Kodak Gold 200 135/36
Contents
1. 00 and 200 Films Kodak Kodak Professional Edge Ektacolor Endura Flexicolor Gold Max Portra Pro Image Profoto Royal Supra Ultra Ultra Color and Wratten are trademarks New 2 07 Printed in U S A KODAK GOLD 100 and 200 Films KODAK Publication No E 7022 Film amp Photofinishing Systems Group EASTMAN KODAK COMPANY e ROCHESTER NY 14650 Kodak2. 74 Printing Black and White Images Without KODAK Black and White Papers IMAGE STRUCTURE Print Grain Index The Print Grain Index number refers to a method of defining graininess in a print made with diffuse printing illumination It replaces rms granularity and has a different scale which cannot be compared to rms granularity This method uses a uniform perceptual scale with a change for four units equaling a just noticeable difference in graininess for 90 percent of observers A Print Grain Index rating of 25 on the scale represents the approximate visual threshold for graininess A higher number indicates an increase in the amount of graininess observed The standardized inspection print to viewer distance for all print sizes is 14 inches the typical viewing distance for a 4 x 6 inch print In practice larger prints will likely be viewed from distances greater than 14 inches which reduces apparent graininess Print Grain Index numbers may not represent graininess observed from more specular printing illuminants such as condenser enlargers The Print Grain Index number listed in this publication applies to the following standards Negative size 24 x 36mm 135 size standard format Print Size in inches 4x6 Print Size in centimeters 10 2 x 15 2 Magnification 4 4X Print Grain Index for GOLD 100 Film 42 GOLD 200 Film 44 KODAK GOLD 100 and 200 Films e E 7022 CURVES 4 0 Exposure Daylight Log H Ref 0
3. 84 Densitometry Status M 3 0 gt ap 4 2 0 B Q G 1 0 H R 0 0 _ z 3 0 2 0 1 0 0 0 1 0 E7022E LOG EXPOSURE lux seconds KODAK GOLD 200 Film Characteristic Curves 4 0 Exposure Daylight Log H Ref 1 14 Densitometry Status M 3 0 gt Z 20 L B Ww A G 1 0 R 0 0 _ 7 7 3 0 2 0 1 0 0 0 1 0 E7022B KODAK GOLD 100 Film Characteristic Curves LOG EXPOSURE lux seconds Spectral Sensitivity Curves Exposure Daylight Effective Exposure 1 50 sec Densitometry Status M Density 0 2 gt D min gt r H E p al N Zz W n O O l 250 300 350 400 450 500 550 600 650 700 750 WAVELENGTH nm Sensitivity reciprocal of exposure ergicm required E7022C to produce specified density Spectral Dye Density Curves Typical densities for a midscale neutral subject and D min gt o Z e Midscale Neutral l lt L o O Ww a on Ww 7p 5 it L a 400 500 600 700 WAVELENGTH nm NOTICE The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified They are representative of production coatings and therefore do not apply directly to a particular box or roll of photographic material They do not represent standards or specifications that must be met by Eastman Kodak Company The company reserves the right to change and improve product characteristics at any time KODAK GOLD 100 and 200
4. Films E 7022 MORE INFORMATION Kodak has many publications to assist you with information on Kodak products equipment and materials Additional information is available on the Kodak website The following publications are available from Kodak Customer Service and from dealers who sell Kodak products or you can contact Kodak in your country for more information E 30 Storage and Care of KODAK Photographic Materials Before and After Processing E 7019 KODAK MAX Versatility Film E 7018 KODAK MAX Versatility Plus Film E 4035 KODAK PROFESSIONAL ULTRA COLOR Films E 4040 KODAK PROFESSIONAL PORTRA Films E 7020 KODAK EKTACOLOR EDGE Paper E 7021 KODAK ROYAL Digital Color Paper E 4020 KODAK PROFESSIONAL ULTRA ENDURA Paper E 4021 KODAK PROFESSIONAL PORTRA and SUPRA ENDURA Papers E 4038 KODAK PROFESSIONAL ENDURA Transparency and Clear Display Materials For the latest version of technical support publications for KODAK Products visit Kodak on line at http www kodak com If you have questions about KODAK Products call Kodak In the U S A 1 800 242 2424 Monday Friday 9 a m 7 p m Eastern time In Canada 1 800 465 6325 Monday Friday 8 a m 5 p m Eastern time Note The Kodak materials described in this publication are available from dealers who supply Kodak products You can use other materials but you may not obtain similar results KODAK GOLD 100 and 200 Films e E 7022 KODAK GOLD 1
5. KODAK GOLD 100 and 200 Films Kodak TECHNICAL DATA COLOR NEGATIVE FILM KODAK GOLD 100 and 200 Films are low speed color negative films that offer an outstanding combination of color saturation fine grain and high sharpness They are designed for general picture taking situations in daylight or with electronic flash You can also expose this film under photolamps 3400 K or tungsten illumination 3200 K with filters They also feature wide exposure latitude from two stops underexposure to three stops overexposure Other features include February 2007 e E 7022 EXPOSURE Film Speed Use these speed numbers in the table below with cameras or meters marked for ISO ASA or DIN speeds or exposure indexes Do not change the film speed setting when you use a filter if your camera has through the lens metering Metering through filters may affect light meter accuracy see your meter or camera manual for specific information For critical work make a series of test exposures Features Benefits Saturated colors Bright colorful prints Fine grain and high Great for enlargements sharpness High quality results when scanned for digital output Great prints from digital zoom and crop images STORAGE AND HANDLING Load and unload your camera in subdued light Store unexposed film at 21 C 70 F or lower in the original sealed package Always store film exposed or unexposed in a cool dry place Process f
