnnnnennnnnvnnnnnrennnnnvnnnnnnennn 116 USB Memory Device rrrunnnnnrnnnnnnennnnnvennnnne 116 Media Errors rnrnnnnrnnnrnnnnennnrnnnnnnnnennnrnnnnnnnnnnnnne 116 APPENDIX C SAVING LOOK USER PROFILE ee 118 LOOK une 118 EX DOM LOOK sivceadsncusiontiomasencenaneuratoavceadsugncesanes 118 Import Look rrrnnrnnnronnrennnrnnnrennn
156. tick to change the highlighted FORMAT box to either EDGE CODE or TIME CODE 3 Move Joystick right or up to select and exit TIME CODE T 14 05 25 20 A004 FORMAT _ JAMSYNC OUTPUT CROSS DISPLAY TIMEZONE EDGE CODE If Edge Code is selected E precedes the value shown in the status display TIME CODE If Time Code is selected T precedes the value shown in the status display Default setting is Time Code TIMEZONE Applies a time offset to the SET CLOCK value established for the camera Unchecked by default T 14 09 03 12 A004 CMI OFFSET qu 80 MOUSE J JAMSYNC OUTPUT _ CROSS DISPLAY J TIMEZONE a GEER Build 30 v30 5 0 73 APRIL 2 2010 O 2007 2010 RED COM ING RED ONE OPERATION GUIDE 1 Push in or down on joystick to place checkmark in TIMEZONE checkbox 2 GMT OFFSET box will highlight to allow you to choose between 12 0 hours and 14 0 hours 3 Twist joystick to change the highlighted GMT OFFSET box to the desired setting 4 Move joystick left or up to select and exit If camera Date and Time are set to GMT and then set TIMEZONE to 8 for West Coast US Pacific time etc Or set Date and Time to local time and set the TIMEZONE value to 0 NOTE Current GMT date and time can be found using this web site or equivalent service http wwp greenwichmeantime com info current time htm QT PROXIES When checked the camera will create a Quick Time reference movie at the comple
157. tion of each clip record These movies are placed in the same folder as the R3D file While the movies are being created the cam era reports POST in the status display Checked by default T 16 24 05 00 A001_C014 SLATE CONFIGURE TIMECODE Yf QT PROXIES MONITOR The monitor menu provides controls for the framing guides and test patterns Options available are FRAME GUIDE PREVIEW TEST SIGNAL PVW REFRESH and EVF REFRESH T 08 12 15 00 A001_C014 FRAME GUIDE 3 PREVIEW 5 TEST SIGNAL PVW REFRESH EVF REFRESH Build 30 v30 5 0 14 2007 2010 RED COM INC APRIL 2 2010 RED ONE OPERATION GUIDE FRAME GUIDE This sub menu provides a selection of frame guides and safe action and safe title guides User definable safe action and safe title guides may be saved as a USER PREFERENCE thereby permitting the camera guides to be fully customized for any application vm CLR 48 sec 5 6 00 E FRAME GUIDE FRAME GUIDE FRAME GUIDE ENABLE PROTECT v ENABLE CURSORS FRAME GUIDE Options are FULL 2 40 1 85 4 3 and 16 9 Film projection areas are best suited using 1 85 or 2 40 as pect ratios and television display areas using 16 9 or 4 3 aspect ratios FRAME GUIDE T 09 57 26 16 Ajo lt FRAME GUIDE FRAME GUIDE v ENABLE SAFETY y ENABLE CUSTOM To change frame guide aspect ratio select FRAME GUIDE FRAME GUIDE box will highlight to allow you to choose from FULL to 16 9 Default is FU
158. to the instantaneous capture rate This ensures that the recorded REDCODE RAW data has valid and sequentially in crementing timecode for use by non linear editing devices 48 sec 5000 NOTE In Varispeed the frame rate display turns yellow the audio panel reports VARISPEED VARISPEED Before recording enable this function by placing a checkmark in the Varispeed checkbox To select Use joystick to highlight VARISPEED checkbox Push in or down on joystick to place checkmark in VARIS PEED checkbox E VARISPEED RAMP FRAMERATE END RATE RAMP Enables a speed ramp a transition over Time from the Frame Rate to an End Rate 1 To select and adjust use joystick to highlight RAMP checkbox 2 Push joystick in or down to place checkmark in RAMP checkbox NOTE When RAMP is selected VARASPEED checkbox will automatically be checked If VAIRS PEED is unchecked after RAMP and VARISPEED will be unchecked If RAMP is unchecked after VARISPEED will need to be unchecked separately 3 TRIGGER box will highlight to allow you to choose between ON RECORD and ON EVENT 4 Twist joystick to change the highlighted TRIGGER box to the desired setting 5 Move joystick left or right to exit TRIGGER ON RECORD v VARISPEED vi RAMP FRAMERATE TIME END RATE On Record On recording start the capture frame rate will immediately start transitioning from the Frame Rate to the End Rate On Event On recording start the capture frame rate st
