Wiley Color Correction For Digital Photographers Only
Contents
1. 237 239 overexposure color correction for 153 154 155 reducing noise in 224 225 shooting for later use 324 skin tones See flesh tones memory colors slide duping 267 271 281 snapshots flash exposure problems correcting 208 217 fluorescent lighting problems correcting 233 237 noise reducing 222 225 overcast lighting and 237 239 red eye correction 226 228 sharpening 239 243 244 underexposure problems correcting 217 221 uneven exposures correcting 228 233 Soft Light blend mode 304 305 soft proofing previewing CMYK proofing 40 41 356 color crossover correction 360 364 Customize Proof Condition options 354 355 for out of gamut colors 40 with output profiles 40 41 RGB files 40 41 steps for 355 356 viewing compensation layers 357 360 Spiralux full spectrum lamps 28 sRGB color working profile 18 Suite Color Settings dialog box 19 Sun Stick lamps 28 T Threshold dialog box exposure analysis using 150 151 229 230 TIFF format saving files as 367 tinting photographs 308 313 tonal adjustments See also brightness adjustments contrast analyzing an image for 92 93 105 107 basic curve shapes for 107 113 for blown out highlights and shadows 245 brightness values 93 96 in Camera Raw dialog box versus Photoshop 92 checking for neutral tone 160 checking noise after 209 checking tonal information available 213 214 continued xapu 389 xapu 390 tonal adjustments continued for JP2. 274 280 filters camera antialiasing moir patterns from 263 for color negative photocopies 280 for fluorescent lighting 236 237 Photoshop filters versus 316 filters Photoshop See specific filters Find Edges filter 132 flash shots beyond repair photos working with 208 212 fluorescent lighting and 236 237 insufficient flash 212 217 red eye correction 226 228 flat art copying See print copying flattening layers 295 flesh tones See also memory colors portraiture in color negative photocopies 279 determining values for 173 enhancing for portraits 187 198 gradient picker for 199 205 Hue Saturation dialog box for correcting 169 171 322 323 pleasing creating 166 171 preferences versus reality 166 saving files as references for 200 fluorescent lighting colorcasts from 140 233 234 correcting colorcast problems 234 237 filters for 236 237 with flash 236 237 focal point changing with Lens Blur filter 333 336 full spectrum lighting 28 G gamut See color gamut Gaussian Blur filter for Hide Edges mask 193 194 for high key images 304 moir pattern correction using 264 265 sharpening method using 133 for softening facial skin using a mask 197 Genuine Fractals Print Pro onOne Software 9 182 gradient picker for flesh tones 200 205 Grayscale color mode 11 12 See also converting color to grayscale Grayscale command 284 285 291 296 grayscale gradient for color crossover correction 360 3
3. Henri photographer 28 Bridge See Adobe Bridge brightness adjustments See also dynamic range basic curve shapes for 107 113 in Camera Raw dialog box 93 96 multiple duplicate layers technique for 210 212 Screen mode for 214 322 Shadow Highlight command limitations for 117 for uneven exposure 230 232 White Point slider for 218 C cache for Camera Raw files 59 Calculations dialog box 193 calibrating Camera Raw color 76 83 calibrating monitors for color profiles 16 color viewing and 4 embedding color profiles and 26 hardware devices for 30 Macintosh displays 31 viewing compensation layers and 357 360 Windows displays 31 32 Calumet Photographic Web site 236 camera movement decreasing 206 Camera Raw database files 59 88 Camera Raw dialog box in Adobe Bridge and Photoshop 87 for black and white negative photocopies 271 273 brightness adjustments in 93 96 for color negative photocopies 275 279 Curves pane 272 273 275 for duped slides 268 270 histogram 61 62 66 processing images in 70 72 turning off auto settings 137 turning off sharpening in 72 87 122 use before opening images in Photoshop 70 72 white and black points in 97 Camera Raw format Adobe Bridge with 55 72 in Adobe Open dialog box 72 74 applying last settings to selected images 86 bit depth and 12 calibrations for copy work 259 262 changing settings for 85 86 clearing settings for an image 72 color calibration 76 83 conver