6. essing of the negative Density Reading Area Measured GOLD 100 Film GOLD 200 Film KODAK Gray Card gray side receiving same illumination as 0 90 to 1 10 0 85 to 1 05 subject Lightest step darkest in the negative Oba KODAR Paper 130to150 1 25to1 45 Gray Scale receiving same illumination as subject Highest diffuse density on normally lighted forehead light complexion 1 20 to 1 50 1 15 to 1 45 dark complexion 0 95 to 1 35 0 90 to 1 30 KODAK GOLD 100 and 200 Films e E 7022 RETOUCHING Negatives on this film can be retouched on the emulsion side with retouching pencils after applying a retouching fluid such as KODAK Retouching Fluid PRINTING NEGATIVES This film is optimized for printing on KODAK EKTACOLOR EDGE Paper KODAK ROYAL Digital Color Paper and KODAK PROFESSIONAL ENDURA Metallic Paper Make color slides and transparencies by printing the negatives on KODAK PROFESSIONAL ENDURA Transparency Display Material or KODAK PROFESSIONAL ENDURA Clear Display Material You can scan an image to a file and print digitally to KODAK EKTACOLOR EDGE Paper KODAK ROYAL Digital Color Paper KODAK PROFESSIONAL ENDURA Papers KODAK PROFESSIONAL ENDURA Metallic Paper KODAK PROFESSIONAL ENDURA Transparency Display Material or KODAK PROFESSIONAL ENDURA Clear Display Material Make black and white prints on any of the materials mentioned above using the recommendations in KODAK Publication CIS 2
7. ic source additional filtration or special printing may be required to achieve best results KODAK Color Type of Fluorescent c 3 Exposure Lamp ompensating Adjustment Filter s Daylight 4OR 2 3 stop White 20C 30M 1 stop Warm White 40B 1 stop Warm White Deluxe 30B 30C 11 3 stops Cool White 30M 2 3 stop Cool White Deluxe 20C 10M 2 3 stop Note When you don t know the type of fluorescent lamps try a 10C 20M filter combination and increase exposure by 2 3 stop color rendition may be less than optimum Adjustments for Long and Short Exposures You do not need to make any exposure or filter adjustments for exposure times of 1 10 000 second to 1 second For critial applications with longer exposure times make tests under your conditions PROCESSING Use KODAK FLEXICOLOR Chemicals for Process C 41 For more information see KODAK Publication No Z 131 Using KODAK FLEXICOLOR Chemicals JUDGING NEGATIVE EXPOSURES You can check the exposure level of the color negative with a suitable electronic densitometer equipped with a filter such as the red filter for Status M Densitometry or a KODAK WRATTEN Gelatin Filter No 92 Depending on the subject and the light source used for exposure a normally exposed and processed color negative measured through the red filter should have the approximate densities listed below These densities apply for the recommended light sources and correct proc
8. ilm as soon as possible after exposure Protect negatives from strong light and store them ina cool dry place For more information on storing negatives see KODAK Publication No E 30 Storage and Care of KODAK Photographic Materials Before and After Processing DARKROOM RECOMMENDATIONS Do not use a safelight Handle unprocessed film in total darkness Eastman Kodak Company 2007 KODAK ISO Speed Light Source WRATTEN Gelatin Filter Gold 100 Film Gold 200 Film Daylight or Electronic Flash None 100 200 Photolamp 3400 K No 80B 32 64 Tungsten 3200 K No 80A 25 50 For best results without special printing Daylight Use the exposures in the table below for average frontlit subjects from 2 hours after sunrise to 2 hours before sunset Shutter Speed second Lighting Conditions and Lens Opening Gold 100 Film Gold 200 Film Bright or Hazy Sun on 1 125 1 250 Light Sand or Snow f 16 f 16 Bright or Hazy Sun 1 125 1 250 Distinct Shadows f 11 ffi Weak Hazy Sun 1 125 1 250 Soft Shadows f 8 8 Cloudy Bright 1 125 1 250 No Shadows f 5 6 f 5 6 Heavy Overcast or Open 1 125 1 250 Shadet f 4 f 4 Use f 5 6 for backlit close up subjects t Subject shaded from the sun but lighted by a large area of sky Electronic Flash Use the appropriate guide numbers in the table below as a starting point for your equipment Select the unit outp
9. ut closest to the number given by your flash manufacturer Then find the guide number for feet or meters To determine the lens opening divide the guide number by the flash to subject distance If negatives are too dark overexposed use a higher guide number if they are too light underexposed use a lower number KODAK Color High Intensity Compensating Exposure Discharge Lamp CCT Filter s Adjustment High Pressure Sodium JOB 50C 3 stops Vapor Metal Halide 10R 20M 2 3 stop Mercury Vapor with Phosphor 20R 20M 2 3 stop Mercury Vapor without Phosphor 80R 12 3 stops Unit Guide Number Output Distances in Feet Metres BCPS Gold 100 Film Gold 200 Film 350 40 12 60 18 500 50 15 70 21 700 60 18 85 26 1000 70 21 100 30 1400 85 26 120 36 2000 100 30 140 42 2800 120 36 170 50 4000 140 42 200 60 5600 170 50 240 70 8000 200 60 280 85 BCPS beam candlepower seconds Fluorescent and High Intensity Discharge Lamps For best results without special printing use the color correction filters in the table below as starting points when you expose this film under fluorescent and high intensity discharge lamps Use exposure times of 1 60 second or longer to avoid the brightness and color variations that occur during a single alternating current cycle Actual filtration may vary between lamps and lamp manufacturers Depending on the specif
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