Peavey RHYTHM MASTER 400 User's Manual
Contents
1. For your safety we have incorporated a three wire line mains cable with proper grounding facilities lt is not advisable to remove the ground pin under any circumstances If it is necessary to use the amp without proper grounding receptacles a suitable grounding adaptor should be used Much less noise and the probability of shock hazard is greatly reduced when the unit is operated with the proper grounded receptacles STEEL GUITAR Est ADJUSTPREGAIN ON ALL CHARTS TO DESIRED LEVEL ADJUST MASTER REVERB ON ALL CHARTS TO PERSONAL TASTE PRE EQ m EGUALIZATION 4 MASTER GO PWR PATCH 100 800090 ee e Ser never 0 ow ts EQUALIZATION GNU ak PATCH o O 000000 te TR Ver i EQUALIZATION 1 50 4 Pe A g 15 BEE BO Ne 15 400 A Low Ser HIGH PRESENCE 0 9 OADPIO 02 3m0 mz0A aL eye Oo we DFF THE ABOVE TONE CHARTS ARE MEANT ONLY AS A GENERAL GUIDE AND ARE PROVIDEO TO FAMILIARIZE THE PLAYER WITH THE FUNCTIONS ANO CONTROLS OF THE NASHVILLE 400 ADJUSTMENTS TO THESE CONTROLS WILL BE NECESSARY DUE TO VARYING TYPES OF INSTRUMENTS PICKUPS AND ACCESSORIES UTILIZED ALONG WITH YOUR STYLE OF MUSIC AND PLAYING TECHNIQUE BE SURE TO READ ALL OF THIS OPERATING GUIDE TO UNDERSTAND FULLY ALL OF THE CONTROLS AND THEIR FUNCTIONS NASHVILLE 400 SPECS POWER AMPLIFIER SECTION RATED POWER amp LOAD 210 W RMS into 4 ohms with DDT compression and LED indicator POWER CLIPPING TYPICALLY2. POWER SECTION THE FOLLOWING SPECS ARE MEASURED 1 KHz WITH THE CONTROLS PRESET AS FOLLOWS PRE GAIN PULL BRIGHT OFF IN POST GAIN 10 LOW EQ 6 dB PATCH INPUT Function Low Level Pre EQ Effects Pedal Return mpedanceL High Z 220K ohms Designed Input Level 14 dBV 0 2 V RMS Switching jack providing patch output to patch input connection when not used Y i MID EQ 9 dB PREAMP OUTPUT PEW BMS Ue id Me SHIFT o Hz Function High Level Post EQ Signal Send 220 W RMS into 4 ohms HIGH EQ O 3 dB Load Impedance 1 K ohms or greater 2 ohms not recommended PRESENCE EQ O 6dB Nominal Output 0 dBV 1 V RMS FREQUENCY RESPONSE REVERB 0 Maximum Output 18 dBV 8 V RMS POWER AMP INPUT Function High Level Post EQ Signal Return Impedance High Z 22K ohms Designed Input Level 0 dBV 1 V RMS Switching jack providing preamp output to power amp input connection when not used SYSTEM HUM amp NOISE NOMINAL INPUT LEVEL 20 Hz to 20 KHz unweighted 75 GB below rated power EQUALIZATION LOW 15 dB 60 Hz Shelving MID 15dB Shift Frequency Peak Notch SHIFT 150 Hz to 1500 Hz HIGH 15 dB 2 KHz Special EQ PRESENCE 15 dB 5 KHz Shelving PULL BRIGHT 6 dB 2 KHz FOOTSWITCH Reverb defeat NOMINAL LEVELS ARE WITH PRE GAIN 5 MINIMUM LEVELS ARE WITH PRE GAIN 10 PREAMP HIGH GAIN INPUT NO PAD Impedance High Z 220K ohms Nominal Input Level 28 dBV 40 mV RMS Minimum Input Level 46 dBV 5 mV RM
3. The Post Gain Control sets the overall level from the preamp which feeds the 210 watt power section of the Nashville400 The action of this control is very similar to that of a master volume control and can be used to control the overload dynamics of the preamp section by decreasing the sensitivity of the power amp Normal settings of this control for clean operation will be from 12 00 o clock to full clockwise Rotating thecontrol clockwise increases thesensitivityof the power amp and the overall volume level of the system Some studio applications because of low noise requirements may need a fairly low setting of the Post Gain Control but please be careful to keep the Post Gain Control adjusted to at least the same number setting as the Pre Gain Control to avoid preamp overload which may cause distortion An average setting for the Post Gain Control for normal conditions during concert situations would be around the number5 to 7 positions and could be slightly lower for studio applications Once this control is adjusted properly for the amount of sensitivity you desire for the overall system then the gain of the individual instrument patched in should be accomplished with the Pre Gain Control PRE EQ PATCH 4 5 The unique pre equalization patching jacks have been provided for use with external devices such as volume pedals effects units etc etc This feaure allows external devices to be patched into the system after the input preamp but before