4. 151 advantages over Levels dialog box 99 100 for aerial photography 179 basic curves 100 101 107 110 as best tool for color correction 145 172 color channels in 145 153 for color crossover correction 363 364 for combining tints and RGB color 310 313 converting color to grayscale and 294 295 for correction mask for copy lighting 257 258 for darkening 324 for flat overcast images 238 239 for flesh tones 168 gray Eyedropper tool in 201 for high key images 303 304 Input and Output text boxes 101 for overexposure color correction 151 155 overview 23 24 Photo Filters versus 316 317 338 resizing 100 with selection mask 162 163 164 165 for sepia tone images 307 setting up for use with this book 23 24 for underexposure color correction 149 150 151 viewing compensation layers and 358 white and black points in 100 for white balance correction 147 148 Customize Proof Condition dialog box 354 355 xapu 383 xapu 384 D depth of field adding with Lens Blur filter 333 336 detail in Camera Raw dialog box 72 Camera Raw file preferences for 60 Camera Raw versus JPEG and 49 developer profiles 19 33 42 digital cameras antialiasing filter moir patterns from 263 Camera Raw format and 46 color profiles 18 determining image sizes from 341 343 DSLR histogram display 68 DSLR manual exposure controls 228 229 DSLR near infrared sensitivity of 297 dynamic range and cost of 13 filters 236
5. images 36 38 fine art black and white conversion using 292 296 installing on the Mac 33 34 installing on Windows 34 overview 18 19 purchasing custom profiles 34 42 soft proofing with 40 41 overexposure colorcasts from 140 150 correcting colorcast problems 150 155 Threshold dialog box for analyzing 150 151 uneven correcting 228 233 paper color profiles for 314 370 376 scaling image to fit 375 Paste Camera Raw Settings dialog box 85 gt Perceptual color conversion 37 38 photo enlargers for copy stands 251 Photo Filters adjustment layers for 318 319 color correction and 316 318 combining 324 327 Curves dialog box versus 316 317 338 dialog box options 318 319 Hue Saturation dialog box versus 316 338 overview 316 toning and 318 324 photo finishing labs 370 371 Photo Flo 252 photo restoration resources 253 photocopying for art prints 253 255 for black and white negatives 271 273 Camera Raw calibrations for 259 262 for color negatives 274 280 copy lighting correction mask for 255 258 copyright issues 262 defined 250 makeshift copy stand for 251 moir patterns and 262 267 overview 250 251 for photo prints 252 253 scanner versus camera for 250 268 281 slide duping 267 271 281 photojournalism dot gain issues for 184 185 fast pace of 182 183 press output for 183 184 Photoshop Color Engine printing using 350 351 354 Photoshop CS2 See also specific techniques and tools au
6. output profiles for 36 39 40 black and white photos 364 366 376 camera resolution and 340 341 device resolution and 341 344 file resolution and 341 to inkjet printers 344 354 inks for 370 376 magenta bias with Epson printers 351 352 1 bit line art 366 Output Options for 368 369 paper for 314 370 press output 183 184 366 367 Print with Preview command for 345 346 350 353 scaling image to fit paper 375 service providers for 370 374 soft proofing previewing before 40 41 354 364 speed and 344 product photography 176 profiles See color profiles QuadTone RIP Raster Image Processor 365 Quick Mask mode 320 321 red eye correction 226 228 Reduce Noise dialog box 222 224 Relative Colorimetric color conversion 37 38 resampling images downsampling 8 9 241 243 265 modes for 8 9 resolution and 8 9 underexposed images 210 214 218 upsampling 9 10 resizing images creating an Action for 6 7 determining image size for printing 341 343 downsampling 8 9 upsizing 9 10 375 without affecting resolution 6 resolution of cameras printing and 340 341 downsampling images and 8 for editing Camera Raw files 60 format of camera images and 6 of images printing and 341 optimum for printer 342 of printing devices 5 341 344 resizing an image without affecting 6 upsampling images and 9 restoration resources for 253 RGB color mode CMYK output and 11 color mismatch options 21 22 embedding ou
