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Kodak VISION2 7229 User's Manual

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1. film longer than 6 months store at 18 C 0 F Process film promptly Exposure Index Tungsten 3200 K 500 Daylight 320 with KODAK WRATTEN Gelatin Filter No 85 Laboratory Aim Density Time negative originals relative to Laboratory Aim Density LAD Control Film supplied by Eastman Kodak Company Color Balance This film is balanced for exposure with tungsten illumination 3200 K You can also expose it with tungsten lamps that have slightly higher or lower color temperatures 150 K without correction filters since final color balancing can be done in printing For other light sources use the correction filters in the table below Post production information When you transfer this film directly to video set up the telecine using negative Telecine Analysis Film TAF SENSITOMETRIC CURVES gt 0 on the x axis represents normal exposure of an 18 percent gray card in the red green and blue layers of this film A white card is 2 1 3 stops higher than normal exposure and there are at least 2 1 2 stops above that for capturing specular highlight detail A 3 percent black card is 2 2 3 stops below normal exposure There are at least 2 1 2 stops of latitude below that for capturing shadow detail MODULATION TRANSFER CURVES gt This graph shows a measure of the visual sharpness of this film The x axis Spatial Frequency refers to the number of sine waves per millimetre
2. that can be resolved The y axis Response corresponds to film sharpness The longer and flatter the line the more sine waves per millimetre that can be resolved with a high degree of sharpness and the sharper the film DIFFUSE RMS GRANULARITY CURVES gt To find the rms granularity value for a given density find the density on the left vertical scale and follow horizontally to the sensitometric curve and then go vertically up or down to the granularity curve At that point follow horizontally to the Granularity Sigma D scale on the right Read the number and multiply by 1000 for the rms value SPECTRAL SENSITIVITY CURVES gt These curves depict the sensitivity of this film to the spectrum of light They are useful for determining modifying and optimizing exposure for blue and green screen special effects work SPECTRAL DYE DENSITY CURVES gt These curves depict the spectral absorptions of the dyes formed when the film is processed They are useful for adjusting or optimizing any device that scans or prints the film NOTE Cyan Magenta and Yellow Dye Curves are peak normalized DENSITY RESPONSE 3 0 4 3 2 2 LOG EXPOSURE lux seconds 1 0 2 N o DENSITY N 8 6 4 2 0 CAMERA STOPS 10 100 2 0 0 0 0 1 0 2 0 3 0 LOG SENSITIVITY 0 0 250 300 350
3. 400 450 500 550 600 650 700 750 DIFFUSE SPECTRAL DENSITY 0 2 300 350 400 450 500 550 600 650 700 750 800 LOG EXPOSURE lux seconds 1000 SPATIAL FREQUENCY cycles mm 5 ao Granularity SIGMA D WAVELENGTH nm Sensitivity reciprocal of exposure erg cm required to produce specified density a WAVELENGTH nm No filter corrections or exposure adjustments for exposure times from 1 1000 of a second to 1 10 second In the 1 second range increase exposure 2 3 stop and use a KODAK Color Compensating Filter CC 10Y In the 10 second range increase exposure 1 stop and use a KODAK Color Compensating Filter CC 20Y After processing the Kodak internal product code symbol EB product code numbers 5229 35 mm or 7229 16 mm emulsion and roll number identification and EASTMAN KEYKODE Numbers are visible along the length of the film The perception of graininess of any film depends on scene content complexity color and density In KODAK VISION2 Expression 500T Color Negative Film 5229 7229 the measured granularity is exceptionally low The perceived sharpness of any film depends on various components of the motion picture production system Camera and projector lenses film printers and other factors play a role but the specific sharpness of a film can be measured and charted in the Modulati
4. Film Users Guide i Phone 603 7680 3338 KODAK Publication No H 807 CANADA 29 31 Route de L Aeroport Le Grand Saconnex NEW ZEALAND LAD Kodak CanadaiIne Case Postale 271 3500 Eglinton Avenue West Phone 649 302 8665 3 R T o 1215 Geneva 15 LAD Laboratory Aim Density Asal oe Switzerland PAKISTAN KODAK Publication No H 61 oe oy ser Information Phone 92 21 561 0150 one Phone 41 22 747 2000 1 800 621 PHILIPPINES Orders 1 800 621 FILM Fax 41 22 747 2200 STORAGE Fax 416 761 4948 Phone 632 813 7916 Toll Free Fax 1 866 211 6311 GREATER ASIA amp JAPAN SINGAPORE KODAK Motion Picture Film REGION KODAK Publication No H 1 Kodak Canada Inc AUETRALIA Phone 65 6371 3388 4 Place du Commerce TAIWAN All of the above are also available at http www kodak com go motion Suite 100 Kodak Australasia Pty Ltd Phone 8862 2316 8282 n Ile des Soeurs 173 Elizabeth Street The Book of Film Care Verdun Quebec Coburg Victoria THAILAND KODAK Publication Noizz Canada H3E 1J4 Australia 3058 Phone 662 271 3040 59 Orders 1 800 621 FILM Phone 61 3 8371 8520 Ext 312 Fax 1 866 211 6311 KODAK SHOOTSAVER Express Delivery Service U S only 1 800 404 2016 Visa or MasterCard only service fee applies Fax 61 3 9353 2962 Notice While the data presented are typical of production coatings they do not represent standards that must be met by Kodak Varying storage exposure and processing conditions will affect results The c