4. THE EXISTENCE OF THE EXPRESS LIMITED WARRANTIES AS HEREINABOVE STATED HAVE BEEN COMPLIED WITH IMPLIED WARRANTIES ARE NOT DISCLAIMED DURING THE APPLICABLE ONE YEAR OR NINETY DAY PERIOD FROM DATE OF PURCHASE OF THIS PRODUCT SOME STATES DO NOT ALLOW LIMITATION ON HOW LONG AN IMPLIED WARRANTY LASTS OR THE EXCLUSION OR LIMITATION OF INCIDENTALOR CONSEQUENTIAL DAMAGES SO THE ABOVE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU THESE LIMITED WARRANTIES GIVE YOU SPECIFIC LEGAL RIGHTS AND YOU MAY ALSO HAVE OTHER RIGHTS WHICH MAY VARY FROM STATE TO STATE THESE LIMITED WARRANTIES ARE THE ONLY EXPRESS WARRANTIES ON THIS PRODUCT AND NO OTHER STATEMENT REPRESENTATION WARRANTY OR AGREEMENT BY ANY PERSON SHALL BE VALID OR BINDING UPON PEAVEY In the event of any modification or disclaimer of express or implied warranties or any limitation of remedies contained herein conflicts with applicable law then such modification disclaimer or limitation as the case may be shall be deemed to be modified to the extent necessary to comply with such law Your remedies for breach of these warranttes are limited to those remedies provided herein and Peavey Electronics Corporation gives this limited warranty only with respect to equipment purchased in the United States of America INSTRUCTIONS WARRANTY REGISTRATION CARD 1 Mail the completed WARRANTY REGISTRATION CARD to PEAVEY ELECTRONICS CORPORATION POST OFFICE BOX 2898 MERIDIAN MISSISSIPPI 39302 2898 a Keep
5. a similar manner to the Low and High EQ Control and should present no operational difficulties Clockwise settings increase fat mid range frequencies and counterclockwise settings will result in a thinnersound with less mids apparent Notice the zero position at 12 00 o clock will indicate no change is taking place to the mid range frequencies A setting of zero will renderthe Mid Control ineffective because the mid range is at that point totally flat Most steel guitar equalization settings for the mid range control will be from minus 3 to minus 9 usually and these settings of course will vary from player to player because of technique and outboard equipment used Patch cords volume pedals effectsdevices guitar pickups etc all tend to have someeffect on overall tonality and forthat reason we are not usually able to give a cookbook set of equalization settings for any particular instrument Experience has proven that mid range cut is generally more pleasing for most instruments especially steel guitar and fiddle SHIFT CONTROL 7 The Shift Control has the ability to move the frequency where the mid range control has its effect The sweep capability of the shift can position the middle control at any point along thefrequencyspectrum between 150 Hz and 1500 Hz This is a wider range than was included with the Shift Control in our older model Session 400 Please be aware that the Shift Control works in conjunction with the Mi
6. included other compression controls since we have designed an exclusive distortion detection system which is patented and senses conditions that might cause overload and activates compression only when clipping is imminent This technique effectively utilizes every precious watt available from the Nashville 400 PILOT LED 12 This light emitting diode LED indicates when the amp is switched on and actually drawing from the line mains connection It is totally solid state and not subject to burnouts as are incandescent types POLARITY SWITCH 13 This switch is a three position type with the center zero position completely removing the internal grounding capacitor from the circuit This position is normally recommended for situations where the AC power receptacle is known to contain a properly grounded third wire If properly grounded AC main supply is not available a suitable ground adaptor should be used The plus and minus positions are used to ground the amplifier properly when only two wire services are available One of these positions will yield the lowest amount of residual hum or popping when the instrument is touched NO TE Polarity Switch is not operative on export models ON OFF SWITCH 14 The On Off Switch is a simple two position rocker type and should present no operational difficulties REAR PANEL PREAMP OUT AND POWER AMP IN 15 To allow in line patching of various accessories we have included a system of pre