7. 2 273 in Camera Raw dialog box 71 checking for neutral tone 160 checking noise after tonal adjustment 209 in Curves dialog box 100 eyedropper for setting 160 161 162 for photos taken with insufficient flash 216 remapping for 8 bit images 113 114 setting with Auto Levels 97 99 Shadow Highlight command for adjusting 121 white balance in Camera Raw dialog box 71 for color negative photocopies 275 277 278 colorcasts 147 148 244 Curves dialog box for correcting 147 148 for duped slides 270 indoor lighting and 140 White Margaret Bourke photographer 92 wildlife photography camera movement and 206 Windows computers calibrating monitors 31 32 color engines 36 37 installing output profiles 34 working space profiles See color working profiles X XMP sidecar files 58 88
8. 21 predicting hue change 215 with selection mask 162 163 164 165 xapu ICC Profile Converter Dry Creek Photo 35 Image Size dialog box 114 115 341 343 indoor lighting See also flash shots colorcasts from 140 159 fluorescent 140 233 237 incandescent 140 159 makeshift copy stand for photocopying 251 underexposure correcting 217 221 infrared photography shooting 297 298 314 simulating 298 301 inkjet printers automatic profile selection for 345 349 354 custom profiles for 352 354 magenta bias with Epson printers 351 352 maintenance 375 Photoshop Color Engine for 350 351 354 Print dialog box settings 347 349 Print Preview dialog box settings 346 347 inks for printing 370 376 installing output profiles 33 34 Internet resources Camera Raw calibration utility 259 CRT monitors 30 Dry Creek Photo 34 35 42 filters for fluorescent lighting 236 full spectrum lighting 28 Genuine Fractals Print Pro 9 GretagMacbeth site 30 33 259 Ole No Moire file 200 Opteka slide copying unit 281 Pixelgenius Photokit Sharpener 122 QuadTone RIP 365 service providers 372 374 inverting images 132 ISO speed Unsharp Mask filter and 125 126 JPEG format Camera Raw format versus 48 52 cameras saving images in 6 converting images to 16 bit files 114 115 remapping the white point for images 113 114 resaving files in avoiding 7 tonal adjustments for images 113 115 385 xapu 386 K Kelvin rati
9. 237 263 280 316 lens aberrations and 338 for photocopying scanners versus 250 268 281 resolution printing and 340 341 16 bit images not produced by 26 Digital Negative DNG format 52 55 87 discount photo centers 371 372 dot gain 184 185 downsampling images 8 9 241 243 265 Dry Creek Photo Custom ICC Profile page 34 custom profiles from 42 ICC Profile Converter 35 Ole No Moire file 200 Dust and Scratches filter 264 dye based inks 370 dynamic range improving by adding more data 13 14 322 improving for captured images 14 16 overview 13 warning for Merge to HDR command 26 earth tones See memory colors 8 bit images See also JPEG format converting to 16 bit images 114 115 137 overview 12 remapping the white point for 113 114 Eisenstaedt Alfred photographer 176 Embed Profile Mismatch dialog box 22 embedding color profiles in images color working profiles 20 21 26 output profiles 36 38 EPS Options dialog box 185 186 exposure colorcast problems from 140 controlling manually 228 229 overexposure 140 150 155 strong contrast in lighting and 228 Threshold dialog box for analyzing 150 151 229 230 underexposure 140 149 150 151 217 221 uneven correcting 228 233 Eye One Display 2 profiling tool GretagMacbeth 30 Eye One Photo system GretagMacbeth 33 Eye One Proof system GretagMacbeth 33 F Fade command 220 223 film duping black and white negatives 271 273 color negatives
10. 61 GretagMacbeth Color Checker chart 259 Eye One Display 2 profiling tool 30 Eye One Photo system 33 Eye One Proof system 33 H halftone frequency continuous tone devices and 185 custom examples 186 187 dot gain and 184 dot shape for 185 moir patterns and 262 263 preparing files for press 366 367 prepress problems and 206 setting 185 haloing 50 241 haze correcting for 179 Hide Edges mask 192 197 High Pass filter 135 high key images 302 305 highlights and shadows See also Shadow Highlight command blown out adjustments for 245 Camera Raw versus JPEG and 49 clipping of 61 93 121 isolating 245 320 overcast lighting and 238 239 Photo Filters for color correction and 317 shadow recovery feature 214 215 uneven exposure correction 230 232 histogram for black and white conversion 296 brightening images with White Point slider 218 in Camera Raw window 61 62 66 channels in 64 66 clipping in 61 93 colors in 61 deciding on tonal adjustments using 105 107 DSLR cameras and 68 8 bit images in 113 importance of 61 in Levels dialog box 63 69 RGB 64 69 tonal values in 93 Hue Saturation dialog box adjustment layer for 162 converting color to grayscale using 287 290 294 fixing saturation errors 153 154 for flesh tones 169 171 322 323 for Hide Edges mask 195 gt overview 24 25 Photo Filters versus 316 338 for photos taken with insufficient flash 215 for postcard look 220 2