159. utter speeds may be adjusted using the RELATIVE and SYNCRO shutter parameters SHUTTER GENLOCK SYNCRO GENLOCK References shutter scan start time phase to an external Tri Level Sync genlock signal For 3D and multi camera permits scan time and scan phase of all cameras to be matched To select Use joystick to high light GENLOCK checkbox Push in or down on joystick to place checkmark in GENLOCK checkbox SHUTTER GENLOCK SYNCRO GENLOCK ICON When GENLOCK is checked a PADLOCK icon will be displayed at the top of the EVF LCD and all exter nal monitors An external GENLOCK signal generator will need to be connected to the GENLOCK connec tor to allow full use of this feature refer to GENLOCK INPUT under APPENDIX D INPUT OUTPUT CON NECTORS 24 FPS 50800 vmMCLR 148 5600 If the PADLOCK appears on its own as shown above the camera is Genlocked This means the shut ter start time is referenced to the external Genlock signal so multiple cameras recording the same scene will be capturing their individual images at the same moment in time if they are all Genlocked to a common reference signal If the PADLOCK has a red circle and diagonal bar through it as shown below this indicates the sensor is not Genlocked Check that the Genlock signal generator frame rate is equal to the project TIME BASE and or the cabling and connections are correct 24 FPS 50800 vmMCLR 48 sec 5600 MODE Enables one of three
160. vided by an external signal source may be used as a substitute for an internal Tone Generator NOTE Before digital audio recordings can be made audio inputs need to be enabled 48V MIC Push 48V MIC to access the channels that you wish to provide 48V Phantom Power on T 07 49 48 00 A001_C014 REC ENABLE OUTPUT LEVEL 48V MIC 5 NOTE With firmware prior to Build 18 and all cameras with Rev A audio hardware the 48V Phan tom Power output will be disabled each time the camera is power cycled 48V MIC T 08 37 14 00 A001_C008 vi CHANNEL 1 x CHANNEL 2 w CHANNEL 3 ce CHANNEL 4 MEDIA MENU This menu provides various media management functions including digital media formatting Options available are PRE RECORD UNMOUNT FORMAT CHANGE and RESET For detailed instructions on formatting copying and deleting files from media go to APPENDIX B MANAGING DIGITAL MEDIA MEDIA T 10 43 23 00 A001 C014 PRE RECORD UNMOUNT FORMAT CHANGE PRE RECORD Pre Record enables a loop recording of definable duration 10 or 30 seconds that permits continuous video and audio capture for that defined duration before the actual RECORD event T 10 43 27 00 A001_C014 PRE RECORD UNMOUNT FORMAT CHANGE When enabled a GPI trigger ensure that either GPIO INPUT A or GPIO INPUT B are set to PRE RECORD will place the camera into pre record mode In this mode the camera records 1 second chunks of video Build 30 v30 5 0
161. y LED array RED BRICK battery LED array Build 30 v30 5 0 27 APRIL 2 2010 2007 2010 RED COM INC RED ONE OPERATION GUIDE 5 Leave the battery to charge for the appropriate time as shown in the table assuming battery is com pletely discharged Charging RED BRICK 140Wh using RED CHARGER Charge Amount Minutes 80 120 100 210 6 Unplug the battery when the LED becomes steady Green and or all the LEDs illuminate on the battery LED array FIRST TIME USE SETTING UP YOUR RED ONE Before recording the camera must be set up properly 1 2 EE SPY 9 Physically set up camera as desired Download the latest camera firmware from www RED com support and upgrade camera Refer to APPENDIX A UPGRADING CAMERA FIRMWARE Perform a Black Shading Calibration Refer to BLACK SHADING under MAINTENANCE in SETUP under SYSTEM MENU CONTROLS Verify Back Focus and adjust if necessary Refer to BACK FOCUS ADJUSTMENT Connect digital media to camera Refer to CONNECTING MEDIA Set up your project Resolution Time Base Quality etc Refer to PROJECT SETUP Format media Refer to APPENDIX B MANAGING DIGITAL MEDIA Develop an exposure methodology using the camera tools False Color Histogram etc and testing to find the fat RAW negative for various light conditions For detailed information refer to this link http reduser net forum showthread php t 30055 Frame focus and record CONNECTING ME

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