7. pre the EQ tone controls The sensitivity of the Pre EQ Patch has been optimized for low level instrument signal type devices NOTE Line level 1 volt devices should be patched at rear panel preamp out and power amp input loop Shielded cables should be used for all external patching of effects devices EQUALIZATION LOW EQ CONTROL 5 The Low EQ Control is of the active shelving type and provides lowfreqency boost in the clockwise positions and low frequency cut in the counterclockwise positions Flat response is obtained in the vertical 12 00 o clock position as indicated by the zero in the center of the rotation The action of this control is more or less conventional and no operational problems should be encountered You should however avoid excessive low end boost since this greatly affects your amps power reserve headroom The Low EQ Control is capable of more than 15 dB of boost or cut and you should be aware that each 3 dB of boost doubles the amount of power necessary to produce the desired amount of low end Even the 200 watt RMS capability of the Nashville 400 may be overloaded by excessive low end boost at high volume levels MID EQ CONTROL 6 This control enables a boost or cut of 15 dB in the vital mid range frequencies Added versatility is possible because of the ability to vary the operating center point throughout the mid range from 150 Hz to 1500 Hz by use of the freqency shift control The Mid EQ Control works in
8. ECT to you the purchaser Peavey s liability to the purchaser for damages from any cause whatsoever and regardless of the form of action including negligence is limited to the actual damages up to the greater of 500 00 or an amount equal to the purchase price of the product that caused the damage or that isthe subject of or is directly related to the cause of action Such purchase price will be that n effect for the specific product when the cause of action arose This limitation of liability will not apply to claims for personal injury or damage to real property or tangible personal property allegedly caused by Peavey s negligence Peavey does not assume liability for personal injury or property damage arising out of or caused by a non Peavey alteration or attachment nor does Peavey assume any responsibility for damage to interconnected non Peavey equipment that may result from the normal functioning and maintenance of the Peavey equipment UNDER NO CIRCUMSTANCES WILL PEAVEY BE LIABLE FOR ANY LOST PROFITS LOST SAVINGS ANY INCIDENTAL DAMAGES OR ANY CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PRODUCT EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES THESE LIMITED WARRANTIES ARE IN LIEU OF ANY AND ALL WARRANTIES EXPRESS OR IMPLIED INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR USE PROVIDED HOWEVER THAT IF THE OTHER TERMS AND CONDITIONS NECESSARY TO
9. OWNERS MANUAL WE _ NASHVILLE 400 WARNING TO PREVENT ELECTRICAL SHOCK OR FIRE HAZARD DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE BEFORE USING THIS APPLIANCE READ THE OPERATING GUIDE FOR FURTHER WARNINGS NASHVILLE 400 GENERAL DESCRIPTION Congratulations you have just purchased the successor of the famous LTD 400 The new Nashville 400 is a refinement of the capabilities and features of the older LTD 400 and has far surpassed that unit in performance This new system features our more efficient Super Structure 15 Black Widow loudspeaker in a ruggedly constructed enclosure of 3 4 wood which is covered with 34 ounce heavyduty vinyl Tolex The Nashville 400 is state of the art with every aspect of design and construction and we have included our famous DDT compression circuitry which senses the onset of clipping from the power amp and compresses the signal only to the extent necessary to prevent distortion The active tonecircuitryisverysimilartothat used in ourSession LTD exceptthatthe controls havesomewhatgreaterrangeand allow considerably better noise performance Overall the new Nashville may be considered the ultimate Clean Machine and has been designed to minimize distortion from the input through to the output including the loudspeaker This system is single channel and features a new pre EQ patch which allows effects devices to be interfaced before the equalization so that maxim