11. EG images 113 115 Photo Filters for 319 324 for photos taken with insufficient flash 213 217 setting white and black points 97 99 Shadow Highlight command for 116 121 smooth transitions with Curves dialog box 100 101 for uneven exposure 230 232 tonal banding 49 transfer functions 184 185 186 transparencies copying slide duping 267 271 281 Triten 50 full spectrum tubes 28 12 bit images 12 U underexposure beyond repair photos working with 208 212 colorcasts from 140 149 244 correcting colorcast problems 149 150 151 from insufficient flash 212 217 multiple duplicate layers technique for 210 212 in snapshots correcting 217 221 in snapshots taken at dusk or indoors 217 221 Unsharp Mask filter for aerial photography double pass of 182 Amount slider 124 126 applying to mask created from edge pixels 130 134 formula for calculating Amount setting 124 grain accentuated by 129 130 image content and 125 ISO speed and 125 126 moir pattern correction using 264 265 output sources and 124 138 Radius slider 127 for snapshots 240 241 Threshold slider 127 129 upsampling images 9 10 375 V Variations command 145 viewing booth building 29 viewing compensation layers 357 360 vignettes correcting 329 W Web sites See Internet resources white and black points for aerial photography 177 178 AutoLevels versus AutoContrast for setting 178 for black and white negative photocopies 27
12. epia tone images combining RGB color with 308 313 creating 306 308 service providers online services 372 374 photo finishing labs 370 371 self serve and discount centers 371 372 Shadow Highlight command Amount sliders 119 232 bit depth and 116 Black Clip White Clip text boxes 121 232 Color Correction slider 120 121 for flat overcast images 238 239 limitations of 116 117 Midtone Contrast slider 121 Radius slider 119 120 232 shadow recovery feature 214 215 Tonal Width slider 119 232 for uneven exposure correction 230 232 uses for 118 using 118 121 shadows See highlights and shadows Sharpen Edges filter 124 Sharpen filter 124 Sharpen More filter 124 sharpening See also Unsharp Mask filter aerial photography 179 182 in Camera Raw dialog box avoiding 72 87 122 considerations for 122 123 determining right amount of 138 downsampling after 241 243 edge sharpening method for 130 134 eliminating artifacts 135 136 after Lens Blur filter use 338 other filters for 124 oversharpening avoiding 122 123 179 place in editing process 244 snapshots 239 243 244 third party plug ins for 122 Sheppard Rob Adobe Camera Raw For Digital gt Photographers Only 46 sidecar XMP files 58 88 simulating an infrared shot 298 301 16 bit images converting 8 bit images to 114 115 137 digital camera not producing 26 overview 12 skies See also memory colors Color Range command for selecting 155 overcast
13. g 233 237 gradient picker for flesh tones 199 205 identifying 140 143 146 147 172 overexposure 140 150 155 in parts of an image 140 Photoshop tools for correcting 141 147 primary color basics 141 selection masks for correcting 156 165 slide duping and 269 270 underexposure 140 149 150 151 244 white balance 147 148 244 colorizing black and white photos combining tints and RGB color 308 313 creating a sepia tone 306 308 compression saving files and 7 contrast gt adjustment layer for 103 105 aerial photography settings 178 179 basic curve shapes for 108 110 111 113 for color negative photocopies adjusting 277 correction mask for copy lighting 256 258 Enhance Per Channel Contrast option 219 increasing with Curves 100 101 104 105 162 Luminosity blend mode for increasing 104 105 noise from big enhancements 176 setting white and black points for 97 99 Shadow Highlight command for adjusting 121 uneven exposure and 230 232 Convert to Profile dialog box 21 33 34 36 38 353 converting color to grayscale destructive methods 284 285 examining channels before 284 fine art method 292 296 Hue Saturation and Channel Mixer method 288 290 as part of another process 284 285 for selected areas 290 292 simple nondestructive method 287 copy stand for photocopying 251 CRI color rendering index of lighting 28 Cunningham Imogen photographer 316 Curves dialog box adjustment layer with 103 105 147