5. Soft Natural Colors and Less Grain KODAK VISION2 Expression 500T Color Negative Film 5229 7229 is better than ever With greatly reduced grain and superior shadow detail Expression 500T Film offers a subdued range of contrast and color saturation for smooth skin tones Giving you more flexibility in post and cleaner images from under to over exposure The VISION2 Film family is the first line of products created specifically for both film and digital postpro duction What s more all VISION2 Films provide excellent tone scale and flesh to neutral reproduction With superior shadow and highlight detail and very fine grain VISION2 Films also maintain neutrality through the full range of exposure So you can convey exactly the look you intended all the way from capture to post KODAK VISION2 Expression 500T Film Tell it exactly the way you dreamed it KODAK VISION2 Expression 500T 5229 7229 www kodak com go motion Lens 100 m Filter None m ZEISS Ultra Prime Aperture T2 8 Incident Light Levels Key 20fc color temperature 3000K Fill 2fc Backlight 5fc color temperature 4000K Stop notatio ns listed on the photo are reflected light readings Base Acetate safety base with rem jet backing Darkroom Recommendations Do not use a safelight Handle unprocessed film in total darkness Processing ECN 2 Storage Store unexposed film at 13 C 55 F or lower For storage of unexposed
6. ompany reserves the right to change and improve product characteristics at any time New 10 2005 Printed in U S A Kodak Eastman Vision Keykode Shootsaver and Wratten are trademarks Eastman Kodak Company 2003 KODAK VISION2 Expression 500T Color Negative Film KODAK Publication No H 1 5229 CAT 833 0466
7. on Transfer Curve Spectral Sensitivity Curve Key Sensitivity of the yellow dye forming layer Sensitivity of the magenta dye forming layer Sensitivity of the cyan dye forming layer Spectral Dye Density Curve Key Midscale Neutral Cyan Dye Magenta Dye Yellow Dye Minimum Density Note Sensitometric and Diffuse RMS Granularity curves are produced on different equipment A slight variation in curve shape may be noticed KODAK VISION2 Expression 500T Color Negative Film 5229 7229 STANDARD PRODUCTS AVAILABLE FORMAT AND LENGTH IN CORE DESCRIPTION PERFORATION PITCH SPECIFICATION NO METRES FEET METRIC IMPERIAL ADDITIONAL INFORMATION To order the publications below call 1 800 233 1650 between 8 a m and 7 p m 35 mm SP718 122 400 U BH 4740 BH 1866 i 35 mm SP718 305 1000 U BH 4740 BH 1866 Eastern Time 16 mm SP455 30 100 R 90 100 ft spool Winding B 1R 7605 1R 2994 Outside the United States please contact 16 mm SP457 122 400 T Winding B 1R 7605 1R 2994 your Kodak representative Visit us online at www kodak com go motion FILMS Cinematographer s Field Guide KODAK Publication No H 2 PROCESSING Manual for Processing KODAK Motion Picture Films Process ECN 2 Specifications Module 7 KODAK Publication No H 24 07 Availability may vary by location This product is also available as Finish to Order FTO in various other standard roll lengths and formats Sold onl
8. y in specific minimum order quantities or multiples of the minimum order quantities non returnable US and Canada delivery time of 3 weeks from receipt of purchase order Other restrictions may apply Contact your local Kodak representative for additional information For direct ordering in the U S and Canada 1 800 621 FILM 3456 Hollywood California 6700 Santa Monica Boulevard Los Angeles California 90038 1203 Phone 323 464 6131 Orders 1 800 621 FILM New York New York Kodak Canada Inc 4185 Still Creek Drive Suite C150 Burnaby British Columbia Canada V5C 6G9 Orders 1 800 621 FILM Fax 1 866 211 6311 CHINA Peoples Republic Beijing 8610 6561 6561 Shanghai 8621 6350 0888 Guangzhou 8620 8666 9888 HONG KONG Phone 852 2564 9351 aha Weale etree EUROPEAN AFRICAN AND INDIA es S ree IMAGE STRUCTURE New York New York 10001 MIDDLE EASTERN REGION Phone 91 5641 6770 KODAK Motion Picture Film 2727 ong INDONESIA KODAK Publication No H 1 Phone 212 631 3400 Phone 62 21 570 5212 Orders 1 800 621 FILM Boundary Way Hemel Hempstead JAPAN TRANSFER LATIN AMERICA REGION H HP2 La j erts Phone 813 5540 2280 KODAK Telecine Analysis Film User s Guide Entertainment Imaging ENGLAND KOREA KODAK Publication No H 822 1900 NW 97th Avenue Phone 44 1442 846957 Miami Florida 33172 Fax 44 870 850 2418 Phone 822 708 5830 KODAK Telecine Exposure Calibration Phone 305 378 0566 MALAYSIA 305 229 0422 Eastman Kodak SA

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