10. Peavey s option and provided however that n any case all costs of shipping if necessary are paid by you the purchaser THE WARRANTY REGISTRATION CARDSHOULD BE ACCURATELY COMPLETED AND MAILED TO AND RECEIVED BY PEAVEY WITHIN FOURTEEN DATE OF YOUR PURCHASE In order to obtain service under these warranties you must a Bring the defectiveitem to any AUTHORIZED PEAVEY DEALER or AUTHORIZED PEAVEY SERVICE CENTER and present therewith the ORIGINAL PROOF OF PURCHASE supplied to you by the AUTHORIZED PEAVEY DEALER in connection with your purchase from him of this product If the DEALER or SERVICE CENTER is unable to provide the necessary warranty service you will be directed to the nearest other PEAVEY AUTHORIZED DEALER or AUTHORIZED PEAVEY SERVICE CENTER which can provide such service repair the defect inmaterial or workmanship or replace 14 DAYS FROM THE OR b Ship the defective item prepaid to PEAVEY ELECTRONICS CORPORATION international Service Center Highway 80 East MERIDIAN MS 39301 including therewith a complete detailed description of the problem together with a legible copy of the original PROOF OF PURCHASE and a complete return address Upon Peavey s receipt of these items If the defect isremedial under these limited warranties and the other terms and conditions expressed herein have been complied with Peavey will provide the necessary warranty service to repair or replace the product and will return it FREIGHT COLL
11. S Maximum Input Level 8dBV 2 5 V RMS PREAMP LOW GAIN INPUT 10 dB PAD Impedance High Z 44K ohms Nominal Input Level 18 dBV 130 mV RMS Minimum Input Level 36 dBV 16 mV RMS Maximum Input Level 18dBV 8 V RMS PATCH OUTPUT Function Low Level Pre EQ Effects Pedal Send Load Impedance 1 K ohms or greater Nominal Output 14 dBV 0 2 V RMS 0 1 dB 20 Hz to 20 KHz 200 W RMS into 4 ohms TOTAL HARMONIC DISTORTION Less than 0 2 100mW to 200 W RMS 20 Hz to 10 KHz 4 ohms typically below 0 1 DDT DYNAMIC RANGE Greater than 20 dB DDT MAXIMUM THD Below 0 5 THD for 6 dB overload Below 1 THD for 20 dB overload HUM amp NOISE Greater than 95 dB below rated power POWER CONSUMPTION DOMESTIC 600 watts 50 60 Hz 120 VAC DANGER EXPOSURE TO EXTREMELY HIGH NOISE LEVELS MAY CAUSE A PERMANENT HEARING LOSS INDIVIDUALS VARY CONSIDERABLY IN SUSCEPTIBILITY TO NOISE INDUCED HEARING LOSS BUT NEARLY EVERYONE WILL LOSE SOME HEARING IF EXPOSED TO SUFFICIENTLY INTENSE NOISE FOR A SUFFICIENT TIME THE US GOVERNMENTS OCCUPATIONAL SAFETY AND HEALTH ADMINISTRATION OSHA HAS SPECIFIED THE FOLLOWING PERMISSIBLE NOISE LEVEL EXPOSURES DURATION PER DAY IN HOURS SOUND LEVEL dBA SLOW RESPONSE 90 6 92 4 95 3 97 2 1 1 la or les ACCORDING TO QSHA ANY EXPOSURE iN EXCESS OF THE ABOVE PERMISSIBLE LIMITS COULD RESULT IN SOME HEARING LOSS OR OVER THEEAHS MUST BE HENESRENAJ RON SYSTEM MAY REQUIREGHEEASIOI MAXIMUM POWERLE
12. VELS BY LOW SETTINGS Power supply e power suppi the ground pin ag i power supply Wd For mote information on A Ti tor future Teference grounding write far our tree Obey all cautions in the operating instructions and on the back of the unit Ail operating instructions should be followed This product should not be used near water ie a bathtub sink swimming pool wet basement etc This product should be located so that its position does not interfere with its proper ventilation It should not be placed flat against a wall or placed in a built in enclosure that will impede the flow of cooling air This product should not be placed near a source of heat such as a stove radiator or another heat producing booklet Shock Hazard and Grounding 14 Care should be taken so that objects do not fall and Power supply cords should always be handled carefully Never walk or place equipment on power supply cords Periodically check cords for cuts or signs of stress especially at the piug and the point wnere the cord exits the unit The power supply cord should be unplugged when the unit is to be unused for long periods of time If this product is to be mounted in an equipment rack rear support should be provided 15 liquids are not spilled into the unit through the ventilation holes or any other openings This unit should be checked by a qualified service technician if A The power supply cord or plu