14. index NUMBERS 8 bit images See also JPEG format converting to 16 bit images 114 115 137 overview 12 remapping the white point for 113 114 1 bit line art printing 366 16 bit images converting 8 bit images to 114 115 137 overview 12 12 bit images 12 A Abbott Berenice photographer 284 Absolute Colorimetric color conversion 37 38 ACE Adobe Color Engine 36 37 ACR Calibrator script 259 261 Actions palette group for creating 7 playing 7 8 for resizing images creating 6 7 Adams Ansel photographer 4 340 adjustment layers See also blend modes for converting color to grayscale 288 295 for Hue Saturation changes 162 for increasing contrast 103 105 layer masks 25 291 for Levels dialog box 244 for overexposure color correction 151 153 154 overview 24 25 Photo Filter 318 319 for selection masks 162 for white balance correction 147 244 Adobe Bridge auto launching from Photoshop 75 76 batch processing Camera Raw settings 84 85 color settings adjustments in 19 converting Camera Raw to DNG using 53 55 setting Camera Raw preferences 58 60 setting preferences for 55 58 tooltips 55 Adobe Camera Raw For Digital Photographers Only Sheppard 46 Adobe Color Engine ACE 36 37 Adobe Gamma calibration tool 31 32 Adobe Open dialog box 72 74 Adobe RGB 1998 color working profile 17 18 aerial photography basic edits 177 179 colorcasts common to 177 178 haze and 176 179 problems c
15. lor engines 36 37 color gamut bit depth and 12 RGB versus CMYK and 10 11 26 43 soft proofing for out of gamut colors 40 sRGB color working profile and 18 color matching photocopying art prints and 254 color modes See also specific modes CMYK inks and 376 overview 10 12 preparing files for press 367 printers and 26 for printing black and white photos 314 color negatives with color balance problems capturing 280 editing photocopies close up of child 278 279 editing photocopies hot air balloon 275 278 overview 274 275 color profiles See also calibrating monitors specific kinds camera 18 Camera Raw versus JPEG and 50 color viewing and 4 16 color working 17 22 26 defined 16 monitor 16 output for printing equipment 18 19 33 41 42 292 296 352 354 for papers 314 370 376 Color Range command adding to selections 157 158 creating selection masks with 157 159 Fuzziness setting for Hide Edges mask 195 196 for isolating highlights and shadows 245 320 other selection tools versus 156 172 selecting sky area with 155 color rendering index CRI of lighting 28 Color Replacement tool 227 228 Color Settings dialog box 39 color working profiles Adobe RGB 1998 17 18 converting from another workspace 21 22 embedding in images 20 21 26 overview 17 sRGB 18 colorcasts with aerial photography 177 178 defined 140 exposure problems leading to 140 from fluorescent lighting correctin
16. ng of lighting 28 L Lab color mode conversion to grayscale using Lightness channel 285 overview 11 values for flesh tone gradient picker 201 202 Lange Dorothea photographer 208 layer masks 25 291 lens aberrations 338 Lens Blur filter limitations of 330 overview 330 333 planes of focus 334 335 sharpening images after using 338 using 333 337 Lens Correction filter 328 329 lens effects See also specific filters Lens Blur filter for 330 337 338 Lens Correction filter for 328 329 overview 316 Photo Filters for 316 327 338 Levels dialog box for aerial photography 177 178 for black and white negative photocopies 273 brightening whites using 216 Camera Raw histogram in 63 69 changing Auto Levels defaults 98 channel histograms in 64 66 checking tonal information available 213 214 for color correction 144 Curves dialog box versus 99 100 for flesh tones 168 169 limitations of 137 overview 22 23 RGB histogram in 64 69 rule of thumb for 244 setting white and black points in 97 99 16 bit image in 12 spreading blacks for Hide Edges mask 194 195 lighting photographic See also exposure flash shots white balance Camera Raw format and 46 47 Camera Raw versus JPEG and 49 50 51 cloudy days 237 239 for color negative photocopies 280 copy correction mask for 255 258 copy stand for photocopying 251 for flat art copying correcting 255 258 fluorescent 140 233 237 improving dynamic range for p