13. amp out power amp in jacks on the rear panel The Preamp Out is a straight preamp signal which includes the entire equalization circuit plus reverb The output level is approximately 1 volt RMS and is relatively low 600 ohms impedance The Preamp Out signal is connected through a switching contact to the Power Amp Input Jack and normally the preamp out is internally connected to the power amp s input This circuit allows basically two modes of operation When signal is taken from the preamp output the signal is also delivered to the internal power amplifier If access to the power amplifier input is needed or if some accessory device such as a noise gate delay line effects device etc is to be patched in line then the preamp output signal must be connected to the auxiliary unit s input while the auxiliary unit s output must be connected to the power amp input with shielded cables thereby placing the auxiliary unit in series or in line with the normal signal path Additional booster amp speaker combinations should be patched using the preamp output With this unique patching facility many interested effects can be accomplished Line level devices should be used with the preamp out and power amp input FOOTSWITCH JACK 16 The Y footswitch jack allows remote switching of the reverb system from the footswitch The footswitch is a simple single function unit that merely defeats or cancels the internal reverberation capability LINE CORD 17
14. ase PROVIDED howeverthatthis limited warrantyisextended only tothe originalretail purchaserand issubjecttothe conditions exclusions and limitations hereinafter set forth PEAVEY 90 DAY LIMITED WARRANTY ON TUBES AND METERS If this product contains tubes or meters Peavey warrants the tubes or meters contained in the product to be free from defects in material and workmanship for a period of ninety 90 days from date of purchase PROVIDED however that thislimited warranty is extended only to the original retail purchaser and salso subject to the conditions exclusions and limitations hereinafter set forth CONDITIONS EXCLUSIONS AND LIMITATIONS OF LIMITED WARRANTIES These limited warranties shall be void and of no effect if a The first purchase of the product is for the purpose of resale or b The original retail purchase isnot made from an AUTHORIZED PEAVEY DEALER or c The product has been damaged by accident or unreasonable use neglect improper service or maintenance or other causes not arising out of defects in material or workmanship or d The serial number affixed to the product is altered defaced or removed In the event of a defect in material and or workmanship covered by this limited warranty Peavey will a In the case of tubes or meters replace the defective component without charge b In other covered cases l e cases Involving anything other than covers footswitches patchcords tubes or meters the product at
15. d range Control and any conditioning that is performed by the Mid range Control may be once again altered by the Shift Control For instance asetting on the minus cut position with the Mid Control will create a dip or a notch in the mid range response and the shift can relocate this notch anywhere between 150 Hz and 1500 Hz With this notch preselected with the Mid range Control you will notice that counterclock wise settings near 150 Hz with the shift will yield thinner sounding mids while clockwise settings will yield fatter sounding mids Note also that just the opposite effect is possible when you select a boost with the middle control and rotate the shift from 150 Hz to 1500 Hz Most steel guitar players will adjust their Shift Control in the area between 600 Hz and 800 Hz depending on the player once again and the equipment used For lead guitar a shift setting of 300 500 will usually yield best results HIGH EQ CONTROL 8 This control is of the active peak notch type and provides true boost or cut in lower high frequency ranges 2 KHz As with the low and the middle controls the high EQ produces boost in the clockwise positionsand cut in the counterclock wise settings while flat response is obtained in the vertical 12 00 o clock position The action of this control is conventional but pronounced Care should be taken not to overboost the highs since this can contribute an unpleasantly harsh response as described above Notice also tha
16. e switched on and off through the use of a remote footswitch This footswitch patches into the back panel footswitch input jack and is conventional in operation We have included a new reverb circuit featuring a current source drive together with the new Accutronics three spring reverb unit The action of this control is O to 10 and should provide more than enough reverberation for most any situation DDT COMPRESSION LED 11 The Nashville is a compact and powerful amplifier that features a 210 watt RMS power amp at 4 ohms with a full compliment of equalization controls and a new type of dynamic compression The compression effect enables us to maximize the performance of the amp speaker combination We have determined through much research that the compression circuitry should prevent the power amplifier speaker combination from running out of headroom clipping and should be as simple to operate as possible to avoid undue complications for the user Our compression circuitry is very effective Because of the dynamics and the percussive nature of plucked strings it is quite common to activate the compression as indicated by the limit LED at reasonably low output levels One should not be concerned that the limit LED indicates compression virtually constantly during a performance since this is what it was designed to do The system was designed to maximize the dynamics available from the amp within its power output capabilities We have not
17. g has been damaged B Anything has fallen or been spilled into the unit C The unit does not operate correctly D The unit has been dropped or the enclosure damaged The user should not to attempt to service this equipment All service work should be done by a qualified service technician amplifier THIS LIMITED WARRANTY VALID ONLY WHEN PURCHASED AND REGISTERED IN THE UNITED STATES OR CANADA ALL EXPORTED PRODUCTS ARE SUBJECT TO WARRANTY AND SERVICES TO BE SPECIFIED AND PROVIDED BY THE AUTHORIZED DISTRIBUTOR FOR EACH COUNTRY Ces clauses de garantie ne sont vaiables qu aux Etats Unis et au Canada Dans tousles autres pays les clauses de garantie et de maintenance sont fixees par le distributeur national et assuree par lui seion la legislation en vigueur Diese Garantie ist nur in den USA and Kanada gultig Alle Export Produkte sind der Garantie und dem Service des Importeurs des jewelligen Landes unterworfen Esta garantia es vallda solamente cuando elproducto es comprado en E U continentales o en Canada Todos los productos que sean comprados en el extranjero estan sujetos a las garantias y servicio que cada distribuidor autorizado determine y ofrezca en los diferentes paises ONE YEAR LIMITED WARRANTY REMEDY PEAVEY ELECTRONICS CORPORATION PEAVEY warrants this product EXCEPT for covers footswitches patchcords tubes and meters to be free from defects in material and workmanship for a period of one 1 yearfromdateof purch
18. nput preamp If your input signal is overloading distorting the High Gain Jack then the Low Gain Jack 10 dB should be used Because of the unique switching design of the input circuitry the gain of both high and low jacks are preserved when instruments are plugged into both jacks PRE GAIN PULL BRIGHT CONTROL 2 The Pre Gain Control is similar to a conventional volume control in that it is the first level setting device in the system Operation of this control is conventional and even though the associated circuitry is quite different from the older totally passive units there should be no problem with operation This control should be adjusted to the desired amount of gain necessary for the instrument but it is also working in conjunction with the Post Gain Control Once the Post Gain Control is adjusted properly then the gain desired for each individual instrument that is patched into the Nashville 400 should be set with the Pre Gain Control The Pre Gain Control also features an integral pull switch which adds a significant boost 6 dB to the high frequencies when activated This high frequency boost gives a nice edge to clean playing styles Steel guitarists will usually adjust their high frequencies with the Presence Control but lead players will definitely enjoy the pull bright feature The boost is activated by pulling out on the Pre Gain Control and defeated by simply pushing the knob inward POST GAIN CONTROL 3