17. ommon to other shots 176 screen view and 180 sharpening 179 182 alpha channel creating with Calculations dialog box 193 for high key images 302 305 Lens Blur filter with 330 334 antialiasing filter moire patterns from 263 Apple CMM color engine 37 Apple Color Sync color engine 37 Apply Image command multiple duplicate layers technique with 210 212 Screen mode with 210 211 214 322 Arbus Diane photographer 140 archiving files format for 52 artifacts eliminating 135 136 Assign Profile dialog box 20 21 assuming a profile 36 39 40 Auto Color Corrections dialog box 98 batch processing 84 85 Bicubic resampling mode 8 Bicubic Sharper resampling mode 9 Bicubic Smoother resampling mode 9 Bilinear resampling mode 8 bit depth See also specific bit depths Camera Raw versus JPEG and 48 49 for editing Camera Raw files 60 overview 12 Shadow Highlight command and 116 black point See white and black points black and white photos See also converting color to grayscale color mode for printing 314 colorizing 306 313 high key darkroom techniques for 302 305 negatives copying 271 273 1 bit line art 366 printing 314 364 366 376 shooting infrared photography 297 298 314 simulating an infrared shot 298 301 xapu 382 blend modes See also specific modes for eliminating artifacts 136 for improving dynamic range 13 14 Mason Pat Pending Mixed Mode Image Save 210 212 overview 24 25 Bresson Cartier
18. oor conditions 14 16 incandescent 140 159 for portraiture 188 strong contrast in 228 lighting workspace 4 28 29 location shoots See also snapshots aerial photography 176 182 183 photojournalism 182 186 wildlife photography 206 luminance noise 222 See also noise Luminosity blend mode for brightness changes maintaining color balance 24 for correction mask for copy lighting 258 increasing contrast with 104 105 for maintaining saturation in brightest colors 224 in Mixed Mode Image Save 210 212 M Macintosh computers calibrating monitors 31 color engines 36 37 installing output profiles 33 34 Macintosh Display Calibrator Assistant 31 Magic Wand tool 172 masks Brush tool for adding to 321 for correcting copy lighting 255 258 edge applying Unsharp Mask filter to 130 134 edge for sharpening aerial photography 180 182 Hide Edges mask 192 197 layer 25 291 Quick Mask mode for 320 321 selection for color correction 156 165 selection for Lens Blur filter 334 for softening facial skin 182 188 Match Color options 172 Maximum filter sharpening using 132 Median filter sharpening using 132 memory colors See also flesh tones skies calibrating Camera Raw color 76 83 as most recognizable content 87 Merge to HDR command 14 16 26 metadata preferences Adobe Bridge 56 57 Microsoft ICM color engine 37 midtones 71 121 Missing Profiles dialog box 39 40 moir patterns correcting for copy wo
19. rk 264 266 correcting in non copy photos 266 photocopying and 262 263 viewing on monitor 264 monitors calibrating 4 16 26 30 32 357 360 color printed colors versus 141 color profiles 16 CRT versus LCD 16 17 30 42 matching Kelvin rating of lighting to 28 moir patterns and 264 soft proofing on 40 41 354 364 viewing booth for 28 motion blur adding with Lens Blur filter 333 336 Multiply blend mode 13 14 322 N Nearest Neighbor resampling mode 8 near infrared NIR 297 negatives copying black and white 271 273 color 274 280 neutral tone checking for 160 noise Camera Raw versus JPEG and 49 checking after tonal adjustment 209 chromatic versus luminance 222 clipping to decrease 219 220 contrast enhancements and 176 Lens Blur filter option 333 Noise Reduction filter for 222 224 reducing overall 222 224 reducing with local control 224 225 sharpening and 240 underexposure and 208 209 210 Normal blend mode 210 211 O Ole No Moire file Dry Creek Photo 200 1 bit line art printing 366 online printing services 372 374 onOne Software s Genuine Fractals Print Pro 9 182 Opacity settings duplicating layers and 210 Opteka slide copying unit 281 output profiles for printing equipment acquiring device profiles 33 assuming 36 39 40 automatic profile selection for inkjets 345 349 354 converting color to 36 38 custom for inkjets 352 354 developer profiles 19 33 42 embedding in