19. t there will be a slight interaction between the Shift Control and the High EQ Control when the shift is operated up near 1500 Hz because this places the middle control and the high control very close to each other along the frequency spectrum PRESENCE CONTROL 9 The Presence Control has been brought forth from the Session 400which was one of our first amplifiers to include this high frequency element The control is a conventional rotary type device but acts very much like a bright boost system Once again this control is active with 15 dB of cut or boost and takes effect at approximately 5 kHz Extra brightness which emphasizes pick noise and extreme silky highs may be added with this Presence Control in the boost position If your preference in tonality is without any additional sizzle on the top end then you may require the Presence Control to be operated on the minus or counterclockwise position Most guitar applications require a slight amount of presence boost but it is usually in the neighborhood of only about 3 dB Once again these settings will vary according to equipment used and player technique Please be aware that additional high frequency boost may be obtained with the Pull Bright Control see explanation for Pre Gain Pull Bright REVERB CONTROL 10 The Reverb Control determines the amount of delayed reverb signal mixed back into the output and its operation is conventional In addition the reverb may b
20. the PROOF OF PURCHASE In the event warranty service isrequired during the warranty period you will need this document There will be no identification card issued by Peavey Electronics Corporation 2 IMPORTANCE OF WARRANTY REGISTRATION CARDS AND NOTIFICATION OF CHANGES OF ADDRESS a Completion and mailing of WARRANTY REGISTRATION CARDS Should notification become necessary for any condition that may require correction the REGISTRATION CARD will help ensure that you are contacted and properly notified b Notice of address changes If you move from the address shown on the WARRANTY REGISTRATION CARD you should notify Peavey of the change of address so as to facilitate your receipt of any bulletins or other forms of notification which may become necessary In connection with any condition that may require dissemination of information or correction 3 You may contact Peavey directly by telephoning 601 483 5365 4 Please have the Peavey product name and serial number available when communicating with Peavey Customer Service ENE Features and specifications subject to change without notice Peavey Electronics Corporation 711 A Street Meridian MS 39302 2898 U S A 601 483 5365 Telex 504115 Fax 484 4278 1989 Printed in the U S A 80370379 2 89
21. um tone coloration may be used to enhance whatever effects devices are chosen The power section of this unit features 210 watts RMS the same as our older Session 400 and LTD and it delivers this power into a 4 ohm load The addition of our compression circuit enables the Nashville 400 400 to be louder and cleaner than its predecessors which were also 210 watts but did not have the DDT compression circuit On the rear panel we have also included preamp out and power amp input jacks for the all important patch of effects devices post the EQ and also provides the ability to go directly into a studio console or sound reinforcement mixer with the preamp output Please read this manual and understand the control functions and try to adapt the technology that is designed within the Nashville 400 to your particular needs We certainly believe that you will find this unit to be the most advanced state of the art system for steel guitar keyboards lead guitar fiddle or any other application you may have which requires clean clear undistorted high sound pressure level operation 1 2 3 4 5 6 7 8 9 10 11 12 13 14 r EQUALIZATION MASTER OO OOJO mi UTS a Y de N y EN Asie qa 400 Sr come Or MID SHIFT HIGH PRESENCE 53 INPUTS 1 The Nashville 400 has two inputs one featuring high gain and the other one third as much gain The High Gain Jack is the input normally used unless a signal from the instrument is overloading the i
Download Pdf Manuals
Related Search