20. sion tool 48 defined 46 digital cameras and 46 DNG standard for 52 55 87 further information 46 histogram for 61 69 JPEG versus 48 52 opening in Photoshop CS2 72 76 overview 46 48 removing settings 85 86 resolution and 6 setting preferences for 58 60 settings for batch processing 84 85 speeding work with 50 52 Camera Raw Preferences dialog box 58 60 cameras See digital cameras Cameron Julia Margaret photographer 46 Canvas Size dialog box 369 Capa Robert photographer 250 Channel Mixer dialog box 227 288 292 chromatic aberrations correcting 328 329 chromatic noise 222 See also noise Chromoholics Web site 259 clipping in Camera Raw histogram 61 93 to decrease noise 219 220 Shadow Highlight command for adjusting 121 by Variations command 145 CMYK color mode assuming a profile 36 39 40 CMYK inks and 376 color gamut and 10 11 26 43 embedding output profiles and 36 offset press printing and 367 overview 10 11 printers and 26 soft proofing and 40 41 Color Balance command 144 color channels for Camera Raw format 64 66 in Curves dialog box 145 duplicating to create a working channel 131 Enhance Per Channel Contrast option 219 gray levels in 12 in Grayscale color mode 11 in Lab color mode 11 moir pattern correction using 264 266 in RGB color mode 10 64 66 white balance correction using 147 148 Color Checker chart GretagMacbeth 259 color crossover correction 360 364 co
21. to launching Bridge from 75 76 color and tonal correction tools 22 25 opening Camera Raw format in 72 76 Photoshop Elements versus 11 Photoshop Elements 11 35 pigmented inks 370 Pixelgenius Photokit Sharpener 122 pixels device differences and 4 5 image sizes and 6 playing Actions 7 8 portraiture See also flesh tones enhancing skin tones 187 198 flesh tone gradient picker for 199 205 glamour and 186 removing wrinkles 188 191 retouching shiny skin 191 192 softening facial skin 192 198 working with shy people 188 postcard look 220 221 Preferences dialog box Adobe Bridge 55 58 previewing See soft proofing 387 xapu xapu 388 primary colors 140 141 print copying art prints 253 255 copy lighting correction mask for 255 258 photo prints 252 253 Print dialog box 346 347 349 Print Preview dialog box 346 347 368 369 Print with Preview command 345 346 350 353 printers and printing equipment automatic profile selection for inkjets 345 349 354 bit depth and 12 calibration systems for 42 color mode and 26 dedicated for black and white printing 365 366 determining image size for 341 343 device resolution 341 344 inkjet 344 354 375 maintenance 375 Output Options for 368 369 output profiles for 18 19 33 41 42 352 354 press output 183 184 366 367 Print dialog box settings 347 349 resolution and pixels in images 5 service providers for 370 374 substrates for 254 printing assuming
22. tput profiles in images 36 38 offset press printing and 367 overview 10 printers and 26 for printing black and white photos 314 soft proofing with output profiles 40 41 Rosco filters Cinegel 3204 1 4 Tough Booster Blue 280 Tough Plus Green 3304 236 237 S saturation automating adjustments 222 in Camera Raw dialog box 71 fixing severely underexposed images and 210 212 flesh tones and 166 167 Hue Saturation dialog box for correcting 153 154 maintaining in brightest colors 224 photocopying art prints and 254 photos taken with insufficient flash and 215 216 217 for postcard look 220 221 Saturation color conversion 37 38 Save As dialog box embedding color profiles using 20 Save Options dialog box 53 55 saving files embedding color profiles using Save As 20 lossless compression formats for 7 in TIFF format 367 scanner versus camera for photocopying 250 268 281 Screen blend mode brightness adjustment using 214 322 in Mixed Mode Image Save 210 211 selecting See also selection masks adding subtracting selections from channel masks 335 Color Range command for 155 156 159 172 eye for red eye correction 226 further information 172 Magic Wand tool for 172 Selective Color Options dialog box for 162 164 selection masks correcting color using 159 165 creating with Color Range command 157 159 for Lens Blur filter 334 Selective Color Options dialog box 162 164 self serve photo centers 371 372 s
Download Pdf Manuals
Related Search